#sales performance report

[isubhamdas]

Ecommerce Analytics-Data-Driven Potential

Discover the power of ecommerce analytics to skyrocket your online business. Dive deeper into the data and uncover hidden opportunities. Empower your decision-making with cutting-edge expertise. Harness the Power of Google AnalyticsLeverage Social Media AnalyticsAnalyze Your CompetitionTrack Your Key Performance Indicators (KPIs)Utilize A/B TestingExpert Tip on Ecommerce AnalyticsSuggestion on…

[acubeai]

Creating an Effective Power BI Dashboard: A Comprehensive Guide

Introduction to Power BI Power BI is a suite of business analytics tools that allows you to connect to multiple data sources, transform data into actionable insights, and share those insights across your organization. With Power BI, you can create interactive dashboards and reports that provide a 360-degree view of your business.

Step-by-Step Guide to Creating a Power BI Dashboard

1. Data Import and Transformation The first step in creating a Power BI dashboard is importing your data. Power BI supports various data sources, including Excel, SQL Server, Azure, and more.

Steps to Import Data:

Open Power BI Desktop.

Click on Get Data in the Home ribbon.

Select your data source (e.g., Excel, SQL Server, etc.).

Load the data into Power BI.

Once the data is loaded, you may need to transform it to suit your reporting needs. Power BI provides Power Query Editor for data transformation.

Data Transformation:

Open Power Query Editor.

Apply necessary transformations such as filtering rows, adding columns, merging tables, etc.

Close and apply the changes.

2. Designing the Dashboard After preparing your data, the next step is to design your dashboard. Start by adding a new report and selecting the type of visualization you want to use.

Types of Visualizations:

Charts: Bar, Line, Pie, Area, etc.

Tables and Matrices: For detailed data representation.

Maps: Geographic data visualization.

Cards and Gauges: For key metrics and KPIs.

Slicers: For interactive data filtering.

Adding Visualizations:

Drag and drop fields from the Fields pane to the canvas.

Choose the appropriate visualization type from the Visualizations pane.

Customize the visual by adjusting properties such as colors, labels, and titles.

3. Enhancing the Dashboard with Interactivity Interactivity is one of the key features of Power BI dashboards. You can add slicers, drill-throughs, and bookmarks to make your dashboard more interactive and user-friendly.

Using Slicers:

Add a slicer visual to the canvas.

Drag a field to the slicer to allow users to filter data dynamically.

Drill-throughs:

Enable drill-through on visuals to allow users to navigate to detailed reports.

Set up drill-through pages by defining the fields that will trigger the drill-through.

Bookmarks:

Create bookmarks to capture the state of a report page.

Use bookmarks to toggle between different views of the data.

Different Styles of Power BI Dashboards Power BI dashboards can be styled to meet various business needs. Here are a few examples:

1. Executive Dashboard An executive dashboard provides a high-level overview of key business metrics. It typically includes:

KPI visuals for critical metrics.

Line charts for trend analysis.

Bar charts for categorical comparison.

Maps for geographic insights.

Example:

KPI cards for revenue, profit margin, and customer satisfaction.

A line chart showing monthly sales trends.

A bar chart comparing sales by region.

A map highlighting sales distribution across different states.

2. Sales Performance Dashboard A sales performance dashboard focuses on sales data, providing insights into sales trends, product performance, and sales team effectiveness.

Example:

A funnel chart showing the sales pipeline stages.

A bar chart displaying sales by product category.

A scatter plot highlighting the performance of sales representatives.

A table showing detailed sales transactions.

3. Financial Dashboard A financial dashboard offers a comprehensive view of the financial health of an organization. It includes:

Financial KPIs such as revenue, expenses, and profit.

Financial statements like income statement and balance sheet.

Trend charts for revenue and expenses.

Pie charts for expense distribution.

Example:

KPI cards for net income, operating expenses, and gross margin.

A line chart showing monthly revenue and expense trends.

A pie chart illustrating the breakdown of expenses.

A matrix displaying the income statement.

Best Practices for Designing Power BI Dashboards To ensure your Power BI dashboard is effective and user-friendly, follow these best practices:

Keep it Simple:

Avoid cluttering the dashboard with too many visuals.

Focus on the most important metrics and insights.

2. Use Consistent Design:

Maintain a consistent color scheme and font style.

Align visuals properly for a clean layout.

3. Ensure Data Accuracy:

Validate your data to ensure accuracy.

Regularly update the data to reflect the latest information.

4. Enhance Interactivity:

Use slicers and drill-throughs to provide a dynamic user experience.

Add tooltips to provide additional context.

5. Optimize Performance:

Use aggregations and data reduction techniques to improve performance.

Avoid using too many complex calculations.

Conclusion Creating a Power BI dashboard involves importing and transforming data, designing interactive visuals, and applying best practices to ensure clarity and effectiveness. By following the steps outlined in this guide, you can build dashboards that provide valuable insights and support data-driven decision-making in your organization. Power BI’s flexibility and range of visualizations make it an essential tool for any business looking to leverage its data effectively.

[nikosheba]

A couple job interview hacks from someone who has to give a job interview every single goddamn day: (disclaimer: this goes for my process and my company’s process, other companies and industries might be different)

1. There are a few things I check and a few questions I ask literally just to figure out if you can play the game and get along with others in a professional setting. Part of the job I interview for is talking to people, and we work in teams. So if you can’t “play the game” a tiny bit, it’s not going to work. Playing the game includes:

- Why do you want to work here? (just prove that you googled the company, tell me like 1 thing about us, I just want to know that you did SOME kind of preparation for this interview)

- Are you wearing professional clothing? I don’t need a suit just don’t show up in a ratty t-shirt and sweatpants.

- Are you able to speak respectfully and without dropping f-bombs all the time? Not because I’m offended but because I don’t want to be reported to HR if you wind up on my team.

- Can you follow simple directions in an interview?

2. Stop telling me protected information. I don’t want to know about what drugs or medications you’re on, I don’t want to know about you being sick, I don’t want to know if you’re planning to have children soon, I don’t want to know anything about your personal life other than “can you do the job?” 

3. When we ask, “What questions do you have for me?” here are my favorites I’ve heard: - What does the day-to-day look like for a member of your team?

- If one of your team members was not performing up to his usual standard, what steps would you take to correct that?

- What can I start doing now to accelerate my learning process in this job?

- What are some reservations you have about me as a candidate? (be ready for this emotionally....it will REALLY help you in the future, and I’ve had people save themselves from a No after this, but can be hard to hear)

- In your opinion, what skills and qualities does the ideal candidate for this job possess?

- What advice would you give to a new hire in this position/someone who wanted to break into this industry, as someone who has worked here for a while?

Those are just my tips off-the-cuff. I work in sales in marketing/SAAS, so these can be very different depending on the industry, but I wish the people I interview could read this before they show up. 

[professorcalculusstanaccount]

"But don't let its beauty fool you. This plant can be processed into a powerful neurotoxin which can cause near permanent madness unless treated!"

Professor Calculus, upon developing a state-of-the-art automated hydroponics and pesticides delivery system, has been invited to judge a prestigious international flower show at the largest botanical garden in Belgium.

Botany experts and amateurs from around the world attend - Professor Zalamea is there to showcase his bizarre genetically modified bioluminescent blue oranges, Nash is displaying some of his explorations into living sculpture, and Castafiore is geared up to perform in the evening. Most controversially of all, Professor Fang Hsi Ying, a world leading expert on mental health, is showcasing his research on the Rajaijah plant, a plant historically used to produce madness poison.

