#not gonna tag the characters or fandom lmao

[akuma-tenshi]

frederick kreiburg pissed off that a married man wears his wedding ring, more at 11

[catragemiau]

Afterparty

Happy Birthday Sonic! 💙💙💙

[tennessoui]

it’s like baby gorl there’s no way I, the author who wrote the fic you’re commenting on and who is the intended audience for this comment, am gonna agree with you 😿🙏 some things can just stay on your chest 🙏

[stardust-falling]

fandom psa; there is nothing whatsoever that is inherently "problematic" about shipping characters who are "found family."

Adoption is not found family. A blended family is not found family. A found family or chosen family is a group which, through circumstances or simply mutual affection, hold their relationship to one another with equal care and importance as family members ought to. It's not the same type of relationship.

It's not incest. It's not even pseudo-incest unless you want it to be. I personally don't care what people ship, but I'm absolutely tired of people misusing the term "found family" to just recreate the idea of a nuclear family and force those roles onto the entirety of a fandom. Sure, maybe characters who are found family may view themselves like siblings, or like a parent and child or aunt and niece, but they might also just see each other as friends-- and guess what? romantic partners too! That's technically the most widely-accepted form of found family/chosen family there is!

The whole point of found family/chosen family is to have the importance of "family" on relationships that lie outside the commonly-understood bounds of that relationship. Not to recreate the "mommy-daddy-daughter-son" dynamic with unrelated characters and use that headcanon or fanon dynamic to enforce your own morality or preferences on other fans.

[fearforthestorm]

hey if we're going over tagging etiquette for new people is this a good time for us to bring back up the plea of "please god stop tagging your watchers content as Evo if it has nothing to do with Evo" because. man I've been trying to have a productive conversation about that tagging mess for over a year and if this is what it takes to have that conversation I will take it!

[wispurring-moss]

*trips gracelessly onto my face & This flies out of my pocket like a shot*

welp, finally flew too close to the VCU sun & found myself plummeted straight down into hell, who'da thunk it ¯\_(ツ)_/¯ so have a spider boi doodle for now i guess, he's so shape-y lol i'm vibing with it~

[enchantrum]

aright so this is what I'm talking about

guys there's literally no reason to put stuff like this in the tags lol!

for those who may not understand tumblr culture: character specific tags are utilized mostly by FANS of the character to discuss the character, search out meta, or look for art and fic.

it's considered bad etiquette to post character hate into the tag for the character. but with characters who have a lot of people who hate them (like Emp), this is very hard for us to self-police. it's especially annoying because it can lead to the tumblr algorithm placing these posts directly into our timelines because of how they're tagged.

literally every day we see a handful of the exact same post:

[screenshots of Emp with someone's character.]

caption: god I fucking hate him I'm going to kill him soon grrr!!

even ignoring the bad-etiquette part of it, you're basically just spamming the tags with a post that's been made 1000s of times?

it's not at all conductive to building discussion or community.

squidfuckers are gently requesting you all stop doing this lol.

[olrinarts]

so this was originally a mini-essay i spared a poor commenter on constancy must transpose when they mentioned liking an aspect of Narinder's characterisation in that, but i did like it, so i want to go more in-depth about it over here. much, much more in-depth (can you tell I went to college for English/Lit. Criticisms)

it has now become an entirely too long essay(ish) below the cut on why Narinder has an option to be softer that he rarely takes in other universes but does take in CMT, and why I stuck him with the Ivory Crown and the domains of Life and Resurrection (extensive use of in-game dialogue ahoy lmao)

So i do sincerely believe that Narinder has a capacity for a softer characterisation that doesn't conflict with his canon interactions, mostly because of how i've read those interactions with the Lamb over the course of the game, going purely by text dialogue and scenes, etc (if the devs have said something about his characterisation, I haven't heard it and I prefer working via canon rather than word of god, anyway.)

