#only brainworms

[fluffypotatey]

any tips and tricks for getting into the writing zone?

ok so i have 2 methods and they depend on what i'm writing on: story writing and essay writing (waring: this is a mini-ramble)

with essay writing,

get mad, get super fucking mad, write that shit with spite flowing in your veins. even when i'm writing essays and stories i enjoy, i drag my feet.

i whine and complain like a toddler in my head because despite this topic being one i enjoy, putting my excited tones and rambling into coherent words always tends to feel like i'm butchering that (which is why academic papers should simply let me swear in them and use the 1st pov bc it is sO easy and my thoughts flow a lot better but noooOOOOoooooOOOOOooooo, i have to be formal and proper and-)

also, outlining. fucking godsend with essays. it's why a lot of my longer essays have headings bc i use them to outline and keep my thought on one line of thought bc i have a rambling issue (which is then easily solved with parentheses, my beloved)

with story writing (notice how this is basically a heading? good job! you've found my mini outline for this reply! have a cookie 🍪)

i find that jotting down that scene that is nagging at your brain immediately is super helpful. and do it even if you're now writing out of order. pro-tip: writing out of order is THE best, endorphins be going crazy bc you're actually not fighting with your brain with the story but writing alongside your brain-map.

personally, i find it very difficult outlining a story (how contrary) because sometimes my mind changes ideas or switches the order of scenes, and it is exhausting trying to keep up with all of that in your outline. but i guess, my "outline" with stories is simply me jotting down a very quick summary of the plot that invaded my mind in one document, never touching it again, but staying true to it because i wrote it down. therefore, it exists no longer in the recesses of mind but it a physical statement/promise to complete.

also (this advice goes for both story and essays) it is ok to take a break, step back, and not look at your writing for some hours, days, weeks, months, years--fucking whenever.

my midterm essay? a fucking nightmare. loved the topic, would write something similar about it for fun, but the reason it took me so long to complete (and why i dragged my feet) was because of the "short" timeline i had to complete it. i felt like i was on a time crunch and that led to me procrastinating, stressing over it, and taking my grand old time researching for it. however, when i was able to work on it? i allowed myself to simply do as much as i could. if i was unable to look at that stupid document, i didn't look at it. if my mind had a really good thought or example for the topic rotating in my head? immediate sit down and get that thought onto the paper. it must exist.

i have fics sitting in my folders that have been unfinished in so long, but i still consider them as wips because (and here’s another subpart-advice) i tend to work on them when i am unable to touch my current work. to be frank, working on something else helps keep you in the writing zone even if you cannot stand to look at the blank/unfinished work you wanted to complete originally. when i was incapable of writing for the Monkie Destiny Challenge, i switched to working on writing and editing my teen wolf fic (a fic i had not looked at since July) because while i still had that itch to write, something was blocking me from completing the prompts. and when i switched fics, getting into the zone was a lot easier.

so, to recap:

when jumpstarting the writing zone for writing an essay, you get passionate (can be read as mad/spiteful), and outline your thought process of the essay with headings to keep the writing flow flowing (the headings do not need to stay in the final product but they are good to have in the draft) .

when jumpstarting story writing, write! that! shit! down!!!! chronological order doesn't mean shit when you're in the planning/writing phase. your readers don't have to know that you wrote/planned a character's death before writing/planning out the beginning. they just read it in the order you publish it in!

to keep the writing zone stable and in working condition, TAKE THOSE BREAKS BOO! who cares about your personal deadlines???? if you feel exhausted before opening up a doc, then take that break, babygirl. again, your reader(s) will not need to know (nor do they need to know) how long it took you to get your writing piece done. hell, if you still feel the itch to write but the thing you wanna do is not working, then work on something else you haven't touched in a while because that itch WILL get its scratch somewhere, so help me god.

so yeah, i hope this was helpful, anon (and coherent jfc there better not be a plethora of typos T^T). happy writing, and may your weekend be a healthy dose of eventful!

[blorbopolis]

starting to understand one another

[aonik]

[isjasz]

The Promised Neverland manga spoilers!

