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psychopomping · 1 month
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ok I'm catching up and i know i wondered why sklonda was upset but i get it now in scene. for her her son seems to be taking so much weight why doesn't it seem like his friends ! why is he always carrying stuff for everyone else why is he focusing on the wins of everyone not reaching for his own accolades you know??
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umbrace-rambles · 21 days
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I love how they're just trading blows to size each other up, vibing
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cringefail-clown · 11 months
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"fuck sburb, lets play some worms"
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von-leg · 1 year
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Tsukasa hater to Tsukasa lover pipeline
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commsroom · 1 month
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a big part of what makes eiffel feel like such a real person to me is that he's so average and unfulfilled even by attainable metrics. like, not even getting into any pop culture escapist fantasies. eiffel is the kind of guy who thinks if he was born a few decades earlier he'd be a traveling musician living out of a van, but realistically he'd be doing more or less the same stuff. he could be a local radio dj or a guy with a used record store or drive an old truck and have a yard full of rusty old cars up on cinder blocks he's trying to revitalize. he could be a skater, if he had the patience, and, um. the balance. zach once said that if eiffel had the money he'd buy a motorcycle and never learn how to ride it, just take a bunch of pictures of himself with it and tinker with it constantly, and if anyone asked why he doesn't ride it, he'd keep saying he wants to do some more work on it first. i think about that so much. there are a lot of things that he could do, that fit his sort of character archetype, and they aren't even remarkable things, but he doesn't. eiffel drove a corolla and worked at pizza hut and probably lived in a shitty apartment. sincerely, this is the best thing about him. this is why he's a real guy to me.
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triaelf9 · 9 days
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hey folks who interact with creative works online! just a tiny PSA
If you don't like a character, that's totally fine! If you have a different reading of a situation in a show & have issues with stuff that's going on, that's also fine.
What is NOT fine is to ACTIVELY SEEK OUT fans of the characters you don't like and talk shit about them, the characters they have feelings about, or the content they've posted b/c you, Freddy McHatesalot really needs to tell everyone how much you dislike a...fictional character.
You are totally welcome to consume content in your own space in whatever way you see fit. It is disrespectful of the fandom space to try to drag other people into your space and interact with you if they don't want to. And dunking on a character in writings or art of them is fucking rude as hell to the person who put work into into the creation they made out of some feelings they were having.
Also. side note, it is possible to enjoy a character who is Wrong About Some Things or Isn't Doing The Right Stuff In The Right Situation. Sometimes it's possible to like a character and disagree with them, and shitting on people b/c you can't see what they see in a character is pretty trash garbage and is 90% of why I just make silly little art for me and my own silly feels and hope folks get a chuckle or some enjoyment out of it too.
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adhd-merlin · 2 months
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phoenixcatch7 · 1 year
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Identity reveal shazamily fic idea:
They're fighting some big bad in a huge cave or throne room or in an air pocket miles underwater (the Rock?) and the league and shazamily are all there, every two stuck in separate areas (magic barriers? Cave ins? Enemies simply not letting them close?).
The roof is starting to collapse. Billy catches it, but with his powers divided, he's struggling. With a time limit before he falls, the battle intensifies.
Mary and her jl partner fells her opponent first, and looks across the room just in time to see him stagger under the crushing weight. She cannot reach him (in time?). They meet each others eyes. The wisdom of Solomon, or perhaps Mary batson, has an idea.
In a crash of thunder, she detransforms, in front of their enemies, and the entire justice league.
With power returned, captain marvel stands a bit straighter. The roof grows heavier. Cracks scatter across the high ceiling.
As Mary is carried to safety, the family understands what they must do.
In conjunction with the league member they were trapped with, they work to defeat their opponents, and one by one transform, each time revealing people too small, too young. The crash of thunder marks each victory. Rubble starts to fall and shake the earth as the league members pull their partners to safety, gathering together by the entrance, bandaging their wounds. All eyes are on Marvel, trapped under a great pillar of stone. (They have been working with him for years now, but each of his family has been revealed to be children. Is he, too?) Each time he raises the ceiling a little higher, and each time it grows heavier as the battles and the ticking clock destabilise the thousands of tons above.
At last, the final group win, and exhausted league members piggy back the last child hero over the rubble.
All are evacuated, but Marvel cannot move. Rapid power transfer and hours of stress have taken their toll, and he needs to transform back as well.
Finally, finally, green lantern and superman reach him, and with their help he is freed, collapsing to the side in relief. No one says a word.
With one final lightning strike, the last member of the team is revealed.
He's twelve years old.
And the league needs to take them all to safety.
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starry-bi-sky · 19 days
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I am absolutely loving your Danyal Al Ghul au. While I have a soft spot for the whole plotline of Danny becoming his canon personality almost right after breaking away from the LOA all because of Jazz, I'm just as much for your take in which he goes through the same character development as Damian.
Now I'm curious. You already tackled his relationship with Dani, will you eventually take a stab at when he, Sam, and Tucker meet Gregor? Given that it's one of my hated episodes as I couldn't stand Sam's infuriatingly hypocritical attitude to Danny's suspicions of him, I'd kill to see your spin on it.
Aw, thank you! Danyal Al Ghul aus are what got me into DPDC first, so I have a major soft spot for them. That being said, uh, its exactly that soft spot that causes me to have Many Opinions about the trope you just mentioned. Like the trope is all fine and dandy, i don't blindly hate it, my main issue with it is that most aus i've seen treat his backstory as an ex-assassin more like a pretty cosmetic accessory rather than something that actually should have had an impact on him. Especially if he remembers being in the league.
Like i cannot stress enough the fact that being in an ecofascist assassin cult (regardless of his standing in it) should've left him, in some way or another, screwed up morally and psychologically because that's just how development works. Nature vs. Nurture is like a game of tug-o-war that never ends, where they are constantly fighting against each other and one side usually has the upper hand or greater influence. Children model the behaviors of the adults around them (ex: bobo the clown doll experiment), and what impacts them in childhood can stick with them permanently.
Like how my psychology professor put it: a baby's brain is like wet cement; if you slap your hand on it, it leaves an imprint, and the cement dries that way. The same rings true for small children.
