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#otp: the workings of fate
wooriid · 6 months
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“I do love you, Goro. 
In all the cheesy, romantical, old school ways that exist - I do love you so very much.
I love your eyes, sometimes square windows into your soul, sometimes as hard and unbreakable as Black Ice. Artificial yet so full of life. I love how carefully you chose your face implants to perfectly match your delicate features. Love every little imperfection in your face, your graying hair, your sweet sweet wrinkles, all these beautiful and unique traits age has gifted to you. I love the rare laughs, most intimate and private, as much as I love your earnestness, calmness and prudence whenever we go out with our friends. I love you with all your flaws and strengths, love your lips kissing me, your hands - these beautiful augmented, strong hands - touching my body so incomprehensibly gentle. You once told me that our age difference was one of your greatest concerns. I can assure you that all of them were unfounded, that your maturity is grounding me, calming me in a sense I never knew and never thought I’d ever experience. I cannot imagine my life without you anymore, I already lost myself in you, my body and soul addicted to you.
So… I assure you, with all my heart and spirit, I do love you Goro Takemura.”
(she once felt he needed reassurance….)
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kemendin · 2 months
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While I completely agree with not being able to romance Scourge until way later in the game - it only makes sense that way - I still think it’s a crime you can’t ATTEMPT to flirt with him just one (1) time during the class story. For instance, when he talks about still remembering sensations and emotions from before he was Wrath’d. Or perhaps when he talks about ‘properly’ training any potential children the player might have.
I just want to try and flirt and have Scourge immediately, unequivocally shut it down. I want to see that cool stare harden for an instant and hear the flattest, slap-in-the-face “Don’t.” And that’s it. There’s no other flirt option, it’s never brought up again, just one try and an instant rebuff.
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leadingrebel · 9 months
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A moment of warm and christmas-y happiness for Riv and Sky
Happy HEX day for you, @queen-of-the-wallflowers15!
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bibaybe · 2 months
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Making Spotify Covers :: OTP: Basil/Stella
Keep your friends close, but this pretty girl closer Kiss her on the neck, little baby is a poser Thinks she's so cold, but the world is colder Take her in my lap and I'll promise that I'll hold her
taglist: @eddysocs@ocappreciationtag@foxesandmagic@wordspin-shares@veetlegeuse@raith-way@oneirataxia-girl
template / psd - jane coloring by @hisources (couldn't find the link!)
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call-me-shadowborn · 1 year
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Don't mind me doing my usual business here spamming Kims and Azuriels randomly... ฅ(=◔ᆽ◔=)ฅ
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mikawritings · 2 years
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Fluffy Otp Prompts
(since a lot of people have seen this- pls consider sending in a writing request! i'm not drafting anything atm and need some stuff to write)
some cute otp prompts <3
A leaning in to kiss B, then pulling away but B tugs them back in and kisses them hard
A and B go on a horse ride together
B is having a breakdown, A comforts them and makes them feel all better
A and B finally move in together
It's their first date, A thinks everything has gone awfully but at the end B kisses them and tells them it was the best date ever
Picnic date!!
Soft kisses under the blanket in the evening
A gets in trouble at work, all they can think about is going home and collapsing into B's arms
A and B are watching a horror movie together, every time there is a jumpscare B jumps and spills some of the popcorn. A ends up confiscating it but now, every time that B jumps they turn over and tuck their face into A's neck
A tucking B's hair behind their ear on a windy beach date
On the same beach date, all the food and the crappy tinfoil barbeque they bought blow away and thye have to search for a pub together
The first time A is drunk (before they begin to date B) They absent-mindedly confess
A and B go to a party together, B gets overwhelmed but A notices and takes them home to spend time together
They get lost during a walk in the forest and begin to resign themselves to their fate and 'set up camp', then have to try to recover from the embarrassment when a lady walks by walking her dog and they realise they are, in fact, not lost. Just stupid.
Stargazing together. A is actually smart and points out constellations, B just points up at the sky every so often and says, "That one looks like a penis" or something along those lines
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leynaeithnea · 22 days
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I didnt get an ask for this BUT WE'RE BACK
my Wisdom saga reaction/analysis!!!!!
26. Legendary
TELEMACHUS MY BOYYYY
THE MELODY AT THE BEGINNING OF LEGENDARY IS SO COOL
the instruments aaah, lowkey obssessed
"its jus tme myself and i" perimedes would like u
"living in this world you left behind".........this song makes oyu think so much about what life has been in Ithica in those years since Odysseus had to leave, he was loved, he is *King*, AH
"dreaming of all these monster, that ill never to get to fight" better this way, u dont wanna end up like your daddy
"but boy i wish i could so i could bring the world some light" BABY BOY
"Cause I'm stuck with your stories, but no clue who you are And no idea if you're dead or just too far" his mother wouldve told him so many stories :aniTears:
"Somebody tell me, come and give me a sign if I fight those monsters, is it you I'll find?" PLS HE jusT WANTS TO FIND HIS DAD GIVE THIS MAN HIS FATHER
"If so, then give me sirens and a cyclops Give me giants and a hydra" hes just naming every monster he can think of of the myths he grew up with
"I know life and fate are scary but I wanna be legendary" U GO BOY; I LOVE YOU, also such a mood
"I'll fight the harpies and chimeras, the Minotaur, even Cerberus I know life and fate are scary but I wanna be l-l-l-l-legendary"....yea same like the two parts before, any monster he can think of, he gotta be one of us kids who read a lot
THEN The droppp in his voice, HE SOUNDS SO SCARED
"There are strangers in our halls" That must be TERRIFYING, just imagine that, dozens of men in your home just prying on your mother and youre too young to do anything rly
"Trying to win the heart of my mom, but she is standing tall" THAT VOCAL PERFORMANCE, W FOR PENELOPE; GIRLBOSS
"108 old faces of men who call me small" EW; 108 IS SO MANY BRO; SO MANY????? Also "old faces" ISJGSEIGJ "who call me small" boy, i feel so bad for you
"They keep taking space and it's not much longer we can stall" !!!! HES WORKING WITH HIS MOTHER TRYING TO HOLD THEM OFF; AH AAAAH, also fuck them, leave their home alone, god he must feel so unsafe in his own home :screams:
"'Cause they're getting impatient, dangerous too" oh no :( so scared lil boy
"And I would fight them if I was half as strong as you" HE LOOKS UP TO HIM SO MUCH AH
"Somebody help me, come and give me the strength Can I do whatever it takes to keep my mom safe?" HES ALSO A MOMMY BOY; AND HONESTLY GOOD FOR HIM; STAND BY HER SIDE; U GO BOY, 🥹
Chrous SLAPs
"Where is he? Where is the man who'll have you to wife? " bitch stay away (also cut song reference!)
