#she knows how to do MUNDANE things!!

[teastainedprose]

Homelander learning how to drive

"Why are we doing this again?" Ashley hisses, panic in her eyes as she stares out the window.

"-because Ryan wants to learn to drive and he can't exactly learn from his dad if I can't fucking drive, Ashley." Homelander snarks back, grip tightening on the steering wheel hard enough to give an ominous crack. He huffs, a silent snarl threatening to curl his lips as he tries to focus on piloting the vehicle.

Ashley's attention snaps back to Homelander at the sound. She's free to do so now that he's no longer creeping the car in the slowest reverse out of the parking spot she's ever witnessed. It's a miracle he didn't hit anything. Despite the lack of other cars within this level of the parking garage, the tight spaces and pillars throughout worry Ashley.

"Yes but why me?" She whines.

That earns her a sharp look from Homelander, eyes narrowed and a warning tic in his cheek signalling that was the wrong thing to say. He doesn't speak, only glares. He also doesn't watch where he's going as the car creeps forward.

"-because I don't know how to drive!" Ashley rushes on in a panic.

Homelander blinks and promptly slams on the brakes, "What!?"

[artsycooky13]

top 3 fave bbys in the burrito show (bonus SUPER LONG tags on how i feel bout the characters)

[froschli96]

you know, i always find it really funny when dudebros complain about syndicate and odyssey being too "jokey" or not "taking its characters seriously" or whatever…

like, did y'all collectively sleep through "it's-a me, mario!", "i meant besides vaginas", ezio inventing the latte, bartolomeo's... just... *gestures vaguely* entire character, etc?

like, it's fine to have preferences of course, i myself prefer a more serious and grounded tone, but these are usually the same people who tout the ezio trilogy as "peak assassin's creed", call ac1 a glorified tech demo and hate on connor for being "too serious and boring", like? make it make sense!

[youngpettyqueen]

there is something very sad about Peg just wanting to tell BJ about her day to day life, the mundane things in the house that need to be fixed and the funny things that happen to her, all things he would've enjoyed hearing about or would've handled with her if he'd been there, and having absolutely no idea what effect these letters actually have on him

[slightlytoastedbagel]

thinks about Kohane Azusawa and photography (explodes)

[sylvies-kablooie]

where would you like sylvie to end up at the end of season 2 (if not with loki)?

in terms of predictions, i don’t have anything concrete, with or without loki. but where i want her to end up is somewhere safe where she can listen to her records in peace and live the life she has always deserved. i want her fate to resemble this image.

[tragedygf]

not me getting my romanian teacher to read my dark vanessa

[pebblezone]

this Tylenol ain’t shit w

[saxifactumterritum]

I can't really stop thinking about Jeeves putting on/taking off his drag in Bertie Wooster's room. sitting at his little fancy table with the mirror (I do know the word I've forgotten it).

[valeriehalla]

I am so utterly fascinated by “Saki”, the 18-year-running mahjong manga in which you, the reader, become gradually, frog-boilingly aware (over the course of nearly two decades’ worth of mahjong tournaments) that none of these girls are wearing underwear and most of their boobs are slowly expanding.

I need you to understand that I have, like, an anthropological level fascination with this comic. From the perspective of someone who is also a comic artist and writer, two things delight me about it:

the fact that I understand completely how an artist gets from “the fans can have a little hint of skirted asscheek” to “the pussy is completely out on center page” over the course of 18 years; and

the way in which the pussy being out is treated by the characters and diegesis as being utterly unremarkable.

Okay. Point 1. The frog-boiling.

Let me put this in perspective for you. There was already a meme about how the characters in “Saki” don’t wear underwear when I was in middle school. I am thirty now. Okay? And it’s still going.

In the time since, this has stopped being a joke. It is now indisputable canon. This is not because anyone outright says it at any point. It’s because the underwear ran out of places to hide. I’m obsessed with this thought: somewhere in the over 20 volumes of “Saki”, there is a panel in which underwear was objectively deconfirmed. And it would be so hard to figure out where that panel actually is. Maybe the artist didn’t even realize it when she drew it! The frog? Boiling!!

