Taylor Swift fan dies after feeling unwell during concert in Rio
Ana Clara Benevides, 23, fainted and was taken to a hospital near Engenhão, but did not survive
Ana Clara Benevides, 23, died on Friday (17th) night after feeling unwell during the concert of singer Taylor Swift, who debuted her tour in Brazil at the Nilton Santos stadium in Rio de Janeiro, with an audience of over 60,000 people.
The information was confirmed to Folha by Estela Benevides, Benevides' cousin, who received the news over the phone from the doctor who tried to resuscitate her. The young woman is originally from Pedro Gomes, Mato Grosso do Sul, but she grew up in Sonora, within the same state. She was sent to the Salgado Filho Municipal Hospital after fainting and being attended to at the stadium. The cause of death was cardiac arrest.
Benevides was at the front row and ended up fainting on the spot. According to nurse Thiago Fernandes, 22, a friend of Benevides, she was resuscitated at the stadium for about 40 minutes. On the way to the hospital, she had a second cardiac arrest.
Benevides arrived around 8 p.m., was attended to, but did not survive, dying shortly after at the hospital near Engenhão, in Méier, in the northern zone of the capital of Rio de Janeiro.
The heat index at the venue reached 60ºC and unofficially, firefighters counted a thousand faintings during the event. Fans complained on social media about the prohibition of bringing water bottles into the stadium, considering the intense heat.
Continue reading.
If I may add: the venue closed its vents. During a gods-damned heat wave.
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Nene’s Role in Wonderlands x Showtime
The release of The Miniature Garden’s Coral seems to have confirmed some things I’ve recently speculated might transpire in future Wonderlands x Showtime events-- namely regarding Nene and how she may actually be the most important member of the troupe-- so, let’s talk about them! I’ll be using zui’s lyrics video for my translations, so hopefully they’re accurate.
With the past couple of WxS events in mind, it’s easy to see that this 3DMV is also about endings. While the MV begins in a sunny blue afternoon light...
...the characters and set eventually bask in a beautiful sunset orange, signaling the end of the day. The lyrics even mention being “between the end of the blue sky and the beginning of the night sky,” further emphasizing that we’re in the middle of the story. When the sky is blue, the troupe expresses uncertainty: Rui mentions that he feels lost, and Tsukasa, scared. But eventually, Nene admits that, in this beginning period, she was “spoiled by the sound of the waves,” AKA that the commotion surrounding WxS’s formation led to a troupe that became a source of comfort for all of them.
Once the sun sets, there are a lot of “even ifs.” Nene sings about how she’ll continue to sing this song, even if things are starting to look unsteady and she’s not sure if she should proceed. However, by the end of the song, she resolves to "still sing this song” while keeping up a smile.
I think that the fact that Nene says she will sing this song is incredibly important, because, as established, this song is about endings. Meanwhile, back in Mr. Showtime, Tsukasa firmly didn’t want WxS to end, and was holding out until closing time. Rui’s What Sort of Ending Are You Wishing For? and Emu’s Starry Sky Orchestra seemingly both acknowledge an ending as well, but it’s not at all easy. Rui seems to fall into a resigned depression at the thought, keeping a whimsical facade up when the very thought of separating kills him inside. The thought haunts him, MV riddled with hourglasses that he can’t get out of his head. Emu can only tolerate taking the first step towards a breakup with tooth-rottingly sugarcoated promises of eternal togetherness and literally holding hands as they go (I love her btw this is not Emu slander). She never even says the word “end,” only “tomorrow.”
Rui, Emu, and Tsukasa are basically Denialx3. Rui tries to deny his emotions regarding disbanding, Emu tries to deny that the ending is coming at all, and Tsukasa tries to deny that there’s nothing he can do to keep them from inevitably drifting apart. And that’s where Nene comes in again.
Rui’s dream is to perform technically complex shows that will resonate with an audience. He can do that from Phoenix Wonderland. Emu’s dream is to keep the Wonder Stage up and operating forever. She has to do that from Phoenix Wonderland. Tsukasa’s dream is to become the number one world star and make everyone smile. While this would likely take him away from the park, in another story, I could see it being possible that, in the end, Tsukasa decides that making the people in his local community happy is more important than trying to change the entire world. Thus, he could also follow his dream from Phoenix Wonderland, even if it’s not ideal.
