#people following me for long now know how much time of my life I've dedicated to helping dc grow and succeed

[hellfirexclub]

Eternally 

a/n: Omg so I'm really excited for this fic and ac loved writing it, I've been too obsessed with Aemond since hotd came out to not write about him. This is the first non ST things on my blog so sorry to the people that only follow me for that but I hope you like this either way!

Pairing: Aemond Targaryen x fem!reader.

warnings: 18+, smut, mutual pining, missionary, oral (m giving), creampie, choking, fingering, breeding kink if u squint.

Summary: You are a handmaiden to Queen Helaena that Aemond is secretly in love with. Little does he know you feel the exact same way about him. Shameless smut! Technically a one shot but I left it open bc I always do oops.

Aemond had never been a man to care about such trivial things as romance. Once he did, back when he was a child and he was filled with innocence about what his life would become, but he’d never admit that to himself now. When Aegon and Helaena were betrothed Aemond wished that his mother would also find a wife for him, someone he could love truly and dedicate himself to. Then came the night that changed the trajectory of his life, the night he lost his eye. While before he’d imagined that maybe one day a woman would love him, after the accident he became bitter and disgusted by his own appearance, convinced that no one would ever want him now. This was only reinforced by the memory of the maester’s hushed voice in his chambers after the accident, saying to his mother that his face was ruined for marriage now as he pretended to sleep. He sees the way the girls in court sneer at his eyepatch or the fear that some of them look at him with. Whatever they felt, it was never kind towards him. So he dove into his studies and into training to fight, telling himself and everyone around him that he didn’t care about any other trivialities. And he was true to this for a very long while, until he met you. Aemond didn’t care for any of the servants, they were below him and so why should he bother to even acknowledge them? How he could be so wrong. He vividly remembers the first time he ever saw you, about a month before his siblings were to have their first child. Alicent had arranged for a new handmaiden for Helaena specifically to help look after her children, and you had gratefully accepted the job. That same evening you’d arrived you were made to help the heavily pregnant princess to the dinner table with her family, and when Aemond saw you walk in beside his sister he almost dropped his cup of wine. Your beauty was absolutely mesmerising, unlike any other woman he’d lain eyes on before, even with your hair unkempt and the serving girl’s robes adorning your body. How could such a divine creature be a lowborn servant, he thought, you looked as though you belonged in a gown with jewels. He didn’t take his eye off you the entire night, studying the way your body moved and the delicate features of your face, your nerves very apparent on it. You’d kept your head down most of the night, not looking at anyone besides his sister out of respect, but there came a moment when you accidentally looked up and directly met Aemond’s eye. You didn’t grimace nor sneer at his features, you looked into his eye boldly and without fear, a small, kind smile playing on your lips before you remember yourself and look back down to your hands. And if Aemond thought he was hooked on you before, now he was obsessed. No woman had looked at him like that since he lost his eye, hell he doesn’t remember a woman looking at him so kindly even before he lost it. His heart beat heavy in his chest, a longing filling his body that makes him down the rest of his cup of wine and slam it back down in asks for another. Much to his dismay he noticed that his brother was also taken by the sight of you, his drunken eyes roaming your body greedily, and that filled Aemond with a hatred and unease. He swore to himself that night that he wouldn’t let you end up like all the other handmaidens in the castle, fucked like a whore by Aegon and then dumped as though you’re nothing. 

Helaena became fond of you very quickly and didn’t care that you were just a servant to her house. She trusted you and took solace in your company considering so few would ever care to listen to her ramblings. You would sit beside her bed and listen to her dreams happily, even sharing your thoughts and ideas on them with her. You listened to her genuinely and cared for her, and to her that makes you a true friend no matter your status. Aemond too noticed the way you cared for his sister and in his eyes it only made you more perfect. Such a kind and beautiful soul. Aemond’s affections for you only grew as the years passed and he found himself in his sisters company more often just so he could spend time with you as well. It also meant he could keep his brothers prying hands away from you, as Aegon had made it clear with his looks that he was interested in you. It was his actions this very evening that started everything, when he dared to touch you whilst you poured some wine for his wife, his hand discreetly slipping from your lower back to your ass, but of course Aemond had noticed. You looked extremely uncomfortable and it made Aemond want to leap across the table and take his brothers head then and there. You quickly scurried away when you were dismissed, and after everyone had left the table Aemond sought out his brother for a private ‘chat.’ He ambushed Aegon in a dark corridor as he walked to his chambers, slamming his brother forcefully into the wall and holding his blade to his throat.

“If you try and touch y/n again you will find this dagger cutting through your neck, brother.” Aemond snarls, eyes hardened as he keeps his face inches from his older brothers.

At first Aegon was taken back by his younger brother’s uncharacteristic outburst of emotion, he’d never given a fuck about his activities before. But as he looks into the burning eye of his brother, it becomes very clear why he was actually intervening with his behaviour this time.

“Ah I see how it is, brother.” Aegon tells him, a smirk playing on his lips as Aemond’s jaw tightens. His eyes twinkle with twisted delight at the telling face of his brother, snickering as Aemond pushes him harder against the wall, rock scratching against his back despite the layer between them. 

“Swear to me you’ll leave her alone.” Aemond pushes, wanting conviction that his brother will do as he asks. 

“It’s very presumptuous of you to make demands of a King,” Aegon spits back, chest pushing up against Aemond’s as he tries to shove his brother away. Aemond’s grip is strong and he keeps Aegon against the wall, the dagger pressing against his neck in their motions and spilling a small drop of blood. Aegon grimaces before sighing sourly and looking into his brother’s eye. “I’ll leave your little bitch alone.” He spits, his hand coming up to rub his neck when his brother releases him and steps back. Aemond glares at him a moment more before striding away, leaving his brother to stew in his anger. He makes his way straight to Helaena’s chambers, hoping to find you there. 

Aemond nods to the guard as he arrives, pushing the heavy doors open and gracefully shutting them behind him. As he’d hoped you were here with his sister, folding her towels as she spoke to you.

“Hello dearest brother,” Helaena calls out to him softly. “Where did you go to with such haste after dinner?” She asks curiously, remembering watching him thunder down the hall as she’d gone to retire to bed.

“Just some business I had to attend to. It’s dealt with now” He says briskly, his eye on you as you smile sweetly at him. 

“I see,” She replies simply, a small smile on her lips as she turns back to you. “Is my bath drawn y/n?” She asks you, placing one of her soft hands on your shoulder.

“Yes my Lady, shall I escort you in?” You ask her politely. Helaena only raises her palm at you with a kind smile.

“That’s alright thank you, I shall see myself in,” She says, eyes twinkling as she nods at you and then her brother before making way towards her bathroom, muttering quietly as she left. “Fealty’s sworn cannot be unbroken, no matter how tightly bound the string of fate.” Once Helaena had shut the doors behind her Aemond approached you, trying to choose his next words carefully.

“I wanted to see to it personally that you were alright after dinner today” He tells you, as you look up at him with round eyes. He doesn’t specify what he means but you know instantly what he’s talking about, and your heart warms that he’d even taken notice. 

“That’s very kind of you my Prince but I am just fine.” You respond with an appreciative smile, though Aemond knows you only feel obliged to say that to him. You were always so prim and proper, not wanting to get into trouble by saying the wrong thing. 

“Whatever the case, I had a word with my brother and I believe he will be leaving you alone from now” He says assuringly, a softness in his uncovered eye as it looks sincerely into yours. Your eyes light up at his words, taken aback that the Prince himself would have taken such action for you, and against his King brother no less.

“Thank you Aemond,” You say softly. “My Prince.” You quickly add with a low bow, not allowing yourself to address him with such informality just because you could barely think over your heart beating so loudly in your chest. The Prince’s own heart softens at you using his name informally even if just for a moment. It sounded like a choir of angels to him, and you both smiled at each other dreamily until you were pulled from this moment by the shrill calls of your name from another maid. You curtesy respectfully towards Aemond, nodding at him before you scurry out of the room to see what was needed of you now. Aemond’s heart aches as he watches you go, your thin gown and long hair flowing angelically behind you. It’s not right, he thinks, that you aren’t sworn to him so that no cunt could ever call you away from his presence. If he took you as his wife he would never let a moment go by that you weren’t by his side. He sighs heavily at this impossible desire, mouth pinched as he curses the circumstances. He had half a mind to go to his mother now and demand she let him marry you, threaten to abscond if she didn’t allow it, hell he’d put a knife to her throat too if it meant securing you. But Aemond was too clever for such approaches, not to mention there was nothing he could say to ever get someone to agree to this. He was a Prince, who was due to marry whomever his family saw fit to secure alliances for their cause. Under no circumstance ever could he be allowed to actually marry you, unless the two of you really did run away. Aemond wonders if that would be so bad. His idiot brother got to sit the Iron throne as King despite Aemond being the better fit, simply because of the circumstance of their ages. It seems royal life would never be fair to him, so why should he wait around for them all to decide his life for him? Aemond makes his way back to his own chambers, needing some time to himself with his thoughts. He oft liked to read, take his mind away from the bustle of life at King’s landing, particularly now they were on the verge of war. But tonight his mind just would not calm, thoughts of you plaguing him until he forced himself up from his table with a sigh. He opened his door a crack, making his guard jump as he stood to attention to listen to Aemond’s demands. 

“Will you send for y/n, Sir Derric? With urgency.” Aemond asks his guard, looking at him intently with his one cold eye.

“Would you not prefer I call for your own handmaiden my Prince?” The Knight asks hesitantly, instantly regretting his words when he sees the venomous anger that takes over the boy’s features.

“If I did, I’d have asked for that, wouldn’t I? But instead you think to question the demands of a Prince.” Aemond says dangerously, knowing this will scare the man to do as he asks with no further questions.

“I’ll go find her right away my Prince.” Sir Derric responds quickly, bowing apologetically to his Prince before running off swiftly. Aemond smirks to himself as he strides back to his bed to await your arrival. Only a few minutes pass until he hears voices outside of his door, Sir Derric swinging it open to announce your arrival. You looked happy, but a little bit surprised that Aemond had asked for you specifically to come. You bow to him as you enter before standing up straight and smiling widely at him, your eyes twinkling with joy as you await Aemond’s words. 

“Sorry to have asked you here so late, my own handmaiden appears to be otherwise occupied” Aemond lies, circling his bed to stand before you.

“It’s no bother at all, I’m always happy to serve you my Prince.” You respond with a sweet smile. Aemond swallows at your choice of words, wishing he could ask you to serve him as he truly wanted. 

“Would you mind helping me undress?” Aemond asks, raising his arms expectantly. His words instantly make heat rise to your neck, your heart beating faster as you oblige and approach the taller man. 

“Of course.” You respond softly, reaching up his broad chest to unbuckle the clasps on his tunic. It occurs to you as his hot breath fans over your face that you’ve never been this close to the Prince before, and you can feel your heart pounding loudly in your chest as your hands move across his chest to pull the tunic from his body. You can feel his eye on you as you continue with his undershirt, watching the way your breath catches when you slip it over his head and your hands graze his bare chest. He hums in amusement, a low grunt of a sound that makes your knees weak. You avoid Aemond’s heated gaze, sure that if you met it you wouldn’t be able to hide how you felt any longer. You quickly replace his top with a loose, white bedshirt, exhaling through your nose as run your hands over his chest, smoothing the clothing into place. Finally you knelt before him to take off his boots, as Aemond usually just wore his day breeches to bed, removing them delicately as his eye burns to memory the sight of you on your knees before him.

“Thank you.” Aemond speaks to you, daring you to meet his gaze. He knows you wouldn’t risk the disrespect of not doing so, and he needs to see if your eyes burn for him the ways his do for you. You raise your head to meet his eye and it studies your face, noting the hazy look on your features and the indent in your lip from where you’d been biting into it. Was this his doing?

“It’s my pleasure Aemond.” You say, more breathlessly than you’d have liked, standing to attention and curtseying slightly to the taller male. Aemond’s heart rate picks up more at your response, wondering if that slip of his name was because he’d had an effect on you. Stubborn as always Aemond bitterly shakes the notion out of his head, having forgotten himself and the fact that no woman could love the beast he is. His chest tightens as he looks over at you, now bent over and retrieving his worn clothes into a woven basket. Such divinity could never want his touch. Aemond climbs into bed with a sigh, still watching you fondly as you scuttle about his room.

“Would you fetch me the book on my table?” He calls out to you. You quickly oblige and hand the book to the Prince, standing patiently at his bedside as he flicks it open, intent on finding the page he was last on. 

“Do you want me to remove your eyepatch as well before I go, my Prince?” You ask him politely, your brows raising slightly when you see his eye widen at you in shock. It was a simple question, but it had taken Aemond aback because he’d never been asked it before. He’d never encountered someone who wasn’t scared to see the scar that lay beneath it.

“I-uh. That won’t be necessary.” He responds, heart thumping in his chest at the stutter he’d let out. Aemond didn’t often like to show such vulnerability, but it feels like you just draw it out of him. 

“Surely it’s not comfortable to sleep with my Prince?” You continue, genuine concern for him in your voice. 

“I don’t sleep in it,” He answers with an amused chuckle. “I just usually take it off myself, as other people tend to find the sight too frightening.” He says, his words laced with solemn. Your heart aches to hear this, angry at everyone that had contributed to him feeling this way.

“Well I’m not frightened.” You say firmly, shocking both yourself and Aemond, your eyes soft as you smile at the boy. Aemond’s heart races at your boldness, at the unwavering gaze you held on him. He could see nothing but sincerity in your eyes. 

“Are you sure, little one?” He asks teasingly, breath bated as you nod with certainty back at him. With that he motions towards his eye, giving you his permission to take it off of him. You slowly raise your hands to his gorgeous face, your own face dangerously close to his as you carefully pull the eyepatch from his head. Aemond holds his breath as your eyes fall upon his, your mouth opening in awe as you catch sight of the glistening blue jewel that lies in place of his lost eye. 

“Beautiful,” You whisper softly as you inspect the gem, making Aemond’s heart leap from his chest. “May I…?” You begin to ask, but trail off nervously when you realise that you may be overstepping. But Aemond quickly nods at you, too touch starved to care if he seemed desperate. He lets out a breathy sigh when your delicate finger meets his scar, his chest filling with nervous warmth as you softly trace the detail on his cheek. Aemond melts into your touch, too long starved of any affection like this, shivering in pleasure as your finger gently runs over his Sapphire. Aemond decides as you stare at his face in awe that he doesn’t care about formality anymore, about what to say and what not to. Certainly not that you’re just a servant girl. Right now all that existed to him was you before him, seeing him as he is and calling him… beautiful. 

“Do you mean that?” Aemond asks, voice strained as his eye burns into yours for an answer. You shyly bite your lip, afraid of saying too much and getting yourself in trouble. But this position you were already in with the Prince had crossed boundaries, fuck if you didn’t just tell him the truth.

“If I may be so bold, my Prince, I think you’re a very handsome man, and no scar could ever detract from that.” You reply softly, eyes burning with pure desire for the man in front of you. This was all Aemond needed to hear for his heart to skip a beat, his cheeks flushing as you continue to gently stroke his cheek with your thumb. You thought, despite what others think of him, despite what he’s told himself for the last 10 years of his life, that he was handsome. Aemond feels a rush of confidence from your words, heart racing wildly as he raises a hand to cup your cheek, making your eyes widen in surprise. Your own heart begins to beat faster as Aemond stares at your lips silently, panting as he slowly closes the gap between your faces, unable to hold himself back any longer. Aemond pulls you into a desperate, hungry kiss and finally everything felt right in the world, your soft lips lighting a fire in his stomach. Aemond groans into your mouth as you kiss him back just as hungrily, gasping when he grabs your hips and pulls you onto his lap in the bed. You moan against his lips as you feel his length in his loose breeches, already hard and straining against you, subconsciously beginning to grind against him. Aemond hisses, throwing his head back in pure pleasure as he feels your warm pussy rub against him through the thin fabric, his hands finding your ass and grabbing roughly to pull you flush against him. 

“My Gods, you don’t understand how long I’ve wanted you like this,” Aemond growls out as he grinds you against him harder, obsessed with the soft mewls you let out and the way you shake on top of him from how good he made you feel. “How badly I’ve needed you since I first fucking saw you, all those years ago.” He grunts softly, his lips finding your neck making you whine and rock against him as he presses his teasing kisses down your throat. When Aemond reaches your cleavage he looks into your eyes for permission, smirking at how much of a mess you already seem to be for him before pulling your flimsy dress down and exposing your perfect tits to him. Aemond lets out a strained moan at the sight, cupping the soft expanse of them gently and drawing some soft mewls out of you. “You’re more beautiful than I could ever have imagined.” Aemond mutters, more to himself than you as his wild eye roams your uncovered breasts. Heat rises to your cheeks, and arousal to your belly as Aemond teases your nipples with his fingers and tongue. Before you can even think Aemond is flipping you onto your back, clambering on top of you hungrily as you gasp and pant beneath him.

“Shh my darling, you don’t want anyone to hear us, do you?” Aemond teases breathily into your ear, making you shiver against him. 

“No my Prince.” You whisper shyly to him, swallowing hard as you try and contain your moans.

“Please, just call me Aemond.” He breathes, longing in his voice as his hands slip up your skirt, caressing your bare thighs desperately. He waits for a moment before he moves his hands any further, raising a brow at you to ask if it’s alright with you for him to continue. You chuckle at this, heart warming that he would still ask despite seeing how desperate you clearly are for him. 

“Aemond, you can do whatever you want with me. I’m yours, completely.” You tell him sincerely, biting your lip as the boy only moans loudly in response. To hear you say you are his is the final straw, that takes Aemond last strand of sanity. He ravenously pushes the skirt of your dress up, breath catching his throat as he lays eye upon your wet cunt. 

“Fuck, you’re dripping wet.” Aemond growls, jaw clenching tightly from the progressive primal desire he had to pin you down and fuck you senseless. Your body just responded so perfectly to him and looked so perfect beneath him, Aemond knows this is all he’ll ever want the rest of his life. 

Your head falls back into his pillow as he lowers himself between your legs and buries his face into your cunt, dying to know what you taste like.

“So fucking sweet. Like the nectar of the Gods.” Aemond moans earnestly, the vibrations against your cunt making your toes curl. He eats you like he hasn’t had a meal in weeks, his nose pressing against your clit in a way that makes you see stars. Without warning he gently slides a finger up your wet slit, teasing your clit with his tongue and relishing in the breathy moans you let out. He growls as he tries to press a finger into you and feels the tightness of your cunt wrapping around it. You’re going to feel like a vice grip around his cock. He slowly fucks you with his finger, intent on stretching you out at least a little bit for his cock as the last thing he’d want to do is hurt you.

“Please Aemond.” You whine out, frustrated and hips bucking into his face. He looks up at you, that gorgeous angular face looking angelic between your legs, smirking as he licks your wetness off his lips.

“What is it my love?” Aemond coo’s out to you teasingly, eyes narrowed with lust as he watches your chest rise and fall with your heavy breaths. 

“Please, I need you to fuck me.” You beg him, unable to take his teasing any longer. Aemond chokes out a growl, feral hearing you beg him to fuck you. He quickly pulls off his bedshirt and breeches, his sizeable cock slapping his stomach and making your mouth drop open in shock.

“What? Never seen a dick this big darling?” Aemond ask you with a smirk, eyes dark as he pins your arms harshly above your head and slides his cock against your dripping entrance. “Don’t worry, I’ll make sure it fits.” He groans, eyes rolling back as he feels your wet heat against the tip of his cock. He pushes himself into you, white hot pleasure erupting in his belly as he feels your velvet walls clenching around him. You whimper at the stretch of his big cock and Aemond strokes your hair to sooth you, shushing you gently. “You’re taking me so well.” Aemond coos, voice strained as he wills himself to go slowly for you. He groans as he bottoms out in you, legs shaking from the way your cunt pulses around him. Your legs wrap around his middle tighter and Aemond takes that to mean that you’re ready for more, not wasting a second before starting to thrust into you slowly. Aemond had only had sex once before but he doesn’t remember that feeling anywhere near as good as you do right now, soaking his cock and clenching tightly around him as you are. His hair falls into his face as his pace picks up, unable to keep himself from seeking more of your warmth, his silver hair forming a halo around his gorgeous face. He marvels at your cunt taking all of him, dick twitching as he watches it slip in and out of your slick. 

“Harder Aemond.” You moan loudly, earning a guttural grunt from the man above you who’s hips instantly start snapping faster into yours. Aemond growls as he pounds you harder, loving the fucked out expression on your face as he ruins you. Lost in his pleasure he wraps a hand around your throat, earning a breathy whine from you, squeezing it gently as he stuffs you full of him. 

“Fuck you like that? I felt your cunt clench around me,” He groans, eyes darkening as you nod and moan when he squeezes your neck even harder. “Ask and you shall receive.” Aemond fucks you punishingly hard, groaning with each thrust into your tight heat, feeling himself get closer to his edge. His thrusts are frantic, balls slapping against your pussy and covered in your slick, and he has to raise a hand to cover your mouth for how loudly you were moaning. 

“I’m getting close.” He grunts out hoarsely, panting heavily as he pushes some sweat leaden hair out of his face. He knows he should pull out, it occurs to him as he feels his orgasm about to envelope him, but your cunt felt like it was just drawing him in deeper, begging to be filled up by him.

“I’m going to fuck my bastard into this perfect cunt,” Aemond snarls, eyes rolling back in his head as you tighten even more at his words.

“Yes! Please fill me up Aemond!” You beg out, practically sobbing with pleasure as Aemond loses his last grip on sanity and pounds you into his mattress, grunting loudly as his seed spills into. 

“Oh fuck,” Aemond whines softly, pushing himself further into you as your tightness milks every last drop of cum out of his cock. “You’re mine.” He says breathlessly, pressing his forehead against yours as he pulls out and engulfs you in his arms, hugging you flush against his naked body. You smile gently up at him, out of breath and legs numb.

“Eternally, my Prince.” You respond in a soft whisper, humming contently when Aemond pulls you into a passionate kiss. When you both part his thumb rubs your bottom lip, eye studying every inch of your gorgeous, blissed out face. 

