#one of the things I love about this story is what an adaptable and intelligent heroine kagome is

[manga-panels-daily]

[inkskinned]

i think one of the reasons glass onion is so fun is that it just... loves the audience back.

so many popular movies and shows these days thrive on a sort of bitter engagement with their fans - where the fans are dismissed as being stupid, annoying, and needlessly angry. we are constantly positioned as being less intelligent as the writers.

so much of "spoiler-free" movie-making relies on writers getting away with one twist in their work, regardless of if that twist was earned. the work doesn't actually have any rewatch value or interesting writing - because they think "good writing" is about "pulling one over" on the audience. they don't focus on making interesting characters or storylines or good endings - they focus on fooling you. glass onion, meanwhile, has faith that the audience has figured the ending out, and that we'll watch anyway, because we love the characters.

so many adaptions of older works... kind of seem to hate the original work. they're done without passion. they're done almost as if checking off a box. so many of them openly mock the audience for enjoying the original, almost directly telling us that we are fools for ever having loved something.

but glass onion. loves the audience. it knows that many of the people watching are mystery-lovers. it is an homage that feels love towards the original works it references. it knows we also love those works; and instead of trying to disparage those works, it allows us to celebrate them.

one of my favorite things about it - and maybe why i found it so satisfying - is that this movie isn't trying to tell you it's the smartest, bestest, most-clever detective story. instead, it asks itself what is satisfying and exciting for the audience? and actually gives us that payoff. it's bright, colorful, and fucking fun.

just... more of this please. i'm very bored of nihilism and grittiness and "shock value" writing. put the love back in. let us love unironically. have your work say i love you too. thank you for sharing this story.

[xueyuverse]

It's ironic to me that part of the fandom insists so much that Hua Cheng's personality revolves around Xie Lian when in fact MXTX created Hua Cheng first and then had to make Xie Lian his ideal type. Like, the truth is that Xie Lian was molded for Hua Cheng. I find this contradiction very funny, I'm sorry.

But they were indeed created for each other.

Hua Cheng has a strong personality, he is firm in his ideals and beliefs, assertive in his opinions, cold in his justice and someone who does not bend the rules just to fit in, he creates a third way instead of adapting to a world that hates him and was cruel to him.

His ideal type would have to be someone as confident as him, who not only does not bend the rules, but also does not get corrupted by difficulties, someone benevolent enough to see people like him with kindness, because only someone faithful in his beliefs would be able to be so different from everything that the world says is right — because the right thing is for you to annihilate people like Hua Cheng, whether they are innocent or not, just because of a supposed curse that they did not ask for.

This meta is based on this excerpt from the afterword that MXTX put in TGCF ↓

When it comes to character designs, the Shou’s were decided on first for the first two novels, but I was torn over the Gong’s for a long time, and needed a run-in period. Hua Cheng, however, was an exception. Inspiration struck and there he was; inspiration struck again, and I blinded one of his eyes.

[...]

It was actually the Shou, Xie Lian, who tortured me for up to half a year’s time. When the novel started serializing, I was still torn over him for a long time.

[...]

But the most important thing is, by my instincts, someone like Hua Cheng will most definitely love someone like this. So, after a good half a year’s worth of qualms, in the end I still typesetted him: It’s you!

Speaking more about this postscript, I found it interesting how for MXTX, Xie Lian was the most difficult character she has ever played. People tend to think that Xie Lian only has two personality traits: (false, for many) kindness and idiocy. The idiocy may even be right lol, but when you stop to think about it, Xie Lian is a really difficult character to create and, mainly, to develop.

For all the layers he has, he could easily be a snobbish prince, a vengeful and bitter ex-prince, a fallen prince who rises again to reconquer his kingdom and reclaim his throne or a spotless saint who is always intelligent and wise and is above things like sadness, anger, lust, etc.

We know that Xie Lian is none of these things, he was not made for these plots. But if he is none of these things, then what could he be? Honestly, I find it very difficult for anyone to come to the conclusion that your protagonist is a "loser" who failed and has no ambition to rebuild his kingdom and become the new king. It's bold to make your protagonist a poor and extremely unlucky nomad, especially with the princely background that you gave him, we can see from the amount of stories out there about protagonists who lost their kingdoms and then have a path of reconquest that it's difficult not to be tempted to follow that path.

Of course, Xie Lian is a god, something greater than a prince or king, but he is a poor god, known as "the joke of the three kingdoms", he has no wealth and for 800 years he only had 1 believer that he didn't even know existed and he is also known as the "god of plague" and "immortal scrap collector", unconventional titles in the literary world lol

He must experience youthful ignorance, overestimation of his own abilities, have been laughable, been foolish, made mistakes, despaired, felt hatred, gone crazy. But he can’t run, and he can’t hide; everything is what it is. All this was killing me. Not just within the text, but outside the text too. My mediation was useless, and I’ve no energy anymore either, so in order not to be affected, I stopped looking at comments altogether. Since I always habitually vaccinate myself before a serialization begins, speculating on all the worst possible scenarios and preparing myself mentally, by the time serialization started I had already expected how all the negative comments would go down. But after much hesitation, I still thought, why not try all different kinds of characters? I haven’t tried writing a main character like this before.

— MXTX

[im-subtextsexual]

I’m glad so many people picked up on the vibes between Eloise and Cressida. Not a ship I ever considered before, but the tension was palpable. I’ve been a Queer Eloise truther since reading the books. Her portrayal on the show only made it more obvious in my mind. I didn’t think the writers would ever go there, but the set up is just so explicit, now I’m not sure. I don’t think they’d actually make Eloise / Cressida canon, but I do think they’re testing the waters for wlw Eloise. And it makes perfect sense. 

First off, the character is queer (I’ll hold off from labeling her a lesbian outright, because there’s definitely room for other identities like bi, demi, ace…. etc.) Even in the books. I legitimately think Julia Quinn accidentally wrote a sapphic character and then didn’t know what to do with her. So what we got is “To Sir Phillip, With Love”, widely considered to be one of the worst in the series. Believe me, if there’s any story that could stand to deviate from the books, it’s this one. And the story could so easily be adapted to a wlw romance, it would be a wasted opportunity not to do it. Like… the story would be better if they tweaked it to fit a queer canon. AND it could be done in a historically accurate way to shut up the naysayers that “a lesbian storyline wouldn’t fit in this universe.” How? Allow me to explain.

*SPOILERS FOR BRIDGERTON SERIES BOOK 5*

In the book, Eloise strikes up a correspondence with Sir Phillip Crane. Yes, THAT Phillip, the one currently married to Marina from season 1&2. Marina kills herself because she can’t stand to be married to Phillip and deal with their children in the wake of her lover / his brother’s death. His initial interest in Eloise is to find a mother for his children. She is intrigued by his intelligence and decides she doesn't want to be alone, but isn’t necessarily eager to marry or have a family. Due to romance novel shenanigans, she runs away to Phillip's house and is forced to marry him. Even as they grow to kind of love each other, it's far from some grand romance. It’s the very definition of “settling”. The most interesting part is the narrative structure of their story being told through letters in the beginning. We could keep all that, but make it gay. 

*Imagine*

Eloise meets some dapper gentlemen new to the marriage mart. We’ll call him Emmett. Very little is known about Emmett and his family as they keep largely to themselves at their estate in the countryside. The only thing that’s widely known is the family suffered a tragic accident where the man of the house and his oldest daughter died, leaving his son (the other twin) to take on the responsibility of rank and title very early. Emmet is making a rare appearance in London to find a wife (there are rumors of stipulations in his inheritance requiring a match). ALL the debutantes are fawning over him because he’s mysterious and extraordinarily good-looking. One might even say “pretty”… To everyone’s great surprise the season’s most eligible bachelor takes a special interest in Eloise after overhearing her talking about her disdain for the social convention of marriage, and how she would only consider it if it were an in-name-only, marriage of convenience. Emmett strikes up a conversation with Eloise and she is taken by his humor, wit and shockingly deep empathy for the limitations society puts on women. They continue to gravitate to each other through the first few events of the season, but Emmett has to return home suddenly because of a family emergency. Eloise is shocked to find herself disappointed, but they promise to write. Cue the correspondence romance.

Eloise grows more and more smitten with Emmett every letter she receives, but still has the same reservations about marriage especially when she thinks of the intimacy a relationship like that would require. When Emmett hints that he may want more than friendship, Eloise's feelings get the better of her and she goes to visit Emmett unannounced. He is shocked to see her, but let's her stay and she gets to know his mother and two younger sisters. The Bridgertons go looking for Eloise, worried something has happened to her. When she is found to have been staying for days in an unwed man's home without a chaperone, the potential scandal causes Anthony to force Eloise and Emmett to marry. Surprisingly, Emmett actually agrees so Eloise does too (all of this is essentially what happens in the book).

Eloise confesses to Emmett that she's nervous/resistant to physical intimacy, but he assures her they never have to be together that way. In fact, he would prefer the marriage of convenience they always talked about. Eloise is relieved until their kiss at the wedding sparks an attraction she wasn't expecting. They spend the first month or so of their marriage sleeping in separate rooms, enjoying each other's company, and letting the tension build. One night, Eloise's control and curiosity finally snaps and she goes to Emmett's room to initiate a physical relationship. She catches Emmett off guard in his sleeping clothes which makes it VERY clear... Emmett is a woman (cliffhanger of episode 4, and where we deviate from book canon to make it queer).

