When Steve and Eddie start dating Wayne pulls Steve aside and is like “I know this sounds odd but you’re gonna have to take him on walks every once in a while.”
And Steve is just like “?? Sir? He is not a dog?”
Wayne gives him a slightly haunted look, muttering “sometimes I wonder,” under his breath before clearing his throat and telling Steve to just trust him on this one.
Steve thinks this is probably something Wayne had to do when Eddie was a child to get him out of the house but the man is a full-grown adult now, Steve is not gonna walk him.
He kind of forgets about it until one day. Eddie’s been staying at Steve’s for the week and he gets home from work only to find the kitchen absolutely wrecked. He finds Eddie in another room standing in a pile of books. He very slowly approaches him, putting his hands out and making his voice soft and as carefully as he can being like, “Hey, babe, what’s up?”
Eddie whips around, eyes big and wild, rambling almost too fast for Steve to understand. “I needed to make a cake but I didn’t have a recipe so I improvised and that did not work so I went to find a recipe and did you know there are like fifty-year-old medical books here? There are so many descriptions of gross stuff in them.” He waves one of Steve’s granddads old books around and Steve has to lean back to not get smacked by it.
“Yeah… my granddad was a doctor,” he says all while eyeing him warily.
His hair is frizzier than usual and he’s about to turn around to grab more books and Steve does not know what this is or what to do? Should he do something? That’s when he remembers what Wayne said about walks and the way he had looked, a bit stressed and disbelieving. It’s about how Steve is feeling right now so he might as well try, right?
So he grabs Eddie, pulling him along towards the door, making up the first excuse he can think of. “Speaking of my granddad, he built a tree-house for me in the woods behind the house, let’s go look.”
He walks into the woods at the wrong opening, leading them kind of far in before turning around to wander and pretending to look. He finally steers them back to where the tree-house actually is, all in its tiny rotten glory, and right at the edge of the lawn.
“Guess it was closer than I remember,” he says with a shrug as if dragging Eddie around for twenty minutes insisting it was further in is in any way a believable mistake.
Eddie gives him a look like he’s acting insane, which, okay fair but Eddie did start it. And anyways he looks better now, judgmental as all hell but better.
“Cool,” He eventually says then stomps back inside.
Eddie spends the rest of the day making fun of Steve for getting lost in the woods where he grew up but he’s not climbing the walls anymore so Steve counts it as a win.
After that he brings Eddie on regular walks, tells him it’s because he doesn’t do sports anymore and needs to move, doesn’t always feel like running and it’s boring going alone. Eddie accepts it easily but also says it’s so weird because Wayne will also drag him along on walks, and, like, what about him attracts these people who need to go on walks all the time and can’t do it alone?
Steve and Wayne have a pact to never tell Eddie, they do not even want to imagine how that would go because Eddie is a drama queen at heart and their system is working (until years later when Steve and Eddie live together hours away and Steve goes on a trip with Robin, he comes back to Eddie on his way to turn their living room into a greenhouse)
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Fun fact: In the original pitch for Stranger Things, El had a little brother.
After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.
This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.
But the thing about this moment, is that it might not have been scrapped entirely...
Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.
Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.
But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.
One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.
The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.
Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.
Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.
Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.
What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.
While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.
Which means she has likely seen him within the last 24 hours regardless.
This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.
Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.
Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.
Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.
We know Will is not younger than El, so how could this apply to him?
Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…
Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.
It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.
And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.
If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.
This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.
I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.
And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?
I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.
The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!
And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.
While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.
Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.
On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.
And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.
Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.
This leads to several moments where El is being compared to as not only a boy, but Will as well.
Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.
And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.
The changes don't stop there.
Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.
Another thing that changed from the first script, was Scott Clarke's introduction:
And so you might be thinking, who cares? What does that have to do with anything?
Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:
Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?
Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...
I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.
And the changes go on, as they obviously would.
Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.
And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...
If you've made it this far, congratulations.
