#oh I am thinking about it SO HARD

[bbutterflies]

and what about an adrino soulmates au where everywhere your soulmate touches you a mark appears. adrien has spent his whole entire life dodging fans because they all desperately want to prove they're his soulmate. he's spent his whole life hearing how important his soulmate is from his parents. before emilie died she talked about how magical it was to find her soulmate, and she loves all her marks and tells adrien stories about every single one. he is constantly avoiding random strangers so they don't touch him but he is desperate for touch from the people he loves - who don't give it to him. he hears almost daily from his father that his soulmate is important for the brand and the family and adrien is forced into handshakes and hugs from gabriel's associate's daughters, only to be met with bitter disappointment when nothing happens.

and then it turns out his soulmate is a boy.

[inkskinned]

the thing is that they're so fascinated by sex, they love sex, they can't imagine a world without sex - they need sex to sell things, they need sex to be part of their personality, they need sex to prove their power - but they hate sex. they are disgusted by it.

sex is the only thing that holds their attention, and it is also the thing that can never be discussed directly.

you can't tell a child the normal names for parts of their body, that's sexual in nature, because the body isn't a body, it's a vessel of sex. it doesn't matter that it's been proven in studies (over and over) that kids need to know the names of their genitals; that they internalize sexual shame at a very young age and know it's 'dirty' to have a body; that it overwhelmingly protects children for them to have the correct words to communicate with. what matters is that they're sexual organs. what matters is that it freaks them out to think about kids having body parts - which only exist in the context of sex.

it's gross to talk about a period or how to check for cancer in a testicle or breast. that is nasty, illicit. there will be no pain meds for harsh medical procedures, just because they feature a cervix.

but they will put out an ad of you scantily-clad. you will sell their cars for them, because you have abs, a body. you will drip sex. you will ooze it, like a goo. like you were put on this planet to secrete wealth into their open palms.

they will hit you with that same palm. it will be disgusting that you like leather or leashes, but they will put their movie characters in leather and latex. it will be wrong of you to want sexual freedom, but they will mark their success in the number of people they bed.

they will crow that it's inappropriate for children so there will be no lessons on how to properly apply a condom, even to teens. it's teaching them the wrong things. no lessons on the diversity of sexual organ growth, none on how to obtain consent properly, none on how to recognize when you feel unsafe in your body. if you are a teenager, you have probably already been sexualized at some point in your life. you will have seen someone also-your-age who is splashed across a tv screen or a magazine or married to someone three times your age. you will watch people pull their hair into pigtails so they look like you. so that they can be sexy because of youth. one of the most common pornography searches involves newly-18 young women. girls. the words "barely legal," a hiss of glass sand over your skin.

barely legal. there are bills in place that will not allow people to feel safe in their own bodies. there are people working so hard to punish any person for having sex in a way that isn't god-fearing and submissive. heteronormative. the sex has to be at their feet, on your knees, your eyes wet. when was the first time you saw another person crying in pornography and thought - okay but for real. she looks super unhappy. later, when you are unhappy, you will close your eyes and ignore the feeling and act the role you have been taught to keep playing. they will punish the sex workers, remove the places they can practice their trade safely. they will then make casual jokes about how they sexually harass their nanny.

and they love sex but they hate that you're having sex. you need to have their ornamental, perfunctory, dispassionate sex. so you can't kiss your girlfriend in the bible belt because it is gross to have sex with someone of the same gender. so you can't get your tubes tied in new england because you might change your mind. so you can't admit you were sexually assaulted because real men don't get hurt, you should be grateful. you cannot handle your own body, you cannot handle the risks involved, let other people decide that for you. you aren't ready yet.

but they need you to have sex because you need to have kids. at 15, you are old enough to parent. you are not old enough to hear the word fuck too many times on television.

they are horrified by sex and they never stop talking about it, thinking about it, making everything unnecessarily preverted. the saying - a thief thinks everyone steals. they stand up at their podiums and they look out at the crowd and they sign a bill into place that makes sexwork even more unsafe and they stand up and smile and sign a bill that makes gender-affirming care illegal and they get up and they shrug their shoulders and write don't say gay and they get up, and they make the world about sex, but this horrible, plastic vision of it that they have. this wretched, emotionless thing that holds so much weight it's staggering. they put their whole spine behind it and they push and they say it's normal!

this horrible world they live in. disgusted and also obsessed.

