#oh the stories i could tell

[snixx]

the 39 clues girlies are having a field day in the notes of a post I made months ago and all I can do is gaze upon them fondly as I remember the most passionate late lover of my life

[micro-after-dark]

I am stoned. Here's a list of Canadian things I think would baffle the fuck out of taskforce 141 + könig. minors dni this is a dark content blog.

Feel free to message me with more things!

"No, yeah, no." Vs "Yeah, no, definitely."

"Double double."

The fact the trains for provincial transit are almost nonsexist and SUPER expensive.

Our bread has sugar in it.

The army branch dedicated to keeping rats out of Alberta.

"Do not let moose Lick your car"

Canadian tire being the junk drawer of department stores.

Tractors being made into snowplows in winter

Timbits

[teathattast]

Really in my redemption arc fr

[brothuania]

Not to be the anti-go outside person but ppl on here acting like the irl queer community is somehow less full of bullshit than online spaces

[babisawyer]

gypsy rose is free in a week so I'm going to watch the act even though I know it'll make me terribly upset.

[bloominglegumes]

i love normal guys doomed by the narrative

[specialagentartemis]

The Odyssey stands the test of time as a story because it latches into the deep storytelling desire within us to go “and then some MORE weird random shit happened”

[daily-hanamura]

[southstand]

HARRY KANE (10) & SON HEUNGMIN (7) OF TOTTENHAM HOTSPUR The greatest partnership to ever exist in the world of football. “When you turn, I will be always there.”

BBC Sport / Kane and Son break the all-time record for Premier League goal combinations / The Guardian / Kane-Son trademark celebration during Liverpool 1-1 Tottenham, 07th May 2022 / Kane-Son trademark celebration during Manchester United 1-6 Tottenham, 04th October 2020 / Kane-Son trademark celebration during Aston Villa 0-4 Tottenham, 09th April 2022 / Kane-Son trademark celebration during Tottenham 2-0 West Ham United / Kane on Twitter after assisting Son on 4 goals against Southampton / Tottenham 1-0 Burnley, 26th Oct 2020 / Nice to Mich You, Son Heungmin / Premier League / Kane and Son hug during Manchester City 2-3 Tottenham, 19th Feb 2022 / Kane and Son hug during Tottenham 1-0 Crystal Palace, 20th Sept 2015 / Kane consoles Son during the Carabao Cup final against Manchester City / Kane and Son celebrate during Tottenham 5-2 Southampton, 26th Dec 2017 / Commentator on the Kane and Son partnership / Tottenham 2-0 Arsenal, 06th Dec 2020 / Caption from ‘Heungmin Son and Harry Kane guess their Premier League goal combinations’ / Stray Kids, I am YOU / Kane and Son celebrate during a 6-1 game against Leicester City, 18th May 2017 / Kane and Son celebrate during a 4-0 game against Everton, 13th Jan 2018 / Kane on Twitter / Frank O’Hara, ‘Morning’ / Kane wins the Golden Boot 20/21 / Son wins the Golden Boot 21/22 / Kane assists Son against Southampton / Caption from ‘Heungmin Son and Harry Kane guess their Premier League goal combinations’ / Mitski, Francis Forever / YouTube: Record breakers! Kane & Son react to becoming Premier League’s most deadly duo! / FootballJOE on Twitter, referencing Son’s trademark goal celebration, the ‘camera,’ through which he is looking at Kane / Gang of Youths, ‘Achilles Come Down’ / Kane and Son celebrate their goal against Arsenal / Kane on his relationship and link-ups with Son / Son and Kane on Instagram / Kane and Son after Kane assisted Son on four goals against Southampton / Tottenham 3-2 Ajax, 08th May 2019 / cr. Shaun Botterill, Getty Images / Commentator on the Kane and Son partnership / Tottenham 3-2 Manchester City, 19th Feb 2022 / Caption from ‘Heungmin Son and Harry Kane guess their Premier League goal combinations’

[whetstonefires]

Do you have any opinions on Scholomance?

I do! I like it a lot. I really enjoyed all three books, blitzed through them easily and was much more excited to see how the plots unfolded than I'm used to these days, as a jaded adult, and I also really appreciated them as works of craft.

Especially the first one, I spent the whole time being all 'wow!' at how simple it was. So easy to read, but no waste. You really need to know what you're doing, to get that kind of pared-down elegance of form to work and still fit so much content in.

Like these are dense, there's a fantastic stylistic minimalism that allows El's character all the space it needs to breathe by making absolutely every other thing and person in the whole novel also do character work for her, which is exactly where the first person voice shines.

