#send me lists

[vampirecorleone]

Horror Character Appreciation - Blanche The Cat in Hausu (1977) dir. Nobuhiko Obayashi

[jay-wasstuff]

So no one was going to tell me Logan calls Wade daddy instead of bub/ba in the spanish dub?

[rjshope]

Jin being a good influence on Namjoon💖 part 2 [part 1]

[bedupolker]

I wasn't going to say anything about Hazbin Hotel because I haven't watched it and probably never will but WHY does this random sports/dive bar's karaoke machine have every hazbin hotel song and not classic rock staple Hotel California by eagles

[leclerity]

stupid gets you killed

Charles Leclerc x Girlfriend!Reader count: 1.1k words summary: Charles and you have an emotional conversation after his reckless driving at a race. a/n: a short but angsty one, with a happy ending!

It could’ve been the end.

The way it felt, it almost was.

You watch as the red of the Ferrari and the green of the Aston Martin come close, inches apart, with Stroll nearly putting it in the back of your boyfriend’s car. Everyone around you gasps and for a split second, you see them touch and Charles’s car fly off into the grandstands – but that doesn’t happen. They don’t touch. Charles drives away unscathed, though you know that won’t be the end of it.

“That was too close,” says Arthur, shaking his head at the screen.

“He won’t like this too much,” you say and grab a pair of headphones lying around, listening in.

Everything is okay with the car, Bryan Bozzi says.

That was not okay! Charles screams. Who does he think he is?! Driving like an idiot… He should know better!

Keep your head calm, you’ve got forty laps to go.

You take off the headphones and tell Arthur what you just overheard. He shakes his head again, but you both know there’s nothing the two of you can do about it. Charles has been under pressure, ready to burst at any given moment, running second in the championship with maybe—maybe—a chance at something more. Anything that threatens it… Well, it throws him off.

You’re just waiting for the moment it happens.

The race keeps running, you listen in to the radio every so often, and his complaints and agitation are getting more obvious. He’s driving riskier, not caring enough about tyre management, and there’s a few moments when his car gets a little too close to another car.

He finishes in fourth. It’s not where he wanted to be but it’s better than out of the race, you tell yourself. There was a few moments where you held your breath, waiting to see if the anger is going to slip into careless mistakes, and it made you angry. Your boyfriend is better than this.

When he finishes the race, you run straight into his arms. “You did so well! I’m proud of you.”

“I could’ve done better,” he says.

“I know,” you say, and kiss him again. “Next time.”

Charles kisses you, too, before going to speak to others in the garage, keeping one eye on you at all times. You know he’s being hard on himself, but you see his clenched jaw, sunken shoulders, and you know this is going to be a tougher one than usual.

He’s in your orbit the most of the evening, glancing at you even when he’s in the media pen. You can hear some of the questions he’s being asked and a lot of them are about the incident and about his dangerous driving he nearly got a penalty for, and you can already hear the regret in his voice. He looks at you every time it comes up, as if he already knows how much it upset you.

At your side, Arthur gives you a nudge. “Are you going to talk some sense into him when you’re back at the hotel?”

“Maybe. I haven’t decided yet.”

“That was scary.”

You nod. “Too scary. I get the pressure and all, but…”

“Yeah,” Arthur says, “I don’t want to feel like I might lose my brother because he’s being angry and stupid.”

When you get home, you get dinner – he does the perfunctory celebrations and goes back to the hotel, where you’re waiting with him with your guys’ favourite takeaway. He had some time to hang out with the other drivers and now it’s time to hang out with you… But not before you give him a piece of mind.

He knows something’s wrong the moment he enters the hotel room.

“Did I do something wrong?”

“No,” you say.

He frowns. “Okay. You sure?”

You give him a long look.

Charles sits down next to you, looking exhausted but ready to devour the food – but he doesn’t. Instead, he sits with his elbows on his knees, hands held together. “It’s the race.”

“Mhm.”

“That’s why you’re giving me attitude.”

“Mhm.”

“Is it because of the Stroll incident?”

You shake your head. He should know better and he does, it will just take him a moment.

He sighs and leans into the couch, a defeated look on his face. “I should’ve handled it better, right?”

“Yeah.” You put a hand on his thigh. “Driving like that, Charles… You could’ve gotten hurt.”

“I would’ve been fine.”

“You don’t know that!”

“Babe—”

“Don’t babe me,” you say, shaking your head. “You got angry and…. Anger makes you stupid. Stupid gets you killed.”