"Where is he? Where is the man with whom you'll spend your life?" HE IS ON His WAY HOme SO STAY THE FUCK AWAYYYYYYYY ARGG ILL FIGHT U
"Cause it's been 20 years, 20 years" 20 FUCKING YEARS??? THATS AS OLD AS I AM (and telemachus for that measure, same age, yay!) BUT BRO IMAGINE WAITING FOR YOUR HUSBAND TO COME HOME FOR 20 YEARS; PENELOPE X ODY OTP; PENELOPE FIGHTING OFF 108 SUITORS FOR 20 YEARS AND ODY FIGHTING OF *GODS* Trying TO TRAP AND USE AND KEEP HIM, THEY DESERVE EACH OTHER
"And we still have no king" >:) >:) imagine an island without leader for 20 years oh boy h boy, the power vacuum, 108 people who want to take his place
"Give me a chance, a single opportunity and I'll overcome these obstacles and scrutiny and-" HE WANTS TO SO BADLY he juST DOESNT KNOW HOW AND WHEre TO START BC AH, also the music sounds like he just tries to sneak around his palace, to not get caught by the suitors, dodging and on guard, i can just imagine him ducking his head and looking at every corner for smth danger-
"Boy".......that slapped hard, FUCK YOU ANTINOUS (hi perimedes :) )
"When's your tramp of a mother gonna choose a new husband?" FUCK YOU STAY AWAY (the dELIVERY)
"OoooOOoh" we have a new choir! the crew is ded but we have the suitors now hah, ill take it, love me some choir responses
"Why don't you open her room so we can have fun with her?" THE AUDACITY? WHORE FUCKING BASTARD STAY THE FUCK AWAY
"Dont you dare, call my mother a tramp" U GO BOY; TELL HIM (be careful, dont get hurt) THE VOCAL DELIVERY OF THAT LINE IS SO gOOD
"OoooOOoh" chiorr
" I just did, Whatchu gonna do about it, champ?" FUCK OFF ANTINOUS, DONT BE SO SMUG FUCK U
"Somebody tell me, Come and give me a sign, If I fight this monster, Is it you I'll find?" u desrve your dad so much, he'll come home, promise...promise....hold on, be stronk, u got this boy, also "this monster" its none from your stories, no this is real, its worse its right infront of you AH
Sorry for the swearing :") AH I LOVE THIS SONG SO MUCH, ONE OF MY FAVS FOR SURE (...we'll come back after recency bias but i dont think itll change)
EDIT: DANGER MOTIF WHEN ANTINOUNS JOINS IN!!!!! (are there more? im new to this PLS TELL ME)
@lorethebookworm
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esther-dot · 8 months
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Cinderella
Cinder-Jaehaerys 5k by @wendynerdwrites
A gender-flipped Cinderella Story
Lavender's Blue 4k
Once Upon A Time, in a faraway kingdom, Sansa Stark was humming a song while she swept the floors of Winterfell. Her face was covered in dirt and ashes. Her hands were dry and wrinkled from washing clothes and doing the dishes. But her hope and kindness had not been damaged by all those years of being ordered around by Ramsay Bolton and his girlfriend of the week.
The Weirdwood, the Wolf, and the Glass Slipper 5k
Once upon a time, in a faraway land, there lived a girl who loved her father very much….A Cinderella version of Jon/Sansa, mixing elements from the Cinderella stories as told by the Brothers Grimm and the film Ever After.
Together All the While incomplete 28k
Sansa Stark wanted to keep her household together. She borrowed a dress. Prince Jon wanted to escape his fate. He stole a horse.
Cinderella gifset by @yenstarkofrivia
Allerleirauh
Past Our Satellites 140k
Inspired and loosely based on the tale Thousandfurs (from Allerleirauh: All-Kinds-of-Fur) and Cinderella by the Brothers Grimm Rough summary of the tale for those who are unfamiliar with it: "A king promised his dying wife that he would not marry unless it was to a woman who was as beautiful as she was, and when he looked for a new wife, he realized that the only woman that could match her beauty was his own daughter." (from Wiki)
Princess Furball 9k
When Sansa's father announces his intent to marry her, she attempts to trick him out of it, demanding impossible gifts. When her father inexplicably succeeds in fulfilling her requests, Sansa fakes her death and flees her father's kingdom in a coat of many pelts. Sheltered by her trusty direwolf, Lady, Sansa is found by the prince of a foreign realm, who christens her "Furball". The former princess hides out working in the king's kitchens as a curiously humanoid animal as war looms. But things change when two kings and a prince die…
Swan Princess
The Little Bird Princess 18k @captainbee89
When Rhaegar defeated Robert Baratheon on the Trident, he only spared Ned out of love for Lyanna. And on the condition that Stark's eldest daughter would one day wed his son and quell the fighting between the North and the Crownlands for good.
This isn't my idea (this is my idea) of fun 10k orphaned
Their eventual marriage is meant to strengthen the Northern/Southern alliance, but Jon Targaryen and Sansa Stark can hardly stop bickering long enough to make peace with each other, let alone their kingdoms. But it only takes a few meddling parents, suggestive friends, and a jealous sorcerer's magic spell to show this couple that what they've been dreaming of has been there all along.
Moodboard and ficlet by @otp-that-was-promised
Every summer since they were children, Princess Sansa and Prince Jon are brought together in hope that they will fall in love and marry, uniting their two kingdoms. When they meet for the first time, the royal children take an immediate dislike towards each other, but as the years pass they gradually fall in love.
Snow White
Younger More Beautiful Queen 1k by @captainbee89
If the rumours were true, Jon Snow would be Sansa's cousin, a suitable match in both name and blood. Together, they could bring the whole of the seven kingdoms together peacefully. With Jon, Sansa would be Queen. As Queen, Sansa could order the death of Joffrey as revenge for Ned Stark's death. And what of her other children? Tommen and Myrcella would be taken from her, labeled as bastards and stripped of all their prospects. How dare this silly little girl be the more beautiful Queen she had feared? She would not have it.
The Dragonknight 7k
The day that Sansa got her moonblood, Queen Cersei's magic mirror named her the most beautiful woman in the world. There was only one thing to be done with the imprisoned Queen of the North... the child had to die. Cersei hadn't counted on her twin's soft heart or the wolf in the woods.
Little Red Riding Hood
Throw me to the Wolves 2k
Winter had been hard on Old Nan and everyone in the village worried about her, so it was decided that Sansa should make the trip to her cottage on the other side of the woods to bring her some bread and ale. On her way there, she meets a stranger…
In the Company of Wolves 10k incomplete
Fair of face and kissed by fire, Sansa Stark is a force to be reckoned with—with a feisty spirit to match the flare of her flaming hair. Still, there’s no shortage of suitors vying for the hand of the eldest daughter of Ned and Catelyn Stark—but despite all their clever plans, Sansa vows she will only marry for love. A chance encounter with a mysterious stranger in the woods, sets her on a path of passion and dangerous intrigue. Is Jon her salvation or her damnation? Perhaps he is both.