“You look divine.” He says, awe in his voice as reality sets in that he really, truly just got to fuck the love of his life. And then more clarity comes, in the fact that now he certainly couldn’t live without you. He needs you in his life, as his wife, to love and to cherish for the rest of his days. He couldn’t stand to let you continue to serve, to watch from the sidelines as his brother and any lord at the table fawns at you. No, you were his now, eternally. Aemond chest tightens as he holds you closer, conflicted by what he should do next. But for now, as you cuddle against his chest, all Aemond wants to do is stroke your hair and enjoy this moment with you. What will come after is for him to fret about another day.

[everybodyknows-everybodydies]

okay so before I can talk about some things I have to establish some other things, and I'm shaking all the bees out of my brain today with great vigor, which means, without further ado: a brief overview of How Does Restoration Work (according to people named Mouse who are me)

point zero: for the most part, simplistically, each school of magic can be thought of as a manipulation of something. enchanting and conjuration fall under different strains of manipulation of souls, illusion as manipulation of the mind, and so forth. restoration is manipulation of the body.

now first (and this might be stating the obvious lol, but I have to state it): it does not work 1:1 exactly like it does in-game. people do not actually have the handy-dandy HP bar, illness/injury does not translate to a single number ticking downwards, and healing is definitely not just "make number go back up" in a matter of seconds. when you're at a point where a hypothetical HP bar would be nearly depleted, anything that's fast is not going to have the kind of long-term payoff that you need, but it might get you somewhere safer so you have the time to dedicate to actually properly healing.

secondly: in order to fix something, you have to know how it works. magic is a tool; any tool is only as effective as whoever is wielding it. it doesn't take a lot of knowledge to close a paper cut that didn't even bleed, but a severed tendon is going to be a very different story. an accomplished healer must have extensive knowledge of the body and its various systems in order to ensure their healing attempt is not going to inadvertently cause a whole slew of other problems. doctors today go through over a decade of schooling and training; in the US at least you're looking at a minimum of four years of premed, four years of med school, and three to seven years of residency. personally I think healers should also be the school of magic that requires the longest time spent learning because... there IS so much to learn! an additional note is that restoration has the benefit we do not of being magic, though: I think that in a world where healing is executed largely through the hands with magic, it stands to follow that you are not going to want to physically open someone up every time you need to check something inside the body, and so for my purposes this leads us to healers cultivating a specialized, passive sense of the bodily interior through touch. I've described this previously as a bit like echolocation as magic is channelled through the body and allows the healer a sort of "sixth sense" of precisely what's going on and where, though an in-universe analog might be a highly-refined version of "detect life".

(but Mouse, one might say, that's not a restoration spell! correct! the classification of magic is arbitrary! now put a pin in that thought because it will be important at a later date. not today though stay with me here.)

thirdly: as any tool should not be alone in the toolbox, magic can be used as a supplement or supplemented by mundane resources. if you have the time for it, an open wound will benefit from being stitched together to hold shape before applying magical healing, resulting in the need to produce far less scar tissue than a wound that you try to heal without closing it first. you still need to know how to use a tourniquet, how to handle a dislocated shoulder, how to drain an abscess, etc. just like you wouldn't whip out your power tools to hang a single photo frame, you have to know when to rely on magical healing and when to take whatever steps you can non-magically.

fourthly: magical healing has limits. manipulation of the body is not an all-powerful solution. no deus ex machina healing here. the two major restrictions are (1) the body's natural capabilities, and (2) the body's preexisting material. a body is capable of much more than we generally achieve in day-to-day life and nobody is running at 100% capacity 24/7 (because you would die, very fast). restoration can amplify measures that are already in place, such as stimulating platelet clotting/fibrin production over a cut to scab it over rapidly - and then, if taken further, providing the energy for tissue repair to move entirely from cut to scab to scar. crucially you will note that you cannot skip a stage! the healer is using what the body already has available, just allowing it to happen on a compressed timescale by boosting the energy available and providing external direction. there is a LOT of potential regarding what a healer could be capable of just by stimulating production of different hormones or shuffling brain chemistry alone. but! to reiterate! restoration is manipulative, not additive: a healer may be able to reattach a limb if they get to you in time, but they can't grow you a new arm out of nothing.

fourthly, subpoint: magical healing has cost, for both the healer and the patient. the more severe the injury/illness is, the longer it will take to heal and to recover fully from the expedited healing process, and thus the more energy the healer has to expend. a healer is limited most sharply by the depth of their own magicka reserve; practicing to expand the amount of magicka one has access to is just as fundamental a skill as learning anatomy and physiology. this is why most healers don't work alone! being able to literally split up the work - I'll take the broken leg; you focus on the slipped rib - reduces the probability of running out of magicka mid-patient and allows for fewer required follow-up sessions to ensure recovery is proceeding the way it should.

(fourthly, sub-subpoint: this is also why Colette Marence, the only professional healer in Winterhold, deserves a significant raise and a vacation and if anyone asks "is there a healer around" somebody ELSE can take care of it for once-)

fifthly: potions! we know that alchemical concoctions are a separate beast entirely from magic as executed by a mage - namely, I point here to spell absorption/spell reflection not being triggered by drinking a potion. this could take us down a separate rabbit hole about alchemy tapping into the innate magicka stored in reagents and the way THAT works, but for now the relevant question is: how does a healing potion differ from a healing spell? primarily the difference is capacity for intent and direction: a healer, being a person, can focus in on the specific site of injury and identify exactly what's wrong and exactly what steps need to be taken to fix it most efficiently. a potion does not have this capacity for specificity and is instead subject to the direction of the body's natural systems. ingested, it will be dispersed through the digestive system and through the bloodstream; applied as a salve it may work faster, but this usage is limited to external injuries. strong healing potions therefore are great for boosting your natural healing capacities long enough to get you to an actual healer for more serious cases, and may be all someone relies on for less serious cases - similar to using over-the-counter medication for a cold versus going to see a doctor for bronchitis.

tldr: restoration IS a perfectly valid school of magic, and just because it emphasizes mundane knowledge alongside esoteric magical knowledge does not make it any less fascinating or worthwhile. thank you <3

[coyoteprince]

I am really, really going Through It right now, but... in the best way possible? Like, really good things? It's just a lot to juggle at once so I'm absolutely wore out from a massive growth spurt

I deserve to be joyous about this so:

-New house! All our own! We're even moving during October (date was pushed back due to philly market), very spiritually important time for me

-Getting married next Fall once things calm down, finally, after being engaged for a few years

-Came to terms with Widderwood being an important purpose in my life, an art that feeds my soul- even if the result remains small, all this work isn't a waste, because the process enriches my life and brings me joy. The many years of dedication I've had for it is a sign that it's the right choice for me to continue following, and am super looking forward to the years of doing the actual page layouts. I've been setting realistic expectations to maintain my happiness with production, am working it into my new schedule, and I get to ink the pages at my antique writing desk in the sunroom as I look out at our back garden once we move... waow

-Learning a ton of important things about myself- my fears, roots of problems and behaviors thanks to trauma and ego that I didn't notice. I'm being kinder to myself, less judgemental of others, and letting go of other's projections rather than continuing to internalize them. I know what I am, how to be empathetic and accept my missteps, but also what isn't worth my time and energy.

-Learning how to adjust my desire for perfection in myself to much more healthy & reasonable level, and being more willing to delegate

-Rebuilding my business internally from the ground up for success, seeking continuous education for business & science, and after years of struggling and testing, FINALLY figuring out a work-life method that works for my messed up desires-varience autism brain. Balance!

-Similarly, figuring out how to balance cooking for two autistic people who have greatly different cravings & stims

-Realizing what a hard working, loyal, and loving person I am with an unrivaled, firey dedication to change and self improvement. Capricorn to an eerie degree.

Overall I feel like I'm in the transitional period between continuing to be poisoned by the aftermath of prolonged abuse and illness, and finding peace while blossoming far beyond what happened to me. Something I've strived for, but wasn't sure I'd ever have. In a way, it's obtaining independence and finding out who I really am as a person, unclouded by other's words and fearful what-ifs.

20 something years of being locked away. About 8 more years of new experiences, perspectives, professional help, love, and grueling work to dismantle things in myself. I guess this is what real healing and responsibility looks like- at least in my case. I'll never stop growing, but I am at a pivotal point of change.

What I've experience is important to me because it set the projectile for my life. I want to be somewhat open because I want others to be aware of what autistic children often experience and how it affects them long term... but I also know I have more to me and don't have to be haunted anymore. Turning an unpleasant experience into a tool I can control is a lovely reward and I can now whole heartedly say: I love being alive.

[nemoys]

a very long messy review of link click (season 2)

alright so reading through a bunch of (mostly negative) reviews of the season thus far i've come to my own conclusions over how this season felt, and i really feel like addressing them since i personally feel like it deserves recognition (and rightful criticism) within certain aspects. really interested in everyone's takes so lmk whatever you think about all these aspects i'm about to gloss over.

NOTE ; i'm not going to be talking about the art direction or OSTs . i believe those have been nothing short of phenomenal and i feel like we can all universally agree over that

1) tonal shift : from a more emotionally driven s1, coupled with sprinkles of slice of life moments, we turn to a mostly thriller/mystery plot line. personally, i've always seen this coming. the tonal shift really didn't take me by surprise. with the lg stabbing at the end of season 1 it almost seemed inevitable that the more light hearted aspects of the first season weren't going to happen. more importantly, it was very clear that there was always a higher presence to fight. link click was always meant to be a thriller, this was always the plan, and so i suppose logically i assumed the second season would follow that path. i understand how people might've felt disappointed, or 'robbed', but i don't think the shift was all that shocking quite honestly, it was always set up. link click was never light hearted, even at s1.

the more shocking shift has to be the shift from an emotional, to suspenseful change in writing. the emotional writing in link click has always been the best part of the show and that hasn't changed, the emotionally driven plot lines of s2 (chen bin, ltc/ltx) have been written very well. the suspenseful writing also works. replaces the tear jerkers with an unsettling anxiety, and it's executed relatively well. you can clearly tell that the crew's been experimenting quite a lot with this season, and yes, that's usually what season 2 is for.

2) pacing : now i totally get the criticism in this aspect. in my opinion, the weakest part of s2's been the pacing. with overly drawn out fight scenes, and unnecessarily long recaps, i think the issue has to do with the fact that lc just has a LOT to address, and so it makes us feel less inclined to sit through longer scenes that don't directly advance the plot.

obviously i get that the fight scenes show off a lot of the animation budget #tm and they do look great but the fact that we had way too much time dedicated to a five minute long fighting cutscene in the FIRST episode just made me feel impatient.

3) red herring endings: alright this might be an unorthodox opinion but, aren't red herring cliff hangers a norm in general with these kinds of shows lol. idk i've come to expect the total opposite every time so it doesn't really bother me i guess i'm just used to the medium. not really a lc problem it's a story telling problem in general but that's just marketing i don't know what else to say.

it'd be nice if they followed through but some part of me thinks they're pulling a whole boy who cried wolf situation, eventually they'll pull the trigger when we don't really expect it.

4) shipping/ main trio reconciliations : it's a really serious ongoing situation. i kind of get why the main trio/shiguang don't get a chance to talk things over amongst themselves, it just isn't the time. keep in mind everything that's happening rn is happening continuously, there are no gaps within the days or anything, kind of makes sense that they don't really talk about it. they probably will get to once it's all over, which might be well into s3. again, this was always meant to be a thriller more than it was trio focused. also idk about you guys but i think we actually did get a lot of sweet moments within the trio, cxs and lg, even the sibling dynamic with ql and cxs were really lovely this season.

5) the women: okay i REALLY don't understand the problem here. the women are written well. ql is written FANTASTICALLY and all side characters like ltx and that one red eyed lady i'm forgetting the name of were great too. hell even chen bin's wife was great. i think for a donghua/anime where women are usually given dirt in terms of actually strong writing, lc has always been very solid. their lives do not revolve around the men in the show it just happens to be that men are a part of their lives. they have very distinct personalities and aren't treated like weird objects to gaze at (what a bar lol) but yes i do think the women are written quite dimensionally.

6) unanswered questions : when have linear shows ever answered questions (especially mc based) in season 2?? when has season 2 EVER tied loose ends? when it comes to linear television, season 2's purpose almost always build towards a greater evil/climax. there's a reason why season 2 hasn't answered questions we've had, season 2s in most shows rarely ever do. from what i can tell, with a confirmed s3, i've always expected s2 to simply do its job as a second season and further raise stakes and raise even more questions. i do get the frustration, i get the lack of any backstory, but i want to refrain from making any actual comments over that till every episode's aired ahah, however, im not too mad at it. i just think this show's ride is currently still at an increasing accelerated pace (guys i'm sorry i study physics), things will only be explained once we've once hit the climactic point or go downhill right after. time will tell i guess

Conclusion

overall, i think this season was actually pretty solid. s1 set a very unrealistically high bar, as s1 in my opinion is one of the best seasons in television period. but s2 and s1 shouldn't be compared in the same way, their tone is quite different, and needs to be analysed individually instead. i'll make a complete review once the season is over, but honestly i've come to enjoy the season most when i stop expecting too much out of it. i think people had way too many things they've expected from s2, that were bound to simply never happen.

that said, i do hope the crew takes the valid criticism regarding the pacing (and ig the character focus?) into consideration and implements it well into s3. it's worth noting that i believe nothing was meant to be complete with s2 in the first place.

i've really enjoyed this season, and i'm beyond ecstatic to rewatch it all once it's done airing, in order to properly take it all in. it's had its flaws, more than s1 has had (let's be real s1 had little to none). but that's bound to happen to shows when they head down their linear routes. currently sitting at a 7/10

[qtboni]

Hi bunbuns !! So we reached 1K FOLLOWERS on this blog, and I can't express how grateful I am for the support from everyone. Honestly, I never imagined this blog would ever reach this milestone. A few years ago, I had a Haikyuu-centered blog dedicated to writing fanfics and omg. like. wow. so much has changed since then! I'm overwhelmed with emotions right now, and I just want to say thank you for sticking with my work and showing so much love and support. I know I've been absent from this blog for a while and I admit, I've been missing writing fanfics. After a few weeks of reading other people's fanfics (delulu), I gained so much motivation and found the passion to write again <3 I want to clarify on how to make a REQUEST based on this drabble collection: Please provide a brief outline of the story you want me to write (please keep in mind that each story will be a one-shot), the character/s you want to feature, and you can either choose one of the drabbles or let me choose one for you. As always, please have manners and say ‘Thank you’ <3 Here are the drabbles, or like prompts if you may call it, I've written specifically for this celebration! I know I still have a long list of requests waiting in my inbox, and I want to apologize for not getting to them sooner. I really appreciate everyone's patience and support. Writing for you all has been such a rewarding experience, and I'm excited to continue sharing more stories with you all in the future. Much love 💕

── ◜✧◞  MASTERLIST ﹕ᶻz

STATUS || 2/24

• ULTIMATE SACRIFICE — "He would do anything to protect you, would even give his life in return to yours. He had already lost so much, he wasn't going to lose you too."

• HEART'S KNOCKS — "He hesitates to ring the doorbell, his hand trembling slightly. But he can't just leave without at least talking to you."

• SUCH TEASE — "He leans against the wall, a sly smirk etched across his face. His gaze then have gone travelling down your body before settling back on your eyes."

• HEALING TOUCH — "He wakes up to the sight of you by his side, your gentle fingers inspecting the dressings on his wounds."

• ANGEL BABY — "You were the only one he felt he could truly open up to. All the trauma, all the nightmares, you were the first one who truly understood him."

• CONSEQUENCES — "He couldn't bring himself to admit it, but the truth was he was terrified. He had fought in countless battles, but nothing had prepared him for this."

• TENDER CARE — "He grimaces from his injuries, but despite the pain, he gives you a small smile, thankful for your constant care and concern for his wellbeing."

• TIME'S TICKIN' — "He nervously looks around while waiting for the elevator, hoping he'll make it in time."

• LONELY NIGHT — "Rain pounds against the windowsill as he sits alone, lost in thoughts of you, wishing you were by his side."

• DELICATE FLOWER — "He gently wipes away a strand of hair from your face, his fingers trembling slightly as they brush over your skin."

• REMINISCING — "He felt a wave of tense as he entered the room. The scent of flowers and sunshine filled the air, reminding him of all the memories you shared together."

• HERE WITH ME — "He catches you off-guard with a kiss in reuniting after a long deployment."

── ◜‹3◞  COL.L KÖNIG :

• HEARTBEAT — "As you place your head down on his chest, you relished in the comfort of his uniform and the heat of his body."

• AFFECT ME — "He leans in closer to you, his deep voice sending shivers down your spine, as he whispers sweet nothings in your ear."

• RUINATION — "He couldn't shake the feeling that he had done something wrong, that he had ruined everything. He didn't know how to make it better."

── ◜‹3◞  SER.T HORANGI :

• SLEEPY LOVE — "He holds you in his arms, planting kisses on your forehead as he lays you in bed together."

• BELOVED'S TOUCH — "He lays on your lap, his soft hair brushing against your thighs as he looks adoringly up at you."

• SHY HEART — "He stares at you with a loving gaze across the corridor of the barracks. He should probably go before you find him out."

── ◜‹3◞  COL.L ALEJANDRO :

• AFFECTION — "He gently touches your cheek with his thumb, a small, sweet gesture of his affection."

• HIS PRESENCE — “His fingers pause, his gaze fixed firmly on the phone with a single message displayed on the screen: ‘I'm here.’"

• A CHOICE — "He couldn't believe he was really doing this. He was given the choice of betraying everything he stood for, just for you."

── ◜‹3◞  SER.T RODOLFO :

• FIRM HAND — "He tries to get out of bed despite his injuries, but you promptly pushed him back down, reminding him that he must rest to heal."

• SHINING SALUTE — "He stands to attention in his dress uniform, saluting proudly as he looks across the field at you, his sweet lover."

• GREAT CARE — "Your capable hands massaging his aching back, after a long day of training and fighting."

[ordinaryschmuck]

Why I Love The Owl House-Part One: The Characters

Salutations, random people on the internet who are already skimming past this! I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.

Back in 2018, when The Owl House was announced, I didn't think much of it. I looked at the teaser poster and knew that it would be a show that would gain a following, but I didn't think it'd appeal to me specifically. Then, in January 2020, just before the world made an oopsie, I saw that Disney Channel uploaded the show's first episode on YouTube. Having finished my homework and studying at the time and having nothing better to do, I clicked it out of morbid curiosity to gain a first impression of this series. And I'm not kidding when I say that the second the episode ended, I said, out loud, to myself, "I think I just found my new obsession for the next few years."

Yeah, I went from thinking the show wouldn't exactly be my thing to being obsessed with it. And obsessed I was! I wrote fan fiction and reviews and even drew a handful of fan art you are NOT allowed to look up due to how bad it is. The Owl House, with no exaggeration, also changed my life as it gave me quite a decent following on Tumblr for thoughts and stories I've crafted regarding the show and even gave me a new friend or two to share those same thoughts and ideas together. One of my closest online friends is someone who once reached out to me as a proofreader for a fic I wrote once upon a time, and I probably wouldn't have talked to them if not for The Owl House. I owe so much to this series that I adore that to explain what makes it so great...can't be done with a single review. I even considered writing a long review after Season One ended but gave up on the idea after realizing there's so much to talk and praise about the series. And that was with Season ONE! That was before Season Two made the show more spectacular in nearly every conceivable way!

So, yeah, we're gonna have to do this in parts, each dedicated to a specific theme. However, before we discuss THIS review's theme, I should get one thing out of the way: I'm not just going to praise The Owl House in every single review. There are problems to be had with the show, and I can't ignore them because the praises are stronger. I love The Owl House. I wouldn't be doing this if I didn't. But it's because I love it that I have to point out problems as they come because to truly love something means to take the bad with the good. And while there's a lot of good, there's still some bad worth mentioning.

With that said, let's finally begin by discussing the backbone of any series: The characters. And BOY, does The Owl House have a LOT of great, well-written characters, to the point where I initially considered that there wasn't a bad one in the bunch...I say initially because I finally woke up to how much I despise Tibbles (Yeah, wait until we get to him). Although, know that while discussing characters, we're not talking about one-offs like Bria and her lackeys in "Through the Looking Glass Ruins" or ones who weren't named in the show, like Amelia and Cat. We're focusing strictly on frequent players and fun side characters that nail the short time they appear. And we're also going in order from my least favorite to my most favorite. And just know that this is in order based on how good they are as CHARACTERS and not as PEOPLE. There’s a difference, and I’ll be able to explain as I go.

Now, without further ado, let's begin this wild journey together with the worst character in the series.

(Also, be warned, this is going to be the LONGEST post you’ll ever read. The Google Doc is 33 pages long…)

Tibbles: Yeah, really no contest here.

Tibbles is, quite frankly, the only character that I consider inadequate. I get the idea the writers were going for: He's a secondary antagonist for lighter adventures amongst heavier ones. The problem is that type of character does not function for a show like The Owl House, a series where the writers were told they'd be cut for time while working on Season Two and having little time for lighter tales. Maybe if the show had enough room for twenty more adventures or if The Owl House had a slight lean toward episodic misadventures like Amphibia, Tibbles might have functioned better as a comedic villain that occasionally screws with the main characters for filler. But because The Owl House has so much to do and would eventually become a series with no time to do it, Tibbles becomes more annoying when he distracts from the plot. Fortunately, he's only in three episodes. Unfortunately, Tibbles never becomes as entertaining as he could have been. He has one good capitalism joke, and that's all the good I can say about Tibbles. Let's move on…

Jacob: Another secondary antagonist that would have worked better if the show had more time. Maybe make him a constant threat (read: annoyance) to Vee or the rest of the Hexsquad while they're stuck on Earth. Instead, he's nothing more than a one-and-done threat who makes a singular cameo in the best episode of the series ("Thanks to Them"). At least Jacob being a crackpot conspiracy theorist is kind of funny. Otherwise, he'd be lower than Tibbles.

Perry Porter: He has next to NO character. Barely even a scrap.

He’s the father of one of our primary characters, and Perry has NOTHING going for him other than that and being a reporter. At least he’s not annoying.

The BATs: Yeah, might as well lump these three together because they started off making you think they'd do SOMETHING, only to have very little to do with the plot, with only one of them having a definite personality (It's Amber, and I love her).

Katya's kind of fun as this weird fanfic writer who has a hint of appreciation of showmanship, given how she very clearly wrote Raine's speech. But then you also have Derwin, who's so forgettable that I know for a fact that you had to Google his name to remember who Derwin is. These three are a mixed bag of sometimes being fun yet forgettable, to the point where I don't blame the writers for forgetting their existence when it came to the rest of the series. A shame, really, because there could have been something interesting to explore with this secret resistance organized by Eda's ex. The problem is, just like Tibbles, there's not enough time for characters like the BATs to flourish. They're missed potential, sure, but that doesn't make them bad. Just less than remarkable members of this very extensive cast.