Also great use of character perspective to make the pacing feel really natural, so the fact that the first book takes three weeks, the second book takes one year, and the third book is like. Five or so incredibly stressful days spread out over the course of a few weeks? Doesn't feel imbalanced.

I actually got distracted from the story a few times by noticing the strength of Novik's technique. 😂 This is a me problem, in itself it's the opposite of distracting. Very low-profile.

I think the Scholomance is a great example of how far you can go in specfic when you aren't cringing from the label 'derivative,' because the Scholomance books feel very fresh ad clean specifically because nothing in them is concerned with standing out as 'original,' whatever that's supposed to mean, only with being well-executed and suitable to its task.

Hm, maybe that's where Liesel was born, the intersection of the efficient narrative style and the vast proportion of the story that concerns the maximization of utility and the instrumentalization of persons by themselves and others, and the forces that incentivize these behaviors. Or maybe she's just the narrative counterweight to Orion 'Head Empty' Lake lmao. How's that for a principle of balance, Galadriel?

I really did enjoy how beautifully it was laid out, over and over, in dozens of shades of humanity, how no matter where you go in an exploitative system almost everyone is being driven by the same survival instincts.

Because I don't think I've ever seen made so cleanly clear why you just can't expect any person or small group of people, no matter their level of goodwill or status, to unmake one of these systems from the inside; how it's not a matter of people being bad but of every single person being very...small.

And then not retreating into the idea of a person who is Big coming and breaking the cruel system from the outside as some kind of panacea, because 1) that is terrible, even if it's necessary and done in the best way possible and 2) that's not a sustainable answer to anything. Getting a balance between the protagonist being able to effect change and not subscribing to the great man theory of history can be really tricky!

Also did I mention, I love El, and I love most of the cast, even the dreadful ones. How am I going around with this many feelings about Li Shanfeng who doesn't appear until the actual climax?

The romance murdered me a bit, but it took up no more space than it absolutely needed to do its job, and I respect that. Also I appreciated Orion as a love interest; Novik has a slight record at this point of a version of that style of male love interest who's like a caricature of Mr. Darcy but old, which was shaping up to be my least favorite thing about her body of work.

...Orion is kind of like if you took the human king from Spinning Silver and gave him an alignment flip come to think of it, so he's not coming out of nowhere. Lmao.

Which reminds me (re: romance character typing) I've heard Novik didn't want it to be known she was astolat, which this series has renewed my sympathies if so. Because if I were a published novelist I wouldn't want people going 'you know, that resolution was really emotionally satisfying! reminds me of that fic she wrote where optimus prime and megatron get stuck in a hole underground and hatefuck about it.'

I don't even like Transformers. That fic almost made me cry. Actually I suspect it reads better if you don't like Transformers because I'm sure it does not give a shit about canon.

Anyway, whoever pointed out that one of the things El has going on is she's Enoby (and we're going to sit down and explore what the true reason to put your middle finger up at preps is, and what are some constructive ways to channel that socioeconomic wrath, and what it means that there is no ethical consumption under capitalism) was right and I'm not entirely over that either.

Fucking love El's mom as a character. Spectacular level of parent relevance and usefulness. A+.

Aadhya and Liu are also characters who fucking delivered.

Re: minimalism though, I laughed at the start of The Golden Enclaves when I realized that none of the enclaver characters who'd gotten development in the the first two books were from London, the enclave El was theoretically shooting for when we met her.

[betterthanbatman1]

Okay, I don’t know if I’m looking too deep into this but this made me really sad and uncomfortable.

I mean, Jason could say something along the lines of “don’t kill the kid, kill me instead” but he said “I’ll do anything you want, anything”. Him repeating the word ‘anything’ wasn’t a stutter from the fear kicking in (they used ‘-‘ and ‘…’ to portray the stutter/ repetition of words due to strain/exhaustion). But this word was written so clearly as just a repetition to emphasize that he meant anything. What ever it is that he was implying, is very upsetting nonetheless.

Then the way Scarecrow held Jason’s face. That could easily just be a villain trying to make their victim weak, holding them firm, leaning in close-invading their space, and ensuring they feel vulnerable. Yeah okay I get that.

But then Joker walks in and calls Crane a pervert. And sure you can argue that Joker is just throwing names around. But this whole multi interaction caught me off guard and yeah maybe I’m reading too deep into it. Maybe Jason just felt helpless and spewed out words? Idk.