I could go on, but I frankly have so many thoughts on that alone that I would end up completely derailing from the second half of your ask, and I don't want to be more critical than I already have. Especially since you just mentioned you have a soft spot for the trope.
[Okay, hold onto your hats because this is long. Naturally lmao.]
Gregor! Man, I'll admit I last watched the show back in middle school on a dodgy illegal website (it had surprisingly good audio and visual graphics, and full episodes. But really annoying porn ads.) but I only made it to like season 1 before my hyperfixation faded and I lost interest. So I never actually saw the Gregor episode.
But... it is relatively easy to find free websites that stream Danny Phantom :), so finding the episode took me like. Thirty seconds. Plus the Tv.Tropes recap page because my damn earbuds just died and im out in public as of rn.
I'm not sure if I'll write something for the gregor episode like I did with Dani, since Dani's a bit of a special case in that she's a clone and tends to be a reoccurring presence in DPDC, and I thought the new dynamic with Danyal would be interesting.
Plus, I'm not a big amethyst ocean shipper for the pure reason of I'm just not all that interested in it; its kinda bland to me. I'll admit I've entertained the thought in this au due to the whole balcony scene i wrote, but I would've entertained the thought anyways if it was Tucker in that position instead. Big multishipper, me.
But, if I had to make it official? Danyal is not interested romantically in Sam when the Gregor episode happens, regardless of his relationship with Valerie. Who, speaking of I'm trying to think about how that would go, and I'm torn between including him almost-dating Valerie or not.
Because on one hand it helps point out Sam's hypocrisy (and i love her but i am always happy to point out her flaws and address them in au) in this episode in terms of Danny spying on them, but on the other hand I'll want to include a lot of set up in order to make Gray Ghost work in this au and wow will that take a while.
Especially with the Flirting with Disaster episode because it happens due to Technus' meddling, and Danny is, well, the son of the Batman? A trained assassin? An ex-assassin nonetheless, but still an assassin? A prodigy child in this au? He might not have needed to use most of his skills in the last few years, but like... there's just a bunch of 'what if' and 'well technically...' and 'would he? he could, but would he?' things that is getting in the way of my thought process and making my head spin.
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Mmm. Okay. Flirting with Disaster occurs relatively the same as canon with a few exceptions; like Danyal noticing the strange coincidences, and he might take the idea into proper consideration because Sam has a point it is strange, especially out of nowhere.
However,,, he really enjoys Valerie's company, and he does really like her. He's been adjusting to civilian life for the last four years and while he's made a lot of progress, he's still. an ex-assassin child living like a wolf amongst sheep. This is normal, typical teenager stuff, and usually his friends like to encourage him doing normal teenager stuff.
So he's stubbornly holding out on the thought that this is normal, that ghost stuff isn't interfering here. He's a little hurt that his friends are discouraging this, he's not bothered by the fact that Valerie is a ghost hunter and he a ghost -- his mother is an assassin, and his father is Batman, and they still had a relationship. (Granted, he's not gonna tell them that)
If anything, being diametrically opposed to each other but still being in love is part of the family! Granted, usually both parties are aware of said opposition to each other, but he'll make a special exception this time around.
(And man now that i'm thinking about gray ghost, im now thinking about various like. scenes i could write between the two of them. maybe in a reblog.)
Anyways uhhh things relatively go the same as canon. Yeah. I think Sam still has a crush on Danny and still spies out of jealousy with Tucker.
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Now, the Gregor episode! With that out of the way; the TVTropes recap for this episode isn't the best because it doesn't go into detail about the entire episode like it does with Flirting With Disaster and Shades of Gray.
(which i looked at earlier because I made a section of this post talking briefly about what changes I'd make to the Shades of Gray episode to help set up Gray Ghost, but ended up deleting because it was kinda irrelevant for the matter at hand.)
So I'm taking in bits of the episode clips at a time, I'll try not to get too nitpicky about how each scene goes because then it's gonna take me a longer time to write this.
But! First thing's first; since Danny is not romantically interested in Sam, he is also not jealous of Gregor. He is however, a bit eyebrow-raisey at him in their first introduction, but that's because Gregor is coming off as obnoxious.
Danny thinks he's kinda annoying, and it doesn't take a genius to see that Gregor is trying to impress Sam. But since they've only known him for five minutes he takes the good faith assumption and assumes that Gregor is genuinely trying to show interest in Sam's interests too because he likes her, so he keeps mum. The fake hungarian accent is weird, but it's overall harmless, so he doesn't point it out.
He does do the spying thing when he starts suspecting that Gregor might be working for the GIW. The episode only has this happen twice, but for the au this happens a handful of more times over the course of the week, with Danyal's suspicion steadily rising more and more each time.
Hah, when he brings up wanting to spy on Sam and Gregor because of this reason, Tucker still does his "woah! you wanna spy on Sam?" thing.
Danny immediately turns to him, completely unimpressed, and crosses his arms. "Tucker," he says, deadpan, "you and Sam spied on me and Valerie."
He uses a combination of his ghost powers and his regular stealth ability to spy on them. He's hiding in a tree when they're skipping rocks, close enough that he can use his powers to hear them talk but far enough away that he has a good view of their surroundings.
He's invisible in the cinema, but doesn't accidentally get in front of the projector. He checks the inside of the room for the GIW, and then waits outside the actual room itself, keeping an eye on the area and occasionally flying in to watch the movie out of boredom. It reminds him of being back on a recon mission with the League, but it doesn't end with him orchestrating someone's death.
Then when they're at the mall he stays in human form, blending in with the crowd. He runs into the GIW there, but realizes that they're not there because of Gregor; they're just shopping. They didn't show up at either of the last two locations, and he follows them to make sure they're not also trying to blend in. But they're literally just there for shopping.
Danny is rather pleased with this turnout; so far Gregor isn't a spy, he's just annoying. The next day at lunch he asks Sam how her date with Gregor went, and that's how she figures out he spied on them, because well, she didn't tell him that.
"Have you been spying on me?"
Danny messes with his food a little bit, and Tucker is sinking into his seat with embarrassment. He frowns, "Only last night. Those incompetent government dodos--"
His lip curls up; he gets all 'Shakespeare-y' (as Sam and Tucker put it) when he's insulting someone, "--kept appearing whenever Gregor did. I followed you and him last night to make sure he wasn't a spy."
