#so that's a topic for another day

[ferngle]

gimme a minute guys, i'm in my annual fnaf phase

[14dayswithyou]

💖 Day 3.5 is now available! 💖

For the last couple of months, only Server Boosters had access to the 3.5 update... Buuuuut now it's available for everyone to play in the 14DWY Discord — and soon itch.io once I'm happy with the QA and state of the game — so please don't feel pressured to join unless you want to!!

The full devlog + even more screenshots are under the cut ^^

What's been added to the 3.5 version?

📺 Streamer Mode!

I've been told that it's difficult to stream and monetise age-restricted videos on YouTube and Twitch, so I added an option to remove the sexual content and strong language used in the demo.

Now y'all can invite Ren into your bed for cuddles without putting your streamer career on the line /silly /lh

This won't affect the 18+ rating or dark themes/elements of the game, however! Although Streamer Mode will prevent you from seeing any "gruesome" CGs in the future, most of the core elements of the game will still be tied to the choices and decisions you make. So you won't miss out on the overall experience by using streamer mode!!

⚙️ Custom Pronouns!

It only took me one entire year to get around to it, but you can finally choose your own preferred pronouns (or use a set of pronouns instead)... At the cost of being able to change them mid-game ^^;

Since the original pronoun screen wouldn't update until a new scene was displayed, I temporarily disabled the feature. But once I find a workaround, I'll bring it back!

💗 Choose how others perceive you!

You can now choose how the cast and narration perceive you! Originally, the narration was kept strictly gender-neutral (outside of pronouns and genitalia picked by the player), but this will soon change in future updates.

For more clarity: you don't get to choose the words specifically, but you can choose between masculine, feminine, and androgynous terms!

📋 Separate top and bottom genitalia!

You can now choose your tatas and pps separately! >:3

Alongside that, you can also choose your preferred body type!

I removed the "both" genitalia option because a few players still assumed it was an obscure version of "intersex". That wasn't my intention and I don't want to mislead anyone, so I took it out for now ^^;

I also didn't want to include a screenshot of the new genitalia choices in action (because it's NSFW), so y'all get the same character menu screen for the nth time instead lmao

📱 Relationship Screen Overhaul!

You can now change your own status for more immersion, and long-term Server Boosters will eventually be able to submit and use their own icon within the game as well!

Stalking finding your friends has now become easier by using "Buddy Maps"; a new app that allows you to see the location of all the cast members!

I want to offer players more incentive to check the relationship screen since they tend to miss the status updates, so hopefully this might help ;v;

It also says it "updates every few hours" so folks don't go overboard and check every 5 seconds to see where Ren is gdsghf (also keep in mind that he's a hacker lol)

🖤 Additional Scenes Update!

Day 2 received a brand new CG!!!!! Originally, I planned on only adding a few CGs sporadically throughout the game, but it didn't feel right to leave Day 2 so... empty... so I added a brand new CG to (hopefully) make things feel more balanced and natural!

If you decline Teo's offer on Day 3, Leon will now call and try to convince you to reconsider. However, players are still allowed to decline, and if they do, they'll reach a dead end.

After listening to feedback on itch, I changed some of the dialogue during Days 1-3 to make it seem more consistent! They're only small changes though, so it's honestly not worth looking for sdgjssga

🎶 Updated BGM and SFX!

I wanted to try out a different style of music to see if it fits the vibe of 14DWY more! The BGM features more acoustics to suit the "beachy" theme of Corland Bay, though I made a conscious effort to include piano elements as well to stay true to the original!!

I figured it'd be better to give players a live example before I make a poll (to see if they prefer the change or not) and publish it to Itch.

Some new SFX have also been added, though it's very minimal and honestly not that noticeable.

How to download and play the update?

(warning: clicking on the following links will open Discord!!) To download the Day 3.5 update, simply join the 14DWY Discord server, verify your age, and visit the "14dwy-updates" channel!

Alternatively, you can also wait until the update is publicly released on Itch to play it as well!! (It normally gets released shortly after a round of QA testing/getting feedback from the server, though I may release it earlier if I feel like it hehe ^^)

Enjoy!!