Part of the 'for want of a nail' re: his characterisation in CMT, and ultimately for why and how the Ivory Crown has the opportunity to emerge, is that he's more willing to acknowledge the soft spot he has for the Lamb. I'd argue that soft spot is very textual:

When the Lamb dies, a crueller god would be much angrier, and an ambivalent god wouldn't bother to speak to them about it. Narinder chooses to reassure the Lamb outright instead, telling them to 'Continue on, undaunted. Each time you are brought down, you rise again stronger.', among other dialogue. Though others insist he's a cruel, untrustworthy god (Leshy and Heket say the Lamb shouldn't trust the One Who Waits and call TOWW a monster, respectively), he sure doesn't punish them for when they've arguably failed.

He repeatedly compliments them on their progress, calling them worthy, saying he chose wisely to make them his vessel, along with comments like 'Your merciless crusade against the Old Faith warms my cold, unbeating heart.'

He flat out says the Lamb wore the Crown almost as well as he does. From someone who believes himself the only truly worthy bearer, I feel like that's actually a pretty big compliment.

There's other examples, but I'll keep it to that, I feel that successfully conveys why I think it's textual. Someone could make the argument that it's all feigned to lull the Lamb into believing, and I think that's a perfectly valid interpretation - but his progression in the post-game implies that it wasn't. From the musing about the materials of his siblings' realms and his reactions to the Lamb bringing them back, the steady progression from frustration to the silence from Shamura's mission, there's a tone of reconciliation, not an entirely new soft spot.

It becomes an explicit reconciliation if you've chosen the Resurrection tenet (which in CMT the Lamb did not, nor was it made available) - part of Narinder's response being 'I cannot begrudge supplantation by one such as yourself''. This is accompanied by sincere laughter and enjoyment of watching the Lamb defy the domain that he both wielded with an iron fist and resented for its iron binds, as dialogue from Haro and Shamura implies and outright states, respectively.

'Truly peculiar, 'twould then seem, his appetency to invite the novel and the new... ...Doubt tears faith asunder.' -Haro

'...he grew discontent with his role. He began to question.' -Shamura

All of this to say that in canon, despite knowing he would sacrifice the Lamb in the end, Narinder was still personally invested in the Lamb as a person, not merely a tool. There's a companion to constancy must transpose that'll go up, chimes of bone, which starts from a similar if not the same universe, but the sacrifice goes ahead successfully.

The reason I'm establishing all of this as the canon interpretation I have is so that I can make the 'argument' for Narinder's objectively softer characterisation in CMT, which contrasts with a lot of popular interpretations I've seen. No one is arguing with me, it's just the way of literary analysis to argue with your own basic premise.

So there are a few points that differ from the canon events (that aren't just worldbuilding or headcanons) that make CMT's characterisation (hell, the story itself) possible:

Narinder was willing to acknowledge to himself that he had an investment in the Lamb.

The Lamb did not have the Resurrection tenet made available at any point in-game for Reasons.

The Lamb was aware from much earlier on, if not the beginning, that they would give their life at the end of the arrangement (why this wasn't an issue but a freely accepted condition is a whole other separate essay lmao)

And at the heart of it is the question: 'what if they're all tired of this endless, exhausting cycle?'

Narinder and the rest of the Bishops are people, after all. The Bishops all explicitly express fear, regret, anger, and grief in their own ways, which is (again) a separate essay. And what I've found in general, and what serves as both interesting progression and conflict in terms of plot, is that people are drawn towards trying to heal their injuries, whether those are physical or otherwise. That isn't always something a person wants to accept consciously, and the struggle between wanting to heal and wanting to stay injured for whatever reason a character might have, is a good stepping stone in not only the plot but the overall story.

The reason in terms of story construction, not plot, that Narinder has the domains of Life and Resurrection, is because he's the nexus of the injuries dealt throughout the rest of the players. That isn't to say he's at fault, only that he's the central point of the hurts everyone, including himself, have been dealt. The sheep were all killed to prevent his escape. He was the one suffocating from the domain of Death, wholly unsuited to his own nature (differing from personality in that the latter is the characterisation and the former is the motivation.) He was the one to discover how to reverse that domain, terrifying the other Bishops for varying reasons. He was the one to wound them, in retaliation for their profound betrayal. He was the one imprisoned Below for a thousand years, deserved or undeserved depending on whose side is the point of view (and even then it's a bit more complicated on the 'deserved' side than a black and white view.) It's from Narinder that all of the current injuries and hurts have rippled out, not from fault but from the injuries dealt to him.