A roundabout way of saying, "I was worried".
Sam is, as canon, furious. Danny understands why, he knows generally speaking that people don't like being spied on. But he's confused on just how angry she is, and is a little irritated by it.
"Why would you do that!" She exclaims, "That's way out of line, Danny."
"How? You spied on me when I was going on dates with Valerie." He narrows his eyes, and points his fork at her, "I'm not blind, I noticed."
"That's different, we told you why we were suspicious. And we don't have ghost powers like you do."
"I don't need ghost powers to sneak around, Sam, you've seen this firsthand. And I just told you why I followed you, I thought he was working with the guys in white--"
"So you think someone can only be interested in me if they're after you?" (this is a paraphrased quote, folks ;D)
"No! If that was the case I would have voiced my concern the moment I thought it. I don't get why you're so angry, you spied too."
Iiits.... a mess. Sam storms off with Gregor, Tucker tags along because okay, yeah, maybe Gregor isn't with the GIW, or maybe last night was a fluke. Either way he ends up tagging along. Danny overhears that conversation between the GIW and Mr. Lancer, and maybe he's right, maybe he's wrong; but something is up.
I've gotten to that scene in the locker room where Gregor tells Danny that he knows he doesn't like him, and I've paused at Danny's reply to say this: Danyal doesn't even bother trying to deny it.
"I know you do not like me."
"You're right; I don't."
"Ah, let me finish. I know you do not like me because you want to protect your friend, Sam, and I respect that."
"...That's correct."
"Good! Because I am going to ask her out."
"I had a feeling you'd say that," he stands up, claps his hand tight on Gregor's shoulder, and leans close to him with a threatening smile, "so you understand me when i say; if you break my best friend's heart, you're as good as dead, right?"
"Ah,, yes. I am so glad we got that cleared out of the way, and now I hope after we can.. how you Americans put it, hang out?"
In the episode he hugs Danny and gives him a la bise (which is that french greeting where you kiss someone on the cheek two or more times) after they end their conversation. But here, when he goes to do that to Danyal, Danny leans away, points an accusatory finger at him, and says; "Absolutely not; we are not close."
The next scene after that is like, end of day. Sam, Tucker, and Gregor walking away. Sam looks over her shoulder to glare at Danny, then gets forlorn. Tucker looks back and just looks forlorn.
(When did I start narrating each scene?? Eh, I'm writing this in brief spurts of time throughout the day. Don't fix what's not broke)
After that there's this whole scene with the two GIW agents that have been chasing Phantom all episode. They're there because they have Tucker's PDA that Skulker took, and it's got the information of their purple backed gorilla assignment on it. They've been going around seeing who Tucker associates with in hopes of catching Phantom.
Uhh ahaha and that is where this gets a little interesting imo, and also allows me to mention that im retconning Danyal's (already) redesigned ghost form. Which I've wanted to retcon even before this moment bc it was just too busy. I'll get to that in a moment.
The GIW suspect Gregor for being the Phantom because of his white hair and green eyes, which is all fine and dandy until you remember: Danyal (and by extension Phantom) has that very noticeable, rather identifiable facial scar that goes across the middle of his fucking face. The GIW could easily suspect that Phantom hides his scar with makeup if he's in disguise, but if they meet a kid with a seemingly identical facial scar and similar disposition? Hoo boy.
Solution? I've got two: Gregor is canonically a kid from Michigan who faked everything to impress Sam. Considering he knows she's gothic and knows that she's ultra-recyclo vegetarian? He probably watched her from afar or got information on her somehow. His hair is dyed, his eyes might just naturally be green, but if he notices that she's got a crush on either Danyal or Phantom? A little sfx makeup could help him recreate a similar looking scar.
My second solution that's gonna happen anyways bc its that suit redesign; Danyal does hide his face as Phantom. Ghosts are emotional creatures and its a popular headcanon that their interests, ambitions, etc, influence the way they look as a ghost, not just their death. A big reoccurring theme of my au is that Danyal did not leave the League unscathed, and that being an assassin is an important part of his identity.
So i'm discarding the hazmat suit look entirely and leaning into the 'assassin' thing. But the general (stylized) feel is like, white ribbon/cloth vambraces that he has used as a garrote at some point, a hood, a gaiter scarf-type thing. I'm keeping the cape. I did a doodle a few days back that's not the official redesign, but a redesign for Phantom. I may reblog this post with that attached because it's got the general feel down. There's very little white involved, but the inside of his cape flares out and looks like the night sky.
Now, the hood and gaiter scarf gets rid of most of the problem, but Danny's hood doesn't stay on all the time, so the GIW have likely seen the upper half of the scar. :] Gregor's own drawn-on scar doesn't have to be 1:1, but it looks close enough, right? A small scar cutting through the edge of his brow and ends right below the corner of his eye. A 'cool, badass' one opposed to Danny's 'garish' scar.
But! Back to the episode scene. Canon Danny gets written off as being 'too prepubescent' to be Phantom, and honestly it'd be hilarious if Danyal was written off for the same reason (he's calling them idiots in his head if they do). But instead -- leaning into the GIW's incompetence here -- he gets written off as being too mature or too talkative. Or something equally as absurd.
Sam breaks up with Gregor for canon reasons, but when Gregor does his "i really like you, but, come on-!" and gestures to tucker, he adds on "and that scary friend of yours too, seriously!"
Things go relatively the same as canon after that. Danny does end up apologizing for spying, however. Sam does it first. Sorrows, prayers, all that.
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Things usually end up changed or different when I actually write it down, so I'd likely add more or adjust different scenes according to the flow of the oneshot. This is just like, a general vibe of how things would go, and where some of the more obvious changes would be if I did write this oneshot.