[luyo-mi]

the royals 👑

[seventh-district]

Making Incorrect H:SR Quotes Until I Run Out of (hopefully) Original Ideas - Pt. 4 - Nuthin' but Boothill Edition

[Pt. 1] [Pt. 2] [Pt. 3] [Pt. 5] [Pt. 6]

[carnivalcarriondiscarded]

i don't know what order to start Dissecting, so i'll just start with:

it's absolutely fascinating how the dynamic Wally & Barnaby had - to my knowledge - before the update, and a dynamic i'd seen speculated elsewhere and generally accepted, has been completed turned on its head

see, given that Wally is the "main character" and Barnaby is classified as "his best friend", i got the feeling that Barnaby kind of... tags along on Wally's 'shenanigans'. that he's the sidekick, the best friend. especially since their dynamic has been previously & briefly described as "Barnaby is very polite to Wally." he's the Companion.

but the audios sorta paint a reverse picture. in the Interview, when Barnaby enters stage right, he completely bowls over Wally's introduction and dominates the interview. when the interviewer asks how the two of them are handling the fame, even outright asking Wally, Barnaby doesn't hesitate to answer the question himself, and only about himself. Wally doesn't get another word in edge-wise until the interviewer explicitly singles Wally out.

(now, an argument could be made that Barnaby knew that Wally was somewhat overwhelmed with all of the questions, and tried to take the reins to give him a reprieve. but, considering that the interview seems to be very early on the possible timeline - like, very soon after Welcome Home debuted - i don't think this is likely. i doubt Barnaby and Wally would've had the time to solidify their dynamic or really get to know each other that well yet)

and Barnaby continues to take point in pretty much all of their other conversations, too. like in the mystery Howdy/Barnaby/Wally audio, their interaction gives off the vibes that Wally is Barnaby's sidekick, his tag-along.

(on a related tangent, it's fascinating how the website described the episodes as "[beginning] with Wally introducing the focus or theme for the day before coming across other characters who would join him on his escapades until the end of the day." but from pretty much everything we've seen so far, it seems like He's the one who's just along for the ride, bouncing from neighbor shenanigan to neighbor shenanigan instead of having his own adventures.

of course, if the 14 audios are present time, which is honestly somewhat likely, this could be because the show isn't running. they aren't doing episodes - they're just existing, doing their things. no need for Wally to take point in any way shape or form. tangent over)

in the 14 audios with Barnaby, he doesn't even acknowledge Wally until the very end - which, of course, could be because that's how the scenes are set up. except that in some of them, the characters do directly acknowledge Wally's presence outside of the endings. Eddie in 5-14, Howdy and Poppy in 1-14, and Frank in 4-14 (technically, since he was infodumping to Wally at the very start before Barnaby interrupted). you'd think that a guy would try to include his best friend a little more!

maybe i'm reading into it too much. & given what we know about Wally as a character, it would make sense for Barnaby to be the go-getter Main Guy of the two. but it really seems like its Barnaby & Wally instead of Wally & Barnaby. he's just kinda... there. going along with whatever Barnaby is up to.

but also, on the other side of things - & it's occurring to me as i type this, it's interesting how in a lot of audios, Barnaby seems to seek Wally out. in "Just So", he shows up to fetch Wally. in 4-14, Barnaby interrupts Frank and Wally's gardening session, almost as if he's stopping by to check on his little buddy. in 7-14, Barnaby calls Julie's house (presumably) searching for Wally, or at least checking in once again. something to consider in all of this!

[canisalbus]

I had a scrap piece of paper and drew the little freakish dog 👍 I have been silently enjoying your art for like a couple months now? I found it randomly on uploaded Pinterest and was like “oh huh that’s rad” and yeah he’s such a lovely sad little beast

.