[Day 201]

Everyone blame cherrysherin2 (go check out this art that made me absolutely lose it) I take no responsibility

[samuelroukin]

#indirect kiss my beloved TAIKA WAITITI as Blackbeard & CON O'NEILL as Izzy Hands in OUR FLAG MEANS DEATH (2022— ) Episode 2.06

[disappeareddraws]

(text post source)

just a regular convo on the battle subway

[ssalballoon]

ah yes my favorite rogue ast... vax'ildan? (aka gale has hair envy + hairswap... kinda)

this is purely self indulgent + wanted to try some unconventional (radioactive) color palettes for them

these two r my favs from dnd related media + ylfa from never after but idk as much about it? caleb + jester will probably join this group lol but m9 needs to get animated first bcs... i'm not watching all those streams man

hey isn't this almost the exact color spectrum dogs can see

[mayhemspreadingguy]

"If you stare into the abyss,

the abyss stares back at you."

[aegisofworms]

Started playing armored core 6 like 2 days ago and I've become obsessed to say the very least. (Regardless of my builds crumpling under the threat of a light breeze because I can only bring myself to play lightweight ACs with the highest speeds I can manage, AP be damned.) Anyways I would physically combust if I didn't doodle a design for my ideas of 621 so here's a sketch of my whimsical beast! ignore me reusing design elements of my other characters the hound theming was just too good. They are like a creature to me. I love them.

[rileyclaw]

Willow doodles from last night because the brainworms were really yowling

[stevebabey]

steve harrington but it's that jeff winger moment from community. if u have seen community, u will know... my first stobin-centric piece <3 tw for parental neglect and a prior act of self-harm. this is absolutely on the steve harrington has bad parents train <3

“Steven, this is ridiculous.”

Robin freezes in place. Her hand hovers over the remote she's just placed back down, her limbs locking up one by one at the sound of the voice at the door.

It is not a familiar voice. She knows who it is all the same.

She fights not to move, knowing the couch springs, old and rusted, threaten to reveal her hiding place, even if it is her house. Robin is very much allowed to be here. Expected, even.

But Steve? Steve is not.

It’s why there’s one Christine Harrington on the dingy porch steps.

It’s an unwelcome surprise — even after all the fuss of the 4th of July, a thousand police sirens, endless NDAs, and too much blood on his uniform, Steve’s parents hadn’t shown.

Out of town, Steve had said, his bashed in face making it impossible to read his expression. His eyes were haunted and misty but Robin couldn’t tell if it was from the horror of the night or… a loneliness far older.

So Robin had done the fussing. Had dragged him home with her, shooed away her rightfully nosy parents, and mended him up on her bathroom counter.

Steve had been silent, a little wide-eyed as she worked on each cut, each bruise — but with her gentle touch, he had been helpless to do anything but melt beneath it.

He’d called her Robbie for the first time that night. They’d fallen asleep with their hands intertwined, her arm hanging off the bed to reach out to him on her bedroom floor.

Robin still hasn’t met Steve’s parents, even though it’s been more than a couple months since that night.

She’s been to his house countless times too. She knows where the spare key is, if she ever loses her own copy, that is. Knows which stair squeaks on the way up to the second floor and how the lock on the downstairs bathroom gets jammed too easily.

She’s eaten the best grilled cheese of her life in their kitchen, sitting on the counter.

She’s laughed so hard she’s cried on their couch, getting the throw pillows wet with her happy tears.

She’s still never met Steve’s parents. Til right now.

Christine Harrington has her arms wrapped tight around her frame and Robin has no doubt that on her face is a frown that could make babies cry.

She can’t see her face though. Can only just see a glimpse of her tense body from where she sits. Steve blocks part of her view, his own tense frame in the doorway.

He’d answered the door instead of Robin only because he had the foresight to glance at the front window after the first rap at the door. It was late. Robin’s parents certainly wouldn’t knock at their own home and neither of them were expecting visitors.

The expensive car in the drive, a sore thumb along Robin’s street, had given away the identity of just who was knocking so late in the evening. So, Steve had opened it.

“Mom—”

“I mean utterly ridiculous.” Steve gets cut off without second thought, Christine continuing on as if she hasn’t heard him at all.

“Did you expect us to spend all evening chasing you around? Figuring out where you were tonight from the Carlton’s across the road?”

She’s got this snippy tone that Robin’s heard a thousand times from teachers. Patronising. Too cold for it to seem like a genuinely concerned parent.

“The Carlton’s?” Steve echoes, a bit meek. His shoulders have rolled forward, sinking down a bit and Robin can see his tight grip on the door. Still, she stays frozen, rooted to the couch.

“Yes, Steven.” Christine says his full name again, all bite. “Imagine the shame your father and I felt hearing that. Hearing who you had been associating with.”

“Don’t say that.” Steve grits out immediately, anger bleeding into his tone.