But then there’s Nene. Her dream is, and always has been, to perform in Broadway musicals. Broadway is a live performance in New York City. There is no possible way for Nene to get what she wants while staying in Phoenix Wonderland. And that is possibly why Wonderlands x Showtime’s ending is the easiest for her to process.
Now, I’m not trying to say that Nene doesn’t love her friends. She adores them. Her three previous commissions have proven that. It’s the amount of love she has for them that will propel her to make what is actually the best choice for their dreams. Nene is the little mermaid, both when swimming freely the oceans with a beautiful, unstoppable song, and when enduring pain herself to stand with and for the ones she loves. Her friends, in this situation... are coral.
Remember that coral, “blurred” and uncertain in the water and “stained orange by the setting sun”? The miniature garden is Phoenix Wonderland; the coral is Emu, Rui, and Tsukasa; and that coral is stained orange by its desperation to keep rereading the final chapter instead of closing the book for now and putting it away to revisit in the future. Coral, while a beautiful living organism, is also completely static.
Static like stone statues which, at least by my interpretation, is what the rest of WxS turns into at the end of the 3DMV. The three of them (and Kaito) are paralyzed with the fear of the suffering an ending would bring. Only Nene is alive and human to be the one to show the group the benefits it can bring as well.
There are a lot of aspects of this song and Nene’s entire personality that lead me to believe that she will be the one to bring about change in WxS. First, she most often “has the braincell,” so to speak. I don’t think it’s a coincidence that she performs this song with Kaito, the most mature of the WxS vocaloids, either. During April Fool’s 2023, she was put into the Solid Heart class. One might think that troupe leader Tsukasa should be the Solid Heart, and that shy Nene should be the Cautious Heart, but they (accurately) sorted it the other way.
Nene is a very strong-willed person. In other stories, it might be seen as a negative that Nene is always the most hesitant one to get into shenanigans, or that she would even dare to be the one to suggest a WxS split in the first place. What an ungrateful wet blanket Nene is, willing to throw away her friends for the sake of her own selfish dream. But in this story, staying at Phoenix Wonderland isn’t really what will make Rui or Tsukasa happy, and even Emu may have to graduate to focusing on the entire company instead of just one stage someday.
Nene’s friends brought her out of the darkness and into the light of day, and she is so grateful for that. She knows how amazing they are, which is how she knows that they can make more friends and continue to do even more amazing things in the future if they can bear to leave their high school part-time jobs behind and enter the real world, just like her.
So, Nene’s role is to be Wonderlands x Showtime’s guiding light. She’ll tell Rui what sort of ending she’s wishing for, and then console him when he can’t repress his tears. She’ll be the one to hold Emu’s hand while they take that next step into tomorrow. Her three best friends helped her to grow from the loner who operated a robot from the theme park bushes, and she’ll help them step out of that theme park and be who they truly want to be.
There is one other thing I wanted to mention, though...
Tsukasa.
As I mentioned previously, while all three of Rui, Emu, and Tsukasa are in denial, Tsukasa is the most actively in opposition to an ending. He’s also the troupe leader, and the sole creator of the Wonderland Sekai. If someone is going to actively try to stop Nene from suggesting separation, it’s definitely going to at least start with him. But as Nene has already stated in The Miniature Garden’s Coral, despite any opposition that makes her question whether or not she should proceed, she already plans to continue singing her beliefs about a bittersweet yet timely goodbye.
And, their conflict is something that’s basically been foreshadowed from the beginning too, right? Nene has always roasted Tsukasa, giving a counterpoint to his blindingly bright worldview. In upcoming chapters, however, I believe that may start to transform from simple fun banter into a genuine conflict with clear sides drawn...
And THAT’S why ColoPale gave them Childish War.
Nenekasa nation get ready, ‘cause I don’t think this is the last Nene and Tsukasa fight we’re going to see.