[egophiliac]

I love your take on Crowley!

I know that the early, non-Diasomnia stories aren't really your thing, but are you reading the novels at all?

I have been following some of the fan translations and the second book seems intense! Would love to hear what you think about them.

thank you! 💚💚💚 I'm not really sure why you think I don't like the earlier arcs though, I love pretty much all the characters and their storis! (I think 5 and 1 are my favorite of the past episodes, though 6 infected me with the Shroud brainrot something fierce.) I just...ESPECIALLY love diasomnia. :') but there is room in my heart for all of these dweebs! like, who among us is not just as ride-or-die for Adeuce as they are for us.

that said, I don't really follow the other adaptations like the manga (aside from a dip-in just to see the new Yuus) or the novels, though I keep meaning to check them out! I do like seeing the differences between the different forms of media, and how certain things get adapted one way or another! but alas, time/a lack of accessibility stands in our way more often than not. :( someday...someday I will have time to consume all of the media...

[deoidesign]

For my birthday... read my webcomic! It's literally free! (Unless you want books. Those are not free)

It's beautiful, it's gentle, it's funny, they're canonically t4t and gay... And it's about time traveling vampires solving supernatural mysteries!

I've spent thousands of hours writing and drawing it, and it's really good! I'm not biased!

It's on hiatus right now and coming back in 2 months, so it's the perfect time to get caught up

[fumifooms]

Chilchuck analysis speedrun: As a hardworking half-foot who grew up poor and discriminated against and had his gullibility taken advantage of multiple times in his early adventuring days, Chilchuck thinks optimism is a dangerous flaw. He’s stressed and strict all the time because his job is noticing details like traps that could get everyone killed before anyone knows it, he takes the lives of everyone to be on his shoulders, and with the way he speaks about it that probably partly reflects how he felt about taking it upon himself to provide for his family too. His life’s always been pretty centered around work and has become even moreso now that his wife left and everyone is independent, and due to past events he’s very iffy with bonding with coworkers. He thinks feelings and job are a disaster mix. Like with his wife or with parties hiring him as sacrifice, being open or having good faith is vulnerability which can get you hurt, so he processes and shows all his stress as anger instead of worry. Doing strict dieting probably isn’t helping the irritability what with hunger, and on top of being a hunger suppressant alcohol might be the main stress reliever he has.

His grey hairs are so earned

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[medi-bee]

isat pokemon au, my liege?

my rambling in tags

[icewindandboringhorror]

What would you choose? :0c

(note: original image is from HERE (link) - but I edited it to add a wider variety of options.. also added $3 extra to the total, even though I know that makes it more uneven lol, I thought if you're adding 10 whole extra items, the money to spend should at least be increased slightly, if that makes sense..)

[pseudophan]

i'm so extremely irrationally annoyed by people not knowing what various terms mean and using them incorrectly like i feel like that's such an asshole thing to care about but oh my god stop

[luck-of-the-drawings]

"And soda; runs off into the street..." "...and soda... is totally okay!"

[shiananannn]

it's canon everybody IT'S CANON I REPEAT IT'S CANON I CAN DIE IN PEACE

[littleplantfreak]

Chatterbox pt. 2 - SFW

Here's part 1 with everyone else

Togame Jo - If it's you, he lets you talk for hours. Anyone else, he prefers to keep it short and sweet. Choji'll start listening in and ends up putting you on speaker when they're at the Ori, but he gets embarrassed if Choji bring up the name he has for you in his phone. It's either some cutesy form of your name or a nickname like bunny or babe with emojis. "Togame why do you have hearts and sparkles on her name? Mine isn't like that! I'm adding some to mine too." And now he has his friend in his phone as ‘✨🦁Ch💛ji🕺✨’.

Choji Tomiyama - Loses his phone so much Togame has to search for it on Find My Friends at least once a day. But then once he finds it and realizes he missed your calls/texts he gets super pouty because he could've been bringing you with him on his daily adventures via call. Calls you back immediately even if it's past normal waking hours which has you like

Once you actually get him on the phone though, he'll talk your ear off until he gets the urge to see you. Then he's just walking to your house without telling you he's coming to get you, all while you chat on the phone. "Hey can you open the window? I'm on the second floor gutter and it's gonna fall soon." Bro.