Gilbert and Harvey Park: Have slightly more personality than Perry with Gilbert having more of a playful and laidback side to him and Harvey being the more serious and worried of the two. You can see glimpses of this through the little details like Willow falling onto Gilbert in that swinging memory in “Understanding Willow.” Gilbert laughs with Willow while Harvey looks a little worried. That’s sweet. They balance each other out.

Also, they’re gay, and gay characters are always better. It’s why they’re a step above the BATs. NEXT!

Warden Wrath: He has the same problem with Tibbles and Jacob, where Warden Wrath is a secondary antagonist in a show that doesn't really have the time for him to be as effective as he COULD be. What makes him BETTER is that Wrath is at least funny. Like, the man chopped off Eda's head and then asked her out. That's humor, baby.

Also, he's a good dad to Braxus, so...you know.

Though I will admit, I'm surprised how little a role Wrath played in the show. In "A Lying Witch and a Warden," he gave off main antagonist energy with his look and menacing demeanor. Turns out he's just a throwaway character, and that's for the best. He doesn't overstay his welcome, never distracts from the plot, and has a few hilarious lines and moments. Not the strongest threat or character, but decent's good enough for me.

Kikimora: I might be the only person who doesn't hate this little gremlin, and even I have to admit she's not that great.

Don't get me wrong, I adore how insane she acts and how obsessive she can be in wanting to beat Hunter, specifically. She has a lot of fun moments and, weirdly, looks adorable when not wearing a cone of shame. She has her fun moments...but fun enough to be a recurring antagonist throughout the series? To the point where the characters have boss fights with her in three prominent episodes?

I...don't think so. I like Kiki just fine, but only in spades. Her voice can get grading after a while, and you do get sick of her obsession with the Emperor's coven given time. She's at least funnier than Wrath, though. I will ALWAYS stand by that. But that's not enough to get her higher.

Adrian Graye: He's yet another secondary antagonist that would have benefited from more time...I'm noticing a theme here.

Eh. Either way, this guy's great. His whole schtick is being a bad and nitpicky director, and that's funny to me. It's what I would expect from the head of the Illusions Coven, who are witches best defined as ones with a sense of showmanship. Some might find Adrian annoying, which...yeah, he's kind of intended to be. But I get it. Not everyone would laugh at this guy as much as I do, and that's okay. Comedy is subjective, after all. My only complaint with Adrian is that we don't see more of him. He's too fun of a villain with an equally entertaining concept to be wasted as a one-and-done antagonist that resorted to only cameos in the future. Still, if the worst I can say about a character is that I want more of them, is that actually a problem?

Tinella Nosa: Also known as Dana Terrace's self-insert. She's used primarily for comedy, and thank goodness for that. I don't know if I would have appreciated this character as much as I did if Tinella was best friends with the main cast or had some stake in the plot. In fact, the one plot and subplot that feature Tinella in a prominent role was some of the worst the show has ever had. Thankfully, she's mostly a character for random comedic bits, and I really wouldn’t have it any other way.

Barcus: Another character whose primary purpose is to be funny. At least Barcus is a dog that radiates stoner energy, giving him a ton more bonus points.

Braxxus: ALSO a comedic character, but is only better because the joke's funnier. I mean, Braxxus is just a character who's a little toddler that looks and sounds disturbing. How can you NOT laugh at that?

Eberwolf The Huntsman: Quick aside: Was anyone going to tell me that Eberwolf was apparently a man, or was I supposed to find that out for myself? I mean, shame on me for assuming genders, I guess...But I'm pretty sure I wasn't the only one on that.

Anyways, Eberwolf is fine. In the short time he's in the show, Eberwolf offers great humor by being this feral little rascal that primarily annoys Darius. Not much to say other than that, and I doubt having more time would benefit Eberwolf. He really does scream "Comedy Relief" to me, and sometimes being entertaining is enough. Not everyone needs depth.

Boscha: Speaking of depth, I will forever stand by my claim that Boscha worked better as a one-dimensional bully than a three-dimensional one. Sure, three-dimensional bullies can be interesting because it leads to us learning why they do their harsh acts and that there are reasons why they're bad kids...However, that's why we have Amity. And for a redeemable bully like HER to work, you need an irredeemable one to show up to prove that not every little s**t can be better with time. Some are just sadists for no reason. And that's where Boscha comes in as a bully that knows full well she's hurting people but doesn't care because her only justification is that they deserve it. Why? Because Boscha believes she's better than them. That inflated ego makes her the perfect mirror of what Amity could have been and causes Boscha to be the best rival to Willow. Willow starts off with confidence issues, where even though she gains more of a boost thanks to her friends, there's still lingering self-doubt in the back of her brain. Boscha lacks that. She may do some affirmations to her reflection, similar to what Willow does in "Any Sport in a Storm," but while Willow briefly second guesses herself, Boscha says every word as if she knows its universal truth. So when these two go up against each other, it's great because it allows Willow to prove that she IS the best while proving that Boscha's the worst. It was perfect, and it's why I had no issues with Boscha remaining one-dimensional...But then the writers had to SCREW IT ALL UP!

Now, don't get me wrong. Revealing that Boscha had codependency issues with Amity and Boscha's other friends is interesting. There's just one problem: They introduce this idea in the second to last episode of the series. There's next to no time to fully flesh it out, leaving Boscha with a character arc that feels both forced and rushed. It might have been better if this idea had been established from the beginning instead of using most of that time writing Boscha as a one-dimensional bully with no depth to her. I still say she's entertaining, but maybe the writers tried TOO HARD with her.

Matt Holomule: But sometimes, it's better to try for a character that used to be the most universally hated.

How in the hell did I go from hating this little stink rat to being genuinely entertained by him? He's not my favorite or anything, but, like...compare Matt's first appearance with his last. He was an insufferable little prick who caused problems for Luz and Gus all because Matt wanted power and drama. That's it. Just those two things: Power and drama. Yeah, those are not great motivations for a character.

In fairness, it was clear we were supposed to hate Matt, and humor comes from watching him fail miserably. The problem is that he didn't do it enough, and while I'll laugh at the little stink nugget getting messed up at the end of "Something Ventured, Someone Framed," Matt still won by the end of the day, getting everything he wanted. He just got a little messed up along the way, is all. So while the idea is there, it's not strong enough to make the character entertaining.

But then the writers decided, "Hey since we're not going to try with Boscha, let's try SOMETHING with Matt." And it worked! "Through the Looking Glass Ruins" showed why Matt was such an insufferable, slimy weasel because he attended a school where the more powerful received more respect. Matt never got that in his old school, so he tried again in his new school, looking for power and drama because it's all he knows. Then by "For the Future," not only is the guy actually competent, but he's hilarious through false bravado and not being smart enough to know that he's been crushing on a robot. It's a huge improvement...but only from a character that makes three primary appearances and sucks with one of them. A character who's decent two-thirds of the time isn't too bad, but that still doesn't make him high up on my list, where characters are better for far more than that.

Viney: Or a character that has a better vibe despite...barely having anything to work with.

Viney...is insane. She dumps friends over the tiniest of misunderstandings and uses her griffin as an assistant for everything. She's clearly not well in the head...and that's what makes her entertaining.

Vine is a looney nut who might be unaware of her crazy actions. It's good fun, but the problem is that there's not enough of it. Like Matt, Viney has very few prominent moments in the series, and you can tell she's not as entertaining as she could have been. If the writers went all the way with her insanity or made her a character that's the textbook definition of "zero chill," you can bet Viney would be one of my favorite characters. As is, her craziness is only...a scrap of what could have been a great personality. I like her, don't love her.

Jerbo: Jerbo's higher because he has more of a well-defined personality. And he wasn't instantly unlikable, so...

And that really is all there is to say about Jerbo. He's fun as a fearful boy down on his luck and has a bit of intrigue with how he wanted to change the coven system forever. And he does, which is honestly pretty cool. Still, not a lot to make him higher.

Owlbert: Hey, look! It's a character that had a ton of prominent appearances in Season One and was all but forgotten in every season after!

This is a shame because Owlbert is one of the two palisman in the series that feels like a genuine character. The others are cute (my favorite is a tie between Ghost and Stringbean), but Owlbert, for a few episodes, felt like a prominent member of the cast with his loyalty to Eda and the connection formed with Luz. In fact, he and Luz had such a great connection that, for a while there, I assumed the show would do a thing where Eda passed down Owlbert to Luz as a form of passing the torch from the master teacher to the master student. But that didn't happen, which I can be fine with because Stringbean's perfect, and I will not hear any argument about it.

Still, it's weird how Owlbert showed up a fair amount of times in Season One, even having an entire episode dedicated to him, only to be forgotten and discarded by the time Season Two rolled around. And I know someone who'll be mad about that.

Bat Queen: And she's a character that had her own kind of potential only to be forgotten in Season Two. Only in this case, I'm willing to be more forgiving toward Bat Queen. It sucks that we'll never fully know who her owner is, but that always felt like a minor story beat for someone who wasn't that major of a character. Or, at least, someone who never had TIME to be a major character. The Bat Queen had intrigue as a discarded palisman who dedicated her life to looking after abandoned ones, but someone like her doesn't really have a place in the grander story of the show. Plenty of characters in the series have good reasons to have their stories continue or their personalities develop, whether having close ties with a main character or having a narrative purpose. Bat Queen doesn't really have either of those things, so it's why I'm not someone who’s losing sleep at night just because she has this engaging backstory brought forth but never followed up on. I'd still like to see it, but I always knew that after hearing Disney shortened the show, it was always going to be the Bat Queen's story that would fall on the cutting room floor. Missed potential for sure, but at least we had an interesting character for a short while.

Odalia Blight: And the winner for the worst mother of the year goes to--Yeah, I know. An easy joke to make. But I can't help it! It's always served on a silver platter!

Anyways, Odalia's the worst. Yet that's what makes her the best, funnily enough. She's the most snobbish snob that's ever snobbed while having zero respect for other people, least of all her family. You hate her with every fiber of your being, and you cannot wait to see her fail miserably despite trying so hard to reach the top. And Odalia absolutely is a character one loves to hate. She called Amity and her friends into the office and soon scolded Amity for not being in class. It is a challenge to make someone that kind of entertainingly despicable, yet the writers nailed it. However, they might have worked too hard to make us hate Odalia and not enough to deliver her just desserts.

I have no problems with Odalia being an awful mother, wife, and overall person throughout the show. I figured it was only a matter of time before she got hit in the face with SOME karma that would make it all worth it. Sure, it was nice to see her bend to the whim of a literal god that craved pizza bagels, and I do love that Belos, who values life less than her, didn't even want to use Odalia as his meat puppet. Still, she deserved worse. After everything Odalia did and the bridges she burned, it would have been nice to see either Amity or Camila knock her lights out for being a terrible mother. Hell, we even saw Kikimora doing community service and grunt work after her crimes, so it would be fitting to see Odalia right there with her. Or giving her SOME punishment other than making the last time we see her being Odalia standing off to the side and acting like she doesn't care that she lost everything. And that...doesn't feel right. After everything Odalia's done, we, the audience, and her family, deserve to see Odalia receive the worst punishment she had coming to her. Maybe not death or even going to jail. But SOMETHING is better than nothing. She was entertaining, but being so goes only so far without a proper failure.

...But at least she's hot. I know that's out of left field...but we all know it's true...Camila's still hotter, though.

Gwen Clawthorne: ...At least she's a better mother than Odalia?

Alright, I might be the only person who doesn't hate Gwen like others in the fandom, just like with Kikimora. But unlike Kiki, Gwen has much more to like...at least to me. Yeah, her falling for scams isn't great, and realizing the error of her ways could have been done better if not...quickly paced, but I don't mind her. Upon her introduction, it's clear that Gwen wants to try and help Eda with a vile curse. She may have been a bit hostile with her wording, but we soon learn that the curse not only turns Eda into a savage beast but one that clawed Gwen's husband's eye out and ruined the family business that's been around for generations. You can't really blame Gwen for being...agitated about the curse. Or wanting to try anything and everything to cure it. Yes, Eda's curse is often used as an allegory for a chronic illness. And a pretty decent one at that. But sometimes, with a story, you have to remove the allegory from what's shown, and doing so helps you gain more of a perspective for why Gwen reacted the way that she did. Was it right? Well...Not really. I guess she could have seen sooner that she should have been there for Eda instead of scaring her off, not to mention the damage Gwen caused in her debut appearance, but Gwen was at least quick enough to come around and realize what she did was wrong, and APOLOGIZE. Most parents like her won't be that easy, obviously, but another thing about fiction is that you have to realize that it's...fiction. Not everything equates to real life, and you should accept a character's choices and actions if it suits the story. Not many kids can do that, sure, and that's where the hesitation fits, but I think Gwen's kind enough to prove that she's worth believing in. She still spent years trying to help Eda, even if it was misguided, and was ready to kill the guys scamming her. Gwen is not a bad person. Her heart's mostly in the right place despite the troubles she caused, and I'm willing to bet she learned her lesson in the end. Just listen to her speech to Eda (and a little to Lilith) near the end of the episode. That's a mother's imperfect love if you ask me.

Masha: Admittingly, there's not much to them. Masha's a solid character. They have tidbits of personality as someone who's into the grim and horrifying but has a good sense of humor about things when they laugh off reading Vee an accurate fortune by saying she needed bath bombs or humorously sum up Belos' backstory about him being upset that his brother got a hot witch girlfriend. Plus, there's the genuine representation of having Masha be non-binary but still comfortable dressing and looking feminine. From what I've learned, being non-binary doesn't mean sticking to a gender-neutral style. Some like to look feminine, while others are fine appearing masculine, and it's cool for The Owl House to represent that through Masha. I only wish there was more about them. I could go on and on about most of these characters, but for Masha, there's not enough to go off of. It really is the good vibes and representation carrying them, but that's not much to complain about if you ask me.

Skara: SKARA IS THE BEST GIRL!

What's that? She barely has much of a consistent personality and is an over-glorified background character, if anything else? Well, too bad, because she's the best girl.

Honestly, I don't know why I love Skara so much. She hardly has any character to her, but something about her is just so gosh darn endearing. I'm telling you, sometimes a character can be entertaining by having a good vibe alone.

Steve: THIS MOTHER F**KER, however, had NO RIGHT being as entertaining as he was! Nor how popular!

Steve. F**king STEVE! All he had was one or two lines in a less-than-stellar episode, yet the fandom ADORED this mother f**ker! And, yeah, they were funny lines, but not "OMG, best character EVAH" levels of funny! But sure enough, people loved him! So the writers brought him back, and gosh dang it, he's so endearing! He's the most chill and reasonable character in the entire show! He gave King insight into who he was in one of the biggest character moments in the series! He's...NOT the golden god that I think people were picturing him as under that mask, but DAMN, is he still a handsome fella! He's so great, that I honestly wish he was in the show MORE! Gosh, DANG IT!

"If you love him so much, why are you acting angry about it?"

Because it's FUNNY!

"No, it isn't."

Yes, it is! Moving on!

Terra Snapdragon: Finally! Some good frickin' secondary antagonist!

Terra is why I hoped the series would dive deep into the other covenheads, primarily the clearly evil ones. This woman radiated supervillain energy as someone who seemed super sweet but would kill you with zero hesitation. And we learn in the flashback episode that Terra was somehow more bloodthirsty, having zero care for the lives of others, least of all children. The woman was despicable, and it was a treat seeing her return when she did. And, unlike Odalia, Terra had a proper amount of punishment. Sure, it sucks that she slinks away in the finale, but her forced to play pretend with the Collector while in an outfit that...did not work on her is pretty decent karma for someone who saw others as below her. Plus, she at least turned into a puppet for being too big of a big mouth, which is more than what Odalia got. I'd prefer if Terra had MORE punishment, but who knows? Maybe she went to jail or...tripped and snapped her spine off-screen.

If anything, my only complaint was that Terra wasn't in the series more. Make HER the main threat in "For the Future" instead of Kikimora and Boscha. THAT would have been fun. Regardless, she's entertaining enough as is, even if more screen time would have made her better.

Principal Bump: This man deserved more love...He said, while still leaving Bump below several characters.

For real, though, Bump deserves more credit, even from me. He's the school principal in a children's animated series, but instead of making him the demonic, overbearing dictator, the writers made him...the exact opposite. If anything, Principal Faust is more of what I would expect as a cold, careless, and horrifying hater of fun and children. Thankfully, that's not Bump. The man may be strict and have no problems throwing a kid into a detention pit, but he still cares about the safety and well-being of his students. Hell, he loves his students. Even with trouble-makers like Luz, Gus, and Willow, Bump can't help but cry because he has fond memories about the three of them and the trouble they caused. And while he can be dead-set in some ways, Bump is still willing to admit when he made a mistake and chooses to correct it, like in "The First Day" by letting the Detention Kids pick multiple tracks to study from. He's kind and reasonable, and that's what's to love about him. Plus, Bump's got some Grade-A snark on him. Some of the show's funniest and most quotable lines come from his dry remarks, and it's partially why he's bumped (ha) up so high. As I said, Bump deserves more love...It's just unfortunate that there are more entertaining characters than him.

Lilith Clawthorne: Admittedly, Lilith would not be up this high if she remained the person she was in Season One. Back then, Lilith wasn't the worst. She functioned nicely as a foil to Eda's wild side and had a great design for a secondary antagonist. The problem is that Lilith was a little boring, her motivations weren't made clear until the finale for the sake of a twist, and that same twist REALLY hurt her character...for about a week until everyone was quick to forgive and forget after a poorly paced redemption. And that's another fault of Lilith: Her redemption. She cursed Eda, ruined the family, ostracized Eda from society, hunted her down for YEARS because of blind faith in a man playing her like the cheap-ass kazoo that she was, and it all got wiped away almost instantly. Granted, there is one asterisk to this: It was all an accident...Sort of. 

Lilith did mean to curse Eda but didn't intend for it to last as long as it did. And you at least get a sense that Lilith feels some remorse for doing so, even stopping their first duel together the second Eda brought up the curse. The problem is that she doesn't feel enough, still treating Eda as lesser than her despite the two of them being close and Lilith supposedly feeling guilty about cursing her. And, again, it feels like everything got resolved too quickly. I accepted everyone is quick to say, "Everything's good for now" in "Young Blood, Old Souls," but only because I expected Lilith to get dragged through the coals in Season Two. But she didn't. She was quickly treated as one of the gang, and Eda did nothing but jokingly remind Lilith that she cursed her. You do that after years of getting over something, not after a week. So, as a redeemable antagonist, Lilith might as well get a C-...Thank goodness she became an entertaining character, regardless of that.

By Season Two, Lilith becomes an almost different character. Better yet, she becomes what I wanted Viney to be: Bats**t insane. Lilith is violent enough to tell Philip that he better be digging his own grave and punches him in the face without hesitation, ecstatic about banisters and having barnacles on her head, and willing to devote her whole life to an eight-year-old and perform blood sacrifices in his honor. The woman lost her mind, and I was all there for it. Even then, though, she still had a bit of intelligence, being hesitant to trust Philip after seeing some similarities to Belos and studious enough to figure out glyph combos herself. It's just that now because there are fewer worries and fears about keeping an image and being the best, Lilith can let go of inhibitions and go nuts. Her redemption could have used a lot more polish, but being so dang entertaining in Season Two is what made Lilith a character I couldn't care about to one I was excited to see when I could.

Alador Blight: Wish I could say the same about this guy...

I think I love the idea of Alador much more than his execution. Upon his introduction, he's presented as the lesser of two evils between him and Odalia, with Alador being easier to talk to without threatening to kill anybody and trying to find compromises that could stow Odalia's fire when she becomes unreasonably angry. Initially, one could assume that he's on the same agenda as hers, only to later find out that Alador's being mistreated too, with Odalia working him to exhaustion, too tired to even notice his children's problems half the time because he's too busy working for Odalia to the point where he never even took a sick day. In Season Two, this lines up with a lot of his behavior. It's why he acts so scatterbrained and unsure of what to do in most appearances. Or the way he tries to tell Odalia they've demonstrated enough with the Abomiton and how he forces a compromise by making Odalia stick to her word and sneakily tell her that being with friends makes Amity stronger, and how he promises to Amity to let Odalia back down in "Reaching Out." If you look solely at how he acts in Season Two, I believe it's pretty decent character work/development, showing a man who loves his kids but can't be the father he wants and needs to be because of his overbearing wife...However, there is ONE moment that spoils everything.

Yeah, that one. This is the scene that everyone points back to when discussing Alador's change of heart and whether or not he earns Amity's love despite it. He's very clearly on Odalia's side in this argument, being just as cold as her. Some argued that because this memory came from Amity as a kid, she might misremember the details and misconstrued how Alador acted that day. Even his silhouette seems different from how he looks in the present, and I was willing to agree because I remember days when my parents got a LITTLE mad, and it was the scariest thing in the world. However, not only would you be surprised how more traumatic experiences stick with kids, but the show makes it very clear that memories inside one's mind recreate things to the exact detail. Sure, there's the fact that it's Amity's recollection in Willow's brain, which, as far as we know, isn't as perfect as a picture. But The Owl House never explicitly establishes how weak a witch's memory could be while already inside a memory. It's a very weird distinction to make but necessary to prove that Amity's memory isn't as exact as it looks. Although, if you want explanations, I have some of my own. One realistic, another analytical, and one argumentive.

Realistically...this is a retcon. The writers had a new idea of what to do with Alador and realized, too late, that they had to make changes to his character for it to work. Changes that go beyond a scene where all we see is his silhouette. And when a retcon's made, it's sort of a team effort between the writers and the fans to explain how it works, with the writers providing the information and the fans analyzing previous scenes to see how it holds up. And after writing about how he's under Odalia's abuse and manipulation, here's where the analysis comes in.

Alador works so much and dismisses his kids because, if he doesn't, Odalia will have the kids do work for him. Not wanting to let them go through what he does, Alador reluctantly goes along with what she demands, only getting her to back down when he sees an opportunity, like in "Escaping Expulsion." Unfortunately, just like that episode, he's still on her side most of the time, doing what she wants and saying what SHE thinks is right even if he probably doesn't want to. Because if he doesn't, he and his kids are in WORSE trouble. That day, when Alador scolded Amity, might be a day when he felt like there was no other choice because Odalia left no room to back down and was forced to do and say what she wanted.

