#peace out people

[racingliners]

In a very important home life update: we got a high vis vest for one of our chickens

They apparently have a great unintended use of stopping hens from getting bullied, so we got one to try it out since the above hen gets excessively picked on by the others (we don't really know why).

Shout put to the wonderful @gingervivilou who told me about it!!

[sandflakedraws]

re : how each brother reacts learning that they can't go back

you'll have to pry the "all the Brozone Bros knew what happened at the tree" headcanon outta my cold, dead dead dead hands.

[its-not-a-pen]

first day as a small-town sherif and you discover that some of the convicts you're transporting managed to escape in the night and since the penalty for letting prisoners escape is death, and the penalty for being late because you were looking for escaped prisoners is also death, you decide to free ALL of them and go hide out in the wilderness for a bit, except the convicts are super grateful so they make you their leader and it turns out they're decent guys who were exploited by a tyrannical government, so long story short you're crowd-sourcing for a peasant uprising and would anyone like to chip in?

3650th day and due to a series of unforeseen events you are now the emperor and founder of the han dynasty.

[succulentsiren]

I love the serene life. I don’t care who calls me boring. Enjoying my life stress-free, circle small, privacy on 100%, is way richer than overextending and overexposing myself to perform and entertain others.

[petricorah]

meeting on the fire nation stairs [ids in alt]

[bacchuschucklefuck]

sometimes I think abt how the months coming up to and the prom night in freshman year must feel to class swap sklonda. your perfect kid who has literally never gotten a single reprimand for anything does what can only be described as a quad crit crime combo and becomes a nerd punisher by the end of the night

[cometrose]

zhongli is so fucking funny when hes avoiding people like venti last year and neuvillette this year he can’t catch a break he moves like they’re his ex husbands 😭

[lesbxdyke]

One of my all time favourite jokes/memes is one that really only exists between me and my husband, so I'm going to share it with y'all:

I don't know, Harold! The train's going too fast!

We use it whenever we're confused by a thing.

It came from watching my husband play Train Sim World. A game which he is woefully bad at. And he shot right through a station he was supposed to stop at and then had to stop, get out of the drivers cabin, walk to the other end of the train and drive backwards. As he walked, he passed these two old people who we named Harold and Margaret and came out with:

"Wasn't that our stop, Margaret?"

"I don't know, Harold! The train's going too fast!"

Now I have given you context, go forth and tell people that the train is going too fast!

[bluetaho]

Maybe in another life, another time, another world

I could have held you forever

(part 1)

[pocketramblr]

Please!

AU where both Izuku and Bakugou are rejected from UA Hero Course.

And to make it juicy. The reason for the rejections is the suicide baiting incident being known by UA. While Bakugou is rejected for obvious reasons. Izuku is rejected for his ‘own safety’ and because they won’t trust his psyche went unscathed.

1- The thing about Bakugou is that he was not particularly well liked by his classmates at Aldera. Oh, he had friends, and no one was willing to stand up to him, but plenty of students had grudges about how he acted. They rolled their eyes when Bakugou went on a rant about being the only one who could make it to UA, or his lackeys hyped him up, but then they'd look away without a word when he caught them and glared. No one was going to say he wasn't powerful and couldn't do it, just like they weren't going to say Deku had any chance. Sometimes, capable people are also very annoying, and you just have to deal with that, so the kids did. And if a few were in a small group chat that would sneak pictures or videos to show the kids not in their class and complain, well, that's what the kids did. And then one day, one filmed the conversation after school, after Bakugou threw out the notebook, and posted it publicly, as well as in the chat.

2- nothing came of this. Izuku had either blocked or been blocked by a lot of his classmates online, and hadn't really bothered to look for most of them anyway, so neither he nor Bakugou are aware of the video. The sludge villain sort of happened an hour later, and that's what got the big media buzz- the news couldn't publish the names of the teens involved if they ever even had them, but locally, people at Aldera knew who the kids on tv were.

3- the next year, UA has its recommendation exams. Every student is meticulously background checked before even being accepted as an potential for the exam and interview. A couple weeks later, they have the standard exam. The background checks will happen after this- UA after all has a very prestigious image. Bakugou wasn't wrong that if he took his lackey's cigarette and UA found out, his chances would be gone. Unfortunately for him, the video was still online. Mostly forgotten about... Until it contained not one but two potential UA students.

