#patty hewes

[clairedsfield]

S5.E5 ∙ There's Something Wrong with Me

[warningsine]

[ultimatemilvesbracket]

TESTIMONIALS

"She's a relentless manipulator with a terrible relationship with her kids, a weirdly charged and tense relationship with her young protoge that FREQUENTLY crosses the line into outright antagonism AND she's Glenn Close in a suit. COME ON"

"she was literally murdered by her kid. milf for the ages"

[watasemasaru]

this bitch diabolical but she's soooo hottt

[1997berserk]

ADORATIO

Pairing: Patty Hewes/Ellen Parsons

Rating: E

Words: 5,187/?

and therefore the notion of Time, is to be considered in the nature of Warre; as it is in the nature of Weather

Post-finale, Patty and Ellen cross paths again across present and future.

Tags: canon divergence, post-finale, infidelity, oral sex, enemies and coworkers to enemies and lovers idk, canon-typical alternating timelines, age difference, internal conflict, the most toxic professional yuri possible

Read here

[patricia-taxxon]

patty and hew in the woods near my house

!!beautiful! who is that

[paradiserottttt]

— INTRODUCING , 𝐃𝐀𝐈𝐘𝐔 𝐂𝐇𝐄𝐍 .

*     ◟    :    〔   ni ni  ,      cis-woman    +   she/her    〕      DAIYU CHEN ,      some say you’re a  THIRTY-FIVE YEAR OLD         lost soul among the neon lights.      known for being both  SHREWD  and  VINDICTIVE ,  one can’t help but think of  THE FAMILY JEWELS   by   MARINA  when you walk by.    are you still a  CONSIGLIERE  at    DEAD HAND  /  OWNER    at   THE OLIVE BRANCH MARTINI BAR ,     even with your reputation as the THE FIREBRAND ?     i think we’ll be seeing more of you and  NAILS AS RED AS THE SPILLED BLOOD OF YOUR ENEMIES ,  AN ALL CONSUMING PRIMORDIAL RAGE  , A TONGUE AS SHARP AS IT IS PERSUASIVE ,  although we can’t help but think of AMY ELLIOT DUNNE (GONE GIRL) , MAGNETO (X-MEN) , PATTY HEWES (DAMAGES)  whenever we see you down these rainy streets. 

— STATS . FULL NAME . daiyu chen NICKNAMES . dai (call her that and you might really die though) BIRTHDAY . october 31st AGE . thirty-five GENDER . cis-woman PRONOUNS . she/her ORIENTATION . bisexual biromantic FAMILY . none liena chen (mother) OCCUPATION . consigliere for dead hand / owner of olive branch martini bar MARKINGS/TATTOOS . none PIERCINGS . single ear lobe piercing HEIGHT . 5’7

— PERSONALITY . POSITIVE TRAITS . ambitious, poised, charismatic, meticulous, patient, persuasive NEGATIVE TRAITS . calculating, controlling, manipulative, unforgiving, vengeful, demanding, aloof LANGUAGES . chinese, japanese, english, spanish, russian, french EDUCATION . m.a. in business administration MBTI . infj ENNEAGRAM . type 3 (the achiever) MORAL ALIGNMENT . lawful neutral.  DEADLY SIN . wrath  HEAVENLY VIRTUE . patience ZODIAC . scorpio sun, capricorn moon

— BIOGRAPHY . THE WEALTHY CIRCLES OF SHANGHAI HAVE A PARTICULAR WAY OF DEEMING YOU A MISTAKE WITHOUT OUTRIGHT SAYING SO. The only daughter of one of the wealthiest business couples in the country, the path of LIENA CHEN was paved long before she was born. Diverting from this path meant being subjected to the utmost criticism and scrutiny— an experience your mother is subjected to tenfold. (your sympathy for her begins with this knowledge and ends with your abandonment— she is undeserving of the cards she was dealt, but so are you.) 

Your mother relinquishes all responsibility of you the moment you’re handed over to the elite NYC boarding schools you’d attend for the remainder of your youth. There, you are prepped alongside other kids of the elite, molding yourselves in the image of your varying responsibilities. At first, you pursue perfection in hopes of garnering your mother’s attention. Not a mark is missed— every classes is attended on time. Invitations to events go unanswered (or even more humiliatingly, an assistant is sent in her place.)