After the initial shock, Eloise allows her new "husband" to explain. Emmett is really Emma, the daughter believed to have died in a carriage accident with her father so many years ago. It was her twin brother that actually died, but since there were no other male heirs, Emma's family fortune would have gone to a distant uncle who is cruel and abusive. To save them of that fate, Emma's mother conspired with the local coroner to make it look like Emma was the one who died, so "Emmett" could inherit everything. Emma has been living as Emmett ever since, successfully keeping up the deception by keeping a low profile in society. The only reason Emma came to London that year is because her uncle died, and a cousin had come around asking questions hoping to inherit. She thought getting married would help secure her identity as Emmett and the cousin would back off. At first Eloise is outraged. She feels betrayed by Emma's duplicity, and is terrified if any of this ever got out everyone they know would be ruined forever. She agrees to keep the secret to save her family's reputation, but shuns Emma. Eventually, Emma (already aware that she's in love with Eloise) attempts to make amends and Eloise is charmed enough that she relaxes back into the relationship they had before the Big Reveal. The only problem is the attraction is still there, even more so now that Eloise knows the truth. Things come to a head, and they go at it Bridgerton style.

Emma and Eloise live happily in a true marriage for a bit until Cressida and Penelope come for a visit. They both find out about Emma, but are sworn to secrecy. Pen easily swears her loyalty (having already suspected Eloise), but Cressida is sickened. In a rage, she threatens to out them all, and storms back to London. Eloise follows her and begs Cressida to keep the secret, and tries to explain why the "wrong" feelings she has for Emma are very right for her. To Eloise's surprise, Cressida isn't upset about what she's doing with Emma, but who she's doing it with. She didn't know what they're doing was an option; that she was an option. Cressida confesses that if she'd known a life with Eloise was a choice she could make, it's the life she would have chosen. Eloise lets Cressida down easy by explaining they didn't have that choice. Everyone in the ton knows who they are. The only reason her relationship with Emma works is because of the ruse that allows Emma to be Emmett. Cressida takes this in stride, and vows to keep the secret, but her mother overhears and causes the biggest scandal London Society has ever seen.

The Bridgertons and a few friends (like Lady Danbury) are as understanding as possible, but the rest of the ton is rabid. Things escalate to the point where Emma and Eloise have to appear before the Queen. Emma pleads her case about pretending to save her family, and insists that Eloise didn't know until well after they were married so she's innocent. Eloise can't help herself and gets on her soapbox about the way society limits women, and that the Queen should understand their plight. Shockingly, she does. She annuls their "marriage" (because they didn't consummate anything... RIGHT?!) but she agrees to let Emma control her family's estate until one of her sisters produces a male heir. After that, she and Eloise will receive a pension from the Crown so they can live independently (the real Queen Charlotte actually did this for suspected historical sapphic couple The Ladies of Llangollen). Since Emma and Eloise would never be able to find husbands now, they decide that they'll just be two spinsters growing old together in their house in the countryside. You know... just two gal pals. No one believes that shit, but they rarely interact with the ton, so they're largely left alone to live as they please.

Happy ending, close to canon, historically accurate, and super gay. It's not that hard. You're welcome.

[amberarmedheart]

In Defense of John Watson and the Importance of the Besotted Narrator

Every couple of years, the world as a collective likes to ruminate and come up with a new adaptation of the stories of Sherlock Holmes, every single new one promising to be either "The Ultimate Adaptation" or "Holmes for the New Era", there is no in-between. And it is understandable, this amazement and awe we hold for the beloved mysteries, they are classics for a reason.

And despite that, time and again I see creators of tv shows, pastiches, and movies, neglect the most important aspect in every single Sherlock Holmes' story: the immovable presence of John Watson. Some even going as far as turning Watson into a villain, a caricature of himself, or even erasing him completely from the narrative. "After all, the important one is Holmes, isn't he? He is the genius, and Watson is there just his biographer."

That is the capital omission to me when it comes to any of the adaptations, because it ignores the vital part that Watson plays in Holmes' life. Watson is the companion, he is the bridge between the "normal" world and the genius that is Holmes' deductive brain. He is, for a lack of a better descriptor, the translator between what jumps in judgement and reasoning Holmes' brilliant mind comes up with, and the layman's language.

There is a reason why we as readers come up with the idea that Holmes is smart beyond his quirks and his drug addiction, beyond his ignorance of anything and everything that in his opinion doesn't help him solve the cases that distract him from the boredom of normal life... and that reason is that John Watson is the person narrating the whole thing. We are not introduced to Holmes through an omnipresent, anonymous narrator which is the case with other books. We are thrown in the middle of a mystery from the start the same way that Watson is unexpectedly thrown in 221b.

What we think of Holmes, what we feel for him, it is all because Watson wishes us to experience. The stories themselves carry with them one of the best storytelling devices graciously blended into the narrative, which is the fact that Watson is an incredibly good writer, so much that the public gazes into the spotlight where Holmes is and in most cases ignores that the one shining it down is Watson himself.

Creators who like to ignore Watson and his function in the narrative tend to see Holmes as their own self-insert: a super smart man whose genius cannot compare with the mediocre world population and who can barely tolerate their stupidity, basically a gift to men from god and who has to be worshipped for it... When the reality is that every single thing we perceive from Holmes is because of how Watson sees him.

Watson is our unreliable narrator, his descriptions and impressions of Holmes are the ones that are weaved into the story; even goes as far as giving us a glimpse of Holmes' opinion about it through the way the consultant detective sometimes accuses Watson of adding too many embellishments to his narrations. If we see Holmes as an incredible genius, as someone whose intelligence is above the rest of the world, it is because Watson says so. With every passing story, we come across different characters that every once in a while whose first impression of Holmes has been influenced by what they themselves read in Watson's stories... All in all, the in-universe characters falling under the same influence we, as readers, are.

John Watson's love for Holmes is one of the main plot points in the story, we see its evolution the same way as one normally goes through different stages of falling in love. We see Watson's first infatuation, his interest in what makes Holmes what he is, first in a superficial way and later on with every new story. We see them have misunderstandings, which most of the time end up in a deeper appreciation of Holmes as a person.

All culminating in the incredible rendition of The Final Problem, which could easily be seen, without little effort, as Holmes' planning his own death. By what means we are never completely sure, to be honest, since we can only see it through Watson's deep grief. It is true that Arthur Conan Doyle's plans were to end Holmes' adventures with the short story, but even with the author's motivations being the main recourse behind its inception, there is no doubt when reading the story that the focus of the narrative is Holmes' spending his last moments with Watson.

The subsequent creation of The Empty House and further adventures after that, diluted partially the importance of the whole ordeal, but gave us a different insight of Holmes and Watson's relationship. Through that lens, we as readers witness the evolution of it, the toll that Holmes' fake death had in both his biographer and his own author, adding depth through the strain put by the facade.

E. W. Hornung made one of my favorite homages to Holmes and Watson through his stories of The Gentleman Thief, and put a greater emphasis on the strained relationship between the two characters after the fake death. He gave his besotted narrator another source of turmoil: the fact that while Raffles (our stand-in Holmes) was away living life and even having a romantic interest, Bunny (his Watson) ends up falling in disgrace after being sent to jail.

A.J. Raffles' stories lean on the importance of the unreliable, uselessly enamored narrator, to the point that Hornung didn't shy away from having Bunny refer to Raffles as handsome and attractive in many different instances. He understood how there is no Holmes without a Watson to appreciate him, how their dynamic is the fuel behind the success of the whole series.

And ultimately, that it is impossible to have a good story without a good storyteller.

[carlsangel]

CRUSH

carl grimes x adhd!dixon!fem!reader

(carl loves to hear about your hyper fixation.)

tags: fluff!

masterlist here!

(this takes place in season 4 at the prison!)

Growing up, you’d gotten interested in many things. You were really educated on a lot and your dad, Daryl honestly couldn’t keep up with it. He tried his best, since he’s a pretty quiet guy he’s a great listener. Although, sometimes you wished he’d give you some sort of feedback or maybe ask you questions about whatever it was you were telling him about.

Even after the turn he never really had time to talk about anything. He was always going on runs or he went out hunting. He was really important in the way the prison ran, so he was always busy. You always felt sort of anxious about it, you could never really talk or share your thoughts or explain the interests you loved. They were especially important now as most of your hyper fixations were what was getting you through it all.

You talked, and you talked a lot and there’s nothing wrong with that. But in a world that suddenly had gone quiet, it was hard for people to listen to you considering how adapted they’d become to the silence. You were like a burst of energy that most people weren’t exactly ready for quite yet.

Except for Carl.

He always thought you were the cutest and funniest ever, even when you were younger like at the quarry or the farm. There, you never really had freedom to be yourself because the adults would always tell you to hush and be quieter. That’s why at the prison, he loved to watch you be who you truly were. He’d seen you interact with the other kids at the prison and had gotten angry at them for brushing you off when you were excited about certain things and began to ramble. So, one day at the tables outside the prison, he did something not many people did.

He asked you your favorite book series.