The muscles in his back ripple as he forces his shoulders back, as if he had remembered how to stand up straight at the mention of his friend.

Robin aches; at the reminder of the stark differences of their upbringings and at Steve’s unquestionable loyalty. She finally unfreezes, sitting up a little straighter and leaning forward more— ready to spring up from her seat.

She’s not sure what for exactly. She sorta really wants to go slam the door on Steve’s mom’s face and go back to being bundled up on the couch with him. The urge is strong enough to make her fingers twitch.

“Why are you here, Mom?”

There’s a strain to Steve’s question, even though he doesn’t falter in appearance. Robin can’t see his face either though. She hopes it’s got the bitchiest expression Steve can muster.

“Don’t be smart, Steven.” Christine reprimands coldly. “I know that we may have taken a larger absence than intended but that’s not any excuse to parade yourself around with the strays of this town.”

Strays. Robin feels the word pelt into her and burn into her skin, sinking all the way down. It feels like cold water has tipped down the back of her neck. An unwelcome pit forms in her stomach.

She had known, of course, the reputation of a family like the Harrington's. She hadn’t quite known the extent they would go to protect it. Policing your child's friends over a matter of image is absurd.

Somehow, Robin can see how Steve grows even tenser at his mom’s words— hackles raising like that on a dog. His knuckles turn white. But before he speaks, Christine is barreling on like she hasn’t just slandered every one of Steve’s new friends.

“And to leave the house in such a state?”

Robin hears her sigh heavily, as though this really is the biggest problem in her life — which she can’t fathom in the slightest.

There was nothing wrong with Steve’s house. No mess beyond the usual evidence that someone, you know, lived there.

“Mom, I—” Steve starts again.

“Well, I’m sure you have your reasons. You always do.” She says it so pointedly, like Steve was known for peddling lies to weasel his way out of trouble.

It’s so un-Steve it makes Robin blink hard, wondering if she had heard right.

Steve was honest. He owned his mistakes and he took things on the chin. It was something she had liked most about him in the beginning.

Back when it was all snark and Robin told herself she was never going to be his friend, in this universe or anything other. That even then, reluctant co-worker and nothing more, Steve was honest and decent to her always.

“Now, come on now.” Christine Harrington huffs out her demand. “Your father is waiting in the car and there no use winding him up more than you already have.”

Robin’s stomach turns at her words. It had been a topic of discussion between them, one night weeks ago, lips loosened by the dark. I feel like a dog to them, Steve had admitted quietly, his breath against her pillow and his warmth under her sheets. Like they just leave alone most of the time but expect me to perk up and come running the moment they call. I hate it.

“I’m not coming with you.”

The words stammer on their way out like he had forced them out— and Robin wants to sing she’s so proud of her best friend.

“Excuse me?”

“I’m not coming with you.” Steve repeats himself, the words a little firmer this time. “I’m… I’m spending the night here, with my friend Robin.”

He trails off, the words weaker, losing steam. Robin rises to her feet, the tell-tale squeak of the couch springs letting Steve know she was still here. Still right behind him.

It makes him stand a little straighter.

“I— I’ll come home in the morning.”

Christine Harrington makes a little scoffing noise, a high pitched faux laugh as if Steve’s said something amusing.

“Tell me when did I raise such an ungrateful brat?” She muses meanly and Robin doesn’t miss the way Steve flinches lightly. “We give you free rein of the house, apt time by yourself, and yet when we request you to spend a single evening with us—”

“You’re not asking, you’re demanding.” Steve cuts in, his voice more heated now.

“Oh hush, Steven. You act as if we’re so awful.”

It’s all dismissal. Everything, every word, a dismissal.

“I just can’t win with you, can I?” Christine sighs again, disappointment dripping from the sound. “Either we’re not here enough or we’re here but you can’t find time to have dinner with your family. Which is it, Steven?”

In the doorway, Steve begins to bristle. Robin really, really wants to slam the door now — if only to stop this conversation that seems to keep cutting deeper and deeper into her best friend.

She steps closer to him, moving as silently as she can, and makes sure to stay out of sight as she places a hand gently on the small of his back.

He’s shaking, she realises.

Her heart twists painfully in her chest.

Then, deathly calm, Steve says, “Did you know in 7th grade, I lied and I told everyone in my class that I got appendicitis?”

Robin blinks at the change in subject, the strangeness of Steve’s comment. She does remember that, vaguely. A boy in the year above— it had been a wildfire rumour that had turned out to be true.

