#published 3/2/2023

[thevikingwoman]

So I had a little idea for a fling for Meryta, my WoL. Spoilers for ARR patches and the beginning of HW

Fandom: Final Fantasy XIV | Words: 941 | Read on Ao3

Part 1 | Part 2 | Part 3

Meryta Khatin x Emmanellain de Fortemps | start of HW | fluff/romance Rating: Gen. New relationship, fling, start of relationship, surprise attraction, kissing

Reprieve - part 1

Meryta is grateful the servants of the Fortemps Manor keep the hearths going all night long. She’s fervently rubbing her hands against each other, the cold just doesn’t seem to leave her.

Maybe it wasn’t the smartest to go mining in Coerthas Highlands in the dead of night, but she couldn’t sleep, and sometimes there are ores you can only really find at night. The snowy wastes are peaceful in the dark, but very, very cold. Tonight, it was better than another sleepless night, tossing and turning, despite the nice bed and warm blankets in the room the Count has made available to her. She’s still cold from the snow and aetheryte travel, it’s like she hasn’t been warm for weeks.

At least it was somewhat fruitful. She wishes she could show Adelberta what she’s mined, but she cannot. She cannot go to Ul’dah. She’s far to recognizable and ever since –

The doors swing open, a little too loud for the quiet room, interrupting her treacherous train of thoughts. No matter how tired she is, she doubts sleep will come tonight.

“Miss Meryta!” Emmanellain walks in, dressed in rich fur and tall boots, his black hair messy about his face. It’s probably some sort of fashion, and she self-consciously smooths her hand over her choppy locks.

“I did not anticipate anyone was up this late, least of all you, our hero.”

He sweeps into a gallant bow, his eyes sparkling. She cannot help but smile.

“I was but mining. It is quite useful to provide one’s own materials.”

“I did not realize you were a woman of that many talents. Is it not cold and dangerous to mine at night?” Emmanalin throws himself on the couch, his head bouncing back against the headrest. “Probably not for you, I suppose.”

“It is quite cold out there,” she agrees. He doesn’t need to know or trouble himself with her lack of sleep.

“Well, I hope your trip was more fruitful than my soiree. Nary an interesting rumor and no one believed me, old girl!”

She turns, flicking her tail towards the fire. It’s cold too and she can almost hear her scales brittle rattle. Emmanellain continues on before she can ask what he means.

“About the primal. I had hoped my trials and adventures would be enough to lend me the ears of the ladies and lords, but not one believed me. Can you imagine?”

He’s animated, leaning forward and moving his arms, his hands. So different from the warm deliberate care of Haurhefant or the stern stillness of Count de Fortemps and his heir. Meryta suppresses another smile.

“Are you quite recovered, Lord Emmanellain?”

She should never have sent him off on his own.

“I am, thanks to you. It was quite an ordeal, though, was it not? They were going to eat me!”

Meryta shakes her head.

“I would not have let that happen.”

“I believe you, Meryta. Wish that others could believe me so easily.” His shoulders slump forward, dejected. She sits next to him, not sure how to comfort him. Maybe if she kills the primal, she should ask Cid if he can modify the Enterprise – knowing him he is already thinking about it. She should ask if he needs –

“I have an idea, a brilliant one!” Emmanellain perks up, his face splitting in a wide smile. She’s reminded of his half brother all of a sudden. “You must accompany me to the next party! No one will disbelieve you, and you can relate to them all of the primal. You, and I of course, will be the center of attention.”

“A party?”

“I believe Lady Far-de-Paix is holding a small event two days from now, I must attend and as a ward of our House you will be most welcome.”

“I’m not sure that’s – I have nothing to wear,” she says, grappling for an excuse. She doesn’t quite know why she’d not want to attend, and if the Count asked her ,she naturally would. She does have something to wear, the brocade coat she shoved in the bottom of her sack. She wrestles her thoughts back to the delighted grin on Emmanellain’s face.

“That we can take care of. You will look splendid; it will be perfect.”

“I don’t think I’ll look quite the way you expect.” No matter how she dresses, she’d look decidedly un-elezen, un-Ishgardian.

“Meryta, you will enthrall them. if I may be so bold – you are truly beautiful.”

He’s suddenly close, and she can smell the warmth of mulling spices and wine on his breath. She’s been told she’s pretty before, but she’s stunned by his sudden earnest tone.

“Your cheeks are speckled with little stars.”

She’s sure she has mythrite dust on her face or hair, frantically she brushes it away with her hands. Emmanelin laughs and grabs her hand. “No, your freckles, Meryta. I’ve never seen anything quite like them.”

Emmanelin’s hand is against hers, pressed against her cheek, his eyes sparkling. In a bold move he closes the gap between them and presses his lips to hers. She kisses him back automatically, lost momentarily until he breaks off, looking bashful, blush coloring his pale cheeks pink.

“Forgive me, I did not mean to presume –”

Meryta shakes her head, and lifts her other hand to tuck a stray bit of his hair behind his ear. “There’s nothing to forgive, Emmanellain.”

“In that circumstance, Meryta, perhaps I may kiss you again?”

“You may.”

They crash into each other, much less gentle this time. He kisses the way he talks, bold and animated and full of joy.

Perhaps this is exactly what she needs.

[sjonni33]

☆´｡⁠*ﾟ⁠+✧new chances☆´｡⁠*ﾟ⁠+✧

[ko-fi] [prints&stickers] [redbubble]

[theskywaker]

[hedge-bones]

I fucking love books.

That is all.

[thesirensoracle]

Weekly Tarot!  Jan 30 - Feb 05, 2023

Card of the Week: The World and 2 of Cups ✧☾゜・。

This week’s theme is beautiful symbiosis.

⋆𓆩✧𓆪⋆ No matter how your heart is grieving, if you keep on believing, the dream that you wish will come true. ⋆𓆩✧𓆪⋆

After days of hard work and heartache, we may come home tired with not much hope of our future getting better. We may sometimes look at the moon and the bright stars and, after making an honest wish, feel silly for dreaming the same way we did when we were kids. Well, I’ve come as a messenger of good news, for the shining sky has heard your silent wishes and is now delivering them sweetly along with a kiss in the forehead.

The World and the 2 of Cups describing this weeks energy tells us that ahead of us is a time of happiness, success and pleasure. While not necessarily calm, this are the cards that herald the attainment of our goals, bringing triumph at your doorstep… if you’re willing to answer the door. It is said that the reason a siren’s song was so deadly was because it described perfectly what your heart most desired, so the question of this week is: what would that song sound to you? And if you got to finally hear it, would you follow its sweet lullaby or let the opportunity pass you by?

This week we are being asked to go with the flow, to allow ourselves to drown in the sweetness of the endless possibilities that lie ahead of us and trust with our whole hearts that everything is going to be alright. However, the 2 of Cups tells us that our way to success can be achieved through connections and reconciliations:

In the workplace, these cards tell us that through partnership you may achieve blossoming success. 

In love, the cards speak of a connection so strong and pure that it seemed to be paired by Venus herself. 

And if you’re just trying to focus on some inner work and healing, then the cards speak of a final reconciliation that brings lasting harmony and love where it once was filled with pain.

