#plot outlines

[thewriteadviceforwriters]

🧩 How to Outline Without Feeling Like You’re Dying

(a non-suffering writer’s guide to structure, sanity, and staying mildly hydrated)

Hey besties. Let’s talk outlines. Specifically: how to do them without crawling into the floorboards and screaming like a Victorian ghost.

If just hearing the word “outline” sends your brain into chaos-mode, welcome. You’re not broken, you’re just a writer whose process has been hijacked by Very Serious Advice™ that doesn’t fit you. You don’t need to build a military-grade beat sheet. You don’t need a sixteen-tab spreadsheet. You don’t need to suffer to be legitimate. You just need a structure that feels like it’s helping you, not haunting you.

So. Here’s how to outline your book without losing your soul (or all your serotonin).

—

🍓 1. Stop thinking of it as “outlining.” That word is cursed. Try “story sketch.” “Narrative roadmap.” “Planning soup.” Whatever gets your brain to chill out. The goal here is to understand your story, not architect it to death.

Outlining isn’t predicting everything. It’s just building a scaffold so your plot doesn't fall over mid-draft.

—

🧠 2. Find your plot skeleton. There are lots of plot structures floating around: 3-Act. Save the Cat. Hero’s Journey. Take what helps, ignore the rest.

If all else fails, try this dirt-simple one I use when my brain is mush:

Act I: What’s the problem?

Act II: Why can’t we fix it?

Act III: What finally makes us change?

Ending: What does that change cost?

You don’t need to fill in every detail. You just need to know what’s driving your character, what’s blocking them, and what choices will change them.

—

🛒 3. Make a “scene bucket list.” Before you start plotting in order, write down a list of scenes you know you want: key vibes, emotional beats, dramatic reveals, whatever.

These are your anchors. Even if you don’t know where they go yet, they’re proof your story already exists, it just needs connecting tissue.

Bonus: when you inevitably get stuck later, one of these might be the scene that pulls you back in.

—

🧩 4. Start with 5 key scenes. That’s it. Here’s a minimalist approach that won’t kill your momentum:

Opening (what sucks about their world?)

Catalyst (what throws them off course?)

Midpoint (what makes them confront themselves?)

Climax (what breaks or remakes them?)

Ending (what’s changed?)

Plot the spaces between those after you’ve nailed these. Think of it like nailing down corners of a poster before smoothing the rest.

You’re not “doing it wrong” if you start messy. A messy start is a start.

—

🔧 5. Use the outline to ask questions, not just answer them. Every section of your outline should provoke a question that the scene must answer.

Instead of: — “Chapter 5: Sarah finds a journal.”

Try: — “Chapter 5: What truth does Sarah find that complicates her next move?”

This makes your story active, not just a list of stuff that happens. Outlines aren’t just there to record, they’re tools for curiosity.

—

🪤 6. Beware of the Perfectionist Trap™. You will not get the entire plot perfect before you write. Don’t stall your momentum waiting for a divine lightning bolt of Clarity. You get clarity by writing.

Think of your outline as a map drawn in pencil, not ink. It’s allowed to evolve. It should evolve.

You’re not building a museum exhibit. You’re making a prototype.

—

🧼 7. Clean up after you start drafting. Here’s the secret: the first draft will teach you what the story’s actually about. You can go back and revise the outline to fit that. It’s not wasted work, it’s evolving scaffolding.

You don’t have to build the house before you live in it. You can live in the mess while you figure out where the kitchen goes.

—

🛟 8. If you’re a discovery writer, hybrid it. A lot of “pantsers” aren’t anti-outline, they’re just anti-stiff-outline. That’s fair.

Try using “signposts,” not full scenes:

Here’s a secret someone’s hiding.

Here’s the emotional breakdown scene.

Here’s a betrayal. Maybe not sure by who yet.

Let the plot breathe. Let the characters argue with your outline. That tension is where the fun happens.

