Thenamesh Doctor AU is amazing! My request:
There was a pretty bad accident, let’s say a bus crashed, and 8 patient coming to Thenas ER. But Thenas ER is pretty short staffed so after the 4th patient Gil volunteers to help her out and they both work amazingly together! Let’s say a bit of action with fluff in the end:)
"A bus has crashed off the main highway, luckily with no casualties, although eight critically injured are on their way to seek care."
Thena turns away from the news on the tv and to Ajak, who is already picking up the phone. "Get all the beds clear, if we can discharge someone, do it. Get Sprite down here in case we need Pediatric help, and tell Ikaris that we might need his help with any bone setting. I may not have the hands to spare."
"Thena, we're still down two nurses and both the residents assigned here are tied up on other cases."
"Then we make do with who's here," Thena offers factually as she readies herself for the oncoming flood. "How far out are they?"
"Gil reported in, they're three minutes out!"
She sees him already, rushing in with interns and nurses at the sides of the stretcher. "What have we got?"
"Four head traumas, quite a few glass lesions, two shoulder resets and a driver with one hell of a chest cavity impact," Gil lists off for her concisely and in order of patient and severity, just how she likes it.
"Head traumas first, get them into scans, we need to know what we're dealing with before we even think about moving them around too much!" Thena directs as the first few stretchers pull off. The next one comes up and she can already see a very long shard of glass in an arm, probably a little too close to some very important veins. "Gil, help me up!"
He doesn't hesitate, grasping her by the waist and lifting her cleanly up and over to straddle the patient. "We got the bleeding cleaned up at the scene but that thing's in deep."
"We'll have to remove it surgically," Thena shakes her head, grasping the base of the glass shard and snapping off the extending length of it. "Get that shard somewhere out of the way and page the necessary surgeons for a trauma--Gil!"
All nurses and young doctors accompanying the patient startle as Thena leaps off the stretcher and into Gil's arms again, as if this is Cirque du Soleil and not an Emergency Room.
The stretchers pull off and Gil sets Thena on her feet gently (as if she didn't leap from a stretcher at full speed like a maniac). She looks up at him with a frown, "that was the last run of your shift. You should go."
"Hey," he shakes his head, giving her that smile of his that would make anyone in an emergency situation feel at ease. "You see this place? I'm not goin' anywhere."
Thena gives him a look as they separate, heading in tandem towards the patients stable enough to be parked. "This is not in agreement with your union rules."
Gil shrugs, jogging lightly alongside her to their chest impact. "A little overtime never kill anyone. And what kind of ass hole would I be if I let you and Ajak handle this place alone?"
Thena has the seconds to spare to give Gil's hand a squeeze before she pulls on a pair of gloves. "Let's take a look."
"Doc...I can't...b-brea-"
"Okay, it's okay," Thena says quietly, using the low tone of her velvety voice to try and lull him into some sense of security. She looks at Gil, who doesn't even have to be looking at her to rattle off the patient's vitals while pulling his shoes off.
"Good colour, no loss of blood flow," Gil informs from the end of the bed.
"I think it's a floating rib stuck into his lung," she murmurs to Gil as she finishes her most preliminary examination. She moves back to the head, pulling up the eyelids and doing a quick pupillary test. "Sir, does it hurt to breathe?"
He nods.
Thena feels along his clavicle, "that's intact. Sir, have you suffered any injuries to your ribs before, like a fracture or a break?"
He nods again. as emphatically as he can manage.
"Let's get him get him something for the pain," she gives Gil's bicep a nudge and he reaches for an oxygen mask to help get some air into him easier. "I want an x-ray before we make any rash decisions. It could just be agitating the lung or it could be on the verge of piercing it. Ikaris will know."
"Got it," Gil responds so she knows he's heard her, continuing his work on the patient just as he would in the field. There is indeed some bruising around his side, but no signs of broken blood vessels or deeper tissue damage.
"Thank you," she whispers to him before heading back to the nurses station. Ajak is filling out paperwork like the wind to have all their patient files at the ready as the ball gets rolling. "How are we doing?"
"I think we're just about ready," Ajak mutters as she licks her finger, flicking through physical papers while someone else updates the files digitally. "Most of the stitching is being done by the kids, but the largest one may need your help. It's a pretty wide gash from the artifact getting moved around in transport."
"Okay," Thena nods, accepting the chart from her on said case. She looks at Ajak, "Gil is with our chest trauma now. I want to get him put under after we do his x-rays to reset a rib that's affecting his breathing."
"Gil?" Ajak pauses in her frenzy to look up at her attending friend, "shouldn't he be off by now?"
"He should be, but he insisted on staying until we get our heads above water with this bus situation."
Ajak stays quiet, observing the smile on Thena's face on the subject of the sweet paramedic. She should have known; Gil would never willingly step away from Thena if he thought she needed help. "I'm not the one paying him--if he wants to stay and help, he can stay and help."
"That's what I said," Thena laughs faintly, just in the very narrow moment she has to share with her most trusted nurse. "Come notify me with any results?"