In whichever path you seem to be at the moment, this week we are being asked to keep dreaming and stay with high hopes at all times, for the universe is now telling us that our dreams are soon to come true. Maybe while opening the door for these blessings to come, we get to realize that all our fear and anxiety was useless, for these divine gifts were always meant to be at our side.

The week starts with moon in Krittika. The moon at the birth of the sun and the beginning of the masculine principle makes today and the rest of the week especially good for ancestral veneration, learning any type of knowledge, but above all to act aligned with our personal truth! This moon gives us the enough determination and fire to attain whatever our soul desires.

☾ Blessings: Success and happiness in any area! As long as you decide to stay positive and trust that the universe is working in your favor, blessings will appear before you nonstop.

☾ Warnings: Envy. Being successful and shining with confidence can make other people jealous, however, if you don’t pay attention to that then you’ll be fine.

☾ Random messages/tips:

The whole reading I had Aurora’s harmonization from Sleeping Beauty playing in my head, and if that doesn’t tell you how much of a good week its going to be then I don’t know what is lmao.

Don’t hold back, go all in.

Owls and a lot of imagery from the forest came to mind, maybe some of you need to ground yourselves with nature to bring more abundance into your life and take owl imagery as a sign.

222

Don’t play attention to insecurities and fear this week, they are your biggest enemies.

This week genuinely gives the energy of Aurora frolicking in the forest while she sings with her animal friends. Enjoy!

[ciboriaadastra]

if DC wasn't insistent on spreading their artists thin and putting embargos on IPs against their own writers, I could have had Batman: Gargoyle of Gotham #3 in my hands by now

[breelandwalker]

2024 Witches' Calendar

For all my witches out there, here's a handy list of the 2024 dates for the solstices, quarter days, full and new moons, and special events. I've listed my sources at the bottom.

Dates and times for all events are calculated for Eastern Standard Time, USA, Northern Hemisphere. Adjust for your location as needed and check the DarkSky Placefinder to see what special events will be visible in your area. Enjoy!

Solstices, Harvests, and Quarter Days

February 1-2 - Imbolc / Candlemas

March 19 - Spring Equinox / Ostara

April 30-May 1 - Beltane / May Day

June 20 - Summer Solstice / Midsummer / Litha

August 1 - Lughnasadh / Lammas / Summer Harvest

September 22 - Autumn Equinox / Mabon / Fall Harvest

October 31 - Samhain / Halloween / Final Harvest

December 21 - Winter Solstice / Yule

Full Moons

January 25 - Wolf Moon ♌

February 24 - Snow Moon ♍

March 25 - Worm Moon ♎

April 23 - Pink Moon ♏

May 23 - Flower Moon ♐

June 21 - Strawberry Moon ♑

July 21 - Thunder Moon (aka Buck Moon) ♑

August 19 - Sturgeon Moon* ♒

September 17 - Harvest Moon* ♓

October 17 - Hunter's Moon (aka Blood Moon)* ♈

November 15 - Frost Moon (or Beaver Moon)* ♉

December 15 - Cold Moon ♊

*- Supermoon

Fun Fact: The title of Harvest Moon is given to either the September or October full moon, whichever falls closest to the autumn equinox. Once again this year, that month will be September.

New Moons

January 11 ♑

February 9 ♒

March 10 ♓

April 8 ♈

May 7 ♉

June 6 ♊

July 5 ♋

August 4 ♌

September 2 ♍

October 2 ♎

November 1 ♏

December 1 ♐

December 30 (black moon) ♑

Special Celestial Events

January 3-4 - Quadrantids meteor shower peak

March 25 - Penumbral Lunar Eclipse

April 8 - Total solar eclipse

April 22-23 - Lyrids meteor shower peak

May 6-7 - Eta Aquarids meteor shower peak

August 11-13 - Perseids meteor shower peak

August 19 - Sturgeon Supermoon / Seasonal Blue Moon

September 17 - Harvest Supermoon / Penumbral Lunar Eclipse

October 2 - "Ring of Fire" solar eclipse

October 17 - Hunter's Supermoon

October 21-22 - Orionids meteor shower peak

November 15 - Frost Supermoon

November 16-17 - Leonids meteor shower peak

December 13-14 - Geminids meteor shower peak

December 30 - Black Moon

(Check the DarkSky Placefinder to see what will be visible in your area!)

Mercury Retrogrades (in case you need them)

April 1 - April 24

August 4 - August 27

November 25 - December 15

Happy Witching!

SOURCES & FURTHER READING:

Bree's Lunar Calendar Series

Bree's Secular Celebrations Series

Moon Info - Full Moon Dates for 2024

Calendar-12 - 2024 Moon Phases

Full Moonology - 2024 Full Moon Calendar

AstroStyle - All the 2024 Full Moons

Your Zodiac Sign - Astrology Calendar 2024

Old Farmer's Almanac - Mercury Retrograde Dates 2023-2024

Lonely Planet - Best Star-gazing Events of 2024

Sea and Sky - Astronomy Calendar of Celestial Events 2024

DarkSky International - Dark Sky Placefinder for Stargazing

Pagan Grimoire - Wheel of the Year: The 8 Festivals in the Wiccan Calendar (2024 Edition)

=

If you're enjoying my content, please feel free to drop a little something in the tip jar or check out my published works on Amazon or in the Willow Wings Witch Shop. 😊

EDIT: Mercury is stationed direct on Jan 1st, 2024. The source I used which stated it was in retrograde until the 18th had a typo.

EDIT: Fixed the zodiac signs for the full moons using a new source.

[renthony]

Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship

by Ren Basel renbasel.com

The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.

The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)

On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)

Then the Walt Disney Company made a huge mess.

On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)

The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.

The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)

While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?

It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)

Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.

While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)

When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)

Nimona, however, is hard to kill.

While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)

Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.

Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)

When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)

Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.

Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.

Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.

The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.

There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)

The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.

To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.

The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.

Enter Nimona.

The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.

“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.

It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.

A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)

Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.

When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”

Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.

In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.

The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.

Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)

When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.

About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.

Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.

When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.

Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.

Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.

Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)

The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.

Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.

During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.

After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.

When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)

Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)

In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.

Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.

Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.

Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.

After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.

When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.

Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.

But she isn’t safe from the Director.

In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.

When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.

Nimona, however, is hard to kill.

Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.

The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.

The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.

In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.

In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)

The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)

Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.

Long live Nimona, and long live the transgender community she represents.

_ This piece was commissioned using the prompt "the Nimona movie."

Updated 6/16/24 to revise an inaccurate statement regarding the original comic.

Like this essay? Tip me on Ko-Fi, pledge to my Patreon, or commission an essay on the topic of your choice!

_

Notes:

1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.

2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.

3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.

4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000. ‌

5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.

6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.

7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.

8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.

10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.

11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.

12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.

13. Romano, Nick. 2020. “The Pandemic Animation Boom: How Cartoons Became King in the Time of COVID.” EW.com. November 2, 2020. https://ew.com/movies/animation-boom-coronavirus-pandemic/.

14. Strapagiel, Lauren. 2021. “The Future of Disney’s First Animated Feature Film with Queer Leads, ‘Nimona,’ Is in Doubt.” BuzzFeed News. February 24, 2021. https://www.buzzfeednews.com/article/laurenstrapagiel/disney-nimona-movie-lgbtq-characters.