Tsubaki Tasuku - Another chatter. Keeps it near two hours though cause his schedule is usually hectic. Sends you texts very frequently though. Insists on showing off how cute you both are on SNS and they're professional level photography (courtesy of Seiryu.) Actually a lot bolder with her affections on the phone, often making you flustered. You guys have matching charms on each other's phones too.

Kaji Ren - Although he likes the sound of your voice, like Hiragi, he wants to hear it in person rather than on the phone. Insists he's coming to pick you up right now because it's not like he's doing anything more important than spending time with you (doesnt matter what time you call him either. If you have a nightmare or something in the middle of the night, he's already at your back door.)  Has one (1) heart next to your contact name, but if anyone comments on it he flushes and gets aggro like immediately.

Endo Yamato - I shiver thinking about being able to talk to this guy on the phone. He somehow knows what you're doing when you call him despite you not even telling him yet. His ears just happen to be really good, and if he's honest about it, he kinda finds you predictable (not a bad thing, it's just how he is.) Matches your energy while texting, and he really likes when you send him pictures of your day. He doesn't seem like the type to be on the phone for more than 30 minutes to an hour.

Chika Takiishi - He lets you chat for hours, but doesn't really respond much unless prompted. Forgets you cant see that he's nodding at what your saying, which is really kinda silly to see from his end. If he's gotta do something that he can't use his phone during, he'll leave the phone with Endo while you keep talking.

Tachibana Kotoha - Loves to chat just like Ume. She'll usually put wireless headphones in so she can multi-task better during calls. Sends shopping links back and forth with you, pretty much window shopping but also getting inspo for new outfits. She's got the customer service voice down and accidentally answers your calls with it sometimes which is pretty funny. Uses more exclamation points than you'd think she does in text. Her limit is probably 2, 3 hours max (She's a busy girl.)

Suzuri Shuhei - Really likes talking on the phone and thinks things get kinda lost in translation during text. Types messages to you like he's writing a book sometimes, and other times it's like "K. Ok. Yeah." Sir just text that you're at work or gaming rn we CAN wait till later usually. Starts pretty much every call by asking what you did for the whole day, and then follows it up with his day as well. It's kinda domestic to him to end the day like that. Max is probably 2 hours but he can do more than one call a day sooo.

Sako Kota - When he's not sending you instagram worthy pictures of the cute desserts or drinks he's getting, he's calling you and asking what you want from the place he's at. Brings you anything you want, whether you're at work, school, or home if you don't or can't go with him. He doesn't wanna be on the phone for more than half an hour, but he also calls multiple times a day even if it's just a quick question about something you were talking about earlier. He doesn't know, but when you call he visibly perks up and everyone can tell it's you despite him keeping his regular tone of voice.

[nwarrior777]

okay internet, i know that you not ready for this but

it's strange being all omgyes #slay yay totaly okay for like, all kinks, but going #omg wtf cringe scull emoji about fat kink

like we as society know how kinks works (importance of consents, special rules for practices like using special candles for wax play, etc), we know how really infinite can human fantasy go and so on and so on but why is it still taboo to be openly horny about things like big tasty meal with your lover

can we be finally chill about it

p.s. i have post which gives good arguments on this topic but i couldn't find it by search, only in my blog archive, so here is the link.

The problem with fat kink is not in it existing, but in not-exsisting of range of image of fatness in media

[feelo-fick]

WELCOME TO PHIO'S EXTREMELY SELF INDULGENT AU HOUR!!!

"Oh, FINALLY, another visitor! It's so quiet in here, it's unnerving..."

—

This AU was meant to be posted on halloween but eh.... Happy Thanksgiving? HAHAHHA

still dont have a name for it, but basically, back in october i was suddenly hit with the need to have a halloween au, so now we have ghost-ified prismo and vampire/witch-ified scarab :D ( although didnt finish the scarab reference spread in time because uh, school and i lost motivation unfortunately )

au synopsis and rambling below the cut!!

the premise of this au is simple : scarab is a real estate agent whos known for his manners ( never barges in, always waits to be invited! though it is a little weird how he keeps asking to be let inside even if they already agreed that he was going to come over... ) and efficiency at his job - that is, convincing people to buy high-end housing for a good price. although his social skills need some... work, his ability to persuade people isnt something to be laughed at.