Red Riding Hood Gifset by @dcbicki
The Steadfast Tin Soldier
Tin, Paper, Snow 17k incomplete
“Brave soldier, never fear. Even though your death is near.” The flames danced as high as a dream in a million, billion colours- scarlet, orange, purple, even blue, casting rich shimmering shadows on their faces and their hands and their hair. He steadied himself, stood upright, held onto her for dear life. "Would that we were made of glass," he thought. "Tin doesn't do well here. Nor paper." Higher and higher, the flames rose, crackling, singing. Tin, Paper, Snow, they whispered. It's time to let her go.
12 Dancing Princesses
Drifting through the halls with sunrise 3k
They were selfish girls, it was their choice that sentenced these men to death, month after month. The cycle would continue, soon the girls behind her would forget about the man on the stone steps, they would don their masks and new shoes and dance until the sun rose over the Narrow Sea.
The Little Mermaid
only a salt kiss remains ficlet by @flibbertigiblet
He was drowning, and then he was not. (He hears her before he sees her, his angel.)
wish i could be 10k by @theshipshipper
"Oh dear, you look cold," Queen Cersei said softly, floating next to her. "Come, come. Let's get you inside." The Queen led her into the dark cave, offering her a seat. "Now, then. I'm told you're here because you desire to be with your Prince?" She flicked her hand and an image of Prince Jon erupted from thin air. "Hmm. I see now... Quite a handsome fellow." Sansa couldn't help but smile at the sight of him. She'd wondered how he was faring after the shipwreck and ached to check for herself. She was relieved that he seemed alright. "My sweet summer child, you have it bad," Queen Cersei informed her, a smile in her voice. She blinked. "I -- what?" "You're in love," she clarified with a laugh before swimming towards a tall shelf in the corner. "I know exactly what you need."
Mermaids Have No Tears ficlet
Little Mermaid AU, specifically the Hans Christian Andersen version.
Gifsets: Part of Your World by @tatesharon The Little Mermaid by @swainlake The Little Mermaid by @dcbicki The Little Mermaid by @sardoniyx
General
Jonsa fairytale ficlet and gifset by @thewindsofwolves
Even though Sansa is now fourteen, she still feels a special enthousiasm for magic. And as Jon likes nothing more than pleasing Sansa, he shares the same enthousiasm. Then, as they are both bored during the great annual Christmas party hosted by Sansa’s dad, she asks her cousin to make one of his trick so the night can be less boring. Taking her outside, he brings her to the well, and asks her one of the ribbons she wears in her hairs. He asks her then to close her eyes and make a wish, before dropping the ribbon into the well. I wish we could go into an adventure.
The Snow Queen and the Huntsman Gifset by @dcbicki
Jonsa x Disney gifset by @amandapeetshusband
PRE CANON - WESTERN - FAIRYTALE - REGENCY - LITTLE WOMEN - HOLIDAY - SEASON SIX - ANNE OF GREEN GABLES - THE GIRL IN GREY -- next week -> POLITICAL MARRIAGE/MARRIAGE OF CONVENIENCE
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morethansky · 5 months
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***TBB FINALE SPOILERS***
"The Cavalry Has Arrived" aka MY OTP IS CANON NOW
A truly absurd amount of meta and thoughts and screaming under the cut:
Overall
• I...loved it????? This is the biggest plot twist of all for me. Like I've said incessantly, I've had so many issues with the writing choices for this show, and I'm so grateful the brainrot set in so I could start watching it through a fandom lens and have way more fun with it than through a media critic lens and being a hater. But like...that was actually really satisfying to me within the parameters of where the show had led to in the last four episodes??
• As everyone on the planet probably knows by now, I would've been much happier if this show had led to the Batch choosing to do the right thing and joining the clone resistance, and if we never get another clone series, I will continue to be unbearable and salty about the lost potential of telling that story. But after Echo left and we stopped following his story, I gave that hope up. And ofc nothing about my criticism of this season is invalidated. But given the pieces on the board, I'd pretty wholeheartedly give the finale my stamp of approval!
• I'm ultimately glad that this show ended on a "We don't leave our own behind" note, because that's the clone energy and general Star Wars energy I'm looking for, and they did a great job of applying that theme to every non-villain in this episode, minor and unnamed characters included—but it's still so darkly funny for them to have continued to push this idea even though the first season is literally about them leaving their own behind and moving on. And then Crosshair calls them out on it. And then he just...leaves himself behind. Even in their first appearance in TCW, the Batch's entire vibe is that they keep trying to convince Rex to leave his own behind lmao. I just feel like the show wanted this adage to tie everything together, but then forgot to keep applying it somewhere along the way. But hurrah for this abundant use of it!
• My overall biggest criticism was that even within this one episode we got back on the rescue/captured/rescue/captured treadmill. It's the biggest plot crutch of the show. It's so goofy that Omega and Echo rescued both the children and the imprisoned clones by themselves. The setup made it so that by going to rescue Omega, Hunter, Wrecker, and Crosshair actually put her in more danger. And because they were there, more clones died, wtf!! But I do like the narrative flip—Echo and Omega were both saved by the Batch in their introductions in this era, and here are they are being the ones to save them in return. Omega and Echo also are the characters in the main cast who deserve the rescuer plotline the most, since they have been consistently portrayed as helping those in need no matter what.
• Hilariously, one of the most pivotal roles that the Forest Trio plays in regards to the GFFA at large is that they were essentially Rampart's rideshare drivers, thus enabling him to be there and force Nala Se not to hesitate to destroy Project Necromancer.
Rampart and Nala Se
• Hemlock saying his work makes him indispensable is fantastic dialogue; it just seems like some dickish thing he would say to shit on Rampart, but it ends up giving Rampart the idea to try to leverage his work to become indispensable himself, and in saying that line, Hemlock ushers his own ruin!!! This is the kind of script work I've been begging for.
• Also I was so right about Rampart being like a Kallus foil! That infamous shot of him in his sad, sterile room after Bahryn is mirrored here with Rampart sitting in pretty much the same position, except his path is the opposite from Kallus's.
• They did an EXCELLENT job with Rampart's fate. I was worried they were neutering him these last couple eps, even if the comedy was gold, but this was very well done. Everything that happens leading up to his death makes complete sense for his character, and it accomplishes the very key plot point of destroying Tantiss. At the start of the season I couldn't figure out how and why the Batch was going to end up delaying Project Necromancer for like thirty years, so I feel validated that they pretty much don't. Very typical of this show to not have the protagonists do the heroic work, but fuck it, I like this instance.
• The humanizing of Nala Se in this show has always been a bit of an interesting choice given that this is feels like such a direct successor to TCW and she was so clearly a villain there. But although they don't quite redeem her, her motivations and her fate were also artfully executed here. Her conversation with Omega pretty much takes into account every Nala Se scene in this show, which is a great way to wrap her character up. And I really like the mirror of Nala Se giving Omega her datapad in the season premiere, and Omega giving Nala Se a datapad here. Both times, Nala Se is determined to set Omega free.
• And I'm so glad there was a follow-up to the destruction of Kamino as well! Nala Se getting a bit of revenge against one of the beings responsible for the genocide of her people and destruction of her homeworld is not something I expected at all, and I love it. And the setup of Nala Se picking up the detonator and Rampart picking up the blaster is just fantastic, because you know from just those two shots that Rampart is willing to kill to gain Palpatine's favor for himself, and Nala Se is willing to die to make sure the being she loves will be free.