15. Clark, Travis. 2022. “Disney Raised Concerns about a Same-Sex Kiss in the Unreleased Animated Movie ‘Nimona,’ Former Blue Sky Staffers Say.” Business Insider. https://www.businessinsider.com/disney-disapproved-same-sex-kiss-nimona-movie-former-staffers-say-2022-3.

16. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

17. St. James, Emily. 2023. “Mourning the Loss of the Owl House, TV’s Best Queer Kids Show.” Vanity Fair. April 6, 2023. https://www.vanityfair.com/hollywood/2023/04/loss-of-the-owl-house-tvs-best-queer-kids-show.

18. AntagonistDana. 2021. “AMA (except by ‘Anything’ I Mean These Questions Only).” Reddit. October 5, 2021. https://www.reddit.com/r/TheOwlHouse/comments/q1x1uh/ama_except_by_anything_i_mean_these_questions_only/; de Wit, Alex Dudok. 2020. “Disney Executive Tried to Block Queer Characters in ‘the Owl House,’ Says Creator.” 2020. Cartoon Brew. August 14, 2020. https://www.cartoonbrew.com/disney/disney-executives-tried-to-block-queer-characters-in-the-owl-house-says-creator-195413.html.

19. Doherty, Thomas. 1999. Pre-Code Hollywood : Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press. 363.

20. Henderson, Taylor. 2018. “‘Steven Universe’s’ Latest Episode Just Made LGBTQ History.” Pride. July 5, 2018. https://www.pride.com/stevenuniverse/2018/7/05/steven-universes-latest-episode-just-made-lgbtq-history; McDonnell, Chris. 2020. Steven Universe: End of an Era. New York: Abrams. 102.

21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200

22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

23. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.

25. “‘Nimona’ Starring Chloë Grace Moretz, Riz Ahmed & Eugene Lee Yang Coming to Netflix in 2023.” About Netflix. April 11, 2022. https://about.netflix.com/en/news/nimona-starring-chloe-grace-moretz-riz-ahmed-and-eugene-lee-yang-coming-to-netflix.

26. “’Nimona’ Rates 100% on Rotten Tomatoes after Annecy Premiere.” Animation Magazine. June 15, 2023. https://www.animationmagazine.net/2023/06/nimona-rates-100-on-rotten-tomatoes-after-annecy-premiere/

27. Dilillo, John. 2023. “’Nimona’: Everything You Need to Know About the New Animated Adventure.” Tudum by Netflix. June 30, 2023. https://www.netflix.com/tudum/articles/nimona-release-date-news-photos

28. Reese, Lori. 2001. “Is ‘“Shrek”’ the Anti- Disney Fairy Tale?” Entertainment Weekly. May 29, 2001. https://ew.com/article/2001/05/29/shrek-anti-disney-fairy-tale/.

29. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 255. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

30. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

31. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

32. Equal Justice Initiative. 2021. “Report Documents Racial Bias in Coverage of Crime by Media.” Equal Justice Initiative. December 16, 2021. https://eji.org/news/report-documents-racial-bias-in-coverage-of-crime-by-media/.

33. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

34. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 259-260. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

35. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 7. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

36. Brown, Tracy. 2019. “In Netflix’s ‘She-Ra,’ Even Villains Respect Nonbinary Pronouns.” Los Angeles Times. November 6, 2019. https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/netflix-she-ra-princesses-power-nonbinary-double-trouble.

37. Department of Homeland Security. 2019. “If You See Something, Say Something®.” Department of Homeland Security. May 10, 2019. https://www.dhs.gov/see-something-say-something.

38. University of Stanford. n.d. “Stephon Clark.” Say Their Names - Spotlight at Stanford. https://exhibits.stanford.edu/saytheirnames/feature/stephon-clark.

39. Kidd, Jeremy D., Tettamanti, Nicky A., Kaczmarkiewicz, Roma, Corbeil, Thomas E., Dworkin, Jordan D., Jackman, Kasey B., Hughes, Tonda L., Bockting, Walter O., & Meyer, Ilan H. 2023. “Prevalence of Substance Use and Mental Health Problems among Transgender and Cisgender US Adults.” Williams Institute. https://williamsinstitute.law.ucla.edu/publications/transpop-substance-use/.

40. “2023 Anti-Trans Bills: Trans Legislation Tracker.” n.d. Trans Legislation Tracker. https://translegislation.com/bills/2023.

41. James, S.E., Herman, J.L., Durso, L.E., & Heng-Lehtinen, R. 2024. “Early Insights: A Report of the 2022 U.S. Transgender Survey.” National Center for Transgender Equality, Washington, DC.

42. Myers, Catherine. 2023. “Protests in the Age of Social Media.” The Nonviolence Project. February 11, 2023. https://thenonviolenceproject.wisc.edu/2023/02/11/protests-in-the-age-of-social-media/.

43. Auxier, Brooke, and Colleen McClain. 2020. “Americans Think Social Media Can Help Build Movements, but Can Also Be a Distraction.” Pew Research Center. Pew Research Center. September 9, 2020. https://www.pewresearch.org/short-reads/2020/09/09/americans-think-social-media-can-help-build-movements-but-can-also-be-a-distraction/.

44. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.

46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.

47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.

49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

[emeryleewho]

I keep seeing posts talking about the WGA/Sag-Aftra strike, which yes, good, but in all this "support writers" sentiment I'm seeing no one talk about book writers, which I think is something people should know more about right now.

We are at an all-time high for book bans, namely targeting queer & PoC-authored books. This means that a lot of schools and libraries are no longer stocking diverse YA books, and if you're not in publishing, you may not realize this but school & libraries are by far one of the biggest markets for diverse YA books.

This means that in 2023, YA book sales are down. This is also in part because Barnes & Noble (the largest physical book retailer in the U.S.) is no longer really stocking YA hardcovers. This means that marginalized authors and debut authors are struggling to sell books.

But it's a LOT worse than that. In the past couple of years, marginalized authors are *really* struggling to get new book deals. Most books are acquired by a publisher about 2 years before they release to the public, so this isn't all that noticeable yet, but a LOT of marginalized authors I've spoken to (myself included) have been unable to sell a new YA book since 2020. So while I had a book out last year, even if I sell one right now, you won't see it until 2025-2026. That's three to four years without a new release or the income I get from publishing those books.

On top of that, Big 5 publishers have started closing imprints (namely their diverse imprints) and have started telling their marginalized YA authors to just go. I've had multiple authors tell me their publisher basically said, "eh, we don't care to put in the work for you anymore. You can just go somewhere else". Of the authors who *are* getting offered new contracts, we're being offered pay far below the cost of living and we're being handed contracts that split our payments 4 or 5 ways and require we sign over our work to be used to train AI so they can replace us a few years down the road.

Authors are freelancers who own our IPs, which means we can't unionize the way Hollywood writers can, and despite authors showing up in droves to support HarperCollins employees when they went on strike for fair wages, we're being hung out to dry when it comes to our own rights.