Therefore, if anyone would be suited to the domain of Life - and his specific expression of it, the flesh and the struggle, the defiance of one's end until there isn't a scrap left to resist - it would be Narinder. Resurrection is his and will remain so, as well as the rule over souls in flux rather than the souls that move on, which are the Lamb's to care for and guide. That is made possible by the Life domain that's been suppressed by the weight of Death, so inherent to his nature that the Crown to rule it emerges from his own body (appropriately, the crown of his head specifically.) 'Here did Death no longer wish to wait', said the statue of the Red Crown, and freedom from waiting has its own issues, but is infinitely better than that suffocating weight of Death.

This - the defiance and the violent struggle of bodily Life, the expression of time moving forward and refusing to bow to it - is precisely why Narinder is able to be softer. This Narinder has come into possession of a domain far more suited to him, but he's done so in the presence of a new god determined to keep him as himself even before the Ivory Crown emerges. The Lamb refuses to let him diminish, for reasons described in-story (as no one will read this far, and quite rightfully so, spoilers are safe: the accidental moment of fear that resulted in their 'betrayal' was never intentional.) Whether he's willing to trust it or accept it in the early chapters is irrelevant: it will remain there, and it will remain a path out, and the Lamb will be damned and obliterated before they close that path to the god they never stopped revering.

That insistence on guarding his path out does come back to bite them in the ass, but it was always offered in sincerity, and it's the Lamb. For the last century, they were devoted: they trusted him and did as he commanded without fail, even if it took many deaths to accomplish. He'd given them a chance to avenge their people, to change things, to give the world something new in the time they had because he chose to command them to run his cult, instead of some other, less authoritative use. In return, whether intentional or not, Narinder came to trust them. They were his key out then, before the 'betrayal': the first scrap of true hope in a millennium, a distant flicker of light in the long dark of a possibly eternal wait. Even he, the One Who Waits, betrayed by his family for the sin of seeking any relief from the domain that had been chaining him in place long before he was cast down, found himself trusting them.

Once they handle the misunderstanding from hell, then, he's left in a vulnerable position that he quite reasonably despises after millennia of godhood - and for all their flaws (the Lamb has many of them, as does he), they still refused to let him go. They continue to have faith in him, despite being a god themself and before he's a god once more. There is an option to be softer, an afterwards that isn't necessarily a bitter end (which is itself a theme over on the Lamb side of things.) That's where the freedom from the inevitability he's carried since the Red Crown chose him truly comes into play. The heart of the story itself emerges and remains, no matter where the plot goes.

'What if they're all tired of this endless, exhausting cycle?'

Narinder's no longer locked into the role of the One Who Waits. He's now the One Who Waited, and Waits No Longer. He can choose to be new, he can choose to be different, and in CMT he chooses to do both of those things. In that decision is the crux of the softness and the drawing in of the people connected to the nexus of his place at the centre of the story: the Lamb coming to terms with the Crown they've have taken, and maybe were always meant to have, anyway. The Bishops in ways individual to each: Leshy's the only one in the story so far, at the time of this... jfc, incredibly long 'essay' (ch. 21). Seeing the option for softness (or enmity), reunion (or alienation), for a chance at something he can't predict, it's kind of unsurprising that the former god of Chaos barrels into the unknown. Not immediately changing, but he'd be uninterested if it was instantaneous, in my opinion.

In the end, CMT really rests on two events: the Lamb's accidental betrayal from fear (other essay that I pray will not happen), and Narinder's choice to reject inevitability and the chains he's worn for most of his existence to forgive them for it. After, the relationship progresses (it's a ship story as well, after all), and that itself gives him chances to be soft with the Lamb in ways he previously would've chosen to gargle liquid glass over doing. Part of it is sincere feeling, obviously, but a lot of it is the novelty of getting to choose it. His nature is inherently curious, and wants new things. Curiosity chained the cat, but the Lamb's devotion brought him back.