Plus--and here's where I get argumentive--We forgave this:

Granted, there are some arguments against this as well, one I'll get to when talking about Amity. For now, I will say there are three reasons why we're willing to forgive Amity: One is that she's a kid. People are more willing to forgive a child's behavior because they can outgrow it and become better. People have this idea that adults can't do the same thing, that they should already know better...even though adults rarely do, and they could live up to seventy while still unaware of how their behavior is wrong. Number two is that we spend more time with Amity, learning how much she regrets her actions and proving how she'll work hard to be a better person despite them. We can't have that with Alador because the show has to do so much and has very little time to do it. Some corners can be cut, and Alador was one of them. Thirdly, and this is the one I can't argue against, people understand Amity's plight because they WERE Amity. They've had experience with neglectful and abusive parents, and that experience beats any argument a person has. It doesn't matter if you, me, or anyone else argues that Alador isn't badly written. THOSE people, the ones who had an Alador of their own, will always feel uncomfortable by how the writers made him because those people know not every parent is like him, and they don't want kids thinking THEIR parents are the same. I mean it when I say I can't argue against that because that's a fair reason to not like a character.

Personally, I like Alador enough. At least, I like the idea he represents. It's good to show that parents can be mistreated too, especially a father because not enough people take men getting abused in a relationship as seriously as women do. The execution is a little sloppy because of that one scene in Season One, but it doesn't bother me. It DOES, however, bother others, and for reasons I can't help but sympathize. I won't call Alador a bad character, but I won't stop others from disagreeing. But at least his kids are great (and, yeah, we’ll get to them).

Dell Clawthorne: Dell's kind of both a symbol and a character.

Symbolically, he's the physical representation of Eda's biggest regret. She blinded and crippled her father, ruining the family business in the process. But the sad part is that none of it was her fault. Yet Eda still blames herself, not even wanting to go and SEE Dell because the pain of knowing what she did to him is too great. He proves that Eda can turn into what she is afraid of becoming. Something that we see in her nightmare in "Watching and Dreaming." Something that no one wants to be: A monster. A monster that doesn't deserve forgiveness or love. A monster that should be locked away for the safety of the ones she loves. But the crazy thing is that Dell DOES love Eda. He DOES forgive her.

Dell has every right to be angry. He lost his eye and his job. Who wouldn't be angry after that? And maybe he was for a bit, but I doubt he was ever angry with Eda, let alone resent her for it. Instead, after years of her running away and never wanting to talk to him again, Dell only wanted to see his daughter again. His scene with Eda in "Elsewhere and Elsewhen," where he clarifies that what happened was tragic but still loves Eda despite it, is one of my favorite interactions between two characters in The Owl House. And trust me, that's a hefty list to get on.

Dell's time on the show wasn't long, but what he does gives a lot of substance to the show for a guy who probably has less than five minutes of screen time (I don't know, I didn't do the math). Maybe he could have offered more, but I'm glad with what we still got.

The Titan: The same goes for this fluffy individual. We only knew them for a short amount of time, but holy hell, did the Titan make the most of it. Even though, technically speaking, we knew them the whole time.

I don't think I've seen a show where the setting happens to be an essential character in the plot. I'm pretty sure everyone assumed the Titan was a corpse that our characters had adventures on, and that's it. Any idea that they were a being that could talk to others could get shot down because the only person to "talk" to the Titan was Belos. And with him being the serial liar that he was, any fan could assume that even talking to the Titan was impossible, and meeting them was even more so. Turns out it wasn't.

And the Titan, the powerful being whose corpse is big enough to form a landmass, also turns out to be a chilled-out individual. There are brief moments of seriousness and even nobility in their final moments, but for the most part, the Titan is just a laid-back, jovial person. Personally, I'm into god-like beings that are like that. Not one that's wrathful or vengeful, but kind and acts like someone you could, I don't know, have a beer with. Not that I drink beer, but...you know.

Granted, the Titan WAS a bit wrathful with how they treated the Collector, but they clearly feel bad about it after finally realizing the Collector meant no harm, and it was the Collector's SIBLINGS who did the dirty work. The Titan admitted to making a mistake, making them both a kind god and a humble one. It amazes me how much characterization was given to the Titan in how little time they were officially introduced in the show. There are characters who are better after having more time, but there are also ones who might just be worse. So I appreciate that they made the Titan so top-tier, even if making them nothing more than the Isles, and the show's setting, would have been more than enough.

Emira Blight: I will forever be grateful for the course correction that the writers took with Edric and Emira, not only making them great supporting characters instead of semi-antagonists like in "Lost in Language" but also giving them their own personalities that help them stand out instead of being exact copies like most twins in media. Unfortunately, Emira might be the least interesting Blight sibling.

THAT DOES NOT MEAN BAD! Just because Amity's more engaging and Edric's more entertaining, that doesn't make Emira a horrible character because of it. It just means that, comparatively, she's not as high as her siblings. With that said, Emira's still pretty fantastic as the only Blight with a functioning brain cell. She calls Edric out for his occasional stupidity, gives proper advice to Amity when she's freaking out, and has her thoughts together because Emira didn't work herself to exhaustion. It also makes sense why Emira's a healer. She's there to keep her family physically and emotionally safe, making sure Edric doesn't hurt himself or counseling Amity when things are too overwhelming. Not only is Emira the most sensible, but it might make her the glue that keeps the family together. But despite that, she's still playful, still mischievous. Except, unlike her brother, there's a more controlled intelligence behind the fun and games Emira pulls. It's a bit more subtle, but it's there. So, while she might be the weakest Blight sibling in terms of story value, Emira is still a great character in her own right, being a fun yet essential family member with that perfect older sister energy...Mainly because she's the older sister, but my point still stands!

Edric Blight: Ah, the one Blight sibling that proves how most of the brains went to Amity and Emira while he got only the scraps.

Edric is not smart. And that very fact leads to two kinds of entertainment. Firstly, it's funny seeing his dumbass stumble through life. He tried to eat snow, attempted to keep a wild bat as a pet, couldn't pick up a hint to save his life, and ended up in a full-body cast after a reckless rescue mission. The poor boy is a riot because of how dumb he acts, which leads to the second thing entertaining about Edric: He's aware of his lack of smarts and how others see him as "The Dumb One." It causes Edric to be a little insecure about his talents, despite having great knowledge of Beast Keeping and decent skills with Potions. It's as if the writers saw the fans' preconceptions about Edric and decided to do something with it. Unfortunately, they only did it for one episode because we're strapped for time, but that brief instant of character insight is what's to love about this show. We have so many characters to use and so little time that instances like Edric helping Eda and King make a potion is enough to be considered great character development for someone who could have easily been "The Dumb One" and nothing more. He was funny enough with that simple character trait, but one tends to appreciate when a show goes the extra mile, even if it's for one episode only.

Hooty: Oh, Hooty. Sweet, dearest Hootcifer.

At first, I did not like you. You were an annoying addition as comic relief, whose screechy voice only made me hate you more. But then something interesting happened. As time went on, you became less annoying and more endearing by nature. Having an eagerness to please others mixed with a constant ignorance of social cues made you quite humorous. Yes, quite humorous indeed. The laughs brought forth by things you have done and said were plentiful, and I was delighted by each appearance you've made.

And best of all, dearest Hootcifer, you've made Luz and Amity a canonical couple. In an episode that will be nearest and dearest to many fans' hearts, you have not only brought out beautiful development between King and Eda but also managed the most adorable display of young love to occur. A young love between two girls, no less, meaning this moment of spectacular representation for the LGBTQA+ community is all thanks to you, a character best described as a "bird worm." That is both mildly hilarious as well as incredible.

Unfortunately, dearest Hootcifer, your time on the show was not perfect. Whilst Season Two was you at your best, it took all of Season One for me and others to warm up to you. And by Season Three, with every other characters taking story prominence, there was nary any time for you, Hootcifer, to add anything of value. You hardly had any lines, nor did you manage to have any final words in the series finale. Other characters in the series had faced this injustice too, but it is extra ludicrous for you, Hootcifer. You were there since that very first episode, becoming the fourth member of the Owl House family. To think that your last line was only in the second to last episode, despite how much of an impact you've left on the others and the fans, it pains me that you were one of the few cheated out the most with that final season.

Regardless, despite everything, Hootcifer, you are a well-done character with humor and heart. Tis no wonder that the show is named after you, for you are worthy of such an honor.

...In short, Hooty is funny, endearing, and surprisingly grows on you. I have...no idea why I gave that sentiment across in such a fancy way, but oh well.

(He deserves it anyways)

Flapjack: *Sigh* Another loving bird...

Just like Owlbert, Flapjack's the only palisman with enough prominence in the series to feel like a character, but unlike Owlbert, the writers actually explore more with Flapjack. But that may be because his story is tragic.

It is heavily hinted that Flapjack is Evelyn's palisman, who also lured Caleb into the Boiling Isles and indirectly sparked DECADES worth of...bad stuff. And within that time, Flapjack lost an eye and an owner and spent so much of his life alone. That is until he met Luz...who then introduced Flapjack to Hunter.

It really was a solid expectation subversion that Flapjack chose Hunter as an owner. He had a kind and playful energy that matched Luz perfectly, but no. He wanted Hunter, possibly because he looked so much like Caleb. And not wanting to lose another Caleb, Flapjack seemed to make it his number one goal to help Hunter in every way possible. That's when it hits you why Flapjack is perfect for Hunter: He's what Hunter NEEDS. Flapjack may have worked well with Luz, but Hunter needed him more than she did. Hunter was all alone for most of his life and went through so much emotional and mental stress in his unfortunate existence. Then here comes Flapjack, cheerfully supporting Hunter in his interests and literally pulling him to people who will make him happy. Flapjack's basically a therapy bird if I've ever seen one. And it really was nice seeing the majority of the time he's spent in the series be dedicated to making someone else happy...because it makes his death all the more tragic.

All Flapjack wanted was to make Hunter happy, ignoring the fact for so long that being near Hunter was the biggest risk that Flapjack could have ever taken. The second Belos might see Flapjack, he'd be as good as dead due to Belos' need to feed off the souls of palismens and because of Belos' hatred for everything that Flapjack represents. Yet Flapjack still stuck it out and stayed by Hunter's side despite these risks. His death was all but inevitable, but it hurt all the same because while we knew, deep down, it would happen, we didn't WANT it to happen. But it did, and it stings that a bird that wanted to do nothing but good only paid a horrible price for his kindness. On the bright side, Flapjack died doing the one thing he did best: Helping Hunter. No, SAVING Hunter.

Flapjack was loyal to the end, and we all love him for it. And miss him all the same.

Darius Deamonne: Hey, look! It's another character that's important to Hunter! And this one is FABULOUS!

I'll forever be blown away by the expectation subversion the writers did with Darius. Upon his introduction, you think he would be this menacing secondary antagonist the characters would have to fight through in a final battle against Belos. That was definitely the vibe I got from the guy, with how menacing he acted and how he looked in his abomination form. Turns out, most of that was an act...Most of it. I'm willing to bet that he really was ticked off by whoever was screwing with him, and his annoyance was real with Ebberwolf. But by using what we NOW know, it's clear that Darius was playing SOME of his behavior up to make it convincing enough that he's on the Emperor's side in case any ears are listening in. Belos does have eyes and ears everywhere, after all...somehow. Plus, it makes the reveal that Darius is on the side of good all the more pleasant of a surprise. He's certainly less menacing, but not as a fault. Darius still has the same snark and agitation towards people who are more, let's say, foolish than him, just as Darius did in his first appearance. It's just that now he's more subdued because he's surrounded by people who Darius doesn't need to scare. Even when dealing with the Emerald Entrails, Darius acted cold but reasonable. And when actually TRYING to scare the kids, you can argue he wanted to further scare them away from joining the Emperor's Coven, showing them what type of person they'd be dealing with.

But the biggest surprise came when he turned out to be a decent father figure for Hunter. Unfortunately, we never get to see him as an actual father, but it's still sweet seeing Darius show Hunter the first amount of respect and care from an adult the poor boy ever got. Darius shows interest in Hunter's interest, respects his decisions, and encourages him to be a kid and not a soldier, likely because Darius knows full well where that leads for the previous Golden Guards. It warms the heart to see how much Darius cares for Hunter, getting worried when he's in danger and feeling joy when he's safe and sound. It's all great...and it SUCKS that Darius is one of the few screwed over in the finale. No final lines, just pure silence...and some shipping fuel between him and Alador. At least there were still moments of Darius showing he cares for Hunter, and they're both happy together. I didn't really expect much from Darius. He was already fun upon his introduction, but having him become this stern yet caring person was such an interesting twist that I can't help but admire more. It's not what I expected, but I appreciate it nonetheless.

Vee Noceda: That IS her last name, and I will hear NO SLANDER ABOUT IT!

...Anyway, Vee's a great character.

I am forever impressed by how great of an, yet another, expectation subversion Vee is. Everyone, including Luz, upon first seeing Vee, saw her as an evil doppelganger trying to steal Luz's life. I still remember the shock and fear I felt when first seeing Vee, worried about what this could mean for Luz and Camila. And then we got to know Vee...and I much prefer the character we got over an evil clone or whatever the popular theory at the time was.

Vee, quite possibly, might have the most tragic life out of everyone in the show. She was born in a cage, was treated as a lab experiment and nothing more, gained a ton of PTSD surrounding rats and cages, and likely never knew the feeling of a warm bed or a good home-cooked meal until meeting Camila. Vee's life was a nightmare before running away to the human realm, and after learning about all that, it makes her finding a home with the Nocedas, being a part of their family, all the sweeter. A friend of mine said that her plan was a LITTLE flawed because Vee didn't know whether or not Luz would return, but in fairness, Vee said that she didn't mean to keep the act up forever, but Camila was nice to her. Vee was operating off of emotions due to getting an inkling of what love feels like, even if Camila's motherly love wasn't for Vee exactly. And with the family she's found and the friends she made in the Human Realm, it's no wonder that she prefers a life there, graduating high school with Luz and having a form for herself to gain an identity of her own. It's amazing how much care and attention the writers put into Vee and her story...Especially since she's basically a minor character.

Yeah, it's crazy to think that a lot of this stuff that happens with Vee is for a character with a substantial role in TWO episodes. Honestly, I wish she had more and could have time to bond with Camila and Luz, showing how much of a happy family she's gained. But, even after "Yesterday's Lie" ended, I already assumed the odds of seeing Vee again in something big were NEVER to become a reality. The shortening of the series, leaving fans with only half a season and three specials, meant that the odds weren't in Vee's favor to grow and develop more than she already did. In a case like that, you have to learn to accept what you HAVE instead of complaining that you didn't get what you WANT. And as for what we have with Vee, it's still good and compelling stuff for a character that makes two appearances. Sure, the potential of a greater character is there for Vee, but for a minor character, she's still really great. Now, if she was a MAIN character, THEN it'd be an issue...Speaking of which.

Gus Porter: Ah, NOW we're getting to the important characters.

Gus is...probably the least interesting out of the main cast. That doesn't make him bad, mind you. I mean, look how far he's come in this list. It's just that, compared to everyone else, Gus felt as if he had less going on. While everyone else was dealing with trauma, family issues, and self-worth, Gus was always kind of...there. The worst part is that there are a lot of hints of there being more to him. He somewhat admits to Hunter in "Thanks to Them" that, while things aren't awful, Gus isn't happy. He missed his dad, and Gus was the first to break down and cry after "King's Tide." There's something there to explore, but because it's a season where so much is going on and there's little time to focus on everybody, Gus, unfortunately, gets the short end of the stick when dealing with HIS trauma. And there's not much going on with his family. There's no discussion of what happened with his mom or any animosity between Gus and his dad. They have a healthy relationship together. Which is appreciative, don't get me wrong. But it's NOTHING compared to Amity's issues with her parents, Eda's strained relationship with her sister and mother, and Luz's difficulty in getting her mom to understand her. The closest bit of intrigue we get with Gus and his dad is how bored and kind of annoyed Gus looked during the Grand Prix in "Eda's Requiem." There could be something to explore there, maybe talk about why Gus went with his dad even though he clearly wasn't having a great time. Unfortunately, this was during a season when the writers were told the series would get cut, and they had to rush to close up as many character arcs as they could before reaching the end, with Gus, again, getting the short end of the stick. Thankfully, the show does something about Gus' self-worth, showing his doubts as an Illusionist and some anxiety about being used by others for personal gain. It's engaging stuff, but it comes at the cost of Gus being overshadowed by an admittedly cute couple and the fandom's favorite white boy.

We definitely get a good amount where I say that Gus is an engaging character, but never enough to stand above the others. And that, right there, is why Gus is the least interesting in the main cast. There are great things about him to explore, but he's never given a chance to truly shine. Thankfully, Gus is still great in a supporting role, acting as the group's cheerleader and hyping them up to do something. Or how he acts as the little brother, having sometimes naive optimism and playfulness compared to everyone else. He's still a smart cookie who knows when to be serious, but it's clear that he's the second or third youngest in the cast, right next to King or the Collector. So, while Gus would have been even better with more time dedicated to him and him alone, that doesn't mean he's any worse of a character because of it. He's still endearing with how supportive he is, even if that makes him less interesting than his friends.

Speaking of which...

Willow Park: Willow...has a similar problem as Gus, but it might be a little worse. Because while Gus has entire subplots in episodes dedicated to him and his issues, Willow has consistently shared the spotlight with other characters throughout the series, where they get a lot of development, and she gets the scraps. To the point where fans talk more about the people Willow has a relationship with instead of Willow. She used to have a friendship with Amity? They latch onto AMITY'S side of things. Hunter's her boyfriend? They latch onto HUNTER'S side of things. In fact, I think people talk more about her BULLY than they do about Willow. Rarely does Willow get any attention in the fanbase and even in the series, which is a shame because she IS a solid character.

Willow's your typical shy girl who learns to gain more confidence. Only this one has more of a violent edge and seems more than capable of killing someone for hurting her but doesn't due to her self-confidence issues. Plus, instead of stretching out those issues throughout the entire series, Willow gains more confidence at the end of Season One. An annoying thing about shy girls is that they remain progressively so, getting better through inches instead of miles. With Willow, she gets over it pretty soon, to the point where I genuinely thought Willow didn't have much to do in Season Two because the writers figured her character arc was done. Which is a shame because even though her friends have more development than her, Willow is a great straight man to their antics. She's often remembered as a friend with the one functioning brain cell in the group, acting as the voice of reason when her idiot friends have a dumb idea. But she's still supportive of their ambitions and adventures because THEY were supportive of her. It's her way of paying them back. Willow just has a better idea of when to draw the line.

Plus, there is an interesting idea about Willow that the writers manage to explore beyond her shyness, even if it's not to as great of an extent as everyone else's development. You see, Willow has a problem processing trauma. In "Understanding Willow" (which ironically helps us understand Amity better), Willow states that it's best to hide away what's upsetting her while saying, "Out of sight, out of mind." Only for that to QUICKLY backfire as Amity takes things further by burning the very thing Willow only wanted to hide. They both learn it's better to confront the things that make them uncomfortable, gaining an understanding (ha) that you need to face your pain to heal from it. Except that Willow somewhat forgot that lesson in "For the Future," which showcased what makes Willow great. She's there to help her friends and their issues but ignores her own because she believes her friends’ are more important. All the girl needed was a good cry over her dads, but Willow instead repeated to herself, "Keep it in," not wanting to let her own problems overshadow everyone else's, which caused her emotions to grow more out of control. This side of her is an engaging idea, and it sucks that it's only been explored twice while her friends got more development. I'm willing to blame the shortening of the series for this one because there's no way she only had such a small role to play in the series upon conception. Willow acts as great support like Gus, but she could have been so much more. And that's a "What if" that's going to unfortunately be lost to time.

King Clawthorne: I have mixed feelings towards King, at least in the first season. I didn't hate him. It's just that, within Season One, King hardly had a direction. More often than not, he was the comic relief that went off doing silly things in the B-Plot while everyone else went on the real adventures. It led to entertaining bits, like gaining an army of sentient stuffed animals or using the Owl Beast as a tool to dominate the playground. But then there were times when they felt like an unnecessary distraction, like being an MC at Grom or being mistaken as a substitute teacher. And most of the time, it's all for the sake of an unrealistic goal. I could tell from the beginning that he would NEVER be the actual King of Demons, and it was just something the other characters played along with because even THEY knew it would never be a reality. So there was never anything King could add to the show besides humor, which he did well due to Alex Hirsch's hilarious delivery with a few jokes. If King stayed the same as he does in Season One, he'd go just above Hooty as someone entertaining with a few solid scenes of heart with the rest of the main cast, but nothing more than that.

...But then the writers decided to make King an actual character in Season Two.

King became more consistent and engaging in the series from "Echoes of the Past" to beyond. In most of the series before this moment, King always went back and forth as either a child, a pet, or an immature adult with delusions of grandeur. Post "Echoes of the Past," it's pretty clear that King's a child but one with a bit more maturity than others. He acts naive and has a definite need to be protected at all costs when he acts sad. And Alex Hirsch KILLS it when portraying King's youth, where the times King cries or gets emotional sounds like an actual kid rather than a grown man playing a kid. His delivery isn't just good for humor but for some amazing voice acting that surprisingly adds to the illusion. It's sort of like how John Roberts convinces me that Linda from Bob's Burgers is a New Jersey Mother in a way that's better than any voice actress ever could manage. Sometimes, you need to give in to the illusion.

As for what makes King engaging, that's where his purpose comes in. King wanting to become the King of Demons and have people bow down to him is...cute and results in some good humor. But King wanting to know what he is and where his Dad came from? Now THAT is a way to make someone invested in a character we already enjoyed. King was entertaining before, but seeing his struggles to find answers about his past and heritage was always endearing and helped you feel for the little guy. And when he finally DOES get answers, it cleverly gives King what he wanted in Season One: To be something that people would bow down to in respect and fear...and King doesn't want that anymore. After learning he's the last of his species, that his blood family is dead, and everything is falling down around him and his found family, King doesn't want to be the monster everyone fears. He just wants to be King and have things go back to normal. Or, HIS version of normal, anyway. It's pretty compelling to show King's growth as comic relief to an actual character by giving him everything he thought he wanted, only to practically refuse it. King is almost a completely different character by Season Two, and it really is for the best. Season One King wasn't too bad, but his Season Two self really gave him the boost he needed.