If you enjoy diverse books, especially diverse YA, please understand that many of the authors you loved over the past 3-5 years are being forced out of the industry. We're being exploited, and we have no way to defend ourselves. Our books sales are drying up thanks to anti-queer legislation, our rights are being eaten up by AI, and our publishers are degrading us while profiting of us and refusing to share those profits with us.

Within the publishing industry, we've all been watching this decline happen over the last decade, but outside of it, I know most people have no idea what's going on so please spread the word. And if you care about diverse books especially in YA, please support marginalized authors in any way you can. The industry needs to be reminded that it needs us before we're all eliminated from it.

[ao3org]

Update on "No Fandom" tags

AO3 Tag Wranglers recently began testing processes for updating canonical tags (tags that appear in the auto-complete and the filters) that don’t belong to any particular fandom (commonly known as No Fandom tags). We have already begun implementing some of the decisions made during the earliest discussions. By the time this post is published, you may have already noticed some changes we have made.  Several canonical tags are slated to be created or renamed, and we will also be adjusting the subtag and metatag relationships between some tags to better aid Archive users in filtering.  Please keep in mind that many of these changes are large and require a lot of work to identify and attach relevant tags, so it will likely take some time to complete. We ask that you please be patient with us while we work! While we will not be detailing every change we make under the new process, we will be making periodic posts with updates on those changes we believe are most likely to prove helpful for users looking to tag or filter works with the new or revised tags and to avoid confusion as to why changes are being made. 

New Canonicals!

1. Edging

For a long while, there has been some confusion caused by the fact that we have a canonical for Edgeplay, but not for Edging which has led to some unintentional mistagging and other challenges. Consequently, we will be creating a canonical tag for Edging with the format Orgasm Edging and this new canonical tag will be subtagged to Orgasm Control. Relatedly, we will be reorganizing the Orgasm Control tag tree to allow for easier and more straightforward filtering and renaming Edgeplay to add clarity. You’ll find more details regarding these changes in the Renamed and Reorganized canonicals section below.

2. Generative AI

We have canonized three tags related to Generative AI. 

Created Using Generative AI

AI-Generated Text

AI-Generated Images 

All tags which make mention of specific Generative AI tools will be made a synonym of the most relevant AI-Generated canonical. Additionally, please note that AI-Generated Text and AI-Generated Images will be subtagged to Created Using Generative AI. How to Use These To Filter For/Filter Out Works Tagged as Using Generative AI: ❌ Filtering Out: To filter out all works that use tags about being created with AI, add Created Using Generative AI to the “other tags to exclude” field in the works filter. This will also exclude works making use of the subtags AI-Generated Text and AI-Generated Images. If you wish to exclude either the Images or Text tags only, you can do so by excluding either AI-Generated Text or AI-Generated Images.

☑️ Filtering For: Add Created Using Generative AI to the “other tags to include” field in the works filter. This will also automatically include the works making use of the subtags AI-Generated Text and AI-Generated Images. If you wish to filter for Images or Text only, you can do so by including either AI-Generated Text or AI-Generated Images only .

As a reminder, the use of these tools in the creation of works is not against AO3's ToS. These new tags exist purely to help folks curate their own experience on the Archive. If you would like to see more information about AO3’s policies in regards to AI generated works, please see our News post from May 2023 on AI and Data Scraping on the Archive.

Renamed and Reevaluated Canonicals!

3. EdgeplayAs mentioned above, we will be renaming Edgeplay to clarify the tag's meaning, given that it is often confused for Edging. This tag will be decanonized and made a synonym of Edgeplay | High Risk BDSM Practices. It will be removed as a subtag of Sensation Play and be subtagged instead directly to BDSM. Please note if you have made use of the Edgeplay tag on your works or wish to continue to use it in the future, you are still welcome to do so. The tag Edgeplay will be made a synonym of the new canonical, so all works tagged with Edgeplay now or in the future will fall under the new tag so that they’re still easy for users to find. If you have made it a favorite tag, it will be transferred  automatically when we make this change. 

4. Orgasm Delay/Denial The tag Orgasm Delay/Denial will be decanonized and made a synonym of Orgasm Control to help limit confusion with the more specific Orgasm Delay and Orgasm Denial canonicals. Tags that are currently synonyms of Orgasm Delay/Denial are being analyzed and moved to either Orgasm Control or Orgasm Delay or Orgasm Denial or Orgasm Edging. The revised tree structure for this tree will feature Orgasm Control as the top-level metatag with subtags Orgasm Edging, Orgasm Delay, and Orgasm Denial. So, if you wish to filter for all these tags at once, you can do so just by filtering for Orgasm Control. 

5. Female Ejaculation Female Ejaculation will be decanonized and made a synonym of Squirting and Vaginal Ejaculation.  We hope this new phrasing will be more inclusive, clear, and make the tag easier to find whether users are searching for Squirting or the previous canonical. All current synonyms of Female Ejaculation will also be made a synonym of Squirting and Vaginal Ejaculation, including Squirting. You may continue to tag your works as suits your preferences, and we will make sure these tags are made synonyms of the new canonical so that your work can be found in the filters for it.

These are just some of the changes being implemented. While we won’t be announcing every change, you can expect similar updates in the future as we continue to work toward improving the Archive experience. So if you have an interest in the changes we’ll be making, you can follow us on Twitter @ao3_wranglers or keep an eye on this Tumblr for future announcements. Thank you for your patience and understanding as we continue our work!

(From time to time, ao3org posts announcements of recent or upcoming wrangling changes on behalf of the Tag Wrangling Committee.)

[ave661]

Post about art-theft, AI and tracing of my render:

Unfortunately, one of my renders I made a year ago, was traced, copied, edited by AI by "brothers in arms" store and now sold as a merch aimed towards CoD fandom. They are currently sending this out to various cosplayers asking them to promote it.

As someone who is affected by this, I have to speak up about it.

(post about it on twt & insta)

I found out about it by accident when I saw promoted post on my insta feed. When I started talking about it in my stories, this store sent me a private message saying they had been working on this design for weeks and had never heard of me so they definitely didn't steal anything, and offered me free stuff. When I disagreed with them and sent them files comparing our works, they stopped replying to me, so I continued talking about it again on my insta. Only when my followers started leaving comments under their post saying this is wrong, they decided to continue discussion on the next day.

2. They mentioned that they could have been inspired by some pictures they found on the internet and showed me their "first sketch" of design… which was made by AI.

3. During the conversation, they mentioned that their artist could have based his work on a picture he found on the Internet, but he defended himself by saying that they might not have known it was mine. But even if they didn't know about me, even if they found some fanart on the Internet - it doesn't mean you can copy something detail by detail and sell it as your own. What is most important here, their offer to solve the problem was to give me credits in their design. IF they worked hard on it, why would they want to give me credits? My offer was to remove it.

4. Why do I mention that it could have been done by AI? because many lines are unfinished and a lot of details don't make sense.

5. Below is a comparison of my render that I published on March 18, 2023 with their first sketch they showed me, which apparently they drew themselves:

I am saying this so that the CoD community, which is very large, will be aware of this, because there are many people who have already bought it and after my insta story, they felt bad and said they want return it because they don't want to support art theft.