Ajak merely gives Thena - already trotting off to her lesion repair - a thumbs up as she calls yet another department to send down a specialist as soon as they're available.
No one is surprised to see Gil around in the ER, helping out as needed long into the night. He's been on for more than his fair 12 hours by now, but he stays, and stays, making sure people have the assistance they need.
Those who aren't familiar with the situation only have nerve enough to ask Ajak why he's stuck around so long (they would never dare ask Thena).
Ajak tells them that it's what Thena's work husband does--he stays and supports his work wife. Then she tells them to stop standing around and gossiping when they have patients to see.
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this might not be canon, but personally i need furina to struggle a whole lot longer and harder with post-prophecy depression and mental illness. She's played the same tiring and painful act for five centuries, was constantly in a life or death scenario and had to hide her true self from the world the entire time and she won't just recover in a few years from that.
There's parts of her that will never ever be compatible with a simple human lifestyle, and parts of her that are irreparably broken. She isn't sure of her personality after everything that happened and the lie she had to live. She slips between personas and her archon temperament comes through like a defensive mechanism at any sign of conflict or trouble.
She's plagued by nightmares. Of the flood, of the trial, of the people closest to her conspiring against her behind her back, and of being found out in a million terrible ways. Of saying the wrong thing, making a wrong decision. Of being found out, of being found out, of being found out.
Lying or keeping a secret feels existential still. Being honest still feels life threatening sometimes. Putting herself first feels like putting both hands on a hot stove.
She doesn't live in the palais anymore, doesn't have to sit through trials anymore, but her heart and soul are still there. In her dreams she's still at the place she spent her entire life's memories at.
Yes, she can make new memories, but it'll take time. More time than she has, maybe, now that she's the closest to being human she'll ever be.
She'll never be human in the way the people around her are.
What sort of human has 500 years worth of memories after all? What human tells personal anecdotes and mixes up their centuries?
What sort of human can feel the absence of their divinity like it's a physical thing? A voice that will never speak to her again, or keep her alive? What human has no family, no childhood?
What human remembers so little, but still remembers death somewhere deep within?
She jerks out of sleep from it sometimes, gasping for air, and spends the rest of the night awake, almost frozen by fear. The flood is over, but it's hard to convince her racing heart that the danger is too.
Humans have entire family trees that go generations back, but Furina was put into this world a solitary creature, her blood heavy with sin ever since she turned human.
She owns a hydro vision now and doesn't know how to yield it, but the ocean still calls out to her some days. Sea creatures flock to her like they can smell she's not human enough.
She learns how to make little hydro companions for herself, so the darkness and emptiness of her apartment feels less ominous when she lies awake at night.
She can't turn her vision into a weapon quite yet, but when it rains the droplets seem to cling to her. She's watched them roll upwards along her arm, watched them gather in her palm like kin. She wonders if sea creatures flock to neuvillette in a similar way, or if his immense power makes them recoil. She wonders if elemental dragons can feel regret. Wonders if he, too, ever feels entirely foreign in that human body he was given. If he, too, lies awake trying to grasp faint memories of a past life.
She's extremely human in the way she's plagued by body pains from not being able to relax just one day in five centuries. The years catch up with her once she gets out of survival mode, and fatigue is a constant companion now. Sleep comes difficultly and getting out of bed was easier when the fate of a whole nation depended on it. On her. She's never lived for just herself before and some days she's not sure she wants to.
She did her duty and earned her retirement and the story turned out well, all things considered. She still has people by her side, some of them.
Still, she feels raw and tired and overwhelmed by the life lying ahead of her. As a human and as someone who will always be Something Else.
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nimona thoughts! still my top movie of the year so far!!
been thinking about how to frame my thoughts on this gem, and I ultimately arrived at a bit of a pretentious jumping-off point. but honestly, my favorite stories are always the ones that end up demoting the whats, the hows, and sometimes even the whos in service of the whys. it's the hardest question and context to tackle in any story, and it's worth interrogating the most in order to find any true meaning, any connection at all to what's told.
nimona shows exactly why walling yourself away from the "others" isn't good enough. it shows why you have to do the work and see them.
not just that it is dogmatically "the right thing to do". not just depicting what certain systemic injustices are, how they are deployed, and who they are targeted at. but the why. that simplest, purest shape of questioning an injustice dating back to your gentlest time as a child, when you were vulnerable, naive, and truly curious in the best possible faith. the question you would always ask was why.
you are picking up a sword to threaten the unknown. you've been told the whos and whats. you parse it thus. but you don't know the why. you are watching this happen on TV, contextualized, simplified, dramatized. you are connecting the dots. understanding the why.
nimona painstakingly drills down on that why. arduously, achingly digging past the institutions of fear fed by cycles of indoctrination and right down to the core of it. packaged in a simple-to-parse fantasy world built with deft, elegant metaphors and archetypes that immediately fall into place and make sense to a person of any age.
it is animation as a medium and fantasy as a genre both working in concert. a fun and colorful romp that ends on a gentle embrace of reassurance that tells children - both literal and the ones buried deep inside adults - that their first question to the world was always the correct one. because it was the kindest.
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