Raine Whispers: Raine is best defined as a pretty flawless character. At least, in my eyes, they are, as there's not really a bad thing I can say about them.

Upon conception, Raine was nothing more than a love interest to Eda...and that tracks. So much of Raine's development and story occurs when Eda is there, fawning over them and wanting to reconnect. Even their debut episode was more about Eda's issues and how Raine was there to guide her to the right path when it mattered most. They're very much a character severely connected with Eda and never had the chance to star in the spotlight instead of sharing it. A shame, really, since Raine organizing a resistance against Belos could be enough for an episode of its own, but, unfortunately, not the case for a series that got shortened. However, just because Raine's a character connected to Eda, it doesn't make them any less fun or engaging.

First and foremost, you GET why Eda is so in love with Raine. Where Eda is an agent of chaos, Raine is more for CONTROLLED chaos, willing to join Eda to cause some mayhem but in a way where they don't get caught or in trouble. And that's just them as kids. As an adult, Raine wants to destroy a militaristic dictatorship from the inside out, determined to keep the act going and fight literal brainwashing no matter how often they get caught. They're also pretty determined, fighting against Belos infecting Raine's brain and fighting with their last breath when Belos tried to get to the heart of the Titan. Because while Raine was one for chaos as a kid, they're still a good and caring person. Raine didn't want Eda involved so she wouldn't get hurt and MEANT their promise to Luz to make sure nothing bad happened to Eda during their mission on the Day of Unity. But on top of everything else: Raine is a charismatic dork, having enough charm to make Eda the Owl Lady blush but still having the dorkiest smile when announcing their crew's name is "The CATs." Raine is ALL these things, and the result is someone who's a blast to watch, even if they're simply Eda's love interest. They still add enough entertainment and drama, even if some of it, unfortunately, focuses more on the Eda side of things. Would I love more of a spotlight to shine on Raine? Of course. They're an outstanding character who unfortunately got put through the wringer, what with being physically tortured, used as Belos' meat puppet, and MAYBE groomed by Terra Snapdragon (That creepy witch). But when a character's conceived as a love interest, even if there's more to them, you gotta take the good moments when they're badass and awesome and appreciate when they contribute to the story on the sidelines as a supporting character than a leading one. At least they were right there to kill Belos and lived happily ever after, snuggling with Eda. Not too bad for a love interest, huh?

Oh, and Raine's also the first non-binary character in a kid's cartoon with a major influence on the characters and the plot. That's pretty cool too.

The Collector: Here we have a character that turned out WAY better than I imagined. I didn't admit it in the past, but I was a LITTLE worried that the writers would make The Collector like Bill Cypher: A chaotic god-like character who takes pleasure in treating others like his playthings. And The Collector IS that...but there's something that makes them a different yet intriguing character: The Collector's a kid. Yes, he's a kid who turned the Boiling Isles into their playground and the residents into toys, but they’re still a kid.

Upon our introduction of The Collector, we're given this idea that he’s a sick and twisted little gremlin who's just as excited as Belos is about the genocide of the Boiling Isles (which might be an image aided by the fact that it's Belos' memory). But every time we saw them since, the more the writers leaned into the Collector's child-like behavior, showing that the reason why he might be all for Belos' genocide and treat people as literal playthings is that they don't understand what life and death means. He doesn't MEAN to be a problem. It's just that no one has ever taught them otherwise. And that's a more interesting way to go about this character instead of making The Collector a new primary antagonist. It might have worked fine, but when you make a character with god-like powers, it becomes difficult to believe anyone could defeat them. So, the idea to stop The Collector by TEACHING him what's right and wrong before it's too late is a clever way to go about things, especially when it's King that does most of the teaching, using his newfound maturity to teach The Collector what Eda and Luz taught HIM. The result is a new, engaging character that also shows the stellar development of another. Not too bad for someone added to the series at the last minute...Yeah, no, that's what The Collector is, though.

After finding out the series would get shortened, Dana Terrace and the writers thought, "Hey, let's just go NUTS this season!" So, they threw in The Collector as a way to add more spectacle to the final three specials of the show. Sure, the writers had SOME idea of what to do with The Collector beforehand. But after getting the bad news from the executives who decided the series no longer fit the brand, it was the final nail in the coffin to shove The Collector in there. And MAN, there is no better representation of the show's forced conclusion than The Collector, as they're this thing that ALL the characters react to, whether protagonist or antagonist, and are forced to work through their story arcs and character development around within the last few minutes of the show. It's a pretty fun way to look at The Collector, even if he's still a great character despite all they represent. Regardless, I'm still grateful the writers didn't just turn him into the new primary antagonist who killed the old one to show off their threat level...Especially since the old one is REALLY good.

Emperor Belos/Philip Whitebane: "YOU LIKE BELOS MORE THAN WILLOW, GUS, RAINE, AND EVERYONE ELSE?!"

Yes...As a CHARACTER. Not as a PERSON. Because he's NOT a PERSON. He's a FICTIONAL CHARACTER.

I'm serious. People should stop equating "good character" to "good person," especially in this fandom. You can't talk about how well-written Belos or Odalia are without someone coming around and saying, "THEY'RE AWFUL PEOPLE!" I know that. Most...SHOULD know that. But here's the thing: Belos is an antagonist. A character whose purpose is for the audience to love to hate him. If that's done well, he's a good character. And guess what: Belos does it REALLY well, to the point where he's one of my favorite antagonists in a Disney property. Probably one of my favorite antagonists of all time.

Upon his introduction, Belos scared the crap out of me. From his design to even the way he spoke sent chills up my spine. He didn't even SOUND all that threatening, with a deep and scary voice. He sounded like a dude, but it’s in the way he said things, as if Belos knew what he was saying was messed up. But he didn't care, almost like it was because he thrived on people fearing him. And that was just on his INTRODUCTION. From a few of his future appearances, the writers showed Belos acting MORE horrifying, having disturbing spells unlike anything we've seen before, being aware that SOMETHING is spying on him, and revealing that he has a curse that turns him into a somehow MORE terrifying monster. It was pretty effective in getting me to fear this creepy son of a non-witch...And then "Eclypse Lake" showed us his face, revealing that he not only SOUNDED like an ordinary dude but LOOKED like one too. Sure, he had that weird green mark that went down his face, but so much fear I had of Belos went away when I saw that he looked like someone's grandpa who forgot to wash his face. But as the show went on, the more it made sense to make Belos look like a regular man. Instead of portraying a fantastical evil, the writers went for a more realistic one...with supernatural powers, yes, but consider the villains of OUR world. They're people who look like you and me, using their faces to hide dark intentions and charm their way to a position in leadership. That fits Belos' actions to a T, and you see how perfectly it matches in real life when Luz voices her frustrations that no one can see how evil Belos really is, only for King to tell her that no one wants to realize that they've been following the wrong guy. Do you want to know why members of your family refuse to accept that a LOT of Republicans are evil? It's because they spent years, even generations, believing the opposite. So to tell them the truth, even if they NEED to hear it, they'll refuse any facts given to them. So having Belos be the exact representation of all of that, showing kids what to be wary of, is a great way to educate them to learn that sometimes the most dangerous people in society are those who control it in the first place. Even making him a grotesque monster doesn't really take away from the allusion but adds to it, letting Belos' true, inner self take physical form and showing kids what happens to these monsters when you're too late to stop them.

And that's not even getting into the motivations! I didn't feel TOO shocked when it was revealed that Belos was Philip Wittebane. Don't get me wrong, I was still a LITTLE shocked, but I predicted it and expected that Belos' big plan was to return to the Human Realm in some way, but that left some holes into why he spent so much time controlling the Boiling Isles to do it...And then it was revealed that Belos was a WITCH HUNTER. And I'll never forget the dread I felt when I realized, "Oh, they're doing THIS. Oh, no..." The level of fear that I once had for Belos skyrocketed once his real plan became clear and how INTENSELY close he was to reach his ultimate goal.

The scariest part of all is how believable it is. Given how real-world politicians are willing to wipe out an entire group of individuals just for existing, someone like Belos isn't too far of a stretch. Neither is how he came to be the monster that he is. Philip was only an orphaned child raised to believe that witches were Satan's spawn set to destroy everything. And one witch "stole" his brother, the only family Philip had left, and left him feeling like his rage was justified. Except...it's not. It was NEVER justified. Caleb left Philip on his own volition and, when Philip found him again, tried to convince the twit that Evelyn was fine. Philip could have easily taken his brother's word for it and changed. Philip would later have YEARS, possibly CENTURIES, to learn that he was wrong, but he never did. The conditioning was put too deep into his brain, and Belos was the result. I wouldn't say that makes him a tragic character, but it DOES explain so much about why he acts the way he does.

The best part about Belos is that he's consistent. Because of his conditioning, he never once wavers his opinions or questions if what he's doing is wrong. Belos considers himself the hero of his story and views Caleb and Luz as tragic losses. When met with the LITERAL GHOSTS of his sins, Belos yells at, or flat out ignores, them, proclaiming that he was doing the right thing and it's not HIS fault that their souls were too far gone. And with Luz, Belos tried to kill her on three separate occasions, actually succeeding the third time around. And when backed into a corner, realizing he's as good as dead, does Belos ask for surrender? Does he beg for forgiveness? NOPE! He initially tries to manipulate Luz, attempting to take advantage of her good nature into thinking he's good now. And, when THAT instantly fails, Belos yells at Luz, saying she's betraying her humanity and is nothing more than the very evil he spent his whole life fighting against. Luz doesn't buy a word of ANY of it, least of all when he says they're better than this petty revenge and killing out of a twisted form of justice. Even though that's exactly what he's been doing all his life.

Evil to the end, Belos is an antagonist that works because of how perfectly diabolical and realistically despicable the writers made him, making him interesting to dissect while having it feel so cathartic to watch him get stomped to death by the very people he hated. I could honestly go on and on about what makes Belos so engaging to watch and easy to hate...but this gosh dang review is long enough already, and I haven't even gotten to my top five favorite characters yet!

Speaking of which, let's talk about the ONE good thing Belos did with his life...After we talk about Amity.

Amity Blight: How's THAT for a smooth transition?

Anyways, Amity's great because with nearly every new appearance she's made, she becomes a better character, and I mean that in two ways. For one, she becomes more intriguing as we learn about her home life, interests, and motivations, all three being connected in some capacity. Everything that Amity did, she did because her parents (her Mom, mostly) told her to do it. Ending her friendship with Willow, forcing her to be friends with Boscha and her mean girl squad, be the best of her class no matter what, and join the coven that she slowly doesn't want to join anymore. These are all the things Amity was forced to do, and had no choice to do it.She had almost no free will, but that doesn't mean she couldn't rebel in the tiniest ways. She took time out of her day to read to kids and used the cover of it being extra credit to keep doing it. She has a secret room with a collection of Azura books to enjoy a fantasy series, idolizes the purest hero, and has some creative freedom if that fan art on her diary's cover is anything to go by. Even her bullying has SOME ways of cheating. Amity may have said that Willow had no talent, but it was an attempt to get Boscha and the others to stop while covering her tracks so they won't tell anyone she went soft on Willow. And in "I Was A Teenage Abomination," some of Amity's words almost sound encouraging. There's a mocking tone to a lot of it, but the subtlety of her going "keep it up" is still there. Sure, Amity would later have a rage later regarding Willow and Luz’s cheating, but even that is more or less justified. They broke the rules, and, knowing how Odalia reacts to failure, Amity is NOT willing to let go of her "Top Student" badge without a fight. Maybe I'm stretching, and maybe I'm looking deep into things that aren't there. But it's the same thing I do with Alador: When presented with new information about a character, it's a collaborative effort to look at what came before and figure out how it works. And I think there's enough to Amity's actions in the past that are justified by her motivations yet still have a bit of her good side shining through. Which is good because that brings me to the OTHER reason why Amity gets better with each episode.

Piece by piece, bit by bit, Amity becomes a better person after learning a new and valued lesson by the end of every episode. And unlike a blonde-haired character I hate from that frog show, Amity has a clear and definite desire to become a better person. The writers SMARTLY confirm early on that Amity doesn't want to be cruel. She specifically can't show weakness, so she builds walls to hide away her good side, believing that part of herself is weak. But through Luz, the best thing that ever happened to Amity, all those walls come crumbling down, and the Amity SHE wants to become would soon blossom. She's less reserved, more open about feelings, smiles instead of sneers, and acts nicer to Luz and others around her. There's still some anger, annoyance, and the occasional snark, but it was nowhere near as bad as how Amity USED to act. And through each wall that falls gives Amity courage to stand up to her parents and finally become her own person, to the point of dying her hair to reflect the kind of person she wants to be. By a quarter of the way through Season Two, Amity finally gains an identity that reflects what she always had hidden underneath. And it's satisfying...And then writers made her Luz's girlfriend.

Yeah, this is a complaint you'll often see floating around. The second Amity and Luz start dating, a lot of her individuality tends to trickle away, with most of Amity’s problems being related to or overshadowed by Luz's. Just look at "Reaching Out," which has Amity dealing with her issues of Alador's neglect and wanting to form SOME connection with him. But it's barely touched upon due to the real meat of the episode being Luz using the event as a distraction towards her own issues, which I remember more regarding that episode than anything Amity went through. And things get worse by Season Three, where almost every character has something to go through or a chance to highlight their grief, and Amity is...just kind of there, being looped in with supporting her girlfriend and dealing with an ex-friend instead of dealing with her own problems.

It definitely sucks that after all that fighting that Amity went through to gain independence and discover her true self, only to be sidelined once she gets it. But I will say that while Amity is forced into being categorized as Luz's girlfriend, that role still highlights Amity's development. She acts warm, kind, and, most of all, understanding towards Luz and her issues, the same way Luz acted towards Amity, proving she can give as much as she can take. It's not how I wanted things to turn out, but hey. At least Amity got a complete character arc before being pushed to the side. That's WAY more than what I can say about Gus and Willow, the characters introduced to us as Luz's best friends. Guess a girlfriend takes more of a priority.

But that's enough about the fandom's favorite white girl. Let's NOW talk about the fandom's favorite white boy AND the writer's favorite punching bag.

Hunter: In all seriousness, Hunter feels like a character where the writers went, "Hey, remember Amity? Let's just...f**king do THAT again. But BETTER."

And they did! Hunter pretty much has the same journey that Amity did as a character, but with all the strengths and NONE of the weaknesses. Upon his introduction, you think he's a charismatic yet evil little brat who doesn't value the lives of others with how quickly he threatened to kill Luz, Eda, and King. But, just like with Amity, the more we learn about Hunter, the more we realize why he WOULD act the way he did and even why he SHOULD.

Hunter is the supposed "nephew" of Emperor Belos, a man who hates failure to the point where he's ready to kill after you let him down ONCE, and you don't want to push his limits too many times. Hunter knows AND fears this fact, so he learns to hold his tongue when possible so as not to gain another injury during one of Belos' temper tantrums. So, Hunter does what he's told, acts carelessly toward others beneath him, and constantly tries to prove himself as a valued soldier instead of acting as a teenager. The poor boy has his own set of walls built up, and instead of letting the cracks grow, he often tries to patch them as quickly as possible because he fears Belos WAY more than Amity fears her parents. And rightfully so, because Belos would absolutely kill Hunter if he betrayed him. He's done it before.

Hunter being a Grimwalker shouldn't surprise me, as the pieces were there and...not really subtly hidden. Yet that doesn't change how horrifying it makes Hunter's situation. It's one thing to fear being replaced by a better soldier in his ranks or something. The fact that Belos can and will attempt to make a better, more efficient clone of Hunter and kill him if needed...makes Hunter digging his own grave in "Eclypse Lake" more fitting than we realized. It makes him not only replaceable but disposable, with that newly acquired knowledge making Hunter shatter, having a panic attack as it hits him all at once that his fears are more than justified. The worst part is that Hunter spent YEARS with that monster, never standing up because he couldn't do it as easily as Amity did to her parents. She can always run away, hide out in someone else's home to escape a mother who probably doesn't even want her. There's NOWHERE Hunter could go that could keep him away from Belos for long, what with him being the Emperor and Hunter having little to no friends. Thankfully, the ones he had did a lot of work.

Luz, Amity, Willow, Gus, and ESPECIALLY Flapjack all helped to give Hunter a better life. Luz offered perspective, showing Hunter that there's more to life than being told how to live it and that the authority figure he listens to isn't perfect. Amity represents evidence, showing Hunter that if you let good people in your life, they will help you with what tortures you. Willow gave companionship through herself AND a group of people that made Hunter genuinely smile for what must have been the first time in his life. Gus then offered comfort, showing Hunter how to calm his anxieties and fears he'll continue to have. And the one to provide all of these things is Flapjack, who gives Hunter perspective, evidence, companionship, and comfort through his own actions and dragging Hunter to people who could offer more. This gave Hunter a support group of individuals that slowly but surely gave him the desire to be the person he wanted to be and gain an identity. Sure, Hunter would build his walls back up each time they tore them down. But there were always cracks that made it easier to convince him what was the right thing to do for others AND himself. And it all gave him the courage to finally stand up to Belos, who saw Hunter as nothing more than a meat puppet, metaphorically and literally.

Hunter's journey does share a lot of similarities with Amity's. I will admit to that. But where she's later demoted as a character defined by a relationship, Hunter is a character that grew because of the support system he gained and was allowed to keep a sense of identity after his friends brought out his good side. They're the ones who guided him down his path, but what Hunter chose to do after was all his own. Plus, it feels SO GOOD to see that after Hunter's grief and knowing how many others before him died tragically to Belos, he gets his happily ever after. Hunter has a home life that's healthy, friends to support him, a girlfriend to LOVE him, and a chance to genuinely smile every day. He LIVED. He SURVIVED. And that must feel inspiring to those who feel there's no escape from the tragedy of their own lives. I love Amity's journey, but Hunter's definitely better and more impactful in ways you won't believe.

And he'd be the best character in the show...if it weren't the fact that I love three more. At this point, you can probably tell who they are, so let's get started with the fandom's favorite MILF.

Eda Clawthorne: I swear that Eda being hot isn't the reason she's in my top three...Maybe.

But for real, Eda is the only character on this list where if the show was about HER...I would watch it. There is SO MUCH about Eda that makes her a blast to see and a lot to dissect that makes her engaging as she is entertaining.

When regarding her personality/character traits, Eda is an instant gem. She's a con artist, frequently driven by greed, has NO problems breaking the laws, and is more than willing to beat up anyone who messes with the kids she's grown attached to. Now many, myself included, have pointed out that Eda's character shares similarities to Grunkle Stan from Gravity Falls. And...yeah, there's definitely a lot to compare, but there's much more to contrast to help make Eda stand out more as a character. For instance, while Stan one hundred percent loves Dipper and Mabel, Eda still feels warmer towards Luz and King. She may show some annoyance at Luz's enthusiasm or playfully mock King believing he's the most dangerous creature alive, but when it matters most, Eda's there for her kids. To protect, counsel, and sometimes cry over them when situations seem dire. Though she'd probably hate to admit it, Eda has a good heart and one that isn't buried after years of emotional baggage (don't worry, we'll get into that). And she doesn't need much bonding experience to help bring that goodness inside her. When Eda saw a little creature alone in a dangerous environment, Eda took it in and raised it as her own. When seeing a young girl with the same amount of spirit as Eda did when she was younger, Eda decided to accept that young girl's offer and teach her the best she knew. Eda was a caring mother figure to King and Luz when they needed her. As for being a teacher...she could have been better, what with barely teaching Luz anything. Still, she tried, and that's primarily in part because of her own love of magic.

Eda may be a criminal striving to get rich, but those two things aren't mutually inclusive like it is for Grunkle Stan. Eda's a criminal because she disagrees with this close-minded rule that witches should be in a coven, doing one kind of magic for the rest of their lives, except for a small group of elite soldiers picked out by the Emperor himself. Anyone with half a brain can see the flaws of this, and Eda was one of them, breaking the law for years because Eda couldn't help but see how it never made sense. So, she never joined a coven, something considered a major offense against Belos' rule, with Eda being considered a wild witch by her community. And the woman RELISHED that idea. Due to not joining a coven, Eda was allowed to do any type of magic she wanted without being in a stuffy uniform and listening to the vague lies of an evil emperor. It left her with a bit of an ego boost, claiming that she's the most powerful witch on the Isles, but at least Eda gets to do what she loves. Even as a kid, Eda had a PASSION for magic, wanting to learn as much as she could and knowing more than Lilith, a character proven more studious than Eda. It's why you can buy Eda being the better witch than Lilith, because while Lilith can understand the technique, Eda has a better grasp of how good it feels to do magic. After all, she loves doing it in a variety of ways. Even her being a new headmaster of a magic college makes a lot of sense. She may not have been the best teacher for Luz, but they were both dealing with a form of magic that neither really knew much about. The only time their teaching clicked was that moment when Luz had natural magic, and Eda could finally offer advice she KNEW would work. Natural magic is what she understands and has a greater passion for, and teaching "wild magic" to the new generation, giving them something she always wanted and a chance to learn further, makes all the more sense when you take the time to think about it. It's a side of Eda that I don't think fans talk about much. A shame, really. It's an interesting part of her that's worth sharing and deserves to have more attention drawn to it. The show certainly didn't...Though, to be fair, there was one last aspect of Eda's character that's, admittedly, more engaging.

Eda's past, from her family to her ex and to her curse, is a subject that follows Eda throughout her life whether she likes it or not. One way or another, something keeps crashing back into her life, and the results lead Eda into an emotional rollercoaster that ends in tears or violence. Some healing comes from it, but the tears and violence are still prominent. Her fights with Lilith, turning into a rage monster due to her mother's meddling, losing Raine, and her father wanting to talk are all emotional situations with Eda and the tattered relationships she had over the years. The hurtful part is how it all leads back to her curse, one way or another. I'll talk more about Eda's journey with her curse and the allusion it represents in future parts, but I'll still say that so much of Eda's pain, her drama, became prominent because of something Lilith did and how Eda reacted to it. She always ran away or denied there was a problem in the first place, making a horrible situation even worse as it left her burning bridges she'll want to rebuild later. And the worst part is that this is something Eda struggles with the most.