It's not just about me anymore - it could have happened to anyone who creates fanart and share it on the Internet just for fun. One day someone may use it for their own profit without us being aware of it. It doesn't matter if it's a 3D render or a drawing. All artists in this (or any other) fandom do not deserve to experience such thing, and we need to speak out about it to prevent it from happening in the future.

Reposting fanart is, as this example shows, dangerous and hurtful, so please respect artists and don’t do this. Especially on pinterest.

Their only proposal and offer to give me credits for the work they traced is something I will never agree to.

[taviamoth]

🚨 The Government Media Office in Gaza publishes an update about the scale of destruction of the zionist on Gaza from October 7th, 2023 to February 11th, 2024.

• 128 days of the war of genocide.

• 2,438 massacres.

• 35,176 martyrs and missing.

• 28,176 martyrs reached the hospitals.

• 12,300 child martyrs.

• 8,400 women martyrs.

• 340 medical worker martyrs.

• 46 civil defense martyrs.

• 124 journalist martyrs.

• 7,000 missing; 70% of them are children and women.

• 67,784 wounded.

• 11,000 wounded in need of travel for life-saving and critical treatment.

• 10,000 cancer patients at risk of death.

• 700,000 Gazans infected with infectious diseases as a result of displacement.

• 8,000 cases of viral hepatitis infection due to displacement.

• 60,000 pregnant women are at risk due to lack of access to health care.

• 350,000 chronic patients are at risk due to lack of administration of medications.

• 99 arrests of health workers.

• 10 arrests of journalists whose names are known.

• 2 million displaced in the Gaza Strip.

• 142 government headquarters destroyed by the occupation.

• 100 schools and universities completely destroyed by the occupation.

• 295 schools and universities partially destroyed by the occupation.

• 184 mosques completely destroyed by the occupation.

• 266 mosques partially destroyed by the occupation.

• 3 churches targeted and destroyed by the occupation.

• 70,000 residential units completely destroyed by the occupation.

• 290,000 residential units partially destroyed by the occupation.

• 66,000 tons of explosives dropped by the occupation on Gaza.

• 30 hospitals taken out of service by the occupation.

• 53 health centers taken out of service by the occupation.

• 150 health centers partially destroyed by the occupation.

• 123 ambulances completely destroyed by the occupation.

• 200 archaeological and heritage sites destroyed by the occupation.

[via RNN]

[mostlysignssomeportents]

Google is (still) losing the spam wars to zombie news-brands

I'm touring my new, nationally bestselling novel The Bezzle! Catch me TONIGHT (May 3) in CALGARY, then TOMORROW (May 4) in VANCOUVER, then onto Tartu, Estonia, and beyond!

Even Google admits – grudgingly – that it is losing the spam wars. The explosive proliferation of botshit has supercharged the sleazy "search engine optimization" business, such that results to common queries are 50% Google ads to spam sites, and 50% links to spam sites that tricked Google into a high rank (without paying for an ad):

https://developers.google.com/search/blog/2024/03/core-update-spam-policies#site-reputation

It's nice that Google has finally stopped gaslighting the rest of us with claims that its search was still the same bedrock utility that so many of us relied upon as a key piece of internet infrastructure. This not only feels wildly wrong, it is empirically, provably false:

https://downloads.webis.de/publications/papers/bevendorff_2024a.pdf

Not only that, but we know why Google search sucks. Memos released as part of the DOJ's antitrust case against Google reveal that the company deliberately chose to worsen search quality to increase the number of queries you'd have to make (and the number of ads you'd have to see) to find a decent result:

https://pluralistic.net/2024/04/24/naming-names/#prabhakar-raghavan

Google's antitrust case turns on the idea that the company bought its way to dominance, spending the some of the billions it extracted from advertisers and publishers to buy the default position on every platform, so that no one ever tried another search engine, which meant that no one would invest in another search engine, either.

Google's tacit defense is that its monopoly billions only incidentally fund these kind of anticompetitive deals. Mostly, Google says, it uses its billions to build the greatest search engine, ad platform, mobile OS, etc that the public could dream of. Only a company as big as Google (says Google) can afford to fund the R&D and security to keep its platform useful for the rest of us.

That's the "monopolistic bargain" – let the monopolist become a dictator, and they will be a benevolent dictator. Shriven of "wasteful competition," the monopolist can split their profits with the public by funding public goods and the public interest.

Google has clearly reneged on that bargain. A company experiencing the dramatic security failures and declining quality should be pouring everything it has to righting the ship. Instead, Google repeatedly blew tens of billions of dollars on stock buybacks while doing mass layoffs:

https://pluralistic.net/2024/02/21/im-feeling-unlucky/#not-up-to-the-task

Those layoffs have now reached the company's "core" teams, even as its core services continue to decay:

https://qz.com/google-is-laying-off-hundreds-as-it-moves-core-jobs-abr-1851449528

(Google's antitrust trial was shrouded in secrecy, thanks to the judge's deference to the company's insistence on confidentiality. The case is moving along though, and warrants your continued attention:)

https://www.thebignewsletter.com/p/the-2-trillion-secret-trial-against

Google wormed its way into so many corners of our lives that its enshittification keeps erupting in odd places, like ordering takeout food:

https://pluralistic.net/2023/02/24/passive-income/#swiss-cheese-security

Back in February, Housefresh – a rigorous review site for home air purifiers – published a viral, damning account of how Google had allowed itself to be overrun by spammers who purport to provide reviews of air purifiers, but who do little to no testing and often employ AI chatbots to write automated garbage:

https://housefresh.com/david-vs-digital-goliaths/

In the months since, Housefresh's Gisele Navarro has continued to fight for the survival of her high-quality air purifier review site, and has received many tips from insiders at the spam-farms and Google, all of which she recounts in a followup essay:

https://housefresh.com/how-google-decimated-housefresh/

One of the worst offenders in spam wars is Dotdash Meredith, a content-farm that "publishes" multiple websites that recycle parts of each others' content in order to climb to the top search slots for lucrative product review spots, which can be monetized via affiliate links.

A Dotdash Meredith insider told Navarro that the company uses a tactic called "keyword swarming" to push high-quality independent sites off the top of Google and replace them with its own garbage reviews. When Dotdash Meredith finds an independent site that occupies the top results for a lucrative Google result, they "swarm a smaller site’s foothold on one or two articles by essentially publishing 10 articles [on the topic] and beefing up [Dotdash Meredith sites’] authority."

Dotdash Meredith has keyword swarmed a large number of topics. from air purifiers to slow cookers to posture correctors for back-pain:

https://housefresh.com/wp-content/uploads/2024/05/keyword-swarming-dotdash.jpg

The company isn't shy about this. Its own shareholder communications boast about it. What's more, it has competition.

Take Forbes, an actual news-site, which has a whole shadow-empire of web-pages reviewing products for puppies, dogs, kittens and cats, all of which link to high affiliate-fee-generating pet insurance products. These reviews are not good, but they are treasured by Google's algorithm, which views them as a part of Forbes's legitimate news-publishing operation and lets them draft on Forbes's authority.