Whatever the situation was, still hurts to read. I don’t know, it just felt so wrong. Even if he wasn’t implying anything, Scarecrow and Joker are still taking advantage of a vulnerable person. Which obviously is awful and disgusting,

[beanghostprincess]

I have seen a wild amount of people complaining about the context of Wind Breaker and how "unrealistic" it is for the characters to go to school but without any teachers or adults being shown or protecting them and... First of all, realism is not what you're going to find reading a Shonen and if you want a full-on high school experience, read another manga. It is very common to skip those details as a writer because they are not interesting in the slightest and they have confirmed multiple times that all of their grades are awful, so you won't get a silly little arc about them studying, because they directly don't. To say it is "unrealistic" is to ask for boring, pointless, plotless occurrences in a Shonen manga about fighting. Are people even hearing themselves when they complain?

But it's not only from a writer's perspective skipping what's unimportant that justifies the lack of teachers and responsible adults, but the plot itself. At first, it is confusing, but I think you only have to look a bit deeper into the cultural context of the story to understand why there aren't teachers/adults shown.

I'm around chapter 100, so I am not sure this gets explained further in the manga, but my theory as to why they behave this way is pretty simple, honestly: They are poor and in ruins, and adults with the power to change things do not care about them. Easy as that.

Whether it is real or just an exaggeration of what's actually going on, it has been shown countless times (especially in Umemiya's backstory, explaining directly how authorities don't care about the kids or anybody, really) that the whole city is made for outcasts and left to rot by the government. It is not some apocalyptic bullshit, it is stuff that happens every goddamn day in real life. They go to school but they aren't shown studying and the place itself is a mess. We only see Umemiya running the school but it is confirmed that there's staff and somebody grading them somehow, despite never being shown studying or doing anything other than patrolling. But they have shown us that the city used to be extremely problematic and chaotic and only recently have things started to change for the better. Most villains and even main characters are orphans and live on their own. There's a whole arc about a group of kids being left to rot in poverty without any means to study or live a normal life. Even our main character lives on his own in a horrendous apartment. Like--

I believe you have to be blind to not see that, if this isn't just literally some people turning their backs against poor kids in a place in ruins, it is at least an exaggeration of these things happening in real life. Because they could have classes and teachers and everything you want in the manga to make it more realistic, but this is, after all, from the perspective of teenagers who can't rely on anybody but themselves. There's only so much a teacher can do, and we know most of them do nothing for these kids. So if it is "unrealistic" perhaps you aren't aware of what damn hyperboles and metaphors are, but this is from the students' points of view, and when you live in a place like this, it doesn't matter how many teachers there are or police, because they won't help. So they are directly erased from the story to be replaced with Sakura's point of view of Umemiya running the whole place.

So I think that instead of looking for realistic interpretations of their high school experience, perhaps you should empathize a little with the actual real high school experiences of people like them.

[padfoot-lupin77]

Something something people claiming that Kanej isn’t a couple post-CK, something something both of them struggling with intimacy, something something people’s recent obsession with smut*, something something kissing and sex being treated as ‘proof’ of a relationship or as the only direction a relationship can go as it progresses, something something aro and ace people being told their identities aren’t valid, something something that affects allo people too because they’re expected to follow the norms, something something teenagers feeling like they’re loosing their friends when said friends get in relationships, something something all of this is connected but if I try to find the connection I’ll drive myself insane

*I have absolutely no problem with people reading smut, I’m talking about the ones that are obsessed with it and refuse read any non-smut book because they think nothing else is worth reading

[rist-ix]

https://www.tumblr.com/rist-ix/749015401700229120 not you reblogging this when you ship bloom with the man who murdered her family 😭

Bloom's into ppl who slay! Hope this helps :3

[ziracona]

I thought the ending to The Untamed was perfect.

I knew it would be different from the book, because of censorship. And I thought they couldn’t have done a better job.

You’ve got this story about a broken society with prejudices of class and sex and background, and how the way things are, you can’t be truly happy within the system. In the book, Wei Wuxian and Lan Zhan leave the system together to get married, because they can’t stay within the cultivation world and be gay and live the same, and find happiness outside it. In the book, you get this lifetime of pining from Lan Zhan, and slow realization from Wei Wuxian, and a bond that goes through and overcomes death itself. And in the show, they give you as much of that as they can too. They have to make it subtext, but boy does every single actor hit that gay shit hard. Every single reaction shot to Wang Yibo is him carrying the gay subtext on his back like Atlas.

It’s absolutely still a love story about two men. One who fights to keep the other alive, and fails, then fights not to lose him again when gifted a miracle. The other, trying to do the right thing and being punished and demonized every step of the way, because right doesn’t coincide with ‘accepted.’ It’s often directly opposed.

