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#she's setting them
demigods-posts · 1 month
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headcanon that tyson thinks percy and annabeth are married. like, he's fully convinced that they're newly weds. and that they just decided to have a private wedding. then one day. percy invites tyson over for dinner with his parents and annabeth. and tyson casually refers to annabeth as percy's wife. and everyone just pauses. but before percy can correct him. annabeth just slyly confirms it and continues setting the table.
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sabertoothwalrus · 2 months
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UHMMMMM what if T4T labru
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Personally I think that Azula should have been redeemed simply so that she can become Zuko's horrible little advisor who whispers evil little plans to him so that he can do the exact opposite
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gumdefense · 7 months
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We have moved past Maya and Franziska wingmanning narumitsu as a society. They would not fucking do that. We need to realise the truth which is that Larry and Gumshoe would try to wingman them and only succeed through failure
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lolliepops-rox · 8 months
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This is my petition for people who create pins/stickers/other things with "she/they" & "he/they" to also include "she/he". I'm kind of sick of being excluded, and I'm sure there are plenty of others who feel the same.
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noxcheshire · 4 months
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I just think
It’d be really neat if Danny looked more like Martha Wayne than Thomas Wayne.
LIKE
I love the Danny Fenton looks like Thomas Wayne or Danny Fenton is Thomas Wayne reincarnated — but the BEAUTY of Martha??
Of Alfred interacting for under five minutes with Danny, dabbing his eyes and going, “That is indeed Martha,” I WANT IT. I want Martha who was spunky and sassy and wanted to do good for her town the same way Danny wants to do good for Amity Park.
I want Martha who loved to take Bruce and the family out to star gaze because her baby had never seen the stars before, and the way his eyes light up like a mini galaxy takes her breathe away the same way that Danny feels when he turns his head up to the sky yearning for something he knew loved but doesn’t know what.
I want Martha who would literally find trouble in a paper bag because she can’t help her curiosity the same way Danny can’t help tripping over his own ghostly tail and making a mess of things before he figures things out.
I want Martha who would fight men who thought they held power, going absolutely feral from stress the same way Danny does when he’s tired of not being able to do his homework or pick up a vacuum against the wall to clean because ghosts.
I want Martha who loved the pearl necklace that Bruce had picked out for her birthday, and Danny reaches towards his neck and startles when his fingers only touch skin when he is certain there was something supposed to be there. I want Danny whose eyes linger on whites and pearls when he passes by open window stores in the mall, fingers itching to flick a nail against the smooth surfaces.
I want Martha who died bleeding underneath the hand of a gun, hoping to everything above that her boy would be safe, and Danny whose body burns at merely looking at the makeshift guns his parents create in the lab, his heart pounding desperately with a yearning to save there was someone she wanted to save the ghosts.
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molsquinn · 1 year
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Monty's excitement when Vanessa said she'd golf with him was so freaking cute 😭
(Sorry this is a little late)
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Vanessa affect on all the Glamrocks,,
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shorthaltsjester · 11 months
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watching the sdcc panel and i am just very :) about how sweet their answers to “what are some of the micro moments from the game that have stuck with you the most over the years?” are. taliesin saying what the fuck is up with that which was the first like The Party Gets To Know Each Other moments of c3. travis saying asking his wife if he could kiss her in campaign. marisha going way back to the cannonball competition in campaign one. ashley choosing the beauyasha date but also just the silly goat noise matt made. liam adding onto that to compliment matt roleplaying grass so well and then saying his favourite moment was writing a story for laura and reading it to her as caleb for jester. and then matt saying that was his answer, and that his favourite moments of the game are when they find ways to give gifts to each other whether tangible or not. and sam saying his favourite moments have less to do with the story and is more so when he can just. see his friends across the table from him. when marisha perches and when laura and ashley are (badly) drawing dicks and liam saying he loves when sam sneezes and ashley tells him to stop it and just. yeah. they Are an extremely popular online powerhouse, but i’m so happy that they’re also friends building a world together out of gifts to and love for one another.
like i Am so enamoured with the characters and the world of exandria but the moments when you can feel the love that those people have for each other reach out from behind the stained glass of their performances (to steal a metaphor from brennan lee mulligan) are so extremely special and i am endlessly grateful that they decided to share their silly little home game with the world.
