#now i get to unpack...

[inamindfarfaraway]

I would find Blondie Lockes very annoying in real life, but I love her in fiction. She's a genuinely good journalist in terms of both skill and ethical integrity, who only occasionally forgets to check the facts because she's fifteen and holds herself accountable when she does. She has incredibly high standards for everything and believes herself to be the ultimate authority on quality. She has magical lockpicking powers because her fairytale is about Goldilocks breaking into a house. She somehow completely ignores the story's moral that Goldilocks was wrong to break into the house, feels entitled to go wherever and help herself to whatever she's able to and cannot comprehend why people dislike this. She's been terrorizing an anthropomorphic bear family with her cheerful disrespect for privacy and is convinced that they love her. She has a non-anthropomorphic pet baby bear. Her motivation is dependence on external approval rooted in deeply internalized classism. She's desperate to be useful and important to those with higher social status and feels the need to lie that her family is technically royalty to fit in with her royal friends, even though they treat commoners like equals all the time. She positions herself as a conduit of true greatness; closer to it than the masses, but never the hero, always reporting on other people and evaluating what they've done. Because what she's done isn't enough to be worthwhile. What she is isn't enough. But this performative lifestyle makes her anxious about being judged as a fraud and an interloper, and ashamed of selfishly transgressing against social norms. Her microphone head looks like an adorable little bear head. That's one hex of a character alright.

[son-of-avraham]

I am absolutely begging people to stop treating nazism as their big, bad blorbo caricature they can just invoke when they're mildly irritated about people who (they think) have Bad Opinions.

Nazism is not just "any time a Bad Guy does Bad Things." Nazism is not your final jojo stand you can invoke to win discussions or debates. It is a real life ideology that is intrinsically linked to the radical antisemitism it espouses and ignoring that is fundamentally harmful to the point of being radically antisemetic.

Since this is on-topic, I've been reading People Love Dead Jews (I am on chapter two), and I think downplaying nazism is absolutely part of de-emphasizing and reprioritizing antisemitism to make it about everything else but the antisemitism. When nazism is everything, then it can't be fundamentally antisemetic. You won't have to acknowledge that jews are the primary target of nazis and nazism if nazis are everything else. It's not a coincidence, especially seeing how many jews people call nazis. This is part of the dead jew that people love - if your eye is turned away from the fact that jews both exist still and are affected by violence and oppression, you get to say, "the jew is dead!".

Regardless, you will never live in a world without us**

עם ישראל חי

[oldbutchdanielcraig]

have you ever seen two people more married in your entire life. please

[rebouks]

Previous // Next

Alex: EEEEEEEEEEEEEEEEE! [wheeeeeeze] Byrd: Woah, lady-.. I know karate! Wren: No, you don’t. Byrd: [whispers] She doesn’t need to know that. Wren: It’s Alex, dipshit. Byrd: Ohhh-.. wait, really? Wren: Sure looks like her.

Alex: Oh my god, I found you-.. and I followed your CAT! I missed you so much!! I hope you’re not mad at me-.. I’m so SO sorry for not writing! I thought I was being organised by printing some labels out to save time, y’know? But then I forgot them at home when we went to my uncles and dad said we’d only be gone for a month, so I figured it wasn’t a huge deal, but then we stayed for what felt like it’d be FOREVER and I couldn’t for the life of me remember your address which is ridiculous ‘cause I SHOULD’VE had it memorised by now and I felt so awful as the months passed. I tried to remember it a couple times but you never wrote back so I figured I obviously got it wrong-.. then I tried finding your house on a stupid online map but the internet was crappy at best and the Bay is WAY bigger than I thought it’d be and I’ve never really seen your house in full view from the street either so, like.. I barely knew what I was looking for, and what if that camera car didn’t even map your house, y’know?!

Ava: That was.. a lot. Alex: Sorry-.. you’re not mad, are you? [Robin shook his head and took a breath, but nothing came out] Wren: Oop. Byrd: Yeah, I think he broke. Ava: Ooh, do you know sign language? Alex: No-.. I totally should’ve learnt! I guess I didn’t know I’d be coming here though… Byrd: I can teach you! Well, some, I’m still learning, but Robin knows a bunch. Ava: He’s not mad, by the way. He was just worried. [Robin shot his younger siblings a look, fruitlessly warning them not to embarrass him] Byrd: I’m sure he’d say hi, if he could. Wren: I bet he’d say you look pretty too. Byrd: He’s been extra mopey without your letters-.. or maybe that’s just what puberty does. Ava: He has to wear deodorant now, otherwise he STINKS! Wren: You should stay for supper, dad’s baking something.. again. Alex: Ough.. I was supposed to be home ages ago, dad’ll kill me.. wait, what school do you go to?! Byrd: Bay C-… Wren: Not us-.. he goes to Copperdale. Alex: Ohh, yay! I promised dad I’d finally unpack tomorrow but the day after that is Monday, right? Wren: Well done. Alex: Okay-.. ahhhh! SEE YOU AT SCHOOL!!

