#of seeing the person she loves but he doesn't have the same relationship with her

[ellecdc]

oh my god. I love your slytherin reader x marauders!!!! your writing is amazing!!!! could you do like a part three I guess? but like of later in their relationship and the reader has this little first year friend (who she is forced to tutor but she actually likes him but won't admit it) and he reminds her of the boys and the boy just like brings her flowers and chocolates and stuff and the boys see it and James gets all jealous and Sirius is just like "nah just watch mate" and expect the reader to get all annoyed but she doesn't she just doesn't say anything (because she secretly finds the boy sweet and doesn't wanna be mean to the tiny marauder like man) so then they are all in disbelief and pouty

sorry that was very long

hehe...hehehe.....this request is from March 14th 🫢 thank youuuuu for the prompt and sorry for the huge wait..... [also, let this perhaps let people know that I do have old requests saved!]

poly!marauders x fiesty!reader who has an admirer [1.2k words]

p1 // p2 // p3

CW: fem!reader, reader is feisty, Sirius is upset she's not feistier

“I’m not sure if you boys were aware,” Marlene drawled as she plopped herself onto an empty wingback chair in the Gryffindor common room, “but there’s some ickle little first year making moves on your girl.”

Her comment was met by a snort from James, a bark of laughter from Sirius, and an eye roll from Remus. 

“Thoughts and prayers to the first year, then.” James commented, never looking up from the rubik’s cube he was fiddling with as his back rested against Sirius’ folded legs. 

“I don’t know.” Marlene sing-songed. “He seems pretty sweet on her.” 

“Please.” Sirius scoffed. “Our darling girl is the least approachable person in Hogwarts, I hardly believe there’s a wix bold enough to solicit her, let alone a puny little first year.”

“He didn’t have to solicit her, she’s tutoring him.” 

“Honestly, Marls, I’ve never been less concerned about anything in my entire life.” James admitted.

“Could be interesting to watch, yeah?” Sirius offered with a mischievous wink, nudging James with his knee. 

Remus rolled his eyes at his boyfriend, though he did close his book with a mischievous smirk. “Someone should be there to save him from our little viper.” 

“Don’t say I didn’t warn ya!” Marlene laughed as she waved them off, not bothering to hide her devious grin. 

It didn’t take long for the boys to find you, seeing as you were haunting what you had early on in your schooling dubbed the ‘most superior table’ in the library. You’d told them what made it so, but James had been paying more attention to the way your lips were moving and less on the actual words that were leaving them. 

“Oh Merlin, the poor sod has no clue.” Sirius all but giggled as they crouched behind one of the aisles of books surrounding your table. 

“Not terrible.” They heard you say as you looked over his work, and based on the boy's beaming smile one would assume you’d given him high praise.  “But you’re getting ahead of yourself and not showing your work.”

“Does showing my work matter if the answers are right?” The kid asked, and James couldn’t blame the kid - he’d had many-a-conversations along the same lines over the years. 

You simply lifted his parchment and walloped him over the head for it. “Yes, showing your work matters; you will lose marks if you don’t.”

“Well, I wouldn’t want to let you down.” The kid said solemnly, and James’ heart momentarily melted before he realised that was his darling angel that he was putting the moves on. 

He waited for you to groan and call him a rotten toerag, but you simply shook your head and instructed him to do the next question, making sure to show his work this time. 

“Get a load of this kid; she’s gotta be just about ready to hex him.” Sirius murmured. 

“I’m surprised she hasn’t, honestly.” James replied, causing Remus to snicker.

“The two of you have been hexed for less.”

The three were interrupted when the kid let out a theatrical gasp and dropped his quill. “I can’t believe I almost forgot!” He screeched before ripping open his book bag.

After far too long spent searching the inside of his bookbag, the kid withdrew a slightly crumpled rose, letting out a disappointed groan when he saw the state of it. “My astronomy textbook must’ve crushed it.”

“Why do you have a rose in your bag?” You deadpanned, and the kid was right back to beaming again.

“I brought it for you, of course. I picked the prettiest one for the prettiest girl.”

This was it, this was the moment they were here for; Sirius watched eagerly as Remus grimaced, each equally anxious for your no doubt cantankerous response. 

But it never came.

You simply let out a sound bordering a breath, a sigh, and a laugh as you gingerly took the wilted rose between two fingers. 

“Very thoughtful. Please get back to your homework.” Was all you offered him, but the kid seemed no less pleased as he picked up his quill and dutifully returned to his work. 

“What in the buggering fuck?” Sirius hissed, earning him an elbow in the ribs from Remus, but it was too late.

“Can I help you boys?” You drawled, though you never actually looked behind you where your three boyfriends were still hiding. 