—

🪴 TL;DR but emotionally: You don’t need a flawless outline to write a good book. You just need a loose net of ideas, a couple of emotional anchors, and the willingness to pivot when your story teaches you something new.

Outlines should support you, not suffocate you.

Let yourself try. Let it be imperfect. That’s where the good stuff lives.

Go forth and outline like a gently chaotic legend 🧃

— written with snacks in hand by Rin T. @ thewriteadviceforwriters 🍓🧠✍️

Sometimes the problem isn’t your plot. It’s your first 5 pages. Fix it here → 🖤 Free eBook: 5 Opening Pages Mistakes to Stop Making:

[ouroborosreilig]

a post-apoc sci-fi laichi focused au

[dionysiaproductions]

[untitledrockstar-if]

mc vs paparazzi gotta be my fave genre fr. from breaking a camera to throwing a vase at them to this in chapter 4

[dawnskipper]

You don't just forget family do you Quincy?

[starscream-is-my-wife]

A bit more of the thunderfire story ‘post canon’, I think this should be around mid 2010s?

Jetfire and Thundercracker would be the duel income uncles with only fur babies, Skywarp is the actual breadwinner, Megatron is… there

Since the ex Decepticons no longer have to find energon and are no longer in war, they have so much free time.

(Rough outline here)

Text in the picture underneath the cut because it’s a bit small + Starscream

Jetfire

- changed his name in 2005 and is the only non neutral in the household

- the one who owns the house (used to be a lab) everyone lives in

- infamous in the science community for dropping a technological revelation every couple of years and then disappearing

- he and Megatron are the ones mostly taking care of the pets

- is the least online in the household, and goes outside the most

- has only gotten more unhinged ever since he was melted

Thundercracker

- likes to create all sorts of art, experiments a lot, currently into sewing, but who knows what’s next? Felting? Glass art?

- well liked with netizens because of his redemption story and loves the internet

- the bigger simp in the relationship, they got human married for fun in 2016 when gay marriage was legalized

- in charge of PR for everyone, including the Autobots sometimes

Skywarp

- Lives in Jetfire and TCs basement and is messy and loud

- twitch streamer, problematic due to him being kind of dumb (gets tricked by chat a lot)

- tricked Megatron into signing marriage papers because he felt left out when TC got married (and then forgot about this)

- used to live in the attic but was so loud during streaming he was forced to swap with Megatron in the basement

- is actually filthy rich, paid the entire mortgage

- the pets least favorite bot :((

Megatron

- misses fighting in the war but living in the attic is… ok

- edits for Thundercracker when he writes

- all of the pets favorite, no one is happy about this (except Megatron)

- is mostly unknown to the public, is under house arrest because of his war crimes for now. Does not feel too guilty about his crimes

- due to him being unemployed he is the household maid

- on the internet the most, cyberbullies Optimus Prime with alt accounts

- doesn’t know he’s legally married

[greentrickster]

Okay, so, been reading some good scumplane (OG!Shen Qingqiu/Airplane) lately, because in this house we support Airplane being loved by terrifying/terrifyingly hot men, but also, like... I do love Moshang just so so much as a ship.

And all this has awoken a mighty need in me.

A need for a Moshangjiu fic with scumplane getting established first and then bringing our favorite popsicle in on things.

Anyway, scenario! Shen Qingqiu starts noticing Shang Qinghua when they're disciples via the classic scenario of being smart enough to realize something is fishy about SQH being the only survivor of a demon attack, begins paying attention to his most anxious shidi, accidentally shows his most anxious shidi the simplest of Human Kindness, accidentally becomes shidi's favorite shixiong, accidentally becomes friends with shidi, accidentally catches feelings. Continues being a Sneaky Bastard in order to figure out what shidi is up to (and now also to confirm shidi is single).