Echo and Omega supremacy
• Give me an Echo-led rebel show where he convinces all sorts of people in the Empire and the underworld to defect/help them, please!!! He's so good at it, completing Emerie's turn so efficiently! We have to assume Rex is also good at it given his cell and that he has clone spies and even undercover agents, but every time he sees Hunter he has tried and failed to recruit him lmao. Also REX'S NAMEDROP but him not showing up surely means...we'll see a continuation of his story soon after this...right??? Also this means Howzer still lives, oh, thank god.
• "Because it's exactly what I would do." Strategist Echo comeback yessss!! A nice little callback to the Techno Union arc that kicked this story off as well. And HELL YEAH Omega's relationship with Echo is my favorite out of all of her connections, and I'm living for their spotlight together this ep. I'm extremely invested in found family stories not relying on nuclear family narratives, and I love that you see throughout the show that Echo doesn't "raise" Omega like a kid—he trains her like a cadet. Like someone who he intends to be his equal, which is a nice and very appreciated contrast to others treating her like a precious sheltered baby.
• Their goodbye scene in "Truth and Consequences" is one of my favorites in the show, and I just adore that when Omega is upset, Echo doesn't coddle her—he reminds her of her duty to watch over the others, giving her a purpose and a reason to stand tall. When he conveys that he was worried about her and thinking of her while she was captured, he gifts her a weapon he designed and made for her during that time, so that she won't have to be defenseless after being defenseless for so long in captivity. It's so clone trooper, and I love it and the glimpses these details give us about clone culture and how the older clones cared for the shinies and the cadets and showed their love for each other.
• I also liked that Omega couldn't have escaped without Tech's training, since slicing was so vital. And all her stealthy stabbing is of course reminiscent of Hunter. And finally some emotional payoff for the ongoing bit about Wrecker being afraid of heights! I'm weak for inspirational Star Wars quotes, and this show hasn't had many, but "Just stay focused on what's ahead, not what's below," is a lovely one.
Forest conversations, my beloved
• The Kiners scored the fuck out of this episode!!! So many clever, thoughtful reprises. This is the first reappearance of Crosshair's theme that's played on the synths since he began healing! And then it segues into a soft violin tremolo version that makes me cry, and then it intertwines with "The Sacrifice" from Tech's death, ouchhhh. I have a lot of meta I need to write out about the tracks "The Reunion" and "They Always Work It Out" and how they say so much about Hunter and Crosshair, but I can't believe how well my analysis paid off in the cues in this scene! More on that in another post.
• Gosh, Wrecker's injury scared the shit out of me. But I love him so much and I'm glad he got at least a little moment, even if he didn't really have a story arc here. Or you know, in the entire damn show. And I ultimately liked that the purpose of it wasn't just to freak us out but to give them a plausible disadvantage and to give Crosshair someone to fuss over the whole time and act more recklessly because of it, thus reiterating this key character trait of his.
• I love Crosshair being worried about Wrecker and Hunter and them being worried about Crosshair. That's the squad content I crave and have been missing!! Unfortunate that it specifically has been happening when Omega is out of the picture. Writers, I swear to you, you can do both.
• Can't believe it took another half season for someone to say something about Tech's death, and it was Crosshair, who wasn't even there?? Cool line and sentiment, but man, so frustrating. I like this callback to his conversation with Rampart, though. "Depends on who's giving them" and in this first act he keeps trying to give those orders himself. Thinking of Rex on Umbara: "We're not programmed. You have to learn to make your own decisions."
• God the forest conversations in this ep and the previous one fed me so much. Hunter saying, "And so do those clones" had me literally jumping out of my seat and cheering. Baby boy, it took you so goddamn long, but thank you for finally actually giving a shit before the conclusion of your story. And "It's what I deserve," hnghhh that's the good shit, and it hearkens back perfectly to "I belong in here." And Hunter immediately telling Crosshair hell no made me very happy. And then later Hunter saying "Crosshair—" when he's worried Crosshair is still going to sacrifice himself, but Crosshair reassures him that he'll be right behind them... My heart! What a Crosshunt feast we got in this ep!!!
• Can't believe we also got so many Crosswrecker moments from the get-go and they kept coming! And my three precious little Techwrecker crumbs: the way Crosshair specifically chooses Wrecker to say the cutting remark about Tech to; the way Wrecker bows his head because that was right on target; and Wrecker being the one to watch Tech fall and to scream, "Don't do it, Tech!" in "Plan 99" yet the one to say with such conviction here, "We've always known the risks. And so did Tech." That's just so...finally accepting your beloved is gone ;_; Not really deserved by the text, which kept all but a total of like maybe one total minute of mourning off screen for some fucking reason, but.
Clone X, more like Clone Sexy
• There aren't nearly as many Clone X dudes as I expected?? I guess Crosshair's situation wasn't that rare after all? Or do they just run through them super quickly because Rex's team keeps taking them down?? Regardless, god, THEY ARE ALL SO SEXY. The way they animated their movements was so creepy and hot. And them not speaking was so eerie, I loved it. And then the moment that CX-2 did was so effective and terrifying!!! But remembering that those were clones in there is so, so heartbreaking.
• I really like that Echo really felt like both a clone trooper AND the resistance agent he is now this whole episode, and Hunter, Wrecker, and Crosshair actually briefly got to feel like commandos. The slick stealth and silent communication was also very sexy.
• MY GOD, I loved these action scenes. They were lit and choreographed so cool, they were super intense and had real consequences and close brushes with death, and the logic of the fight flow was really good, too. A character being incapacitated because they went to try to help an ally is always a wonderful driving force for action and gives it that crucial character-driven element that raises the stakes, and is great for making sure the main characters aren't too OP, and there was a ton of that here.
• Hunter and Wrecker getting shot by laser cannons and Hunter pushing Wrecker away from the blast made me shriek in terror AND THEN CROSSHAIR SHOOTING THE PILOT DEAD ON NO HESITATION NO ANXIETY NO TREMOR BECAUSE HOW DARE YOU HURT MY HUSBAND I'M FUCKING LIVINGGG. And then Wrecker stumbling over to Hunter and lifting the debris like he does in TCW. Boom, three pivotal character-driven action scenes in a row that divulge a key characteristic of each character! Excellently written and directed.
• Also I am SO SO SO HAPPY that we're getting to see this protective Crosshair come out in full force!!! This is the Crosshair who risked his life to try to save Mayday, who shouted hysterically when Hunter fell into the ice and was so desperate to get him out, who worried over Omega on Teth. I also really like this contrast with how he was about Echo—"Echo's on it." He knows Echo will get the job done and be safe and that's despite his former prejudice against regs. He's worried about Hunter and Wrecker and that's despite previously spending time trying to hunt them down. And when he suffers consequences, it's because of him worrying about them, and that's so delicious.