Hope you enjoyed! Thanks for the ask :]
#dp x dc#dpxdc#dpxdc crossover#danyal al ghul au#danyal al ghul#i dont even mind the trope that danny becomes like his canon self i just want *some* kind of impact on him. but as it stands most aus i've#seen lowkey treat his assassin background as an accessory. like dyeing your hair or piercing your ears. that being said its also a silly#au where they're brothers and are related to each other and thus doesn't have to be that deep at all! im just bored of seeing the same thin#all the time. especially considering danny is usually depicted as the paler/whiter passing twin and being the 'kinder. more compassionate'#one between the two of them. give me danny who suffered crises of morality! danny whose morally darker than a cloud#morally orange and blue danny who sooner understands 'dont litter' than 'dont murder'. arrogant danny! he dotes on the people he loves but#is an utter bitch to everyone else and thus has to learn to be kinder. danny discovering himself outside being an assassin#his brother remembers a kind and compassionate older brother because thats how danny interacted with him. But danny had no qualms turning#around and slicing the tendons of one of the other assassins because of smth they did that displeased him.#he can still be like his canon self but shouldn't there be something that stays behind? Lingering like a blast shadow?#danny who carries weapons on him always even though he knows he doesn't need it but it makes him feel safer.#danny who spits out the oddest. most foreboding shit sometimes and his friends just stare at him and go 'bro what the fuck??'#idk if i can share the website where i found the episodes bc of risk of copyright. but just search up#'where can i watch danny phantom for free' and look for a reddit post with that question. the comments give website options.#i keep thinking about gray ghost now. valerie finds herself becoming a member of the 'danny fenton protection squad' with sam and tucker#danny takes a page from his beloved mother's book and calls his partners 'beloved' and equally sappy pet names.#he also throws the BIGGEST shitstorm of the century when he finds out about what Axion Labs did to the dogs. hoo boy.
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hephaestuscrew · 10 months
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"With a goddamn harpoon": The significance of Minkowski's weapon of choice within the narrative and characterisation of Wolf 359
TL;DR: Despite its initial comic role, the harpoon becomes a important symbol of Minkowski as a character; it is particularly associated with her desperate need for control, her desire to keep her crew safe, her stubborn determination, and her occasional unpredictability. These associations add to the narrative significance when Minkowski kills Cutter with the harpoon. 
[Tagging people who said they wanted to be tagged: @browncoatparadox @captain-lovelace @goblincaveofvibes ]
~~~
Ep21 Minkowski Commanding
First appearance 
We first encounter the harpoon in Minkowski Commanding, which is a significant episode for Minkowski's characterisation because it's the first big departure from Eiffel's point-of-view into Minkowski's. It's arguably the most Minkowski-centred episode in the whole show, so it stands out when we think about her as a character.
EIFFEL (over comm) Um, Minkowski? Why is the armory wide open, and also, apparently, robbed? Where's the tactical knives kit? MINKOWSKI Don't worry. I've got that. EIFFEL Oh. And the M4 carbine? The, like, really-dangerous-in-space, select-fire M4 carbine? MINKOWSKI Yeah, I've got that too. EIFFEL And this empty rack I'm looking at right now with a label that says "harpoon" suggests that... MINKOWSKI Yes. I have it, Eiffel.
The harpoon is introduced as part of a list of over-the-top weapons that Minkowski takes on her plant-monster-hunting mission. It's initially just a funny moment to emphasise how seriously she's taking this mission. The weapons arguably increase in unlikeliness as Eiffel lists them, and it's a comic image to think of Eiffel deducing the situation from the empty rack labeled 'harpoon'. It could have been an entirely throw-away joke that was never brought up again. The M4 carbine never comes up again. The tactical knives kit is mentioned in Knock, Knock, but not in a plot-significant or symbolic way. 
'Goddamn harpoon' speech
So why does the harpoon become such an iconic part of Minkowski's brand (and I'm pretty certain it was seen as significant by fans long before the finale)? It's got to be because of the next time it's mentioned, when Minkowski talks to the plant monster in the same episode:
MINKOWSKI (getting psyched up) You wanna play with me, huh? You wanna run rings around me? The joyless, boring, predictable old Minkowski? She can't stop you, right? Not someone as smart and powerful as you. You've got her pegged. Good. Get complacent. Get smug. That's right when you'll find me waiting for you. With a goddamn harpoon.
There's so much to say about this speech and what it reveals her character. For one thing, it's all projection - we have no real indication of what (if anything) the plant monster thinks of Minkowski. We don't even really know how much understanding it has when listening to her talk. She imagines that this silent adversary would call her "joyless, boring, predictable". I suspect that these are all things that she's been called a fair bit in the past. (To be honest, I wouldn't be surprised if they are all things that Eiffel called her at one point.)
But the harpoon is proof against - if not the accusation of joylessness - the idea that Minkowski is boring and predictable. Boring and predictable people don't opt for a harpoon for fighting on a spaceship when plenty of more conventional weapons available. A harpoon is unexpected, and there's a kind of power in that.
Another interesting thing about that speech is that the whole thing would make at least as much sense - if not more - if it was directed at Cutter. In Sarah Shachat's episode commentary on Minkowski Commanding (part of the bonus material available to buy here), she says that Minkowski "is really speaking to Cutter in this moment". It's made clear that Minkowski's behaviour in Minkowski Commanding is not just about the plant monster itself. She tells Eiffel, "I have to take it seriously! If I can eliminate one threat, just one, then we are that much closer to going home!" 
The specifics of the plant monster's location, abilities, and origin are mysterious, but - unlike many of the other forces threatening the safety of Minkowski's crew - it is at least tangible and harpoon-able and not light years away. Hunting the plant monster is a way for Minkowski to assert control when so much is outside of her control. It's an attempt to demonstrate that she is - as she puts it - "in charge of this disaster". Minkowski treats the plant monster as a physical symbol of all the threats her crew are facing, and so the harpoon becomes a physical symbol of her fierce (if sometimes misguided) determination to take control of the situation and fight back against those threats to protect her crew.
The line "you'll find me waiting for you. With a goddamn harpoon" is one that sticks in the mind, especially since - with one notable exception - 'goddamn' is about as potent as swearwords get on this show. And it's the harpoon that she uses to give specificity to the threat. 
Absurdity
A harpoon is powerful and threatening, which is exactly what Minkowski is trying to convey to the plant monster, but in this context - not only on dry land but on a spaceship - it's also kind of absurd. From the way we hear it fire in the finale, we can tell that it's more like a speargun than a hand-thrown harpoon spear, but it's still an out-of-place weapon for space-based combat. Minkowski's already been shown to have a penchant for archaic weaponry, after her drunken enthusiasm over the cannon during the talent show incident, which is largely played for laughs. Similarly, in the episode commentary for Minkowski Commanding, Sarah Shachat says that the harpoon was introduced mostly just because it was funny; "[including a harpoon] was me sort of embracing the Moby Dick of it all. And I had no idea at the time how much importance that silly harpoon would take on." 