This side-hustle for Forbes comes at a cost for the rest of us, though. The reviewers who actually put in the hard work to figure out which pet products are worth your money (and which ones are bad, defective or dangerous) are crowded off the front page of Google and eventually disappear, leaving behind nothing but semi-automated SEO garbage from Forbes:

https://twitter.com/ichbinGisele/status/1642481590524583936

There's a name for this: "site reputation abuse." That's when a site perverts its current – or past – practice of publishing high-quality materials to trick Google into giving the site a high ranking. Think of how Deadspin's private equity grifter owners turned it into a site full of casino affiliate spam:

https://www.404media.co/who-owns-deadspin-now-lineup-publishing/

The same thing happened to the venerable Money magazine:

https://moneygroup.pr/

Money is one of the many sites whose air purifier reviews Google gives preference to, despite the fact that they do no testing. According to Google, Money is also a reliable source of information on reprogramming your garage-door opener, buying a paint-sprayer, etc:

https://money.com/best-paint-sprayer/

All of this is made ten million times worse by AI, which can spray out superficially plausible botshit in superhuman quantities, letting spammers produce thousands of variations on their shitty reviews, flooding the zone with bullshit in classic Steve Bannon style:

https://escapecollective.com/commerce-content-is-breaking-product-reviews/

As Gizmodo, Sports Illustrated and USA Today have learned the hard way, AI can't write factual news pieces. But it can pump out bullshit written for the express purpose of drafting on the good work human journalists have done and tricking Google – the search engine 90% of us rely on – into upranking bullshit at the expense of high-quality information.

A variety of AI service bureaux have popped up to provide AI botshit as a service to news brands. While Navarro doesn't say so, I'm willing to bet that for news bosses, outsourcing your botshit scams to a third party is considered an excellent way of avoiding your journalists' wrath. The biggest botshit-as-a-service company is ASR Group (which also uses the alias Advon Commerce).

Advon claims that its botshit is, in fact, written by humans. But Advon's employees' Linkedin profiles tell a different story, boasting of their mastery of AI tools in the industrial-scale production of botshit:

https://housefresh.com/wp-content/uploads/2024/05/Advon-AI-LinkedIn.jpg

Now, none of this is particularly sophisticated. It doesn't take much discernment to spot when a site is engaged in "site reputation abuse." Presumably, the 12,000 googlers the company fired last year could have been employed to check the top review keyword results manually every couple of days and permaban any site caught cheating this way.

Instead, Google is has announced a change in policy: starting May 5, the company will downrank any site caught engaged in site reputation abuse. However, the company takes a very narrow view of site reputation abuse, limiting punishments to sites that employ third parties to generate or uprank their botshit. Companies that produce their botshit in-house are seemingly not covered by this policy.

As Navarro writes, some sites – like Forbes – have prepared for May 5 by blocking their botshit sections from Google's crawler. This can't be their permanent strategy, though – either they'll have to kill the section or bring it in-house to comply with Google's rules. Bringing things in house isn't that hard: US News and World Report is advertising for an SEO editor who will publish 70-80 posts per month, doubtless each one a masterpiece of high-quality, carefully researched material of great value to Google's users:

https://twitter.com/dannyashton/status/1777408051357585425

As Navarro points out, Google is palpably reluctant to target the largest, best-funded spammers. Its March 2024 update kicked many garbage AI sites out of the index – but only small bottom-feeders, not large, once-respected publications that have been colonized by private equity spam-farmers.

All of this comes at a price, and it's only incidentally paid by legitimate sites like Housefresh. The real price is borne by all of us, who are funneled by the 90%-market-share search engine into "review" sites that push low quality, high-price products. Housefresh's top budget air purifier costs $79. That's hundreds of dollars cheaper than the "budget" pick at other sites, who largely perform no original research.

Google search has a problem. AI botshit is dominating Google's search results, and it's not just in product reviews. Searches for infrastructure code samples are dominated by botshit code generated by Pulumi AI, whose chatbot hallucinates nonexistence AWS features:

https://www.theregister.com/2024/05/01/pulumi_ai_pollution_of_search/

This is hugely consequential: when these "hallucinations" slip through into production code, they create huge vulnerabilities for widespread malicious exploitation:

https://www.theregister.com/2024/03/28/ai_bots_hallucinate_software_packages/

We've put all our eggs in Google's basket, and Google's dropped the basket – but it doesn't matter because they can spend $20b/year bribing Apple to make sure no one ever tries a rival search engine on Ios or Safari:

https://finance.yahoo.com/news/google-payments-apple-reached-20-220947331.html

Google's response – laying off core developers, outsourcing to low-waged territories with weak labor protections and spending billions on stock buybacks – presents a picture of a company that is too big to care:

https://pluralistic.net/2024/04/04/teach-me-how-to-shruggie/#kagi

Google promised us a quid-pro-quo: let them be the single, authoritative portal ("organize the world’s information and make it universally accessible and useful"), and they will earn that spot by being the best search there is:

https://www.ft.com/content/b9eb3180-2a6e-41eb-91fe-2ab5942d4150

But – like the spammers at the top of its search result pages – Google didn't earn its spot at the center of our digital lives.

It cheated.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/05/03/keyword-swarming/#site-reputation-abuse

Image: freezelight (modified) https://commons.wikimedia.org/wiki/File:Spam_wall_-_Flickr_-_freezelight.jpg

CC BY-SA 2.0 https://creativecommons.org/licenses/by-sa/2.0/deed.en

[funkopersonal]

Here's your daily reminder that...

Jews are only 0.2% of the worlds population but...

Jews make up 14% of the World Total and 38% of the United States of America total winners for the Nobel Prize for Literature (source).

Of the 965 individual recipients of the Nobel Prize and the Nobel Memorial Prize in Economic Sciences between 1901 and 2023, at least 214 have been Jews or people with at least one Jewish parent, representing 22% of all recipients. (source)

Jews make up 14% of the total winners of the Pulitzer Prize for Fiction 18% of the total winners of the Pulitzer Prize for Poetry; 53% of the total winners of the Pulitzer Prize for Non-Fiction (source).

Jews make up 39% of the total winners of the Antoinette Perry (Tony) Award for Best Play; 54% of the total winners of the Tony Award for Best Book of a Musical (with 62% of all Composers and 66% of all Lyricists of Best Musical-winning productions being Jewish) (source).

Jews make up 40% of the total winners of the Academy Award (Oscar) for Best Original Screenplay; and 34% of the total winners of the Academy Award for Best Adapted Screenplay (source).

Although Jews constitute only 3% of the U.S. population...

80% of the nation’s professional comedians are Jewish (source).

90% of American comic book creators are jewish (source)

38% of the recipients of the United States National Medal of Science are Jewish (Source).

Jews are very successful, with educational levels higher than all other U.S. ethnic groups with the exception of Asian Americans, and income levels the highest of all groups. Six out of ten Jewish adults have college degrees, and 41% of Jewish families report a household income of $75,000 or more” (source)

Jews are a minority across the globe. We've been historically opressed and hated. But these key figures from history are all Jewish and loved, yet many don't even know they're jewish (or they don't know these people in the first place!):

Stan Lee (birth name: Stanley Martin Lieber) - An American comic book writer and editor, Former executive vice president and publisher of marvel Comics, creator of iron-man, spider-man, and more.

