#snake cloud

[autumnsageexe]

HAPPY NEW YEAR!!!! 🔥🔥🔥🗣🗣🗣

[nma-nekro]

few warm-ups i made recently ♥️

[splookiee]

i had so many thoughts about what they would look like as mermaids and none of those are represented in this drawing

[loquatsloquatsloquats]

Another Addition To The Headcanons:

This Time With The Legendaries!

Also, As Usual; If You'd Like Any Of These Elaborated On Feel Free To Request It Either Via Reboggle, Comment, Or Ask-Box! I'd Be Happy To Ramble! ^v^

[imminent-danger-came]

The Devil and the Lovers

Stills Under the Cut!

[greenswing]

Guys with simple plots

[2023-yaoi-off]

Yaoi-Off 2025-2: Elegy of a Broken World

[odvunir]

commission for @cyberneticlagomorph !

[gaymer-hag-stan]

Of course Lara Croft is more iconic than Mario, Sonic, Link and the rest, you can cry about it all you want in the replies on Twitter but it's the truth.

She's the most successful woman to ever hit video games.

She jump-started the action adventure genre.

She revolutionised 3D gaming.

She inspired tons of imitations and her likeness (dual pistols, long braid, blue tank top + brown pants combo) continues to be applied to various degrees in female characters to this day.

She has stayed relevant across decades.

She was the very first and only video game character to become a pop culture icon and be treated as a celebrity in the 90s, appearing in magazine covers, advertisements for Séat, Lucozade, Visa etc., touring with U2 and having her own publicist.

She has won multiple Guinness awards.

She has been portrayed by two Oscar-winning actresses.

Her games have been extremely successful, both critically and commercially, and she has outlived her main and only competitor, Nathan Drake.

Lara Croft IS video games. It's just facts

[ethernalium]

me trying to hug a fictional character I like:

[illusioneery]

happy new year! 🍊🐍❤️🐥🍊

[quiltofstars]

The Snake Nebula, Barnard 72 // Michael Stecker

[maysrinn]

DUCKIE PARADE ✨🪿

Onto the pond with the whole family!

After Orphie Rose was ready to go the whole little Goosey family finally made their way onto the pond with Coriolanus duck leading his little army to glory. He’s such a proud duckie daddy and will fight anyone who dares to mock his bebes. Especially Orphie Rose, dad will go nuts if anyone or anything happens to him which a lot of ducks will learn especially Billy Taupe & Grandma’am.

Orphie Rosie can’t keep up with his older siblings, he’s to smool to keep up with his little legs, gets distracted and unintentionally left behind as nobody notices so he gets a special ride on mommas back. One time he wandered off and fell asleep under a flower trying to show his momma. His parents searched all day for him thinking he got snatched up by a hawk or fox until Tigris found and brought him back. After that they never left him out of sight even for a minute again XD

—————

From left to right

Orphie Rose

Xanthos Olive

Cedar Fern

Rosalyn Aureolin

Aubree & Audrey

Clementine Auburn

Janus Crimson

[thingsdavidlikes]

Sunrise Alpenglow Snake River Overlook Grand Teton National Park Snowcapped Tetons Mountains Wispy Clouds Fine Art Landscape Nature Photography Jackson Wyoming Winter Snow! Fuji GFX100s Medium Format Fine Art Landscapes 45EPIC Elliot McGucken by 45SURF Hero's Odyssey Mythology Landscapes & Godde

[heartnosekid]

halloween earrings 🎃🦇 by thekawaiisweetshop on ig

[thelaithlyworm]

Daomu Biji Watcher’s Guide, May 2024

A few new entries have been popping up lately, and I’m always hopeful new fans will stumble into the pits and never leave so I thought I’d paste up a rough map.

(Obviously the best watching order, like the best reading order of Discworld or the Aubrey-Maturin books, is ‘whatever first comes to your hand’ but for the people who don’t like that…)

tl;dr:

Daomu Biji is a series about tomb raiding. Think Indiana Jones or Lara Croft but much, much longer. The protagonist Wu Xie is deeply in love with BFF1 Zhang Qiling, a hundred-year-old cryptid, and BFF2 Wang Pangzi, who was stolen in a raid from another book series. It’s comic, tragic, horrific, zany, prone to musings on life, love, desire, attachment, and has many, many piss jokes. (‘Journey to the West but modern’ is maybe the other comparison I’d make.)

Notes:

– This guide is not talking about “quality”. All of the adaptations have their own strengths and weaknesses and tone can vary a great deal, which is to say, if one of them doesn’t suit you it’s likely something else will.

– Wacky endings, and plot threads that disappear unfinished and get picked up a long time later, are as inherent to the franchise as the piss jokes.

– It’s common for the dramas to introduce characters and subplots a lot earlier than the books do. Sometimes we’ll see a character introduced ‘for the first time’ on multiple occasions and strangely familiar scenes. I’ll try to point out the biggest continuity clashes as I go.

The Soft Entry:

There are a few movies that are entertaining as standalones but will introduce various characters and background. I would recommend:

Escape from the Monstrous Snake + Mystery/Grave of the Abyss – two monster movies featuring Hei Xiazi, a supporting character. He’s a pragmatical mercenary who’s going blind in kind of a weird way, and goofy as hell when he isn’t tiptoeing over a vast abyss of existential dread. So many fun action scenes.

Time Raiders (2015) – so there are some textual clues that late in his career Wu Xie wrote this story as a memory-jogger for an amnesiac friend. The plot is a freewheeling wild ride which doesn’t directly match any book plot but introduces some major characters and how they relate to each other. It’s colourful and fast-moving. Enjoy, enjoy.

Conjuring Curse and Misty Creed are… theoretically set late in the series even if the actors look about twelve. Both work as stand-alone adventures, though Misty Creed is maybe a little deep in the lore. Again, colourful and fast-moving.