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i was having a chuckle to myself last night about Gristol, and how his plans are basically:
Restore Ford Cruller's memory
Find Maligula
???
Profit
but then... of course they are, right? this is Gristol we're talking about. Fatherland Follies drives home again and again that he's still operating on a child's logic, a warped and reductive version of the world that he never bothered to grow out of. both of his memory vaults center on the images of his childhood, this idealized version of the past that he clings to no matter what. and that's still how he remembers Maligula, too - as this saviour figure, who rushes in to help him when he's in trouble.
[ID: Two slides from Gristol's memory vault, Glory to Grulovia! Left: Gristol clings to Maligula's back as she summons waves to sweep away his assailants. Right: Gristol and Maligula waving from a balcony as the people cheer. Gzar Theodore brandishes a dagger in the background.]
like so much else, Maligula represents a return to this idyllic childhood - to the peace and simplicity of his youth, when he was free from worries and responsibilities. in his mind, he doesn't need to make any further plans - once Maligula's back, everything will go back to normal. Maligula will make everything better.
...is what i thought, but then i remembered this line:
[Screenshot source. ID: Gristol, in Truman's body, bows on his hands and knees in front of the newly-awaked Maligula. The caption reads: "Yes, High Priestess! I am here to correct the mistakes made by my father!"]
and that's kind of interesting, right?
to be clear: this happens directly after Maligula sees Helmut-in-Gristol's-body, and recognises him. her line before this is:
"Little Gzesaravich! Have you come to pay for your father's sins?"
my first thought was that Gristol hadn't expected to still be in Truman's body by the time he managed to find Maligula, and this was him trying to placate her and buy some time until he could explain the situation. but watching the cutscene back, that's clearly not what's happening here. Gristol is answering as himself, and his response of throwing himself to his knees before her is, as far as i can tell, genuine.
so what is going on here?
in Fatherland Follies, there's this line in the ride narration that stuck out to me:
"Why didn't the Gzar help Maligula in her time of need? No one knows, but historians agree - it is Gzar Theodore's biggest failure."
other lines mention Gzar Theodore's "mistake", and it's wording Gristol himself echoes in the screencap above. evidently, he believes that his father abandoned Maligula, leaving her to her fate at the hands of the Psychonauts, and it was that mistake that lead to them being driven out of the country - that mistake which he seeks to correct. maybe he even feels like he has a debt to repay to her for his family turning their backs on her all those years ago.
the 'High Priestess' thing, though - that's kinda weird, and threw me for a loop the first time i played the game. it took me until my second playthrough to connect the dots, and remember how the room in the Lady Luctopus - Gristol's room - was full of Delugionist scribblings and symbols.
[Screenshot source. ID: left, the walls of the hidden backroom in Gristol's hotel suite, covered in scrawlings of eyeballs and Maligula's name. Right, the pinboard from the hidden backroom. On its surface are photographs and newspaper clippings connected by pieces of string.]
i mean, look at this stuff! he had a whole conspiracy board and everything!
we learn very little about the Delugionists and their beliefs as a whole during the game, but i think drawing the connection here suggests two important things. one: that Gristol was in deep with this stuff. i don't know how he linked up with them - maybe via old family connections, or just good old-fashioned digging (we know he's skilled at worming his way into peoples' good graces, after all) - but it seems likely that he's begun to internalise their ideas, maybe even warping his own memories of events. and two: the Delugionists themselves are, if you'll pardon the pun, pretty far off the deep end.
like... i understand why PN2 didn't go heavy on the "mass-murderer cult worship" aspect of things, in the end, but man this is such a tantalising glimpse into the wider mythos around Maligula. Gristol is proud and haughty and thinks himself above everyone else; the fact that his first reaction seeing Maligula is to throw himself to the ground at her feet says so much about the way he's come to see her. he's not just trying to bring back Maligula, his childhood bodyguard. he's trying to bring back Maligula, the High Priestess of the deluge, the semi-mythical figure whose supporters believe even death couldn't stop. he doesn't even flinch at the way she confronts him, and maybe it's because he's bought in so completely to this deified figurehead, this idea of Maligula; more a living force of nature than a person. and it all comes back to the same place: an abdication of responsibility, not just to the person who protected him when he was little but to this avatar of floods and destruction. Maligula will make everything better.