Despite all her pain and trauma, Eda tries to cover it up with jokes and a cocky smile or anger and determination. When the curse started overtaking her in “Agony of a Witch,” she looked at Luz with a smile to make things light, but the fear in her eyes betrayed everything. When losing Raine to Darius and Eberwolf, she choked back her tears and forced herself to focus on anything else. Because to her, it's better to deny how hard you're hurting than face it. She'll voice her worries from time to time but often hides just how strong those emotions are for her. And she definitely doesn't want to relive emotional memories due to how hard it was keeping things together the first time. The only time when Eda tends to embrace her inner turmoil is when things are so intense that she can't help but cry and voice how scared/worried she is. It weirdly makes sense that the only thing that could make Eda finally open up is facing the end of the world where it's not just HER who's in danger but the people she loves too. Because above all else, while she may hate to show it, Eda is a softie to the ones she cares about, especially Luz and King. The three of them have gone on so many adventures together and faced so much danger that you can understand why it's almost always them that brings Eda to tears. Luz's attempt at a goodbye in "Young Blood, Old Souls," King's adoption in "Eda's Requiem," knowing how deep in trouble Luz is in "Edge of the World," and finally revealing that there's no plan in "O' Titan, Where Art Thou." Those kids mean the world to her, as she would be nothing without King and Luz giving her purpose, love, and a healing heart...Which makes it weirder how little Eda got to do in Season Three.

Yeah, a lot of characters got the short end of the stick in Season Three, even members of the main cast like Amity and Gus. While most got some narrative or development, others got forced into the supporting role to help those more important characters. But for Eda, it feels weird because she's part of the main trio. Nearly every poster and promotional material featured Luz, King, and Eda. Nearly every episode featured Luz, King, AND Eda. And every version of the show pitched, even if they didn't look the same, it was always Luz, King, AND EDA. So to have a season where she takes a narrative backseat while Luz and King have more relevance to the story feels off. Although, to be fair, it's not like there was much to be done with Eda. Pretty much every narrative she had got wrapped up with Season Two. She's accepted the curse as a part of her, made peace with her family, and reunited with Raine (even if they didn't seal that deal with a kiss). It's almost as if the writers knew they wouldn't have a chance to explore Eda further with a shortened season, so they completed every arc they could with her in the remaining time they had left. So I can see why they didn't do much with her because what else could they have done? But it doesn't stop how weird it is that Eda could have easily been written out of the season if not for the fact that she's part of the main trio, and it'd be even WEIRDER to have a final season without her. Because, truth be told, the series wouldn't be the same without Eda.

Eda offers humor, heart, and tragedy to The Owl House. Her past, trauma, relationships, and love make for someone that deserves main trio status. Probably even main character status too. I would love to see more of her with how much intrigue Eda has, even if a lot of it is done already. Would I want to watch a spin-off of her as a teen? Probably not. But I wouldn't mind seeing more adventures this wild witch would get into.

Also, I'll say this much about her: There's a consensus in the fandom that Eda is the best mom in the show. And while she certainly is a great mother like no other...there's someone we ALL know, deep down, deserves the title for Best Cartoon Mom.

Camila Noceda: OOOOOOOOOOOOOOOOOOOOOOOOOOOOOH, I have been waiting for this one...

Now, I'll be the first to admit that I am incredibly biased towards Camila. Upon her introduction, I always thought she was neat as a mother who truly cares about Luz, her interests, and her wonderfully creative mind. She said so within the premier. And even when sending Luz away, all Camila tried to do was look to the bright side and convince Luz that her summer won't be as miserable as she might predict it to be. Camila could tell that going to Reality Check Camp was the last thing Luz wanted to do, so Camila tried her best to make it seem like a fun time despite how down it made Luz feel. It shows that while she may not be a perfect mom for sending her daughter away, Camila is still caring enough towards Luz, and she wants her to be happy despite encouraging a decision Luz wouldn't like. I considered that a fascinating angle towards a mother like Camila, providing a reason for Luz wanting to leave but never out of malice. I liked it...But a quantifiable portion of the fandom did NOT, with too many people claiming Camila was an awful mother who hated her daughter. Camila had maybe a minute, maybe TWO minutes, of screentime, and that's somehow the interpretation people made. I wouldn't say I'm the best at analyzing and interpreting characters, which is a crazy thing to bring up THIS FAR into my longest review yet. Still, even I have to say that people's interpretation of Camila was a MAJOR reach. Like...how do you look at a woman who explicitly states she loves her daughter, gives her multiple kisses goodbye, and you immediately go, "Oh, she HATES Luz." How do you do that? And how do you claim she's a worse mom than Odalia? Yeah, that was a thing! People genuinely would defend Odalia for being a good mom with their last breath and then turn around to s**t on Camila. Even after finally meeting Odalia and seeing how bad SHE was, people still somehow considered Camila worse. I never understood how it got out of hand, and I'm convinced the writers somehow picked up on all this overreacting and decided to make Camila better with every single appearance she made soon after.

From that premier, I already gathered this idea that Camila was a flawed but caring mother trying her best despite mistakes. By "Yesterday's Lie," I was convinced she was the best mom Luz could ask for, even if powerful emotions caused Camila to make mistakes. When Vee acts like the "perfect daughter," you can see, on Camila's face, how Camila noticed something was off and how much she didn't like it. To her, "Luz" was throwing away everything that made her Luz, and Camila didn't WANT that, made even more evident by bringing all of Luz's stuff back in after Vee tried throwing them away. Then when the real Luz "calls" Camila, acting like her true self again, Camila seems ecstatic and is willing to play along with what she assumes is a weird game because she's so happy to see Luz be herself again. Through these small moments, you understand more how much Camila cares for her daughter, despite sending Luz to a camp to teach her to fit in better. It was an action done out of love, not malice. Camila couldn't be FARTHER from a bad person, as proven by how she reacts toward Vee. There may have been initial fear of finding out what Vee really was, but through some coaxing from Luz, all Camila can see is a poor girl locked in a cage and needing help. It's there that you understand where Luz got her kindness from. Because even though everything is going beyond Camila's comfort zone, the woman's still willing to kick a flat-Earther's ass to protect Vee. She's kind and warm to the people she cares about and violent to the ones that hurt them. Like mother, like daughter. But Camila isn't all too perfect. As the events finally come crashing down on her at once, she feels ALL the emotions as she has this breakdown. There's fear that Luz is stuck in a demon realm, anger knowing she WILLINGLY went there, and despair at the idea that Camila might never see Luz again. All of this leads to Camila BEGGING Luz to promise to come back, with Luz interpreting her words as "stay here and NEVER return to that awful place." This caused Luz to be fearful for the future, and more fans hyper-focussing on the negatives instead of the positives. They saw a mother telling her daughter to abandon everything that made her happy when anyone with a single functioning brain cell can tell you that it's just Camila being worried about Luz and not fully grasping the whole story. She knows Luz had SOME fun in the Boiling Isles, but Camila's strong emotions at the moment caused her to fail to understand why Luz loves it. Or, at least, misconstrue the facts, thinking it was just Luz living out a fantasy, the same thing Camila sent Luz to summer camp for. It might seem weird that Camila also focuses on the negatives instead of the positives, but in fairness to Camila, the woman went through the worst thing any mother can go through: Losing contact with her child for who knows how long. I can't blame her for her judgment being clouded by everything she's going through. Still, fans clung to the negatives, too...So it's good Season Three shut them all up for good.

Season Three might as well be the season of Camila, because of all the things Season Three did right, diving deep into Camila's character is one of them. Where her first two appearances showed how much of a caring mother she can be, Season Three took it up to TEN notches. She took so many children into her home when they had nowhere else to go, stayed up late to figure out how to get them everything they could need for a happy life, acted nurturing when they had a tough time, chose violence for someone even saying ANYTHING mean about her baby, and dove head first into a dirty graveyard pond to save a child. Camila earned the title "Mother of the Year.” And she wasn't even trying. But while the season shows how kind, nurturing, and even badass Camila can be, it also had her face some mistakes. Camila wasn't bad for sending Luz away or asking her to stay home. She's a single mother who lost her husband, who probably connected to their daughter in better ways and left Camila to do everything alone. She wanted to be the best possible mom but second-guessed every decision and was unsure if she was doing the right thing. So I like that most of this season is about her trying to LEARN from these unintended mistakes, asking for advice from Luz's friends, and finally sharing with Luz the mistakes Camila made and how she now comes to regret them. What's even better is that Camila tries her best to understand Luz's world. A lot of it scares Camila and makes her uncomfortable, even years after being aware of the Isles in the epilogue, but she still puts in the effort to TRY. It's because Camila loves Luz and wants to be a part of every aspect of her life. Camila may struggle, but she still wants to try. And THAT'S what makes her the best mom.

Camila is warm, loving, and just so much fun to see. She isn't perfect, but instead of denying those imperfections, Camila chooses to confront them and TRIES to better herself. It's evidence that not every parent gets the assignment as they receive it, but they're not instantly failures because of it. Yes, there are horrible parents who refuse to change, but I like that the show teaches kids that there are those who care enough to do better. That's what Camila is, and I love the hell out of her for it.

But do you want to know her GREATEST achievement? She gave birth to the best character in the show…

Luz Noceda: Luz Noceda. Luz fickin' Noceda. A character so good that I made an entire post discussing how she's a fan-frickin'-tastic character. And even then, it felt like I barely scratched the surface of what makes her so good. I mean, how can you accurately explain everything that you love about your favorite protagonist ever? Better yet, how can you summarize it for a review that's gone long enough already? Well, I'm at least going to try...Emphasis on try.

Luz is a character that won me over instantly. The happy, goofy character is always fun for me as I think they're perfect for humor and endearing entertainment. That's Luz to a T, as her antics and attitude towards so many things cause me to smile to no fail. How can I not when she has a kind smile as a snake bites off her doll's head or when she has an argument with her hands? Luz is almost always a delight, but what's interesting about her is that while she's primarily happy and fun-loving, that doesn't make her naive or stupid. Luz has a good sense of maturity, even before her angst arc (Yeah, we'll get to that). In "Covention," I was impressed by her response to Eda's disdain about joining a coven. Luz made it clear that she understands Eda's outlook but wants to go and make her OWN decision. In fact, Luz is mature enough not to follow ALL of Eda's orders. There are times when Luz DEFINITELY should, but I like how the writers gives her enough emotional intelligence NOT to listen to ALL of Eda's wild and free ideas of anarchy. She has enough emotional intelligence to know what's right and wrong at times but is still young enough to learn more when put in danger at a time she really SHOULD have listened to Eda. Luz IS a teen, after all. She wouldn't have all the answers.

But now that we're talking about her intelligence, that's probably an aspect of Luz that's looked over the most. Because Luz is smart, and that shouldn't be an argument. It should be a fact. The girl endlessly worked on glyphs until getting them right, often having scraps of paper lying around her after past experiments. And not only is she studious, but Luz is also crafty at any moment. Some of my favorite scenes with Luz are ones where she comes up with a great plan on the spot, like how she thought up a way to brand Belos as he was killing her. It makes sense the girl wanted to try out for theater because her improvisation is on POINT. And she has the power to back it up. I said in that character analysis that Luz is powerful but not TOO powerful. My good buddy @l-egionare pointed out how I misjudged how powerful Luz CAN be, given how a single plant glyph made that big tree in "Enchanting Grom Fright" and how she wiped the floor with Emperor's Coven members and Conformitorium guards. She certainly has the power. I highlighted her intelligence more because I love characters who win fights by outthinking their opponents rather than overpowering them. The truth is, Luz, CAN do some epic stuff. She's just not AS powerful as Eda and Lilith were at their best, due to Luz having limitations to her glyphs and how she sometimes casts them. Luz can be invisible but only for as long as she holds her breath, and the strength behind her glyph depends on how much she uses and how big they are. She can do great stuff, even with very little, but nothing TOO grand until the Titan gave Luz that power boost in the finale (which I didn’t initially want, but DAMN amI not complaining). Besides, as cool as Luz CAN be, and how underappreciated that part of her is, it’s not her best feature.

I think we can all agree that the best thing about Luz Noceda is her kindness. She’s not naive enough to believe that there’s goodness deep down inside everyone. Her kindness has limits and it says something that Luz’s first instinct upon finally meeting Belos for the first time is to go for the head. While she will help others that need it, Luz will still take the violent route if you mess with those she loves. Speaking of, do you remember your favorite characters? You know all that development and growth they all went through? Do you know who’s responsible for ALL of that? Luz, that’s who. She helped reconnect Eda with her family, led King to gaining a sense of identity, helped Willow blossom into becoming more confident, indirectly helped Gus make new friends, and helped Lilith, Hunter, and ESPECIALLY Amity become their truer, better selves. They wouldn’t be who they are now without Luz, as every person she made a connection with had their lives changed for the better. And the crazy thing is that’s…not entirely mutual. Another great point my buddy @l-egionare made is that Luz’s life wasn’t doomed for the worst, and his argument has legs. Luz could have made friends like Vee did at summer camp or befriended those two kids in “Thanks to Them” who seemed to love Luz’s brand of weirdness. After high school, Luz could have also gone on to be a writer, sharing her love of fantasy to the world. Heck, she might even  fall in love with someone else one day, like with a horror nerd that loves gore and doughnuts…Just spitballing ideas here. The point is that while Luz’s friends on the Boiling Isles ABSOLUTELY need her for a happier life, she doesn’t necessarily need THEM. It’s an interesting interpretation to think about that makes Luz even BETTER. She’s a protagonist that leads others to their change and growth, which is a primary directive for most protagonists. Not only should THEY grow and change throughout the story, but they should lead the rest of the cast to do the same. It gives importance to the main character, showing just how much they’re needed for the world and the people in it…Which is why it pains Luz to find out she’s indirectly responsible for some strife too.

Like most plucky protagonists, Luz goes through an angst phase, mirroring how the show started off as light-hearted only to become darker as time went by. Luz’s angst, in particular, started in “Young Blood, Old Souls,” where a bit of Luz’s wackiness remained, but she still slowly got more serious as Season Two continued. By the time we reached “Hollow Mind,” an episode that forces Luz to realize she accidentally helped BELOS, most of Luz’s silliness and optimism became fizzled out, with damn near all of it being gone by Season Three. This is due to her seeing what Belos almost accomplished and the damage that The Collector was already capable of. Luz was accidentally and unintentionally the cause of these issues, and it broke her for reasons that ARE understandable…but they’re not justifiable. You DO get why Luz blames herself for everything that happened. She prides herself on her kindness and helping others, with the idea of being a burden crushing Luz in “Separate Tides.” So, to find out that she’s accidentally responsible for Belos, it hurts her because it makes her believe she’s a burden to EVERYONE, to the point where she believes that the Boiling Isles would be better off without her. Even though we LITERALLY just established how that’s false. There are some haters and idiots out there who do like to point out how none of Luz’s friends wouldn’t have had any strife if she never came to the Isles. Except…No. They absolutely would have. I mean, do you SERIOUSLY think Belos wouldn’t have tricked anyone else? The man pulled off a genocidal scam for DECADES. He could have easily tricked somebody else to do his dirty work for a few minutes.

“But he was driven out of too many towns! No one would trust him!”

Which is why he made a false identity to fix that problem. For all we know, he could have done it sooner.

“But Luz gave him the light glyph!”

A glyph that did nothing but offer Belos a shortcut to finish a job he was already 99% done with. Besides, he could have learned it on his own or maybe even through The Collector, who already knows that glyphs are the language of the Titans. Belos’ plan would have gone forward no matter WHAT reason you bring up. And what’s weirdly interesting is Luz’s refusal to see it. Yes, Belos could have tricked ANYBODY, but it’s still LUZ that he tricked. That guilt eats away at her and I’m kind of glad it’s not entirely resolved by the series finale. Don’t get me wrong, I want my favorite character to live the happiest life imaginable, but there’s a sense of realism that, even though she killed Belos, there’s still a bit of guilt. It’s hinted that it sticks with her years later, as she missed birthdays just so she could help rebuild the Isles. Although, that doesn’t stop Luz from living her life. She still hangs out with friends, joins her school’s softball/baseball team, and goes out with her family. Luz’s guilt is a lot like that scar above her eye. It’ll be small and hardly noticeable on some days, but it’ll still be there, as a reminder that life isn’t a fantasy.

It’s pretty ironic that Luz escaped to a fantasy world to avoid Reality Check Camp, only to get a reality check anyway. Everytime Luz tries to apply her favorite book series or pop culture to a problem she and her friends face, it always goes wrong. Within the second episode of the series, Luz learns quickly that she’s not some chosen one predestined for greatness…I mean, she kind of is, but not in a way most fantasy stories tend to play it. Luz quickly learns that her coming to the Boiling Isles was an accident, and that the environment she’s forced to adjust to isn’t as pretty as it is in her books. Things are difficult and solutions are complicated with there being no easy answers. Luz learns this throughout her adventures and grows to understand that being a witch like Azura isn’t simple. Luz even goes through a sort of identity crisis, now realizing that her dream to be a witch was always a little too vague and that she has no idea what she wants in life after the adventure’s over. It’s a compelling aspect to her character to have Luz realize that she’s not your average protagonist. So many of us want to be the main character of the world’s story, when we should realize that job would be extraordinarily difficult. Luz learned that the hard way after experiencing pain, suffering, and literal death that will haunt her nightmares for life. I wouldn’t call Luz a cautionary tale of what happens when you continue to live in a fantasy. That’s more like Marcy from Amphbia. Instead, I’d say Luz is more of a representation of a character understanding the cruelness of reality, but through a fantasy setting. We all learn best through the things that interest us, and Luz is no different. And that’s one of the MANY reasons to love her.

I could go on and on about how much I adore Luz alone. And probably would if this thing wasn’t THIRTY-THREE PAGES LONG! And you can’t blame me. She’s my favorite protagonist in anything, and is definitely up there as one of my favorite fictional characters. There might be problems with her character, but I’m more than willing to overlook them because of how much I enjoy Luz and the journey she went on. She is flawless in my eyes, and I will never look at her in a negative light no matter who tries to make me.

And that’s it. That’s EVERY IMPORTANT CHARACTER in The Owl House…My goodness.

As you can probably tell, there’s a LOT of characters here. One could argue too many, as it becomes evident that a few of them could be better if the show had more time to let some of them grow. Unfortunately, we don’t live in a world where The Owl House had three full seasons and all the time in the world to let all its characters blossom into their beautiful selves. But with that said, there aren’t any characters in the show that I’m willing to call bad.

Okay, Tibbles is still inadequate, but he’s still not the worst. None of them are. If any character is lower than the other, it’s due to them being unable to compare to the rest of the show’s standard. Because The Owl House managed to have an expansive cast of lovable, endearing, and complex characters, with a lot of them worth a deep-dive analysis of their own. I can’t get enough of them and they will stick with me for a while.

But as great as these characters are…how well do they work TOGETHER?

Tune into part two, and I might just tell you.

Next part

[gothic-lottie]

Writer Interview Game

Thank you for tagging me @espressoristretto-patronum

When did you start writing?

I sort of had a project in highschool into a couple years out of highschool but it crashed and burned but I'm hoping to rescue my characters and world building from that project. I'll never write with a coauthor again because of it.

Are there different themes or genres you enjoy reading than what you write?

I like fantasy without captivating, relatable characters, I probably won't read it though. I also like dystopian books (big Orwell fan) and in those I care more about the Big Message™️ and world building.

Whats your most effective way to muster up a muse?

Women who can kill me and pretty men. How else do you get inspired?

Could kill me Pretty

(these are Caira and Lenya btw. If anyone ever wondered why I like Ominis so much… Lenya has been around for years before Hogwarts Legacy.)

Can you tell me a bit about your writing space?

One sec… it's easier to just-

Is there a writer you want to emulate or get compared to often?

I would absolutely die if I was ever compared to Patricia C Wrede or Jennifer A Nielsen. The Enchanted Forrest Chronicles and The Ascendance Trilogy (now longer than a trilogy) were my life till I was like 14. I'm definitely nowhere near their level but I hope to get there someday.

Are there any recurring theme in your writing? Do they surprise you?

Death and autism. No, I'm not surprised

What is your reason for writing?

Well, right now it's because I'm kinda really sick so I haven't been able to do much else for almost a year. I've always felt like I'd go mad if I didn't get the stories out of my head and give them true form though.

Is there any specific comment or type of comment you find particularly motivating?

Any comment honestly. My fic is long so not many people have followed all the way through so comments on my newest chapters are the best because it makes me feel a bit less like I'm talking to a wall. Comments on older chapters are just as appreciated though, I know starting a long fic can be really intimidating so I really appreciate when someone decides my story is worth the time dedication to start it. I especially love hearing what your favorite parts of chapters were, especially if you noticed one of my many subtle details that I don't think anyone will notice.

How do you want to be thought about by your readers?

Idk. I'm just a person telling stories and drawing.

What do you feel is your greatest strenght as a writer?

I can draw anything I can't adequately put into words. I think it really helps communicate the feelings I want in a lot of scenes and also helps amplify certain comedic moments.

How do you feel about your own writing?

Honestly, I don't know. I'm not very good at flowery, pretty language and I think my writing ends up sounding a bit bland sometimes. I'm also afraid my plotlines end up a bit… I don't know how to describe what I think is wrong with them. Confused maybe? Unrealistic? It's a probably unfounded anxiety.

Tagging @rypnami @jeongyunhoed @ladyofsappho @ravenwind-75 @saibugslegacy if you haven't done it already.

[writingsofwesteros]

The article that Helly did- Helaena Targaryen; The Emergence of a Dragon

Helaena Targaryen is arguably one of the most reclusive of the Targaryen-Hightower siblings. Where her sister Daenora or brother Aegon revel in the spotlight, Helaena is far more content with being out of it- anonymous, as she says- "Oh, believe me, I'm always grateful to Aeg and Nora for being the ones who thrive in the spotlight. I'm also grateful that when I do go to high-profile events, I have my siblings there to calm my nerves." Helaena tells me as we sit in one of the many, many rooms of the Targaryen family's massive estate.

Indeed, it's been a time of great change for the soft-spoken heiress, as she not only worked to launch a foundation for the preservation of insect species found in the Old Valyrian ruins, but for the past four years, she's become a mother to a pair of the sweetest twins. "It wasn't exactly planned," She tells me, smiling kindly at the maid who served us lemonade. "But my sister Daenora says that sometimes the best things in life are the unplanned ones. I never really pictured myself a mom until I saw the positive tests, to be honest."