Albert Einstein - a Theoretical physicist, Received the 1921 Nobel Prize in Physics, developed the theory of relativity and the "worlds most famous equation"  (E = mc^2), and more.

Ruth Bader Ginsburg - Former Associate Justice of the Supreme Court of the United States, co-authored the initial law school casebook on sex discrimination, co-founded the Women’s Rights Project at the ACLU in 1972, and more.

Jack Kirby (birth name: Jacob Kurtzberg) - an American comic book artist, co-creator of Captain America, one of the most influential comic book artists

Harry Houdini (birth name: Erich Weisz) - a Hungarian-American escape artist, illusionist, and stunt performer, noted for his escape acts.

Emma Lazarus - An American author remembered for her sonnet "The New Colossus," Inspired by The Statue of Liberty and inscribed on its pedestal as of 1903.

Julius Rosenthal, Lillian Wald, Rabbi Emil G. Hirsch, Stephen Wise, and Henry Moskowitz - Jewish activists that helped form the NAACP along with W.E.B. Dubois, Ida B. Wells-Barnett, and Mary Church Terrell.

Mark Zuckerberg - Founder and CEO of Meta, a businessman who co-founded the social media service Facebook, and within four years became the world’s youngest self-made billionaire Harvard alumni.

Joseph Pulitzer - a politician and newspaper publisher, his endowment to the Columbia University established the Pulitzer Prizes in 1917, he founded the Columbia School of Journalism which opened in 1912.

Jacob William Davis - a Latvian tailor who is credited with inventing modern jeans and who worked with Levi Strauss to patent and mass-produce them, died.

Irving Berlin - drafted at age 30 to write morale-boosting songs for military revues (including “God Bless America”). Many Berlin songs remained popular for decades, including “Puttin’ on the Ritz,” “Cheek to Cheek,” “Anything You Can Do (I Can Do Better),” “There’s No Business Like Show Business,” and two celebrating Christian holidays: “White Christmas” and “Easter Parade.”

Rabbi Abraham Joshua Heschel - received his doctorate in Berlin. He was arrested by the Nazis in 1938, moved to the U.S. in 1940, and became an influential figure in the 1960s, marching with the Rev. Martin Luther King Jr. in Selma, Alabama, and speaking out against the Vietnam War.

Elie Wiesel - Romanian-American writer and professor, holocaust survivor, nobel laureate, political activist. Authored 57 books including Night, a work based on his experiences as a Jewish prisoner in the Auschwitz and Buchenwald concentration camps

Bob Dylan - an icon of folk, rock and protest music, won the Nobel Prize in literature for his complex and poetic lyrics.

J. Robert Oppenheimer - ran the Manhattan Project, considered the "father of the atomic Bomb," presented with the Enrico Fermi Award by President Lyndon Johnson.

Betty Friedan - co-founded the National Organization of Women and became its first president, wrote The Feminine Mystique (1963) and helped spark the second wave of feminism.

Gloria Steinem - one of the most prominent feminists of all time, launched Ms. Magazine and co-founded the National Women’s Political Caucus with Bella Abzug, Shirley Chisholm, Betty Friedan and Myrlie Evers-Williams, widow of Medgar Evers.

Sergey Brin - an American businessman best known for co-founding Google with Larry Page, president of Alphabet Inc.

Judith Heumann - a founder of the disability rights movement, led a 26-day sit-in at a federal building in San Francisco. The protest spurred implementation of Section 504 of the Rehabilitation Act, a precursor to the Americans with Disabilities Act.

Larry Kramer - co-founded Gay Men’s Health Crisis in response to the AIDS epidemic but was soon ousted over his confrontational activism. He went on to help launch a more strident group, ACT UP, and wrote a critically acclaimed play, The Normal Heart, about the early AIDS years in New York City.

Steven Spielberg - released his critically acclaimed epic film Schindler’s List, based on the true story of a German industrialist who saved Jews during the Holocaust. The movie won seven Oscars and led Spielberg to launch the Shoah Foundation at the University of Southern California, which filmed interviews with 52,000 survivors of the Holocaust and genocides in Nanjing and Rwanda.

Calvin Klein - made designer jeans and the infamous ad starring Brooke Shields revolutionized the fashion industry, sold his company to Phillips-Van Heusen (now PVH) for $430 million. Klein was the first designer to win three consecutive Coty Awards for womenswear.

Daveed Diggs - an American actor, rapper, and singer-songwriter. he originated the dual roles of Marquis de Lafayette and Thomas Jefferson in the musical Hamilton, for which he won a 2016 Tony Award for Best Actor in a Featured Role in a Musical. Along with the main cast of Hamilton, he was awarded a Grammy Award for Best Musical Theater Album in the same year.

And so much more. (a pretty decent list is available here)

Not only that, but the following are all Jewish inventions...

The Teddy Bear - made by Morris and Rose Michtom in honor of Theodore "Teddy" Roosevelt.

The Ballpoint Pen - *the first commercially sucessfull ballpoint pen was made by Lazlo Biro, a Hungarian-Jew, and his brother.

Mobile Phones - made by Martin Cooper, nicknamed the "father of the cellphone", and was born in Chicago to Ukrainian Jewish immigrants.

The Barbie - made by Ruth Marianna Handler, born to Polish-Jewish immigrants.

Power Rangers - made by Haim Saban, a Jewish-Egyptian

Video Games - made by Ralph Baer, a German-Jew

Peeps - made by Sam Born, a Russian-Jewish immigrants who came to the United States in 1909.

Cards Against Humanity - created by a group of Jewish boys from the same high school

Many Superheroes including Superman, Ironman, spider-man, batman, and more!

and more! (an illustrated list available here.)

Conclusion: If you're Jewish, be proud. You come from a long line of successful people. No matter what happened to them, Jews persevered, and they strived for sucess. Be proud of your culture, your history, these are your people. You're Jewish.

(feel free to reblog and add more, or just comment and i'll add it!)

Last Updated: June 25, 1:35 AM EST

[multifandomgirl08]

Mini Verstappen Series Masterlist

Paring: Single Dad!Max Verstappen x Fem!Reader

At the end of 2020, Max Verstappen gets the surprise of his life when he finds out that his ex-girlfriend had given birth to a son, his son. A year and a half later Max's longtime girlfriend of 8 months finds out about his son Nico.

This is an ongoing series. I'm always adding to it. The masterlist changes often.

I do take requests for this. If there is anything that you want to see happen in this series just message me in my ask box. All of my normal request rules apply.

Reader Face Claim: Hande Erçel

Total Published Word Count: 63,217 Words

Disclaimer: This work below is fictionalized ideas and stories involving real people but does not directly reflect their thoughts, feelings, or behaviors. Please keep in mind that this is a work of fiction, so enjoy it as such.

𝑅𝑒𝑎𝑑𝑖𝑛𝑔 𝑂𝑟𝑑𝑒𝑟

0.0. Prologue - [December 2020]

Max finds out that he has a son. And it changes his world.

0.1. Be Something You'll Love and Understand [December 2020] Outtakes

He knew that he should have called his mom yesterday but he was still wrapping his head around the idea of being a father.

0.5. The Moment You Smiled At Me - [November 2021]

The evening that started it all for Max and Reader.