“Yes, you can help me.” Sirius barked, storming out from behind the stacks followed closely by James and less closely by Remus who had the grace to look a little shamefaced for his spying. “You can help me understand what the hells all this is!”

“This is called tutoring and studying, Sirius, if you spent any time in a library, it might be more familiar to you.” You offered simply, turning a glare in Remus’ direction when he snorted. 

“Okay, swot, what I mean is why are you hear letting this little dugbog-”

“Sirius!” You chided quickly.

“Oh my gods! And you’re defending him!” Sirius continued shrilly, earning him various shushings from surrounding students. 

James couldn’t help but notice you roll your eyes in exasperation, but he also noticed the faintest hints of a smile dancing on your lips. 

“You’ve done well, Cameron; keep practising, and for the love of Merlin make sure you show your work next time or so help me gods…”

“Yes ma’am!” Cameron replied as he packed up his bag. “See you next week?”

“Just as we always have.” You drawled in a bored tone, though you offered him a smirk as he hustled out of the library. 

“I can’t believe you!” Sirius huffed as he took Cameron’s now vacated seat. 

“Angel…what is the meaning of all this?” James asked earnestly, causing Remus to snort as he had the decency to press a kiss to your hair in greeting. 

“If we’d have known you were meeting with new suitors, dove, we would have insisted on accompanying you to your tutoring sessions.”

“Oh please.” You dismissed. “He’s just a kid.”

“Uhm, and?” Sirius pouted.

“Sweetheart, we’ve seen you jinx a kid for sneezing too closely to you.” Remus reminded you, and your face darkened.

“Germ infested little freaks.”

“There’s our girl.” Sirius exclaimed. “I can’t believe you let him get away with any of that!” 

“He’s harmless.”

“He’s a flirt.” Sirius corrected.

“He’s you.” You shot back, and the three boys all looked at you with various levels of bemusement. 

“I beg your pardon?” James finally asked, and you shook your head as you began packing up your own bag. 

“He’s like a miniature version of the three of you; following me around and being abhorrently affectionate.”

“Well, hey, I think we’re, like, an appropriate amount of affectionate.” James tried. 

“No, it's sort of abhorrent sometimes.” Remus quickly agreed. 

“Babe…” Sirius cooed, causing Remus and James to grimace. “Are you going soft on us!?” 

Your eyes immediately darkened as you glowered at him, and if Sirius’ sudden flinch and the following yelp proved anything, you aimed a tame stinging jinx at him. 

“On the kid? Maybe.” You responded primly. “On the three of you? Jury’s still out.”

[ofoceansandtombsanew]

you are love itself (君は愛そのものだ)

cw. fem!reader, childhood friend au, established relationship, love as worship, love as a choice, reader has a defined devil fruit ability

pairing. portgas d. ace x reader

synopsis. his skin is dotted in stardust.

notes. a 1.3k look into those short moments of privacy you have with ace on the moby. i got the title from 'therefore you and me' after rewatching this amazing asl brothers animatic for the billionth time. cover comes klimt's the kiss (1908).

Everything is made of stardust; the stars that made Ace are simply visible to the eye.

They couldn't be contained in the depths of his body like the rest of the world's inhabitants. It's scattered all across his skin in a beautiful display, matching the skies they fell from. Isn't that something? You brush a hand against warm skin in awe. It's all right there. The stars themselves rest upon his skin, how beautiful is that? How could anyone want someone like that dead?

When you were children, Ace told you he would bring you the moon.

What do you need the moon for when you've been touching the stars since you were 10?

Straddling his lap, you can't help laughing as you think you'd been fighting a losing battle from the start. From the beginning, you'd been drawn to Ace and his stars and you wanted to follow where they'd go for the rest of your life.

"What's so funny?" Ace murmurs into your shoulder.

"I think I was born to love you." It is the only plausible conclusion for you to reach after 10 years of loving the same person. For the half of your life you've known him, you've chosen Ace from day one. You will continue to choose him for the rest of the life you have. You chose to chase him all around Mt. Corvo, you chose to be his friend, you chose to join his crew and your heart chose him even if your head had been slow to realize. "We don't need to find the One Piece," you murmur as you lead a trail of kisses from his shoulder to Ace's cheek. "I already have everything the world has to offer right here."

You feel Ace stiffen beneath you before he laughs sheepishly, "I think you need to have your eyes checked if you think that."

"Hey," you lean back so you can see his face. Your brows are furrowed sternly but your eyes sparkle with mischief and your lips stretch into a challenging grin. "I have better eyes than you, I can see the soul."

Ace snorts but his voice is light and as warm as the smile painting his face, "souls of the dead, yeah." Smiles suit Ace more than the frowns that were once commonplace when you were younger.