But they aren’t allowed to make it canon. So they follow that thread. They can be in love, if they don’t say it. They can have the intense feelings, if an audience can pretend they’re friends. But they can’t get together. So they don’t. They go ‘if they can’t, then what happens?’ and they don’t give you the emotional out of letting them go off together as ‘friends’ so the audience can be happy, because that’s not a reading of the relationship. They aren’t friends; they’re in love. Because he’s not openly gay, Lan Zhan can be asked to run his sect, which means he has to stay. If he can’t choose to go with Wei Wuxian and run away, then Wei Wuxian is forced to return to his fate and be alone. It’s heartbreaking. But it’s supposed to be.

Denying an audience what they want is one of the most powerful tools media has. A whole story about fighting the entire world for a man you love as another man, 50 episodes, and then you don’t get to be happy together, because it’s being shown to a world that won’t allow that end.

Wei Wuxian is heartbroken. They go to part ways, and he tells Lan Zhan next time they meet, he better have a name for the song he wrote them. A song that has always been called Wangxian, or Wuji. A song that is literally the ship name, their names combined. Both in world and metatextully, he’s telling him to make a choice.

And they leave, and Wei Wuxian starts playing Wangxian on the flute. They’ve parted, and Lan Zhan stops because he can hear the song that’s literally written by him about loving Wei Wuxian and named after their ship, being played after him as a call of the life they could still choose to have. The call to run away together.

And it’s called not The Grandmaster of Demonic Cultivation, but The Untamed, after that quote. “At best, you’re the untamed hero; At worst, you offend people wherever you go.” - “Wei Wu Xian! Don’t you understand? When you’re standing on their side, you’re the bizarre genius, the miraculous hero, the force of the rebellion, the flower that blooms alone. But the second your voice differs from theirs, you’ve lost your mind, you’ve ignored morality, you’ve walked the crooked path.”

Because that’s what it’s about. It’s about the disconnect from society and right. Again and again. The way people are treated for their birth, their love, their affiliation. The fate of the Wen remnants who didn’t fight, Jin Guangyao’s entire reason for being there, all the broken relationships and tension, even the very reasons people hate Wei Wuxian and kill him the first time. And in the show, allowed to exist for the book’s overwhelming popularity and success, but not allowed the freedom of the book—only allowed in the closet, it seven more about that in regards to the core romance itself. It’s a deep, beautiful gay romance, not allowed to show a gay romance to their audience.

And so they lean into that. You can’t have ‘MDZS without the gay romance.’ It doesn’t exist. It wouldn’t be the same story. It’s a story about, and in every step and nuance, only possible because of, the romantic and sexual feelings of deep connection between two men. So the story is MDZS with the love, but you can’t show it. You can’t let it out of the shadows. You can’t let it be seen. And you can’t have the happy ending MDZS earns, without the freedom to love each other and live the life they want together, that makes it possible. — They can’t have them get married, so they make you see what a world where being gay and together isn’t allowed looks like for those characters, because that’s what this story is being forced by censorship to be. And it fucking sucks. It hurts. It’s agony and disappointment, after all this, that death can’t beat you but the world can.

But they have him call out to Lan Zhan to reconsider. To choose Wangxian over the end they have to have. And he does. And you see Wei Wuxian look overjoyed that he heard Wangxian and answered. But they never show the reverse shot. We hear Lan Zhan, but we can’t see him, because it’s not allowed. It’s censored. They literally don’t ‘show us’ him changing his mind, because they’re not allowed to, and they make a point of that. It cuts immediately to “We thank the author Mo Xiang Tang Xiu for bringing these characters to life.”

We thank the author for letting them truly live.

“May their wishes in the future come true.” May the system change. May the last frame be allowed.

[littlespoonevan]

the thing about romcoms is just- it's never meant to be 'is it believable?' but instead 'do you believe it?' do you believe these two characters are actually falling in love with each other??? do you believe their chemistry??? do you believe whatever obstacle is thrown in their way is legitimately something that might keep them apart for a time and not something that could be solved with one conversation?? do you believe that they believe they need to fake date for this very specific reason??? do you believe the reason why they're 'enemies' at the start, no matter how silly a misunderstanding it may be??? do you believe the grand romantic gesture fits the characters and is actually how one character would show their love to the other?? like!!!! it's about empathy and authenticity and feeling what the characters feel so strongly that even if it's a trope or a cliché it doesn't matter because you believe it