There's other factors and interpretations, but this is already an entirely too long analysis of my own damn writing and by god that's pretentious enough for me to know when to set it down, thanks for coming to my TED Talk

[shikai-the-storyteller]

Tumblr is way chiller than Twitter for sure but sometimes I see a post and I'm like. Y'all DO remember this is a block game, right? You're not gonna get legitimately pissy and passive-aggressive over characters doing things in a block game, RIGHT???

[smalltownotomeenjoyer]

Next week, my work schedule starts being less hectic, so I will be dedicating my extra time off to draw the love interests and MCs of my favorite otome games wearing cursed tshirts. If any of y’all have tshirt suggestions, send them my way, I’ll add them to my ever-growing collection. 🫡

(If you want an idea as to what otome games I’ll be making fanart for, refer to the tags.)

[harrowscore]

why are you, as an adult in 2024, still hung up on reylo. why are you still mocking the shippers. why do you believe yourself to be superior only because you dislike a stupid ship from a fucking space fairytale. girl (gnc) get a grip

[thetwilightroadtonightfall]

marshmallow gang goes camping 🔥 (self indulgent blorbo art)

[cheaceboy]

Dear fandom and LGBTQ community,

(This is about to be a long post. I'm going to put a little divider here but it would mean a lot to me if you read the whole thing.)

It's pride month. I know that means you get all shippy in your fanfics and fanarts. Love that, keep doing it. There's not enough yuri in this world. And I understand that sometimes the queer rep in certain media is too little, so you turn canonically heterosexual characters LGBTQ. Whatever, that happens in real life all the time.

But please, PLEASE leave the aro/ace characters alone. There's already so little aspec rep in media, the last thing we need is for people to take even those characters away.

Yes, some aromantic people have romantic relationships. Yes, some asexual people still have sex. But if you take a character that canonically is aro or ace and shows no signs of attraction in the media, you can't just make them gay. Greysexuals, demiromantics etc. are valid and beautiful and deserve more recognition and representation, but not like this. Not as a way to say "well technically they COULD still fall in love" and then not exploring that aromanticness any further.

Imagine how pissed you would be if someone took a canonically homosexual character and put them in a straight relationship in fanfic with some lousy excuse.

Actually that probably regularly happens. Well, it sucks, doesn't it?

Well anyways, my point is, platonic relationships are fun to explore too! Or even aro/ace/aplatonic could be interesting to write.

Make a story about the rejection that comes with falling in love with someone and then it turns out they're aro/ace, loving someone you know will never love you back. Hell, write a story about a character finding out they're aro/ace when they're already in a relationship. Like, there's so much angst inherent in this sexuality, write about that! Why must you write smut about (what is often) the single character you really shouldn't write smut about.

Jeez this is becoming a long rant. I just want to say a couple more disclaimers to prevent miscommunication here:

I am not against shipping. If they're fictional characters, do whatever you want. But please don't take away representation.

I do not represent the entire aro/ace (or aplatonic) community and am merely an individual. Others might disagree about this topic.

I have seen similar posts to this one, (thanks to my aro or ace mutuals, love you!) which inspired the creation of this post. If you find any similar posts you feel should be linked here then shoot me a dm or ask or something and I'll add it in.

Oh and yes, I'm aromantic. Not asexual (I think?) but definitely aromantic. I hadn't said that on here before, but at this point the closet is made out of glass. So if you've made it this far, thank you for reading my probably illegible ramblings and have a gay 'ol pride!

Sincerely, Cheaceboy

[strawglicks]

i can feel myself drifting from the TTCC community .. like i still love the characters and their dynamics, but ive been thinking less about toontown as a whole and just some of the characters are lingering . this usually happens towards the end of my obsessions

plus i just dont feel in touch with the community LOL i just kinda stick to my own stuff and sometimes like the art and stories ppl make .. but im in this awkward spot right now where im MENTALLY not engaging as much. idk if this is anything

[herrmit]

not to start shit but. tell me you didn't understand princess jellyfish without telling me you didn't understand princess jellyfish

[r0semultiverse]

It’s wild to me that some of you have entire discourse accounts dedicated to shipping hate & over analyzing shipping between the anime, manga, & light novels to the point of making harassment campaigns against the authors/writers of the side stories. Yet y’all don’t send the same hate towards Ikemoto & his highly suspect ass art style with the way he draws some of these kids.