Or so she thought. Staring hard at the planes of Steve’s back, the pit in her stomach yawns with an anticipation of devastation. Her hand on his back curls up a bit.

“You and Dad were gone for the whole month to Washington. It was the first time you had ever gone for that long and you didn’t even tell me until the day before you left.”

“Steven—”

“I just wanted someone to worry about me.” He steamrolls on, tone too casual for the story he was telling. “And it worked."

A beat.

"But then Cassie Lange asked about the scar.”

Robin’s hand on Steve's back twists up tighter. She feels like she knows what’s coming— but wishes it to be not true.

She doesn’t want to think of Steve, little twelve year old Steve, doing all that he can for a scrap of attention he was supposed to be getting from his parents.

“And rather than admit I’d lied…” The words come out too tight. “I went and found your sewing scissors and I made one.”

There’s this icy bite to Steve’s voice, his shoulders tensed back up. Christine still hasn’t said anything.

“I hurt like a bitch but it was worth it. I got a card from every single person in my class.”

“You wanna see the scar?” He asks— then he’s moving, his hand rucking up his sweater and shirt and exposing the skin of his stomach. Christine makes a noise like a muffled gasp. Robin feels a bit sick. Steve drops his shirt.

“And I kept all of those cards I got —all 17 of them stashed them under my bed in a box that I still have til this day.” He exhales through his nose. “Because it was proof that, at some point, somebody actually gave a shit about me. Because you didn’t. You didn’t then and you don’t get to now.”

His words hang in the air. There’s a long stretch of silence where Steve stares down the woman on the porch— someone closer to a stranger than a friend.

“So, I will see you at home, tomorrow.”

And then he slams the door to Robin’s house shut with a finality that shakes the air. Robin tenses up at the loud noise. Steve doesn't move, just stays staring at the closed door.

Behind them both, one of the noisy pipes in the house makes a loud noise. It sounds worse than usual as it breaks the silence.

Outside, Robin hears the click of heels on the pavement as they quieten, moving further away.

The pit in her stomach tightens immeasurably, a faint bile taste in her mouth. She finally remembers to smooth out her hand, pressing it flat against Steven’s back— another reminder that she was there.

If he wanted to talk or he didn’t, she was there.

Suddenly Steve sighs, an exhale so large that he shrinks down a couple inches, his shoulders dropping. It sounds exhausted.

He finally turns away from the door, to Robin, and she can only hope her face conveys every ounce of love, of support, she feels within her chest.

“Steve…” She breathes softly.

He wasn’t crying but just the sound of his name, spoken so delicately, seems to inspire tears. Robin catches the tremble of his lip and moves without thought— throwing both her arms around his neck and wrestling him into a hug.

Steve goes easy, his arms snaking around her middle and holding her back so tightly it nearly makes her squeak. She doesn’t though— just lets him bury his face in her neck, taking these big shuddering breaths, these half-formed sobs that break her heart clean in half.

She doesn’t know how long they stand there. Car engines drone as they pass by the street. The streetlights seem to get brighter. Steve presses himself so close to her, as close as he can, and Robin hugs back just as tight. She gives him all the time he needs.

She wonders if there’s an indent of him on her when he finally pulls back — a Steve Harrington shaped outline imprinted on her soul. It feels like there is.

If she could trace it, she thinks, it would be whatever shape love takes.

“Thanks Robbie.” He croaks out. He’s started scrubbing furiously at his face and she can see the wet sheen of tears as he wipes them away.

Robin doesn’t move far, just unwinds her arms a bit and lets them fall back to her sides. There’s an ache between her brows from how long she’s been frowning in concern. Steve looks more disheveled than usual, his usually perfect hair looking flatter — but he looks lighter too, somehow.

“No need to thank me, dingus.” She says, voice soft. She faux punches his chest and then regrets it when his lips don’t even twitch upward. It’s weird to see Steve all undone.

Robin thinks back to that conversation and the callousness of Steve’s mom. Her uncaring tone, the use of his full name like an insult.

She thinks of what Steve had said.

“I’m sorry you felt—” The words get stuck in her throat which grows thicker as she thinks about it. About a self-made scar on Steve’s abdomen, made by a twelve year old boy who just wanted someone to worry.

“—That you felt like you had to do something like that to yourself. I’m sorry no one noticed what you really needed.”

Steve nods slowly, his eyes glazed with a far away look as he stares somewhere over Robin’s shoulder. He gives this little shrug, a little huff through his nose.

“It’s okay.” He says, voice a bit distant. “I mean, it’s not but… even if I hadn’t meant to tell you, I’m glad someone knows now.”