[mal1ntent]

Random qsmp eggs fun fact Tallulah's favorite lullaby is Jort Storm by Slimecicle because Phil would get lazy with tasks and play it instead of singing and Leo's favorite lullaby is Pac e Mike wow wow because Foolish would get lazy with tasks and play it instead of singing

[httpiastri]

“oscar 🥹🥹🥹🥹”

who’s the little schoolboy blushing around his crush now hmmm

[manchesterau]

no control and pick your poison showing just how vital louis’ voice is to the band

[sexisdisgusting]

putting the word "white" in front of the word "woman" doesnt make whatever misogynistic thing you're about to say somehow less misogynistic

[raayllum]

Anyway I wanna talk about hands in Finnegrin’s Wake

This is not my last or even my deepest meta dive on the episode by any means but I’m a bitch who appreciates consistent symbolism and the Hand Motif is on fire this episode so like, let’s talk about it.

The first thing to establish is the (understandable) importance of hands in Callum’s mage arc, given that you draw runes with your hands and hold magical objects, etc. This is in line with primal magic yes

but also with dark magic, highlighted explicitly in S4. 

By being tied to primal / Sky magic, Callum’s hands (and ability to use them to help his friends, do magic, etc) is tied to freedom. This is also linked to chains/bondage with Rayla’s wrist binding and dark magic, metaphorically, for Callum. So it makes sense that 5x08, an episode that is very much about primal and dark magic and subsequent themes of freedom vs control is likewise obsessed with this hand motif.

However, I want to talk about Rayla, and Callum, and how the hand motif, dark magic use, and Callum’s connection to the Ocean arcanum are set up this season. Briefly on the last one (that can be a meta on its own I want to dive into, pun intended, in tandem with adding S4′s development to it) because post for another day, but I think it’s worthwhile to mention.

For starters, there’s Finnegrin having a direct callback to Callum’s line from 5x04 with Rayla (which is also being paralleled to Viren and Claudia’s “I’ll do anything” in 5x03 an episode prior). And with Callum’s hand clasped over his wrist, foreshadowing the ‘anything’ he’ll do will be to literally undo his chains (and to metaphorically take some on) in order to save Rayla by the end of the episode. 

But we see Callum repeat this “wrist rubbing” motion a few times this episode (pin in it for later) in addition to the repeated emphasis in S5 with Callum always being the one to reach for / take Rayla’s hand. Although she and Callum are undoubtedly in a much better place than they were in S4 in repairing their relationship, Rayla still initiates almost zero contact with him across the course of S4 and S5 (grabbing his elbow and wiping his drool away when he’s asleep in 4x03; placing a reassuring hand on his shoulder in 4x09; resting her head on his shoulder in 5x02; touching his face in 5x08 to provide comfort). 

This is a far cry from how touchy-feely she is with him in Arc 1, initiating much more contact than he does, but in S4 and S5 we see this switch around; almost anytime they’re being physically affectionate, Callum is the one initiating.

However, one thing hasn’t changed, and it’s that Callum is almost always the one, across seasons, to initiate handholds (3x01 and the back half of S3 once they’re a couple being the exceptions). And S4 (4x09) and S5 are no exception.

Okay, great, he holds her hand. So what? Well...

In 5x08, Callum does dark magic again outright and connects to the Ocean arcanum primarily out of love for her. As confirmed by the writers on twitter, Callum had to accept exactly what he says in 5x08 about the ocean - that it’s about unfathomable depths, embracing the unknown (even or especially when it scares you) and accepting that there are things you can’t control. And the lack of answers about Rayla’s whereabouts, “I don’t know how to feel about Rayla either,” and “I have to go after him” “I know” helped pave the way for Callum to reach those conclusions in 5x01 and 5x08 alike: “To love is to simply know this: the tides are true as the ocean is deep.” And that realization included accepting that he’d done dark magic (and would do dark magic) to protect her.

So it’s not surprising, therefore, that while connecting to the Ocean arcanum, Callum looks at his hand, and rubs the same wrist as before, almost like he’s mimicking the crushing motion he would’ve done with the slug. 

Or indeed that it’s a gesture Viren does in his dark magic induced dreams, and during Callum’s arcanum speech, either, if inversed. 

Callum is accepting that the depths he can’t see, his “I would do anything for you” promises and inclinations, are a (dark) path he can’t entirely see and understand, but something he knows lives inside him, and has for a long time: “But not everything’s changed.” 