• Finally got to hear Crosshair screaming! And Hunter was already the screamer in this show, but goddamn does he get to scream in this episode. Thank you, directors, for this whump material! My man Steward Lee never lets me down.
• THE WAY THAT WHEN CROSSHAIR IS TRYING TO SAVE WRECKER HE REACHES FOR A DC-17 OMG!!!! I feel so validated! And just like with Mayday, he's incapacitated afterward...
• God the way CX-2 waits to be tossed the vibrosword and then leans down with it while Crosshair is already incapacitated is SO brutal, like this is not a battle injury. It's straight up what Anakin fucking Skywalker does to Count Dooku just before he becomes a Sith Lord, like holy shit, dude. This scene is so cool and I've watched it 10,000 times over the past 24 hours, but also why did he do that lol, is he just supposed to be particularly cruel?? Obsessed with tormenting Crosshair for some reason?? Also, these vibroswords are exactly how I've pictured Ahsoka's being in A Future for Us :D
• At this point I was like, uhhh, the messaging of Crosshair struggling with this psychomatic hand tremor since the first episode of the season and then the symptom literally being taken out of his........hands sure is a Choice, especially coupled with how they've treated Echo (or you know, not). When they showed him still with the symptoms later, I was very relieved, AND THEN HUNTER LITERALLY CURES CROSSHAIR THROUGH THE POWER OF THE LOVE AND FAITH AND TRUST HE HAS FOR HIM IS THERE ANYTHING MORE BEAUTIFUL IN THE WORLD???? But I'm getting ahead of myself.
Echo is the GOAT
• "You were helping us, Dr. Karr?" / "I am." I love this subtle line and how Emerie acknowledges that she wasn't sure of her loyalties before but is certain now. And I love that she says such a clone trooper thing, "You have my word," and then doing the clone shoulder pat, especially in direct contrast to the natborn kids hugging Omega just before.
• "Hey, kids. ...And other kids." is just so fucking 501st, I can't explain it. I'm just so ecstatic that they did Echo such justice in the end, giving a nod to everything about his character, even his dorkass cadet personality. And it wasn't just so he could die, thank god!!!
• Like Echo even got a DARTH VADER homage??? That's his mass-murdering general (affectionate). More on this here!
• Also is there anything more Big Dick Energy in the world than Echo eviscerating Rampart—who either the clones would recognize as a former vice admiral or at least see his captain rank plaque—with what may not be a theme this show really earned but is ABSOLUTELY a theme that Echo deserves and has shouldered for over two seasons...and then just straight up shoving him out of the way so that he can talk to his brothers???? And with his stormtrooper helmet—which is like Echo refusing to dirty his hands (including his new, long-awaited one) by touching Rampart oh my god??? Sexiest man alive.
• So the answer is no, there isn't. Fives is hollering from the afterlife. Half those clones immediately developed a crush on him in that moment. That one clone later placing a blaster in Echo's arms so gently confirmed this for me (remember the symbolism of Echo making the energy crossbow for Omega? He even gives her his borrowed blaster in this scene), but it's so sad that he died because of it, whyyy.
• Also I love the "Clones don't leave our brothers behind" riff on the "We don't leave our own behind" adage. It's very fitting that Hunter would put it that way because he only means his squad (+/-1), whereas Echo would see it as meaning his people.
• And I love how when Rampart first shoves Echo, the clone in front that Echo's been talking to prickles and makes brief eye contact with him, to be like, "Should we take him? I've got your back." I felt that girls (gender neutral) in the bathroom energy so hard.
• The clones helping each other out of their cells made me so emotional. And it's the same way that Hunter and Crosshair do later...
• Echo asking for volunteers, just like Rex did on Umbara..................
• I think this post is breaking and I'm still only two-thirds of the way through my rewatch, oops. And yesterday I stayed up until 8 a.m. after I put it on again after watching it for the first time... I'm so normal about this show. More tomorrow!
• Part 2!
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gvenevera · 8 days
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Kuroshitsuji Musical ~ 寄宿学校の秘密 (Secrets of the Boarding School) 2024 ~ VERA’S REVIEW!
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Yes you read that right! I’ve had the most fateful chance to watch the very first performance of the newest Kuromyu in Hyogo last Saturday, so I figured I’ll eternalize some of my best memories here.
Before we begin: the LIVE STREAMING is available for the LAST PERFORMANCE, September 29th 2024, HERE! For only 3800 yen, you’ll get to watch it live at home, or watch it later for up to 1 week (October 6th)! Apparently you need a Japanese VPN though, if anyone knows how to navigate the site, please do share.
A few disclaimers from me:
*Anti-shippers DNI. This post barely has any shipping content at all but I don’t like people who harass others over fictional preferences. I’m a shipper, I can’t help being biased for my OTPs.
**Since photos were prohibited in the venue, I’ve included stage pictures featured in official news websites or accounts.
***This is by no means a critical review but merely a fangirl’s ramblings, and I often drew comparisons to the original stage play Kuroshitsuji Musical: Secrets of the Boarding School (2021). For reference, I suggest you watch it first! I intentionally avoided rewatching the 2021 version close to the airing date though, so my memories may not be accurate. Also my Japanese is mediocre so I apologize if there were important dialogues I didn’t catch.
Introduction
I know, sorry for the dilly-dally intro. But I’d like to first stress that ever since I started following Kuroshitsuji in my first year of university (like 9 years ago now lmao), I’ve ALWAYS dreamed to watch the stage musical live in person. When 2024’s performance was announced immediately after the last episode of the anime, I was overjoyed to see that our old cast was coming back.
And it was fate that gave me the opportunity - my scheduled work program this year was set to be in Kyoto AND during September! Needless to say, I had the Kuromyu ticket bought and reserved first, before my confirmation with the Kyoto office or my visa and plane ticket. Priorities, right?
Quick remark on the ticket process: I hit a snag right in the beginning because the ticket reservation website Eplus required a Japanese phone number to sign up. I contacted multiple people (middle school friend whose brother used to work in Japan, another who was quarter-Japanese, several dealer websites with high rate exchanges), until I settled on my roommate’s friend from high school who was currently working there. Many thanks to her and my roommate for the help!
She took care of registration for me - even so the advance sales was a LOTTERY ticket! We fortunately got the lucky draw - I saw many Japanese fans on X who were not so lucky, while others bought in bulk to sell later. Then, I used the online barcode to exchange for a paper ticket when I arrived in Japan on September 1st. That’s when I get to know my seat number - 3rd floor, 2nd row B. A very far position from the stage, but it’s alright because we’re here for the atmosphere anyway!
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The performances for the first 2 days were set in Hyogo Performing Arts Center, KOBELCO grand hall. I’ve honestly never been to any kind of music performance (or even concerts) in my life, so I was blown away by the sheer size of the venue.
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By 10 AM, the audience was trickling in. I was in awe of the fact that you can tell who was coming in to watch kuromyu - beautiful women dressed in black-and-white tones, many even sporting gothic lolita bows and dresses to keep up with the Victorian England theme. In fact, it felt like the whole of Ikebukuro were gathered here in this very building!