Ah, shidi is entangled with an Ice Demon. This shixiong will make use of his scholarly peak's library to learn all and then decide to- wait. Wait, it's super violent by human standards, but is it- is this demon attempting to... court shidi?

...

Not if SQQ dates him first he's not!!!

There follows a whirlwind romance between SQQ and SQH where no one really knows what's going on, especially the two involved, it involves a lot of shit talking about everyone else in their lives, snacks, and accidental trauma bonding.

Also Airplane being Airplane and accidentally spilling that not only is he also kinda crushing (bad) on Mobei-jun, but also Mobei-jun's entire backstory and please, shixiong, I know it all looks bad but this shidi's house is literally the only place in the world it's completely safe for his king to sleep, everyone deserves to sleep without having to worry about their relatives murdering them for things that aren't their fault from time to time, right, shixiong???

Shen Qingqiu: ...goddammit, the demon's a fellow sad little meow meow. (only not in these exact words because he doesn't know these phrases, naturally)

In a wild, bold, and - dare I say it - shockingly sexy convolution of thought processes and ideas, SQQ manages to finagle SQH into letting him meet with MBJ (SQH nearly has a heart attack three times in the process but it's fine, it's cool, this is his life, this may as well happen, it's fine-).

SQQ: It has come to my attention that my shidi is spying for you on our sect.

MBJ: (glowering at SQH, who is cowering behind shixiong wondering how he got talked into all this)

SQQ: However it also appears that this is merely a cover story and the only thing you really do is use his room to nap. And also that you are quite fond of him.

SQH: (This is it, this is how I die. Again.)

MBJ: (...if I stare straight ahead and don't change my expression, no one will be able to tell that he's right)

SQQ: So anyway I think you should join Cang Qiong Mountain Sect.

MBJ: (gears grinding)

SQH: (squawking splutters of protest and confusion)

SQQ: (who speaks panicking!SQH at this point) Stop that, it's perfectly reasonable. He has the head disciple of our logistics peak under his thumb, it would be the simplest thing in the world for him to have you throw the sect into absolute chaos without even trying, then organize an attack, swoop in, and crush us all. He could have done it years ago, but he never has, he never even seems to initiate anything. I don't think he even cares about taking the Northern Throne, I think he's just incompetent about wanting to spend time with you. So he might as well just lie low until our shizuns ascend and then I'll take him on as a disciple on Qing Jing and you two can stop sneaking around like idiots.

MBJ: >8O

SQQ: Are you actually opposed?

MBJ: (folds arms and looks away sulkily, because like... it's true but you don't have to say it like that)

SQH: 8O ...reverse uno...

SQQ: What?

SQH: You're reverse unoing my blorbo!

SQQ: Quit making up word-

SQQ cannot continue because the System just presented the option to accept this potential new plot line (even if it does have the rather confusing title of 'Shidi Has Two Hands'), and holy shit, Mobei-jun seems to be potentially down for it, holy shit, apparently Mobei-jun actually likes me, holy shit, SQQ may have just solved all my problems-?!? This is great, this is fantastic, this is the best day of my life, this- is a long time I'm being allowed to be myself about all this, why is Shen shixiong not interrupting...?

Ah.

It is because I am kissing him full on the lips.

Cool cool cool.

At least I'm gonna die on a high note.

SQQ: O///O o_o (ahem) Shidi's- shidi's a really bad kisser.

SQH: Ah-haha, I can explain-

SQQ: We should work on that. Later.

SQH: (BEST DAY OF BOTH MY LIVES!!!)

MBJ: (I... did not actually hate watching that. Hm.)

Anyway, he agrees to the plan, SQQ and SQH start dating, some more time passes, the previous generation of peak lords ascend, the new generation take their places, and a week later Mobei-jun is an outer disciple of Qing Jing Peak.

The other peak lords are not amused, Qingqiu that is a demon, no.

SQQ: So what I'm hearing is that whole 'Cang Qiong will accept anyone from anywhere' philosophy was a lie then?