It's this exhibit that causes a stir at the event. Security is on high alert. After the poison was used a few years ago in several high profile drug smuggling cases that were embroiled in politics, the plant is anticipated to be a subject of fear and Orientalism. Protestors calling for its destruction flock the event, and there are rumours of a plot to steal the rare plant. The organisers hope that the controversy will generate ticket sales and revenue.

Tintin and Chang are there to report on the goings on, having just confessed their feelings for each other. They're not sure what they are just yet - but even without a madness poison, Tintin's head is in a spin!

I had the idea to bring back Rajaijah juice for some time and was intially going to set it at a garden party, but I received this message from anon some time ago:

And I just loved the Drama of a botanical garden a whole lot more!

Because of the time it takes for me to make stuff and the planning that goes into my posts I do take a very long time to respond to messages, and sometimes multiple people send similar messages anticipating stuff I already have planned, so if I come across as standoffish I apologise, I just have a lot on my plate (by my own design tbh)!

I love every message I receive, I started this blog intending to respond to every message but that's becoming unrealistic ;_; I keep your messages to read back whenever I need motivation, so from the bottom of my heart, thank you if you've sent me an ask!

[omgthatdress]

Few American writers and entertainers have managed to have careers as wild and scandalous as that of Mae West.

A vaudeville performer since childhood, she developed a distinctive sexy stage persona and signature sauntering walk that was inspired by the likes of Julian Eltinge and Bert Savoy.

In 1927, she opened her first play, Sex, which she both wrote and starred in. It centered around Margy, a high-end sex worker, and Clara, the stuck up society lady who was the mother of the man Margie falls in love with. Ticket sales were strong, but city officials were upset about the play's risqué content. West was eventually arrested, tried, and sentenced to ten days in jail for obscenity.

While incarcerated, she told reporters that she'd worn her silk panties in jail, instead of the "burlap" that was usually given to prisoners. The scandal of it all sent ticket sales through the roof.

Her next play was set to be even more controversial: it was called The Drag, and it had an entire cast of homosexuals. The end scene was a massive and spectacular drag ball. The show went for ten performances before it was shut down by police.

Police threatened to shut down all of Broadway if The Drag continued to be performed, so it was cancelled. However, a censored version with a now heterosexual protagonist called The Pleasure Man was allowed to perform a year later.

Eventually, West would make her way to Hollywood and become one of the most iconic stars of the 1930s.

In 2019, The Drag was performed for the first time in many decades at Gay City in Seattle, and has since then been performed several times across the U.S.

[jennaflare]

So Disco Elysium is the only game you've ever really liked

I get it! It's a phenomenal game with superb art and writing, and its themes are consistent and deeply explored. It sets a high bar for video games. But there are other really, really fantastic games out there. This is a list that is 100% my own taste of things that aren't necessarily similar, other than the fact that they're really fucking good. (A lot of these are on sale for the Steam Summer Sale until July 11 2024!)

In Stars and Time

In Stars and Time is a time loop game where you play as Siffrin, the rogue of a party at the end of their quest to save the day by defeating the King, who is freezing everybody in time! But something is wrong: every time you die, you loop back to the day before you fight the King. You're the only one who remembers the loops, so it's up to you to figure out why it's happening, and how to break out.

In Stars and Time is a heart-wrenching dive into mental health, friendship, and love. It's about feeling alone, and how awful it is when the people who love you don't notice (and how awful it is when they do). It's about falling deeper and deeper into your worst self and your worst tendencies, and how to come back from it.

The creator also did one of my favorite Disco Elysium comics ever, which is only tangentially relevant but worth mentioning.

Roadwarden

In Roadwarden, you play as the titular Roadwarden for an undeveloped and "wild" part of the kingdom. Monsters roam the forests and roads, and it's your job to keep people safe. On paper, anyway. Your real mission is to find out what is of value in the area, and how to take it from its people. How well you perform this task is up to you. It's an oldschool text-based RPG, and I take a lot of notes by hand when I play.

Roadwarden explores exploitation and industrialization by making you look in the face of your potential victims. You can only learn what your bosses want you to report on by getting close to the residents, after all. There are mysteries to be solved, secrets to be gathered, and hearts to win.

The Longing

The Longing is an adventure-idle game where you play as the solitary servant of a sleeping king. Your task is to wait for him, for four hundred days. Time in the game passes in realtime (for the most part). There are caves to explore, books to be read, and drawings to make.

The Longing is about loneliness and depression. It's about whether or not you decide to stay in that hole, and if you do, what you do with yourself while you're there. Maybe you'll wander. Maybe you'll stare at a wall. Maybe you'll just sleep until it's all over.

Papers, Please

Papers, Please casts you as a newly hired customs officer in a country that is rapidly tightening its borders as its fascist government tightens its fist. This game is stressful. Sometimes you intend to help out the revolutionaries when they asked, but then you got so stressed out trying to make your quota so you can feed your family and pay your bills that you didn't notice the name of the person they were hoping to contact while going through their papers. Sometimes someone puts a bomb in front of you and expects you to defuse it. Sometimes someone suggests you steal people's passports so you can get your family out, and with the horror you see daily, the idea tempts you more than you'd like.

Papers, Please is all about hard choices and testing your moral fortitude. Everything you do has consequences. Being a good person in this game is hardly ever rewarded, but not in a way that feels overly cynical. Papers, Please asks you what kind of person you want to be and what you're willing to sacrifice to get there.

The Return of the Obra Dinn

From the creator of Papers, Please, The Return of the Obra Dinn is a game where you play as an insurance investigator for the East India Trading Company. The ship the Obra Dinn has just floated back into port, its entire crew missing or dead. It's your job to figure out what happened aboard the vessel. For insurance reasons.

I don't know how to go into the themes of this too deeply without giving away too much, but the mechanics of the game itself make the game worth playing. You have a magic stopwatch that allows you to go back to the moment of a person's death, allowing you to try and figure out who (or what) killed them, and how. And the soundtrack is extremely good.

Outer Wilds

In Outer Wilds you play as an unnamed alien, and it's your first day going to space! Your planet's space program is pretty new still, so there's still lots to explore and discover on the planets within your system. There are ancient ruins from a mysterious race that once lived in your system, long before your species began to record history. Why were they here? Where did they go? How are they connected to the weird thing that keeps happening to you?

The fun of Outer Wilds is in the discovery and answering your own questions. The game never tells you where to go, and it never outright tells you anything. There are clues scattered through the system, and it's up to you to put them together and figure out your next steps. It's about the way that life always goes on, no matter what, even when it seems like the end of everything, forever. I'd recommend NOT reading anything else about this game. Just go play it. Seriously, the less you know, the more fun this is.

If on a Winter's Night, Four Travelers

In If on a Winter's Night, Four Travelers, you explore the circumstances of the deaths of four individuals.

This is a short one that took me about two and a half hours to play. If for no other reason, play it for the stunning pixel art. The game explores sexism, racism, and homophobia in the Victorian era and leans heavily into horror themes. Best of all: it's completely free!

Pentiment

Pentiment takes you to the 16th century, where you take the role of Andreas Maler, a journeyman artist working on his masterwork in the scriptorium of an abbey. When someone is murdered, Andreas takes responsibility for finding the culprit.