Eiffel makes a Moby Dick reference himself ("10 days of Captain Ahab's Space Walkabout"). I haven't read Moby Dick so I can't properly analyse the significance of this reference, but the initial prominence of the harpoon (traditionally a whaling tool) enables that connection. It feels like a good example of the classic Wolf 359 thing where something comedic has the potential to take on a deeper significance. It conjures an image of Minkowski as a Captain with the potential to be consumed by a single-minded mission to destroy... A potential that she resists in the conclusion to Minkowski Commanding when she chooses to leave the plant monster alone. The harpoon also fits with the sprinkling of nautical imagery and language in Wolf 359 (e.g. the repeated use of the word 'boat'), as well as the retro-futuristic feel of the Hephaestus.
We never learn why there's a harpoon on the Hephaestus. It seems like yet another of those bizarre unexplained quirks of the station, like the items in the storage room where Eiffel finds Box 953. Even when the weird mysterious features of the Hephaestus are depicted in a comedic way, these features are still a demonstration of the fact that the characters are in an environment that they don't understand and that their surroundings have been shaped according to the whims of Command.
I think we can assume none of the members of the Hephaestus crew brought a harpoon up with them. For whatever reason, someone at Goddard Futuristics must have decided to put a harpoon in that armory. Like most things in the crew's lives, the harpoon is owned by Goddard Futuristics. So the way Minkowski uses the harpoon could be seen as an instance of reclaiming something from Goddard and their control over her surroundings (in a similar way to how her crew are able to utilise the maze-like structure of the Hephaestus to their advantage when hiding first from the SI-5 and later from Cutter and the crew of the Sol).
Other mentions of the harpoon
The harpoon doesn't actually make another physical appearance until the finale, when it truly comes into its own. But there are a couple of little hints before then that it has become a part of Minkowski's brand amongst the other characters as well as to the listeners. These mentions remind the listener about the harpoon, so we don't forget about it before its big comeback in the finale.
Ep27 Knock, Knock
EIFFEL [to Minkowski] Like getting rid of all the weapons, for a start. We should gather up all the guns, the tactical knives, your harpoon. Put it all in the arms locker, seal that sucker up, and put the key in one of Hera's service canisters.
In this quote, Eiffel refers to it as "your harpoon" - the only weapon he ascribes ownership to here. He sees it as something she's laid claim to. He also thinks the harpoon is worth mentioning specifically, which suggests that he thinks that Minkowski would reach for it first if she was feeling particularly violent. This reinforces the idea that the harpoon has become a symbol of Minkowski's character. This connection is also strengthened by the fact that the harpoon is also never mentioned in relation to anyone other than Minkowski using it.
Ep45 Desperate Measures
LOVELACE [to Kepler] Yeah, right. Nobody knows this station like Alexander Hilbert. He knows every nook, cranny, hidden room - everything. And as back up he's got the only woman's who's ever turned outer space monster hunting into a recreational sport. You'll never see them coming... until all of a sudden there's a harpoon in your face, and you end up on the operating table of the finest medical sadist that Goddard Futuristics ever produced.
Lovelace mentions the harpoon and specifically refers to Minkowski's plant-hunting exploits, even though she didn't witness them. So we know that someone has told her that story. And what she's taken away from hearing the story is an emphasis on Minkowski's harpoon and an admiration for her determination. I don't think Minkowski was the one to tell Lovelace about her plant-monster-hunting mission, because I don't think she's necessarily proud of it. I suspect it was Eiffel who told her - he's the most natural storyteller of the group. In Mutually Assured Destruction, soon after meeting Lovelace for the first time, he says "Nobody's told you about the Plant Monster yet? So, funny story..." And I believe  Eiffel would have told the story of Minkowski's plant monster hunt in a way that conveyed both the ridiculousness of her behaviour but also a kind of awe at her boldness and persistence.
The tone of "all of a sudden there's a harpoon in your face" is pretty similar to "That's right when you'll find me waiting for you. With a goddamn harpoon". Once again, the harpoon is portrayed as something that the Hephaestus crew's adversary won't expect, something that will play a key role in that adversary's defeat. You might almost think something was being foreshadowed here…
Characterisation through Weaponry
When we think of the harpoon as a symbol of Minkowski as a character, it seems worth drawing a comparison with the only other Wolf 359 character who I think has a form of weaponry as a big part of their brand: Jacobi and his explosives. While a harpoon certainly has a lot of potential for violence (a potential which Minkowski utilises), it is targeted and intentional in a way that bombs don't tend to be. It's harder to have collateral damage with a harpoon, and I think that reflects a difference between Minkowski and Jacobi's approach to conflict.
A harpoon isn't really designed for combat - it's for hunting whales and other marine animals. It feels significant that Minkowski's key weapon of choice - the one she threatens the plant monster with and kills Cutter with - isn't the weapon of a soldier. She took an assault rifle with her to hunt the plant monster, but that wasn't the weapon she held onto. She's not a natural soldier, even if she'd sometimes like to think she is. 
Maxwell's Death
When Minkowski kills Maxwell, it's with a gun, not a harpoon. She's trying to be a soldier there. She's trying to do what she has to. I don't know much about how a harpoon is fired, but I've a feeling that there's less uncertainty about whether a harpoon was fired deliberately than a gun; the ambiguity around Minkowski's agency in Maxwell's death is a key part of the story that wouldn't work with a harpoon. But perhaps more importantly, I don't think there's meant to be a sense of victory or relief in Maxwell's death, unlike Cutter's. The harpoon - as a weapon that has become strongly identified with Minkowski as a character - is saved for moments when Minkowski is asserting her power in an active way that she isn't conflicted about. 
Ep61 Brave New World
About a third of the way into the finale, there's another indirect mention of the harpoon:
RACHEL Y-yes, sir… Umm, we also picked up some chatter on their weaponry supplies… Firearms, explosives, something about a harpoon…
This is a nice little reference which reminds the listener of the harpoon in anticipation of its big moment later on in this episode, while once again playing with its incongruity in a list of more typical combat weapons. Given that Minkowski and co. have guessed that they are being listened in on here, their choice to talk about the harpoon might be seen as their way of having a bit of fun, or it might be seen as their way to imply the same threat that Minkowski made to the plant monster. Cutter had warning, but he didn't heed it.
