Someone please explain Avatar worldbuilding.
Fire Nation has machinery.
This allowed them to conquer half of the world, and wipe out most of the Southern Water Tribe – they had no comet power there, and we saw how is firebending at the poles.
The Mechanic is from the Earth Kingdom. His impact on the weapons is unquestionable. His knowledge has to come from somewhere, except a, he was self-taught, b, he received education after his capture. (I'm kind of sure it was actually a mix of the two.)
Ba Sing Se has trains. Actual, working train lines. Either they stole the technology or they came up with themselves, but they have to maintain it, which means they know shit about engines.
Conclusion: WHERE were the Earth Kingdom mechanized units??
Edit: I have the answer, thanks
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ive been rereading your ffxv fic "im trying hard to take it back" for literally four years now. please end my suffering and tell me how gladio feels. please. PLEASE. (but only if u want ofc)
(fic) Short answer: Gladio feels insane guilt and spends a lot of his life trying to make this up to Prompto. In the process, they deepen their connection as friends and do begin a relationship probably around the one-year mark of endless darkness. <3
Longer answer: (implications of abuse/violence tw but no worse than in the fic itself; just what others assume to be true even if it's not in the context of this specific fic)
Gladio is a secret romantic at heart who has always envisioned meeting his soulmate, but he's also duty-bound and duty comes first. So even though he reads romance books (amongst other types of books too) and indulges in his head a bit as many people do, he's often put his duty to the crown first and foremost in his mind. He also didn't imagine his soulmate was anyone on this trip and thought perhaps the person he may have been fated to meet died in the assault of Insomnia. Even if they were a refugee, they can't be a priority to him at this moment. His priority has to be Noctis.
Prompto has obviously grown on him over the course of their road trip, but there are aspects of them that don't 100% mesh (as is true with every realistic relationship). That said, Gladio never in a hundred years would want this moment of (understandable but out of line) frustration and anger in the wake of Luna and Altissa to be a permanent mark on Prompto's face. He's genuinely horrified and disgusted with himself for a long time after this and spends most of his life trying to make it up. He feels like a dirtbag about it.
That said, Prompto runs away from him in this moment and they need time to calm down, just as the fic shows. Noctis goes after Prompto, just like in canon. Prompto falls off the train and has his Despair Arc just like in the DLC, now with the added despair of "well, in addition to being a clone, my soulmate hates me. And in addition to the mark of inhumanity on my wrist (barcode), I have a giant hand print of him literally Shoving Me Away on my face. Forever."
Aranea: Well, do you want to die about it. Or do you want to live.
Prompto, eventually like in canon: Live, I guess. But it will be excruciating.
Aranea: That's what living is. We do it anyway. Your friends love you. Get off the floor.
He fights his way through his issues and gets rescued like in canon. Gladio probably tries to talk to him when they all catch up again, trying to apologize, and Prompto tells him to hold off on that for later.
Then, of course, Noctis is eaten by the crystal and "later" becomes much, much later as they evacuate and try to survive in eternal darkness. (Though they also can't Not think about it because it's a giant hand print. On Prompto's face. And every person they meet has Something To Say about it, for better or worse, whether they knew Prompto before or not. Prompto cannot escape it, and when Gladio is not doing Crown Duties he feels he must do in Noct's absence, he's with Prompto, so he also Cannot Escape It either. Even when the person speaking is unaware that Gladio left that mark. It's almost worse when they don't know, but when they see it's Gladio, who is such a big guy who seemingly hit Prompto and left that permanent mark there, some of them get nasty to him and some back off out of fear. Both are horrible. The guilt is eating him alive.)
Eventually, enough time passes as the dust settles that they do Talk About It. Gladio apologizes sincerely, for the 500th time. Prompto's like, "Well. It's not like you could have known that this would be The One Time it happened." And then cracks a joke about their soulmate mark being a Prompto's hand print on Gladio's ass from a butt slap in another life, which does help the tension somewhat. (The more Gladio tries to apologize, the more Prompto grows sick of hearing it, so they just have to move on and keep going, as he's learned to do.)
They grow closer over time, especially because there's not a lot of people who have survived to this point and even less later on. They do get together romantically, both because they do like the idea of soulmates (for different reasons) and also because they're living out of each others pockets for years, so there's an affection and dependency that develops there. Also, teenage Prompto always thought Gladio was really handsome and teen Gladio thought Prompto was cute and sincere for a pipsqueak.
When they are out together on dates in normal settings surrounded by strangers after the light returns, Gladio will receive dirty looks for the rest of his life from strangers who see the hand print on Prompto's face and immediately (correctly) assumes it was out of anger rather than a funny accident or something. (Edit: Some people will assume there is a funny story attached. Gladio will not know what to say to this. Prompto will play along.) He will learn to live with this. Prompto is really grateful Gladio is with him despite everything.