The game is set over 20~ years and you get to watch how Andreas' actions affect the village in various ways (who's alive the next time you come by, have people gotten married and had children...). It's an exploration of how the past affects the future, and what parts of that past we choose to keep or discard. It has beautiful art, and fans of both Disco and Pentiment often compare them.

Other games you might wanna check out

Night in the Woods, Dredge, Oxenfree, A House of Many Doors, Inscryption, Slay the Princess, Citizen Sleeper, Chants of Sennar, Loop Hero, The Cosmic Wheel Sisterhood, The Pale Beyond, Where the Water Tastes Like Wine, Elsinore, Her Story, Before Your Eyes, Pathologic (not delved into above because the venn diagram of Pathologic fans and Disco fans is basically a circle)

[reportwire]

Saudi oil giant Aramco becomes latest energy firm to post record profits | CNN Business

Dubai CNN  —  Saudi Arabian oil giant Aramco on Sunday reported a record annual net profit of $161.1 billion for 2022, up 46% from the year earlier, on higher energy prices, increased volumes sold and improved margins for refined products. The profits follow similar reports in February from international peers BP, Shell, Exxon Mobil and Chevron which have mostly posted record profits for last…

[scarlettohairdye]

PSA to printed zine makers

As a 37 year old who's been running a sole proprietorship for the last 10+ years, I just want everyone who is planning to run a fandom project that involves accepting money for printing & shipping costs to know that you're actually running a small business and you need to plan for taxes. It doesn't matter if you don't make any profit: that is business income and the IRS will see it as such if you get audited.

If you only take enough money in to cover the cost of printing & shipping then you can write that off as a business expense and probably not pay taxes on it, But in order for that to fly you actually have to do business accounting, especially if you're doing it at scale. Like, you can probably skate by without reporting a $500 project; I absolutely would not fucking risk it with a $5000 project.

Back when I was producing shows there were years when I was where I made $20k in ticket sales only to turn around and immediately pay $18k to my performers. I only made $2k for myself, but I had to report the entire $20k, because it was ALL INCOME. (I only paid taxes on the $2000, because that's how writing off expenses works!)

Yeah this is boring grownup shit and I'm getting my boring grownup fingers all over your fun fandom, but boring grownups doing boring grownup things are the reason fandom spaces exist at all (paying for servers is deeply boring), and I'm way more fun than an audit

[purplstack]

A real estate company will have several things to manage right on time like monitoring the property listing which is listed in different areas and searching for ideal properties to match the new clients, Managing the documentation process, and other transactions.

Hence as a real estate agent/company, you'll be likely to benefit from using a good real estate CRM, or customer relationship management software, which will help you to manage, attract and retain clients; streamline transactions, and close deals on time.

Purplstack helps businesses stay ahead of the curve by seamlessly enabling real-time tracking of leads, sales automation, collection, and customer relationship management trends. It is ready-to-use and highly configurable, therefore, significantly reducing implementation risks and accelerating time to go live enabling quicker business transformation turnarounds and better ROI.

[strangerthingssteddiebrainrot]

A little ficlet I was just inspired to write at 1am lol

Listen

Despite dating a rockstar, Steve was a pretty private person. Whenever he went with Eddie and the boys on tour, he'd wear sunglasses regardless of the actual weather conditions. Sometimes even a hat if he was really done with nosy reporters trying to figure out what his connection to Corroded Coffins lead singer was.

But it's been a long time since '89 when the band first took off and in the glorious year of 1999 they were finally outed by a reporter disguised as a waiter at the restaurant they were eating at and got a picture of them kissing if the corner of the private booth they were hiding in. Sales and the band's popularity took a hit sure, but so many new fans, freaks and outcasts and people just like them filled the void that they actually bounced back with more popularity than ever before. So Eddie and Steve agreed to do an interview on a daytime talk show, set the record straight and talk about themselves and their relationship openly for the first time. They talked about how high school cliques nearly kept them apart, but the spring break of '86, for all its tragedy and death and near death, brought them together and they worked hard to stay together. A true love story if there ever was one. It was freeing actually, finally being able to be open and Out, and if their love helped people, that was just a bonus.

Which is how no one, not even Eddie or the band knew about Steve's voice. He'd never been a singer, too insecure and beaten down to trust that he was actually good at something besides swinging a bat (and an ax, and Molotov cocktails). It was something he was working on, but change doesn't happen overnight and even now, in his early thirties, he still had never revealed his hidden talent to anyone other than Robin. And like, it's not like she ever said anything either! They sang sometimes back when they lived in each other's back pocket and she never said he was good, so he just assumed he was not terrible! Maybe the fact that she had a crush on Tammy Thompson and her 'muppet giving birth' singing should have been a clue. Steve just thought love made you blind.

So when, during the encore performance of Corroded Coffins latest show, Eddie gestures to him to come on stage, Steve tried to refuse at first. He waved him off laughing, but Eddie was persistent and the crowd caught on, chanting his name to come onstage. So he gave in, and god did he stick out like a sore thumb, light washed Levi's with a navy Henley, glasses on cause he had a migraine the day before from squinting at everything, it the crowd still cheered when he appeared, Eddie smiled at him all dimples and the guys gave an exaggerated slow clap at finally getting him onstage.

Eddie took his hand, the other one still holding his mike, and the band started up a cover of Tainted Love, one of the few songs that both Eddie and Steve agreed kicked ass. Maybe the lyrics didn't really reflect how they feel for each other, but watching Eddie sing to Steve, there was no doubt the man was very much in love. And when he held up the mike to Steve on the second chorus, Steve couldn't help but sing.

And oh, how Eddie's face dropped into open mouth shock, Steve had to catch his hand to keep the mike level. A quick glance showed the rest of the boys looked just as shocked, the music only continuing by pure muscle memory. Steve almost stopped singing, panicked that he was ruining the show with his voice, but the crowd was going wild and he could see the cameras flashing, and Eddie, Eddie was coming in close, the chorus over and he leaned in to Steve's ear and shouted, "don't stop!" So he didn't. And they finished the song together and thank god it was the last song in their set. So when Eddie pulled away and gave his goodbye with the rest of the band, Steve quickly walked offstage and headed to the green room, heart pounding a mile a minute.

It wasn't too long before the rest of the band piled in, and Eddie ran right to him, grabbing his face and kissing him hard.

Finally pulling away after too short a time, Eddie beamed at him. "How the fuck did I not know that you can sing?!"

Mind still a little scrambled from the kiss, Steve took a moment to answer. "Huh?"

Not the most eloquent, but he was still reeling from the loss of those lips against his own.

"Yeah man, when Ed said he was gonna pull you on stage, not gonna lie, I thought you were gonna sound awful." Garath said, earning a smack on the head from Jeff and Martin (unnamed freak).

"Not how I would've put it, but, I thought there was a reason you never sang with us before. So yeah, that was an unexpected surprise." Jeff smoothed over, knowing that so sometimes Steve's insecurities got the better if him, having mediated several fights between him and Eddie in the past.

"Holy shit baby, you were so good! I almost didn't remember to sing cause I was too busy falling even more in love with the most perfect man on earth!" Eddie gushed, gently shaking Steve by his shoulders.

"Cute, but also, get a room guys." Martin laughed. "But seriously Steve, you have a good voice. I don't know why we've been hiring background singers for some of our songs when we could've just had you do it instead."

"Oh, well, I-I don't know. I never thought I was a good singer yeah? Not for like, performing? I just wanted to kinda, ride the high of tonight, if that makes sense." Steve said, blushing and a little overwhelmed at the attention, but trying to embrace it and take the genuine compliments he was getting (something he struggled to do on a daily basis, neglectful parents having left their mark).