"That still counts," you protest with a chuckle. He doesn't have to believe he's worthy of it, you'll tell Ace all the same. You cup his face in your hands and enjoy the vibration of his mellifluous laughter under your fingers tips as you squeeze his cheeks. "There's a lot you can learn about this sort of stuff when you can see the dead." How the soul carries its wounds even after death. How the soul carries the essence of everything that makes something itself. How love can carry on beyond the grave.

You've seen it countless times by now in your truthfully short time of being a power holder.

The spirit of a man who wanted a few berries to leave as a surprise his husband could stumble upon to brighten his day.

An elderly woman dancing in the town square, seemingly alone following the steps she took with her lost love long ago. Unbeknownst to her, however, her love danced with all the same as they did once a long time ago.

Pods of orcas full of members past and present, refusing to part from their birth pod even in death.

How beautiful it is, a love like that.

Even while deceased, they choose to remain by their beloved all the same.

Whenever it is Ace's time, he'll take his stars with him and they will rest on his skin just as they did when he was alive. But I'll make sure you're so happy you won't want to stay, you vowed when you partook of the sea's cursed fruit. You carry this vow even now. Ace will die a happy death but more importantly, he will live a long and mirthful life.

(You can tell for as sure as your eyes are dry; the urge to cry and scream in mourning and warning nonexistent. Still it's your heart's desire that you go first so you don't ever have to risk the day you know death will come for Portgas D. Ace.)

"You know what I think," you cease your pinching, letting your lax thumbs stroke his face. Dark eyes look up at you like you're a dream and gold like sunlight rests in your chest. It's light yet heavy and even if your heart is calm, its rhythmic beating tells you something precious. And he's so, so precious. "I think that when people move on, they're reborn as someone else. Then they get to live life all over again. And one day, that's gonna happen to us."

Then you'll cease to be the 'you' you have been and so will he.

Maybe that time, you'll be raised in separate seas and there will be no trio of brothers you'll latch onto. Maybe he'll be born somewhere in Paradise but I'll be from the West Blue. Or maybe he'll be a fishman. Or a giant!

Maybe next time, Ace will be a short girl with firey auburn hair and chocolate brown eyes with the disposition to match. Or he'll be a scarred and gruff dragon moray eel fishman who is an overt romantic.

Maybe next time his stars will follow him as the marker that ties him to his previous life. Then you'll recognize him the moment you see him. But even if I don't, I'll love you then too. You don't need reminders of who he was to make you want him again.

Whatever the outcome may be, you will embrace it wholly.

"Whenever that happens, I'm gonna find you and I'm going to love you all over again. You can be a girl or a giant or a fishman." Or maybe he'll be the tiny human and you'll be the giant. It will be nice being taller than Ace for once, you tell him as much with a laugh. There's a spot of wetness at the corner of his eyes that you wipe away instinctively. "Or… maybe this world runs in one big loop and we get to be us again but that time we get to make different choices. Do the stuff we didn't do last time. But regardless of all the different things I might end up doing, the one thing that is gonna stay the same is that I'll choose you all over again."

There's a pause before Ace ducks from your gaze with a wet laugh, forehead pressed against your shoulder again. The unmistakeable feel of warm droplets subsequently follow. "Thatch must be cutting onions," he chuckles weakly. "Sorry."

"Dummy," you wrap your arms around his shoulders and inhale his scent. There's a natural sweetness to it you can't explain; it's sweet but there is a peppery kick. It's been that way since the first day you met him. I love him, I love him, I love him. The sentiment echoes throughout your entire being. "it's okay to cry."

"Would you really want me again?" His voice is soft and unsure like a young bird who doesn't know if it can trust its wings.

Who else would I want?

Why would I want anyone else?

I've known you for 10 years, Ace. There's nothing about you I don't want.

"Over and over again," you kiss his temple once, twice and then a third time before you lift his head and kiss the corners of his eyes. "It's you and no one else."

A noise of surprise escapes you when Ace's lips press against your own but you relax a beat later, humming tenderly. You relish every sensation, how his arms wrap around you tight and how his fingers gently dig into your back. The taste of salt on your lips is akin to the ocean and your heartbeat reverberates throughout your chest.

Yes, it's telling you something precious.