You were ecstatic, even though you realize this may not an invitation to explain to him every bit of lore of the story, you were happy he’d even put in the effort to ask. You tried to stay as calm as possible. “It’s called A Series of Unfortunate Events…it’s quite complicated…” You explain shyly, not having really opened up to him like that before. Sure you’d gone through a lot with him but you stayed quiet a lot of the time because of how discouraged you were by adults.

“Complicated? How so?” He questioned. Which is exactly what you wanted. Your eyes widen a bit but you try your best to stay calm so you don’t completely scare him off.

“Well how much do you wanna know, I mean it’s quite a lot it could take me hours to explain and I’d feel quite bad if you wanted like a quick synopsis and not an entire look on the lore and…” Your voice trails off when you realize you’d been rambling. He however was admiring you completely. He found you so refreshing. “I wanna hear everything.” He tells you. Again exactly what you wanted. Was he always so cute? Or is that something you’d just noticed?

“I guess I could start with the basic information, there’s three siblings right, theres Violet who’s the eldest sister and she’s an inventor, she always ties her hair up with this ribbon and that’s how you know she’s gonna make something good...” You continue to ramble and smile at little details you explain. “Then there’s the middle child, Klaus who’s a boy and he is very intelligent, he remembers basically anything ever told to him which I somewhat relate to considering I get really interested at certain things but anyway,” He giggles at you a bit, enjoying everything in front of him at the moment.

“They also have a little sister Sunny who’s just a baby but they understand everything she says and she has these teeth that are super sharp even though it’s just four but she could probably bite off a finger if she really wanted to.” His eyes widen a bit. “A finger? Wow…and only four teeth?” He inquired, very intrigued at what you’re saying.

You continue to talk to him a bit more, explaining a good amount of the plot to him and he listened intently. You’d stopped for dinner but continued to talk with him during. At some point, Daryl had to come and pry you away from him so you could actually go the hell to bed. Carl didn’t want you to go, you’d already gotten him invested and he wouldn’t be able to sleep without knowing what happened next. He also wanted to just spend time with you.

“Cmon s’time for bed.” Daryl told you, you then turned to Carl and a small frown was displayed on his face. “We can talk again tomorrow morning…if you want.” He immediately nods. “Yes- yeah I’d love to.” Daryl looks between the both of you, knowing how much Carl had admired you. He also knew that if Carl was listening and wanting to know more, you’d also admire him just as much. You smile at him and nod. Daryl directs you in the way of the cells and he stays back to talk to Carl.

“You got somethin for my daughter?” He interrogated Carl for a moment. “W-what?” Daryl looks back at you to make sure you’re far enough before continuing. “Those books…she’s been dyin to talk to me about those since I found em for her. Haven’t had the time.” He explains. “No one else seems to want to hear about it. What’re you up to?” Carl tilts his head a bit. “I just wanted to know her favorite series…I suppose I enjoy hearing her talk.” He smiles.

So Daryl left him alone about it. He was glad to know you had someone to talk to while he was busy.

The next day at breakfast, you were eating while reading back at the benches. Once he gets his plate he walks over and sits across from you. His paper plate hit the table with a bit a thud and you notice, looking up from the book. “Oh…hey.” You look up at him and smile, he takes a moment to respond as he’s quite flustered to see your smile straight off the bat. “Hi…which one are you reading?” He points to your book.

“The twelfth book. I’m kinda sad about it though…” You give a small pout and he picks up a bit of bacon to take a bite. “Why, cause it’s gonna end?” He chews his food and waits for your reply. “That and I don’t have the last book.” You fold the page’s corner, sort of a way to mark your place. Carl takes note of that. He does however feel horrible that you’re missing the last book. “Oh really? I’m sorry…maybe we can make up our own ending. Once you explain the rest of it to me.” He does his best to cheer you up.

But somewhere in the back of his mind, he knew he had to solve your problem. Although he was too young to go out scavenging, his best friend wasn’t. So after breakfast where you explained the second book to him, on his way to do his chores he stopped Michonne on her way out of the gate. “Do you think maybe if it’s not to big a deal you could stop at the library? I’m looking for a book.” He explains, not quite mentioning you currently. “Is this for your new old ‘friend’?” She questions, somewhat teasingly. He rolls his eyes but nods. “Yes. She’s missing the last book. The thirteenth.”

“The last book? Tragic. I know the series, I overheard your guys’ chats yesterday.” She smiles.

So she left and you didn’t see Carl till later that night in the cell block after dinner. He stopped by your cell with a small bag in his hands. He pushed the curtain open to see you lying on your stomach atop your bed, on the final pages of the twelfth book. “Almost done?” He sort of startled you but you immediately smile once you realize it’s him.

“Mhm.” His visit was rather unusual, usually you’d just talk to him during the day but not before bed. You sit up and make room for him to come sit beside you. “I got something for you.” He reaches into the bag and pulls out a book, the thirteenth book. “‘The End?’ Really? How…I mean my dad’s been looking for it for me but-” You look up at him with a bright grin. You don’t really say anything before swiftly tackling him in a hug. He hugs you so tightly, all he wanted was to see you happy.

After pulling away from the hug, he reached back down into the back and pulled out a hook bookmark. It had a little arrow charm. Fitting for a Dixon to say the least.

“I mean…this makes sense.” You tell him, he laughs at your comment. “I just thought I’d have Michonne find you the last book. I’m quite invested in it myself. I love hearing you talk about it…I love hearing you talk.” He explains, sort of staring at you admiringly. You notice and look a tad skeptical, knowing there was something more appealing to him than just talking.

“I uh..I have a small crush on you…if that explains everything.” He admits, his face turning a light shade of pink.

You smile. “Yeah, I could tell.”

a/n: i thought this was quite fun to write, i love a series of unfortunate events muehehehe. anyway i hope this is what anon wanted, i did some good research for it to ensure it was okay :)) okay love u bye

tag list: @zomb-1-egutzz @lunarnightt @ilikestrawberriesandwomen @hiro--aoki @h00d-tr4sh

[ploppythespaceship]

Please Watch My Adventures with Superman

This show is just so delightful and manages to capture the essence of Superman in a way a lot of adaptations just don't quite get. If you've ever been curious about Superman, if you've ever felt Superman is too boring for you, or you just enjoy a fun superhero story, I highly recommend checking this series out.

The first season has ten episodes, and the second season has just aired its third episode. In the US, it's available on Adult Swim and Max.

What It's About

If you aren't familiar with Superman, he's an alien -- the last survivor of planet Krypton, sent to Earth as an infant where he was found and raised as Clark Kent. Being an alien, he has extraordinary powers which he uses to lead a double life as a hero. This show focuses on a core trio of Clark, his girlfriend Lois, and their friend Jimmy, all of whom work at the Daily Planet newspaper.

Clark Kent / Superman

One of the main reasons this show works is it understands that Clark is Clark, first and foremost, and Superman is his disguise. Clark is a big friendly nerd. He's a huge sweetheart who cares so deeply about the people around him and the planet that adopted him.

This version of Clark is starting out very young (early 20s), so a lot of this story is about him just figuring things out. He's gradually learning the truth about his origins, the extent of his powers, and how best to be a hero -- all while grappling with the fact that he isn't human and his people of origin may in fact be a massive threat to Earth.

Clark is voiced by Jack Quaid, which you might not expect to work well, but he honestly nails it.

Lois Lane

Lois is loud. She's ambitious. She's intelligent and quick-witted. She doesn't take no for an answer. She has jumped off a building to prove her point -- twice. She is an unstoppable force of nature, and this show refuses to dumb any of those traits down.

But above all, she's kind. She wants to use everything she can do to help people. Her relationship with Clark is also everything you could ever want from a Clois dynamic.

This version of Lois is Korean-American, and voiced by Alice Lee, who does a phenomenal job.

Jimmy Olsen

Jimmy is Clark's best friend and roommate. This version portrays him as a supernatural/paranormal vlogger, running a web series called Flamebird. He's easily excitable, very passionate, as well as one of the most dedicated friends you could ask for.

Following in the footsteps of several previous iterations of the character, this version of Jimmy is African-America. He's voiced by Ishmael Sahid, who's just perfect in the part.

Why It's Great

The characters are all fun and interesting in their own right, while also having a great dynamic with each other -- as duos and as a full trio. And because the characters are shown as being very young and just starting out, they're very relatable. Additionally, every character feels very true to the spirit of their comics counterpart, despite taking a lot of liberties with the specifics.

There's a great cast of villains so far -- Livewire, Task Force X, Mxyzptlk, Parasite, Silver Banshee, and plenty of others that I don't want to spoil. They've also been teasing some really interesting stuff for the Kryptonians, which is noticeably different from any previous adaptations I'm familiar with.

The show is very anime-inspired, giving it a distinct flavor from other Superman adaptations. The creators are clearly having a ton of fun with it. Classic Superman villain Mxyzptlk, who's typically shown as an imp, now looks like he just walked out of a Dragon Ball episode, in an episode called "Kiss Kiss Fall In Portal."

It's also the same animation studio as The Legend of Korra and Voltron: Legendary Defender, who do excellent work. The character designs are unique while still fitting the characters perfectly. I particular love Clark and Superman's designs -- they've struck a balance between making sure he's big and muscular while also retaining a certain softness to his appearance. The fight scenes are fluid and dynamic. It all just works.