He's a demon!

SQQ: Children can't help where they're born. Now if you'll excuse me, I have classes to teach.

First lesson of the day is SQH and SQQ are a package deal, take it or leave it. Second lesson is no canoodling with Shang Shibo until you've finished with lessons and chores for the day. Third lesson is if you see any Bai Zhan disciples hassling our peak's disciples you can break their swords. Just snap 'em in half. Throw them off the peak. Don't kill them, but do make them cry.

SQH, meanwhile, has now seen MBJ in an outer disciple uniform and had a whole bunch of new awakenings on top of all the other things he already knew about himself.

And, in a twist of dramatic irony... Qing Jing's first disciple to ever have demonic heritage decides the dorms are a no-go after one night because, to him, they are broiling hot, how can anyone sleep in this heat, and chooses to go sleep in the wood shed instead.

[billymarvel]

billy is walking down the road when a powerful gust of wind threatens to push him over. he straightens up once it passes, and ducks down to check his hair in a nearby car mirror. he stops as soon as he pushes his hair back, because have his eyes always looked like that? glassy, cloudy... why is there a star shape outlined in his pupils? has the lightning from the transformations really taken so much?

[thespacecaseace]

woe, submas ggg au be upon ye.

soooooo uh. there's a lot to say about this, me and my pal @artisticwizard have thought up a like entire dlc-like story line. boy separation, boys reunition, the pokemon popularity poll canonized (in a way), etc.

i have more sketches lined up (hopefully) so ill explain more in detail about the au later. for now i'll explain the premise/start of the au below.

In this AU, the twins have been slotted into the premise/plot of GGG as a pair of additional gods.

Ingo and Emmet are the twin gods of transportation: arrival and departure, the destination and the origin, etc. They run a shared two-way train through the towns of the Grove, from BuzzHuzz to the Grove Cove.

Their god room entrances are in the two engine cars located at the opposite sides of the train, yet they share a god space from ascending together.

Additionally, their engine cars can only move forwards; Ingo can only move towards the Spire while Emmet can only move towards the docks. They rely on one another to pull the train back and forth in tandem.

One day, a letter arrives from King that suggests though they've always move together, haven't they always wondered who's the better god between them? Who can pull the most weight, who can run the fastest, who is the most popular between the two? Clearly one of them has to be the best god of transportation.

Ingo and Emmet, who love competition and challenges, had already exhausted most physical comparisons (with most ending in a tie). Popularity is new territory though. Sounds fun, so why not?

Ingo and Emmet host a contest poll for who's everyone's favorite god between them (only between them, because they'd be grossly outpaced by other gods like Inspekta), which is kind of Splatoon Splatfest-like in festivity. The mood starts off great, and the Bizzyboys are a great help with decorating and hyping up the contest.

Maybe a little too good. Over the course of the event, some people start getting a little too hyper and competitive. The poll is now no longer fun for the weird groupies/chronically online sub groups, and they're quickly ruining everyone else's experience. Eventually it gets wayyy too serious. The twins fail to notice how bad it's getting.

Eventually Ingo is announced the winner. Both twins are happy with the results; it's Emmet's groupies who aren't. Harassment between groupies escalates to the point that one day, while the train is waiting to depart from BuzzHuzz's station, someone goes and decouples Ingo's engine car from the train cars.

When it's time to depart to the Grove Cove, the train, unknowingly, leaves him behind.

Now Ingo and Emmet are separated on the two furthest ends of their tracks, unable to reverse and reconnect their cars. They remain that way for what seems like an eternity...

...Until one day, a new Godpoke arrives.

[deception-united]

Let's talk about story structure.

Fabricating the narrative structure of your story can be difficult, and it can be helpful to use already known and well-established story structures as a sort of blueprint to guide you along the way. Before we delve into a few of the more popular ones, however, what exactly does this term entail?