…

[Robin deflated as soon as Alex liberated him from another bear hug and sped off, releasing a breath he’d kept tucked beneath his ribs for an uncomfortably lengthy amount of time] Robin: Ouuuuuuuuuuuuugh. Robin: Why-.. why am I like this? Wren: You’ll spew something out eventually. Oscar: Alright losers, pie’s-.. what’s up with him? Robin: I’m fucking BROKEN. Wren: I mean.. you’re a little fucked, but still good! Oscar: Quit it with the swearing-.. what happened? Wren: Alex showed up n’ he broke. Robin: I didn’t even get to say hi or ask why she’s here, or for how long-.. and you just had to be embarrassing! Oscar: What’d she say? Robin: She said Alex was pretty on my behalf and I’ve never said that and she’s a DICK! Oscar: That’s tame-.. for Wren. Robin: I hate you all right now. Wren: Not as much as you hate yourself. Oscar: Hey, too much! Robin, c’mon-… Robin: SHUT UP! Oscar: Right, you’re on dish duty. Wren: Seriously?! Oscar: You reap what you sow, honey.

[n3arell-art]

statement recorded directly from subject March 15 2025 by Jonathan Sims, the Archivist

[kindahoping4forever]

Ash IG Stories (feat cameos by Cal and Luke)

[cerealmonster15]

crush reveal (not clickbait) what will he do

[mamawasatesttube]

Between Tim and Kon who makes the first move?

honestly for me it varies! i slightly tend towards it being tim, but not always. but in a very specific way, i.e. it's a very gradual melt right on into a relationship, and tim is the one who goes hey. wait a minute. this feels like A Relationship.

at first, saying it'd be tim is probably surprising, since tim has a history of NOT making the first move across his comics - we don't actually see how he and ari get together, but steph chases after him and repeatedly states her interest in him before they ever get together; tim is the one who asks zoanne out, but only after she kisses him and then runs away. then tam once again is the one to ask him if he's interested in her (and, i mean, if you count lynx ii, she's always the one initiating things getting physical and making out with him, but they also literally never talk about it, so i don't entirely really count her as a serious tim love interest).

on the other hand, while kon of course has been a flirt since he was decanted from his tube, a lot of it was very performative and he's only actually ever been in three relationships, two of which were instances of abuse and grooming. given how introspective he gets after his resurrection, and how much less sure of himself he is in general, i tend to believe this is where he starts actually unpacking all his relationship trauma and internalized homophobia. i think actually accepting that he is gay and not actually interested in women is a very jarring thing for him, and accepting that he was groomed and abused is also very difficult, and it takes him a while.

because of that, i think he ends up a) confused about what romance actually feels like, and b) very tentative about dating for a while. he wants deep connection - he was genuinely in love with knockout, and he thought she loved him too; he thought tana would be part of his life forever, and his devotion to cassie was notable even before they actually dated. but deep connections are hard to make with people you don't know well, and by the time he's around 19-20 i think he's kind of struggling with the idea that he's not gonna get what he's looking for in casual relationships, but also the idea of being in Gay Love with one of his best friends is terrifying, because he's not good at identifying what being in love feels like, so he kinda talks himself out of it. "this is comfortable and easy so it must not be romance, this is just really good friendship, because romance feels like walking a tightrope. right? haha. right??" and all that.

and then moreover, i think tim really sits on the fact that he's bisexual for a long time. not because he's trying to hide it, but because he's just so intensely private about things that bother him, and he's got some jack drake shaped Internalized Issues in his head to work through about what it means to be transmasc and to like men (i.e. a voice that sounds suspiciously like a conservative dad putting in one single ounce of effort re: understanding queer relationships is in the back of his head going "but you'd be the girl in the relationship if you dated a man, right?" and tim has to take several deep breaths and figure out how to unpack that before he's ready to even think about admitting out loud that he's interested in guys too, even to himself, let alone to anyone else).