[modernsuperhero]

Who are these fun characters and why are they taking over my dash? /pos /please tell me abt your blorbos

i'm assuming you mean these little guys:

These guys are my newest silliest dudes from the webcomic School Bus Graveyard! It's free to read on webtoons here and is currently in talks to get a TV adaptation soon so now is 1000% the time to be getting into it!! It's basically a supernatural mystery about six high school freshmen from Georgia who go on a field trip and end up sucked into a demon dimension every time it hits midnight! It's super cool - the pacing is very good imo, a good balance of the Main Plot (oh no we need to survive the Demon Dimension again, also Why Are We In A Demon Dimension) with character development and backstory stuff!

The characters are badass but in a way I feel is very realistic? Like, not just "oh i'm the protagonist suddenly i know how to judo flip armies the moment i'm in danger" but more like "i'm going to train for months in self defense classes to build up some basic muscles" kinda way. The characters themselves are also pretty well fleshed out - they're not just the typical archetypes. Like, the "weak bullied nerd kid" isn't JUST a weak bullied nerd kid, he has well developed motivations and backstory and simultaneously realistic and satisfying character growth.

There are implied potential/future romances but it is so NOT the core point of the story, so whether or not that's your thing you can either ignore it or get excited about it in equal measure. The characters also aren't just edgy and gritty "we must deal with this alone... augh misery woe is us..." they actively do what they can to use all the resources available to them (including trying to get help from their parents, which is an ick for me in other media when the kid protagonists just refuse to ask for help? or assume they can't without trying? anyway).

I would say to be careful about any warnings at the beginning of specific chapters, because some can get quite violent.

The six main characters, without giving to many spoilers, are as follows under the cut (cuz this got long):

The protagonist Ashlyn, an asocial ballerina with her loving ex-military parents, who has a condition that gives her incredibly sensitive/enhanced hearing (she ends up using this to help detect the monsters after them, since they're otherwise silent to the other protagonists!)

Aiden, a creepily-smiley ex-homeschooled rich kid who has no concept of social convention or personal space. Has forcibly chosen Ashlyn to be his friend during his first year in school against her will and ends up accidentally setting off the chain of events leading to the Plot. (I love him. He definitely has Every Mental Illness <3)

Ben, Aiden's incredibly physically intimidating cousin, who is mute and so, so sweet and gentle and follows Aiden like his shadow, in part to take care of him when Aiden's antics get him injured and in part because Ben's muteness makes it incredibly difficult for people to understand him. Aiden, however, can understand his nonverbal communications with ease

Taylor, a friendly girl's girl who tries (often in vain) to befriend Ashlyn. Is also a talented mechanic who ends up putting googly eyes on her weapon once they end up in the Demon Dimension. She's the most Emotionally Aware Person Here but also she's like, 15, so, the bar is on the floor

Tyler, Taylor's twin brother, a somewhat aggressive and rude baseball jock who mostly Minds His Own Damn Business aside from his clinginess to Taylor. In fact they wear matching outfits in almost every episode of the comic it's so funny and cute. Is often found fighting bullies to defend their victims so i forgive him for all his own asshole crimes he's just a dude. he's one of my little guys

Logan, who is canonically compared to a puppy. Shy, intelligent, and incredibly empathetic! My partner's favorite character who has one of the best character arcs so far imo. Likes photography, astrology, and gardening. I think they should give him more guns, as a treat. He can never have enough

anyways thank you for the ask! overall i highly recommend - it's still ongoing, we're currently in the middle of season two!! the mystery is unfolding, there's funny and sweet moments along with the intense ones, and i am INVESTED. :DDDDDD

[elbiotipo]

Finally read All Tomorrows last night and I know why people recommended it to me all the time, it was a very interesting piece of *biopunk* speculative evolution with a fascinating overarching story. It was also a breeze to read, I expected it would be long and a bit tiring (like Man After Man) but no, it was very illustrated and in fact it left you hungry for a bit more, I love the way it lets you fill in the gaps.

Of course, like always, it falls in the same old trope that biotechnology = bad and gross. It doesn't fall straight into saying biotechnology is evil, but the element of body horror is very, very, very much present in all the book. The fact that being warped into abominations is shown as the big event of human evolution reminds me of Man After Man, where "human evolution" doesn't occur "naturally" or as a result of, well, human selection, but as a result of a higher power messing with humans. All those strange beings we see in the book were not the ultimate result of environmental pressures, "artificial" selection or people bioengineering themselves. They were the result of fucked-up eldritch beings who wanted to make fucked-up humans. Which is kind of dissapointing if you are looking for a book that actually talks about future human evolution.

Which brings me to a discussion of the future of human evolution. Because, obviously, humans are evolving today. But I don't think we can see the real effect of biological evolution in the timescale we are managing as current humans. From a quick search, there have been only 500 generations since the arrival of agriculture and thus of all recorded or remembered history as we know it. That's not nearly enough biological time to see any major changes. Yes, there have been changes. And the development of human intelligence and brain size was quick and monumental, with many things we still don't really understand (like the origin of language and abstract thought). But do notice that the body plan of a modern human does not radically depart from Homo erectus, 2 million years ago.

Some authors like Olaf Stapledon (one of the great grandfathers of science fiction) in Last and First Men (which could be considered the 1930s version of All Tomorrows, in fact All Tomorrows to me is the modern Last and First Men) thought that we would continue to have evolutive pressures like natural selection and our species will continue evolving over millions of years. This is true as all species are still evolving including us, but in just a few decades we have discovered genetic engineering, and it won't be too long before, somehow, it is used in the path of our evolution. All Tomorrows of course talks about this with the Star People and later the Asteromorphs, but I believe it leaves out the prospect of humans guiding their own evolution for the (admitedly interesting) plot twist of the Qu changing them themselves.

What would have happened (or rather, what WILL happen) if humans are left to evolve by themselves? I'm sure that we will find somewhen. And I think that cosmetic genetic modification will be part of it, which is why I personally found the depiction of the Star People so boring. Now, I don't think every human will genetically modify themselves into supermodels, for starters, our parameters of attractiveness are based on culture and material conditions, and people will always seek variety, but I do think "sexual selection" would be a major part of human evolution, and that some forms like the Star People, as practical(?) as they are, just don't have the appeal. The utopia of the Star People should have been just as interesting as the dystopia of the Qu, with people experimenting new ways to adapt their bodies and self expression. Not to mention people adapting to the many strange environments of space by themselves (an old sci-fi trope). And of course, there would always be humans who don't want any of that, preferring to stay as they are, or return as they were. None, none of the Asteromorphs desired that at all?

Even in my own biopunk setting, however, the future of human evolution is something I only can see as far as a couple centuries on the future. Anything more than that, with the infinite possibilities of genetic engineering, makes me dizzy to contemplate. So I think All Tomorrows, for daring to do this billions of years in the future, is an amazing book.

[gracexthoughts]

Okay, I have a lot of thoughts about the Percy Jackson show and the discourse I have been seeing about it. This is going to be long and possibly all over the place but I just want to share. If you disagree, that’s fine. Just don’t hate because you have a different opinion. Deal?

I want to start this by saying I am a new fan. I did not read the PJO books when I was a kid. I watched the first two episodes when they came out in Dec purely out of curiosity and was just immediately in love with the world. So in true ADHD hyperfixation fashion, I devoured Percy Jackson and the Olympians and Heroes of Olympus books and I am currently on Book 1 of Trials of Apollo. And maybe it's because I am a newer fan but a lot of the gripes I see about PJOTV just don’t make sense to me and I feel like they really are just rooted in nostalgia. Watching the show and all the interviews of the cast and crew, it is clear to me they wrote this season with the intention and hope that they would get to make all 5 seasons, and possibly even further. I can see how all the changes make sense when looking at the narrative as a whole. They are really setting up this world and this story in a way that I think lends more to the future of this narrative better than The Lighting Thief book does.

I also want to say I have yet to find a book to screen adaptation that is beat for beat accurate. So much of what works in novels, especially novels told in first person, just does not translate to third person screen adaptations. Ultimately, literature and film/TV are art forms and what works for one may not work for another and the creators are allowed to make changes, especially when it is for the overall good of the product.

To start, the exposition dumping didn’t really bother me that much although I agree it is there and noticeable. Now, I watched the first two episodes before reading the books but after reading the books, I think the exposition is just as noticeable in the books as it is in the show. Percy walks into this world without knowing or believing in any of it. In the book, he learns about this world through the people around him explaining it in dialogue. It is just condensed a little more in the show which makes it feel a little heavier. Nonetheless, fantasy tends to have a lot of exposition because there are a lot of things you as a reader/ viewer need to know at the start of the story. It is part of the nature of the genre, especially when it is intended for a younger audience. Exposition that seems clunky to an older viewer is probably not going to feel the same way to a younger audience member (which is the target audience).

The biggest complaint I see, and disagree with, is that the kids are “too smart which ruins the suspense.” Annabeth has been at camp since she was 7 and it is clear, both in the books and the show, she is determined to prove that she is strong and capable and intelligent. She has been training to go out on a quest since she was 7 years old. Annabeth would have been studying these monsters and these myths so of course she can figure out the traps. They aren’t that hard to figure out, even for someone who isn’t super knowledgeable about Greek mythology.