4- Nedzu and the six hero course homeroom teachers are on the board of student admissions, but so are two others each from administration, public relations, the school board, and the heroics commission. The top fifty scorers are ruthlessly picked through. The video is watched. Some want to exclude Izuku, some Bakugou, some both. Nedzu would prefer to have them both enrolled in separate classes, but is outvoted. He doesn't warn the board this will mean All Might will not be staying on to teach - he really can't, without telling secrets, but he does warn All Might the next night, and gracefully accepts his resignation.

5- a week after the exams, acceptance and rejection letters are sent. These are simply written on paper. Apparently neither of them are a good fit for the school. No further reason is given. Bakugou spends one day in his room, quieter than ever, then rush applies to other schools. Shiketsu is supposed to be UA's equal. Perhaps their admissions process will be less rigid. Or perhaps his rise to number one is "supposed" to come from humble starts, and Aldera Middle School wasn't that, but some mid rank hero school is. Meanwhile, on the beach, All Might tells Izuku that he actually ended up with the most rescue points in the exam, and his score was high enough to place him in top ten... It was just the screenings afterwards that did it. Perhaps the school was concerned about his health, with him breaking nearly every limb. Or perhaps his incorrect quirk registration was a red flag- either way, it's things All Might blames himself for, Izuku is the one who passed the test, and with only a few hours of having OfA too. So All Might asks Izuku what he wants to do- try for another hero school nearby? Toshinori probably can't get a job there on short notice without being suspicious, but he'll work to train him every day after, and come up with some other excuse for why he's in the field less. Or, should he reach out to I-island? Toshinori's even willing to see about setting up a personal internship with himself or Gran Torino, though he really kinda hopes Izuku doesn't pick that one. Izuku bursts into tears and apologies, having only held them back this long out of shame, they hug, and Toshi tells Izuku to take his time deciding, it'll be all right, because Izuku is here and he has full faith in him, regardless of what UA admissions thinks.

[cali]

a lolcow is obviously a bad and harmful thing but studying weird people online is a wonderful and soul enriching experience. but if u treat the fun of it as a product and engage with them to get more of this product, if youre "milking" the "lolcow", youre fucked. youre going down the path of darkness. it needs to be aetherial and loose. the better alternative is looking at lolbirds instead which is quite beautiful cuz, like birdwatching, its a process where u do not enact power and force over ur subject to make it show u what u want, you just let them naturally come by and show off their plumage (10000 near identically composed deviantart illustrations of different kids show character crying while getting knead into dough and baked[this happened in a single episode of a show the artist saw when they were 4]) and then u maybe show some of ur favorite feathers of theirs to your close group of friends and then let them pass on with the wind and u keep them as a sweet memory ❤

[horsechestnut]

Being a Cissie King-Jones fan is so funny because she's probably the only superhero in existence where her fans actively root for her to not be in things.

[hauntingsofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[unexpectedbrickattack]

Hiding the rest of this HUGE comic behind a readmore for ur sanity

Hes got the keenest eye for these things!

Now that this is hiding behind a readmore i can justify writing an essay in here. Nothing big tho i am just very chatty :)!

Postgame where Peppino still gets visits every now and again from the bosses of the tower. I already drew one for the noise (lmao) but i wanted to draw each of the main four interacting with him in some way.

Pepperman is a refined and well renowned artist. His art is highly sought after and his advice is not taken lightly. He has many MANY fortunes to pull from to make his visions a reality and to influence anyone to do anything. Except for Peppino.

From the very first fight, Pepperman is immediately, overwhelmingly obsessed with this stout little brawler. He is much much more than what meets the eyes. He is initially extremely offput and annoyed that a human so boldly decided to waltz into his domain, and he expects to be able to steamroll and bully this…beast…out of his place of work. He is refined when he wants to be, but he is quick to use his brute strength to get what he wants if only bc he knows he can do it

And so when he decides to fully charge and thrash this little trembling human, expecting him to skitter away the second he gets struck, he is completely unprepared for when he gets launched to the other end of this room. The human looks so incredibly PISSED, like a bull seeing red, and suddenly this little altercation suddenly became a real actual ‘knock your teeth out’ brawl. This human is only like half his height, but his punches and bashes fucking knock the wind out of him.