If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘
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it’s the sound that tips him off.
it’s late, half-past hell by his last count, and mactavish knows there shouldn’t be a single soul in the showers this time of night. though he’s sure if he asked, he’d be told a soul isn’t in there.
just a ghost.
he almost chokes on the thick steam filling the locker room; humid and hazy and the perfect cover. or it would be, if the man collapsed in the far stall cared about hiding.
mactavish hates himself a little for the low sigh that falls from his lips. he wishes he wasn't so disappointed; that the promises he's heard over and over and watched be broken as many times hadn't wedged their way into his heart and convinced him that maybe, maybe this could be the time it sticks.
he doesn't know what's worse; the disappointment or the lack of surprise.
he holds his breath through the steam and leans over the limp body; stinging hot water hitting his back, instantly soaking through his clothes and already starting to burn. he flicks the tap enough to take the bulk of the heat out and straightens; a groan startling out of the man beneath him at the sudden lash of tepid water.
mactavish crouches, knees clicking and hooks a hand under his bicep to pull him up straight against the wall. if there was any vomit on his skin, it's been washed away by the pelting stream and he supposes he can count himself lucky for that. he tilts his limp head back and slips his fingers into his mouth; holding down his tongue and ignores the way it lazily jolts under his fingers to check his airway.
clear.
another small victory.
mactavish pulls his fingers out and cups his chin, keeping him tilted up and moves in the way of the water again so he can pull at his eyelid.
the eye he's met with is cloudy, so dilated there's hardly a ring of blue left.
he sighs again; hand falling away and letting his eye fall shut. "god damnit, riley."
riley moans, all his weight resting on the hand holding his jaw.
"aye, 'm talking ‘bout you," he grunts tiredly.
he lets riley's head fall forward to grab his arm, pulling him away from the wall to sit behind him; propping his body up against his chest. he leans his head back over his shoulder, keeping his face out of the water and his airway open just in case he hasn't actually finished throwing up.
he takes the rag riley'd half-managed to soap up and mechanically runs it over him; cataloguing new bruises and cuts and checking if the old ones are healing. sickly yellow fingerprints ring his hips, red splotches paint his ribs; too new to have settled into the deep purple he knows they’ll become.
riley slowly makes more noise as he rubs life into his body; still lying limp against his front but his head's starting to roll restlessly on his shoulder. he swipes between his legs and carefully doesn't think a single thing about what he finds.
"sean?" he rasps and mactavish's hand stills; eyes falling shut. he bites his check, hand clenching around the rag tight enough to shake and breathes hard out his nose.
he doesn't say a word, just forces himself to go back to cleaning.
he's not sure what would come out of his mouth if he did.
riley isn't conscious enough to hear him anyway.
he runs his fingers over his inner elbows for tracks and manages to muster some relief when he doesn't find any. seems to be a pill and booze night; far from the worst condition he's found him in.
he rinses him off, running a curtesy hand over his shaved head only for it to fall back to his jaw; his thumb stroking over the thick scar carved into his cheek.
"you gotta stop doin' this," he whispers.
he isn’t sure if he’s talking to riley or himself.
mactavish gathers up riley's too-light body into his arms and turns off the shower. his head lolls into his throat and he throws a towel over his dripping body and another over his shoulder. it doesn't stop him from tracking water all the way to his quarters but he'd like to see someone try to put in a complaint about it.
he lays out the other towel on the bed and sets riley down; moving his body into the recovery position in an all-too familiar routine. he dries him enough that he won't soak the covers as he pulls them up to his chest and kicks the waste bin within grabbing distance of the bed.
he goes to pull off his sodden clothes when a different noise makes him freeze.
a low sniffle.
mactavish slowly turns back to the bed to find riley's eyes squinting open; glazed with tears as he kneads at the covers.
he stares at him for a moment as he looks around the room and those hazy eyes lock on him for the first time. "cap'n?"
he swallows. "aye; s'just me, riley."
his hand pokes out from under the covers and for all the promises he's made himself - all the “never again”s and “this is the last time”s - at the end of the day, he's weak.
he sits on the side of the bed and takes riley's hand in his; already so cold after nearly boiling himself alive.
"y' mad a' me?" he sniffs.
mactavish runs his tongue over his lip and slowly shakes his head. "no, i'm not mad at you."
"prom'se?" he pushes.
he reaches out and caresses his temple with his thumb. his hand almost covers his head and it cuts like a knife to remember just how small riley is. "aye," he says, hushed. "i promise."
riley's eyes fall shut, voicelessly murmuring 'promise’ to himself over and over.
"I’ll ge’ bett'r," he slurs and between one breath and the next, he's out.
mactavish sighs, running his hand in a final pass over his head and stares at a face that looks so much younger in sleep; bruised and sallow skin hidden in the shadows. "i know you will."
he presses a slow kiss to his forehead, shutting his eyes against the grief that wells in his heart and gets up to pull a chair over to the bed; settling in for another long night's vigil of watching his broken lieutenant sleep, ready to tilt him over if he throws up, eyes locked on the slow rise and fall of his chest fearing tonight may finally be the time it stops.
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