[paraphwrites]

so obviously the time period a character comes from impacts them. but i adore the analysis of dbda and loneliness so now i want to analyze the characters + their time period + loneliness

edwin. so, edwin is from the 1900s. he was raised with the knowledge that he would join the military, that he would get married. this was an accepted part of life. now, i do not wish to analyze the full scale of edwin's relationship with violence (at least, not here), but i do think it's interesting that edwin goes out of his way not to inflict harm on others. this is potentially because he was raised in such a way where that was the norm, and he always knew he did not fit traditional male standards. he has always preferred knowledge and books to fighting and sport. this would have been incredibly isolating, especially as a young boy in a school for children of military members. additionally, as a queer person, edwin would have been entirely socially isolated from his peers. whether they picked up on it like simon or just thought he was un-manly, the point stands: edwin would not have fit in with his peers and seemingly had no friends when he died. which is very sad. and very lonely.

crystal. crystal's parents neglected her for their work. she lashes out. she lashes out and pushes people away (or in front of traffic). she is volatile and destructive and she is like this because she lives in an age when parents are expected to care for their children, and her parents still actively chose not to. crystal is especially traumatized because even tho she is in upper class which may have a higher rate of willful parental neglect, the expectation is still that parents love their children. moreover crystal is psychic, and that's never really been fun. she'll be completely different from all her peers in a fundamental way which she probably never talks about with any of them! so, like, of course when david, a demon, comes along, she lets him in - she's finally with someone who understands and makes her feel less lonely. someone else who's weird and angry and pretty and supernatural. and then he, too, betrays her. there is also almost certainly a race element, which may further disassociate her from her peers, seeing as the upper class is usually very white.

jenny. so jenny grew up as a lesbian in the 90s. now, i don't know much about washington state, but i do know that they legalized gay marriage in 2012. which means for over half of jenny's life, she was living with the knowledge that she would never get to live the same type of life as her peers; though the white picket fence americana dream may have been less prevalent by the 90s, it still was very ingrained in american society - especially small town society. i wonder if part of jenny's gothic fashion is to distinguish herself from other people - if she cannot have the same lives as them, then no one will make the mistake of assuming she will.

so the night nurse is lonely in a very unique way. she is lonely because she does not have a proper conception of an actual human life. she has no friends or relationships - nor does she want to; she does not know what they are like. and, i think, because she exists so outside of time and removed from society, that it makes her inherently lonely. she is lonely because somehow she was created and somehow someone convinced her that her only purpose in life is to collect lost children and she is satisfied with this but she is also alone. she has no time period to be contextualized in, and that in itself is the context.

niko is lonely because her dad is dead and her mom lives in a different continent. and i think that because she is able to utilize manga and cartoons as a form of escapism, it allows her to fill that void of devastating loneliness a bit more. she lives in a world where if she doesn't want to think she does not have to. she is not obligated to be courageous. however, she also lives in a world where she is able to choose to self-isolate, even if that isn't good for her. so when she is sad she hides away because she can and it's scary and she doesn't want to do it alone but she doesn't want to do it with her mom. i've seen people saying crystal is such a teenage girl but niko? niko wants her mom to comfort her but doesn't want to talk to her mom. niko is horribly lonely and it's only a gay victorian twink who can get her to smile again. niko is lonely because she exists in a world which allows her to be and it takes someone who is not from this time to help her move past this

charles. god, we all know how lonely charles is. biracial, abused by his father, probably bisexual, good with people yet killed via hate crime, morally upstanding. charles is the epitome of loneliness because he grows up in such a particular moment of time. he lives in the 80s. feminism and queer rights have been radically shifting in the past two decades. the 80s have huge amounts conservative pushback from these movements. so, yeah, being gay isn't a crime anymore, but gendered expectations are being reestablished in a new harmful way. so, yeah, charles is growing up in a time of progress, but he's also growing up in a household which will absolutely be anti-progress, and ergo charles is stuck in this dichotomy of he could hypothetically have everything but that would mean losing everything, too. he's lonely because his dad beats him. he's lonely because his mom doesn't say anything. he's lonely because he has a piercing but his dad locked him in his room for three days after it. he's lonely because he attends a boarding school which rich racist pricks. he's lonely because never once in his life has he admitted how the intersection of all his identities puts him in a situation where he is completely alone. and he isn't alone -he's got edwin- but their experiences with loneliness are vastly different.

as i have said a stupid number of times, dead boy detectives is a story about loneliness. and the writers made these characters so damn brilliantly because they all make so much sense in the context they were raised in.

we are all shaped by the context's we're raised in. everyone is raised at a different moment in history in different environments with different families. human experiences are so unique that everyone is inherently lonely. but lonely does not mean alone and lonely does not mean forever. it means when you were fourteen you cried yourself to sleep but now you're twenty and know how to play cricket and your friends come to all of your matches. it means you were raised in a world that was cruel and unforgiving, AND it means that because of that you don't have to be. dead boy detectives teaches us that we're all horribly lonely, and maybe that makes each other a little less lonely

i'll take some of your burden if you'll take some of mine, and whatnot

[diyasgarden]

pregnancy 👀❣

Art has always wanted to be a dad, so when you tell him you're pregnant he is ecstatic. He is on google trying to learn everything that he thinks will be helpful for you (from finding something that will help reduce your morning sickness to how to help with your fatigue). He always ends up on subreddit for expecting mothers, and so sometimes his sentences starts like this: "Well Cindy from Ohio said when she was pregnant for the first time...." He shows up to every appointment, and always asks the doctors questions. It ranges from just questions about baby's development to about what is best for you too. Things you probably would have never thought of yourself, but he wants to make sure all your bases are covered. He is also one of those dads who talks to your bump pretty much all of the time. He'll talk about his day mostly, and it's cute sweet to see.

