#rhythm music

[virtueisdead]

currently trying to master the art of polymetric headbanging in case i ever get to go to a frontierer concert

[constructbreakdown]

"War isn't fun" | Blues | Rhythm | Smooth | Energetic | War [original AI song]

[catmask]

does anyone have like an anti aesthetic. like something you look at and can recognize as a complete fashion/interior design/artistic movement and understand it but it makes you shudder seeing it. i am not talking like “its morally bad” “its poorly structured” like just sheerly devoid of joy for you actually invites a repulse response.

[everydaylouie]

Rhythm Hell

[deforest]

SHE'S CRAZY WITH THE HEAT — 1946 ft. The International Sweethearts of Rhythm

In 1946, William D. Alexander began the production of a series of one-reel shorts, half-hour featurettes and feature films that would serve a dual purpose. These black cast subjects would be released to theaters that welcomed African American audiences; concurrently, the music segments would be excerpted from the films and released as Soundies. Ultimately, sixteen of Alexander’s musical shorts reached the Panoram screen, spotlighting the bands of Lucky Millinder, Billy Eckstine, Henri Woode and the International Sweethearts of Rhythm. (Alexander actually produced four films with the Sweethearts, three ten-minute short subjects and one feature, although some of the performances turns up in more than one film; only three performances saw release as a Soundie.) The International Sweethearts of Rhythm grew out of a band formed in the 1930s at the Piney Woods Country Life School, an institution – in part an orphanage – for poor African American children. A member of the music department had apparently taken note of the success of Ina Ray Hutton’s Melodears and decided that an all-woman band composed of school members might lead to something special. While they performed locally, the ISR did not begin to hit its stride until it left Piney Woods and became a professional touring outfit in 1941. The band was certainly “international” in nature, and its ranks included African American, Latina, Chinese, Indian, White and Puerto Rican musicians. In 1941, Anna Mae Winburn joined the orchestra as front woman and featured vocalist. During the war years Maurice King joined the band as both arranger and band manager. Born Clarence King in 1911, King played reeds and later became a fine swing arranger. While here we recognize his composition and arrangement for the Sweethearts – he called this tune “She’s Crazy with the Heat ” – King is best known for his longtime association with Barry Gordy and Motown Records for which he served as director of artist development. He worked closely with vocal groups, teaching the singers how to voice and phrase together. “Maurice brought sophistication and class to Motown,” said session musician Johnny Trudell. By 1946, the Sweethearts was recognized as one of the finest African-American bands in jazz. They recorded for Guild and RCA Records, broadcast regularly for the Armed Forces Radio Service, and toured Europe entertaining the GIs. While much of the success was due to Maurice King’s arrangements, the band’s musicians were all strong, and a special nod must go to Viola Burnside, one of the most neglected tenor soloists of the 1940s. I chatted with my friend Roz Cron, a member of the Sweetheart’s reed section, shortly before her passing. When I thanked her for her contribution, she paused and said, “Yeah, we were one of the best, one of the very, very best.” (via Jazz on Film)

[frobby]

rhythm gamers will be like "u gotta play this song it's so fun" and the song in question gives u carpal tunnel syndrome

[egophiliac]

Do yoy like their silly little dance

the inside of my brain at any given moment:

[arcadebroke]

[heilos]

I meant to post about this like 2 days ago, but things got a little busy. But please enjoy this Bonus video from my buddy Mysteryben while waiting for Mystery Skulls Animated video 5 as we continue production on it. It's very Rhythm Heaven inspired for those who enjoy a little throw back to Ben's older animations. Also there's a couple of fun little easter eggs in there to look out for. CHARACTER NAMES: Angel: Aiya Princess: Princess Tsukimi Rabbit Squad: Lagonauts

[journey-to-the-attic]

the rest of the cast got their new song covers, so i wanted to try putting the others in a band :>

i did want to make it look a bit like an album cover but i have no idea how those are designed so eh?? i also couldn't think of any band or album/song names so. if anyone has any ideas...

[timbit-robin-art]

I saw your Mio doodle and now I wonder about a Light Music Club X-Men Edition.. Scott can be on drums he'd be so good at keeping time... whatever Ororo is on (because she'd slay at every instrument) she has to ALSO be on vocals because I believe that's just canon..

maybe Logan can be their roadie

Ah, K-On. My one weakness. I went a little overboard when picturing this, so whoops.

I imagine this being in a universe where there’s still mutants, but Xavier isn’t making them use their powers to fight. Instead, the institute is for learning how to control their powers/providing refuge for mutants who have nowhere else to go, and they go to a mutant/normal human mixed private school for normal education.

Here’s some of my ideas for the club members so far:

Ororo is the bass player and lead vocalist. She’s been inspired to be in a band ever since she lived on the streets as a little kid, where she saw a bass player performing live. Freshmen year of high school, she hears someone absolutely going ham on the drums, and finds Scott playing on his own. It took a while, but she finally convinced Scott to join her. She’s the heart and soul of the group, and main character along with Scott. I don’t see her living at the institute, though Xavier keeps the offer open. Instead, she may live with a 19/20 year old Gambit, who’s living off of the Guild’s money and trying to lay low.

Scott is the drum player. After Xavier picked him off of the streets, he got a bit lost in the mansion and discovered a drum set in the music room (I imagine it used to belong to Erik/Magnus). Xavier sees that the boy has natural rhythm, and decides to find him a teacher. Scott forms a middle school band with the O5, but they had a falling out, causing everyone to go their separate ways. However, Scott is still very passionate about the drums, which is why he eventually joins Ororo. He may be more pessimistic, but his passion for the drums is more than enough to keep him going.

Kurt is the pianist. He’s a transfer student from Germany and has always wanted to be a part of a band like Ororo. It was him that suggested the idea of forming an actual club, and he’s the big idealist/optimist of the group. I can see him not knowing too much on how to play piano, minus the basics he learned from his mother (she taught him how to play despite his three fingers), so when he moves into the institute, Xavier teaches him how to play better. Even though there are some people at school who treat him just as bad as the mobs from his home, he’s still willing to get out there and play with the group.

Hank is the guitarist. He used to be a part of the same group as Scott, but after everyone split a part, he stopped playing entirely. I can see him being intrigued by the talk of a “light music club,” but after seeing Scott was there, he wants nothing to do with it. Eventually, he joins a practice session after Ororo gets through to him, and he realizes just how much he misses playing. Scott and him have the friends-turned-hostile-turned-back-into-friends relationship. Unlike the other three O5 members, his love for music trumps any hostile feelings after the falling out, and he’s willing to give it another go.

Ah, but you can’t have a club without a faculty member as your sponsor;

Mr. Logan was the only available candidate for this. After a lot of begging (and promises that they’d wash his motorcycle every weekend), they eventually get him on board. He pretends to hate it, but it slowly becomes obvious that he has a soft spot for the group. He sees the passion they all have, and it reminds him of when he was younger (hmm… what if Logan was the bass player Ororo saw when she was younger…).

Of course, if we follow K-On, we must have a 5th member that joins later on. I have no idea who that could be. I think there’s a lot of fun ideas depending on who.

[unknownperson246]

A rare Izzy Stradlin Story

[cosmonautroger]

[hi1234hehe]

Izzy Stradlin and his leopard print clothes

[soupy-sez]

Snoop Dogg – R&G (Rhythm & Gangsta): The Masterpiece (2004)

[todayinhiphophistory]

Today in Hip Hop History:

Eric B. and Rakim released their third album Let The Rhythm Hit ‘Em June 19, 1990