Other methods are tested out in hopes of garnering her attention. You attempt the reverse method, A.K.A. failing horrifically, but this only results in in newfound scrutiny from your instructors, fellow students, and headmasters. A drop in performance is wholly unlike you. You are restored to your former glory— deciding that attempting to attract your mother’s attention is a futile effort. (and don’t even get you started about that glorified sperm donor called a father— to you, he is nothing— vying for his attention would be beneath you.)

You chose instead to shape yourself into a weapon. You focus on expanding your arsenal of languages, diversifying your studies to become as worldly as possible, and eventually graduating at the top of your class. It’s around this time that you discover what your mother’s true job is. You learn that she’s essentially tossed you to the wayside in favor of some of the most unsavory characters to walk the streets of New York. Beyond that, your mother’s reshaped herself in light of the empire she now possesses— and with little intention of sharing the newfound glory she’s obtained. The pair of you could’ve been unstoppable. A mother and her heir. Instead, she leaves you in the dark, perhaps out of some false belief that she can protect you from the mob.

Never mind that, though. The moment she  accepts the position of JADE TRIBE BOSS, the mafia becomes your legacy. If she would deny you your birthright, you’d reclaim it as your own. You pursue a degree in business administration, earning a Masters from Dartmouth in Business Administration. When you’re able to obtain possession of the family business, OLIVE BRANCH MARTINI BAR, it transforms into a front for information brokering for various parties across the city— the sort of information that could get you killed— or worse. The front still remains functionally a bar, but if you’re well connected enough, you’re able to access behind the scenes privileges. Expensive drinks alongside priceless information. 

It is during one of these moments that DEAD HAND is put on your radar. After gaining a position as an associate, you have an idea to turn it into something more. Years of hard work and you eventually work your way up to CONSIGLIERE. You advise the boss on important matters concerning the mob— and allow DEAD HAND unfettered access to your channels of information. You would do everything in your power to build them up, for when the time came— you would need every ounce of power in order to send your mother’s empire toppling down. No more pretending as if you’re merely a blight on her existence— you would make your presence known and felt more than ever. 

— FUN FACTS .

Takes her coffee black, occasionally with a splash of whiskey. Looks down upon people who use milk and sugar— she assumes them to be weak-willed.

Prioritizes revenge-seeking above all else... usually. She'd be lying if she said she wasn't occasionally distracted by work or personal dalliances.

— ; TLDR

ambitious, mommy-issued, revenge-seeking consigliere with a no-bullshit attitude

[falle-ness]

@willbonds

Thank you for tagging me <3

Three ships: I'm now rewatching White Collar, so I'm into Neal Caffrey (conman and art thief)/Peter Burke (an FBI agent), hehe. I've also rewatched Miss Fisher's Murder Mysteries, and Detective Inspector Jack Robinson and Phryne Fisher's chemistry is off the charts.

It's not really a ship for me but there's definitely something going on with Ellen Parsons and Patty Hewes from the legal drama Damages. Glenn Close as Patty is phenomenal. Their dynamics has very early Blacklist vibes between Red and Liz, but, of course, here it's much, much better.

Last song: Foy Vance - Make it Rain

Last movie: I'm lately going through Ryan Philippe's filmography, and unexpectedly for myself, I loved this dramedy Straight A's.

Pressured by his deceased mother's ghost to return home to the family he abandoned, a former addict grabs a bag of pills and a sack of marijuana and hits the road to Louisiana.

Currently reading: I'll just leave a screenshot of what I'm reading atm (my adhd brain has no rest yeah)

Currently watching: White Collar (rewatch), very old TV show Homicide: A Life On Streets.

Currently consuming: biscuits and almond in chocolate.

Currently craving: vacation 🌚

Anyone seeing this is welcome to join <3

@katarinas-redemption @randomprivateer @resslerette1 @trishvaylar @imago1603

[the60s70s]

In 1962, Shintaro Tsuji, the founder of Sanrio, began selling rubber sandals with flowers painted on them. Tsuji noted the profits gained by adding a cute design to the sandals and hired cartoonists to design cute characters for his merchandise. The company produced a line of character merchandise around gift-giving occasions. Hello Kitty was designed by Yuko Shimizu and was added to the lineup of early Sanrio characters in 1974. When a front and side drawing of Hello Kitty (then unnamed) was shown by Yuko to several other people in the company including her assistant, they greatly preferred the side view drawing and praised it. When Shintaro Tsuji had first seen Hello Kitty, he didn't really have any strong opinions, but warmed up to her later on.