unfortunately for him, persuading the higher-ups is a completely different story - which he learned the hard way after flunking something big for the company. they dont choose to fire him, no. instead, they put him through a trial, assigning him to sell their most unprofitable property : the mansion in a small town locally known for being haunted by an "evil spirit". if scarab manages to sell it (for good profit) within six months, he is excused and is able to go on with his job. if not... well, best not to think about it, yes? after all, he'll succeed with ease - all he has to do is dispel any worries about some fake "ghost" that only exists as a result of filthy rumors. maybe clean up the place. not too hard, right?

meanwhile, stuck inside said mansion is an extremely bored prismo. hes been hangin around this place for like... how many years now? forty? a hundred? meh, all the same, lately the place has been quieter than usual. i mean- of course people dont just walk into a creepy mansion every day, but there would usually be at least a few bold kids or vloggers coming in now and then for him to entertain but even then they wouldn't stay long ( for obvious reasons ). and now, just some unbound spirits or dumb animals would pass by and thats about it. a guy can only entertain himself for so long, yknow?

that is, until today. when some posh-looking business man entered the premises and started snooping around ( whats the deal with that, by the way?? ). must be prismo's lucky day!! this is the perfect chance to pull out all the stops and play the FUNNIEST prank ever! hah!

... oh. looks like things've gotten a little out of hand.

—

WOOT WOOT WOOTTTTTTTTTTT!!! im so so happy to finish this because ohhhhh my god this has taken ages for no reason other than the fact that ive been really dragging myself to make presentable art JSNDJSJXNSJX.... i realize that i have never worked in real estate ( or at all ) which means i have probably fucked something up but uhh um ill deal with the backlash later :"D im also realizing how many odd unanswered bits and bobs this au is going to have in the future, which... i am ignoring for the most part for now, but there are SOME things that i DO have figured out like ghost lore... but thats for another time, for now i leave you with this >:)

[jujutsustraycats]

BABY KARASU BABY KARASU BABY KARASU BABY KARASU I MIGHT CRY

This hurt my heart

Sweets I love you so much

Also this panel gives me deja vu cause remember that one Kaiser panel?

Yeah.

[wavesoutbeingtossed]

Randomly thinking about “tolerate it” (narrator voice: it was not random) and how under the cloak of fiction it is ostensibly inspired by works like “Rebecca” (which Taylor said she read during the 2020 lockdowns I believe?), with the line of “you’re so much older and wiser” indicating that the speaker is significantly younger and inexperienced compared to the person she’s speaking to and a pretty direct reference to the plot of the book.

But I saw something somewhere once that stuck with me about how it might not be referring to relative age between the characters but chronological age as in the passage of time in a relationship. And that made me think about how in a contemporary context, it might not necessarily be referencing an actual age gap between the two characters, but rather a sarcastic or cynical response to the man’s claims that he has matured (“you’re so much older and wiser [than you were before/than you were when we met/etc.]”), which then made me think about that line in relation to the woman. And that it could be taken like, “you act like you’ve matured so much in our time together and like you know everything, while I’m supposedly still stuck as the girl I was when we first met.”

Which then made me think of the “right where you left me” of it all and did you ever hear about the girl who got frozen time went on for everyone else she won’t know it and the bit in Miss Americana where she talks about how celebrities get frozen at the age at which they got famous, and how she’s had to play catch up in a lot of ways not just in her emotional growth but kind of in general. (Which also made me wonder if she’s ever been called out for immaturity/lack of curiosity/lack of education about things in her life…)

Which then made me think about the rest of the song, and @taylortruther’s posts yesterday about “seven” and “Daylight” and the way Taylor idealizes her youth yet contrasts it with an almost sinister reality in its wake, and the line, “I sit by the door like I’m just a kid,” because the discussion raised that her relationship let her recapture some of the childlike joy and wonder she’d lost. So this line is a double-edged sword: the speaker sits by the door with childlike hope that the person will come home and cherish her, but on the darker side, feels like the child dealing with the monsters she doesn’t have names for yet and the feelings of isolation she felt as she aged.

I’m not saying the song is necessarily autobiographical; like most of the songs on folkmore, it’s clearly a fictionalized story based on media she’d consumed and created, but we know a lot of the fictional songs were infused with her own feelings and experiences and… This idea swirling in my head picked up steam and now I kind of can’t stop thinking about it. Sorry but I’m a little obsessed now.

Like maybe it might start to shed light on why she identified so strongly with the novel in the first place…