It takes another second before he finally seems to shake himself from his thoughts, turning to properly look at Robin. His eyes are red-rimmed and the tip of his nose is pink. Tell tale signs of tears.

“I’ve never told anyone that before.”

Robin swallows thickly and it takes effort to choke down the urge to cry.

“Well,” She starts. It comes out too high pitched and tight and she clears her throat. “Thank you for telling me.

Some kind of smile plays on Steve’s lips, as if he can tell that she’s fighting off her sniffling and it’s sorta funny to him. It is, a little.

Because instead of being embarrassed or feeling pitied, he feels… delightfully surprised to have her care so much. To be so upset on his behalf.

“Oh, c’mon Robbie,” He gives her that same faux-punch in the shoulder she did earlier and it actually succeeds in making her lips pull up at the edges. “None of that.”

“You’re such a dingus.” Robin says. It comes out a bit wobbly still. Sue her— she doesn’t have Steve’s insane ability to bounce from one emotion to another in a single second.

Steve grins. He wanders back to the couch and flops down onto it. Robin follows and when she sits down, it’s a fraction closer to him this time. He gives one last scrub of his face, wiping the last of his tears away.

She nudges him with her thigh. She has to check just one more time.

“You alright?”

Steve smiles, crooked in that way that lets her know it’s completely sincere. He reaches forward and presses unmute on the remote, the film they’re watching starting up again with a buzz.

Steve presses his thigh back against Robin’s and in the dim lighting of her living room, his eyes glitter with an emotion that threatens to make her want to cry once more.

“Course.” He says. “I got someone checking up on me now,”

Another pointed nudge of his thigh against hers. “I’m better than ever.”

[chrysoprine]

Ianthe Naberius my beloved.

[magicalmanhattanproject]

okay so im thinking back to like. bad and baghera's little conversation about ron and morals and how that relates to forever and i think i'm getting closer to putting my finger on the fundamental disconnect between bad and forever.

like specifically, the question i'm thinking about was "would you kill an islander to get your egg back?"

baghera's answer was "i would do it, but i would be crossing a line"

i think that's what makes her different from bad and forever. bad and forever both have lines that they simply Will Not Cross

the difference is that forever's lines are moral and idealogical. he won't torture innocent people, even if they're Federation workers and he's willing to harm even his dear friend Bad to protect an innocent party. he hates the idea of being someone willing to blow up the island even more than he hates being drugged against his will and he hated that a whole fucking lot.

he cannot understand or tolerate how bad would be willing to do something as evil as imprison an innocent worker because that's one of his lines.

bad's lines are people and that's about it. he protects his family. dapper, pomme, the other eggs, forever, foolish, the french. harming his family is unthinkable to him. he holds himself back from torturing Federation workers because that might draw attention to himself that would put the eggs in the crossfire. he doesn't put mines down because an egg could die in a mine trap.

he cannot understand or tolerate how forever would be willing to lie about dapper to protect a Federation worker because that's one of his lines

in short, to forever, There Are Things You Do Not Do To People and to bad, There Are People To Whom You Do Not Do Things

this isn't something that just talking it out can fix i don't think

[t00thpasteface]

look all i'm saying is if you give mash a chance with a very grounded sense of the time it was airing in and the pressures it was rebelling against and the brand-new trends it was setting, there will be a point, maybe a few episodes in or maybe a few seasons in, where you suddenly go "okay, yeah, i see why this show became such a popcultural juggernaut that the finale is STILL TO THIS DAY the most-watched tv show episode ever"

[mewtwo24]

I finally finished reading the fourth volume of svsss in full, and thing is--the first time through I only read the bingqiu content because I was ravenous for more of their happy ending.

Turns out that was a perilous mistake.

Because I started reading the airplane extras. And I swear to god. MXTX is trying to kill me

What do you MEAN demon lord Binghe was sitting on his big fucking throne. All stoic and forbidding. Surrounded by his demon generals who don't know shit about human courtship. Asking them what he should do, fully demoralized by constant rejections from sqq, only to have airplane tell him to act more pathetic and needy. Which is already hysterically funny and insane, UNTIL LBH'S RESPONSE IS THIS, KILLING ME INSTANTLY:

LUO BINGHE. WHY DOES HE SAY IT LIKE: "I already tried that, didn't work--nothing works :/ not mean, not maidenly, not housewife, not spicy, not capable disciple. Is doubling down on clingy really all it will take? What's a born hater with only one love in his life to do????"