The character's first appearance on an item was a vinyl coin purse in Japan, which ended up being the hottest selling item that year which came as a surprise to everyone.

Following Roko Maeda of Patty & Jimmy fame, Shimizu came up with a backstory for her character and dubbed her Kitty, after the name of the protagonist’s pet cat from her favorite book, Alice’s Adventures in Wonderland.

When Hello Kitty was introduced in the United States in 1976, a year after her debut in Japan, Hello Kitty's popularity continued to boom throughout 1977. However, Yuko Shimizu left in the same year Kitty first appeared in the United States, as she had gotten married and focused on family in the meantime.

Shimizu’s former assistant, Setsuko Yonekubo—the same one who had declared Shimizu’s initial illustration so very kawaii—oversaw Kitty during the boom years. She introduced incremental innovations like the first portrayal of Hello Kitty in a standing pose, but otherwise made a point of hewing closely to her predecessor’s linework, down to using a photocopied template of Kitty’s face to ensure uniformity. Whether because of this conservative approach or because of the ever-changing whims of young children, the first Kitty fad ran out of steam around 1979. Yonekubo took the opportunity to announce her own retirement, for she wanted to start a family of her own.

For a long while afterwards, Sanrio made no particular effort to replace Hello Kitty's designer. Soon Yuko Yamaguchi joined Sanrio in the midst of the Kitty boom in 1978, at the age of twenty-two, hoping to get a job focused on advertising. When Tsuji had learned of the team planning to abandon Kitty, he fought to keep her and decided to hold an in-house competition for new concepts for Hello Kitty.

In the end, Yuko Yamaguchi won with her whimsical illustration of Hello Kitty sitting at a piano surrounded by an adoring family—a charming visual of a deeper backstory that had previously only been hinted at by Yamaguchi’s predecessors. She was awarded the post of Hello Kitty’s chief designer in 1980, and continues to be the character's designer to this day.

A spokesperson from Sanrio says that Hello Kitty is not normally given a mouth because "without the mouth, it is easier for the person looking at Hello Kitty to project their feelings onto the character" and that "the person can be happy or sad together with Hello Kitty." There has been some suggestion that Hello Kitty has its origins in Maneki Neko, and that the name Hello Kitty itself is a back-translation of Maneki Neko, which means "beckoning cat" in English.

[razorsadness]

Let’s break that down. The nuance exists in opposition to “received wisdom, obviousness, stereotype,” and Barthes had a term for these nasty, imagination-binding shackles—doxa. Ignoring doxa in favor of the nuance, then, is an escape hatch, a secret passageway out of “the system” into a freer space of aesthetic engagement defined wholly by the eccentricities and proclivities of the reader, viewer, listener, whatever. Watching Glenn Close’s Damages, for example, may prove unpleasant if one isn’t already inclined to enjoy the doxical conventions of a legal procedural or family melodrama. But turn your attention to the nuance, and suddenly none of that stuff matters. The entire show—all five seasons of it—is suddenly justified by a single, tiny “crease”: the glint of Hamptons light on Patty Hewes’ bottle-cap sunglasses.

That’s my nuance, in any case; you might find a different one. The point is that I’ve evaded the doxa, slipped away from its demands of attending to “plot!” and “acting!” and “authorial intent!” and instead created my own little Zen garden landscaped entirely with the play of that light on that lens. Under the logic of the nuance, my miniscule “shimmer” is all that matters.

This kind of commitment, I’ll admit, can lead you to some strange places, like the time I maintained that the progression of Western art culminates in a picture of a dog shown briefly in the background of an episode of Archer.

But thwarting the doxa is not possible without a little awkwardness, because while “obviousness” comes with prefab explanations, the nuance doesn’t arrive with a blueprint. There is no “why” to the nuance, no “meaning” lurking somewhere to elucidate how one came to choose it. Indeed, to ask after the meaning behind “the detail” is to miss the point entirely. The detail simply is; or rather, it is because your presence has made it so.

—J. Bryan Lowder, from "The Delight is in the Details" (Postcards from Camp, Slate, April 2013)

[catelyngrant]

it’s been *checks calendar* five weeks since my last damages crossover breakdown but I am back/still on my bullshit, same song, same verse, different fandom but a whole lot worse, etc!!! (absolutely no idea how I made it a month in the succession rabbit hole before this occurred to me honestly)

ANYWAY, Succession/Damages crossover, Patty Hewes vs. Waystar.