Charles opens his mouth and closes it, knowing fair well that there’s nothing he could say in his defence that would make you change your mind. He sees it all on your face, you know it – the terror you’d gone through waiting to see if his anger will make him slip up, make a mistake; the threat of losing him.

He takes your hand in his and kisses the back of it, before placing it on his chest, right where his heart is. “Y/N,” he says, gently. “You’re right. I’m sorry. I shouldn’t have let my anger get the best of me.”

“I just… I don’t want you to get hurt.”

“I know.”

“It frightens me.”

“I know. I’m sorry.”

“I just—The thought of you—”

“I know. C’mere.”

Charles gives your hand a gentle tug and then your head is on his chest and his arms are wrapped around you, keeping you warm and safe. “I’m sorry for scaring you. My job is scary, but I shouldn’t make it any more difficult than it already is.”

He kisses the top of your head and you feel a few tears escaping down your cheeks, and he holds you even tighter.

“I’ll be less angry next time, I promise,” he whispers. “Less stupid. For you. Okay?”

You nod instead of answering, and he pulls your chin up with a gentle finger, and then he’s wiping your tears and kissing you gently, promising over and over again to never make you feel like that again – and he doesn’t.

[biblically-accurate-dca]

day 16: object head !

[crescentfool]

the great seal <3

[cloudysfluffs]

REALLY considered not posting this one.......might delete later

ns//fw and/or ki//nk blogs please dni!!!

[elvhenmage]

20 Tav QOTDs

a compilation of questions i’ve seen on twitter + ones i’ve come up with myself <3 can be used as an ask game or as a daily game!

what do they smell like at their freshest? (and/or after a tenday. your choice)

what would their blood taste like to vampires?

how would they kiss their LI?

how do they sleep with their LI (what position, does one steal the blankets, is one too hot/cold, etc)?

what does their tent area look like? where do they prefer to pitch their tent (next to water, covered on three sides, etc)?

if they had a set of dnd dice, what would they look like?

do they collect anything (gems, bottles, keys, etc)?

if either, are they part of the astarion/gale book club (magic & literature) or the wyll/shadowheart book club (trashy romance novels)?

if they had to be put in a “get along shirt” with a companion, who would it be?

do they prefer speak with dead or speak with animals?

what are their thoughts on clowns?

their companions are gossiping about them behind their back! who is it and what are they saying?

what makes them laugh? what does their laugh sound like?

do they have any inside jokes among their companions?

what’s the description of their camp clothes in the inventory menu?

what’s the description of their underwear in the inventory menu?

how do they celebrate their birthday?

what modern day tv show would they binge over a weekend? do they get their LI to watch with them?

do you have a playlist for your tav? if so, what’s the title + description?

if you were to try pickpocketing them, what would they be carrying?

[poorly-drawn-mdzs]

you are so whimsical i qant to check out this mdzs (..??) because of your whimsical nature thank you sorry im very high and your art moved me emotionally

This is simultaneously the sweetest and funniest thing someone has sent me, thank you.

[artaxlivs]

This is ridiculous.

Eddie has important stuff To Do. He's a busy rockstar with a never ending list of stuff his manager and agent keep reminding him that he needs to get done while he's not on tour.

But. His house is being remodeled. And one of the carpenters or handymen or journey...men? journey people? whatever. One of the dudes in a tool belt. Well - he's hot as all hell and Eddie can't seem to find a single fuck to mark off that To Do list.

Every day this man shows up in jeans that hug his ass, a tool belt slung low to one side and this pristine white polo shirt with a logo over his left pec. The other people - people not men because there are actually three women in the mix, all with arms that could crush Eddie, and if he was into chicks, he'd be looking respectfully - are all in various dark colored shirts with a similar logo on the back or in the same spot on the chest.

But White Polo is the only white polo. White Polo must be in charge. He does seem to give a lot of orders. He's got big sexy hair and a strong voice. The first time Eddie was close enough to hear him talk, he had some feelings about that strong voice giving orders. The kind of feelings he explored later that night in his own bed. Alone.

It's not a mean voice though, not aggressive. Rather, it's the kind of voice that steadies you in a storm, that you can rely on. The kind of voice that probably sounds gravelly and sleep mussed on a Saturday morning. The kind you want to wake up to. The voice that Eddie wants to wake up to.

