#so satisfying honestly

[actiaslunaris]

Extremely effective.

[uncanny-tranny]

Amatonormativity has destroyed so many people's understanding and acceptance of themselves, and it's heartbreaking.

Yes, it is normal to be in your 20s, 30s, or older and not have lost your virginity, had a first kiss, or a partner. It is normal to say that you aren't ready for those things, too! It is normal if your life doesn't follow the "college graduate -> engagement -> buying a home -> 2.5 kids and a dog" trajectory that so many people have idealized.

So many people associate maturity with losing your virginity, or having a first kiss, or a serious relationship, and I think that's a dangerous association. Maturity isn't gained through those things, and you don't have to have those experiences to be considered "mature" or "grown." It is not a bad thing to go at your pace. Nobody else can live your life but you. If you end up having those experiences, that's great! But it should be done because you want to experience them, not because you feel "broken" and "immature" without them.

[biipbop]

When your dad is your biggest anti

[dykecadence]

the anime just cannot capture kabru without going into his internal monologues. my man is lying through his teeth constantly. smiling at laios while thinking "wow this place is a freak show i dont respect literally any of you people". hes playing 4d chess at an empty table

[shahrwrites]

Call me delulu for this one, but the parallel occurred to me whilst studying for an upcoming test and now it’s all I can think about so of course I had to post it.

The two times Dick went berserk over what had been done to Jason and I’m all here for it.

The panel on the left is when Joker kidnapped Tim and made the mistake of mentioning Jason’s name. That famous moment that Dick *killed* Joker.

The panel on the right is Gotham War when Dick finds out Bruce kidnapped Jason and psychologically manipulated him.

Funny thing is, both times Tim stopped him, and the one he was a little late for. Makes me wonder how far Dick would have gone if Tim hadn’t been there to stop him beating Bruce.

[Im gonna put a little headcanon in the following, so beware.]

The parallel kinda occurred to me because I was imagining a scenario actually. Post Gotham war where Dick’s taking Jason away from Gotham and all it’s crazyness. So they’re in the car and Dick’s driving, looking out at the roadside and the sun’s beating down on lush green grass and he’s reminiscing about a forgotten memory buried deep in the treasure trove of his most cherished memories of a time long bygone. A memory of himself and Jason picnicking out near the manor grounds one day with Alfred and Bruce. And they were playing some game of chase or another that ended up in a bit of rough housing and lighthearted bickering and hearty laughter and—It turned out to be such a good day. A rare memory.

And what if they stopped on the way to picnic on the roadside, for old time’s sake? Because they’ve got a blanket in the back and they’ve already packed food for the road and basically they’ve got everything they’d need, and wouldn’t it be such a shame if they let that opportunity to go to waste?

So here they were now, stomachs full and lying on their backs, staring at a partly cloudy sky, playing a childish game of pointing out the shapes of passing clouds to each other. It’s a little stupid, and because it’s stupid they start arguing over pointless stupid details. A harmless argument that—ironically enough—develops into a round of rough housing, again. And maybe for just a moment they’d both allowed themselves to forget what they’re running away from. But a frown flashes over Jason’s expression for the barest of seconds and Dick just—stops.

They’ve ended up with Jason on his back and Dick over and above him, and Dick can’t help but caress his hair, touch the side of his face, checking his expression and body responses to make sure that Jason’s alright.

And Jason’s fine—Dick stop fussing, it was just a moment!

So Dick’s hand just drops and he’s moving away, not looking at Jason, not able to meet his eyes.

He’s holding himself in that way he does when his thoughts are chipping away at his soul, a sight that’s become recognizable to Jason over the years. “What happened?”

Nothing but the usual, he wants to say. Once again something terrible happened to you and I wasn’t there to stop it. To protect you. But I made sure to take out the simmering rage running through my vains out on the man responsible with my fists. Because that’s what I can do. Twice you needed me, and twice I wasn’t there. But I made sure they paid for it, right? I made sure of it.