And of course there is also the breast expansion. I don’t know how to put a spin on this. They are just expanding. Like, this happens a lot with artists: you define a character as being, in your mind, “the one with the big boobs”, and over the years you emphasize that trait further and further so that the signal doesn’t get lost in the noise. It’s just that normally—in like a wildly popular manga series about mahjong published by literally Square Enix, for example—normally there would be a point at which the boobs stopped getting bigger. Like, an editor would step in or something. Or you would get to the point where you cannot draw the character in the same panel as her mahjong tiles without her breasts spilling over the tiles, and you’d go, “Well, this is now untenable.”

That did not happen. There is no ceiling. The frog is soup.

Point 2. The complete and utter mundanity of all of this.

It’s like this, okay: there’s no shortage of trashy ecchi manga out there. There’s a million other comics doing wildly bawdier things with wildly more improbable bishoujos.

The vibe with “Saki” is different.

It’s hard to explain this, but it feels like the world of the comic is fundamentally uninterested in the fanservice happening on the page. I cannot describe it as “leering”, because I cannot conceive of a person in the story from whose point of view one would leer. I think the artist is probably into it—I can’t imagine anyone is making her do this—but “Saki” the comic has no opinion on the matter.

There are essentially no male characters in “Saki”. Like, there was one guy? Kind of? At the very beginning? But he is gone now. They put him back in the toybox. He does not exist. It appears to be some level of canonical that in the world of “Saki”, almost all humans are women. Those women are sometimes romantically into each other. According to comments the artist has made on Twitter (which I cannot source), they have lesbian baby technology, so it’s no problem. It’s so much not a problem that the story is about mahjong, instead of any of that.

So, like, the fiction here appears to be this: this is the, like, meta-narrative of the fanservice of “Saki”, right: it’s just normal that they don’t wear underwear and their boobs are arbitrarily big. It’s been normal. It was normal before the story of the manga began. It’s just how things are. Nobody bats an eye about it, and if they do, it’s in sort of a lesbian kind of way so like what’s the problem, we love lesbians here. This is literally normal for girls.

The fanservice simply diffuses into this all-encompassing aura of disembodied, ambient sluttiness. The framing of the panels demands you acknowledge it, and the story demands you already be over it, because it’s mahjong time now, and we’re playing mahjong.

Do you get??? why I’m so fascinated??? Are you not a little enraptured???

Anyway, I have no idea how to end this weird post. I guess the conclusion is that women stay winning????

[iamthedukeofurl]

Scott Pilgrim is, I think, the best example I can think of for establishing a setting's Nonsense Limit. The setting's Nonsense Limit isn't quite "How high-fantasy is this". It's mostly a question of presentation, to what degree does the audience feel that they know the rules the world operates by, such that they are primed to accept a random new element being introduced. A setting with a Nonsense Limit of 0 is, like, an everyday story. Something larger than life, but theoretically taking place in our world, like your standard spy thriller action movie has a limit of 1. Some sort of hidden world urban fantasy with wizards and stuff operating in secret has a nonsense limit around 3 or 4. A Superhero setting, presenting an alternate version of our world, is a 5 or 6. High fantasy comes in around a 7 or so, "Oh yeah, Wizards exist and they can do crazy stuff" is pretty commonly accepted. Scott Pilgrim comes in at a 10. If you read the Scott Pilgrim book, it starts off looking like a purely mundane slice of life. The first hint at the fantastical is Ramona appearing repeatedly in Scott's Dreams, and then later showing up in real life. When we finally get an explanation, it's this:

Apparently Subspace Highways are a thing? And they go through people's heads? And Ramona treats this like it's obscure, but not secret knowledge. Ramona doesn't think she's doing anything weird here. At this point, it's not clear if Scott is accepting Ramona's explanation or not, things kind of move on as mundane as ever until their Date, when Ramona takes Scott through subspace, and he doesn't act like his world was just blown open or anything, although I guess that could have been a metaphor. there's a couple other moments, but everything with Ramona could be a metaphor, or Scott not recognizing what's going on. Maybe Ramona is uniquely fantastical in this otherwise normal world. And then, this happens

Suddenly, a fantastical element (A shitty local indie band finishing their set with a song that knocks out most of the audience) is introduced unrelated to Ramona, and undeniably literal. We see the crowd knocked out by Crash and The Boys. but the story doesn't linger on the implications of that, the whole point of that sequence is to raise the Nonsense Level, such that you accept it when This happens