i'd write more about my thoughts on the Delugionists but that'd be taking a hard turn into speculation, and this is already kind of long and rambling so i'd better end it here. but what an unexpected and evocative line, right? it's some of the only stuff we have to go off of regarding the Delugionists as a whole, but i think it does such a good job of hinting at the wider story - at teasing another layer to the mythos surrounding Maligula, one whose ripples we see throughout the game but which never quite breaches the surface.
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First of all, I just want to say. I called it lol
Finally an sskk face off since the sacrifice. I am going insane. I can’t articulate all my thoughts rn but something about the way Atsushi aimed a kick at Akutagawa that he fully expected the guy to block (because they know each other’s usual fighting styles!!!) only for it to connect and hurt him; Atsushi begging Akutagawa to recognize him because even if he still can’t consciously admit it, Atsushi has become convinced that Akutagawa wouldn’t be attacking him like this if he knew it was him; pleading for him to snap out of it and demanding to know why he saved him aghhhhh I’m going feral we know the reason Atsushi we know whyyyyy
I can’t believe it actually. We are at the point where sskk do not want to genuinely hurt each other. Atsushi attacked only out of self defence and was taken aback by actually breaking his wrist. Akutagawa refused to kill Atsushi in the Fukuchi fight and Atsushi is now convinced he’d stop attacking if he recognized him. Holy shit. Oh my god.
And Sigma badass moment! My boy, he pulled through! Either him or Chuuya had to break the stalemate; hell yeah, validation. Wasn’t there a meme someone made? “Prison arc -> prison arc if Sigma still had a gun”? Well Sigma’s got a gun and things are picking up babyyyy! His retort to Fyodor was quite possibly the funniest thing he could’ve said in response. Just completely shut him down. Using what he’s learned running the empty home Fyodor previously tried to buy his trust with. Beautiful. ADA Sigma real??? (I think the story will have to acknowledge his very public involvement with Taneda’s shooting and the acts of terrorism the Hunting Dogs now know he is responsible for… so I’m not sure how that will go but I’d like to see him end up with the Agency tbh… so long as it makes sense.)
Things I did not expect:
Mysterious note left in Russian??? It could be Mykola I suppose but… why? What happened? If he’s actually in trouble I doubt he’d need help escaping. Is it a trap? But what for? Alternatively… could it be Pushkin? He was in Meursault initially right? We never found out what his connection was. It could be a new Russian author too! Intriguing! There’s also the matter of it being written in Russian in the first place - who is it meant for? Sigma specifically? Or is it meant for someone else who speaks Russian?
Dazai is actually injured! I was certain he had something ready to get out on his own but I like this much better. Tbh I know this sounds bad but I’m actually way more invested now that Dazai has a broken leg and Fyodor was just shot. There’s higher stakes, you know? Damn though. I think Dazai’s injuries are. Worse. He’s being terribly self-sacrificial, and is apparently going to face off against Chuuya next time we see him. I do think now the stakes would be too low if Chuuya was completely free of the brainwashing tbh… I’m hoping for a double “I know you’re in there” fight between skk and sskk. Not that Dazai can do much physically but his strength has always been with words anyways, and I am certain Chuuya’s already fighting back. And I know Atsushi will reach Akutagawa. Manifesting sskk reunion where they challenge Fukuchi again and win this time via the power of unbreakable trust (delusional).
Sigma asks Fyodor “WHAT are you?” Which is interesting, and I’m hoping will acknowledge the way Fyodor doesn’t seem to age… but also intriguing is the “getting closer” part on the side which implies he’s not quite right. I think Fyodor will still turn out to be human tbh (it’d be weird otherwise, thematically), but now I’m starting to lend a little more weight to that theory about a Fyodor double…
Well anyways. This was a lot. I’m going to helplessly whir about it for a bit now.
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