Tashi is a planner. If you're having a child together, you guys have been together for sometime (at least couple of years) and she personally thinks you're both ready to have a child. Of course, she discusses this with you as well, and when you're both on the same page you start IVF treatment. Random donor and you decide that one of you will carry the baby while the other's egg will be used. If she is the carrier you dedicate the entire pregnancy to making sure she has everything she needs. She has pretty bad morning sickness, but you're always there to help her. You'd do pretty much anything she wanted in general, but now especially because she is pregnant. If you're the carrier, than Tashi is there to dote on you. She balances the line between doing what she knows is best for you and the baby, but also what you want. She does tease you for all your weird cravings, but just for fun. Nothing that could ever make you cry (she understands that your hormones are over the place). She finds talking to the bump silly, but she loves playing music for your child.

Patrick has never wanted to be a parent. He isn't sure if he would be good at it, mostly because of his complicated relationship with his own parents. Your pregnancy is a complete accident, but when you decide to keep it you kind of expect Patrick to disappear. But wouldn't that automatically make him like his own parents? If this kid is going to be born, shouldn't he at least try? Sometimes you wonder if he is staying out of some sense of duty, but it's Patrick so that's silly. He wouldn't even be able to explain why he is staying, he just knows it's what he wants. He doesn't really know the whole pregnancy process. He tries his best. He shows up to all of your appointments, even though he looks slightly out of place there. He teases you about your mood changes and cravings, but gets worried when you do anything that seems too strenuous (even if it's something small). He will hold back your hair if you have morning sickness and will come up behind you and hold up your bump to relieve yourself of the weight. He says talking to the bump is silly ("the baby isn't born yet, it can't hear anything"), but you've caught him whispering to it when he thinks you're asleep.

PS: If you like the Patrick HC here...well keep an eye out for a fic I'm working on

[wilcze-kudly]

Someone once said Aang and Katara’s romantic interactions have no impact on their relationship. Which I find a ridiculous notion, given how

One: The Series genuinely wasn’t built around romance.

Two: We do gradually see the characters develop feelings for each other more across the show.

https://www.tumblr.com/melu-lis/762094698681745408/one-of-the-most-baffling-thing-about-kataang-to-me?source=share

Honestly, the fact that Katara and Aang's relationship has that strong aspect of friendship is one of my fave parts of it.

Like, maybe this is an unpopular opinion and I'm just a degenerate little dyke but I'm so so tired of romances having to follow the typical usually heterosexual conventions that have been set ib place both irl and in media.

And not to sound like an old man shaking my fist at a cloud, but in an era where romance is very standardised (look at the plethora of YA romance books selling basically the same plotline but in different aesthetics). It's nice to find a relationship that doesn't fully fit that mold.

Like people have joked about this but Aang and Katara really do follow the famously memed lesbian relationship stereotype of "we've been besties for ages and we've kissed a few times and she's said she loves me and I'm starting to think she's into me but idk". And I love that for them.

Also OP's examples aren't really saying much. They mention that "sokka learns that aang has a crush on katara in the fortuneteller, but we never see aang trying to get advice from sokka after he learns about it" while disregarding the fact that Aang did try to get advice from Sokka, and it backfired. Did we all forget "Soooo... papaya?" (also Sokka didn't realise that Aang had a crush on Katara? He thought Aang had a crush on Meng.)

Another argument from OP is that: "aang and katara kiss in the cave of two lovers but we never see katara's perception of aang change at all" which I find a bit of a flawed idea because there's not really anything in Katara's perception of Aang to change? Like she was already seeing him as a viable romantic partner from at least the Fortune Teller, she was blushing when considering kissing him and offended when he didn't immediately agree to it.

(I actually think this is the moment where Sokka realises there's something between Katara and Aang man look athis face.)

We do not see Katara's pov, but we can pick up her thoughts from how she's animated and other clues because atla makes it quite easy to emphasise with its characters. I talk more about it in the Kaatang and female gaze post.

OP using the description of "natural development of a platonic relationship becoming a romantic one" is also mildy annoting because just because a romance doesn't follow established conventions and timelines, doesn't mean that it's not natural or badly written. We study tropes and aechetypes usually in order to subvert them.