And like ! To add insult to injury!!! After he wins the fight! He visibly deflates, the adrenaline seemingly wearing off. Hes just this trembling fuckin whelp again !!! Whimpering as he fucking runs back out through the portal to do god knows what. And Pepperman could not be any more fucking intrigued. Like this no name came in, whooped his fuckin ass, and went about his day. Its unreal

While Peppino is running around climbing the tower, Pepperman is in his room losing his mind. Hes obsessed. No one has challenged him in this way. No one has fought him and WON. He is ALWAYS able to bully people into submission either through brute force or with money, and he got his ass handed to him !! He needs to know more. Its quite literally consuming him.

Cut to the final fight, set up for a rematch; and he knows he is going to get steamrolled again but it is SO exhilarating to get another chance to see this humans form up close again. This time he can try to commit everything to memory. Its all such a blur though, and in a quarter of the time it took to end their first fight, its over. He gets to watch the human fight the gunslinger with his bare hands, no gun necessary, and he doesnt even bat an eye at what looks to be a clone of himself. He is a force of nature tearing through every single defense, and when Pepperman watches the actual final fight with the bizarre little pizza man, its like hes caught in a movie. The rain, the storm, the atmosphere. He wishes he could burn the entire scene into his mind.

So when everything returns to normal, he takes the time to travel for days to come and find this little human named Peppino. The memory is still strong and vivid but eventually, details will start to slip his mind. He needs to find this human, convince him to sit and do some still life sessions with him to help cement the humans appearance in his head. He hasnt had to resort to…asking for permission for anything in a loooong time…he bullies people into doing what he wants but Peppino is not your average person, and if he wants something from this man, he’ll have to meet him at his level.

He...can make an exception for Peppino...he supposes.

[shalom-iamcominghome]

Person with no whimsy: Why are you trying to trick g-d with loopholes? 🙄🙄🙄🙄

[breesperez139]

Dc x Dp Prompt #3

Immortal Ghost King Au:

Daniel Fenton was crowned as High King Phantom of the Infinite Realms on his 16th birthday. He knew many were opposed to him being crowned at such a young age (he was too), but the Realms had gone too long without a ruler and it was getting restless.

The Realms were sentient to some extent. It can not run itself as it has no form but it chooses a host, a King if you will, to fulfill its wishes. It may have lived on an entire millennia without a ruler, but it was only out of sheer luck and the contributions of countless gods that it had survived. The Infinite Realms needed a King and Danny Phantom was the only contender.

So the people were ignored and their boy king was crowned. However Phantom was young and naive, a child as both a human and a ghost. Even worse, he knew nothing about being a king. But the little godling would learn and learn he did.

Most kings were taught before they were coronated, but Danny had no such privilege. His coronation came and left with the wind. His private lessons overshadowed any thoughts he had left of mortal schooling. And Danny gave up on living a normal human life.

That last part was perhaps the easiest for Danny. Amity Park was already considered too liminal for them to have any “sentience”. The GIW had all but declared war on the Realms with their continuous violent actions upon his people and the land itself.

It wasn’t difficult for Amity to give up their “rights” and “humanity” either. They said good riddance to the world that never helped them, to the heroes that ignored their cries for help. And they bowed to Phantom, declaring him their King, just as he declared them citizens of the Infinite Realms.

He welcomed his liminals with open arms, vowing to protect them from any harm that would come their way, just as he would with any of his other citizens. He gave them a home in the Realms, an island- no a haunt of their own should they wish to truly reject the land of the living, and they accepted. Not many wanted to try their luck against the human government.

But with a God, no, their King on their side, they knew their safety and happiness was all but assured. After all, it was Phantom who protected them even as they turned their own backs at him. It was Phantom who fought against foes that could have erased him from existence.

And of course it was Phantom who would now receive any and all support he could ever want and need should he declare war against the humans of Earth. No, there was no need for people of the Infinite Realms to worry. High King Phantom was a God after all. It was only ever his right to exact divine punishment onto those who opposed and threatened his will. It was not their fault if the humans actively went against his will. No, the humans had no one but themselves to blame for whatever came for them.