When I asked her about how motherhood's treated her, and how she plans to go ahead with her kids carrying the weight of the Targaryen name, Helaena had this to say; "Motherhood has been the greatest gift," She smiles, lighting up when she talks about her twins- Jaehaerys and Jaehaera, I learn are their names, something that the public spent four years speculating on. "I intend for them to lead lives out of the public eye for as long as possible. I know it sounds like an impossible task, but believe me, I've got some pretty strong-willed people with me on this journey." She looks up and shares a knowing smile with her first four siblings- Aegon, Aemond and Daenora- the youngest, Daella, yet to be seen.

"The Targaryen name is like a blessing and a curse, I think," She says thoughtfully. "On the one hand, public scrutiny has been something that's caused a lot of hurt in my family. We've grown thicker skin because of it, but it's hurt, for sure. The lack of anonymity can be frustrating- drones following you on private vacations to get picture of you, the judging from people who don't even know you- yea, that one got to me when I was younger." She explains to me. "But...without it I wouldn't be free to do what I do now. I've learnt to accept that it's also a blessing, to have the opportunities I do, but also what the name will give my kids." She told me.

I couldn't resist asking her about the rest of her family- after all it's no secret that the fascination with the Targaryens- their dramas, their 'traditions' and unfamiliar customs, their way of life seems to never die as the generations continue. From the beginning Westeros has been obsessed with the silver-haired family. Even now, with the polyamorous marriage between Rhaenyra, her Uncle, former playboy Daemon, and Helaena's own mother, Alicent Hightower rocked the Westerosi social scene for months. The speculation as the the paternity of Helaena's twins was rampant, though most narrow it down to two candidates- though Helaena is quite content to never tell.

The controversial age-gap relationship between Stevonna Baratheon and Otto Hightower caught everyone by surprise, without a doubt. Even the hidden youngest sibling, Daella, is a subject of great speculation for fans- they wonder if we'll ever see a glimpse of her in the public eye. What's clear, though, in this rare interview from the gentle, kind, soft-spoken heiress, is why she's so beloved by not just her family, but fans, despite her quiet social media presence, there are thousands of fan pages dedicated to her. "Oh, yes, that always surprises me," She said with a laugh. "I always imagine that's more Nora's territory than mine. People adore her."

Though we weren't able to get much information on her twins- the presence of her brothers made sure of it- there was a little sparkle in her eye when I asked about the next generation of Targaryens.

I bow to you! You should be writing books !

I adore this so much!! Helaena is just the sweetest thing ever and I love how the twins names were not know.

[hayanwulf]

WIP updates - IronStrange week

Heyyy mortals, sorry for the recent radio silence on here. I've been busy with real life, while also trying to push through my writers block to get stuff done for ironstrange week.

I will be answering all of those prompts waiting in my ask box, just.. not yet. I need to dedicate myself to IS week for now, if I want to get them done in time. But rest assured, I have not forgotten about all of you who've been sending me prompts in ask! I will get around to each one of you!

Coming back to the IS week, I have something planned for every day, though how much I'll be able to manage by the deadline is yet to be seen. I will, however, try my best to post all of them in their respective days.

Here's a sneak peek to some almost-completed works for IronStrange week!

---

Day 1 - Good/Evil

“No one invited me to the party? That’s rude.”

The zealots holding Stephen in place as well as their little puppet master — the guy in ugly green robes with a staff — all whipped their head around to Tony hovering in the air, and stared at him with varying degrees of gobsmacked expressions.

He smirked inside his helmet. He knew what they were thinking; how did Iron Man get inside the Mirror Dimension?

Short answer, magic does follow science. Long answer, you-have-kidnapped-my-wizard-and-now-you’ll-pay-for-it.

Of course, the second part was something no one would ever know. Iron Man was a villain, the greatest threat to Earth, the one who destroyed things and killed high-profile people, wielding more than enough firepower for world domination if he wanted. Stephen Strange, on the other hand, was Sorcerer Supreme, Earth’s greatest defender against mystical threats, a doctor. He was a preserver of life.

They had completely opposing worldviews.

By all accounts, they were rivals. Adversaries.

---

Day 3 - Love/Hatred

The aged eucalyptus tree still bore the carving on its bark, as concise as the day it had been created. The shape of a strange eye, decorated with four curved lines inside it. Like a rune that, perhaps, meant something in the world of the witches.

Stephen’s home was so close.

Tony swallowed around the tightness of his throat, starting a trek towards the path he knew would lead there.

This was possibly the worst idea ever in the history of all the worst ideas Tony has ever had. He shouldn’t be here. He didn’t even know how Stephen would react to him being here.

Too soon, he had arrived at a small clearing in the woods. A pond, next to which stood a warm, homey looking hut.

His steps halted.

This was bad. He should turn back. Maybe run after that wagon before it was completely out of his reach forever. He should go back to his town, figure something out there. He didn’t even know if Stephen would welcome him. God, what was he thinking? What if Stephen tried to hurt him—

No.. no. Stephen wouldn’t. He wasn’t that kind of a person. Tony knew he wouldn’t hurt him.

Or at least.. at least Tony liked to imagine that he wouldn’t.

---

Day 4 - Dark/Light

CW: Child abuse (okay i guess there isn't any in the excerpt itself)

He tried to look down at his hands, and could just barely make out their outline.

He wrapped the arms around himself, as if hugging. The arms felt just a little warm where they clung to his chest.

He hugged himself tighter, leaned his side against the door, and cried, letting himself feel the warmth trapping under his arms. This way, at least he could pretend that he wasn’t so alone.

It had only been a few minutes, when suddenly there was a loud crashing noise from somewhere in the basement. Anthony flinched.

He was not alone.

There were flickers of iridescent green in the air fading, and then was a grunting noise followed by shuffling of more objects kept in the basement. Anthony looked around where he had just seen green in the air, desperately trying to spot who — or what — was in here with him, but it was dark, so dark. His heart raced, feeling an entirely different kind of helplessness now.

He was not alone, and at that moment, that felt more terrifying than being alone.

---

Day 7 - Elegant/Grotesque

Soulmarks are the window to your soulmate’s soul, people say.

They represent a person in their rawest, truest form. As such, it is quite common for soulmarks to be an aminal, or a hybrid of many different animals, representing the person’s character at core. A lion’s bravery, a fox’s cunning, a dolphin’s intelligence, an eagle’s free spirit, and so on.

Tony’s soulmark is rather unique.

Right over his heart, sits a graceful little butterfly with large blue wings. It has pattens of gold more elegant and intricate than any embroidery he will ever see. A butterfly cannot be said to have a personality, so it doesn’t tell Tony anything about his soulmate. It does speak of beauty, though, and that Tony decides to believe.

-

Stephen’s soulmark is unique, in more ways than one.

The most common places to hold soulmarks are the chest, back, and neck regions. Sometimes people may have them at their hip, around their belly button. Even rarer, they might have them on one or both of the bicep muscles, or inner thighs. There is no way to determine what makes the marks appear symmetrically on both limbs for certain people, whereas only on one limb for certain others.

Stephen’s soulmark is on his hands, both of them. Specifically, the back of his palms.

And the patterns etched there are asymmetrical.

But the most bizarre fact is that, his soulmark is comprised entirely of floral designs.

[eric-the-bmo]

Now I’m curious to hear about your VtM character! Impulse Embraces are always really fun (and I’m noticing very Malk-like)

[barrels into the room] MAN OH MAN I HOPE YOU'RE READY TO HEAR ABOUT LEO WEST, THE NUMBER ONE MALKAVIAN OF MY HEART

[tiny pixel leo was made by @ slimejunior btw]

(It's so cool you wanna hear about him- this is my first time in a vtm chronicle, and while i'm not the best at roleplaying, i've been having a blast with the story. I'm sorry btw, this turned into a very long post- I jumped at the chance to ramble about almost everything I can about him- however, since my fellow players follow me here, I'm keeping quiet about certain parts of his character and past.)

Anyway! Leo West is an amnesiac(?) conspiracy theorist and Anarch Malkavian, and is for an on-going chronicle taking place in San Jose- us players have decided to name it Blood and Silicon (there's actually a blog dedicated to it that's run by one of the players).

Leo's a quiet and inquisitive man who's earnest and stubborn, and refuses to talk to the coterie about his issues (but really, none of the other members do that either). He knows very little about vampire society, as his sire refused to tell him anything before sending him away, and has been repeatedly described as a blank slate and full of potential- mostly due to his "newness" to Kindred unlife. He's probably being manipulated by at least 2 people at this point.

He's got Auspex and Obfuscate, and is (unintentionally) built as a stealth character. He also has the Sandman predator type- it's how his sire hunts, and he would prefer victims who wouldn't struggle, anyway.

With his occasional visions, it seems he's got connections to the Cobweb- additionally, since no one's explained to him what the Beast is (and his takes on the guise of his sire's voice), Leo is currently convinced his Beast is actually his sire just talking to him.

While I described him as an amnesiac earlier, he hasn't completely forgotten everything.

However, my main form of communication is infodumping (/hj), so allow me to ramble below, even though I can't fit everything about him in here:

Leo was a hopeless romantic born on May 26, 1994, raised in Chicago and brought up as a Christian. He stopped believing in that faith sometime in high school; something Definitely happened during that time in his life, since it was also when he broke his nose and started smoking (but hey, if I don't know what happened, then he doesn't either /lh). He did eventually quit cigarettes in college, where he graduated and was a librarian for a while; he helped run the DnD sessions the library would hold every month :-)

In 2019, he met a man named Jeremiah: his future sire. J is a man I could make an entire post about- but tbh this isn't about him, so I'll give only the bare amount of information needed.

Jeremiah is a bartender who moved to Chicago from San Jose, and at some point in the first year of knowing Leo, he ended up blood-bonding him for reasons unknown. Leo, who was completely unaware that he was now Jeremiah's ghoul, experienced the symptoms of the bond and assumed he was in love- which surely was a whole thing for him, because at this point in Leo's life he had just come to the conclusion he would never fall in love, since he's never had the best luck in that part of his life. The two of them entered a relationship (or at least it seemed that way to Leo), and of course given the dynamic/power imbalance here- as well as Jeremiah in general- it wasn't a very good one.

(Amy, Leo's sister, kinda picked up some bad vibes from her brother's partner, and very much dislikes him.)

During their almost-three years together while Leo served as his ghoul, Jeremiah used Dominate a lot on him, erasing his memories of anything that could be seen as Masquerade-breaching- meaning that Leo has no idea what he did for him.

Mr. West noticed his gaps in memory, of course, and with the help(?) of one of his more common library patrons, Chris, he fell down into a bit of a conspiracy rabbit hole to try and figure out what was happening to him. Sometime around this point he picked up his smoking habit again.

[As a result of J's actions, Leo no longer trusts his memory and carries around a notebook; It's also one of the reasons he avoids eye contact a lot, since that's necessary for Dominate.]

Eventually he must've figured things out, or perhaps his curiosity got the better of him- but somehow, on September 16, 2021, Leo stumbled upon something that resulted in his untimely death at 27 years old.

Jeremiah Embraced him that night, although it's unknown whether he did it because he still needed Leo's servitude, or if he genuinely cared about his ghoul (and I am unsure which one is worse).

The rest of the events of his Embrace are a bit tricky to talk about- I can't go into much detail without giving much away- but with all the stress and trauma of what happened, his clan bane manifested as Dissociation; in tandem/addition to this, Leo's brain blocked off parts of itself, resulting in even more memory loss.

In fact, after Sept 16, there's about an entire month and a half of missing time for Leo, and he doesn't remember any of it (this was originally due to a misunderstanding of the game's timeline, but is now a part of the Lore).

Anyway, even though I can't go into specifics of what happened to Leo during this moment of his unlife, I can offer you this sort-of-meme about it:

[At some point during this time J informed him of blood bonds, which was kind of a jerk move, considering his childe was having a bad mental moment already.]

It's been stated by Leo that Jeremiah sent him away to San Jose, and the fledgling currently has his coat- which implies J gave it to him as a gift, or at least let him take it with. His relationship with his sire right now is... complicated.

Anyway, Leo spent about a week in San Jose before meeting [aka getting kidnapped by] a Kindred named Harrison, who introduced him to the rest of the coterie. Currently, they're all a bit secretive, and Leo occasionally leads them into trouble (like lowkey breaching the Masquerade, and almost getting caught by a gang).

Throughout Blood and Silicon, Leo's been learning about Kindred unlife, and has additionally requested an informant to look into Jeremiah. (He's got a bit of a fixation on his sire- in his eyes, his investigation to figure out what's going has not ended, and it seems Jeremiah has many secrets..)

In the most recent session, the coterie has been gifted territory as a reward for doing a quest for Harrison. Meanwhile, something's going on with Leo, because vampires can't get headaches, can they?

I'm very excited to see where this leads...

[thank you for asking, this was fun to ramble about him <3]

[thathartleykat]

A very lengthy letter before the series' departure.

Hey, everyone, Hartley here.

By June of 2023, it would be my 4th year in the Hilda community, and i'm still in disbelief that i've been active in the community for this long, as well as the animated series is coming to an end tomorrow.

I have been wanting to post this since then, but i've been extremely busy in my life, as well as my personal computer was broken for almost an entire year - hence why my activity in the community also got died down a little bit.

I have a lot of things to say to everyone, from people in the community to the people who worked on the show, as well as the past, present and future, so for the convenience of your reading, i'll divide what i want to say into chapters.

I. About me & how i got into the show ( Trigger warning: Deaths ) I've rarely talked about this to anyone, but... I live by myself, and there's a good chance i might not be around for much longer. It's sort of the reason why i got into Hilda from the first place.

I first found out about Hilda in October 2018 when i was browsing on Tumblr, but never really watched it until May 2019, when a friend of mine gave me a month free subscription of Netflix. I started to go down the list of things i wanted to watch on the platform, and when it came to Hilda, i never thought i would get fixated on the show. Well, guess where we're at now?

I was stunned by the show's colorful vibes, amazing plot writing and how the show built the characters and mythologies, especially how they portrayed the mentality of the children in the show when the kids interact with each other or with adults.

The one thing that i also extremely adore in the show is the relationship between Hilda and Johanna... because it deeply reminds me of my parents when they were still alive. I had a similar life and relationship with them. Every time i see Hilda and her mum together, it always makes me remember about my former childhood life, how kind my parents were to me, and how i wanted to be the adventurous kid that never disappoints them.

I had a pretty good life until my parents got cancer when i was 11 years old - the same age with Hilda in first & possibly second season. Things got worse since then, and they passed away a few years after that.

Now i'm pretty much alone, with a good chance that i might follow them, so if i ever just disappear without telling anything, well... at least i had a good run, i never thought i'd make it this far anyway.

The show had made a significant change on my life, as well as some of my future decisions and helped me through hard times.

It would be an understatement to say this series meant a lot for me.

Because of this, and the feeling of the show doesn't get enough attention that it deserves, i've been dedicating myself for the last few years to help the show and its community thrive.

II. About the animated series Sometimes, i feel really sad that they couldn't have done more for it. - As someone who lives in Vietnam, it's really sad to see the show lacks Vietnamese subtitles and audio language - despite there being a huge number of Netflix users in the country. Due to this, the series basically got hidden from anyone who's watching with their Netflix's interface language set to Vietnamese, which makes the show really hard to be recommended to anyone here. At the same time, many other animated series on the platform have either or both of those. - A lot of merchandise of the franchise has either never saw the day or short-lived. Hilda's GUND plushies only lived for 1.5 years, and by my count, there were 3 Hilda board games that got reported to the news, but never got released. - Hilda video games. The only official Hilda game we ever got was Hilda Creatures, and sadly, the company that made the game went defunct in April 2022, dragging Hilda Creatures along with it. - Netflix. Batch releasing the show and giving it the bare minimum marketing. The same thing happened with Jojo and we all know what happened to its hype. - The mishandling of social media pages, which led to Hilda's Facebook page got hacked for an entire month during May 2023, as well as a lack of interaction posts after season 1 to keep the community up.

I really wish the show got better treatment in a lot of stuff, but at the same time, i'm grateful for the crew's work to get the series this far. One of the directors at one point confirmed that the show got pitched to various networks like Cartoon Network, Disney, Children BBC, Nick... and no one accepted the show until Netflix came along. If Netflix never took the show in, or if it was another network that got it ( which i suspect it'd change the direction of the show by a lot ), where would we be now...?

Though the show will definitely not be reminded by Netflix every now and then as other networks do, but at least it is going out with a bang. Really wish the show would become a sleeper hit at some point in the future.

III. About the community Genuinely, it's one of the most amazing communities i've ever been in. People who are younger, same age, or even parents who are much older than me... I had amazing experiences with all of them. I've made many friends from here, which sometimes makes me wish our community would stay the same like this forever after the series ends.

Honestly, i don't know what else i could say about everyone, other than thanking you guys for making my days within the community, as well as your efforts in making it an amazing place for me and everyone else to stay in.

IV. About the future Well, i've been thinking about it quite a lot.

After the animated series ends, i'll try my best to continue sticking around in the community and do a lot more stuff for it. The franchise will still seem to continue for at least some more time, with the upcoming release of the new prequel Hilda comic series, "Hilda and Twig".

I'd be selfish for saying this, but if the current state of animations improves in the future... I'd want to see Hilda's world return as animation at some point - either following the same blue-haired girl that we all know and love, or just a spin-off from an entirely different character. It's hard to imagine how the worldbuilding we've seen in the last 12 years, where "there's so much we've never seen, so much we don't know" and "there's mystery everywhere you look" would potentially disappear after this... I really hope i would see it again, as well as be around long enough to see it.

As of now, this chapter is about to come to an end. So before it does, i want to say thanks to everyone who has been involved in this show.

Thank you Luke Pearson, the people who made Hilda the series possible, and especially - you. Whether you worked on it or are just simply a fan of the show, you have my sincere gratitude for all the great things that happened to the series in the last 4 years.

This is Hartley, and i hope everyone enjoys Season 3.

[humornaut]

My Journey with Omori

Hey everyone. Rather than my usual analysis-type posts, this is going to go into my own personal experience with Omori. I've kind of wanted to do this for awhile, because I feel like I have a lot that I want to say about this game. This post is going to have major Omori spoilers. I will also be going into some criticisms of the game (though not particularly heavily). This one will be a long one.

My Background

This might not be something that people care about, but I feel it is important to start with my life situation at the time I discovered the game.

In 2020, I graduated from college with a degree in game design. If you remember 2020, you can probably guess where I'm going with this. Everyone left for spring break, and the day before we were supposed to come back, they extended break by a week. Then, at the end of that additional week, classes had gone fully remote. My three roommates at the time never really came back to campus, and I finished out the lease alone. I never got to do any kind of internship, and I didn't get a graduation ceremony. I really didn't know what I was doing with my life, and finding a job in the games industry seemed impossible. So, I made a decision to move in with my aunt and work at an insurance agency. I was states away from anyone I ever knew, working in an industry wholly unrelated to what I had just dedicated years of my life to studying, but it was a job.

I wonder a lot if this was the right call. At the time, it seemed like an obvious decision, but now, I'm even more unsure of my skills when it comes to breaking into the games industry, and working 40+ hours a week can really sap your motivation when it comes to personal projects.

As the world opened back up, I started hearing from all my friends less and less, and life really started getting monotonous. Living alone is expensive, and I'm not good at opening up to new people.

Last November, by chance, a comic by twitter user Shrimperini appeared on my feed (it's still the pinned tweet on her account if you want to see!). One thing led to another, I saw some more positive reviews of the game, and I ended up picking the game up on Switch when I saw at on sale at a Best Buy.

Now, anyone that knows me could tell you, this isn't the type of game I usually play. I've always gravitated towards things like strategy games or rogue-likes. I only really stray from that in a few cases, whether it's to play a game with my friends, or just a game that I've had a long-standing connection with, like Pokémon. I did play Undertale and Deltarune (and loved them!), but overall, this type of game was not one that I typically went out of my way to play.

Also important: I've never interacted with any fandom in the way that I do with Omori. You can trawl through my Twitter, you won't find much of me talking about ships or obsessing over details until I started talking about Omori. All this is to say: Omori was a bit of a first for me on a few different levels. So, let's get into my actual journey with the game.

The First Playthrough: The Sunny Route

I unfortunately already knew a few details about the game going into things, but nothing that was too big of a spoiler. Something that I think gets overlooked is how great Omori's prologue is. In my opinion, the first night in Headspace is the best night in Headspace, bar none. It perfectly sets you up for what the game's going to be about, and I want to talk more about that later, because I feel that it really shines on later playthroughs.

Based on what I said about my background, you can probably guess what I'm going to say. Sunny's story and personality resonated heavily with me. At school, I was always the quiet one, just kind of following what my friends wanted to do until I started coming out of my shell a bit later on. Faraway is very similar to the town and suburb that I grew up in, and I know that many people feel the same way. Walking around Faraway felt like walking around my own home town today, years after almost everyone I knew back then has moved out and started their own lives. I mean this literally, as well, since I started playing this game right around American Thanksgiving, so I actually was back in my home town. It's nostalgic in a way, and I think that that is a major strength of the game.

I also do want to say, that while a Kel/Sunny comic is what introduced me to the game, I mostly assumed that it wasn't actually a canon ship. What I didn't expect was for the game to actually depict a close male relationship that does border on romantic in its presentation, which made those opening transition scenes of Sunny and Basil so interesting (as well as Basil indirectly calling Omori cute during the flower meaning segment), though I do want to talk a little bit more about that later.

From there, I feel that my experience was a lot like most people's first time with the game. I got to experience Faraway, then tried to rush through Night 2 of Headspace without paying much attention, so that I could get back to the real world plot. I didn't pay much attention during Sweetheart's Castle, and it's already-commented-on gameplay drag issues felt exacerbated by the fact that I just wanted to get on with it.

Real world day 2 happens, I got to meet Hero in the real world, Basil gets pushed into the lake, etc, etc. The shroud has started to lift on what's actually going on here. The North Lake segment got me ready to figure out what was actually going on, but first: Last Resort and Humphrey.

It was around this time that I began wondering if there actually was any kind of gay subtext actually going on. Of course, I had seen the Lost Library entry for the ride home from the beach, but as I descended into Sunny's subconscious, the way that the game started talking about Basil took on a much different tone. I got to the Branch Coral, and listened to it talk about how Sunny and Basil are connected by a "string of fate". This immediately set off some alarm bells in my head. A lot of debate has been had about this line, but for me personally, even if a string of fate isn't always romantic imagery, it certainly is most of the time. Seeing it written in the game (as something that Sunny's subconscious is saying, no less) completely had me reconsidering if there was a connection, which I hadn't really thought about since Basil's disappearance. I thought about the photo album, and how well Basil is treated in Headspace, and it just had me thinking.