Darkness equals dark magic equals chains, and Callum has enough self awareness (that Viren did not) to know more so of what he’s walking into, and that’s precisely why it scares him. Why, by the end of 5x08, even as it’s revealed how he got his chains off, it’s clear they’re not gone. Not really. Not to him. Especially considering now he knows exactly where dark magic leads in ways he didn’t before in 2x07: Aaravos. (“As long as we protect each other, as long as we love each other, you can never control us” and now Callum knows that isn’t necessarily true, because he gave up the info to Finnegrin, and he willingly took another step down a dangerous path.)

Which is why I love that Rayla is the one to reach for him, to gently touch his shoulder and then his face and pull him into a hug. And I love the way Callum hesitates to place his hands - powerful, ‘tainted,’ chained - around her like another link in said chain, so different and yet so similar from their hug in 2x04 about a lack of magic, and now having arguably too much. And all of it - the dark magic use, the metaphorical and literal chains, the devotional key of the Ocean arcanum, the hands - synonymous with his love for Rayla.

[varpusvaras]

Continuing on the Fox and other posts. There was this one post somewhere (maybe on reddit?) about someone having a cold and deciding to just pop in a nyquil/dayquil and go to their uni lesson, while drinking a can of redbul or something (please don't do this) and ending up completely blacking out for the rest of the day and just going through the motions while having no idea what's going on.

Fox wakes up one day at 4 am (because he has so much work he has started to wake up an hour early so he can get an early start), his head is pounding, he's tired and achy and sore and cold. He doesn't have the time (or privilege) to stay in bed so he goes and takes the cold medicine he has stashed in his office for days like these. He's still tired after that, and he doesn't have the energy to go get a cup of caf, even if a hot drink sounds good, so he just decides to also pop in a stim (his CMO has banned energy drinks after the mixing episode that gave Fox a resting heart rate of over a hundred) just to get the day started.

Except. Fox sits down on his desk, opens up a datapad, and the next thing he knows is that his lying on a bed in the medbay and there is an absolute chaos around him. He's feeling sore and achy again and he really needs to sneeze, so he tugs a junior medic that was passing by at the sleeve and asks for a tissue.

This just causes more chaos, because now he's awake and that is somehow a huge deal. His CMO comes to him running and asks what drugs Fox has taken. Fox doesn't understand the question. His CMO is losing his mind. He says that it's almost 8 pm and this is the first time Fox has said anything during the whole day and now Fox is losing his mind as well. He was just at his office, ready to start his day, what do you mean it's 8 pm already?

Little by little, Fox gets the story. He had, apparently, been found at the Senate Dome in the late afternoon (Fox has absolutely no memory of this) by a very kind Senator (Fox doesn't even need to ask who it was, he knows and he knows he will be hearing about this later), and that he was absolutely unresponsive, even though he was walking around. The very kind Senator had flagged down the other Commanders (Fox is definitely going to be hearing about this later), who had brought him back to the HQ. Fox had, apparently, looked absolutely high out of his mind under his helmet, and had just been lying in the bed after being pushed down on it while the medics had tried to figure out what the fuck he had got in his system.

Fox is just about to explain that all that was in him was one (1) cold medicine and one (1) stim tablet, when some poor trooper comes running in, gasping for breath, and barely gets out that the Chancellor has been found dead. In his office. Estimated time of death somewhere late afternoon that day.

The medbay falls silent. His CMO turns slowly to look at Fox. Fox stares back. Fox gets a feeling. That feeling that only blackout drunks, or people who have blacked out for estimated fifteen hours recently for others reasons, can get.

His CMO slowly pulls a blanket over Fox, turns to others and says that it's a good thing that the Commander has been here the whole day because he has a cold and couldn't risk the Chancellor's health, since, as you know, the older you get, the frailer your immune system becomes. Everyone nods. Fox kinda wants to argue about it but his CMO glares at him, and, Fox is achy and sore and tired and his head hurts, so he decides that it's maybe for the best if he just goes back to sleep. After all, this is the first time no one is going to tell him to go back to work while sick, because, well. There isn't anyone to do that anymore, is there.