Story structure refers to the framework or organization of a narrative. It is typically divided into key elements such as exposition, rising action, climax, falling action, and resolution, and serves as the skeleton upon which the plot, characters, and themes are built. It provides a roadmap of sorts for the progression of events and emotional arcs within a story.

Freytag's Pyramid:

Also known as a five-act structure, this is pretty much your standard story structure that you likely learned in English class at some point. It looks something like this:

Exposition: Introduces the characters, setting, and basic situation of the story.

Inciting incident: The event that sets the main conflict of the story in motion, often disrupting the status quo for the protagonist.

Rising action: Series of events that build tension and escalate the conflict, leading toward the story's climax.

Climax: The highest point of tension or the turning point in the story, where the conflict reaches its peak and the outcome is decided.

Falling action: Events that occur as a result of the climax, leading towards the resolution and tying up loose ends.

Resolution (or denouement): The final outcome of the story, where the conflict is resolved, and any remaining questions or conflicts are addressed, providing closure for the audience.

Though the overuse of this story structure may be seen as a downside, it's used so much for a reason. Its intuitive structure provides a reliable framework for writers to build upon, ensuring clear progression and emotional resonance in their stories and drawing everything to a resolution that is satisfactory for the readers.

The Fichtean Curve:

The Fichtean Curve is characterised by a gradual rise in tension and conflict, leading to a climactic peak, followed by a swift resolution. It emphasises the building of suspense and intensity throughout the narrative, following a pattern of escalating crises leading to a climax representing the peak of the protagonist's struggle, then a swift resolution.

Initial crisis: The story begins with a significant event or problem that immediately grabs the audience's attention, setting the plot in motion.

Escalating crises: Additional challenges or complications arise, intensifying the protagonist's struggles and increasing the stakes.

Climax: The tension reaches its peak as the protagonist confronts the central obstacle or makes a crucial decision.

Falling action: Following the climax, conflicts are rapidly resolved, often with a sudden shift or revelation, bringing closure to the narrative. Note that all loose ends may not be tied by the end, and that's completely fine as long as it works in your story—leaving some room for speculation or suspense can be intriguing.

The Hero’s Journey:

The Hero's Journey follows a protagonist through a transformative adventure. It outlines their journey from ordinary life into the unknown, encountering challenges, allies, and adversaries along the way, ultimately leading to personal growth and a return to the familiar world with newfound wisdom or treasures.

Call of adventure: The hero receives a summons or challenge that disrupts their ordinary life.

Refusal of the call: Initially, the hero may resist or hesitate in accepting the adventure.

Meeting the mentor: The hero encounters a wise mentor who provides guidance and assistance.

Crossing the threshold: The hero leaves their familiar world and enters the unknown, facing the challenges of the journey.

Tests, allies, enemies: Along the journey, the hero faces various obstacles and adversaries that test their skills and resolve.

The approach: The hero approaches the central conflict or their deepest fears.

The ordeal: The hero faces their greatest challenge, often confronting the main antagonist or undergoing a significant transformation.

Reward: After overcoming the ordeal, the hero receives a reward, such as treasure, knowledge, or inner growth.

The road back: The hero begins the journey back to their ordinary world, encountering final obstacles or confrontations.

Resurrection: The hero faces one final test or ordeal that solidifies their transformation.

Return with the elixir: The hero returns to the ordinary world, bringing back the lessons learned or treasures gained to benefit themselves or others.

Exploring these different story structures reveals the intricate paths characters traverse in their journeys. Each framework provides a blueprint for crafting engaging narratives that captivate audiences. Understanding these underlying structures can help gain an array of tools to create unforgettable tales that resonate with audiences of all kind.

Happy writing! Hope this was helpful ❤

Previous | Next

[amultitideofdrops]

Random AU because I love alternate character origins/childhood.