Grover’s job is a protector of demigods. It makes sense he knows these myths like the back of his hand. I imagine that after Thalia, Grover would have studied and worked so hard to prove he was ready for another chance. Grover in the books also fell a little flat in The Lighting Thief to me because it seemed like most of his personality was just to be scared and funny until later books. I love what they did with Grover in the show because he feels like an actual character with his own goals, intelligence, trauma and authority.

Now onto Percy… I have so many thoughts about Show Percy so bear with me.

While I was reading the books, I was confused as to why Sally didn’t teach Percy about Greek mythology. Book Sally seemed to just hope Percy being attacked by monsters and going to camp isn’t going to happen or just assumes that when it does happen, Percy will figure it out. Sally always knew what would happen to her son, at least to some extent, so why wouldn’t she do everything in her power to prepare her son for this life she knows is inevitable? I loved the addition of her teaching Percy about Greek Mythology and Ancient Greek because it makes so much sense because I never saw her as a just “sit back and wait” kind of character. Percy is her son, her baby, her miracle. She is terrified for him (which we see in EP 7 in the flashbacks) and, to me, it makes sense she would do everything in her mortal power to prepare him in a way that doesn’t scare him or reveal to him who he actually is. (It is also such a beautiful call back to Rick telling his son these stories as a kid, like I just think that is beautiful).

While on the subject of Ancient Greek, I saw someone complain how Percy doesn’t inherently know Ancient Greek in the Olympus scene in EP 8. “Poseidon and Zeus looked at each other. They had a quick, intense discussion in Ancient Greek. I only caught one word. Father.” - The Lightning Thief, page 343. This moment was literally pulled straight from the book! Percy talks about Annabeth tutoring him in Ancient Greek in the book (The Lighting Thief, page 107) and I loved how the show changed it to be his mom that taught him because of the previous reasons I gave above.

In general, Percy is an unreliable narrator. We see that in The Last Olympian when Rachel painted him defeating Antaeus. Percy is shocked at how he looks. We also see this in Heroes of Olympus where he is constantly talked about as this powerful and sometimes scary person whereas Percy never describes himself as anything other than kind of mediocre. Percy is constantly underestimating his intelligence and power in his POV because at his core he is still an insecure kid who was bullied and uses humor as a defense mechanism. But no matter what he thinks, he is smart and powerful and capable and I love that we get to see that in the show because it isn’t in first person.

In the books I was constantly frustrated that they weren’t seeing the traps. Aunty Em’s is so clearly out of place and weird and creepy but the Book Trio just ignores it? Also the Medusa story change was beautiful and needed and added so much depth to what was a very simple scene in the books. The Crusty’s scene was jarring at first, but in hindsight it didn't bother me either because Hermes told them about the entrance. Why wouldn’t he tell them about the trap too? The way Hermes is portrayed, I get the sense that he really wants Percy to succeed, in the books and show, and that he is holding onto hope that somehow, someway, he can still save his son. Why would he send them somewhere just to lead them into a trap that does not benefit Hermes in any way? (And us not seeing that conversation happen is showing and not telling BTW)

Also, the overall claim that Percy, Annabeth and Grover know everything is just… wrong. (@pareiwheeler made a post about this that really made me realize this so go read their post too: https://www.tumblr.com/pareiwheeler/740600563986808832/theres-know-mystery-or-suspense-they-know) They know the small things but the big things? They didn’t think Luke was the thief, they didn't know it was Kronos, they didn’t know they would lose the fourth pearl, they didn’t know the casino would mess with time, they didn’t know the shoes were a trap, etc etc. They walk into these situations thinking they are prepared, thinking they know everything they need to but they DON’T And that is where the suspense lies, in the overarching storyline that is the driving force of the plot. Not in these moment to moment scenes that are not the main conflict.

Now onto the smaller changes that, in my opinion, benefit the overall narrative of this story.

Missing the solstice deadline: Not only is Percy choosing to continue the quest despite missing the deadline such a great character moment for him but this ups the stakes so much!! Zeus and Poseidon are currently at war for the last two episodes of the show and even if they don’t talk about it much, that knowledge is still there in the characters' heads and in the viewers’. Every moment they take in the Underworld, you are watching with the knowledge that war is raging above. And it's a great way to show the kind of hero Percy is and what he will become. Percy doesn’t care he “failed” because he didn’t come all this way just to run back to camp with his tail tucked between his legs because that is not Percy. Percy sneaks out of camp twice to go on quests he was not invited on because he will not let someone’s rules get in his way while he is protecting people he cares about. Percy doesn’t want war to happen so with even the slightest chance he can stop Zeus and Poseidon, he takes it! Also the addition of Poseidon stepping in and saving Percy from Zeus was beautiful.

I also loved that Poseidon gave them 4 pearls instead of 3 because such a small detail shows how Poseidon cares about Percy and Sally. And, plot wise, it didn’t change anything. Percy still left the Underworld without his mom. But starting with 4 pearls gives them hope that they actually can complete the quest AND save Sally. Percy leaving the Underworld without Sally is so much more impactful in the show than the books because of this tiny detail change.

The fact that the pearls take them to the east coast rather than the west coast works well too. I loved that they returned to the cabin because of how important that cabin is not only to Percy and Sally but also to Poseidon.

Hermes being added to the Lotus Casino and bringing in Luke’s background earlier on was beautiful and Lin Manuel Miranda’s performance was one of the standouts for me. It is such a beautiful moment and you can see the anguish in Hermes at his feeling powerless and I think it sets up Percy learning about Luke’s family in The Last Olympian in a great way. This is one of those moments where you can tell the writers and showrunners are playing the long game with this series.

Last but not least, the change in the betrayal scene. I love it. I do. Not only in the changes in the way it happens but how they characterized Luke. Luke clearly does not want to hurt Percy, he wants Percy to help him and to come with Luke because he cares about him. The prophecy states “You shall be betrayed by one who calls you a friend” and Luke in the book didn’t really seem to care about Percy or view him as a friend at the end of it. But Show Luke? He cares about Percy and he is heartbroken that Percy doesn’t side with him. Also the addition of Annabeth hearing Luke’s betrayal first hand was brilliant, in my opinion. Not only were Walker, Charlie and Leah ACTING but it was so much more impactful that Annabeth sees Luke turn and chooses Percy in that moment. And I don’t think it will change much of Annabeth’s actions in the future because you can see how hurt she is and how desperately she still wants him to come back and be good.

Anyway, I think the show is brilliantly done. That isn’t to say it doesn’t have its faults but nothing is perfect and if you were expecting this show to be 100% perfect then I think you just set your expectations too high because that is not realistic.

If you made it to the end of this, I love you. The Percy Jackson brain rot is real and if we don’t get an S2 announcement soon I’m going to riot

[lurkingshan]

I Feel You Linger in the Air: Novel vs Drama 

gif by @wanderlust-in-my-soul

Happy IFYL special day! While I wait (not so) patiently for the special episode to become available for international viewers, I thought I would stop being lazy and get around to writing up my thoughts on the adaptation choices of the drama now that I’ve finally had a chance to read the original novel. 

First, let me just say: the novel is so fun. I’m so glad folks like @clairedaring and @pharawee talked about it on here and @waitmyturtles read it first and told me to jump on it, because I’ve had a really hard time with poorly translated y novels before and was definitely skeptical. But the story was excellent and the English translation was really solid, so a great time was had by all and I wasn’t even salty about spending eighteen American dollars on it. I didn’t think the novel was perfect (turtles can attest I had a few LOUD complaints) but it was a very enjoyable read. Shoutout to @bengiyo, @neuroticbookworm, and @wen-kexing-apologist as well for listening to me rant about Tee’s choices as I made my way through the novel. Bonus: if you have the chance to read this novel while vacationing in Thailand surrounded by plumeria trees and romantic scenery, I highly recommend. 

So, with that established, let’s talk about the adaptation! Adapting novels to a visual medium always comes with a lot of choices, and it’s not easy to make everything translate effectively. On the other hand, a live action drama can make some of what’s on the page feel even more vivid and new elements can be introduced that add to the canon. I’m on the record as both loving this show and feeling like there were some significant missteps in the writing, so I really wanted to understand the source material and how some of those choices were made. So here’s your spoiler alert for IFYL’s adaptation: it’s a real mixed bag of choices from our dear frenemy Tee Bundit, and all in service of one clear goal. 

I Feel You Linger in the Air, but Make It Sadder!

I’m going to break down the details below, but this is the TL; DR right here. Every choice Tee made in this adaptation was in service of transforming a relatively light and often comedic time travel romp into a story of deep melancholy and a thorough examination of queer pain. This is Tee’s whole schtick, so we can hardly be surprised; and yet I was kind of taken aback by how stark the difference in these stories felt even as a lot of the plot stayed the same. During the drama’s airing @respectthepetty talked about how this show was just too damn sad for her, and I gotta say, she was definitely picking up what Tee was putting down. YMMV on how sad you like your romance, but Tee Bundit is a very sad boy indeed.

Jom

gif by @junghaesin

Let’s start here, because this is definitely my biggest grievance with Tee: he removed most of Jom’s personality from the book in order to give us a flatter, sadder version of him that fit better with a much more melancholy vision for this story. As it turns out, Jom was originally written to be smart, sassy, and very funny (h/t to @stuffnonsenseandotherthings whose post on this really got me interested in reading to see the difference). Novel Jom is a smartass who never misses the opportunity to work in a salty comment or express his frustration when things aren’t going his way, and he’s such an active character. He does not just sit back and let things happen to him; he thinks and he struggles and he tries. By comparison, show Jom just feels… vaguely confused, mildly depressed, and wildly passive most of the time. This is by no means a knock on Nonkul, who is a fantastic performer—these are clearly writing and directing choices and he is interpreting the character as instructed.