Matthew Patel comes flying down onto the stage, Scott, who until this point is presented as a terrible person and a loser, but otherwise is extremely ordinary, proceeds to flawlessly block and counter him before doing a 64-hit air juggle combo. Scott's friends treat this like Scott is showing off a mildly interesting party trick, like being really good at darts. The establish that Scott is the "Best Fighter in the Province", not only are street-fighter battles a thing, Scott is Very Good at it, but they're so unimportant that being the best fighter in the province doesn't make Scott NOT a loser. So when Matthew Patel shows off his magic powers and then explodes into a pile of coins, we've established "Oh, this is how silly the setting gets". It's not about establishing the RULES of the setting so much as it is about establishing a lack of rules. Scott's skill at street-fighter battles doesn't translate to any sort of social prestige. Ramona can access Subspace Highways and she uses it to do a basic delivery job. It doesn't make sense and it's clear that it's not supposed to. So later on, when Todd Ingram starts throwing around telekinesis, and the explanation we're given is "He's a Vegan" , you're already so primed by the mixture of weirdness and mundanity that rather than trying to incorporate this new knowledge into any sort of coherent setting ruleset, you just go "Ah, yeah, Vegans".

[rose-tinted-nostalgia]

.

[bohemiandeer]

You know what hits me hard? When 5 to 6 year old children, all the way in Southeast Asia, knows about what's happening in Palestine right now. That children their age is getting bombed, that they're starving to death, that they're getting shot at, and sniped in the head. Because, just this past 2 or so months, I heard some of the little ones in the Kindergarten classes I'm TAing in as an Intern talk about it. Hell, one of the little boys downright said he didn't like Israel, because Israel is bad, because they do scary things. Another was questioning whether Palestine was bad too, because, "why else would they shooting at them?". A little girl in one of my classes doesn't want to finish her food at all, because she wants to save at least half her meat and rice for kids in Palestine, because she heard that, they don't have food. And that's just the ones I remember. Namely the inciting cases before their classmates slowly follow suit. The littles are fricking SCARED. We had to sit these kids down, and tell them that the topic is too mature for them at the moment, that they shouldn't even be concerned because they're KINDERGARTNERS, they're not even old enough to properly understand. The one teacher I was TAing for had to make a class announcement saying that. What gets me is, these are 5 to 6 year olds, the youngest I've worked with in this specific age group is 4. 5 years old on average, and they've already been exposed to the worst horrors genocide has to offer through the news and snippets of conversation among adults and hell, considering how many of them say they like to play games on Mama's phone, or their IPad, even from fricking social media. And the fact that, these literal babies, from all the way in Cambodia, has more empathy in their entire body and soul, than full grown fricking adults have in the nail of their pinky finger, gets me. FFS we as adults could LEARN from them I feel sometimes. I honestly don't know what to feel about it anymore. On the one hand, this is the next generation I'm working with. And if the next generation's default response to a tragedy such as Palestine, is what I've seen come up on occasion so far? Perhaps there's some bloody hope for this world after all. At least in this country. Especially since a majority of them already come from families who survived a genocide. These are the 3rd - 4th generation descendants of those who survived the Khmer Rouge. They've got grandparents at home, who no doubt are more than intimately familiar with what Palestine is going through right now. And it shows.

But on the other, it makes my heart sink because these are CHILDREN, these are LITTLE KIDS, they should be playing with their toys and watching cartoons and talking to their friends about everything from Spiderman to Speakerman to Kuromi and her friends, and be worried about whether or not they can go to playground that day, guranteed they're well behaved, or if Mama remembered to pack in their costume for swimming lessons that week. NOT JUST MY KIDS. But the little ones in Palestine too. They deserve better. They all deserve, so much better. Hell, it's come to the point that whenever I look at my kiddos right now, whether they'd be working in class, playing, doing something as mundane as eating lunch or getting ready for their nap. I think of the children their age in Palestine that didn't even get the chance to survive. I think of the ones whose memories from this age, is nothing but absolute horror and pain, rather than what has slowly become my normal, who never got to experience what my littles do on a daily basis right now.