Julian grew up on Cardassia, as a ward/totally not adopted child of Kelas Parmak. Let's just say that Cardassia attacked his family's passenger ship on the way back from adigeon prime or something, with Julian being a lone survivor. Tain suspects the reason why the Bashir's took their child to the planet so gets his personal doctor to check the kid- out the secrets of true genetic enhancement are too good an opportunity for the head of the Obsidian Order to pass up.

And soft hearted Kelas obviously gets attached to this soft skinned child way too quickly, and Julian whose brain is overwhelming him and doesn't understand what happened to his parents, is equally quick to cling right back. Kelas dutifully reports back that he's just a normal child, and it was likely one of his deceased parents who was augmented. When Tain decides it's best to get rid of the last bit of evidence of their unwarranted attack on a civilian ship, Kelas manages to convince him to let the doctor keep the child.

(So Tain gets some extra bonus leverage over the person he has to show weakness around, quite a win in his opinion.)

Kelas doesn't know how to interact with children, let alone a human one. So he just tries to be kind and involve Julian in all the things that interest him. Which is just what the newly genius child needs. The two bond easily, though Kelas always has to maintain the facade of this being more a mentor relationship than anything. Keeping a distance around the few Cardassian's who ever see the child. He's taken aback each time Julian gets clingy, wrapping his arms around Kelas' waist and holding on like a barnacle, or small hands gripping near possessively into his.

Julian's nearly as lonely as Kelas is on Cardassia, but they have each other.

He goes once a month to Tain's office, at first just accompanying Kelas on his check ups, but as he gets older Tain asks he makes his own visit, and they play Kotra and Kal-Toj and near a new game every week which he always wins. He tests Julian's Kardassi, and then teaches him Romulan and Vulcan, just to keep his mind sharp he says. He presses large volumes to his hands each week and asks his opinion the next one. Kelas sees Tain's knowing smile as he sees the human off at the end of each visit and despairs.

Of course Kelas still dissents. Of course he stills gets caught. And 15 year old Julian shouts and screams and fights like a vole when they come to arrest Kelas.

Garak's interrogation with the doctor goes even quicker here, unbeknownst to him that the dead stare of his eyes are promising retribution against someone else entirely.

Kelas goes to the labour camp. And Julian, after Tain is overruled by Central Command, is sent home to Earth in a hostage exchange with the Federation.

Julian gets debriefed and counselled to shit, before living with a foster family up until he applies to Starfleet Academy because he never forgot.

(He briefly considered going into Intelligence rather than medicine, as a quicker way to find out what he needed, but if he finds Kelas again he's going to take after him, not the man who locked him away)

Cue the start of DS9- which Julian couldn't apply for fast enough. His superiors are aware of his Cardassian knowledge, but not how he got it, and everyone's just generally thankful they have someone who can deal with the systems and any diplomats that come by.

And how useful for Julian, that the protege of Tain is exiled on the same station, so full of secrets and so willing to approach Julian straight away.

All this to say Julian hatches a plot to honey trap Garak and get information on where Kelas was sent to and how to free him. It's a brilliant plan really, and no his feelings aren't confused on the matter. He's staying up days to help Garak detox from the Wire because the man isn't going to die from hating the cold too much dammit. If he's enjoying the book club discussions it's because it reminds him of the same titles he discussed with Kelas. If he's entranced by the movement of grey hands, he's probably just remembering the blood on them.

Julian eventually plays his hand sometime prior to Improbable Cause, and Garak is both scared and horny, and mostly confused because my dear doctor, what makes you think I'd know where he went?

Idk how this goes for the rest of the middle, but there's some awkwardness in the dominion camp, even more awkwardness between the two trying to reconcile their feelings and their past, and of course post season Cardassia sees Julian and Kelas reunite.

And then the worst meet the parents dinner you can imagine happens.

[thewriteadviceforwriters]

📊 How to Use Tropes Without Turning Your Story into a YA Checklist

You can tell when a book was written by vibes and TVTropes alone.