The concept that romance has to be a series of events followed by switches flipping automatically in response is incredibly limiting and, frankly, overdone. I can see the appeal of romantic stories being a series of actions and reactions between two people, but I personally find a slow, budding development even more compelling. But once again, thsi is up to preference. If OP doesn't like this style of romance, than that's fine. Though I will stress the golden rule: your preference doesn't mean that everything else is bad/unnatural/unethical etc.

[neyafromfrance95]

as much as i want galadriel to stay with sauron, willingly or unwillingly, i do have reasons to believe that they won't go there, after all. let's talk about it so that we don't come out of s2 finale too bitter.

other than them saying that sau/gal dynamic is going to be central throughout all seasons, what gives me hope is that they have said sauron "groping" for galadriel was an inspiration for s/g relationship in the show (and i think of the story itself). it means that the creators are aware of the same thing we know - in order for trop to make sense in regards to lotr, sauron has to still covet galadriel at the end of s5, and galadriel still has to struggle with his temptations. so their push and pull has to continue till the end.

now, i think unlike the lorebros, the show isn't in a hurry to introduce celeborn (and if he is introduced, he is gonna be like molly from hannibal, lol) and a lot of timelines are going to change for convenience so that 8ep format is more or less neat for the gen audiences. i think this is an opportunity for them to re-establish the mind-palace. still not sure if they are intending to, but how else is sau going to grope to see gal's mind if they aren't in a close proximity? and also, how else is galadriel going to struggle with the darkness (bc again, even without succumbing, it wouldn't make sense narratively for her struggle to end yet)? how else is she going to become a powerful elf-witch and what of the dark!galadriel from the 3rd age? even more importantly, while she isn't even close to admitting to her greatest desires rn, she does in the 3rd age. so we need this development.

ofc sauron "stealing" galadriel like morgoth stole silmarils would create a perfect parallel, and give the writers an opportunity to explore a very interesting circumstance, to actually bring galadriel as close to the darkness as possible without making her fall into it. but i doubt the execs would allow that to unfold so literally. the star wars and marvel formula is still policing our mainstream media, after all.

doesn't mean that the finale is going to be bad for us shippers. it might be confirmed more clearly (for those who need it) that sauron indeed loves galadriel, and that galadriel has feelings for him too. i personally love the whole one-sided pursuit of marriage + one-sided hunt for slaying slow burn of an unresolved tension, it's the most lover/enemies dynamic of them all, after all! makes haladriel into a fantasy au hannigram, haha.

[the1northlanderprincess]

Desperate Times, Desperate Measures

Whewww. Breathe, Amanda.

Ok, so, in a pre-show post, I talked about Gal's side of things in the relationship in this episode. Since several of you made posts explaining things after the fact better than I could, I'm going to discuss our favorite dark prince.

Yeah, so, our guy is in deep doo-doo. Now, I haven't watched the episode, but I gathered enough to get a sense of where this will take Haladriel for the remaining episodes.

What I really want to focus on is his mental and emotional state. So, Sauron creates an illusion to manipulate Celebrimbor into thinking that everything is hunky-dory in Eregion, and maybe to get him to relax a little. Everyone around him is affected by the darn thing. That includes Mirdania. In Sauron's concoction, she's wearing the same shade of green and hairstyle that Galadriel wore in 1x08. It gets even weirder: he is all soft and touchy-feely with her. The physical appearance, in my eyes, is very significant. It's the last time that Sauron had seen Gal in person, and had a positive interaction with her, before it all went to crap. I believe he captured that memory of her image to savor it. It was undoubtedly the last authentic happiness he ever felt.

After he is left to his own devices, Sauron hears a random elf tell his blonde girlfriend that her beauty is too indescribable for poetry. He seems to stop and dwell on this moment. This is important, too, because it is understood that Sauron is still in his own headspace. Why would he come up with something like that if he wasn't thinking of the beautiful blonde elf he himself knows? Now, we know that Sauron is enthralled with Galadriel's hair. However, this dialogue suggests to me that he finds all of her attractive. I think that should be a plus in the Haladriel Column of Pros and Cons.

Where does this lead? Well, it's more notable than ever that he is spiraling without Galadriel. His expression while listening to that couple is kind of depressed. I think he wants something like that SO BAD with her, but you know a little voice is telling him he can't. It's not possible for a being like him to have a cutesy moment like that with the she-elf he loves, and he knows it. I honestly feel sorry for him. Anyway, this all spells Bad News Bears for Mirdania. She sees all of this attention she's getting from him, and doesn't realize it's in place of the one he can't have. She'll try something, maybe kissing him (GAG), but he'll rebuff her in the worst way imaginable.