"First of all, bite me Martin," throwing his band mate the finger, Eddie was still beaming which softened the blow, the others laughing at him. "and second, Stevie, baby, you sound amazing! Light, but still raspy and sexy as hell." Giving him a peck on the cheek, Eddie whispered in his ear. "Gonna sing for me later big boy? In bed maybe?"

And what could Steve say to that? So he just pulled Eddie in for more kisses, deepening them regardless of the guys complaining.

The next day, the picture that was making waves in the music community was of Steve singing into the mike, Eddie looking at him with starts in his eyes and his face completely lovestruck.

@steddieassheg0es @oakenorcrist

[antiporn-activist]

A Marketplace of Girl Influencers Managed by Moms and Stalked by Men

https://www.nytimes.com/2024/02/22/us/instagram-child-influencers.html

Seeking social media stardom for their underage daughters, mothers post images of them on Instagram. The accounts draw men sexually attracted to children, and they sometimes pay to see more.

Feb. 22, 2024

By Jennifer Valentino-DeVries and Michael H. Keller

The ominous messages began arriving in Elissa’s inbox early last year.

“You sell pics of your underage daughter to pedophiles,” read one. “You’re such a naughty sick mom, you’re just as sick as us pedophiles,” read another. “I will make your life hell for you and your daughter.”

Elissa has been running her daughter’s Instagram account since 2020, when the girl was 11 and too young to have her own. Photos show a bright, bubbly girl modeling evening dresses, high-end workout gear and dance leotards. She has more than 100,000 followers, some so enthusiastic about her posts that they pay $9.99 a month for more photos.

Over the years, Elissa has fielded all kinds of criticism and knows full well that some people think she is exploiting her daughter. She has even gotten used to receiving creepy messages, but these — from “Instamodelfan” — were extreme. “I think they’re all pedophiles,” she said of the many online followers obsessed with her daughter and other young girls.

Elissa and her daughter inhabit the world of Instagram influencers whose accounts are managed by their parents. Although the site prohibits children under 13, parents can open so-called mom-run accounts for them, and they can live on even when the girls become teenagers.

But what often starts as a parent’s effort to jump-start a child’s modeling career, or win favors from clothing brands, can quickly descend into a dark underworld dominated by adult men, many of whom openly admit on other platforms to being sexually attracted to children, an investigation by The New York Times found. 

For this investigation, the reporters analyzed 2.1 million Instagram posts, monitored months of online chats of professed pedophiles and interviewed over 100 people, including parents and children.

Thousands of accounts examined by The Times offer disturbing insights into how social media is reshaping childhood, especially for girls, with direct parental encouragement and involvement. Some parents are the driving force behind the sale of photos, exclusive chat sessions and even the girls’ worn leotards and cheer outfits to mostly unknown followers. The most devoted customers spend thousands of dollars nurturing the underage relationships.

The large audiences boosted by men can benefit the families, The Times found. The bigger followings look impressive to brands and bolster chances of getting discounts, products and other financial incentives, and the accounts themselves are rewarded by Instagram’s algorithm with greater visibility on the platform, which in turn attracts more followers.

One calculation performed by an audience demographics firm found 32 million connections to male followers among the 5,000 accounts examined by The Times.

Interacting with the men opens the door to abuse. Some flatter, bully and blackmail girls and their parents to get racier and racier images. The Times monitored separate exchanges on Telegram, the messaging app, where men openly fantasize about sexually abusing the children they follow on Instagram and extol the platform for making the images so readily available.

“It’s like a candy store 😍😍😍,” one of them wrote. “God bless instamoms 🙌,” wrote another.

The troubling interactions on Instagram come as social media companies increasingly dominate the cultural landscape and the internet is seen as a career path of its own.

Nearly one in three preteens lists influencing as a career goal, and 11 percent of those born in Generation Z, between 1997 and 2012, describe themselves as influencers. The so-called creator economy surpasses $250 billion worldwide, according to Goldman Sachs, with U.S. brands spending more than $5 billion a year on influencers.

Health and technology experts have recently cautioned that social media presents a “profound risk of harm” for girls. Constant comparisons to their peers and face-altering filters are driving negative feelings of self-worth and promoting objectification of their bodies, researchers found.

But the pursuit of online fame, particularly through Instagram, has supercharged the often toxic phenomenon, The Times found, encouraging parents to commodify their children’s images. Some of the child influencers earn six-figure incomes, according to interviews.

“I really don’t want my child exploited on the internet,” said Kaelyn, a mother in Melbourne, Australia, who like Elissa and many other parents interviewed by The Times agreed to be identified only by a middle name to protect the privacy of her child.

“But she’s been doing this so long now,” she said. “Her numbers are so big. What do we do? Just stop it and walk away?”

In investigating this growing and unregulated ecosystem, The Times analyzed 2.1 million Instagram posts, monitored months of online chats of professed pedophiles and reviewed thousands of pages of police reports and court documents.

Reporters also interviewed more than 100 people, including parents in the United States and three other countries, their children, child safety experts, tech company employees and followers of the accounts, some of whom were convicted sex offenders.

This is how The Times found its sample of 5,000 mom-run accounts.

The accounts range from dancers whose mothers diligently cull men from the ranks of followers, to girls in skimpy bikinis whose parents actively encourage male admirers and sell them special photo sets. While there are some mom-run accounts for boys, they are the exception.

Some girls on Instagram use their social media clout to get little more than clothing discounts; others receive gifts from Amazon wish lists, or money through Cash App; and still others earn thousands of dollars a month by selling subscriptions with exclusive content.

In interviews and online comments, parents said that their children enjoyed being on social media or that it was important for a future career. But some expressed misgivings. Kaelyn, whose daughter is now 17, said she worried that a childhood spent sporting bikinis online for adult men had scarred her.

“She’s written herself off and decided that the only way she’s going to have a future is to make a mint on OnlyFans,” she said, referring to a website that allows users to sell adult content to subscribers. “She has way more than that to offer.”

She warned mothers not to make their children social media influencers. “With the wisdom and knowledge I have now, if I could go back, I definitely wouldn’t do it,” she said. “I’ve been stupidly, naïvely, feeding a pack of monsters, and the regret is huge.”

Account owners who report explicit images or potential predators to Instagram are typically met with silence or indifference, and those who block many abusers have seen their own accounts’ ability to use certain features limited, according to the interviews and documents. In the course of eight months, The Times made over 50 reports of its own about questionable material and received only one response.

Meta, Instagram’s parent company, found that 500,000 child Instagram accounts had “inappropriate” interactions every day, according to an internal study in 2020 quoted in legal proceedings.

In a statement to The Times, Andy Stone, a Meta spokesman, said that parents were responsible for the accounts and their content and could delete them anytime.

“Anyone on Instagram can control who is able to tag, mention or message them, as well as who can comment on their account,” Mr. Stone added, noting a feature that allows parents to ban comments with certain words. “On top of that, we prevent accounts exhibiting potentially suspicious behavior from using our monetization tools, and we plan to limit such accounts from accessing subscription content.”

Influencers use TikTok, too, but Instagram is easier for parents to navigate and better suited to the kinds of photos that brands want. It is also home to a longstanding network of parents and brands that predated TikTok.

From time to time, Instagram removes child-influencer accounts for unspecified reasons or because people flag them as inappropriate, The Times found. In extreme cases, parents and photographers have been arrested or convicted of child exploitation, but barring evidence of illegal images, most of the activity does not draw the attention of law enforcement.