Which brings us, of course, to the harpoon's most significant moment:
Cutter frowns. Then he hears it: CLA-CLUNK! His eyes widen.  MINKOWSKI Let's see you catch this.  FWUUUMP! An ENORMOUS THING IS SHOT. A moment later, Cutter COLLIDES AGAINST THE WALL, IMPALED.  MR. CUTTER ... a... harpoon? That's not... how this is... supposed... to... He struggles for a few more moments...and then he stops.
This scene is a classic instance of Wolf 359 utilizing the audio medium to leave a significant element of the situation unknown to the listener until the right moment. We don't know that Minkowski is carrying the harpoon. We don't know that she's readying it as Lovelace talks. When we hear something fire, there's a moment where a listener might or might not have realised exactly what just fired. It's Cutter who delivers the glorious revelation. It gives the moment an additional burst of triumph that Cutter's final words are an expression of shock, not just that he has been defeated but at the weapon with which the killing blow was struck.
Human unpredictability 
It's not just that Minkowski kills Cutter with a harpoon; it's also that she wouldn't have been able to kill him without it. He can catch bullets after all, so Minkowski and Lovelace's guns are basically useless. Cutter thinks he's therefore invincible, but he hasn't accounted for the possibility that Minkowski might have a less conventional weapon on hand, one which fires larger projectiles that he can't catch so easily. The fact that she's carrying an unexpected weapon - a weapon that might have seemed ridiculous - is what allows her to defeat Cutter and therefore to survive. 
It's a repeated theme in Wolf 359 that the protagonists' strength is not that they are the most powerful or they behave in the most logical ways, but that they are complicated and human and unpredictable and very much themselves - all of the things that Cutter and Pryce don't want in their 'ideal humanity'. When Minkowski kills Cutter with the harpoon, it's a victory for human unpredictability and individual idiosyncrasies.
Making good on her promise
Thinking back to Minkowski Commanding, we can see that the threat Minkowski made to the plant monster absolutely came true with Cutter. He got complacent. He got smug. (I'd argue that smugness has always been one of his key attributes.) And he found her waiting for him, with a goddamn harpoon. The return of the harpoon for this moment suggests the defeat of Cutter is a culmination of some of the motivations and traits that Minkowski showed when hunting the plant monster, now channeled in a more suitable direction. She continued trying to get them "that much closer to going home". Her - sometimes absurd - determination provides a throughline from an episode that was mostly comedic (Minkowski Commanding) to a dramatic emotionally powerful finale. As Sarah Shachat put it in her audio commentary, Minkowski "makes good on her promise [that she makes in her harpoon speech in Minkowski Commanding]. That's why she's a hero."
It's significant that Cutter dies from an unlikely weapon that is so strongly identified with Minkowski. It makes that moment feel like truly hers (although she is of course right that she couldn't have done it without Lovelace - that's called being part of a crew). 
As the Commander, it feels apt that Minkowski is the one to kill the long-standing 'big bad'. Pryce is arguably the same level of antagonist as Cutter, but he's the one that we've been aware of since we became aware of larger sinister forces at work in this narrative. 
And if Minkowski has a personal nemesis, it's Cutter. He's the one who recruited her into the hellscape that is the Hephaestus. He played on her ambitions to get her where he wanted her. She trusted him the way she trusted the official chain of authority at the start of the mission. And that trust was extremely misplaced.
The significance of Minkowski being the one to kill Cutter is highlighted by the fact that she kills him with a weapon that only she uses, a weapon that links us back to her behaviour 40 episodes earlier. The sense of control that she was desperately seeking in Minkowski Commanding might not be completely within her grasp by the end of the finale, but she's reclaimed a piece of it by defeating the man who has been exerting control over her life for so long. And she did it with that goddamn harpoon.
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laitoslittlemacaron · 1 month
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a few little room adjustments! 💖💚🌸 i love my desk a lot now, and the new little sakura Laito tapestry is soo cute!!😭💖 (look, my room is not fully Laito-only actually😔😔 this part at least... the wig is Shogun Raiden btw!)
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also say hi to the chibi gang on my table<3 (no space left for them on my shrine lmaoo)
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cutter-kirby · 6 months
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gregor and ripred GREGOR AND RIPRED!!!!!!!
obviously ripred protects gregor. not in the same way he does lizzie or even luxa, but i'd say from the moment ripred saw gregor's horrified expression when henry was about to run a sword through him, he knew gregor was special. he told twitchtip to not judge gregor like she would other humans. he speaks softly when gregor is mourning. he teaches him life-or-death echolocation. he can't even tell gregor that the kid's gonna die in the prophecy of time. the "oh, tell me you didn't" to solovet after she locks gregor away. he promises to keep gregor's family safe, from one rager to another. he sees so much of himself in that kid and it's awful. the scene in cotw where ripred talks to gregor about being a rager (right after the frogs) will forever stick out to me. just. his peptalk to gregor before the final battle. ripred cares.
and so does gregor! gregor has so much respect for ripred, the rat, what has been the enemy for nearly his entire first journey in the underland, because he notices the pain in his eyes. he tells him "fly you high" when they first part ways, which is echoed by ripred when they last see each other. just the immediate relief that gregor feels any time ripred steps in. the way gregor messes with ripred, popping bubble gum after ripred insults him, joking about the prophecy at the end of book 5 ("time is turning back!" ripred - "shut up!"). in book 4, gregor sends the questers to busy themselves so ripred doesn't have to be vulnerable in front of so many. when gregor's in trouble, it's ripred's advice ("what's your plan?") that he thinks of. the section in book 5 where they all think ripred is dead and gregor is as upset by it as he is ares, that he "maybe even loved him." gregor looks up to him. just. the mentor/protege duo ever
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crescentfool · 2 months
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so you want to use OBS
hello! i’ve decided to compile information on my OBS setup and some resources that have helped me along the way.  this is mostly for personal reference, but maybe others can make use of this information!
some notes before i get into it:
i use OBS for both offline recording and (twitch) streaming. any footage i record is edited using DaVinci Resolve 18, which is free.
most of my OBS captures are of video games (through a USB capture card, specifically elgato), and the occasional screen/application capture (like clip studio paint, and sometimes PC games).
as such, the information here is reflective of these experiences. this post is not comprehensive to all of OBS’s features- this is just an overview of the settings and configurations that are most relevant to me.
with that out of the way, all the information will be under the cut!