We were ushered into the hall entrance at 11 AM and let me tell you, the crowd was suffocating! In front of the theater, there was a goods section for Kuromyu merch. I’m so glad I took the time to queue up because it seems some of the merch were starting to sell out by the second day. The booth clerk looked perplex to see a non-Japanese customer here though. Here’s how the line looked like, and this was still early before most of the audiences got in:
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(We’re not supposed to take any photos but I saw the warning signs too late…Here’s a view from where I was sitting on the third floor.)
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I realized then as we were settling in that some ladies around me had binoculars!! Well how was I supposed to know you could bring those here, instead of trying to find those fancy opera glasses!?! Ah well, I was lucky that I’d recently had my prescription glasses updated and the seat to my left was vacant, so I could lean in to see the center better.
The Performance
While it is true that you can barely see the actors’ faces from the balcony seats, it was the grandness of the performance itself that blew me away. For the first time I could see the stage in all its entirety, all the actors dancing in synchronization, and the special effects…oh it had improved A LOT from 3 years prior!
The stage sets for Weston may look a tad “crowded” in the still photo, as compared to the original where they used white backgrounds but in reality, it blended in so prettily with the flashing stage lights. The middle section was a rotating floor and one of my memorable scenes was where Ciel and Sebastian were discussing their plans while crossing the rotating stage, to give the illusion of “strolling across the school grounds.” Sounds like a simple trick but if looked amazing from above.
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On to the story itself - the execution actually barely changed from the 2021 rendition, which for me, was a relief! Now I know, some would argue a rerun should add in different elements, because who would want to see the same thing twice right? From past experiences with Kuromyu, the reruns tend to be hit or miss - different actors, different song remixes, voice changes, and so on. For this performance, I could barely tell that the cast (apart from Ciel, Sebastian and Undertaker) were all new members. Everyone got into character flawlessly!
The story of course followed the entirety of the Public School Arc. The script and choreography was almost identical to the 2021 stage musical version. If you would remember, this Kuroshitsuji arc was the first to be portrayed on stage before the anime adaptation - same as previously, they seemed to take inspiration from the manga only rather than the anime.
Some key moments from the play:
The opening sequence was again a recap of the previous arcs - Jack the Ripper (Lycoris that Blazed the Earth), Book of Circus (Noah’s Ark Circus), Book of the Atlantic (Tango on the Campania). I’ve always loved this part because you could tell they slipped in iconic themes from the past musicals.
Perfect Black: the main theme, and my favorite from this stage! I’m so happy to have heard it live! *swoons* Thank god they didn’t do anything weird to remix it. The whole cast dancing together was beautiful! However I thought 2021 did it better with the dramatic light focus on Sebastian during the chorus drop.
Ciel’s Earl of Phantomhive outfit was changed from the glittery blue suit to a blue-green checkered coat this year. (I’d have bought his Earl photoshoot set if I knew it beforehand) Yana-sensei later tweeted that she was the one to re-design it, to better match Eito. Then Eito Konishi himself replied, saying he was honored to play as Ciel Phantomhive, to which Yana-sensei praised his singing and called him “Eito-bocchan” …boy was he fanboying hard over that. He’s one of us!!
Arrival at Weston: I don’t have a comment on the P4 in particular, they were all straightforward from the manga. I think I like Redmond’s character the most here, he looked very pretty with the side-ponytail and while he was a show-off still, he wasn’t as annoying or arrogant as I somehow expected.
A notable interaction: Violet forcing Greenhill to pose for him at the swan gazebo. Greenhill’s actor really looked strained trying to keep an upside down bridge pose (Edward was supporting his back, but kept getting distracted). When he broke the pose and got up, Violet hit him over the head with his sketchbook so hard that the thump echoed through the hall.
As for the Prefect’s Fags: Edward and Cheslock were giving off some suspiciously gay rivals-to-lovers vibes over here. Which I kinda vibed with, I hope they kept the energy into the Blue Cult Arc!
One important thing: they kept the ALL the Fag lines! Which in Japanese accent also kinda sounded like them repeatedly calling each other “Fućk”. Oh how I wish the anime had kept those!
Soma Asman Kadar: now this guy deserves an ovation just for himself. Not only did he kill the role, he was also the funniest! Soma’s song was greatly improved and lengthened with catchier music and dancing - when his troupe “arrived” at Weston, he even dragged Ciel and Clayton to join in. I can’t do it justice, you have GOT to see those two English gentlemen crack the Indian dance moves! His pestering of Maurice Cole was hilarious and he kept exasperating Ciel out of his character, their chemistry was wonderful. I really didn’t expect to get hooked by Soma in this arc out of all people! Too bad Agni wasn’t here.
Maurice Cole’s miniarc - Flawless. Sometimes I wonder if he was an easy character to play just because his character trait is so extremely over-the-top lol.
The library kabedon scene and sebaciel burning Purple House scene didn’t exist. Another scene cut off from the last musical was where Clayton and the Blue House kids were congratulating Ciel on his fag duties and Sebastian took the chance to blend in with them. Sadly that was one of my favorite adlibs.
Ciel’s dream sequence: this was originally in the 2021 musical. After a talk with Macmillain made him revisit his past trauma, Ciel “dreamed” of the cultists, and Sebastian’s close call with Undertaker in BotA. I actually forgot about this part when I watched it in theater - the highlight was sebaciel reenacting the scene in BotA where they reached for each other, the enactment surprisingly gave me the impression of Ciel’s “worry” over Sebastian’s “vulnerability” here. Unlike the 2021 version though, Undertaker didn’t pull Ciel into a bridal carry or referenced the R!Ciel wake-up scene as clearly.
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The second half after the break was the long-awaited Cricket Match. Like the previous version, there was no scene of Ciel jumping into Master Michaelis’ arms, but I think they just couldn’t fit that one into the sequence. The cricket songs were mostly the same as the original - with an improvement being them cutting out Red House’s random beauty pageant contest. It actually felt like the cricket match went by faster this time, which was a win in my book. I’ve heard people complain of Kuromyu 2021 being a “Prince of Cricket” musical, hence the bad reviews back then.
The laxative meat pie scene was hilarious. From Sebastian faking it as a student complete with Red House’s uniform, to the team’s diarrhea horrors. Redmond stole the show again, as he was going to help Harcourt in the middle of the field, but tragedy struck which made him deadpan: “Oh. Someone get Harcourt.” Then immediately left the stage lol. The Blue House kids lifted Harcourt out.
The Green vs Purple house battle was the same as last time. I always felt bad to see Cheslock being the only Purple kid doing his best because without any support member cast while Violet was sitting in the grass. But this time, he gave Cheslock a tree sculpture of his bust as a good-job reward! Good for them.
Lastly Green vs Blue. They incorporated the rotating stage again in the last batting when Greenhill accidentally hit Ciel. The end of the match cut straight to the Thames Boat Ride, then they did the Blue House cheering scene after. Sebastian finally got to do his signature bridal carry, awww.