The dichotomy of him sitting there like 'how can I reach the unfathomable depths of shizun's heart?' A HEART HE'S ALREADY WON OVER, MIND and then in the Holy Mausoleum solving the puzzle without blinking and being like 'oh yeah you just have to hit the acupoints, no sweat.' Literally the comedy writes itself I'm so--

How am I supposed to be normal about this. MXTX understands the juicy quintessential queer joy of a person with the world's power at their fingertips wishing only for love. Willing to do anything to earn that love, when unbeknownst to them it's already been freely given. Totally not screaming and yelling and clawing at the walls

And that's not even touching airplane's uproarious account of events. The way he's like 'lol what's next, lbh and sqq are best friends now? smfh' only to see lbh TACKLE SQQ LOVINGLY. FOR SQQ TO BE BASHFUL ABOUT IT BUT SO SO FOND OF THE LITTLE SCAMP. This when we've been experiencing sqq's constant inner monologue of 'I'm so cool and so dignified about my role, truly the epitome of propriety and poser-level fortitude.' Meanwhile, in their universe:

Airplane constantly flaming???? Sqq and lbh in his observations????? His absolute bewilderment and confusion????? Legendary. No notes every single second of this shit was hilarious.

Airplane's comment that sqq + older adolescent lbh traveling together was just watching a couple in their honeymoon phase. OR the fact that lbh is exceedingly petty and refuses to share their food in the wake of airplane's interruption of their time together, until sqq relents sheepishly and insists airplane eat what's left (ONLY AFTER PLACATING LBH WITH MORE FOOD FROM HIS PLATE, SOBBING)

Watching airplane salivate over Mobei-Jun and acting like that's totally normal behavior. Finding out mbj and airplane got together first. Finding out sqq encouraged airplane. LIKE THIS. WHILE HE IS STILL IN DENIAL ABOUT HIS OWN FEELINGS:

Mobei-jun clearly thinking their arrangement is a forever thing, heartbroken his human abandoned him with all the hapless fury of a scorned wife swept away by false promises of fidelity. Airplane writing demons to be the type to beat up their crush lovingly and still unable to connect the dots about mbj's feelings. Mbj letting him go and respecting his wishes, only relenting when there's indication airplane was poorly processing his own feelings and didn't actually want to leave. Mbj caring for him and listening to him as soon as airplane voices what he needs directly and with clarity. None of these gays are functional and it's everything to me

Unrelated, but I physically can't hold this information in anymore:

I'm still reeling from younger lbh having his sexual awakening from the image of sqq wrapped in the immortal binding cables. Condemn me as you like he was so, so real for that.

And no I will not be taking any comments about how luo bingge couldn't bear to see luo binghe cherished in ways he never got to have and all the haunting implications of that. I will also not be taking any comments about luo binghe's instinct to look for sqq in that alternate universe, only to be shaken to the very core to be unable to find his shizun anywhere. The unspeakable and latent horror of his relentless mind likely piecing together what happened, but unable to say it; to suspect what is true, and live with the harrowing confusion of his double's actions. To blame himself, to assume that he had let his anger get the better of him in that world and result in unspeakable folly...

I also refuse to talk about how heartrending it is to hear Tianlang-jun weakly say "In the end, I really can't bring myself to hate humans." The implication that the foolishness of that hope and bright-eyed fondness--the very thing that put him through such unspeakable agony--couldn't be beaten out of him entirely. To discover that his faith in Su Xiyan hadn't been misplaced, to the contrary: his beloved hadn't scorned him at all, but rather fought to the miserable end to protect the fruition of their genuine feelings of love when she couldn't protect tlj or herself.

How MXTX has sqq deliberately draw parallels between their situation and that of ygy+sj and tlj+sx; desperately wishing it might not be too late for them. The concept of breaking cycles of abuse and harm pervasive throughout the newly devised story, how it evolves for the better only when love takes the place of power, pride, and domination. How the moment sqq chooses vulnerability instead of saving face, the genre shifts to the so-called "cringe" girly genre where most if not every character is more fulfilled, more true to themselves. How the "male-oriented" former genre was aimlessly sensationalized and sexualized, how it was a sustained performance of aspirational toxic masculinity. How men objectify other men without end. All of the unspoken gendered implications that come with that.

Anyways. Going to go put my head in a sandbox and try to process everything I just witnessed because even a second reading is not enough to find a modicum of closure.

[paper-lilypie]

@spaciebabie someone tell those two the daycare has WINDOWS