And it’s not just the removal of his core personality, either. Jom in the book has emotional intelligence and a stronger sense of connection to others. For one, he actually cares that Eung Phueng is his sister! Throughout the book, we see him dedicate time and energy to finding ways to care for his sister despite their different social stations; this dynamic is completely absent from the show, where Jom doesn’t even seem to remember Eung Phueng has his sister’s face most of the time. This was a major hole in the show and I still don’t really understand why Tee dropped the ball on it when there was so much material to drawn from in the book.

Winner: The novel, hands down. If you take nothing else away from this post, please take it as a recommendation to read the novel so you can experience Real Jom in all his sassy glory.

The Mythology 

gif by @chickenstrangers

Now, I can’t really claim that either the novel or the show does a fantastic job with the mythology, because there’s a lot of hand waving in either case and some definite plot holes. But I will give the book credit for being upfront from the start: it didn’t really intend to explain it beyond giving us a little preamble about wormholes (yes, wormholes!) and for having Jom actually notice and care (and get very amusingly frustrated) that he didn’t understand what the wormhole wanted him to do or how to control it. He actually tried quite a lot in the book to figure it out, rather than just sitting around gazing morosely into the distance. In the end, the book tells us that Yai vowed to love Jom at first sight in every lifetime, which is a vow he made after the wormhole brought Jom to him but somehow affects the times that had already happened from our perspective. It’s a paradox that doesn’t fully make sense, but it is at least an explanation.

The show, by contrast, intentionally added layers to this mystery that it had no intention of resolving. The drawings opening up connections to the present, the ghostly visages haunting the characters, the glimpses of Jom in the future doing things we never saw in the original timeline, Mustache Yai kissing Jom in the water—all show inventions, and all setting up an expectation that some sense would be made of these clues. Which of course, never happened. Instead, these things were used to contribute to the spooky scary vibe and make everything feel sadder, and the show offered no explanation at all for why any of this happened.

Winner: It’s a draw since neither really did it well, but I’m staying salty with Tee for fucking with me.

Family Drama 

gif by @thii-nii

Here is where we get into some of the stuff Tee added to the story that actually worked pretty well. One very smart adaptation choice: he made Yai and Eung Phueng siblings so that Yai would have a reason to be more involved in their household and able to interact much more with Jom in the early parts of the story; in the novel there is no connection between the households and Yai and Jom barely interact for the first several months after Jom arrives in the past. He also added a lot of family drama in the back half of the show: the struggles with Yai’s father, the shady uncle, the plot to force Yai to marry, and the big confrontation over Robert’s misdeeds are all show inventions, likely added both to pad out the story and make the relationship harder and sadder, and because he was looking for an alternate source of conflict since he was not doing Part 2 of the book (which takes place once Jom is yanked away again and shot back to the Commander Yai time period). 

Another major change from the novel to the show: in the novel, Yai’s plans to go study abroad were already set before Jom even got there, not something he won as a consolation in a negotiation over marriage. Which has some implications I’ll get into in the next section.

Winner: The drama, where the family dynamics were much more thoroughly explored. 

The Romance 

gif by @loveisactivated

As I mentioned above, Tee made a smart choice in bringing Yai more firmly into Jom’s orbit early in the story, but unfortunately, he didn’t do much with that advantage and actually failed to use some of what the novel gave him to work with. In the novel, Jom is much more aware of the attraction between him and Yai, very attuned to Yai’s flirting and their age gap, very aware of his own growing attachment to Yai, and thinking through the implications of all of it as it grows, which is a more natural and believable build up to their romance than in the show, where Jom seems distracted and unaware of Yai’s affections until they suddenly start jumping each other. That lack of romantic development in the show (which we discussed even as it was airing) was not because the material was not there for Tee to use in the book; he simply had other priorities and neglected to build it properly in show time.

That said, I have to give major credit to Tee for how he handled the romance once our leads were together and intimately involved. First, he really brought some of the scenes that were in the book to life in a way that still has me shook, like Yai’s drunken poetry recitation (credit must also be given to Bright for his eye work in that and many other scenes, what a stunner). And on top of that, the drama has some of the best physical intimacy scenes I have ever seen in any drama, full stop, and that is nearly all Tee and his creative team. He used elements from a few scenes in the book, but he remixed and amplified them to be a lot more powerful, and certainly much more artful and sensual than the sex scenes in the book. That olive oil masturbation scene? The show gets full credit, and the way the direction, editing, and performances so vividly painted their attraction to each other still gives me shivers when I think about it.

But anyway, back to bitching about Tee: one of the scenes that really stuck out for me like a sore thumb in the romance arc in the show was when Yai learns he will be going abroad and he and Jom discuss it in a curiously flat and emotionless way, with Yai acting like it’s no big deal for them to be separated for three years. I mentioned above that this was a change from the book: in the novel Yai was already set to go abroad before he ever met Jom, it was not a new surprise that came about after they were together. They discuss Yai’s impending departure twice in the book; once when Jom is still only Yai’s majordomo, and then once again when they are lovers. As you can imagine, the emotional tenor of these two scenes are quite different. And Tee used the wrong one for the show! I almost threw the book at the wall when I realized I was reading the verbatim dialogue from that scene in the show in the context of Yai and Jom hardly knowing each other yet, and then again when I got to the second conversation that was actually appropriate for two lovers who do not want to be parted. That has to be one of the most senseless adaptation mistakes I have ever seen. Tee Bundit, what is wrong with you!!

Lastly for this section, I will just note that the very long, drawn out goodbyes between Yai and Jom are also a show invention. In the book, Jom gets yanked to the next time period with no warning shortly after they get together and begins his next adventure with another Yai. Since Tee was ending the show here in this time period, he went in a different direction, having Jom and Yai much more aware of Jom fading and anticipating a separation so that he could (say it with me) make everything sadder. His choice to wallow for two entire episodes in sorrow and melancholy and to put much heavier focus on Yai’s despair was entirely his own, and so very on brand.  

Winner: It’s a draw. The book definitely writes the romantic arc more holistically and doesn’t have any of the missteps the drama does, but the show is so artful and the parts it gets right are so good I will remember them for the rest of my life. And I can’t pretend I’m not an angst monster at heart, so Tee’s sad af vision totally worked on me.

Sides and Queer Community

gif by @my-rose-tinted-glasses

Here is where Tee’s adaptation really shines, and I know others have discussed these changes before so I won’t go too deep on the details. But I absolutely have to give Tee props for taking tiny threads for these side characters in the books and building them into whole people that we actually care about. Especially in the case of Ming and Fong Kaew, Tee really made something of their extremely thin book stories to turn them into fan favorite characters with real growth arcs. I do think the book was better in the way it handled the fated connection between Fong Kaew and Khamsaen, but everything else about Fong Kaew’s story was deepened by the show. And Tee gets credit for adding so many meaningful stories for women characters in the first place, let alone developing a lesbian romance for Eung Pueng and Maey. He picked up on a tiny bit of subtext for underdeveloped characters in the book and ran with it, and it really enhanced the story. 

He also used side characters as a means to make this story feel all around more queer, not only by including additional queer romances but by building out a real sense of community and solidarity among the queer characters. Not only the addition of nods to real queer history, but the speakeasy, James’s explicit queerness, and Nuey the Green Queen are all Tee additions to the canon that really enhanced the story.

Winner: The drama and it’s not close. Well done, Tee!

That Ending

gif by @dragonsareawesome123

One of my biggest interests in reading the novel was seeing how the ending with modern Yai is explained in the original source material, because I found the drama version of that scene so lacking. Well, it turns out, the novel did pretty much the same thing! The ending sequence of the book is even shorter than the scene in the show and similarly offers zero explanation for this new version of Yai or how he knows Jom before they jump each other and the story concludes. The main narrative ends there and the book then tacks on an epilogue explaining who this new Yai is, and it reads like an afterthought. Honestly, it felt to me like the writer ran out of steam and just didn’t bother to finish the story, and Tee did exactly the same thing. Which is kind of infuriating, because being able to fix stuff like that is one of the best things about a good adaptation. 

Winner: Absolutely no one, my kingdom for a proper ending to this story.

gif by @pharawee

So, my conclusions? 1) Tee Bundit is the saddest creator in Thai bl, hands down; 2) It’s a draw between which version of this story is better. The novel and drama both have different strengths and significant flaws, but both versions are compelling and had me on the edge of my seat. I highly recommend the book to anyone who is missing the show and wants another chance to revisit these characters, plus the added bonus of seeing Jom wrangle Commander Yai, something we are unlikely to ever see on our screens (though hope springs eternal besties!). If you do decide to give it a read, come talk to me about it! 

[itssuppertim3]

Miraak's Reaction to the LDB's Children:

ok it's been years since i adopted in this game and i forgot how cute it was to have kids

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I'll put this plainly: Miraak has never been fond of the creatures (yeah he calls them that).

He seldomly tolerates people in general as it is, so hearing the Dragonborn mention them for the first time came as a great shock to him.