Like many parents, Elissa, who received the threatening messages about her daughter’s photos, said she protected her daughter by handling the account exclusively herself. Ultimately, she concluded, the Instagram community is dominated by “disgusting creeps,” but she nonetheless keeps the account up and running. Shutting it down, she said, would be “giving in to bullies.”

The account’s risks became apparent last spring when the person messaging her threatened to report her to the police and others unless she completed “a small task.” When she did not respond, the person emailed the girl’s school, saying Elissa sold “naughty” pictures to pedophiles.

Days later, the girl tearfully explained to her mother that school officials had questioned her about the Instagram account. They showed her images that her mother had posted — one of the girl in hot pants and fishnets, another in a leotard and sweatshirt.

Elissa had reported the blackmail to the local sheriff, but school officials only dropped the matter after an emotional interrogation of the girl.

“I was crying,” the girl said in an interview. “I was just scared. I didn’t understand what was going on.”

‘Walking Advertising’

In today’s creator economy, companies often turn to social media influencers to attract new customers. Giants like Kim Kardashian, who has 364 million followers on Instagram, have turned the phenomenon into a big business.

Young girls strive to do the same.

In the dance and gymnastics worlds, teens and preteens jockey to become brand ambassadors for products and apparel. They don bikinis in Instagram posts, walk runways in youth fashion shows and offer paid subscriptions to videos showing the everyday goings-on of children seeking internet fame.

“We costumed somebody for ‘So You Think You Can Dance’ thinking that would be huge P.R., but we ended up finding out the bigger return on investment is these microinfluencers,” she said. “We have parents that will spend thousands of dollars to buy styles that no one else will have. That’s our best market.”

The most successful girls can demand $3,000 from their sponsors for a single post on Instagram, but monetary gain can be elusive for others, who receive free or discounted clothes in exchange for their posts and have to pay for their own hairstyling and makeup, among other costs. Even youth fashion shows, including events in New York that coincide but are not affiliated with New York Fashion Week, charge the girls to participate and charge their parents to attend.

In interviews, parents defended spending the money to promote their daughters’ influencer ambitions, describing them as extracurricular activities that build confidence, develop friendships and create social media résumés that will follow them into adulthood.

“It’s like a little security blanket,” said a New Jersey mother whose mom-run account has led to paid modeling jobs for her daughter and invitations to work with sought-after choreographers. “She can help pay for college if she does it right,” she said.

A mother in Alabama said parents couldn’t ignore the reality of this new economy.

“Social media is the way of our future, and I feel like they’ll be behind if they don’t know what’s going on,” the mother said. “You can’t do anything without it now.”

One 12-year-old girl in Maryland, who spoke with The Times alongside her mother, described the thrill of seeing other girls she knows wear a brand she represents in Instagram posts.

“People are actually being influenced by me,” she said.

In 2022, Instagram launched paid subscriptions, which allows followers to pay a monthly fee for exclusive content and access. The rules don’t allow subscriptions for anyone under 18, but the mom-run accounts sidestep that restriction. The Times found dozens that charged from 99 cents to $19.99. At the highest price, parents offered “ask me anything” chat sessions and behind-the-scenes photos.

Child safety experts warn the subscriptions and other features could lead to unhealthy interactions, with men believing they have a special connection to the girls and the girls believing they must meet the men’s needs.

“I have reservations about a child feeling like they have to satisfy either adults in their orbit or strangers who are asking something from them,” said Sally Theran, a professor at Wellesley College and clinical psychologist who studies online relationships. “It’s really hard to give consent to that when your frontal lobe isn’t fully developed.”

Instagram isn’t alone in the subscription business. Some parents promote other platforms on their mom-run accounts. One of them, Brand Army, caters to adult influencers but also has “junior channel” parent-run subscriptions ranging from free to $250 monthly.

“Message me anytime. You will have more opportunities for buying and receiving super exclusive content😘,” read a description for a $25 subscription to a minor’s account. For $100 a month, subscribers can get “live interactive video chats,” unlimited direct messages and a mention on the girl’s Instagram story.

The Times subscribed to several accounts to glean what content is being offered and how much money is being made. On one account, 141 subscribers liked a photo only available to those who paid $100 monthly, indicating over $14,000 in subscription revenue.

Some of the descriptions also highlight the revealing nature of photos. One account for a child around 14 years old encouraged new sign-ups at the end of last year by branding the days between Christmas and New Year’s as “Bikini Week.” An account for a 17-year-old girl advertised that she wasn’t wearing underwear in a workout photo set and, as a result, the images were “uh … a lot spicier than usual.”

The girl’s “Elite VIP” subscription costs $250 a month.

Brand Army’s founder, Ramon Mendez, said that junior-channel users were a minority on his platform and that moderating their pages had grown so problematic that he discontinued new sign-ups.

“We’ve removed thousands of pieces of content,” he said. “The parents’ behavior is just disgusting. We don’t want to be part of it.”

‘The Wealth of the Wicked’

“You are so sexy,” read one comment on an image of a 5-year-old girl in a ruffled bikini. “Those two little things look great thru ur top,” said another on a video of a girl dancing in a white cropped shirt, who months later posted pictures of her 11th birthday party.

For many mom-run accounts, comments from men — admiring, suggestive or explicit — are a recurring scourge to be eradicated, or an inescapable fact of life to be ignored. For others, they are a source to be tapped.

“The first thing I do when I wake up and the last thing I do when I go to bed is block accounts,” said Lynn, the mother of a 6-year-old girl in Florida who has about 3,000 followers from the dance world.

Another mother, Gail from Texas, described being desensitized to the men’s messages. “I don’t have as much of an emotional response anymore,” she said. “It’s weird to be so numb to that, but the quantity is just astounding.”

Meta does not provide public information about who uses Instagram, so The Times analyzed data from the audience firms Modash and HypeAuditor, which estimate follower demographics based on their own algorithms.

The proportion of male followers varied greatly in The Times’s sample, according to the estimates. Many accounts had a few thousand followers who were mostly female. But while men accounted for about 35 percent of the audience overall, their presence grew dramatically as accounts became more popular. Many with more than 100,000 followers had a male audience of over 75 percent, and a few of them over 90 percent, the analysis showed.

To be sure, not all men following the accounts have bad intentions. Some are grandparents and fathers of the young influencers. Many have inoffensive profiles and simply post compliments or greetings, and mothers react appreciatively.

“In responding or even hitting ‘like’ on it, it boosts your algorithm,” said a mother in Florida whose 16-year-old daughter has been an Instagram influencer for six years. “We tried shutting comments off at one point, and some of the brands didn’t like that.”

Brands that feature children from mom-run accounts face similar challenges.

Dean Stockton, who runs a small clothing company in Florida called Original Hippie, often features girls from the Instagram accounts, who earn a commission when customers use personalized discount codes. After initially deleting many male followers, he now sees them as a way to grow the account and give it a wider audience because the platform rewards large followings.

“The Bible says, ‘The wealth of the wicked is laid up for the righteous,’” he said. “So sometimes you got to use the things of this world to get you to where you need to be, as long as it’s not harming anybody.”

Mr. Stockton said he deleted male followers who were disrespectful or sexual in their interactions. An examination by The Times of the three dozen brands that are popular among mom-run accounts found inappropriate, predatory or pornographic followers in almost all of the brands’ accounts, including Original Hippie.