And it's not just the voice and the looks. It's the competency, too. Earlier this morning, White Polo was helping the crew put some kind of wood frame up. He hammered something in and then twirled the hammer and stuffed it in the tool belt all without looking. That was going directly to Eddie's spank bank. Maybe he could find other things for them to remodel so White Polo never has to leave.

"Mr. Munson?"

Eddie startles, almost dropping his Garfield coffee mug. There's a lot of noise in the house and he was sort of doing one of the things on his list. Writing a song in his head. It was definitely not about a man in a tool belt. Nor was it about anyone getting nailed.

Jesus Christ.

Clearing his throat, Eddie turns to White Polo, "It's just Eddie."

"Well, Just Eddie, I'm Steve." His voice is soft, strong though, with that little bit of gravel. It's not Eddie's fault at all that he's imagining him whispering in Eddie's ear when they're both sleep warm and too comfortable to get out of bed. "Looks like we'll be done here in another two days."

"Oh." He says dejectedly, not meaning to have such an honest reaction but he can't help himself. He's wasted three days just glancing at White Polo - Steve - from afar. Now Eddie's on a time limit. Two days isn't nearly enough time. Would it be inappropriate to invite him to dinner? Or to stay? Ask him for --"Coffee?"

Steve smiles and it's kind of small, like it's a secret smile, just for Eddie. Brushing his hair back over his ear, Steve says, "I shouldn't but...your coffee smells kinda great so...sure."

Grinning, Eddie tells him that he gets the beans from this little mom and pop shop that brews their own beans. The band discovered them on tour years ago and he still gets his beans shipped from them every few months. He's babbling but he can't seem to stop himself, telling Steve about different roasts and his fancy machine that cost more than his first van back when he was sixteen and living in a trailer park.

Leaning against the counter, Steve listens patiently, watching Eddie with hazel eyes and that little smile. He's got these cute moles that Eddie wants to kiss. Broad shoulders he wants to feel pressed up against the backs of his knees.

Shit. He almost spills the coffee when his face suddenly heats up at that.

"Everything okay?" There's concern in Steve's voice and he reaches out to steady Eddie's arm. His callused fingers brush Eddie's arm just over his bat tattoo and...oh.

It's like nothing he's ever imagined. So much more than all the stories. It's the biggest, brightest, most intense thing Eddie's ever felt. Just a brush of fingertips and the spots light up with gold. Three brushes across the bats' wings and a fourth smaller one off to the side. Eddie can feel the tingling on the underside of his forearm where Steve's thumb must have brushed as well.

Surging forward, Eddie cups Steve's cheek, leaving a bright gold palm print on his jaw, a thumb smear up by the cheek bone, bits of gold in the shapes of fingers curling along the side of his throat, and one little dab on the lobe of Steve's ear. Their lips are pressed together before Steve's fully reacted to the soul bond but that's okay. They don't have two days, they've got forever.

A few years later, when Corroded Coffin wins album of the year at the Grammys, Gareth takes the mic away from Eddie as he's doing all the polite thank yous to managers and agents etc - and he thanks Steve, telling the world, "If Steve had never been a hot guy in a tool belt, Eddie would never have written Golden Bats, Hammer of Love or, Eddie's favorite," Gareth says, grinning and leaning really close to the mic like it's a secret, 'cause it kind of is, "Ride the White Polo."

My Masterlist

While there are other gold touch soulmate mark fics, I've only ever read them in @kangofu-cb's Gold on Your Fingertips in the Winterhawk fandom and it will always be both one of my favorite soulmate fics and one of my favorite Clint Barton fics.

[sunrizef1]

Just saw someone on twitter who did a tier list and put Logan in the “I cheer against you” category and my thing is like-

How???? What could he have done to earn your distaste??? DNF??? Be American???

Although I think some checo fans dislike him because he seems to be the benchmark for how bad checo is

And some Europeans do genuinely dislike that he's from America

[cor-lapis]

Boycotting Genshin

I don't feel comfortable playing through Natlan and doing quest summaries + other fanart for the region. Unless something changes, I will be boycotting the game, since I don't want to support this level of insensitivity. I would encourage anyone reading this to do the same/go F2P/sign the below petition.