"You're saying... you just let them run around in your home?" "Yes." "Forgive me for ever calling you intelligent."

He claims he's very knowledgeable with child psychology because of the "horror stories" he's read through his duration in Apocrypha.

"Back in my day children were used as sacrifices to please the dragons. I suppose there was one good thing about their rule..."

He gets extremely uneasy at the thought of actually being introduced to them.

He also dislikes when you brag about them: "Sophie made me the prettiest bouquet one morning :)" "Can she recite the alphabet in Dovahzul?" "...No?" "Pathetic."

Keep in mind Miraak is extremely self-centered and still puts himself above anyone who isn't the LDB. But he'll get surprised when a seemingly average child can outwit him.

He becomes tense when he finally does meet them.

He's never been around children and has even forgotten what it felt like to be one.

That being said, he wasn't raised up the same way. Miraak doesn't know what it feels like to have fun or to be freely naive. He simply judges what he can't understand. Being exposed to your children does gradually start to make a change in him, though.

They're obviously frightened of him in the beginning; especially because of the ominousness of his mask. Sadly, he takes it off for no one, so they just have to get used to it.

Sophie is the first to acclimate to his presence. Somehow his demeanor sparks a tiny similarity with her father. He's abrasive, yet silent, and shows affection through actions rather than words.

She quickly grows fond of him and idolizes him as a father of her own.

The next child's personality is also very specific to the orphan you adopted, so I'll leave that for you to decide :): - (Lucia): She's awfully shy of him and prefers to strap herself against your thigh when she's near him. Unlike Sophie, it takes her a bit longer to adapt, but once she does, she's a fiery chatterbox. - (Runa Fair-Shield): She likes to bully him (constantly) and when he threatens to dispose of her she immediately tattles. She's also very good at blackmailing and makes him give her piggyback rides. - (Alesan): He can't say he likes him much; mainly because Miraak's Atmoran genes make him the size of a giant through his eyes. He avoids him more than the rest, but he's also recognized for his smarts, so every now and then Miraak will attempt to teach him something new. - (Blaise): He feels as though he has something to prove to him due to his struggles on the farm. Miraak wordlessly drives him to become more of a man, and Blaise respects him for it. - (Hroar): He has a lot of adoration for Miraak's skill as a master swordsman, and often begs for sparring lessons (perk: you get to see Miraak wave a kiddie wooden sword around).

On another note: - If you only have girls, Miraak is decorated in flower crowns galore 100% of the time and often finds himself falling asleep with the two wrapped under his arms after reading them stories. - If you only have boys, the house is always messy from roughhousing and amateur sword fights. The boys won't be nearly as spoiled as the daughters, and not even Akatosh will stop his wrath if they disrespect you.

Turns out, Miraak loves your kids more than he ever anticipated. He merely hated the idea of children, but never realized just how perfect they are.

((((((he really wants to make a baby now))))))

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I'm melting

[thatscarletflycatcher]

Top 5 movies set in the present and top 5 period films :)

Hi!!! I got this ask and forgot every movie I have ever loved (and will probably remember them all as soon as I hit post). It also reminded me painfully of how inadequate my cinephile culture is; there are so many classics that I'm almost certain I will love if I watch them and that would deserve the spotlight so much!

So let's make these lists about interesting movies that I think are good as movies, and not think much if they are truly The BestTM. I'm also omitting Austen and other adaptations I already talk too much about.

"Contemporary films" (set in the present is a complicated concept. I'm picking them as "the narrative happens sometime contemporary to the movie's original release date"):

5. Music & Lyrics (2007):

This is technically a romantic comedy, but its strength relies on its love for music, its humor about the music industry, and a take on 80s nostalgia that is neither surrendered idealization nor complete mockery. It's one of the few movies where I actually like Hugh Grant, and the score is so well done! My one gripe really is that I think the movie would have been so much better if the leads have remained platonic? Sometimes I like to pretend they did.

4. Dead Man Walking (1995):

This is one of those serious, controversial movies professors pick for university discussions, in this case, the one about the death penalty. The movie tries (and I believe succeeds) to address without "solving" or dismissing the relationship between our horror at heinous crimes, justice for the victims and their pain, and the value of all human lives. Susan Sarandon is as always majestic in this one.

3. National Treasure (2004):

Tumblr loves National Treasure, but I love it specifically because to me it somehow captures the thrill, the exotic mystery (without gross Orientalization!) AND the nonsense of a classic Jules Verne novel -and Verne was one of the staples of my childhood- in a way that no Verne movie adaptation I have ever watched manages to capture.

2. State of Play (2009):

This one is mostly an excuse to cheat, because while the movie is a very solid political thriller (you know, one of those "you might enjoy even if you are not a fan of the genre), the original British TV series it is adapting is better. And both have great casts (Russell Crowe is probably more solid than Cal Macaffrey on the same role, but David Morrissey does a much better job than Ben Affleck. So, it goes both ways, you see).

Hot Fuzz (2007):

I have heard this one being called "the most intelligent stupid comedy ever made", and honestly, fitting description. I have joked before about this being my comfort movie and how funny that is because it is the gory story of a police officer being kicked out of his beloved job and sent into a town where everyone mocks and gaslights him and then the back end of the movie is a non-stop action sequence... but, listen, it is funny, it is, somehow, heart warming, you can tell everyone is having a ball, the editing is amazing, the pacing is just right, so many set ups and they all pay off, the story is satisfying, the characters -specially the main lead- are likeable, and their arcs also satisfying.

Period films:

5. Oscar (1991):

This is a very silly comedy set in the 30s, adapted from a play and you can tell, but it is a riot, and in my opinion one of the best Stallone roles ever. It makes me wish he had done more comedies in this style. It also has the always charming Marisa Tomei and the always welcome Tim Curry.

4. The Englishman Who Went Up a Hill But Came Down a Mountain (1995)

Another instance of a movie where Hugh Grant does not annoy me, it's basically what says in the tin and the right kind of thing if you enjoy the typical British period drama of beautiful landscape, small town shenanigans and restrained romance.

3. The Mask of Zorro (1998):

Much of what I said about National Treasure applies here, except that it is not at all silly, and it has many moments of great pathos besides being a really good adventure/superhero movie.

2. To Walk Invisible (2016):

This is a biopic of the Brontë sisters, just covering their peak years of authorial activity, to trace a portrait of their personalities and life situation. While my knowledge of Bronteana is not super extensive, from the little I have read of them in general, plus Elizabeth Gaskell's The Life of Charlotte Brontë, I feel like this was carefully and lovingly done, without heavy editorializing or overdramatization (I'm staring at you, Emily (2022)), or pitting the sisters against each other. There's a scene of Emily reciting her poetry to Anne in the moors that just got me in the feels.

Master and Commander: the Far Side of the World (2003)

There are few genres I'm as disinterested in as war epics, and few movies I love as much as I love Master and Commander.

It was harmed by coming out the same year as The Lord of the Rings: The Return of the King, but it is, and what I'm going to say will sound blasphemous to some, the better movie of the two. It is a war epic, and a slice of life film. It's the story of a friendship between two very different men and the tensions their personalities and job at sea bring. The cast is top notch, down to child actors. Some of the production details are insane. They made rope specifically for this film because the way modern rope is turned doesn't fit well with old rigging techniques. The cast spent many days together at sea learning the basics of how to manage the ship and work in their ranks and the way sailors and officers would relate to each other. The immersion this all creates is also insane. The sound design was marvelous as well, and the score truly inspired (I want to kiss the person who picked Fantasia on a Theme by Thomas Tallis as one of the main features of a 2000s movie adapting a 20th century novel about the Napoleonic Wars, the same way 19th-20th century Ralph Vaughan Williams picked up a tune by a 16th century composer to do his thing, to establish this thematic connection between past and present and the ways we look at and make History).

If you watch only one movie on this list, watch this one. It's worth it.

Ask me my top5/top10 anything!

[alpaca-clouds]

Hear me out! Whalepunk. 🐳

Within those (potential) punk genres I listed a couple of weeks ago, there is one that absolutely fascinates me, even though it does not yet exist, if we are totally honest. The stuff I made up last week is partly more of a thing yet, than this specific one, though the name/idea is a bit older. As far as I can tell, it went something like this: "Yo, Dishonored feels kinda like a punk thing, right? And it runs on whale oil. So, like... Whalepunk? 😉" And given that there is a subreddit on it, there were definitely folks who really took to it. Yet, nothing much came from it. While I will argue that Dredge is also now part of that genre... That's it. Three games. Dishonored, Dishonored 2 and Dredge.

But I am super fascinated by the potential of this genre and now I am going to tell you why.

So, the entire Whale Oil thing predated the wide steam adaption by a bit. But of course it never got used in the way we see it used within Dishonored either way. For all intents and purposes, the whale oil in Dishonored might as well be called "magic whale goo", because it functions less as the oil and more as "energy source, but it is important it comes from whales". Because Dishonored brings in one other aspect: Some strange, almost eldritsch mysticism that is connected to the whales. And it is this, what makes the potential of the genre so interesting.

See, the thing about Whalepunk to me is, that there are three interesting things to explore within this genre.

The Whaling Industry as it existed was very cut throat and as basically the fishing industry still is today, there was ton of abuse going on. Because, duh, industries. Which would give an interesting start for the "punk" part to happen. Just explore people somehow surviving the life was a whaler and also... struggling with it. Because of their own misery, yes, but also because...