Many of the men posted pornography, or their bios included sexual language and emojis that child protection experts say pedophiles can use to signal interest in children. For instance, one follower of a children’s dance wear brand described himself as a “thong & anl sx lover.” A user named “sexy_69nazi” followed a children’s apparel company and exclusively posted pornography.

Chixit, a brand selling swimwear and other clothing, describes itself as “an International Sorority,” but business records show that it was run by Philip Russo, who advertised himself as a tutor operating out of his home in the Hudson Valley of New York. Other websites registered to Mr. Russo’s email are a tutoring business and inactive domain names describing sex with animals.

After The Times reached out to Mr. Russo, the website for his tutoring business went offline. He did not respond to multiple messages seeking comment.

‘Girls Become a Currency’

The vast world of child-influencer followers on Instagram includes men who have been charged with or convicted of sex crimes, and those who engage in forums off platform where child sexual abuse imagery, including of girls on Instagram, is shared.

The Times traced the account of one follower, who goes by the moniker “jizzquizz,” to a man named Joshua V. Rubel, 39. He was convicted in 2008 of sexually assaulting a 15-year-old girl and is listed on the New Jersey sex offender registry. (Instagram’s policy bars sex offenders from using the platform, and the company said it removed two accounts after The Times pointed them out.)

Another account belongs to Daniel Duane Huver, a man in Lansing, Mich., who told law enforcement in 2018 that he had “top fan status” on girls’ pages, a designation bestowed by Instagram’s sister company, Facebook. The police searched Mr. Huver’s cellphone after it was confiscated by his probation officer and found hundreds of images and videos of children, including many considered inappropriate and sexually suggestive and two believed to be illegal (showing minors engaged in explicit acts.)

Mr. Huver told officers he was sexually attracted to children and masturbated to images of them, according to police records. He was charged with possession of child sexual abuse material, but the prosecutor in Eaton County later dropped charges, citing insufficient evidence because of the poor quality of the imagery.

Mr. Rubel did not respond to requests for comment. Mr. Huver said that the police mischaracterized his words and that the lack of prosecution was evidence he had done nothing wrong.

In monitoring multiple Telegram chat rooms, The Times found men who treat children’s Instagram pages and subscription services as menus to satisfy their fantasies. They trade information about parents considered receptive to producing and selling “private sets” of images.

A group with more than 4,000 members was highly organized, with an F.A.Q. page and a Google sheet that tracked nearly 700 children, identifying them by hashtags to help members find them within the long chat history. The group’s logo showed a child’s hand in an adult hand.

The Times asked the Canadian Center for Child Protection, an organization that monitors online child exploitation, to review links and other potentially illegal material posted by the Telegram groups and elsewhere. The center identified child sexual abuse imagery involving multiple underage Instagram models from around the world, as well as sexualized videos of others, including a preteen girl wearing a thong and a young teenager raising her dress to show her bikini bottom.

Men in these groups frequently praise the advent of Instagram as a golden age for child exploitation.

“I’m so glad for these new moms pimping their daughters out,” wrote one of them. “And there’s an infinite supply of it — literally just refresh your Instagram Explore page there’s fresh preteens.”

A small group of men go even further and cultivate business and patronage relationships with mothers.

One man posts videos and photos on Instagram of girls thanking him for shopping sprees, gifts like iPhones and iPads, and cash. If he does not receive a message of gratitude quickly, he sometimes shames the mother and daughter on his private Instagram account.

Another makes recommendations about increasing visibility by using specific hashtags and photographers. But two mothers said they became suspicious, and stopped working with the man, after he suggested they make certain their daughters’ nipples and other private areas could be detected through their outfits.

A third man tried to persuade a mother to sell her daughter’s used leotards because many men, including himself, were “collectors,” according to a recording of the conversation.

“In retrospect I feel like such a stupid mom, but I’m not stupid,” said a mother of a young gymnast, who dealt with similar men before she realized they were predators and received threatening messages from several of them. “I didn’t understand what grooming was.”

Sometimes the men flirt or try to develop virtual romances with mothers, offer to protect them and become possessive and angry if they interact with other men.

“It’s almost like the girls become a currency,” said the gymnast’s mother, who did not want to be named.

This feeling of ownership and jealousy can drive attempts at blackmail, The Times found.

Instamodelfan, who sent threatening messages to Elissa, sent blackmail threats to at least five other mom-run accounts. When one mother responded, he demanded that she sexually abuse her child and send him photos and videos, emails to the mother show. She refused and contacted law enforcement.

The Times communicated with a person identified on Telegram as Instamodelfan who said that he lashed out at the mothers because he believed other men got illegal images of children and he wanted them for himself.

Reporters also received information from an anonymous tipster, who they later found was linked to the blackmailer, indicating that some parents had produced explicit imagery of their daughters.

The Canadian center reviewed the imagery and said it included illegal nude photos of two girls. One girl’s mother said she was shaken to learn of the photos and did not know who could have made them. The other girl, now 17, said in an interview that the photos were for her and a girlfriend and that she told law enforcement that they had been stolen.

Others images either were borderline illegal, were too poor quality to be conclusive or were digitally altered, the center said.

Several mothers who had been identified by the tipster said they reached out to the Federal Bureau of Investigation, which, they said, had conducted an investigation. The F.B.I. declined to comment.

Ultimately, the gymnast’s mother said, a federal agent told them to stop talking to men online.

“They told everyone to get off Instagram,” she said. “‘You’re in over your head. Get off.’ That’s what they told us.”

‘My Limit of Pedophiles’

Meta failed to act on multiple reports made by parents and even restricted those who tried to police their own followers, according to interviews and materials provided by the parents.

If parents block too many followers’ accounts in a day, Meta curtails their ability to block or follow others, they said.

“I remember being told, like, I’ve reached my limit,” said a mother of two dancers in Arizona who declined to be named. “Like what? I reached my limit of pedophiles for today. OK, great.”

Mr. Stone, the Meta spokesman, said “there are lots of reasons an account might face limitations or restrictions based the account’s activity,” and therefore it was difficult to know why parents encountered these problems.

Ms. Pastore of LA Dance Designs said it was “very much overdue” for Instagram to add the ability to filter by age and sex to help identify suspicious followers. “If you’re starting to gain a following, there needs to be some sort of way to control it,” she said.

Even some egregious violations led to no action by Meta.

One parent reported a photo of erect male genitalia sent in a direct message. Another reported an account that reposted children’s photos with explicit captions. A third reported a user who propositioned her child for sex, offering $65,000 for “an hour” with the girl.

In response to those three reports, Meta said either that the communications did not violate “community guidelines” or that its staff did not have time to review them. In other cases, Meta told parents that it relied on its “technology” to determine the content was “probably” not a violation.

Separately, The Times found comments that included links to sites identified by the Canadian center as trading illegal, nude imagery of children. None of those reports received a response from Meta.

Former Meta trust and safety employees described an organization overwhelmed despite knowing about the problem for years.

“You hear, ‘I reported this account, it was harassing my daughter, why is he back?’” said a former investigator for the company who requested anonymity. “There are not enough people, resources and systems to tackle all of it.”

In recent years, conspiracy theories like QAnon, which claims Democratic politicians are trafficking children, have led to an excess of unfounded reports that have muddled the evaluation of child abuse tips, three former Meta trust and safety employees said.