(He's never really sure what happened or if it even was him, but he can't really complain. And no one else does, either, after they find some really interesting things in the Chancellor's office while investigating the crime scene)

[zhi-liet]

"Altan has left us to go home.

Altan has returned to Speer."

[nanatsuyu]

I feel like it’s not talked about enough that early in the books Kevin is the only person we see Andrew initiating any type of physical closeness/touch with at all … also thinking about how they’re described physically with each other in Son of Nefes like. so much tenderness (@ your tags about how Andrew carries himself around Kevin and Neil)

I definitely think their closeness in the beginning gets overshadowed a lot by how close Andrew and Neil get later in the series. And that's not a diss on andreil! I think it's important to Andrew's character to see that while Neil played a very large part in letting Andrew explore his boundaries and grow comfortable with physical affections, there were others that helped in that healing along the way too.

One of my favourite scenes is the one where Kevin takes his glove off for Andrew to inspect his hand for any damages. It's written in such a way that implies they weren't paying any attention to the rest of the world around them. Matt had been carded, the play was over and a fight had broken out, and during that sliver of time, either Andrew had hailed Kevin over or he'd gone of his own volition to the goal for Andrew to give his injuries a one over. Kevin knew he was going to get swapped out, and they both turned somewhat surprised when Dan called out to Kevin, as if the game being in play was an afterthought. (Which, considering it's Kevin, seems somewhat ooc since he always knows what's going on on court).

And, although we don't have the exact words regarding Andrew's deal with Kevin, it was implied in the most basic terms that Andrew would protect Kevin from Riko. (There's obviously nuance here given Andrew's bodyguard tendencies when Kevin gets into later spats with people, but for the sake of how vague most of Andrew's deals are spoken aloud, I think it's safe to assume he promised to protect Kevin from his big bad not sibling in the same way he promised to have Neil's back). All that just to say... It wasn't really in their deal for Andrew to protect or look after Kevin outside of his affiliations with the Ravens. And yet, even after threatening to break his own hand before all this, because Kevin annoyed the piss out of him so much, here he was, inspecting Kevin's hand and putting the game on hold to do so.

This injury has nothing to do with Riko or the Ravens. So, in terms of their deal, he didn't really need to dote on Kevin like that. And yet.

And yet.

And this is really only one instance of them being glued at the hip. Andrew does a lot of redirecting of Kevin's person in the same way we see him do later with Neil. Like you said as well, Kevin's the only one for some pages that we see Andrew physical with that isn't necessarily reactionary or defensive. I know Andrew was still on his meds at the time, but this line came across to me as him literally shoving Andrew down court who didn't seem to take much issue with the it:

He doesn't make much mention of it, but if I had to wager a guess, these moments of familiar contact are not a new thing upon Neil's arrival.

(Also it's been a hot minute since I skimmed through son nefes (the ec and I are on cherry picking terms most days) but I know Renee saw it too.)

Like it makes me insane to think about how their deal didn't have to incorporate all that closeness. It didn't require Andrew to become intertwined with the rest of Kevin's life and daily going on's. He could have agreed to keep him on a leash from getting dragged out of the fox den by the Ravens and called it a day, but we can see clear as day that Andrew treats his relationship with Kevin far more delicately than that. In terms of canon, the best friend (platonic soul bond or whatever title floats your fancy) behaviour jumped out of Andrew so fast, I'm shocked how anyone could overlook it.

And I haven't even touched on how Wymack views their relationship, or Kathy's show, or the role Andrew plays as Kevin's other half post Evermore, or the first genuine smiles are the ones they give each other, or the pseudo threat of the butter knife scene, or whatever they had going on here:

Like, there are certainly motions that can be considered varying levels of tender, but I do think it's important to remember that Andrew's gestures should not be measured with the same scale as say someone like Renee. We can obviously see in later chapters that Andrew can be incredibly gentle (ie the hip kiss that ruined my life), but I think it's a disservice to Andrew's character to understate how close he and Kevin are through the series, both physically and emotionally.