1. Mini Verstappen - [July 2022]

You get a small surprise the first time you visit Max’s apartment.

1.5. Girlfriend? - [October 2022] Request

You meet Nico.

1.8. Caught - [June 4, 2023] 18+ Outtakes

Lando swears he knocked before walking into Max's hotel room, maybe he should have yelled before opening the door.

2. Change - [November 26, 2023 + January 2, 2024]

It’s the end of the F1 season. Some things are changing for the Verstappen's.

SMAU #1. The Secrets Out - [December 31, 2023 - January 1, 2024]

It’s the start of a new year. You and Max decide to tell the world about Nico.

3. A Lioness Protects Her Cub - [May 5 - 9, 16, 23, 2024] Request

Reporters are vultures and Max picks out a ring.

4. Day At The Karting Track - [June 15, 2024]

Nico starts karting. It opens a small can of worms.

4.5 The Engagement - [August 15 - 16, 2024]

He moved his hand over yours, moving the engagement ring that he placed on your finger, side to side.

SMAU #2. Through Max's Eyes - [March 8, July 30 - August 15, 2024]

Max’s Instagram posts about Y/N, and a small life update from the couple.

5. Something Bad, Something Good - [August 17 - 19, 2024] Request

Reader deals with the haters on Twitter, Nico calls Reader Mama. Max claps back at the haters on Instagram like the malewife that he strives to be.

5.5 Time to Move? - [August 25, September 15, 2024]

When Max had brought up moving, it was because the lease on his apartment was going to be up at the end of the year. Maybe it was time to find a new place for all of you.

6. Race Day - [October 20, 2024] Request

Nico tags along with Max during a race day in Monza, well as much as he can.

6.1 Wedding Headcanon - [February 2, 2025]

Headcanons from Max and the Reader's wedding. Social Media posts from their honeymoon.

6.5. Give and Take (Kind of Love We Make) - [February 28, 2025] 18+ Request (The Morning After)

Max had a plan in his head for the evening. He had mapped out the track before, and intended to keep to his strategy until they got home.

6.7. To Constantly Be Away - [March 10, 2025]

Second race of the season and Max is already having a tough time with the car. Missing his family only makes it worse.

7. From Three to Four - [April 4, 2025]

Reader tells Max that your expecting, he doesn't have the best reaction at first.

8. Stones To Throw At My Creator - [July 2025]

He wasn't his father. He would never raise Nico like that.

SMAU #3. The Verstappens - [January 8, February 2, May 26, December 3, 2025]

Big things happen to Max and the reader in 2025. Moving, getting married, and a little surprise that neither of them were expecting.

8.7 Give Me Eyes To See - [December 7, 2025]

Nikita's first few days at home. Flashbacks to moments from the reader's pregnancy.

8.8 Nikita's First Christmas - [December 24-25, 2025]

Nico's first Christmas with his baby brother.

8.9 Ghost of Bittersweet Memories - [January 25, 2026]

A few of the drivers visit you and Max for the day, and you end up talking with Charles about a woman that he meets at an FIA event. (This is the conversation I referenced in Part 2 of Bittersweet.)

9. Glass Houses - [February 17, 22, 23, 2026]

When Raymond had called you about going and getting lunch, you should have known that something was going on.

9.5. All That I Can Give - [May 10, 2026]

Another Mother's Day and one of Nikita's firsts.

9.7. On Sleepless Roads, The Sleepless Go - [December 2-3, 2026]

It's the early hours of Nikita's first birthday, and you can't help but look back at the day you brought your son into the world.

SMAU #4. A Year in Moments - [February 10, May 28, August 2 & 27, October 21 & 31, 2026]

10. Redline - [May 25, 2027]

"I'm sorry, mijn leeuwin. I know you were excited to announce it to everyone."

10.5. Mommy and Me - [May 31 - June 6, 2027] Request

Late one evening after dinner Y/N brought up the idea to Max for her to take Nico out for the day.

11. X3 - [July 8-9, 2027]

“Hallo, kleine welp,” Max said.

11.5. She's Not Acid Nor Alkaline - [December 2027]

Max and Reader have a night away from the kids in Santorini for the 2027 FIA Prize Giving Gala.

SMAU #5. Welcoming Another Verstappen - [2027]

12. Hey, Little Sister - [March 27 - November 20, 2028]

SMAU #6. - [2028]

13. The End of An Era - [November 2030]

The days leading up to Max retiring from Formula 1. The Article announcing his retirement. And the last race of his F1 career.

14. Right On Track - [2036]

Checking in with the Verstsppens in 2036.

15. Letters From The Past - [November 17, 2038]

Max and Reader sit down to read the letters that Amelia (Nico's birth mom) wrote.

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Can you please, pretty-please do a "3 linguistics papers to read" about neopronouns? I'd love to get some academic perspectives on them! :)

Ooh, yes, I can do this!

Three papers to read about neopronouns

The first one I'm linking is by Em Miltersen from 2016, which I am highlighting because the data comes specifically from tumblr!

Miltersen, E. H. (2016). Nounself pronouns: 3rd person personal pronouns as identity expression. Journal of Language Works-Sprogvidenskabeligt Studentertidsskrift, 1(1), 37-62. Open access to the paper here

Next, a very short paper by Rose et al., 2023, which is just looking at whether people even find neopronouns acceptable / grammatical:

Rose, E., Winig, M., Nash, J., Roepke, K., & Conrod, K. (2023). Variation in acceptability of neologistic English pronouns. Proceedings of the Linguistic Society of America, 8(1), 5526-5526. Open access paper is here

And then finally, I'd recommend this super cool paper by Laura Hekanaho, 2022, looking at the metalinguistic commentary and ways people talk about neopronouns - overlaps a bit with Rose et al.'s paper, but goes into much greater depth:

Hekanaho, L. (2022). A thematic analysis of attitudes towards English nonbinary pronouns. Journal of language and sexuality, 11(2), 190-216. Author's copy of the paper here

One thing about neopronouns is that there's comparatively little linguistics research published about them, and what does exist is very focused on English. Part of this is because the ways neopronouns are cropping up in English speech communities (especially online) are different than in other language communities, and the other part of the reason is that they're just super rare -- best estimates of how many people use neopronouns are very very low (the US Trans Census and the Gender Census report numbers <10%, and that's out of only trans people), and their appearance in every day language appears to be very rare.

What this means (frustratingly! and I hope this is changing!) is that at best neopronouns are mentioned in footnotes of linguistics articles and books about other stuff. There's also Dennis Baron's 2020 book, What's Your Pronoun, which is a really thorough documentation of historical attempts to coin gender-neutral pronouns in English... but Baron kind of comes to the conclusion that singular 'they' has 'won' the competition, and that none of the neopronouns he tracks have become mainstream.

Anyways, my personal opinion as a linguist is that I get frustrated with linguists who dismiss neopronouns because they're rare. Just because something's rare doesn't mean it's not a part of the language, and therefore a real part of the phenomenon we've decided to study! Devil's hole pupfish of english, tbh.

(Previous "3 papers to read" post was "3 papers to read about singular 'they'." If you like these posts, you can request a topic in linguistics and I'll do my best to recommend 3 open-access published papers to read!)