#it’s just the. laura and travis’ characters always being supportive of one another when they’re facing hardship#taliesin and marisha consistently making characters who challenge one another and still protect each other relentlessly#all of them being so fond of ashley’s characters always and literally seeing them light up in c1 episodes when ash got to join in person#sam and liam always making characters who offer one another reprieves into kindness that they don’t always get in the campaign setting#liam making orym after falling in love with keyleth as vax#marisha making laudna after matt’s storytelling with delilah and choosing vex as her body double#ashley using ‘i would like to rage’ and matt having kord ask her where she finds her strength#laura and matt always weaving these deeply complicated and emotional interactions between a daughter and a father#the gasps and yells and clapping when matt makes cool sound effects or reveals a map or breaks/ends on a cliff hanger#them ending both campaign 1 and 2 with ‘what a great/nice story’ and travis saying ‘let’s do it again!’#and it’s like. yes yes i love the comics and i’m a fan of tlovm but . seeing this well produced thing that somehow mimics#the feeling i get sitting in my living room laughing with my roommates about my ranger’s giant rat failing to climb stairs#it’s very special it’s very sweet#critical role#sdcc 2023#taliesin jaffe#travis willingham#marisha ray#ashley johnson#liam o’brien#matthew mercer#laura bailey#sam riegel#cr cast#critical role cast#my posts
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genderqueerpond · 2 months
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We don't talk enough about the fact that Amelia Pond, s5 Amelia Pond, before the timeline is reset, isn't just a normal orphan. Her parents didn't die, didn't abandon her, and didn't send her away. They never existed in the first place.
And if her parents never existed, then Amelia cannot exist. She is a causal impossibility.
"People fall out of the world sometimes, but they always leave traces." A photograph. A face carved into an apple. Yes. Sure.
A child.
Now that's too big, surely.
But that's what she is. She is exactly the same as these things. A trace. An echo of something that could never be, never was, never could have been.
And the universe should never allow it. A whole person, that's just too much. She could not have continued to exist indefinitely, in normal circumstances, after her parents never existed.
In normal circumstances.
Because the Doctor didn't just save her from things coming out of the crack in her wall. He saved her from going into it. And he didn't just save her from the threat of going into it simply because of its vicinity.
No, by arriving when he did, he interrupted a process that was probably already in motion. And then by arriving again only moments later on a cosmic relative timestream (too quickly for the process to complete) and yet in the local relative timestream, years later --- years of a potential future caught midway through the process of rewriting -- he solidified that existence. Amy is a creature from another timeline, caught in amber. The Doctor prevented her from never existing, but only after she could already never exist.
And so, no one around Amelia thinks about it. Neither does she. There's some kind of consciousness block, because if you thought about it, really thought about it, for two seconds you'd realize she cannot exist. And the human mind can't deal with that. So, to protect itself, everyone's brain simply slides off it before ever noticing. They just assume that her existence makes sense, and don't question it, and don't notice what they don't question, that is staring them in the face.
But of course, to some extent they do notice. They can't think it, but they notice subconsciously that there's something they can't think. They notice there's something wrong with her, something uncanny. And they don't like it, and they alienate her even more because of it.
"Does it ever bother you Pond that your life existence doesn't make any sense?"
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Beg You to Love Me
"I'm surprised you even remembered, Harrington," Eddie shrugs, hoping he comes off as aloof as he wants to, instead of shaky and unsure like he feels. He was sitting atop the picnic table, arms behind him trying to look as unaffected by Steve's presence as he can, but he's been thrown for a loop ever since Steve emerged from the woods instead of Robin Buckley, like he was expecting.
"Of course, I remember. I- I've never forgotten," Steve whispers, head down and fists clenched at his sides. He looks more like a child being wrongfully scolded than a man defending himself.
The words pull a scoff from Eddie, though. Never forgotten? What the fuck ever. "Right. Something to hold over me, then, if I'd stepped too far out of line? Mutually assured destruction?"
Steve's head snaps up and he looks horrified, which Eddie will admit to almost believing. Steve doesn't seem like the type to join the drama club but his acting's pretty fucking good. "What? No! I would have never- I would never have said anything about us to anyone."
"Right. Sure. Of course. Your own reputation to think about there."
Something like hurt flashes across Steve's face before it frosts over. This is the face he's used to see on Steve. Cold and distant. "I- whatever, man. I don't even know why I thought..." but Steve doesn't finish his sentence. He just shakes his head and turns his back on Eddie, heading back the way he came.
He doesn't know why that sparks a rage from deep within him. "Yeah, that's right. Tuck tail and runaway again!"
"I ran away?" Steve shouts back, turning sharply on his heel to glare at Eddie. "You think that I ran away?"
Eddie just spreads his hands to the empty clearing as if to say 'look at all this room around me you've never occupied'. "You weren't here, were you?"
"Because you told me to not be!" Steve stomps back to Eddie but stops a couple yards away.