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anyway I just want to say that I have absolutely loved season 2, every second of it. I don't care if I'm in the minority but I think s2 was even better than s1 - the emotions were visceral, intense, and at times darker, I actually enjoyed the faster pace, while there was less comedy overall I think the comedy they had landed more consistently, and if I didn't know that the season had been reduced in length & budget I wouldn't have guessed because the production quality seemed higher. While it would have been great to have those two extra episodes, I think they did fine without. I thoroughly enjoyed the attention that each character got, I loved every new character they introduced - ofmd has always been exceptional at giving even the most minor of characters presence and impact, and making us care about them. I love the attention to detail that's been put into the props and costumes, the music choices, and the gorgeous filming locations. I've been blown away by the layers of symbolism, the callbacks and parallels, the narrative reciprocity of the characters' journeys, things that will give us plenty of topics for discussion during this latest hiatus. A deep heartfelt thank you to every cast and crew member that made this season possible, especially the ones that haven't even been able to talk about the show with us yet. Each and every actor gave their all this season, and it comes across - every performance has been so utterly earnest, moving, witty, and brimming with raw talent. This show has brought me so much joy, and I cannot wait to see what's in store next.
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I was wondering if you had thoughts about how Ice and Mav's politics don't fully align with their actions? There was a post where you said Ice's politics are more socially liberal than Mav's but Mav is also the one who goes out to La Jolla to hit on guys before Ice, and later again when he's broken up with Ice, but Ice only goes out with women out of fear for his honor or whatever. Same with their respective thoughts on feminism, with Mav's mild respect for Charlie (telling Ice not all women fit the stereotype) but later Ice is the one who sends Juno to Mav's Top Gun class without telling him she's a woman and Ice has a respectful friendship with Juno. I think you said Ice is vaguely on the ace-aro spectrum (demi-homoromantic) which is a sort of fascinating irony that he doesn't have the words for it whereas Mav is the one with the theories about Ice's sexuality. Though with their hypocrisies and inconsistencies this all just feeds into their characterizations of the fact that they keep divorcing their actions from their spoken words from their identities.
okay going to take this point by point
1. yes i have addressed their politics in relation to their actions before, so maybe read this post and this post before you read this one, just to see where my other thoughts line up
2. gay republicans and conservatives do exist (at the very least certainly republicans and conservatives who have gay sex in secret)
3. before maverick is a political actor he is a human being, and the characterization that we are primarily given for him is that he is impulsive and reckless and doesn’t think through his actions. As ive written about many times before—from a story construction standpoint, his thoughtlessness is his number one most important character trait. He is both thoughtlessly dangerous (his hero’s “fatal flaw;” he can’t stop himself from making bad decisions) and thoughtlessly brilliant (the navy’s best and most daring and heroic pilot). He does what he wants without thinking about it; and he makes excuses and hollow promises whenever that plan doesn’t work out (“I know better than that. It will never ever happen again;” [it happens again] “I’m not gonna let you down. I promise.” [goose dies shortly thereafter]). His thoughtless impulsiveness overrides everything else. Maybe the act of having gay sex (to address your “he gets fucked in La Jolla before ice” point) is politically subversive, but for Maverick’s thoughtless character that we are shown in Top Gun, the most subversive possible thing would be to LABEL the gay sex and think through the consequences of it. To call a spade a spade and call himself gay or bi or queer or whatever. That would be the most subversive (and with mav, entirely unbelievable imo) possible thing. That takes conscious effort of thought, something maverick is near-incapable of doing. As long as he can get away with it without thinking about it, he’s politically in the clear, with regards to his character & character arc. If that makes sense. “Don’t think. Just do.” That’s literally his motto lmfao. He represents thoughtless action as an archetype; his politics come secondary to his desires
4. Their “respective thoughts on feminism” are divided into two camps: 1. “Professional as required by the law” and 2. “Sex pest mode.” They’re naval officers in the 1980s. Whether republican or democrat, that’s kind of par for the course. How men treat women can be a performance to other men. Any respect i made them show towards women had broader, more metatextual “need to move the conversation/story from A to B” reasoning behind it. See the first post I linked for much more on that.
5. i never said ice was on the ace/aro spectrum, or if i did i DEFINITELY meant it sarcastically. That could not be further from what i believe. This isn’t something I’ve ever discussed on this blog before, but a MASSIVE part of the philosophical discussion I’ve been trying to moderate within this project over the last year is the question— “do labels even work with characters under these very specific and extraordinarily extreme conditions and societal pressures?” It’s a question I took from my time studying early American history—the contexts of certain environments, and I would definitely count the elite officer ranks of the navy in the 90s and 2000s as one of these certain environments, simply Are Not Conducive to the easier (path of least resistance maybe) ways we civilians handle sexuality and friendship and trauma. There are so many variables and external and internal pressures within an environment like the upper ranks of career navy officers that sexual orientation labels lose all nuance and accuracy. I don’t think Ice (as i have written him) is gay. I don’t think he’s straight. I don’t think he’s bi. I think he’s an unlabelable product of too many variables for labels to have any effect on how he is perceived. Which, in our society built around labels and categories, is admittedly difficult to wrestle with. But doesn’t make it any less worth wrestling with.
6. Yes, ice and mav’s hypocrisy is the linchpin of the entire story.
They’re both trying to have their cake (“honor” and moral superiority based on the harmful traditional subjective morals arbitrated by elite navy officership) and eat it too (a fulfilling relationship with the love of their lives). & the point is that they cant. they have to settle for one.
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