Basic Setup
file format:
how to change: settings -> output -> recording -> recording format -> press “apply” once finished!
I save most of my recordings as .mkv files- it supports multi-track audio! i prefer .mkv over .mp4 because if your power goes out, you still have a recording to work with. 
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.mkv files can be read by DaVinci Resolve without an issue- but for Adobe software, they'll need to be remuxed to .mp4 within OBS! (file -> remux recordings -> press the … to select a file -> press the “remux” button)
video resolution and framerate:
how to change: settings -> video -> output (scaled) resolution
my obs canvas is @ 1920 x 1080p (16:9)
i switch between 720p and 1080p as needed! if you're concerned about space, you can probably just go for 720p. i also record at 30 fps, simply because that’s what my capture card supports.
video bitrate:
how to change: settings -> output -> encoder settings (located in both the streaming and recording tab) -> press “apply” once finished!
bitrate is a bit of a doozy to explain, but the most important thing to know is that bitrate affects your video’s quality. lower numbers = lower quality, while higher numbers = higher quality. 
generally speaking, you'll want higher bitrate when you're recording things with high depth of information (e.g. you’d want a higher bitrate for something fast-paced like splatoon, compared to a slower-paced game like animal crossing).
my video bitrate is either set to 3000 or 4000 kbps! and here's some of my other (related) settings while i'm at it:
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you can put your bitrate at much higher values than me if you're a stickler for quality- but keep in mind that a higher bitrate means:
bigger file size
more information to upload (when streaming)
your computer will need to encode more
i’d recommend reading twitch’s guidelines on encoding, bitrate, resolution, and framerate to get an idea of what values to pick. for people who are doing offline recording or streaming on a different platform, i suggest googling the appropriate resources!
multi-track audio:
this is mostly applicable to anyone looking to do video editing!
multi-track audio basically allows you to separate your audio sources (e.g. discord, game audio, and your own microphone) into different tracks. 
this is an immensely helpful tool because it lets you adjust audio levels in post-production (editing). some examples of how this can be used:
increasing someones microphone volume if they speak too softly
increasing/decreasing game audio
muting swear words/sensitive information
completely muting voice call + microphone if you want to upload a no commentary video
and more!
to set this up, take a look at your audio mixer panel, and press the ⚙ icon. this will bring up advanced audio properties.
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by checkmarking a track box, it puts the audio on that track. to make the above screenshot easier to digest:
track 1 consists of ALL three audio sources- desktop, elgato, and microphone.
track 2 only has the microphone audio.
track 3 only has desktop audio (i use this for voice calls)
track 4 only has the elgato capture card audio (game audio). the volume has also been lowered so that any speaking voices can be heard clearly.
tracks 5 and 6 are unused.
you might be wondering, “why do all three of these have 1 checked off?” this is what i call the universal audio track. i recommend having a universal audio track for a few reasons:
when you stream from OBS onto twitch/youtube- you have to select ONE audio track.
it’s also a nice backup in case you didn’t separate your audio correctly.
if for whatever reason you need to move around your individual audio tracks in editing, the universal track acts as a nice reference point.
mark off your audio tracks for each audio source as you see fit! once you’re finished with the advanced audio properties, go to settings > output.
for the streaming tab, you’ll want to have the number of your universal audio track selected. in my case, that will be audio track 1.
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for the recording tab, checkmark all the audio tracks that are applicable to you (in my case, audio tracks 1, 2, 3, and 4). by default, only audio track 1 is selected.
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if you don’t check off the additional audio tracks in the output > recordings section, you will not have access to those audio tracks in editing, and you won’t be able to edit your audio tracks independently of each other. so don’t forget to do this! 👍
custom browser docks
custom browser docks are a great tool for when you’re streaming and want to have access to your twitch chat and/or activity feed! (or if you wanted to have some other web browser on OBS).
to create one, go to docks -> custom browser docks.
you’ll be given a table interface that asks you to put the dock name and URL. for streamers who want to have chat and alerts available, do the following:
on twitch’s homepage, go to the upper right and click your icon
then, click creator dashboard
once you’re on your dashboard, go to stream manager
click the vertical “...” on my chat OR activity feed.
press “pop-out chat” OR “pop-out activity feed”
copy and paste the link into the table back into OBS
press apply once you’re done
click and drag the docks around at your leisure to put them where you like!
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if you ever decide you don’t want to have something on your OBS dock (or want to bring something back), go to the toolbar, click “docks,” and click the appropriate dock!
third party things
a section of optional things that you may enjoy having.
streamlabs alerts
this is basically for anyone who streams and wants to have their chat and/or follower notifications visualized on screen!
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streamlab alerts can be added to OBS by adding a browser source into your scene, and the specifics can be customized on streamlabs itself. it’s pretty self-explanatory, so i’ll just leave a link to streamlabs website, where you can log in using the streaming platform of your choice: https://streamlabs.com/
discord overlay
this is a browser source that can be set up to show people who are in a server's voice chat and who speaks. i recommend this to people who make multiplayer content- it can help viewers distinguish who is who but also it can be helpful in editing.
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to set this up, go to https://streamkit.discord.com/overlay, click “install for OBS,” and after logging in with discord, go to “voice widget” and click the server and voice channel you want.
you are able to apply CSS if you'd like more control over the visuals, but the standard layout tends to work fine for me! a search of “discord overlay css” on youtube can help you get more information.
veadotube mini
this is a pngtuber software that a friend recommended to me! no webcam is required- mouth opening and closing is based on your microphone input!
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you can download it here (it’s pay what you want!): https://olmewe.itch.io/veadotube-mini
for a proper tutorial on how to use it, i recommend checking out the app's documentation, which you can read here: https://veado.tube/help/
source record
have you ever wanted to stream something with a chat overlay/layout, but wanted your recording to ONLY be the gameplay? or maybe you wanted to record BOTH your gameplay AND your webcam so that you can have a crisp zoom-in on your webcam!
source record is a third party plugin that can help you with that!