"Like fuck I did," Eddie argues back, because he didn't tell Steve to go away. He'd told him-
"'If this isn't good enough for you, there's the fucking door.' That's what you told me," Steve quotes, "I thought it was pretty fucking clear what you wanted."
"Yeah, I fucking thought it was clear what I wanted," Eddie snarls, lunging from the picnic table, closing those last few feet to get into Steve's face. "Yet here we are!"
"Don't act like this is my fucking fault. Like you weren't the one who forced it to be my fault. My decision-"
"Yeah, it had to be your damn decision! You were dragging it out-"
"-because you were too much of a coward to do it your-fucking-self-"
"-acting like you were. Acting too good to actually slum it with the trailer trash-"
"-so of course I made the choice that was best for me. Because I deserved more-"
"-like what I had to offer you would never be good enough for the goddman King-"
"-than just being your hookup when I wanted to be-"
"-like I wasn't good enough to be your friend, much less-"
"-your fucking boyfriend!"
"-your fucking boyfriend!"
The contrast of this sudden silence that falls following their screaming match that ends with identical sentiments is jarring. Eddie feels wrong-footed and lost. Confusion and hurt mixing in him that he can see reflected on Steve's face.
"What?" Steve is the first to break the silence, drawing into himself. Arms crossing to hold himself at the elbows as he takes several steps back, as if to be able to see all of Eddie will clear the confusion he's feeling.
Eddie just stares back, slack jawed for a moment. That's. What. No, wait. Really, what? "What what?"
"You- you said 'if this isn't good enough for you, there's the fucking door'. How was I- I thought you- you were breaking up with me!" Steve cries, "you. You said that to make me pick, because you knew I wanted more and you didn't. That's- you were breaking up with me!"
Eddie's in just as much disbelief. "No, you broke up with me! I said if this isn't good enough but, like, I meant if I wasn't good enough. And you left! You walked out because I wasn't good enough to be with you!"
Steve looks stricken and he claws harder at himself, sort of folds into himself like he's going to be sick. "No. No no no, that's- then that means I- it's all been my fault. No no no no."
Eddie stares wide-eyed and frozen as Steve talks to himself. Eddie kind of feels nauseous. There's no way that this is possible. That these last two and a half years of heartbreak have been because of miscommunication. That they both thought the other was breaking up with them and neither actually wanted to.
"Why didn't you- Why didn't you say something?" Eddie asks.
Steve laughs at that, sounding a bit hysteric. "Me!? Why didn't you! I wasn't- I wasn't going to beg you to love me like I had with my parents. You were the one who told me I shouldn't have to do that!"
Yeah. He had. When Steve had broken down and cried on his bed, in his arms, wondering what it was he had done to lose his parents' love. Eddie told him it wasn't his fault, never would be, and that he would never need to beg for love from someone who does love him. It was the same advice Wayne had given him when he'd taken Eddie in.
"I already thought you were wanting to break up. You were being so distant, I thought..."
Steve sucks in a deep breath and nods, "Yeah. Yeah I was. I was scared of scaring you away. Of being too much. Because I- what I felt for you was a lot. I was afraid I'd chase you away if I continued to be so clingy. I pulled back, to reign it in but. Fuck. Fuck!"
Eddie drops to a squat. His legs feel like jelly and he can't keep standing. He squats and looks down so his hair becomes a curtain separating him from the reality of the situation, if only for a moment. Fuck is right.
He's spent his junior and first senior year being pissed at Steve. Hurt by him and what he thought happened. And it's- if Steve's being honest, it's all been for nothing. If they both wanted a deeper relationship, they could have had it. They might still be boyfriends if Eddie hadn't been so wrapped up in his Munson Doctrine. He'd been convincing himself Steve was embarrassed of him, and was working on breaking off their- whatever they were. But he hadn't been.
He's thought such terrible things about Steve over the years. God, what has Steve thought of him over the years? No. He doesn't want to know, actually. That's not what he cares about right now.
He lifts his head to see that Steve's plopped himself onto the ground, sitting cross legged, elbows on his knees and head in his hands.
"Steve. Steve!" He calls Steve's name out until he looks up, looks at him, "why'd you come out here?"
He laughs again, slightly less hysterically, and he's shaking his head like he can't believe what he's about to say. "I. Fuck, I was coming out here to beg you to love me."
"No you fucking weren't!" his tone is filled with disbelief.
"I was," Steve repeats, sounding amused and heartbroken at the same time. "I really, really was. Graduation's coming and I know you want to get out of Hawkins the second that happens and I'm. I was running out of time trying to get you to notice me again, so I was going to beg."