When Sauron and Gal do meet on that hill, I am almost willing to bet that he's so out of it, he will make an impassioned, broken plea for her to reconsider his offer. The Halbrand theme, which has a certain rush-against-time-to-get-to-the-one-you-love sound to it, will be heard during this moment. And we'll all drop from mega feels.

Overall, I think we can all agree that Sauron is out of his mind with desire for Galadriel, and I believe we will get immensely rewarded in the finale (or we better!)

[top-faye]

I kind of don't want to compare Wan to Ek cause Wan's love for Pleng is actual love vs. Ek's "love" for Wan being just pure possessive obsession. He doesn't care for Wan in the same way that Wan does for Pleng, but I do feel like both of them have similar levels of obsessive love for their targets of affection and I think in a lot of ways the novel kind of has Ek serve as a foil to Wan.

More spoilery novel thoughts below the cut.

When Ek threatened Wan and Pleng with a gun, Wan was extremely nonchalant about the whole thing ... like disturbingly chill in how she stood against him and did not seem afraid of the gun at all. And that was because that Wan argued that she knew without a doubt that because Ek loved her, that he'd never hurt her like that.

Ek's "love" for Wan is monstrously evil and possessive—he married Wan despite knowing that she didn't love him and he raped her when she wouldn't have sex with him—but Wan seems to understand him and his feelings well enough to know that he wouldn't actually kill her. And that instead, he would try to kill himself to hurt her and her relationship in another way.

That's utterly deranged thinking, but it's thinking that Wan understood immediately, which was why she reacted quickly and was able to change the trajectory of the bullet when she intervened.

I really hate to say it, but Wan and Ek are actually extremely similar in a lot of ways. As fucking deranged it is to marry a man in the hopes of seeing your true love who you haven't seen in over ten years at the wedding ... it is also fucking deranged to marry a woman you supposedly love when you know her sole reason for marrying you is so that she can see the person she really loves. I wonder if part of the reason that Wan remained by Ek's side for so long wasn't only because Pleng had picked him, but because a part of her felt a little bit understood by him.

He does constantly dismiss Wan and Pleng's feelings towards each other and their relationship with one another, of course. He is still, after all, a homophobic violent misogynist who views the lesbian relationship between the two as "non-threatening" up until the end of the novel when he realizes that Wan was genuinely incapable of ever loving him.

But he was also probably the only person in Wan's life who could even begin to understand the pain that Wan was going through. In the special chapters, Wan mentions that he offered her comfort and hope about the idea of Pleng returning. He dismisses the relationship because they're both women, but simultaneously, he understands the depth and intensity of it.

And I think Wan was partly able to tolerate his feelings towards her for so long, because she felt understood by him in a sense and because she might have felt she understood him.

She loved Pleng enough to want to remain only a friend for the rest of their lives. She only became emboldened in her feelings and flirting when she realized that Pleng felt the same way towards her. I think maybe, initially, she thought that Ek's feelings towards her were the same. That he loved her enough to be satisfied with a friendship. That he loved her enough to want to care and protect her, but of course that wasn't the case.

Because the similarities between Ek and Wan are fairly surface level when it comes down to it, because while both are obsessive, possessive, and ultimately toxic, Ek cares more about having Wan than he does about Wan's safety and well-being.

Ek tried to kill himself in order to hurt Wan. Which directly contrasts against Pleng and Wan. In the novel, Pleng mentions contemplating suicide in the past but she doesn't act on it for fear that Wan would learn of it and it would hurt her, lead to her own death. And at the end of the novel when it seems like Wan is on the verge of killing herself—as implied in a note that she left for Pleng to spitefully hurt her (Wan's love is more "pure" than Ek's, but both still have malicious streaks)—but while she considers it, she ultimately decides to not kill herself because she wouldn't want to hurt Pleng like that.

Ek's love for Wan foils Wan's love for Pleng in this sense, because it demonstrates that while Wan is selfish, obsessive, possessive, and deranged that she is still a caring and loving partner and that ultimately her love for Pleng is fueled by a genuine love for all of Pleng whereas Ek only loved Wan as a possession to be owned and only loved the parts of her that were palpable to him.

[gayvecchio]

Frannie, you are in over your head. Meaning? Meaning, guys like him don't marry girls like you. That's fairy tale. And girls like you get hurt, and guys like him don't even know it, and that's life.

[bumblingbabooshka]

The amount of copium T'Pring is ingesting in this scene is unprecedented and deeply sad especially paired with Spock immediately going "Yeah of course, you know me so well babe." Someone SAVE her. You HAVE to understand. He made out with Chapel IN FRONT OF HER and her response is to immediately rationalize both that action and the clear 'passion' she saw in it - then to have sex with him. HELP HER!!!!