Post s2, Patty tracks down a handful of victims from the cruises and convinces them to file a civil suit against Waystar. She ropes Kendall into it. He is terrified but also in awe of her, she loathes him with every fiber of her being but plays him like a fiddle.

Let’s say this is set during s2-ish of Damages? Ellen still works with Patty but it’s post assassination attempt, so basically it’s them at their messiest. Anyway, Ellen is trying to play both Patty and Kendall and is trying to bring down both Patty and Waystar and it’s all very sexy.

So Logan despises Patty with the misogyny of a thousand white male billionaires and Brian Cox and Glenn Close get imaginary Emmys delivered to their doorsteps just from me imagining them in a scene together where Logan is basically foaming at the mouth but at least starts off pretending to be cooperative until Patty makes some charmingly condescending comment and then he storms out/breaks things/loses his goddamn mind at her while she just gives him a crocodile smile.

Gerri and Patty know each other - the club of super high powered female attorneys based in NYC is not a very large one - and don’t particularly like each other. Patty’s probably been sniffing around Waystar for years, and when Gerri finds out about the civil suit she goes home and drinks like five martinis in 30 minutes and considers moving to Bermuda.

Seriously though, Gerri “I don’t like mess” Kellman who at least pretends to play by the rules vs. Patty “I tried to kill my protégé to cover up my mess that involved at least one dead person and a dead dog but she survived and now she’s working for me again even though she knows I tried to have her murdered” Hewes??? In a situation where Patty is determined to not just win but to personally destroy Logan Roy, his empire, his legacy, and wipe him and his entire family clean of their fortune? Yeah, Gerri’s gonna have to get dirty or get out, and honestly I could see it going either way bc I think she values saving her own skin > winning, unlike Patty, but if Patty could take her down too, she might not have a choice but to get on her level.

Shiv is a disaster. She’s loyal to her dad but she also has always admired Patty, and they actually have a lot in common in that they sort of pretend to care about other people and in Shiv’s case she actually does think she has the moral high ground most of the time, I think? But they’re also self-serving and desperate to win. So Patty would be working the hell out of Shiv, and would probably enlist Ellen in that, too. Shiv would try to play both Logan and Patty and it would end very, very badly.

Patty would consider trying to turn Tom, but would decide against it because she wants to humiliate him and take him down, too. She does sic Ellen on Greg, who doesn’t exactly mean to end up on Team Patty but by the time he realizes how thoroughly he’s been played and how much essential info he’s given her he doesn’t really have a choice but to stick with her bc the Roys would kill him.

Kendall, of course, would start out all self-righteous and Patty would let him think that he’s the crusader here, etc., but that would only play out for so long. At some point he’d probably turn to Gerri or Frank (not Logan) when she casts him aside and he realizes how contemptible she really finds him and give them insight into how underhanded her methods are.

Roman - idk man, he’d be loyal to Logan and Gerri but he’d also probably have to excuse himself from a deposition or three to jerk off after watching Patty and Gerri in action against each other.

Ellen and Willa went to school together, bc why not? So Connor tries to make nice by inviting Ellen over for dinner and they have a very fucking awkward evening together in which it becomes clear to Connor that a) his family’s fucked, and b) Willa might be rooting for Ellen.

At some point Waystar tries to settle (Gerri, Frank, Karl, and pretty much everyone threatens to quit if Logan doesn’t make the offer) but a la Frobisher in season one, Patty is like LOL NO, so idk how it plays out past that...I kind of feel like Ellen and Shiv definitely will sleep together at one point only for Shiv to try - and fail - to stab Ellen in the back; Patty gets blackmail material of some sort over Roman and Gerri’s dynamic (she bugs their phones or sets people on their apartments or something) and that’s, uh, Not Good, and she probably also digs up the details on the waiter in England; in response, Gerri starts poking around Ray Fisk’s death and also begins trying to work Ellen, because she can tell that Ellen has an agenda of her own and might not be entirely opposed to bringing Patty down herself (reader’s choice if that works); Logan probably has a heart attack or another stroke at some point and Patty sends him a giant bouquet of flowers and he might actually die at that point; in the end it probably comes down to Gerri and Roman as the functional defense against Patty, with Ellen as a wild card (she’s telling Patty that she’s playing Team Waystar and Patty doesn’t believe it but thinks she can manipulate Ellen to her advantage anyway; Gerri and Roman don’t totally believe that Ellen only cares about bringing Patty down, not Waystar, but they also think they can use her against Patty; basically no one trusts anyone); Logan, Kendall, and Shiv are all furious but are making everything worse; Tom kidnaps Greg and they flee to Thailand and tbh they’re probably the only ones who get a happy ending.