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the general gist of source record involves applying the “source record” filter on either a scene or source, and customizing the encoding settings accordingly. the exact details of how to set it up is beyond the scope of this post, so I'll just direct people to this video instead (it was very helpful to me):
youtube
⚠ a quick note about source record: this plugin can be intense for your computer. be sure to do test recordings and the like to see what your computer can handle (and see if the recordings come out the way you like). it took me a few tests before i settled onto something i liked!
you can download and install source record here: https://obsproject.com/forum/resources/source-record.1285/
vdo.ninja
have you ever wanted to do a collaborative video or stream where you feature someone else’s video on your stream? or maybe you’re doing a multi-person streaming event! vdo.ninja is the perfect tool for you!
vdo.ninja turns your OBS virtual camera into a browser source link- which your collaborator can add on their stream! this is a new tool that i’ve added to my arsenal recently- since my friend and i are planning to stream a side order challenge together! i’ve still got to iron it out a bit more, but i like what i’ve used of it so far.
try it out for yourself at their website here (with documentation and demos available on the homepage!): https://vdo.ninja/ (no downloads required!)
ok! i’m set up! what now?
and with that, that’s all of the settings and tools that i thought would be worth mentioning! while most of my setup was written with video games in mind, some of these plugins and setups may be applicable to other types of videos (e.g. tabletop gaming with a physical camera)!
now that i’ve outlined all these settings, i have one more thing i have to say: regardless of what you're using OBS for, do a test recording before doing anything “official” with it. this recording can be as short as 30 seconds. it’s a good habit to develop that can make sure your streams/recordings turn out the way you want them to!
here are the kinds of things i like to check! it’s not an exhaustive list, but this can be a starting point:
video:
does my video look the way i want it to (and can my computer handle that)?
can my computer handle the load of encoding? - OBS will note in the bottom if the encoding is overloaded. if it can’t handle it, turn down your bitrate or adjust other encoding settings (e.g. i had to toggle psycho visual tuning OFF because it was causing lag)
this is especially the case if you're recording PC games- you don’t want to have slowdown on either your game or the recording!
audio:
are my audio sources (e.g. desktop audio and microphone) correct? - if you plug/unplug devices a lot, be sure to check this (settings -> audio).
are any of my audio sources muted? - make sure you don’t have anything on 🔇 if you don’t want it to be muted! otherwise the audio will be lost forever… (i lost my friend’s VC audio once… it was sad)
are my audio tracks separated properly? - requires you to boot up your editing software, but it's worth doing! for the test recording, just have something from all your sources playing at once, and see if your editor has things separated into tracks.
can i hear the voices clearly? or does the music and/or game overpower them?
if for whatever reason your OBS crashes, or you want more information on anything “critical” or “warning” worthy in your set-up, you can go to help > log files > upload current log file > analyze. crash logs currently can’t be analyzed by the log analyzer- but they’re a valuable tool when asking for help on the OBS forums!
and that’s all! for real, this time. i hope that some of these tools and settings can help anyone wanting to get more out of OBS. there’s definitely other things i didn’t touch upon (e.g. audio filters for noise compression, suppression, etc.), so i suggest doing your own research and trying things out!
happy recording/streaming, and thanks for reading! ✨
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seagull-scribbles · 1 year
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*Aggressively throws this at your head*
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loppiopio · 7 months
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in water, fleas will drown.
#durarara#izaya orihara#shizuo heiwajima#shizaya#a cheap imitation#i made a thing#for chapter 44#hwaaaaaagh#special thanks to @stray-tori for massively helping me out with the poses for me to redraw from#also for shading the character art!! and for generally enabling me :)#the idea came to me all of sudden weeks before but i didn't think it'd be that funny to anyone other than me#but i told tori about the idea out of context and she thought it was funny so#but yeah what a grueling sprint this was#i made a whole deal about it on twitter lol#“two days from now i will share the best marketing you've ever seen except it's also a spoiler.��#“read or ruin. make your choice.”#and gave myself 48 hours from that point to grind my ass out on this#also my friends were supposed to read the chapter before i posted it#i'd done some gradual work on it leading up to that but a loooot of what you are seeing in that video was busted out in those 48 hours#or at least the last 24 hours lol#in true aci fashion i fucked around and did nothing for the whole first day 💀#it was a struuuuggle to get this done but i knew if i didn't finish it that day then it would never get done#i'm super happy with how it turned out though :D#especially with how absolutely dogshit garbage it looks all crunched up to hell and back#tbh the hardest part was drawing (redrawing) shizuo and izaya i am so painfully slow at drawing#the compositing and absolutely fuuuuucking up the quality of it was a long process but really fun for me actually#the most effort i've put into a marketing so far#we're not done yet though idk if i can do anything of this calibre again but who knows#oh btw thank you thank you anyone who tags my stuff it gives me much smile thank you
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corpsentry · 2 months
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at the asian american studies sponsored movie screening i run out of my seat to press a button for the presenter and you look away, not in shame, but in anger
go make your own movie.
One where you’re the star
and everything’s my fault
the way you want it to be. I know, it’s easy
to let someone else hold this grief
and sit in the bathtub,
all dressed up to go to the party.
Maybe in this movie it’s your party
and I the party crasher,
holding cymbals and a baseball bat, et cetera.
But we don’t stop getting older when we’re angry
and you’re only twenty,
can’t listen to lullabies at night,
can’t sleep without a blanket
over your head like you’re scared
of your own shadow. God, go
write your own movie.
You could do it,
you’re still
pretty. Angry? Me too.
The bathtub’s overflowing,
the bathroom’s flooding
with whatever you couldn’t say
to the poet with their palms glued shut
in a cheap simulacrum of prayer.
Didn’t you say you were tired? Angry? Me too.
Upset? Unhappy? Me too. Hungry? Lonely? Me too. Me too.
Standing barefoot in the grass
I remembered the month of bad weather.
How I parted the fog with broken hands each night,
looking for your voice.
Oh, I will not forgive you.
Not like this.
With your fingers splayed
against the brute February sky,
lips cracked open like windows,
waiting, like you always are, for me to say the first word.
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