Midnight tea party: the setting was even more beautiful than last time. Undertaker letting his hair fall from his hat was iconic as usual. I was impressed with Master Agares’ fight scenes because his actor looked quite older than his 2021 predecessor. I always liked how they did Derrick Arden’s death in the musical, it felt more anguished from the P4 POV while in the anime, it just felt like a gruesome horror scene.
Final musical number was Ciel-Sebastian-Undertaker chorus during their fight in the garden. Music and choreography seemed to be similar, EXCEPT they somehow changed the iconic “Your life is my priority” scene!!! 2021’s version had me hold my breath as Sebastian had his arm possessively hooked around Ciel and took off his glove with his teeth (seriously, you have to see it yourself). This time they had Sebastian and Ciel reenact the scene on the highest stage instead of front and center, and I didn’t feel as much suspense nor was there any glove-removal from what I could see. It was also a weird placement because they were so far away, and Undertaker should’ve been the one on the top as he did his goodbye pose holding the moon.
We end the story with Sebastian recapping the aftermath with Weston’s students, and finally sebaciel’s conversation back at the manor. Again, Ciel reiterates that Sebastian is the only one who could never lie nor betray his trust. Perfect Black came on as an outro, and I got chills when Sebastian ended the last verse on a raised note!
The curtain call was the experience I’d waited for. Somehow I only realized just then that the actors would do the full call during their finale performance, which was what we got to see in the recordings! That day, after the cast bowed twice, the exit announcement immediately came on but guess what? The audience, including myself, kept clapping all the way through the announcement, it went for so long that the cast actually came out to take another bow! As they returned on stage, most of us also stood up for a standing ovation - according to twitter this doesn’t seem to be a regular occurrence outside of the finale. It felt like a truly wholesome “welcome back” for the troupe and for Kuromyu, especially after the rather harsh criticisms from the previous stage (due to major cast and style changes, even I took a while to bring myself to watch it) and the long break due to the COVID years.
Overall summary
Kuroshitsuji Musical 2024 was a faithful rerun of its predecessor. They succeeded with the musical numbers, new cast, overall adaptation of the story. The settings, props and special effects were wonderfully upgraded. The original cast carried the show: Eito Konishi’s singing felt greatly improved and I thought he carried himself as more mature than his last performance as Ciel. Sebastian’s Toshiki Tateishi had a mesmerizing voice the more I listened to him, he never went out of breath even while dancing or fighting - truly vocals fit for the troupe leader. Kandai Ueda did well as his own Undertaker too, even with Undertaker’s peculiar accent.
My few complaints: I felt like the P4 cast (bar Redmond) could do to have more distinction in their tones and movements. It felt hard to distinguish who was talking at times. The performance seemed to have a faster pacing this time around, and you get less absorbed in certain conversations between the characters, so I wished they’d added in slow scenes here and there. And of course I miss the signature sebaciel moments that I’ve mentioned - granted, this manga arc had always been my least favored because of the lack of sebaciel interactions anyway! So I’d say they did the best with the source material.
While I enjoyed seeing my favorite production performed live with the music blasting through my eardrums, it was the atmosphere that truly made the experience for me. Sitting in the 4-storeys grand hall full of some 2000 Kuroshitsuji fans really pulled me back in time, especially during the standing ovation. I’m so happy to see my favorite series so loved after all these years. I’m sure Yana-sensei could feel it too.
I wish a successful performance for the cast going forward to Tokyo, and hopeful for many more musicals to come!
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that-glitter-chick · 1 month
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MegOp Week 2024 Day Five, more than halfway through, phew. Today’s prompts are Heat/Scars and I decided to do this one set in the Beast Wars original cartoon universe. I’m more of a Dinobot/Optimus shipper, so this was a challenge for me, and even then I couldn’t help letting some of my OTP slip in, sorry not sorry.
Optimus Primal’s heat cycle kicks in stirring up all kinds of problems for the Maximals. The worse of which is that Megatron begins openly courting his fellow leader. Unfortunately for him, Dinobot knows his habits and is determined to protect the Maximal from a fate he knows all too well.
Beast Wars is one of my favorite comfort fandoms so I had so much fun with this one 🥰
I hope you enjoy the fic too🩷
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highlordofkrypton · 2 months
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Tag game for fanfiction authors!
Thank you so much for the tag @angelosearch! I'm going to tag @goforth-ladymidnight @praetorqueenreyna @achaotichuman @yaralulu @goldheartedchaoticdisaster @thedickgraysons @chunkypossum and whoever wants to join pls! I'm really bad at remembering who are all the writers!
TELL US
The story you're proudest of
I have two fics that I'm especially proud of!
Wildflowers, which is my ACOTAR prequel. It's my first fanfiction written and posted online, and the first story I wrote start to finish. I tried my best to give depth to the world and the side characters. I do think some people are turned off by the main characters/ship, but it's so much more than that. It's also spawned so many side stories which is so exciting!
Regrets, which is my first SUPERBAT that I ever posted. I think it's a really good reflection of my style which balances emotion, humour and intimacy. I'm so happy my first attempt at writing my OTP turned out SO WELL.
Your story that's gotten the most love online:
The answers are the same as above, but for different reasons.
Wildflowers has gotten a lot of praise for multiple elements in the story, and I feel like those who read it all found different parts to enjoy. It's one of those stories that are really fun to talk about, and there's so many little nods here and there. It makes me happy to see that readers are noticing them. Wildflowers also has original additions (like family members of the main characters) that everyone loves as much as I do!
Regrets has the most kudos, but like mentioned above, it's a classic ship and a good balance of fluff and angst elements! I had so much fun writing it, and I think that came through in the piece.
Tease a current WIP or idea you're working on:
I've been wanting to tease NEEDLE & KING (wip title, subject to change), which is the prequel/side story for Rhysand's parents.
It was supposed to be a shorter, contained story about their romance, but now it's become a lore exercise, an exploration of cultural displacement in fantasy, starts off as a female-focused cast, etc.
Chapter 1 Flying
At the end of the world, Lilith thinks of nothing. No home to yearn for, no family to miss her—at least, not for long—and no future to look forward to.  She stands on the edge of a mountain’s peak, one of two Wolf’s Fangs, and feels. The world comes into her through the howls of the wind and the bite of the cold against her barely covered arms. Clouds stand between her and the bottom, if she could even see that far on a clear day. Her life, until now, has been a series of instances that have happened to her rather than experience. The absence of her father, the death of her mother, the fear that looms above her—she is at the mercy of everything around her. Here, the ice demands her wakefulness. Here, the skies challenge her. Here, every breath is earned. The height of the mountain is the only time she feels alive, so what is that feeling when she steps off its edge and careens downwards. Down, down, down, she goes with a whistle—a force against gravity. At the bottom, reality will come crashing down, but she can solve that problem quite easily. Just… fall. Her black wings strain against the fall, and she grits her teeth. It’s not in her nature to fall; she will never accept her fate. Lilith wages war against nature itself, demanding her muscles to yield to her will. A loud flapping noise signals her success, the membranes of her wings cradling the air itself to take her in an arc, a low swoop and then up again. She glides through the clouds, occasionally drawing her dark wings to herself and allowing herself to plummet before catching herself again. Lilith had taught herself to fly. It was the only thing she can control in her small, small life. Her flights have no destination, and they are timeless. She flies for as long as she can. She pushes as far as she can go because she never knows when it will be her last time.