Did I develop this entire concept because I actually short-circuited at the idea of Patty vs. Gerri? YOU BET I DID, honestly that’s the only part of this entire thing that matters the rest is just lagniappe!!!

[clairedsfield]

"changed your mind?" "all the commercial flights are cancelled in and out of bangor... do you still have room?"

S5.E7 ∙ The Storm's Moving In

[warningsine]

@nakedmonkey calling them the predecessors of Eve and Villanelle: third eye open

[ultimatemilvesbracket]

THE MILVENING HAS BEGUN

That's 114 contenders! Amazing job everyone!

we got 323 submissions and labored over every single one until approximately 2am, which is why this bracket looks so fucking incomprehensible. (shoutout to tumblr user asparagoos for creating The Milves Rubric and user pastramis, who plays fantasy football and knows brackets.)

anyway, full match-ups are below the cut. starting tonight (3/30) we'll start with uhh the upper left-hand chunk today, then make our merry way down the list three times a day until the first elimination round ends. the top scoring milves will not appear until the second elimination round, aka when this bracket is legible.

milf lovers grab your therapist's number!

ROUND 2 / BRACKET 1

Regina Mills (Once Upon a Time) vs. Marge Simpson (The Simpsons)

Queen Clarisse Renaldi of Genovia (The Princess Diaries 1 & 2) vs. Olivia Crain (The Haunting of Hill House)

Barbara Howard (Abbott Elementary) vs. Ambessa Medarda (Arcane)

Helena "HG" Wells (Warehouse 13) vs. Taissa Turner (Yellowjackets)

ROUND 2 / BRACKET 2

Catelyn Tully Stark (A Song of Ice and Fire/Game of Thrones) vs. The Black Fairy (Once Upon a Time)

Penelope (Greek Mythology, The Odyssey) vs. Siobhan Sadler (Orphan Black)

Xenomorph Queen (Alien Cinematic Universe) vs. Goldie O'Gilt)

Bella Goth (The Sims) vs. Jean Milburn (Sex Education)

ROUND 2 / BRACKET 3

Cersei Lannister (A Song of Ice and Fire/Game of Thrones) vs. Valka (How to Train Your Dragon 2)

Queen Calanthe (The Witcher Netflix) vs. Nancy Botwin (Weeds)

ROUND 1 / BRACKET 1

Marge Simpson (The Simpsons) vs. Ella Montgomery (Pretty Little Liars) WINNER MARGE

Queen Clarisse Renaldi (The Princess Diaries) vs. Peggy Bundy (Married With Children) WINNER CLARISSE

Sarah Jane Smith (Doctor Who, Sarah Jane Adventures) vs. Olivia Crain (The Haunting of Hill House) WINNER OLIVIA CRAIN

Barbara Howard (Abbott Elementary) vs. Stacy's Mom (Fountains of Wayne) WINNER BARBARA

Ambessa Medarda (Arcane) vs. Jacqueline Carlisle (The Bold Type) WINNER AMBESSA MEDARDA

Helena "HG" Wells (Warehouse 13) vs. Flemeth (Dragon Age) WINNER HG

Taissa Turner (Yellowjackets) vs. Janet Van Dyne (Antman and the Wasp) WINNER TAISSA

ROUND 1 / BRACKET 2

Patty Hewes (Damages) vs. The Black Fairy (Once Upon a Time) WINNER THE BLACK FAIRY

Milah (Once Upon a Time) vs. Penelope (The Odyssey) WINNER PENELOPE

Siobhan Sadler (Orphan Black) vs. Norma Bates (Bates Motel) WINNER SIOBHAN

Gerri Kellman (Succession) vs. Xenomorph Mom (Alien Franchise) WINNER XENOMILF

Alex Blake (Criminal Minds) vs. Goldie O'Gilt (Ducktales 2017) WINNER GOLDIE

Bernie Wolfe (Holby City) vs. Bella Goth (The Sims) WINNER BELLA

Elizabeth Jennings (The Americans) vs. Jean Milburn (Sex Education) WINNER JEAN

ROUND 1 / BRACKET 3

Valka (How to Train Your Dragon 3) vs. Ana Servín (Madre Solo hay Dos) WINNER VALKA