Children shouldn't even be concerned about "War", about a Genocide. The last thing that should be on a 5 year old's mind, is pain, and suffering, and the worst horrors imaginable ever to be inflicted on a human being. ESPECIALLY WHEN IT'S INFLICTED, ON OTHER CHILDREN THEIR AGE. And for that alone, the world has failed them. Especially the kids in Palestine who didn't ask for any of this. They just wanted to carry on with life as kids do, the same way as my littles do on a daily basis no doubt, learning, playing, chatting with friends over their favourite cartoons and characters, worrying about whether they'd get to go to the playground or not that day.

I apologize for talking about this on this blog. I know my blog tends to be lighter in feel, a lot more unhinged and light hearted typically. I mean, I'm just a fricking nerd who likes to draw and write, and lurk about her favourite fandoms to consume and support what is shared among other nerds who also like to draw and write. But I couldn't stop thinking about it. About contemplating it, especially since I'll be back on a roll tomorrow, working with my kiddos again after not seeing them for 5 days straight because of Holidays. And, I just had to talk about it. This is something I felt I couldn't keep to myself this time, I don't think my soul'd be able to carry it. I had to talk about it.

FREE PALESTINE. Our children deserve better.

[cryptidghostgirl]

The Love (Alastor x Reader)

Pairing: Alastor x Reader

Description: Alastor is drunk and Charlie asks him if he has ever been in love.

Warnings: I don't think there are any but correct me if I'm wrong.

Word Count: 1,323

Master Lists:

Master Lists 

Hazbin Hotel Master List

A/N Y'all, I'm lowkey dying from the requests. I'm sorry for the last five or so taking so long, I just need a little break and mix in some of my own ideas if that is okay.

Alastor was drinking at the bar with Husk, Charlie, and Angel. The day had been a lot, seeing Mimzy was always a lot. Yes she was trouble, but Alastor loved her. He loved her for the same reason he was trying to drink himself stupid at the bar. He loved her because she reminded him of Y/n. Mimzy had been her friend first, after all.

He sat off to the side in his own little world while Angel and Charlie chatted and Husk obediently poured the drinks. Normally, Husk would have joined the pair in the mindless, mundane chatter but after the events of the day, Alastor's presence kept him silent.

"No way!" Charlie exclaimed.

She and Angel were talking about some TV show they both watched or another. A mind numbingly boring background noise but, Alastor wasn't complaining.

"Yes! They are one hundred percent perfect for each other." Angel replied animatedly.

"Literally how. Name one thing that shows they have good chemistry."

"Uh, they’re constantly at each other's throats? If that's not love, I don't know what is."

"Angel?"

"Yeah?"

"You don't know what love is."

Husk let out a short, sharp laugh as he topped off Angel's drink.

"Oh yeah? Well then, Princess, what do you think love is."

Charlie sighed, leaning her elbow on the counter as a dreamy look spread across her face.

"Love is... love is when you would do anything for the person. It's when they're your guiding star, your... your prayers answered."

"Uh, no? Love is when you want to literally kill the person but like, in a good way."

"Angel, what does that even mean." Charlie laughed.

"It means... it means there is passion. That spark everyone always talks about? It's violence."

"Hey Al!" Charlie suddenly called, leaning back in her seat to peer at Alastor behind Angel's back, "Who's right, me or Angel?"

Alastor looked up from his glass.

"I hate to say it, but neither of you are correct." he sighed in irritation at having been disturbed, "Love is neither a constant fight nor a blind devotion, though it contains aspects of both."

"Like you know anything about love, mister fancy talk creepy voice." Angel scoffed, turning to face Alastor as well now.

"Actually, I do."

Charlie's face lit up. She practically vibrated with anticipation.

"Alastor! You've been in love!?"

Normally, on a night like this, he'd be alone. He'd be careful to be alone, or at least have Husk as his only company. When he told Husk to shut up and pour, he listened. Other people, not so much.

"Yes."

Charlie had stars in her eyes. She inched closer to him.

"Are you gonna spill?" Angel asked after a moment.

"It was a long time ago."

Alastor took a long sip from his glass.

"Do you... do you not remember it?" Charlie asked, her excited smile slipping slightly at the notion

Maybe it was the drink. Maybe it was the long day, Lucifer, Mimzy, Husk. Those shark demons. Maybe it was just that secretly all along, he had wanted someone to talk to. He watched the liquor in his glass as he swirled it gently.