Like any draft, this may be subject to change. The first scene I usually write for any draft is the one that 'sets' the tone of the story.
Fun fact - Lilith is a name/character that pops up in all my stories either as some weird writing signature/nod, or as a main character. She's a hyperfixation that started with Diablo and never left, but she's become her own phenomenon for me and my writing.
Your top 3 fandoms: that I write in... ACOTAR & DC Comics. I currently don't have time to write in a third one, woops.
Your top 3 ships: If it's what I've written for, then the answers are Tamlin x Rhysand, Bruce x Clark and Orm x Clark. If it's what I enjoy personally, then it's all of the above + many, many crackships.
Rec someone else's fic: Without a doubt, the people I've tagged above have amazing fics. I haven't had a chance to read their works in their entirety, but I've participated in challenges with them, creeped on their works, and they are SO GOOD! Please go check them out! Their fics are on my to-read, but part of my writing process is to just write without reading, so once I'm done my current fic, I will be going through each work to add comments and properly devote the love and attention they deserve.
Pick one!
Fluff or Angst - I cannot NOT write angst, but I believe that both (one into the other) create incomparable emotional depth.
Oneshots or longfics - I prefer reading oneshots, but I cannot stick to one chapter for the life of me.
Canon compliance or canon divergence - I have the worst memory, I couldn't be canon compliant if I wanted to...
AO3 or FF.net
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kemendin · 2 years
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The Sith lifts his head again, staring up impassively into the face that had, for a brief time, hovered every night in his dreams, before his dreams themselves were stripped away for good.
“You are nearly the Jedi’s finest,” he says calmly, and pauses for a fraction of an instant. “It is not enough to save you.”
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emyn-arnens · 1 year
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I’ve rounded up some of my favorite Aegnor/Andreth fics and put them into a rec list. Some are sweet, some are heartbreaking, some are a little of both, and all are beautifully written. Please leave a kudos and comment if you enjoy!
Note: Works marked with “character death” either begin with one or both of them dead, or one or both of them die during the course of the story. Links lead to AO3 or the SWG.
Across the Gulf by Antiheld (T, 3.1k):
A brief moment of rebelling against fates. Andreth/Aegnor Oneshot, AU(ish)
A Few Good Years to Spend by Verecunda (G, 4.7k):
“Tell him not to be reckless. Not to seek danger beyond need!” Once, Aegnor turned away from the desires of his heart. But when Finrod gives him a message from Andreth, the love he gave up so long ago will no longer be denied.
All in Patience, All in Haste by EilinelsGhost (G, ~700 words):
A month or two after the Athrabeth, Andreth receives another Arafinwëan visitor.
A Moth in Amber by Mithen (G, 1k, character death):
Andreth and Aegnor had one spring together, and each of them carried it in their hearts the rest of their lives.
Burnt Sugar by @sallysavestheday (G, ~200 words):
Aegnor and Andreth and fires in the dark.
Candlelight On Tapestry by amyfortuna (G, 1.1k, character death):
In the Halls of Mandos, Aegnor spends his time staring into memories and dreams, until he's shaken out of them by an unexpected meeting.
Clear Visions by @hhimring (T, 1.2k):
Aegnor sings to Andreth of Valinor.
For One Year, One Day, of the Flame by @cuarthol (T, 1.7k):
Andreth prepares for the approach of midwinter, while Aegnor seeks to right a choice from long ago, before it is too late.
Sharing by Ruiniel (T, 1.4k):
The concept of ‘mind-pictures’ in The Nature of Middle-earth is interesting to explore, applied an interpretation of it to this short scene featuring Aegnor and Andreth (trying to get back into writing for Tolkien). "In any case indemmar were by Men mostly received in sleep (dream). If received when bodily awake they were usually vague and phantom-like (and often caused fear) [...]" Slightly AU take on this one.
Though We Shall Not Leave by LadyBrooke (T, 5k, character death):
Aegnor died, but that does not mean he left Andreth's side for long.
Whither you go by Ruiniel (T, 1.3k, character death):
'Whither you go may you find light. Await us there, my brother - and me.' - from Athrabeth Finrod ah Andreth, J.R.R. Tolkien Months ago, tried a short ghost story about souls meeting again in a time out of time. Featuring the saddest OTP. The AU is on me (apologies).
Who will pity the candle and the moth? by @hhimring (T, ~200 words, character death):
A very brief encounter between Andreth and Aegnor after death. Maybe Nienna had her hand in it, allowing Andreth to linger for a short while among dead Elves. Or maybe not?
worth the candle by arriviste (G, 1.2k, character death):
“I cannot linger here,” Andreth says. That is a truth she knows. This is only a doorway. “Still we might snatch a little time,” says Aegnor. - Aegnor and Andreth meet in the Halls.
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bibaybe · 1 year
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ft. logan suarez, riven, and her ex, ben madison
taglist: @eddysocs @ocappreciationtag @wordspin-shares @veetlegeuse @foxesandmagic
gif sources: x / x / x / x
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great-kung-lao · 30 days
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KazuKaoru Serena scene analysis
To not get bored at the work I spend the day thinking about which scene I want to analyze. I really miss KazuKaoru and being busy lately to interact about them. But here it goes.
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Notice how the chair in the middle has a drink placed in front of it as if like it is occupied by a ghost. Nishiki was sitting there in Yakuza (Kiwami) 1, so you can say he is a ghost from the past. The past that currently divides Kiryu from Kaoru. Yakuza (Kiwami) 2 begins with Kiryu having a nightmare. He is obviously traumatized by those events to the point that he probably considers not letting himself move on, as if like he has to be burdened by guilt.
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What we don't talk about enough is that first KazuKaoru kiss happens at Serena, a very important place for Kazuma where he shared some of the most important moments of his life with various characters. When Kaoru is about to leave you can see that Kiryu seems like he is still deep in his thoughts, like there is some weight on his shoulders. He is still troubled by past that the chair represents, it created this hole, a distance between him and his possible future.
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When Kiryu grabs Kaoru I think that this is the actual moment of him moving on. He grabs his chance at happiness that Kaoru represents. No longer will he reject himself of chance at love. I think it is also interesting that Kaoru is the one who crosses that distance that middle chair represents. She is about to leave and it is up to Kazuma to decide if he allows her to slip away or he finally grabs his fate in his own hands.
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When Kiryu asks Kaoru to promise to "come back here", I think it has double meaning as in return to Kamurocho/Serena, but also back to him. Which is also important that he says those words at Serena as if like it is the place he asks her to come back to as well in this particular moment.
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I love this scene very much and rewatching it always reminds me why they are The OTP of mine. Poetic cinema.
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