A 2020 document that surfaced in a lawsuit described child safety as a “non-goal” at Meta. “If we do something here, cool,” the document said. “But if we do nothing at all, that’s fine too.” The lawsuit was brought against Meta and other companies claiming damage from using social media. Lawyers for the plaintiffs declined to provide more information about the document.

In documents from 2018 included in a separate lawsuit making similar claims of harm, a top Facebook executive told Instagram’s chief executive that unless changes were made, Facebook and Instagram were “basically massive ‘victim discovery services,’” an allusion to the considerable evidence of abuse on the platforms.

Mr. Stone, the Meta spokesman, disputed the suggestion that the trust team was understaffed and underfunded, saying that 40,000 employees worked on safety and security and that the company had invested $20 billion in such efforts since 2016. He also referred to a previous statement about the lawsuits, saying they “mischaracterize our work using selective quotes and cherry-picked documents.”

In addition, he noted that Meta reported more suspected child abuse imagery to the authorities than any other company each year. In December, it announced plans to encrypt its messaging services, which would reduce the reports.

‘It’s All Over Instagram’

Experts in child protection and development say young people should never be made to have negative feelings about their bodies. But clothing that is appropriate in a gym or dance competition may take on an unintended meaning when shared online.

Children’s dance attire regularly features strappy bra tops, sheer fabric and bikini bottoms, and popular cheer outfits combine sports bras with little skirts — part of a long-term trend toward more revealing clothing for girls.

“In the dance world we’re in, they’re half naked all the time and their legs are in the air,” said a mother in Massachusetts who declined to be named. “And if you’re not used to seeing that, maybe it’s different.”

Lynn, whose granddaughter in Texas is an ambassador for a cheerleading brand, said there was no logic to the reactions her posts received. Photos of the girl’s feet attract the most extreme comments, she said. “You can’t stop weird people, I guess.”

Still, many of the would-be influencers suffer. In some instances criticism of the posts, and accompanying bullying, becomes so severe that mothers turn to home-schooling.

“She got slaughtered all through primary school,” said Kaelyn, the mother in Melbourne. “Children were telling her, ‘We can’t play with you because my mom said too many perverts follow you on the internet.’”

In the United States, parents have substantial leeway in making decisions about their children. But people who suspect illegal behavior on Instagram quickly discover that the authorities are overwhelmed and typically focus on the clearest-cut cases.

Even the most unsettling images of sexualized child influencers tend to fall into a legal gray area. To meet the federal definition of so-called child pornography, the law generally requires a “lascivious exhibition” of the anal or genital area, though courts have found the requirement can be met without nudity or sheer clothing.

There have been criminal prosecutions against parents accused in child sexual abuse cases.

In Louisiana last year, a mother was arrested and charged with working with a photographer to produce illegal images of her daughter in a thong bikini. In Texas, a mother was sentenced to 32 years in prison in December for producing nude photos of her 8-year-old daughter with the same photographer. And in North Carolina, a mother is awaiting trial on charges that she took her 15-year-old daughter to a photographer who sexually abused her and she failed to get medical help when the girl tried to kill herself, according to court documents.

Still, those prosecutions are rare, and some male followers of the mom-run accounts openly welcome the windfall.

“As long as this stuff legally exists, I just enjoy it :),” one of them wrote on Telegram.

“Exactly,” another responded. “It’s all over Instagram.”

[evan-collins90]

Sam Goody stores at Universal CityWalk & Horton Plaza (1993 & 1995)

"The synthesis of three distinct merchandising departments for the new Sam Goody store at the Universal Citywalk exhibits a design of dynamic expression by the Jerde Partnership design team.

The new building sits on the center court of an outdoor shopping mall in Southern California. Representing the three merchandising concepts of Sam Goody, the design pronounces each area through unique and interrelated façades.

The customer enters the Popular Music department through an animated, neon-accented color plaster façade. The entrance to the Classics department and the upstairs Coffee Cafe is between two 40 foot high, 10 foot in diameter Corinthian columns within an interpretative classical façade. A 35 foot high, two-dimensional profile sign depicting King Kong climbing the face of a black and metallic bronze tile building hangs over the entrance to Suncoast Motion Picture Company (video).

The central sales environment is referred to as Backstage, and has the character and atmosphere of a soundstage/studio. The two-story space is defined by upper level catwalks and the destination mezzanine known as the Coffee Cafe. A three-dimensional, walk-through Media Wall features music advertising, photos, oversized images, photo lightboxes, video monitors, projected music videos, reader boards and graphic elements.

Media events are orchestrated throughout the day in an ever-changing environment that depicts the trends of popular music and movies. Weather reports, current events and promotional messages continuously scroll by on the reader boards. In-store performances, CD signings and record promotions bring a sense of "an event" to the store. A live VJ/DJ controls all aspects of the store's music and video media, and interacts with the customers.

On a floating piano-shaped level, the Classics department features a state-of-the-art inventory of classical and jazz selections and creates a controlled, intimate area for the customer with special acoustics, localized sound systems, listening stations and lighting. In the Suncoast Motion Picture Company department, tall video columns accent the environment, supporting the sale of videos and laserdiscs. Interspersed throughout the department are video monitors creating the effect of video confetti.

The Coffee Cafe features a wide variety of interactive listening stations and media experiences. It is intended to be an intimate environment where the customer can pause, enjoy the fare, engage in conversation and take in views of the store as well as the street below through its windows."

Designed by The Jerde Partnership

Scanned from: Stores - Retail Display & Design (1997), Great Store Design 2 (1996), Shops & Boutiques (1994)

[king-of-the-birds]

PAUL'S BALL

a launch party for wings

He produced a handwritten invitation, leaving space to write in the invitee's name, as well as a number, which would be used for a raffle drawing toward the end of the evening. (The prize was a magnum of champagne; the disc jockey Jeff Dexter was the winner.) (..) The recommended dress was "glam."(..)

Some 800 musicians, reporters, friends of the band and music business honchos were invited.(..)

As always at such events, there was ample carping, which a reporter for Rolling Stone duly cataloged. After describing the Empire Ballroom as decidedly unhip, a leftover from the days when the Joe Loss Orchestra would play foxtrots, and young ladies shopped for husbands among the dancers, the writer noted that while the wine and cheese were free, everything at the bar was for sale.

(…)

Eyebrows were raised when, instead of a Wings performance, partygoers were treated to fox-trots, waltzes, quicksteps, and congas, played by McVay's band-along with what McVay remembered as arrangements of sixties and seventies hits, including a Beatles medley and some Beach Boys tunes. They were raised higher still when the heavily sequined and coiffed Frank and Peggy Spence Latin and Ballroom Formation Dancing Teams filed onto the floor to demonstrate their artistry.

"I'm beginning to think that Paul actually digs all this" one guest quipped to the Rolling Stone reporter, "that he actually likes dance bands, ballrooms, and buffet food. That's incredibly camp, you know, incredibly camp. Have you seen his suit? It's like a clown's costume, the jacket is about five sizes too big, and it's not even been finished."

(from the McCartney Legacy Vol. 1)

Paul: A press launch is always a good excuse to have a night out, so we invited friends and journalists, played the album, danced and had a few funny people come on to entertain. I wore an outrageous big check suit that I thought would be good. When I went to collect it from the tailor that morning he told me that it wasn’t finished. I said, ‘Maybe not, but it’s a look!’ So I went to the party with the cotton and the stitching showing, and everyone said, ‘Your suit’s not finished.’ I said, ‘Yeah, I know. Great, huh?’