[vuelode-irbis]

No anchor

[ID: digitally drawn fanart of Kipo and the Age of Wonderbeasts. It recreates the scene in which Kipo finds out who her mother is and transforms into the mega-jaguar, along with Nael's poem, "The tiger" modified verses in-between the drawings. The first scene is a close-up of Kipo's eyes, she looks worried and tears are forming in her eyes, text below reads "The jaguar". The second image shows the mega-monkey, Kipo's mother, surrounded by Scarlemagne and other's flamingos, trying to fight them, the text below reads "She destroyed her cage". Third scene shows Kipo's eyes again, this time they're pink and her pupils are sharp like a cat's, she's angry and her tears come out, the text says "Yes"; onto the next drawing, she's on the floor on all fours, her arms have turned into the jaguar's and her tail has come out too, the text says "YES" in all caps. In the next scene she has turned into the mega-jaguar, roaring in anger, the text below reads "The jaguar is out". In the last scene, she's running towards the camera, still angry and roaring. End ID]

Inspired by and based on Nael's poem :>

I had this idea for a while, tried to execute it, failed and gave it a second try because Kipo's a very good show and this is one of my favorite scenes ever

Original poem: The tiger

The tiger

He destroyed his cage

Yes

YES

The tiger is out

-- Nael, "The Tiger" from "They're Singing a Song in Their Rocket"

[jenniferbrincho]

Lifeblood

Rukani is an orphaned tiger, adopted by a clan of birds. She has a unique ability to "awaken" the technology left behind by the extinct people that came before. She doesn't fully understand it, but it compels her to search out evidence of the Elder Race.

She and her older brother Aara (the bird guy) end up going on an epic journey to save their current civilization from a rampant AI/robot named Scio. And they make some friends along the way :)

[pirategrime]

[alltheboysandgirlsiloved]

I think that is quite lovely how most of the campers didn't really like Kenji when he joined them at the beginning of Camp Cretaceous, and now he is incredibly close with all of them. Like he has a fully development friendship with all of them. He really grew as a person huh

[puppyeared]

Unsurprisingly assigned fairy type so heres me as a pokemon/fakemon lol

[ourfavoritetorturedwriter]

The master of two worlds. No. The master of many worlds.

[gingermintpepper]

One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.

I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.

Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.

What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.

Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.

And that, while beautiful, is also tragic.

[myokk]

This couldn't be happening again.

He was so foolish, to believe that he could try and befriend someone new, and that things would be fine. How could he have done this to Eloise? Sebastian had long started to believe that he, too, was also cursed: somehow everyone and everything he touched turned to ashes and he couldn't bear to see the insidious tentacles of...whatever this was reaching out to wrap around Eloise as well.

Hadn't he done enough damage already? And yet...

He couldn't let go of his hold on her body, hoping against hope that he could do something to help her. He slowly turned her body around so that she was facing him, hands reaching up to cradle her pale cheeks as he whispered feverishly: please please you can't die please Eloise please it's going to be fine...

[incessantlark]

loved budget southern jigsaw, big fan

[rendevok]

how do you feel about bratfeen??

I like them!

Though there aren’t any canon interactions (that i know of..?) to go off of, I imagine they’ve got a volatile dynamic, which i find fun and full of potential. Taking a moment to Recall Them As They Are:

Edgeworth is probably at the top of his cunt game. This man is fresh off 10+ years of Von Karma’s teachings and certain he’s hot shit. Also he’s fucking 20. So. Repressed, stuffed full of twisted dogmas, sporting a fucked up ego, and equipped with an unhealthy conviction and ability to send wrongdoers directly into the fires of hell. He is an Experience and most probably not a good one, but one you will never forget.

>Enter Player 2: Phoenix f*cking Wright, also a bitch, but WORSE- he is a bitch BABY. No, he’s not a child or a sweet little baby boy. His emotions are still on full display while also being just about the most stubborn fucker you could ever meet. If Dahlia- DAHLIA -couldn’t gasboss gatelight girlkeep a goddamn necklace off his neck, then there is no hope for the rest of us. He saw a picture of Edgeworth at his Peak Cuntliness and a headline accurately describing said cuntitude and more or less said “I can fix him anyway”.

So basically to me they have the delightful dynamic of immovable object vs unstoppable force. I want to see them clash and cause comical chemistry lab explosions that singe their eyebrows and come out of it furiously making out.

[reksink]

A Little Survivor (With Grand Gourmand Bonus💚)