"It was a long time ago, but I still remember it." his smile softened as he spoke, "It's strange. I remember her laughter, her little quixotic tendencies. I remember the way her eyes would light up when she smiled and the way her perfume smelled. I know her favorite author, the way she took her coffee, the way she folded her clothes but, I can't seem to ever see her face anymore. I..."

He trailed off, taking a breath.

"You don't have to talk about it if you don't want to." Charlie quickly said, not wanting to make Alastor uncomfortable.

Alastor shook his head.

"I've spent years not talking about her. Maybe... maybe something else would be nice."

"So, how'd you guys meet?" Charlie immediately asked.

Alastor looked up at her and let out a light chuckle. He felt like he was human again for a moment. It was odd.

"I don't know if you know this about me, but I was a radio broadcaster back when I was alive. A rather famous one at that, in New Orleans at any rate. Her family ran a restaurant near the studio that I went to get lunch at from time to time. She worked there as a server."

"And she loved you?" Angel asked, "Like, you weren't just delusional?"

"I was quite the lady's man back in my day."

"Uh-huh." Angel doubtfully replied, "Sure."

"Oh hush, Angel." Charlie shoved the spider demon slightly, "Tell us more! What was she like? Did you ever get together or were you just friends? Gah! I wanna know everything!"

"She was..." Alastor's gaze fell back to his glass, "you remind me of her in a way. She was so idealistic, so driven. So... bubbly. She worked hard and she cared deeply. I don't know how I swung her, despite my charms. We were friends for about a year. The whole time, I was trying to work up the courage to ask her out but she ended up being the one to ask me. We got married when we were in our mid twenties. I only had a few years with her as my wife before I died."

Unbidden ideas darkened the edges of his mind. Y/n had always been so good, so sweet. Alastor had no idea if she had ever learned of his... escapades. He figured she must know, considering the manner in which he died but it was a horrifying thought. He was grateful when Charlie spoke again, pulling his mind back to the present.

"Thats so cute!" Charlie exclaimed, clapping her hands as she looked between Alastor and Angel, searching for similar excitement.

"Can we meet this alleged doll of yours?" Angel asked, "Cause I am really not believing any of this bullshit your spouting."

Charlie gasped, suddenly struck by inspiration.

"Do you think she would want to be redeemed?"

"Oh dear," Alastor shook his head, meeting Charlie's eyes, "she's not here."

"Then wh-"

"She's in heaven?" Angel exclaimed, "You married someone who ended up in heaven?"

"Either that or she's over a hundred years old and still on earth." Alastor weakly joked.

"I'm sorry."

Alastor shrugged, downing the rest of his drink.

"No!" Charlie insisted, "You'll... you'll never get to see her again! That's so sad!"

"And here I thought you were trying to get us redeemed." Angel scoffed.

Charlie turned to him.

"I'm trying to get you redeemed cause you're a guest. Alastor isn't a guest."

"Right you are, my dear."

"But you could do that." Charlie said turning back to Alastor, "Angel's right, if you were a guest you could be redeemed. You could see her again!"

Alastor smiled kindly at the excited demon. He patted her back.

"I'm afraid I don't think that's an option."

"But why not!" Charlie insisted, "Anyone can be redeemed, Alastor."

"That's not the issue, my dear." he sighed, "I did some things on earth that she would most certainly view as... unfavorable shall we say? Things she most certainly learned of after my death."

"You're not even gonna give it a shot?" Angel asked.

"Yeah, come on Alastor. Let us help you. You never know how it could turn out!"

"It's alright. I have the time we spent together, the memories. I don't want to taint that." he slowly, unconsciously, raised a hand to his chest, his palm over his heart, "The love is still there, thats what matters."

The quartet fell silent as Husk poured Alastor another drink. Alastor sighed, grabbing the glass and examining it carefully, but not taking a sip.

"What was her name?" Charlie asked, her voice small and her smile long gone.

"Y/n."

It had been years since he'd said it out loud. His tongue relished every syllable.

"Her name was Y/n."