It’s got: ☑️ the reluctant chosen one ☑️ the love triangle ☑️ the mysterious brooding boy™ ☑️ the sassy best friend ☑️ the dead parents ☑️ the villain with daddy issues ☑️ the scene where someone says “you don’t know what I’m capable of” and walks away dramatically

And like… that’s fine.

Tropes are tools. But here’s the thing: they are starting points, not story goals.

If your plot reads like it was drafted by a checklist in a Pinterest caption, it might be time to recalibrate. Here's how to actually use tropes without turning your book into a YA Mad Libs generator:

─────── ✦ ───────

🧩 Tropes Are Patterns--Not Presets

A trope is a pattern, not a requirement. It’s not a law. It’s not a plug-and-play feature. And it’s definitely not your plot.

The “enemies-to-lovers” arc? That’s a container. What you put inside it, that’s where the originality lives.

The goal isn’t to avoid tropes. It’s to do something interesting with them.

→ Why are they enemies? → What does the “love” cost them? → What happens if they fail to become lovers?

Tropes don’t carry the story. The conflict does.

─────── ✦ ───────

⚔️ Complicate the Familiar

Here’s a trick: if a trope feels too easy, break it in half.

Examples: → “Reluctant chosen one” → okay, but what if they wanted it, and then hated it once they got it? → “The mentor dies” → cool, but what if the mentor fakes their death to manipulate the protagonist? → “Sassy best friend” → no. Make them real. Give them pain. Give them depth. No more walking punchlines.

Tropes are scaffolding, not shortcuts. Add weight. Add doubt. Add betrayal.

─────── ✦ ───────

🕳️ Interrogate Why You’re Using It

Ask yourself: → Do I love this trope or do I feel like I have to include it? → Am I doing this because I’ve seen it done… or because it serves my story? → Is this trope the only interesting thing about this scene?

If your answer is “because that’s what YA stories do,” delete it. Go deeper.

─────── ✦ ───────

💔 Tropes Aren’t Substitutes for Character Arcs

You can’t use “grumpy x sunshine” and call it development. Tropes are flavors, not meals.

Give us: → Choices with consequences. → Conflicting values. → Character growth that costs something.

Otherwise? Your grumpy guy is just a Pinterest moodboard with a pulse.

─────── ✦ ───────

🧨 Use Reader Expectations Against Them

You want to use a trope and not make it predictable? Weaponize it.

Example: → Start with a love triangle. Let the MC fall hard. Then have both love interests realize they’re in love with each other. → Use the “chosen one” trope… but make it about dismantling that myth entirely. → Introduce the “villain redemption arc” and let them choose to stay bad because it makes more sense for them.

Set up the pattern. Then snap it in half. That’s how you surprise a jaded reader.

─────── ✦ ───────

Final thoughts from your local trope goblin:

→ Tropes aren’t the problem. It’s treating them like a checklist instead of a narrative engine. → A good trope doesn’t make your story good. How you twist it does. → If a story reads like it was built from Tumblr quotes and nothing else—it’s gonna flop.

So go ahead. Use the trope. Then ruin it. Make it weird. Make it hurt. Make it yours.

—rin t. // story mechanic. trope thief. YA bingo card burner. // thewriteadviceforwriters

Sometimes the problem isn’t your plot. It’s your first 5 pages. Fix it here → 🖤 Free eBook: 5 Opening Pages Mistakes to Stop Making:

🕯️ download the pack & write something cursed:

[annoying--moth]

Opened up my WIP and immediately felt a surge of writer's block hit me like a train so that's how I'm doing

[dionysiaproductions]

Not a great sign when you make a 500 word outline for a maximum of 1000 words story

[acid-ixx]

that feeling when vacation is so near, i can already taste the sweet freedom of being given ample time to return to a weekly update schedule for again &. again once more 🩷

[soybean-official]

The parts of you that support me