so for a hot second kon's just out there going "i like men but it doesn't matter because i'm never going to fall in love with someone that really truly wants me and loves me as deeply as i'd love them, and i'd be miserable about that except that i'm just pretty satisfied being bffs with tim :) i feel at ease when he's around and he makes me laugh and i just like being near him and watching him work on gadgets or listening to him ramble about cars or letting him sleep on my shoulder. i know it's not romantic because i feel so safe and comfortable, but i'm happy with it, whatever it is. and if i think he's hot, well, that's just because he is hot. everyone knows that!" guy who pretty much is already tim's boyfriend but he hasn't noticed that yet because they're both kind of stupid and also insanely devoted to each other in the same way, so they both go "yeah this seems normal for us" and kon really doesn't question it that hard.

meanwhile tim is the guy to whom labels and boxes matter a lot more, so he's the one who sits back one day and goes, wait. oh my god. i'm in love with kon. and then he has to steeple his index fingers and interlace the others and press his hands to his face in deep, deep thought. he's in love with kon, and realizing that makes a lot about his life suddenly make a lot of sense, because seriously - a hundred clone attempts, changing robin to be red and black, making out with cassie because he missed kon so much - okay, okay, yeah, he sees it now, okay, so maybe he's been in love with kon for years at this point and never actually realized it, that's fine, this is fine, he's FINE, he's NOT freaking out or overthinking--

anyways. after freaking out and overthinking and brooding on a rooftop for four to seven business days (not all at once, of course, but he gets his hours in), he finally goes to kon and jabs his finger into his chest and goes "Hey. Are we dating?"

and kon stares at him for a second with a loading circle spinning over his head. claps his hand over his mouth. inhales sharply like a dying fish. claps his other hand over the first hand. starts floating a few inches off the ground in pure agitation.

"Oh my god, Tim," he says, his eyes as wide as dinner plates and his voice an octave higher than usual. "Are we dating?!"

"I think so," Tim says, and narrows his eyes. "I mean, if we're not, maybe we should be. Pizza and a movie tonight?"

and kon clearly goes through A Whole Process in his head (working through the "wait, dating is comfy and chill and happy and easy?!" crisis in real time), but ultimately goes "okay!!! yeah!! okay!!! let's do that!!! wow!!!!" because, hey. he would love to hold hands with tim while watching the sunset and eating hipster san francisco pizza.

and that's how they end up sitting on the floor by the coffee table in the titans tower common room, eating pizza, and poring over a calendar + their text message history to try and figure out when, exactly, their anniversary is. ("okay, so when we went on that picnic in april, was that a date?" "i think so. alright, so it has to be before april, but after valentine's, because you made a joke about being single here, see? so we're looking at somewhere in march. "okay, but we did do 'palentine's' together, so does that really count??" "fuck, you're right, that totally was a date too. uh...")

[basket-of-radiants]

Why were you so disappointed by Rhythm of War?

This has been sitting in my askbox for years. I've taken several cracks at answering, only to get frustrated with the subject matter and burn myself out every time. I didn't like Rhythm of War. More than that, I didn't like it in a way that tainted my enjoyment of the entire series. And despite what it may seem, I don't actually enjoy discussing things which I don't like. I always want to talk from a place of good faith. Which is why now that my feelings towards the series are a little more positive, I think I can finally answer this.

I'm going to try to stay away from specific plotpoints and story beats for this post, because my goal isn't to nitpick (if for no other reason than it would take a week to write this post), I'm just looking to talk about my overall impressions. I think that might mean the only spoilers here will be structural? idk, if you haven't read Rhythm of War yourself then you should probably do that before looking for other people's opinions anyway. 

I liked Way of Kings when I first read it. I didn't love it at the time, but I liked it. Certainly enough to keep reading once I'd finished. One thing that made me a bit uncomfy, however, was the war against the Parshendi. They were this unknowable enemy which the book was not interested in knowing. An inhuman army. Their main purpose was to kill Kaladin's friends, or else be killed by Dalinar's armies. And yet the Parshendi, and the parshmen in the form of Shen, did show hints of personhood. And so it bothered me how Dalinar spoke so casually about how the Alethi had decimated their numbers, how the others used the war as a means to amass wealth and power. (It didn't bother me in a "this is a bad book" way but in a "these characters are bad people" way.)

One of my foibles as a reader is that when a book is very clearly treating one side of a conflict with more humanity, I tend to be a bit predisposed towards the other to account for that. And with the Alethi clearly being the invading party and superior military force, there was also some underdog favoritism. I didn't really like how the book treated the Parshendi. This is to say that going forward, the singers would be more important to me than any other through line.