Matriarch Benezia (Mass Effect) vs. Queen Calanthe (The Witcher Netflix) WINNER CALANTHE

Julie Cooper (The OC) vs. Nancy Botwin (Weeds) WINNER NANCY

ROUND 1 / BRACKET 4

Ana Amari (Overwatch) vs. Aunt May (Spider-Man MCU) WINNER AUNT MAY

Joyce Byers (Stranger Things) vs. Queen Ramonda (Black Panther) WINNER JOYCE

Admiral Kathryn Janeway (Star Trek: Voyager) vs. Nalini Vishwakumar (Never Have I Ever) WINNER JANEWAY

ROUND 1 / BRACKET 5

Carol Newman (The Santa Clauses) vs. Bette Porter (The L Word) WINNER BETTE

Addison Montgomery (Grey's Anatomy, Private Practice) vs. Sabine Cheng (Miraculous Ladybug) WINNER ADDISON

Laura Roslin (Battlestar Galactica) vs. Mrs. Brown (Paddington 1 and 2) WINNER LAURA ROSLIN

ROUND 1 / BRACKET 6

Yennefer of Vengerberg (The Witcher 3) vs. Carminha (Avenida Brasil) WINNER YENNEFER

Camila Noceda (The Owl House) vs. Sarah Alder (Motherland: Fort Salem) WINNER CAMILA

Wynne (Dragon Age) vs. Melissa McCall (Teen Wolf) WINNER MELISSA

ROUND 1 / BRACKET 7

Mon Mothma (Star Wars) vs. Carol Peletier (The Walking Dead)

Helen Parr (The Incredibles) vs. Seven of Nine (Star Trek: Picard)

Abigail Pent (The Locked Tomb) vs. Medea (Greek Mythology/Euripedes)

ROUND 1 / BRACKET 8

Queen Elinor (Disney's Brave) vs. Caroline McKenzie-Dawson (Last Tango in Halifax)

Evelyn Wang (Everything Everywhere All At Once) vs. Takhisis (Dragonlance)

Annalise Keating (How To Get Away With Murder) vs. Maureen Robinson (Lost in Space)

ROUND 1 / BRACKET 9

Gemma Teller (Sons of Anarchy) vs. Celeste Wright (Big Little Lies)

The Fairy Godmother (Shrek 2) vs. The Smart House (Disney's Smart House)

Marcia Roy (Succession) vs. Martha Rodgers (Castle)

ROUND 1 / BRACKET 10

Pyrrha Dve (The Locked Tomb) vs. Danielle Rousseau (Lost)

Olivia Benson (Law and Order: SVU) vs. Linda Flynn-Fletcher (Phineas and Ferb)

Morticia Addams (The Addams Family) vs. Maeve Millay (Westworld)

ROUND 1 / BRACKET 11

Melanie Cavill (Snowpiercer) vs. DCI Amy Silva (Vigil)

Beverly Crusher (Star Trek: The Next Generation) vs. Lucille Bluth (Arrested Development)

Abby Bartlett (The West Wing) vs. Laura de Mille (Doom Patrol)

ROUND 1 / BRACKET 12

Alicia Florrick (The Good Wife) vs. Ellie Torres (Cougartown)

Zelda Spellman (The Chilling Adventures of Sabrina) vs. Lisa Lisa (Jojo's Bizarre Adventures)

Tsunade (Naruto) vs. Jules Cobb (Cougartown)

ROUND 1 / BRACKET 13

Katherine Hastings (American Auto) vs. Esme Cullen (Twilight Series)

Abby Griffin (The 100) vs. Letty Ortiz (The Fast and the Furious 9)

Jocasta (Greek Mythology) vs. Joss Carter (Person of Interest)

ROUND 1 / BRACKET 14

Julia Sugarbaker (Designing Women) vs. Eve Fletcher (Mrs. Fletcher)

Chrisjen Avasarala (The Expanse) vs. Marion Lavorre (Critical Role)

Tiffany Valentine (Chucky) vs. Jodie Mills (Supernatural)

[nakedmonkey]

The yassification of Patty Hewes once season 2 hit is normally not something I'd approve of but damn did she look good