[parfaitblogs]

hii, can I please ask a blurb of post prison spencer and shy reader? And sometimes he teases her but not out of malice? Like when she talks about something and doesn't look at anyone in the eyes to focus on what she's saying (that's what I do) and he moves his head in her sight so their eyes meet?

spencer reid x shy!reader. fluff/comfort. 0.6k words. post prison reid. use of "sweet girl". 

a/n: i wrote this in like ten minutes tops because there is something sooo special to me about comfort spencer. i literally loved writing this. i was giggling and kicking MY OWN feet. i'm all for angsty!doesn't know how to accept love after prison spencer, but i also need us to start the movement of fluffy!literally worships the ground you walk on after prison because you show him so much love and support he doesn't know what else to do spencer. i love him and you for this request thank u

spencer reid who likes to listen to you talk when he gets out of prison, because talking sometimes seems like too much for him. who will sit down with you on the couch that is so perfectly moulded for your two bodies, and let you talk your entire way through whatever movie he agreed to watch for you because you always talk better when your eyes are fixated on a screen.

spencer reid who will wordlessly nod along when you start talking about your day when you're in bed together, using your rambling as a distraction from the things that keep him awake at night. whose hands will probably be running through your hair while you talk animatedly with your hands, eyes staring up at the ceiling.

spencer reid who will go into the bathroom with you because "showering alone is so boring" and "i need someone to talk to!" who will then sit outside the shower and listen to you talk some more, a shower curtain separating your two bodies as you stare at the tiled wall in front of you, hands preoccupied with shampooing your hair. spencer reid who will sit with you in his lap in the study, arms around your waist. who will answer your questions about prison because you say them with such a softness he learns he cannot keep secrets from you. and there are stars in your eyes that tugs at his heart strings every time something he says upsets you. whether it be the things he did to survive or something as mundane as his daily routine that was so vastly different to your own. and because you never look at him, but when he talks you do, and he would do anything to keep your eyes fixated on him for longer.

spencer reid who will then ask you a question about your own time alone whilst he was in prison, watching as you avert your eyes almost instantly from him, staring at whatever you could pretend was interesting behind him. who’d entangle a hand in your hair as you speak, you not thinking anything of it until he is tugging on it to pull your hair back – so, so gently, because you had learned that even after prison, he treats you with the care one would treat chinaware. spencer reid who will raise an eyebrow when you stare at him silently in confusion, convincing you to keep speaking, only to slide his hand from your hair on the back of your head to your jaw, fingers tilting your head towards him because "you keep looking away from me, sweet girl. stop it."

spencer reid who will be so confused when you stammer out a response, losing all ability to speak because he's looking at you like that and his eyes are boring holes into your own, and your heart is fluttering and you're flustered and he realises why you never look at him. and he thinks it is so funny because "i've been your boyfriend for how many years?" and you protest that he must be an awful profiler if he's never noticed this before. and so he will poke your sides until you're a laughing mess, and then he will get all serious and hold your face in place and tell you to continue, rewarding you with a kiss on some part of your face every time you manage to get a sentence out, until the reward is so nice you're rambling like you usually do, but this time you're looking at him and he is so, so in love with you and he has to actively fight the urge to kiss you every half a second. and screw prison and screw trauma, because for a brief moment he decides it was all worth it to get you right here, right now.

your reblogs and replies are always appreciated dearly ♡

[abyssruler]

furina’s guide on the art of matchmaking

neuvillette x gn!reader

it’s no secret that furina is constantly bored of the mundanity that comes with court, but with the recent discovery of neuvillette’s crush on you, things have just gotten a lot more interesting. if only you and neuvillette would just get together, but alas, it comes down to the great hydro archon to bring justice to neuvillette’s sad, pathetic love life.

furina pov, comedy, furina being dramatic as hell

Furina knows the best way to get under Neuvillette’s skin is through you. The Iudex may seem impassive from the outside, but she knows where to look for his tells, particularly when he’s annoyed (she has, after all, been the recipient to silently judging stares, usually those of a disappointed or even irritated nature).

And she’s seen the way Neuvillette looks at you—his face softening, an almost imperceptible smile on his lips, and most damningly of all, the slightest hint of a blush whenever you stare into his eyes a little too long to be considered proper.

It’s all so entertaining to watch, if a bit miffing to endure seeing how utterly slow the two of you are. If Furina had been in Neuvillette’s shoes, she would have long since enacted a performance grander than anything Fontaine has ever seen and asked you out on a date. Not just any date though, no, she would have to pull an all-nighter to come up with the best date there is. One does not simply go on a date with the God of Justice and have it be mediocre.