So imagine my delight at reading Words of Radiance and meeting Eshonai, one of the Parshendi, who even gets her own point of view sections! They were no longer being treated as a faceless mass, we were getting to see things from their perspective as well. And it became plain to see the damage the Alethi had done to them. I couldn't really bring myself to root for Dalinar or really any of the humans against the listeners. I couldn't even bring myself to like most of these characters. I still enjoyed the book but once it became clear there wouldn't be a peaceful conclusion, let's just say that I wouldn't have wept for Dalinar and Adolin if Szeth had managed to off them. Like everyone in the book, I assumed that going forward all the parshmen would be turned into evil voidbringers in the everstorm and that the listeners were mostly dead. Except for Rlain, and Eshonai because I'd read or been told that book 4 would be Eshonai's book and thus had assumed she was fine. (Oathbringer spoilers, she was not fine.) So ultimately it was still a bit of a downer way to end the book. 

So imagine my delight at reading Oathbringer, where for the first time singers were being treated as people, full and real people, and where the human characters could no longer ignore or dismiss them. We met Khen and the others, common singers who were sympathetic and just wanted freedom from bondage. We see Venli grapple with the loss of her home. We see Leshwi and Moash connecting with and understanding one another. We learn of a history where singers were the original inhabitants of the planet. Parallel to this, Dalinar is having a truly excellent character arc about confronting one's past actions and acknowledging them to move forward and do better. I loved Oathbringer, for some years it was my favorite book, and I was excited as hell to see what came next. At the time, it seemed to me that there is a clear direction the story is going. Two books about needless war, and then a third where the main cast is forced to acknowledge the personhood of their enemies. This was so cool, all of my feelings from the previous installments were being validated, the characters were going to have to face what they've done in the past and outgrow their militaristic mindsets, I was so sure of that.

Imagine my disappointment when that does not even remotely resemble the direction the story went in Rhythm of War. RoW presented a clear, straightforward “us vs. them" narrative, where every character was totally fine with killing singers. Characters aligned with the singers were either flattened into wholly evil versions of themselves (Moash) or were expected to turn on their side in favor of the humans (Venli.) Because clearly there was no reason good people would be on the side that's all former slaves trying to stay free. Maybe there's some sort of accord or understanding between Navani and Raboniel that I might have found meaningful if the seeds of mutual understanding weren't already there in Oathbringer and then apparently ignored for a year by all the characters.

I have a lot of issues with how the listeners are handled in these books. (Here's some elaboration.) Following OB, I had thought that all my concerns were going to be addressed. Following RoW, I knew they never would be. 

Which is my main complaint, because that's the thread that matters most to me in this series.

I have a lot of other Things as well. Gonna just talk about a few big ones. 

One outsized source of disappointment that may seem a little petty, and which probably is, is that I felt mislead by the premise of the book. It had been announced that this book would center Venli and Eshonai, and I was unbelievably hyped for that. That did not really turn out to be the case. The purpose for their backstory chapters felt less about exploring them as people and contextualizing their arcs, and more about filling in gaps of world history. In the main plot, Venli was a POV character and she certainly played a role, but honestly not a very important one overall. To me she felt like a side character in her own book. I don't think it's controversial to say that the main character of RoW was Navani. A lot of people really like Navani and are happy about that. Unfortunately I'm not one of those people, and I found it all the more difficult to enjoy her when it felt like it was coming at the expense of some of my favorite characters. 

This particular gripe somewhat comes down to preference, obviously everyone prefers to read about characters they like more than those they don't, and it can go both ways. (For instance, on a craft/technical level RoW is probably the superior book to W&T, but I liked the latter a lot more because of my stupidly outsized attachment to Szeth and Nale.) But I do think there's something of a real criticism in how the book would rather focus on the feelings of a queen rather than those of a genocide survivor, and how the former's are given significantly more weight and import. It ties in with my main criticism, I think. 

And then there's how human/human racism had also been wholly cast aside as a plot point. Jasnah fixed slavery so that's resolved, and the only person who still cares about structural racism is the evil bad bad evil villain Moash/Vyre, who is now wholly irredeemable and who you're allowed to totally write off because he's sold his soul to Odium. I've already talked a lot about this. Other people have already talked about this, probably better than me. The writing was actually on the wall for me in OB, but again, RoW was when I fully accepted that this was never going to be addressed. 

There's something else that probably deserves its own discussion rather than being quickly tacked on at the end here, but here we are. This book changed how the series approaches war. 

In WoK, war was very clearly portrayed as a bad and inglorious thing. It was brutal, it was painful, those at the bottom died cruelly and unceremoniously and pointlessly while those at the top turned a profit. Every day was a new horror. The enemy were never evil, they were always just more people forced to go through the same thing. Through the next couple books, it felt to me that even if the characters had accepted war as necessary, there was still a tragedy to it. Conversely, in RoW (and W&T) war is basically a series of boss battles, in between which our protagonists can kill dozens of footsoldiers with barely a thought in the same way WoK had criticized.