The Chronological Order

You could honestly start with most of these – they tend to come with a ‘what has gone before’ at the start or a newbie character that things get explained to. The only one I wouldn’t start with is Heavenly Palace in the Clouds, which is lovely but also the second half of a set and things won’t make sense if you haven’t seen Lost Tomb 2 first.

Lost Tomb 1 – a highly digestible 10-12 episode version of the Seven Star Lu Palace arc, ie. Baby’s First Adventure. Introduces A-Ning, Xie Yuchen, and Huo Xiuxiu early and a couple of og characters for Wu Xie to talk to instead of monologuing to himself. The restaurant scene at the end was raided from a later arc and you’ll see it again in Ultimate Note. A book character, Da Kui, was cut which is a small problem because how he died is a minor plot point discussed in Lost Tomb 2. 

Lost Tomb 2 – covers Raging Sea, Hidden Sands (underwater tomb) and Qinling God-Tree (weird bronze tree in the mountains) plus a whole lotta side stories and original content exploring the world and foreshadowing later plots. Mooostly in continuity with Lost Tomb 1 (see Da Kui above) and made as a set with Heavenly Palace in the Clouds – they share resources and a lot of actors, and some threads begun here are finished in Heavenly Palace.

Heavenly Palace in the Clouds – covers the Mt Changbai arc, a journey up a mountain to find a very old, very grand tomb. This was made so close to Lost Tomb 2 that LT2 borrows shots from Heavenly Palace and not the other way around, which is fascinating because it pointedly contradicts the last five episodes of LT2. It also brings forward some plotlines originally from the Tamutuo and Zhang Family Old Pavilion arcs (San-shu’s past in the underwater tomb, and the Huo Family videotapes) dragging some characters on-screen and forcing them to talk about their feelings, which they would clearly rather die than do. Given those plot-tweaks and the early, deliberate continuity clash, I’m tempted to call this a Canon Parallel Universe. Got some interestingly chewy character dynamics and luverly, luverly set design.

Mystic Nine – This is a prequel about Zhang Qishan – Fo-ye – and his peers, but later dramas expect us to know who Fo-ye was so I’m sticking it here. Kinda… picaresque? Lots of action scenes and Republican-era flavour and various factions jostling for power – kinda feels like an old-school wuxia story, only set in the 1930s with all that glorious Republican-era styling. Has some unfortunate cut scenes – the details of how Fo-ye recovered at his family’s house don’t make a lot of sense in the aired version, and there are a couple of missing fights in the penultimate episode. Shrug. Still a lot of fun. Comes with four side movies about supporting characters.

Ultimate Note – Covers the Tamutuo arc (a trip through the jungle) and two-thirds of the Zhang Family Old Pavilion arc (investigating Zhang Qiling’s past is like kicking a hornet’s nest). Very, very flirty and has some zippy-zip action choreography. Politely ignores Lost Tomb 1–Heavenly Palace continuity (Xie Yuchen is, once more, introduced for the first time, now with a romantically coded friendship arc) and brings in a lot of cameos from Mystic Nine and Sand Sea, which it was filmed after. Kinda tiptoes around parts of the book plot, which I suspect would be hard for anyone to film, re: Fo-ye’s actions in the 1960s. Fair warning, this ends on a cliffhanger. This is also where the Xinyue Restaurant scene appears again – two cakes!

Tibetan Sea Flower – If Tibetan Sea Flower ever airs, it will go here.

Sand Sea – Based on the Sand Sea novel. After Tibetan Sea Flower, Wu Xie goes into a bit of a decline and makes that the world’s problem. We the audience, plus Li Cu and Liang Wan, EDIT: a lovely doctor, are pretty much dropped in media res into a number of ancient conspiracies and complicated plots coming to a head in the manner of a boil. It’s weird; it’s messy; it’s mad fun. Like Mystic Nine, has a lot of factions jostling for power and colourful jianghu characters. We will, once more, see the Xinyue Restaurant scene. Also has some side movies.

Time Raiders – The textual hints that suggest Wu Xie wrote this, suggest he wrote it around Sand Sea-era, when his life was a bit complicated. I’m putting it after Sand Sea because I believe it caps a conversation that, ah, doesn’t quite make it into the drama. But notionally this is where it should go. Ah…. at one point, someone tells a story about an ancient ruler, King Mu of Zhou, who sought immortality from the Queen of the West in Tamutuo. The longer book conversation suggests that a) King Mu of Zhou engineered a “trap” for someone like Wu Xie to fall into in the future, and b) that Iron Mask Scholar, a villain from Lost Tomb 1, was an alias that King Mu of Zhou used in the Warring States Era. Which makes some of Iron Mask Scholar’s appearances in Time Raiders… interesting.

Reunion: Sound of Providence – sometimes known as Reboot. Having peaked in badassery in Sand Sea, Wu Xie has to consider what his life is going to be now, and also, he would like to track down a missing family member. So this was tweaked to make it more accessible to new viewers (so some parts of the back-story are not mentioned or conflated for simplicity) and that mostly works but I did find watching this first and then picking up the earlier dramas a bit of a mindscrew. Zhu Yilong is, however, a powerful draw and the rest of the cast sparkles. Probably best to think of Season 1 as two short seasons jammed together, which is to say, once the Warehouse 11 arc starts there are a number of characters who won’t reappear until Season 2. It’s a fun arc even so. Season 2 ends with a badass action scene and then a big party, which I think is a great way to end a story.

Escape from the Monstrous Snake, Mystery/Grave of the Abyss, Conjuring Curse, Misty Creed – these are all theoretically set around or after Reboot-era, though they can certainly be watched as stand-alones.