But all that aside, with how boring Neuvillette is with his stricter than strict rules and views on how one must go about their day, it falls upon her to make sure he doesn’t die as a decrepit old bachelor who’s never felt the touch of another person intimately. (Not that Furina had any say on the topic of intimacy, seeing as she’s never had any experience in the romantic aspects of life, but experience means nothing compared to the wisdom of the God of Justice!)

So, after many nights spent huddled beneath her blankets, scribbling on her notebook and brainstorming the best way to get a rise out of Neuvillette, she happened upon a breakthrough. An idea so great it would not only be something worthy of the Steambird’s headlines, but also be something the people of Fonatine would speak of for years to come.

Yes, it all comes down to this very moment, standing over the highest place in the opera with hundreds of eyes watching her as she points an accusing finger at your figure standing on the very stage she’s set up.

Neuvillette watches it all with his eyes narrowed at her, hands clasped tightly around his cane, and Furina would have loved to relish in that reaction, but alas, she must continue with her script.

With a haughty smile, she meets your eyes as she yells out loud to her captivated audience.

“I charge you, (Y/N), with the crime of theft!”

The people below gasp in shock at the sudden accusation. Only natural, of course. You, an esteemed person of reputable background who most people view as a kind person, being charged with theft? How scandalous!

But that’s not all!

“You stand accused of thievery,” Furina pauses for a dramatic effect, feeling the spectators hold their breaths as they await her final verdict.

She then looks up at Neuvillette, and it takes all she has in her not to burst in hysterics at the comically pinched face he’s sporting. She moves her finger from you to Neuvillette, practically preening in place as the assembled crowd below let out varying expressions of shock.

And with a smug smile, she deals the final blow.

“For stealing the Chief Justice of Fontaine’s heart!”

One, two, three—

Screams erupt from below. Women squealing in delight while the men cheer at the sudden twist from accusation to romance.

Furina basks in the attention as the people sing praises of her.

“Of course, how could not I have seen it before?”

“Lady Furina is so sharp to have caught on!”

“Monsieur Neuvillette and (Y/N) do make a good pair, don’t they?”

“How ingenious! As expected of our Lady Furina!”

But then, Neuvillette stands, a stern look on his face as he taps his cane on the ground hard enough to rattle her eardrums.

“Order!”

His face could have been made from stone with how hard he’s looking at her. If looks could kill, she’d be dead on the spot. Yikes! Perhaps it’s time to make a swift escape…

“Lady Furina, might I remind you that charges and accusations are not to be made lightly within the court. To abuse your position in order to make a ridiculous statement. I…”

With every word that leaves his mouth, Furina slowly begins to feel that perhaps she’d been too hasty in thinking that all would turn out well. And oh, maybe she should have thought up of scenarios and what-to-dos after she finished performing her grand plan, but in her defense, she’d been too excited at the prospect of finally pushing you two together that it completely slipped her mind!

Is it too late to claim it was all an elaborate performance not meant to be taken seriously?

Neuvillette stares thunderously up at her.

She’ll take that as a no, then.

Just when all hope seemed to have been lost, a savior comes in the form of you raising your hand.

Neuvillette immediately stops speaking in favor of addressing you.

“Would the accused like to defend their innocence?”

You take a deep breath, gaze briefly flitting to Furina’s before meeting Neuvillette’s. And even without much prompt, from that single glance alone, she knew she was about to witness something extremely entertaining.

“I… I would like to press charges as well,” you say evenly, and for a second, Furina’s heart drops as she thinks you’re about to charge her for false accusations and perhaps even slander, (the first time in history that anyone has charged the God of Justice for a crime!) but then, you continue—

“I would like to press charges against you, Monsieur Neuvillette, for stealing my heart too.”

Your statement is followed by a stunned silence that only lasts for a brief moment, before it’s overcome by exclamations and whoops at the sudden turn of events.

Furina falls back on her seat and howls with laughter as she watches Neuvillette be struck speechless, red creeping up his cheeks as your statement echoes across the cavernous hall. She reminds herself to gift you something extravagant for saving her at the very last moment.

Ah, what a delightful way to end the show.

She watches you direct a besotted smile towards Neuvillette. Another day, another poor sod saved from the horrors of a nonexistent love life.

Furina mentally pats herself on the back for a job well done.