Final note on all this, it sucks how we have no perspectives from the former-slaves-singers demographic. Those guys are really thrown under the bus, and seemingly get no self-determination now or ever. It was a glaring problem to me in RoW. Conscripted and enslaved humans and singers probably have just as much ground to form mutual understanding as a fused and a queen. (In fact they already had. In Oathbringer.)

In essence, RoW disappointed me because it left me with the distinct impression that none of the series's most important through lines (well, most important to me) were going to be resolved well. I liked W&T, but I haven't revised my opinion very much about the overall handling of these topics across the series. Maybe one of the reasons I was able to enjoy W&T so much more was because I no longer had such high expectations.

[meteor752]

What the fuck is up with Hook

Why is he at some random prep school? He’s already got the hook hand, so Peter Pan has already cut it off meaning he’s been to Neverland, also he says he’s a captain so like why the fuck are you here

I hate this movie so fucking much, nothing about it makes sense to me, why is Hades a teenager, why did they make some fankid of a Sofia the first villain instead of using one of the many Disney Villains that exist, why is Maleficent a lackey, why am I devoting so much of my time to try and make sense of this movie

[sun-e-chips]

Will have to color later and illustrate some eye level perspectives but

Here’s the room you will be staying in at Waterspark Bay!!!

It’s killing me that the walls are the most interesting part but you can’t see them aaaaaaaaa

[fascinationstreetmp3]

human daniel finally convincing armand to stay and sleep in bed with him, and when daniel wakes up randomly in the middle of the night (day) armand is fast asleep clinging to him like a koala and it's very endearing but also daniel's arm is numb and he needs to piss and he can't do anything about either of these things because apparently vampires sleep like a log when they feel completely safe and supernatural strength means it's basically impossible for daniel to move him. so he's just trapped there until either he falls asleep again or armand wakes up, weighing up the pros and cons of this specific sleeping situation

[mychemicaltriptothezoo]

Frank as this absolute ARTIFACT of a find at a rummage sale

[e-adlirez]

So KPop Demon Hunters

SPOILERS BELOW THE CUT:

I love them your honor <3

[vaguely-concerned]

ingellvar must have so many strange off-putting little personal habits in their day to day life that they don't even realize come across as weird, especially if they haven't ever dated outside of the watchers much. in rye's specific case I think lucanis has a capacity for such immaculate 'sure my life is already so fucking weird this might as well happen' energy that I believe he'd be able to roll with the punches admirably given the time, but it really would be a situation like

(what was going on there was that rook was placing down some experimental wards, by the way, it's what he does to calm down before bed and if he wakes during the night. what with the necropolis itself being a liminal space of lf sorts on a cosmic scale, watchers take the additional liminal space between wakefulness and dreaming extremely seriously b/c they know there are things drifting through that would just love to get their foot/tentacle/conceptual spores in that particular half-ajar door that should not be allowed inside. or outside, I suppose, depending on your point of view. rook and lucanis are also experimenting with whether solid wards can help any with lucanis' weird post-spite dreams even if they can't do anything for the more mundane ptsd ones. third reason because in my worldstate they still live in the lighthouse after the game: unless gently dissuaded wisps will sometimes drift by while you're asleep and hover over your face curiously as they sense your mind doing stuff in the fade, and no one likes waking up on an eldritch sneeze with a well-meaning yet terrified wisp zooming about the room. important watcher novice 101 lessons.

blessed mental image of rye cross-legged on the floor, barefoot in his PJs with his hair down and no makeup, peaceably tracing out elaborate geometric shapes that somehow make your eyes scared when you look at them* while lucanis sits on the bed and reads out loud to both him and spite and occasionally sneaks some carnal looks at rook's fully unleashed curly hair and bare wrists & throat...... okay I think I've found the thing that will help me through the day thank you for coming on this journey with me)

*what is the paint he's using made out of and why is it such a deeply unsettling colour? don't worry about it! :) patented mostly well-meaning yet also borderline condescending mortalitasi hand wave of 'don't worry your sweet little non-nevarran head about it we both know you don't actually want to know. do not ask questions lest you learn the answers, especially if you're going to be annoying at me and freak out about it. let the things man was not meant to know stay unknown. unknown by you I mean I'm built different'

[swan2swan]

She's fifteen or sixteen years old and she Did Not Need This.