I got through Humphrey, finished up the side quests that I still had, and it was time to start Black Space. Prior to that, however, Stranger lead me through Basil's garden once again, going over the flower meanings. I took note about how the meaning of sunflowers, as it was the first time I made the connection about Sunny's name and Basil's meaning for them (plus him literally always facing Sunny in several scenes lol). And then there was what Basil said about white tulips.

Being honest, it was difficult for me to interpret Basil as not being in love with Sunny after that, and Stranger's dialogue in some of the Black Space rooms really cemented that for me.

Black Space as a whole left me extremely intrigued as to what the plan was. The way it ended really left me in suspense for what was really going on. How did it all relate to what happened to Mari? I had already assumed at this point that she had taken her own life, due to some of the imagery. But what else was going on here? I didn't exactly think the game was going to veer back from being a horror title to turn into some kind of dating sim, but it was clear to me that Basil was involved with some other secret.

In a reversal of what I had expected of the game up until this point, I found it difficult to care about the real world plot of the game during day 3. It didn't help that it felt like a rushed resolution of the Aubrey plot, and I felt like I was simply going through the motions. I still have no idea how I'm supposed to interpret the key in the treehouse and how it got there, and it felt a little aggravating that plans were being made between Aubrey and Hero to include the hooligans next time, while Basil himself was still locked in his room.

So then, the truth sequence. It completely blew away my expectations for what the game was saying, and recontextualized so much of what came before it. Sunny had done something awful by accident, and Basil had done something awful to protect him. That last "Do you want to save Basil?" really hit me hard. I hadn't felt so part of the game until this moment. It was like I was Sunny, and I was mulling over whether or not I forgive Basil for the horrible situation his actions put us both in. The stakes are high, because it's clear that something bad will happen to Basil if I don't. I didn't actually know it at the time, but this is the first time you can actually choose not to save Basil. It's emotional.

And the fight. The way the game creates confusion as to what is actually going on between Sunny and Basil during it by using vague wording and hallucinations. Basil's desperation and the way his desire to protect Sunny as his "perfect" best friend come together, leading to the fight.

Memory Lane happens, and I honestly didn't think much of it at the time. It was cool to see some of the memories in better detail, but it wasn't as emotional to me as what came before or what will come after.

I would be remiss to not include that we learn that it was actually Sunny that had a crush on Aubrey, and not the other way around. I had already suspected this, based on Aubrey not being close to him in the photo album, along with the Lost Library memory, but I remember thinking it was an interesting choice to have Basil be the one to call it out.

I finished up the game, and it impacted me a whole lot. I wasn't planning on playing the other route at first, as I heard that it was just Headspace and mostly unchanged, and I felt satisfied with the story that I got. I walked away with the understanding that pre-canon, Basil had feelings for Sunny that he likely didn't understand, while Sunny had a crush on Aubrey that he was never bold enough to pursue. How they felt at the time the game actually took place is irrelevant to the story being told, outside of us understanding that these are relatable individuals, and I walked away alright with that.

Of course, after that initial wave of emotions from the ending subsided, I did have some criticisms. Sunny's actual friendship with Aubrey felt underdeveloped, as her behavior both in Headspace and the real world differ so heavily from how she behaves in the glimpses we see of the past. Unlike Sunny's relationships with the others, there's no real unique identifiers other than Sunny's crush. While I would not have wanted the only living female character in the main cast to have been treated as a love interest in both the real world and dream world, it would have been nice if the game gave us a little more than just the swing set conversations, like how we get Kel talking about their late night trips to Hobbeez. In addition, while I understood on a base level that whether or not Basil and Sunny are forgiven didn't really matter to the story being told, not seeing it happen left me feeling a tad empty.

Finally, I felt extremely dissatisfied with Headspace. On a superficial level, I could see that many of the things in Headspace were based on things from the real world, it didn't really feel like it had all that much significance, and the knowledge that it would be more of the same in the other route kept me from playing it. I occasionally visited the subreddit, read a few post-canon fics (Bask in the Sun by Lemari and They say Flowers are Meant to be Sunkissed by Witherdahlia being highlights with very similar concepts), and slowly immersed myself in the Twitter community.

Of course, as time went by, I started making my own interpretations about the game. I got very attached to Sunflower, as I felt the fics were the most interesting to read, and I already held the interpretation that Basil had those feelings for Sunny, even if I didn't think it even mattered if Sunny reciprocated (though I did like talking about their dynamic a lot). In February, Sunflower week happened, and I randomly happened across a tweet that pointed out how Sunny knows the recipe for a strawberry cake in Headspace, with that being relevant due to Basil's birthday being one in which a strawberry cake appears. This blew my mind a little bit, and I made the decision to go back and play the Hikikomori route.

The Second Playthrough: The Hikikomori Route

What I had previously assumed would be a slog through things that I had already done before turned out to be far more interesting. Without the desire to get back to the real world plot hanging over me, I found myself paying a lot more attention to the things that were happening in Headspace. Playing the prologue again was amazing, because I was taken aback by how it practically parallels the entirety of the Sunny route, right down to having to retrieve a stolen item and receiving an eyepatch after the boss fight. Some day, I might break that down further, because it's so interesting. But not today.

Pyrefly Forest and Sweetheart's Castle were much more bearable this time around, because I was paying attention to the little references to Basil and Sunny's friendship in Pyrefly, and the ways Sweetheart's Castle represented a candied-up version of the way that Sunny interprets the concept of "home". This time through Headspace, I saw the very subtle ways that Basil's thoughts "follow Sunny into his dreams". And then, rather than Mari leading you through North Lake, it's Kel. Stranger no longer tells us what Basil thought about white tulips and Sunny, but this time in Black Space, I noticed the implications that Sunny would open up to Basil about his trauma coming from the Lake Incident. It ends with Omori catching Basil in a bridal carry before returning his flower crown.

Whereas the Sunny route was this heart wrenching tale about forgiveness and guilt, and overcoming your fears for others, and how ignorance hurts those you care about the most, the Hikikomori route functioned almost as this deep dive into Sunny's subconscious. The fact that I was playing through pretty much the exact same stuff again but with a completely different perspective kind of blew my mind, and I wonder if this was intentional.

This is all to say that it was around this time that I was once again asking myself the question of if Sunny's feelings for Basil (at least pre-canon) were entirely platonic. Especially as I played the Basil Rush, with its new Tag Photos and Release Energy, I wondered if the game was actually trying to imply a romantic connection. And if it was, why? What purpose would it serve in the narrative for these feelings to exist? How does it relate to Sunny's crush on Aubrey, which surely must've existed in the story for a reason? And how does it all relate to the litany of things Sunny things about in regards to romance?

From a narrative perspective, I could reason that Sunny and Basil having feelings for each other that they could never healthily explore injects further tragedy into the day of the incident and Sunny locking himself away. It provides a context for Sunny's focus on "saving" Basil, both in Headspace and the real world. Basil is undeniably linked to photos and flowers, which are two huge symbols that appear throughout Sunny's mind.

Everything else is stuff I've already spoken about before. The way Sunny treated Aubrey parallels how he treated Basil, and via both things like his fear of spiders, and the way all the foods Sunny appears to know information on how to prepare being associated with Basil, his dynamic with Basil mirrors the way Sunny thinks of Hero and Mari's relationship during Memory Lane.

Playing through the Hikikomori route completely changed the way that I thought about Omori. It was no longer just the story of Sunny accepting his role in his sister's death, I was also now considering the possibility that the game did have a romantic subtext between its two deuteragonists, and thinking about the repercussions of such an idea.

As I completed everything that there was to do in the Hikikomori route, I was immediately taken in with the idea of replaying the Sunny route, with all the knowledge I now had from my previous experiences. First, let me say: Everything that I assumed about playing through Headspace a second time and was luckily wrong about, actually applied on my third run. I did not enjoy playing through Headspace on my third run through, and it will likely be awhile before I do so again.

However, I did start to get an appreciation for details that I missed in my first run in Faraway. Basil's little mannerisms during cutscenes, such as looking to Sunny before responding to Kel's insistence that they were all still friends, as well as the repetition of Sunny backing away from his friends' pain due to his subconscious guilt and fear of facing it, before the final payoff of Sunny choosing to walk back into the center of the room on his own accord during the confrontation with Basil. During Memory Lane, I took note that in the Treehouse Memory, Sunny asked to see one of Basil's pictures that had nothing to do with Aubrey, when previously he only asked to look at pictures of her. There are three different instances in which the player is reminded that Hero and Mari's relationship specifically is one in which they cook for each other specifically, and this information was now recontextualized with the knowledge that Sunny knows the recipe for a strawberry cake, owns a book about tofu (which he hates), and that's not even getting into all the stuff about smoothies in Headspace. Where Aubrey saying that Sunny "would listen to her talk to hours" was once a confirmation that Aubrey and Sunny did have any kind of dynamic at all, I now saw it as a recontextualization of how we were told Sunny interacted with Basil. (also, the "truth" being hidden in the toy chest, which is itself hidden in the closet was certainly a choice /j)

What was the point of all this?

Frankly, it's starting to feel like I'm running out of things to say about Omori. With every post I've made on here and Twitter, there's less things for me to extrapolate from Omori's storytelling, and it's unlikely that we will ever get any more added on to canon. I've grown to love this community, and I think it's so interesting when I look back at how I interpreted the game back in November when I first discovered it, and today. I hope that that will become evident with the mod that I am working on, Senesce.

Obviously, everyone has their own ideas when it comes to what Omori is trying to imply with its characters. Accepting Sunflower as "canon" (in the sense that those feelings do exist in some form) has deepened my love of the game and characters, and I love that other people can have entirely different interpretations and still be just as satisfied with the game! Even if it was all unintentional, I cannot deny that it has lit a fire under me when it comes to game writing.

I desperately want to create a game that has someone at home obsessing over the smallest details to extract meaning in the way I have for Omori. Flawed as it may be, it's special to me, and I'm glad I played it. Thanks for listening to me ramble about it!

[funforahermit]

This is not gonna make sense. This is not gonna make sense, and you don't have to read it. It's for me. I am sad. I'm so fucking sad tonight. I haven't been crying in a long time, but somehow I just can't stop now. And I feel so selfish. But I also feel so alone. But maybe I should be alone. Maybe I deserve to be alone. I need to change so much. I need to learn how to lie. I've never been able to. I've never been able to lie. I've never been able to just let it rest, to just say whatever will defuse the situation, to just say whatever. I've always cared too much, especially with the people close to me, cared too much about being perceived correctly. See it's always about me. I'm so selfish. My selfishness gets in the way of kindness. I need to stop caring about the truth of myself in order to be kind. I need to stop talking about my thoughts and my feelings, they are too complicated, nobody gets them, and nobody wants to, or needs to. I need to shut up and not care and just BE. KIND. I'm asking too much of my mother. She's old, and she's tired, and if she didn't get all my long-winded explanations the first 1000 times she won't get them the next 1000 times. Nothing I'm desperately trying to get into her head even matters, I'm just obsessed with being as truthful and accurate as possible. I need to stop. I need to stop caring about that. I need to start treating my own mother like I would treat a stranger. With kindness and without the desire to be known. And it hurts. And I hate that it hurts. It should be easy. And it would be easy if I wasn't a self-involved little bitch.

And that's not even everything. I'm also crying about the fact that I don't have any friends. Which is also my own fault. I have real life friends that I see like once a year if I'm lucky. Two of them have families, husbands, little kids, and I'm always scared of not knowing what to do or how to act when we meet. I avoid everything that scares me as a rule. Bad life choice. The third one has a way of making me feel like shit. It's complicated. And that's it, three is all there is. And online? I just can't seem to connect to anyone. I'm bad at talking, so so bad. I don't know how it works. Like am I supposed to ask you about your life? Am I supposed to ramble about mine? Isn't this boring? How am I gonna remember all of it? What happens if I don't? And what if I just wanna talk about fandom? Even in the discord supposedly dedicated to a certain person there's only like one channel in which we actually talk about that person. Well I say we, like I'm talking. I say the wrong thing and get ignored and get too scared to come back. Or sometimes someone replies something nice and it's good for two minutes, and then I don't know how to follow up and it's over. And here on tumblr I talk and talk and talk, to everyone and no one. To myself. And I watch people bond over mutual quirks and kinks that aren't mine.

I'm crying because I want to be a different person. Because I want to be someone who has friends. Because I want to be someone who knows how to have friends. To make, to have, to keep. I know none of it.

I have much to think about.

[bettsfic]

betts i am reading the kennedy book now. the amount of admiration and devotion this man has for her is off the charts. normally you only find this dedication on ao3

and it's REAL LIFE.

you know, in looking through all my notes and annotations, what fascinates me more than what's said is what's *not* said. and while at first i read it gritting my teeth against these kind of writing moves that remind me so much of the writing students submit in intro cw (which is to say, creative writing from people who have spent far too much time writing reports, and who are maybe a little rusty in their creativity), i admire the precision of it.

i first noticed this kind of textual scalpel at the very end, with the way he describes the autopsy, somehow giving a graphic description of what he saw while denying both the lone gunman theory and any potential conspiracy, simply in the phrasing itself. but then when i looked back over it, i started seeing those same moves in other places: when the president chastises him for pulling the film out of a photographer's camera, and he has to decide if his drive to protect Mrs. Kennedy is more important than his drive to do what he's told; when he confronts Onassis and seems to take pride in the fact she went to bed alone that night, which could be interpreted as either "just doing what the president told me to" OR possessiveness/jealousy; when he mentions missing his wife and kids during the first Christmas away, and missing the birth of his second son, and then stops mentioning them at all until the very end; the bizarre tension between his wife and Mrs. Kennedy when they finally meet; when he picks up the train of Mrs. Kennedy's dress so she doesn't trip on it (why that detail? why?).

and then there's this lack of information at the very end that is just killing me. i read somewhere that if a first lady is widowed while her husband is in office, she receives Secret Service protection for the rest of her life, unless she remarries. then she went on to marry Onassis and lost her security detail. but in the book, they part ways much earlier than that, even though she chose him to follow her afterward. and that makes me think there's something big that wasn't mentioned in the book and that i'll have to find elsewhere.

in fiction, all these little threads and hints would lead up to something. but this isn't fiction and so all we can deduce i think is that this story is simply what he remembers, and that memory is distorted by time and how much he loved her, like she takes up this huge part of him. and i think if Jackie would've written a book about those years in the White House, i wonder how often her Secret Service agents would even come up.

anyway, i'm so glad you're reading it and you're seeing what i'm seeing, which makes me feel a little less Pepe Silvia wall about the whole thing. i know it's a rough read and it's repetitive and the pacing is a mess and if i'd edited it, the thing would be dripping red. but it's just so achingly vulnerable i can't believe it exists. right now i'm reading a book that won the National Book Award, some of the most beautiful writing i've read in a long time, like a kind of skill i can't even dream of, and i'm still here emotionally gobsmacked by this extremely commercial, poorly edited memoir.

[erstwhilesparrow]

friend-ask friday! what is the new smp show you've been enjoying today? it appears that you're having a lot of fun; what's it about?

hee. i will answer your question but first you need to know i'm picturing me screaming bloody murder in a backyard (presumably my backyard) and you peeking over the fence (you also have a backyard, we're neighbours in this scenario) and very calmly going, "oh hey, you having fun over there?" (yes, i'm having a grand time)

anyway! yes! outsiders smp! i mentioned it briefly in a different ask answer a while ago; the base plot premise is a group of people wake up in a clearing in the middle of a massive stony maze with little to no memory of their lives before, and try to figure out what to do from there. as i've said before and will continue to say, it's incredibly good. it's also bad. this is dialectics (tone indicator: lying).

more under the cut, for the curious:

the question of What Outsiders Is About (Thematically) is.... honestly not something i have totally settled in my head yet. i just finished watching the -- as far as i know -- most complete edited pov of one of the major characters, and for the first eighteen and a half hours of that pov, outsiders is an incredible story about how people cannot help but care for and about one another, despite everything about their circumstances incentivizing conflict and distrust. early on, the characters spend a lot of time arguing about whether they should go into the maze (very dangerous, if you're in there overnight the doors back to the safety of the clearing will close behind you) and people keep going, "okay, i don't care anymore! do whatever you want; everyone is allowed to risk their own life if they want to," and then the hours that follow are just dedicated to piling on the evidence that no, actually, they do care. they care immensely, or else they wouldn't keep standing in these circles arguing with each other for hours and days at a time! they build infrastructure to support one another, they offer one another places to sleep, they want so badly to do right by each other. at one point, one character muses to himself that none of them would have survived this long if they weren't all so fearful that they built secret bunkers under their homes, but like. when it really came down to it, when monsters came to the clearing to destroy it, they pulled each other down into the bunkers with them. they looked out for each other, and every single one of them survived that event.

once you hit the eighteen and a half hour mark, however, shit just STARTS HAPPENING AND THEN DOES NOT REALLY STOP HAPPENING UNTIL YOU'RE LOOKING AT A BLACK SCREEN THANKING YOU FOR YOUR SUPPORT OF OUTSIDERS SMP. I REALLY DO NOT FEEL I HAVE FULLY PROCESSED IT YET. like. okay. the questions of "whose life are you willing to risk? which lives are worth saving and which ones aren't? what about now? what about now?" those are the sort of things i think are front and center, and it's not that those questions haven't been relevant before this point, arguably they've been relevant the whole time, but it gets fucking dire. and there's stuff about the horror of being in a situation where your suffering is for the entertainment of an audience, there's stuff about who is brought into or pushed out of a community and what that does to a person, there's stuff about what it means to be a good person and to do right by the people around you, but it's all kind of wildly smashed together in way that very much reads as [the people telling this story needed to (1) get as strong a kneejerk emotional reaction out of the audience as possible and (2) have the story be done, have the people who were always going to die dead, have the project come to a close]. like i was telling a friend, it feels like the first eighteen and a half hours are one story, and then the next three hours are BRAND NEW hypercondensed stories that should have had, or would have benefited from, a lot more breathing room than they got. it gets this close to working perfectly for me in a way i don't really know what to do with. i expect i am going to talking about it for A While.

[blackjackkent]

Oh my god. I guess we've all gotten past Alfira's murder because Rakha is getting every single companion heart-to-heart one right after the other. Shadowheart has decided it's time for the full backstory drop. We really need to go find something for Rakha to go apeshit on before the Dark Urge chews its way straight through her skull. ("If you don't schedule blood for your Durge, your Durge will schedule it for you.")

Anyway, hi, Shadowheart.

"There's something I've been wanting to share with you, if now's a good time."

People have been sharing a lot of things with Rakha lately. She's not bothered by it, per se, and perhaps it distracts from the constant thoughts of blood. But she's not really looking for it, either, and in their cramped camp deep in the spider pit is not exactly what qualifies as comfortable quarters for such conversation - or any conversation.

But she nods vaguely. "I'm all ears."

Shadowheart hesitates. "It's difficult to put into words," she says. "I think it might be easier to just show you. Use the tadpole - the connection. Come into my mind."

It's an interesting thing - Shadowheart has never seemed as bothered by the connection as others like Wyll and Gale. When Rakha has used it before, Shadowheart's barely seemed to notice - and now she's asking for it directly.

Rakha can certainly understand finding it easier than talking.

Use the parasite to explore her mind.

It's becoming easier now, more familiar, to focus outward, find the thread of the connection that binds them, follow it back into its source. At once she is beset with a flood of foreign images, memories of a dark forest.

"I don't remember how it started," she hears Shadowheart say. "Only how it ended. I was fleeing..."

Images of a girl - Shadowheart as a very young child. An enormous animal - like Scratch but much larger; wolf, Shadowheart's memory tells her - hunting her down. A set of masked figures rescuing her, protecting her, killing the wolf, guiding her home.

"She asked me my name," Shadowheart says as the memory begins to fade. "I can't remember what I said. I can't remember anything before those woods. All I know is she saved my life and gave me a new home. With Lady Shar."

She hisses with pain as the mark on her hand flares. The connection breaks, snapping Rakha back to reality. "Ngh. It hurts," she mutters, clutching her hand into her other palm. A long pause; then she lifts her eyes to Rakha's, gauging her reaction. "That's all I remember."

Narrator: Something sparks in your memory, about Selunite rites of passage. You heard once about how they would send their children out into the wilds, to navigate their way home.

It's a scrap of information she gleaned from the Selunite shrine they found near the owlbear cave, along with other bits and pieces of knowledge about the religion and its symbols. No doubt Shadowheart - much more versed in religion than Rakha - has already made this connection, but she mentions it nevertheless. She herself would jump at any scrap of information about the memories she has lost; she can only assume Shadowheart feels the same way.

"You looked like you were wearing a moonstone," she says matter-of-factly. "Isn't that commonly worn by Selunites?"

To her surprise, Shadowheart reacts with anything but gratitude; instead she scowls and backs up a step defensively. "You're reading too much into things," she snaps. "A childhood bauble, that's all. Just because Selunites claim something doesn't mean they own it."

Rakha nods slowly. A long pause stretches between them. It's Rakha who finally breaks it, still fitting together these latest pieces of information into a cohesive whole. "No wonder you're so dedicated to Shar," she says pensively. "You feel like you owe your life to her." She is starting to understand, at least in part, the importance of this religion in Shadowheart's eyes.

"*Lady* Shar," Shadowheart says firmly. "But yes. Her, and those who saved me and taught me her ways. The Mother Superior. She made me who I am. At least, as best as I can remember. She taught me, trained me... punished me when I failed her - which was often."

Rakha quirks an eyebrow. The slight twist in Shadowheart's voice is subtle but not lost on her. Punishments strong enough to make the stoic cleric's voice tremble at the memory - and often, according to Shadowheart.

It stinks of Mizora's punishment to Wyll - a powerful leader and a follower brutalized for failure. It ties in, she suspects, with the stabs of pain that break across Shadowheart's hand at odd intervals. She finds, rather to her surprise, that she feels a surge of anger at it as she did when Wyll was transformed - an anger on behalf of someone outside herself.

"Sounds like abuse," she says bluntly, her eyes narrowing.

"Abuse?" Shadowheart sputters, backing away another step and turning away. "Nonsense. The Mother Superior made me strong - for the Dark Lady."

Perhaps, Rakha thinks. Or perhaps not.