Whales are intelligent creatures. They are really, really intelligent. They are so intelligent that cultures living from fishing at times were able to co-work with the whales. So one can really work with the idea of "killing a being, that is almost human like in its intelligence" and how that might play out. And that would leave interesting places to explore. (Also: A story from the perspective of the whales?)

There is also the aspect of the ocean as this strange and unpredictable place. The one thing that to this day humanity is completely unable to tame. And the mysteries of the deep ocean. The same deep oceans the whales so often visit. Which is why this invites lovecraftian ideas so easily.

Between other people, who are interested in the punk genre, I always have heard: "But whalepunk is icky, because the poor whales." While I am sitting there like: "Whalepunk is interesting, because of that!" Because this senseless slaughter of another intelligent species can wonderfully play into the punk ideas.

And I don't know. I think this is neat. I think this genre would have a real potential on the basis of "the dependence on the ocean" vs "the unpredictability of the ocean". And I would love to see that explored a bit.

Again, so far there is not a lot within the genre. But man, I see some neet storytelling opportunities there.

[neerons]

Hi! How are you doing? I wanted to ask if you know some stories that are similar to MK. It can be another game, manga/webtoon, or even movies/series/dramas. I want to read or watch a similar story with an interesting plot and deep stories, but not too complicated. The storyline has to be logical/coherent and well written. The characters must be strong and have interesting personalities, good developments and if possible, good relationships too. I don't have a particular theme in mind, but I'd like some romance in the story (the two lovers are equals). If you have some recommendations or if someone else has some stories to share, I'm interested! Thank you ❤️

Hi! I'm very good thank you. I hope you're doing well too ❤

I'm not going to help out much when it comes to other games, webtoons, movies or series as what I play, read or watch in these categories don't really fit Masquerade Kiss' universe.

Anyone is welcome to leave recommendations as well. Try to tag @ himawari ⬆ for visibility so your comment can be seen

MK is pretty unique so not everything I recommend is even 50% close to being similar to MK, so I mostly rely on core details that match.

However when it comes to mangas/animes, there are ones I can instantly think about, and some others that have similarities as well. Some of them don't involve romance but I tried to think of ones who do.

Black Butler

If you're looking for something similar to Kei's route, let me introduce you to my favorite anime and manga ✨ Black Butler/Kuroshitsuji ✨

It doesn't involve the romance you're looking for, but the story is deep, linked to religion and a sexy demon butler, with one of the main characters (Ciel) having a very similar past to Kei. It's actually the only one I can think of that is so similar to MK overall, but it's definitely darker.

It involves the same things we see in Kei's route in general: rejection of religious faith, demons (but here an actual one), philosophy about what being a human is, child abuse in a religious setting, being left as an orphan, and another thing very similar to Kei that I will not spoil as it is a big plot twist in the manga. (But tbh I wouldn't be surprised if the writer in charge of Kei got inspired by Black Butler)

(However, keep in mind that if you watch the anime, you need to look up the episodes that are adapted from the manga so the plot stays coherent (the anime has some parts of S1 and S2 that were invented, and you should avoid watching those, unless you want to, if you want to understand the actual plot)

The Apothecary Diaries

The romance is not completely established yet even in the manga, as it is slow burn. However the FL is extremely interesting and strong, intelligent as well as very funny. The ML is equally as good, and both have a very interesting relationship.

I recommend this one especially for the "equals" part you're looking for, but the era they're in in this universe doesn't fit MK's. But the story is quite deep and not that hard to understand

Spy x Family

This one is linked to spies and assassins, and family life in general in a cold war setting. I realize as I'm writing this just how much I suck at doing these masterpieces justice btw.

Anyway, the characters are extremely good. The story, with all its comedy and funny moments, is also quite profound as you have characters start to understand what love is (kind of similar to MK as well in this aspect?) and well, it's about ✨ spies ✨ I like to compare the MK Boss and Twilight (the ML) as they're incredible at their work.

The romances are not well established as well in this one but they're slowly building.

The era is also a bit different, but it's not too shocking

Kaguya-sama: Love is War

This one is also a funny one. The FL and ML and side characters are all amazing and well written. It's an elite high school setting. It's not dark like the others ones I've mentioned and is more of a comfort anime/manga.

I think the characters' banter can be similar to what we're used to see in MK, and it's a lovely, although frustrating at times, slow burn

7th Time Loop: The Villainess enjoys a carefree life married to her worst enemy!

I almost tired my fingers out typing that title, but this anime has a really good romance with a very independent, strong, intelligent and capable FL, with a strong, cold but actually tender ML.

Not the same era as MK again, but it's another one with both leads being equally as good and having a good relationship (although it's not easy at first). The FL's belief in justice and her kindness are also similar to our lovely MK MC as well.

I don't know if you have already watched or read those, but that's mostly what I could think of. Sadly, I have yet to find one very similar to MK's glamour, sensual, funny and dark vibe myself but I hope I helped you a bit, and if I didn't, then I'm sorry and I hope you'll find something good!

I guess the Mission Impossible movies that the MC loves so much are actual inspirations for MK? So you might be interested in those if you haven't watched them.

The movie or series about Hannibal Lecter with Mads Mikkelsen for Kei's route as well? Although I haven't watched it myself so I don't know if it was an inspiration, and it's gore, so be careful with the warnings

I could recommend you French romantic movies that MC would enjoy and that would be similar to MK (as MK heavily implements French references in its content), but I won't be able to guarantee there'll be a translation for you to understand, so I'm giving up the idea

Thank you for the ask, and have a lovely day/night ❤

[welp-back-on-my-bs]

Mmmmm Silvio rant time- because bday-

Fuck I love this man- his story is so good to like- wtf-

He starts out as a total price of shit, a snobbish bitch who is literally everything we hate about capitalism. First impression makes me think of Daughter of Evil and the princess in that song. That's the impression that the king wants Silvio to give off and what he has of Silvio (a spoiled brat who is just an asshole but good at buisness).

But that's what he was groomed into becoming by his parents. Going trough his story we get a bit of a better picture of Silvio, the actual one. He is very kind and believes in people, doing what he can to make them succeed in life(what he does with thr baker and what he tried to do with Rio). He is stubborn as all fucking hell and dosent really open up about his feelings easily. He is loyal to a fault, his loyalty may at first appear to be to his father, but the fact that he insults and belittles him at every opportunity shows otherwise. His true loyalty is to the people of Bennonite, their futures, to Rio, and eventually Emma if his route is chosen.

The first thing we see of Silvio is him haveing pushed a woman away after sex and then drinking. He drinks, alot. It may be a cultural thing, but I think it's also a repression thing. He is addicted to alcohol and sex to hide any bit of weakness.

His distain towards women is a clear factor that his parents put a very negative perception of women into his head. Basically every negative thing he has said about women, that's his father talking about his mother. Or him talking about his mother.

Now- for the Dalmation symbolism. I think the princes chose their crest around the age of 12 so that their personality has mainly formed and whatnot. So, Silvio choseing Dalmation works well (and I think makes his bond with Rio all the better because Rio also chose a dog).

For the physical symbolism, Dalmatians have a white coat with black spots on it. This shows Silvio is good at heart but has been trough and done bad things. That won't go away, but he is still a good person all the same.

Dalmations (like alot of dogs) were bred for hunting. So Silvio being sent out to do the trades, being the Bennonite representative, etc. Is his father putting him to use and sending him out for the hunt foe whatever reason he has that time. (To hopefully get him killed too)

Intelligence, loyalty, courage, determination, strength, and adaptability. Those are all things dalmations are known for and very easily apply to Silvio aswell.

This man is very intelligent, I mean, he is a merchant. I would pur him just below Gilbert and Chealver when it comes to intelligence. It probably wasn't ingrained into him, but he picked up differnt things while doing the kings errands.

I already did loyalty-

Determination... ❤️. Anyways- that determination is heavily linked towards his stubbornness. In his Romantic route, he comes up with a plan to make a four way alliance between the kingdoms. The king ends up pissed, but he knew that, he knew the conciquences and did it anyways. He dosent wish for those he travels with to end up dead. That's his number one rule. Don't. Die.

Courage is also quite the thing, I mean, he does often backtalk the king. Even gets the courage to go trough with his betrayal towards his father because of the change of loyalties.

Strength is probably not his strongest suit. But he is still very strong. He isn't apart of the military, but he has been able to fight off pirates and multiple of them at once. He could probably bring Gilbert out into a draw in a physical fight. But he isn't the strongest emotionally. He hides what he actually feels, pretends that he dosent care about the ones he cherishes the most, dosent cry when he needs to. He can't do it. But he can do it for things that will show in the long term, he wants to help Rio become what he sees as strong, so that he won't have to be hurt. He helps Emma be able to express herself freely instead of being happy 24/7. He supports those who wouldn't have the money to chase their dreams.

Adaptability is a strong suit for him. He may also lose out to Gilbert in this area, but that dosent matter. He adapts quickly into the situation with Emma since Gilbert was the one to figure out first she was Belle, so one less job for him to do. He proposes a tight deal on the first draft and makes extra so that Obsidian would agree aswell over the original plan. Makes sure that the two people he cares about the most is away from the shithead of a king.

All in all, Silvio is a good boyo and I love him alot-