[ruvviks]

toying with the idea of making yancey's friends not real. would that be too evil

[moe-broey]

Brain still soup but like. I think making one or both (or more!) characters involved in relationships with each other aromantic makes the dynamic soooooo much more compelling. Because if you remove romance as a motivator, you really get down to the nitty-gritty as to WHY that character is seeking out/involved in those relationships in the first place. Whether that relationship involves romantic factors or is more of a queer platonic thing. Much to think about....

[unproduciblesmackdown]

truly further [2 sides same coin] of billions tragic failing of either quant's writing that the effective Demand that taylor & rian must have a very special dynamic is all about going "well i'm epic & you're epic" at every stage, which is nothing, while winston and taylor can never have a dynamic b/c he's so Not Epic, despite that he's more similar to taylor in any ways that actually matter or could mean anything, while also if rian was ever peers with winston / had a reciprocal dynamic there, maybe we'd Have to have had more of an actual character from that role, but instead once again [no] b/c he's so Not Epic. billions writing getting an award for [okay. tmc trifecta] as the only option heading into s6 & giving us Nothing instead

[deputy-morgan-malone]

What Form of Love Does Your Ship Embody?

I was tagged by @socially-awkward-skeleton, @direwombat, @fourlittleseedlings​, @shellibisshe​, @clicheantagonist​ and @voidika​ to do this uquiz for my ship/s, thank you!

Not tagging anyone since it’s been a while and this quiz made the rounds, but as usual, feel free to take this as an open tag if you’d like to do it! :)

Deputy Morgan Malone x Joseph Seed (FC5)

Morgan:

love as religion

[ love as the sole object of your reverence--nothing about you is holy, but maybe your love for another is ] when sappho said "in the crooks of your body i find my religion" and when the cast of les mis sang "to love another person is to see the face of God" and when halsey said "i found God, i found him in a lover" and when katherine philips wrote "to the dull angry world let's prove there's a religion in our love"

 Joseph:

love as religion

[ love as the sole object of your reverence--nothing about you is holy, but maybe your love for another is ] when sappho said "in the crooks of your body i find my religion" and when the cast of les mis sang "to love another person is to see the face of God" and when halsey said "i found God, i found him in a lover" and when katherine philips wrote "to the dull angry world let's prove there's a religion in our love"

[Interesting fact - I thought I’d done this quiz before, and I had, here, and got a different result for Morgan, Love As Being Known.  This being the ship, I did fill it in this time around thinking specifically about how Morgan would feel about Joseph, and their situation, which maybe skewed the result a little bit?  Or it’s just been a while and she’s evolved a little as a character, or I was on the fence about a few questions and answered them differently]

[larrythefloridaman]

google :)

love u goog <3

[3njoythesil3nce]

Plot holes/crappy writing in TUA 4

• Five, the guy who spent 45 years in an apocalypse and went back specifically to save his siblings from the same fate, ended up betraying Diego with such lightness and unjustified hatred and almost left the whole family because he got rejected by Lila?

• Five and Lila together just because Five needed a love interest when up until a season ago they had a sibling dynamic and Lila was madly in love with Diego

• In the end they decide to sacrifice themselves to destroy the Marigold but then they all reincarnate as Marigold flowers? and there is literally half a bottle of Marigold left intact in Diego's van?

•why in the hell was Lila shooting laser from her eyes? where did that power come from?

• Luther regains his powers and gets his monkey body back even though it has NOTHING to do with his powers since he morphed into that after Reggie saved his life by injecting him with a serum in season one

• in the end, all the past villains are shown together in the correct timeline when they all should be from completely different times

• Five feels like a COMPLETELY different person, the decharacterization was unreal.

• Klaus' new powers are shown for a second and then for the rest of the season he's basically reduced to a prostitute, ruining all the anticipation of seeing his true strength that has been building up since season 2 and nullifying all of his self improvement

• why was Jennifer in a fucking squid?

• in the end how are the children alive if their parents never existed?

• Ben and Jennifer were completely USELESS. and they were supposed to be key characters of the season

• Abigail's storyline made NO sense at all, she was supposed to be one of the most important characters in the series since the foreshadowing of her presence starts in season 1 and then she is reduced to two scenes in which she basically goes "fuck you Reggie for destroying the world, now I'll destroy it too as punishment" ???

• when Five meets the other Fives in the diner he doesn't show any symptoms of Paradox Psychosis

• Ray and Sloane are cut out of the show with two lines without explaining anything

• Diego dies without saying goodbye to his children

• Jean and Gene barely have a role in the whole season

• Allison sacrificed everything and everyone for Claire and their relationship is reduced to 3 scenes?