Notice him again? As if Steve doesn't haunt his every waking thought. As if he doesn't dream of Steve every night while his eyes seek him across the halls and in their few shared classes like he's the goddamn night sky and Eddie is a sailor lost at sea needing the north star to guide him home. Eddie's never not noticed him, and he thinks he has to come out here and beg? "When someone loves you, you don't have to beg."
"Yeah, I know," Steve sighs, defeated, which lets Eddie know that Steve does not, in fact, know. He looks away from Eddie, down to his lap.
Fuck, it's like every fantasy Eddie's had of them making up and then making out has been handed to him on a silver platter and he's blowing it. His words are too vague, too easily misinterpreted. Again. He falls forward on to his knees, hands catching him so he's on all fours like an animal. "Steve. I mean it. You don't have to beg."
"I get it, Eddie," Steve huffs, not looking at him. Not actually understanding.
Eddie starts to crawl the distance between them. Steve looks up then, probably to see what the fuck Eddie was doing with the shuffling sounds and the chain on his belt clacking. Eddie watches Steve's eyes go wide, mouth dropping open to a small 'o'. "See, the thing is, Steve," Eddie says, pulling himself up to be just on his knees to shuffle the last few inches closer. Steve leans back to keep his eyes on Eddie's face, which opens his lap up. "You said you know, but I don't think you do." Eddie brings his hands to rest on Steve's shoulders and Steve lets him. "You don't have to beg." He uses his hold on Steve's shoulders to balance himself as he swings a leg wide, to straddle Steve, then shifts his weight to repeat the process with his other leg before settling himself into Steve's lap. Steve's hands land on his hips and Eddie isn't sure if it's intentional or a reaction to Eddie plopping himself in his laps but he's going to believe it's the first one. "You've never had to beg with me."
Steve sucks in a sharp breath and then he collapses into Eddie. Steve's hands on his hips slide up and pull him into a hug, as close to Steve's body as he can get, while Steve shoves his head under Eddie's chin, into the junction of his neck and shoulder and breaths him in like it's the last breath Steve will ever take. "We're so stupid."
"Yeah," Eddie agrees, as he lifts one hand to hold the back of Steve's head while the other drops to rub soothingly at his back. "Yeah, we are."
They sit in the dirt, the closest they've been since that summer between '81 and '82. They should probably talk about. They're going to have to, if they want this to work. Full sentences with no hidden meanings, even though the thought of that kind of vulnerability makes Eddie skittish. It's going to be difficult, but it'll be worth it. Steve has always been worth it.
Eddie wants to say 'I love you', just to get it out, in the open, and not just implied, but there's a different first step to take. One that's actually a little easier. "I'm sorry. I'm so sorry."
"Me too," Steve whispers, "I'm sorry. I should have-"
"Shut up," Eddie cuts him off, voice quiet and soft as he can be. "This is, and I cannot stress it enough, a we situation."
The huff of laughter on his skin from Steve feels like the start of something. A new beginning, a start over. A re-do.
A goddamn miracle.
Later, they'll drag themselves apart and up. Make it to the back of Eddie's van in the school parking lot to talk. Going to either's house feel too much, too soon. Their big fight happened at Eddie's home, and Steve's house isn't warm enough for the kind of comfort they want to share.
They'll have a talk. Filled with long pauses, stumbling over words and fears and insecurities because this is the hard part of a relationship. Getting it all out in the open so they can learn if they'll even work. The fear that they aren't going to be compatible anymore looms but doesn't deter. They both want a second chance, to give it a real shot, by the end of that first talk. But taking it slow.
They'll discuss what went wrong the first time (diving in without talking about anything certainly played a big part) and how to avoid that.
But that's later. Right now, Eddie just holds Steve, and Steve holds him back, and it certainly feels like the beginning of something good.
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@i-less-than-three-you @nburkhardt @afewproblems
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team7-headquarter · 7 months
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HE WAS SO MAD
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saturnniidae · 1 month
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bigfatbreak · 1 year
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Birds of a Feather previous / next
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howlonomy · 4 months
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Yes hello, Really enjoying the Monster Clover AU stuff so far but now a question burns in my noggin... What were Ceroba's and Martlet's first impressions/responses/reactions to when they saw Clovers new look?
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[ martlet ] - [ starlo ] - [ ceroba ]
for prosperity’s sake this takes place;
-3 years after clover died
-6 months after the barrier was broken/the amalgamates were returned to their families
-a couple days after clover was revived
-kanako and clover are about 12-13!
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mynabirb · 3 months
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SHANTI ALT VOCALS OMG
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