Here's all the designs/edits I've found for the Natlan characters so far which aim to portray the characters more accurately to their inspirations, along with other resources:

Mauvika: xxxiiv (Tumblr)

Chasca: artbymanyy (Twitter) NGreentail (Twitter) Fanart of NGreentail's design by FantaMiix (Twitter)

Xilonen: idkwhatevs1 (Twitter) inebyoonei (Twitter)

Kinich: chururira2da3 (Twitter) pam0537 (Twitter)

Mualani: mikrys_art (Twitter) fremelleCEO (Twitter)

Kachina: With Mualani and Kinich by kattkeyy (Twitter) With Mualani and Kinich by TioFarofeiro (Twitter) With Mualani and Kinich by foogie_boogie (Twitter) With Mualani and Kinich by eleiwitch (Tumblr) fruberry01 (Twitter)

Olorun: foogie_boogie (Twitter)

Citlali: NGreentail (Twitter) beubeubbu (Twitter)

OC: keadeharaaa (Twitter)

Notes on inspirations for in-game designs: DailyNatlanBR (Twitter)

Guide to complaint emails to Hoyoverse: sakura_branches (Twitter)

[continuous-spec]

Ahh yes, my four loves.

[mimble-sparklepudding]

Ship and OC Relationship Creative Process Ask List.

I am still pondering how best to approach some sort of "ship" for one of my OCs, but it's proving to be quite the challenge to wrap my head around. So what better way to learn more about how other people approach the topics of sex and relationships with their characters than to put together a little Ask List. Not just focussed on ships between OCs and canon characters, but also open to relationships between your OCs - or your OC and someone else's OC (or OCs, as we are all very polyamory inclusive around here).

Did you create your OC with a plan to ship them with a specific character or another OC? Or was their relationship something that evolved all by itself?

How important is your OCs relationship(s) to their story? Would it still make sense without it? Or is their connection to this other character integral to their development?

Were there any barriers to you establishing your OCs relationship? Perhaps social or cultural stigma? Or a concern that "ships" with that character were already overdone? Or simply a fear of being seen as "cringe"? If so then how did you overcome this?

How graphic or explicit are your explorations of sexual interactions involving your OC? Do you happily name body parts and actions? Or do you prefer to leave the mechanical details to the imagination?

If your OC's relationship involves a gender or orientation different to your own then how confident did you feel about exploring or writing this? If your OC and the character(s) with whom they are in a relationship are the same as you in terms of gender/orientation then was this a conscious decision?

How easy do you find it to write (or otherwise portray) non-sexual affection between characters? This might include terms of endearment, "pet-names", descriptions of cuddling or stroking the other's head in their lap etc.

How important is other people's investment in (or enthusiasm for) your character's relationship? Was this a consideration when you were planning it? Have you ever changed a character's relationship(s) due to other people's response to it?

To what degree do you use your OC as a means to explore your own romantic proclivities (or shortcomings)? Is your OC a self-insert and the relationship a form of wish-fulfilment and/or an means to explore certain fantasies? Or do you enjoy exploring something completely different to your own experiences and preferences?

How confident are you in writing about or otherwise portraying kissing between characters? Did this take practice? How much detail is enough? How much is too much?

Is it important to include tension or outright areas of conflict in a relationship? If so then how do you explore these? Or does this not appeal to you?

Does it matter to you how many other people also ship their OC with a particular character? Would this make it more likely that you will compare your material to theirs? Or does this not enter into your thinking?

How much does your OC's background and origin affect their approach to relationships? Are there specific insecurities or preferences that lead on from their past?

How easy do you find it to write romantic (or sexual) dialogue for your OC? If they are in a relationship with a canon character then how difficult is it to keep these interactions faithful to their established character and communication style?

How do you feel about answering questions about your characters sexual/romantic activities or preferences in character?

Did you build up to your OC being in their relationship? Or did you put them into it quite quickly and then filled in the background in retrospect.

Is there a relationship between characters in another setting that particularly inspired you? What is it about this portrayal that you enjoy?

Does it matter whether other people consider your OC sexually attractive? Did this inform your thinking when you were creating them? Also was it important that you put them in a relationship with a character who is generally considered "attractive"?

Do you have specific music that makes you think about your OCs relationship?

Do you have a sense of how your OCs relationship will evolve in the future? Or is it quite a fixed in terms of dynamics and story?

Is it easy to write or otherwise portray other characters (or OCs) reactions to your OCs relationship? Are these interactions important to your characters story? For example, is the relationship one that can be publically acknowledged?

How important is it that your OCs relationship is "realistic" for the setting in terms of the characters values and attitudes? Or are you happy to explore psychological or sexual issues that might more reflect contemporary concerns?

Do you consider your OC to be sexually attractive? Or pretty/handsome? Would you still be able to write about their relationship if you didn't?

What is something you feel you have improved at in terms of portraying sexual or romantic relationships?