(from Wingspan, 2002)

Some of the guests that attended were Jimmy Page, Elton John, Sandy Denny, Mary Hopkin, members of the Who, the Faces, Deep Purple, Ginger Baker, Henry McCullough, Gilbert O'Sullivan, Graham Bond, Sandie Shaw, the Greek synthesizer wizard Vangelis, the actors Malcolm McDowell, and Terence Stamp, some of the Monty Python troupe, Sir Joseph Lockwood, the head of EMI, Allan Clarke, of the Hollies, and (Benny) Gallagher and (Graham) Lyle.

After the party a fan encountered Paul:

He went skipping (yes it is true) down the road with Linda and just as he turned the corner to a side street, I took courage and called him back. He stopped and said “yeah” so I ran to catch him up and breathlessly asked him for his autograph. The funny part is my pen was at the bottom of this large bag of mine! He stood patiently watching me with arms folded as I rummaged elbow deep. I asked him if he had a pen as I just couldn’t find mine; he said no (which isn’t surprising as he had this crazy suit on that had no pockets).

(Kathy Turner – From Meet the Beatles for Real: Wings Party)

[james-stark-the-writer]

just started playing Jedi: Survivor and stuff like the beginning of this opening cinematic is so fucking funny to me because they're like showing things on screen and playing scary music as if they're supposed to mean something to me but as somebody that has only seen the 10 films (there is no 11th film, what are you talking about?) and basically nothing else except the game previous to this, none of this visual imagery means fucking anything to me, what is even fucking happening in this. i'm just done with the opening cinematic and i have no fucking clue what's happening.

anyway, i waited so long to get this game bc it wasn't on sale and it had terrible performance reports but it's been a while and it was on sale and i finally felt recovered from my watch of those movies and seeing The Phantom Menace in theaters a few days ago to finally get back into something Star Wars. decided it might as well be this. and since it was Star Wars week this week and this was on sale, just bought the fucking thing and well, here we are. i really loved Jedi: Fallen Order, it was a really fun mix of baby's first Dark Souls meets Star Wars in the gameplay, and the story was fun and interesting if pretty standard as far as structure and plotting, reminded me of why i liked this franchise and what was appealing about it in the first place. i hope this is at least as good.

i'm going to go play it now and hope it's been fixed bc i really don't wanna have to go looking for mods or something.

[reportwire]

$30 million of Funko Pop! toys will be thrown in the trash | CNN Business

New York CNN  —  Thirty million dollars worth of Funko (FNKO) Pop! figures – those big-headed, vinyl pop-culture dolls – will soon make their way into the hands of a new collector: The garbage collector. Funko said in its fourth quarter earnings report that a combination of waning demand for the toys and a surplus of inventory is creating financial trouble for the company. Last year, they had…

[wheelsgoroundincircles]

NASCAR Pantera ‐ First To 300

A reporter sat in a late-night cafe, sipping coffee and attempting to calm his nerves after a high-speed ride with Gary and his Pantera. The deafening roar of the V-8 engine still echoed in his mind, and his hands shook as he held his cup. It was as if he had just escaped from the clutches of the devil himself. Tragically, a few minutes later the devil caught up with Garry Mitsunaga and his red Pantera!

For students of Japanese car culture, the Mitsunaga Pantera that graced the cover of Option Magazine is a significant page of Asian tuning lore, as it was the first street-legal vehicle to achieve a recorded speed of 300 km/h in Japan.

Actual speed was 307.69 km/h on the infamous Yatabe Test Circuit in November 1981, making it the most legendary Pantera in all of Japan. Figuring Yatabe was too dangerous for civilian drivers, and wanting to take the human element of unpredictability out of things, driving duties at this event were performed by professional racer Kunimitsu Takahashi, who is considered the father of drifting.

Yatabe was the preeminent destination for high-speed testing in Japan from the 1960s to the 1990s. However, it was closed two decades ago due to a tragic accident involving Masa Saito, the editor of the tuning magazine Option. After the accident manufacturers started shifting towards more contemporary testing facilities.

Prior to the Porsche-vs-Skyline dreams of the 1990s, the streets of Japan were ruled by the infamous Midnight Club running Pantera's, Firebirds and American V-8s. For those unaware of the Pantera, it is an Italian-American sportscar with a Ford 351 Cleveland engine and were sold in the early 70's through Lincoln Mercury dealerships.

Leading up to November 1981, top speeds were achieved by vehicles such as the S30 Fairlady, tuned by SS Kubo, which reached a maximum speed of 257.60km/h. The fastest imported car, surprisingly, was the Trust Firebird Trans-Am, which recorded a top speed of 264.71km/h. So when the Pantera eclipsing the 300km/h mark it was a huge leap forward and a landmark achievement, becoming the benchmark for all the street racers and tuners to beat.

Mitsunaga was not entirely content. Only a speed above 320 km/h (200 mph) would suffice. It is said that Takahashi advised him against driving the Pantera outside of a racetrack. Mitsunaga disregarded the warning.

Just before the accident, he was transporting a journalist down a 38 kilometer (24 mile) stretch of the Tomei Expressway. With a recorded time of 6 minutes and 20 seconds he averaged 250 KM/H ( ~160 MPH).

Not long after dropping off that rattled journalist, he supposedly totaled his Pantera while avoiding a taxi. They meet their end at approximately 1:40 a.m. on November 28, 1981. Tragically, Mitsunaga died in the accident, instantly.

At the moment of his death, Garry Allan Mitsunaga was already a legend in the Japanese dragstrip and top-speed racing scene. He was an American, born in Hawaii and employed by the Harman Kardon audio group. The company sent him to Tokyo in 1975 to work for one of its Japanese divisions, in sales.

Upon his passing, he was revered as a patron saint of street racing, inspiring countless individuals to pursue ever-greater velocities. Despite his non-Japanese origin, he was a hero to the local community, and his legacy lived on through the Mitsunaga Pantera, a symbol of both the thrill and the peril of this high-octane pursuit. Although the whereabouts of the Pantera are unknown, its engine showed up for sale in 1995.

NASCAR

Mitsunaga's Pantera, was tuned by Masaru Hosoki from ABR, one of Japans most famous tuners. It also featuring a 600hp engine built by Mario Rossi, an American NASCAR mechanic and crew chief for the likes of Bobby Allison and Glenn “Fireball” Roberts. Rossi was also the guy that built the only Dodge Daytona to compete during the 1971 season. It's only race was finishing 7th at the Daytona 500 with a de-stroked Plymouth 340 TA engine to meet the new 305ci engine displacement mandate for the five Ford & Chrysler aero cars during the 1971 NASCAR season.

Rossi has been embroiled in controversy since his involvement in the $300 million drug smuggling scandal that shook NASCAR in 1982. Four days after the 1982 Daytona 500 in Florida, authorities arrested 66 people, including several associated with NASCAR teams, on what has been labeled “Black Thursday.” Among those implicated in the scheme that authorities believe grossed $300 million were owner Billie Harvey and driver Gary Balough from the team on which Rossi was working as a mechanic. Rossi’s role (if any) in the drug operation is unclear – though his own daughter implicates him.

Rossi's whereabouts have been a mystery since his disappearance, with some believing him to be in the witness protection program in the United States. Despite claims of his death in a plane crash off the Bahamas in 1983, the insurance company asserts that the plane in question has been sold multiple times without any recorded accidents.

What’s legend and what’s fact we are unlikely to ever know for certain. What we do know, however, is that Garry Mitsunaga and his Pantera dared to dance with the devil in the witching hour.