How do you feel about people producing fanart of your character's relationship or ship? If this were NSFW would you want to be asked first?

Other than your own characters' relationships, can you give an example of someone who is particularly good at writing or otherwise portraying romantic and/or sexual relationships? What is it about their work that really stands out for you?

Have you given much consideration to specific "kinks" or sexual likes and dislikes for your character? If so then is this something you feel comfortable talking about or describing?

Is there a particular "trope" for relationships that you especially enjoy - e.g. enemies to lovers etc - and is this something that you set out intending to explore?

Is there something you historically felt (or still feel) awkard about describing in terms of your character's relationships? Whether sexual acts, bodyparts, pillow talk, romantic declarations or using the "L word". How did you overcome this (if you ever have)?

What makes a scene or situation "romantic" in your opinion? Is this something you find easy to portray?

What advice do you have for someone considering creating a ship for their character? Or for someone unsure about writing relationships and/or sexual scenarios?

When portraying romantic or sexual scenarios involving your OC, do you aim to inspire a particular response in the reader or viewer? Whether a warm fuzzy feeling, or getting really quite turned on (or possibly both)?

If you ship your OC with a particular canon character, then what was it about that character that drew you to them? Is it that you have a certain "type" when it comes to shipping? Or did you surprise yourself with who you felt drawn towards? If your OC is in a relationship with another OC then did you change any aspects of either of their backstories or personalities to make this work?

To what degree is your OC a self-insert, particularly in terms of their relationship? Do you sometimes use your character's relationship to explore your own feelings about a canon character or another OC?

How confident are you in writing angst or portraying conflict or tension within a relationship? Or is this something you avoid? If so is this because it doesn't much interest you? Or because you're unsure how to approach it?

Is there a way in which your portrayal of your character's relationship subverts the reader or viewer's expectations? Was this deliberate?

How do you ensure that the dialogue (or other portrayal) of a canon character is true to their personality and (more importantly) way of speaking? Do you spend time studying their "official" dialogue in order to get it sounding authentic? Or did it just come naturally?

What is something you try to avoid - or think everyone should try to avoid - when portraying sex and/or relationships with their characters?

What is your favourite depiction of romance (or sex if you prefer) that you have produced? Or if you haven't produced one yet, then what is your favourite example from another creator?

What, if any, is your biggest source of fear or anxiety when it comes to writing or otherwise portraying romantic or sexual scenarios?

What is something that your friends or mutuals could do to support and encourage you when it comes to your creativity around your OCs relationship(s)?

[shhh-secret-time]

Fuck it, OC brain rot won. Get ready for the Secret Ask List

1) Does your OC have a voice claim, if so who?

2) Who's your OCs best friend? How did they become best friends?

3) What song describes your OC?

4) What song describes your OC and their partner/love interest?

5) Do you ship your OC with a Canon character? If so who?

6) If your OC is in a fantasy setting, what profession would they be in the modern day?

7) Vice-Versa! If your OC is in the modern day, what fantasy class would they be? Would they be a different race?

8) What hobbies does your OC have? What do they do to unwind?

9) How does your OC handle their physical health? Do they take care of themselves?

10) How does your OC handle their mental health? Do they take care of themselves?

11) What was your inspiration for your OC?

12) Does your OC interact with other people's OC? If so, who's their best OC friend?

13) Does your OC have a rival? How did it start?

14) Who's a character your OC cannot stand! It's on sight when they see them!

15) Will your OC ever retire? Do you see them making it?

16) How's their relationship with their parents? Are they alive?

17) If your OC has kids, are they a good parent? Do they ever feel guilty if they have to leave them?

18) What are their pronouns? What would they like to be called?

19) What's their sexuality? What's their love language both giving and receiving?

20) If they fight, what's their weapon of choice?

21) What song best describes their relationship with their enemy?

22) Fight or Flight? Are they a lover or a fighter?

23) Is your OC reliable? Can I call them up at two in the morning if I have a flat tire?

24) Can they play any instruments? If so, what do they play?

25) Are they the kind of person who can't resist a good song? Can I catch your OC singing to themselves while they do the dishes?

26) What flower do you associate your OC with?

27) What's their spirit tamagotchi? Or an animal you associate them with?

28) What clique would they be in? (Draw them in the clothes of said group!)

29) Imagine a mood board for your OC! What's on it? (Make it if you want!)

30) My OC and your OC are friends. This isn't a question. I'm not asking. (How do they respond?)