[boyfridged]

i’ve been thinking a lot about what is so unique and appealing about 80s robin jay’s moral standing that got completely lost in plot later on. and i think a huge part of it is that in a genre so focused on crime-fighting, his motivations and approach don’t focus on the category of crime at all. in fact, he doesn’t seem to believe in any moral dogma; and it’s not motivated by nihilism, but rather his open-heartedness and relational ethical outlook.

we first meet (post-crisis) jay when he is stealing. when confronted about his actions by bruce he’s confident that he didn’t do anything wrong – he’s not apologetic, he doesn’t seem to think that he has morally failed on any account. later on, when confronted by batman again, jay says that he’s no “crook.” at this point, the reader might assume that jay has no concept of wrong-doing, or that stealing is just not one of the deeds that he considers wrong-doing. yet, later on we see jay so intent on stopping ma gunn and her students, refusing to be implicit in their actions. there are, of course, lots of reasons for which we can assume he was against stealing in this specific instance (an authority figure being involved, the target, the motivations, the school itself being an abusive environment etc.), but what we gather is that jay has an extremely strong sense of justice and is committed to moral duty. that's all typical for characters in superhero comics, isn't it? however, what remains distinctive is that this moral duty is not dictated by any dogma – he trusts his moral instincts. this attitude – his distrust toward power structures, confidence in his moral compass, and situational approach, is something that is maintained throughout his robin run. it is also evident in how he evaluates other people – we never see him condemning his parents, for example, and that includes willis, who was a petty criminal. i think from there arises the potential for a rift between bruce and jay that could be, have jay lived, far more utilised in batman comics than it was within his short robin run.

after all, while bruce’s approach is often called a ‘philosophy of love and care,’ he doesn’t ascribe to the ethics of care [eoc] (as defined in modern scholarship btw) in the same way that jay does. ethics of care ‘deny that morality consists in obedience to a universal law’ and focus on the ideals of caring for other people and non-institutionalized justice. bruce, while obviously caring, is still bound by his belief in the legal system and deontological norms. he is benevolent, but he is also ultimately morally committed to the idea of a legal system and thus frames criminals as failing to meet these moral (legal-adjacent) standards (even when he recognizes it is a result of their circumstances). in other words, he might think that a criminal is a good person despite leading a life of crime. meanwhile, for jay there is no despite; jay doesn't think that engaging in crime says anything about a person's moral personality at all. morality, for him, is more of an emotional practice, grounded in empathy and the question of what he can do for people ‘here and now.’ he doesn’t ascribe to maxims nor utilitarian calculations. for jay, in morality, there’s no place for impartiality that bruce believes in; moral decisions are embedded within a net of interpersonal relationships and social structures that cannot be generalised like the law or even a “moral code” does it. it’s all about responsiveness. 

to sum up, jay's moral compass is relative and passionate in a way that doesn't fit batman's philosophy. this is mostly because bruce wants to avoid the sort of arbitrariness that seems to guide eoc. also, both for vigilantism, and jay, eoc poses a challenge in the sense that it doesn't create a certain 'intellectualised' distance from both the victims and the perpetrators; there's no proximity in the judgment; it's emotional.

all of this is of course hardly relevant post-2004. there might be minimal space for accommodating some of it within the canon progression (for example, the fact that eoc typically emphasises the responsibility that comes with pre-existing familial relationships and allows for prioritizing them, as well as the flexibility regarding moral deliberations), but the utilitarian framework and the question of stopping the crime vs controlling the underworld is not something that can be easily reconciled with jay’s previous lack of interest in labeling crime. 

[traegorn]

Sorry my question brought you such grief. :( Thank you so much for answering, though. Your explanation was perfect, and that person inadvertently gave a perfect example of what you were talking about. Still sorry you had to deal with that, though. Thanks for your help!

Eh, your question didn't bring me any grief.

Like the strongest argument I've ever heard was the fact that Gardner and Nichols used the Irish names for the cross quarter days instead of the English ones when putting together the Wheel of the Year, but I don't think that really holds any weight. These are not closed practices, they're shared holidays across the region.

And, like, I don't see anyone banging down the door of modern Druidry yelling at them about the same thing. Which is, y'know, telling.

(Also - If you take two seconds to look at the English or Scottish names for them, and understood the context, you'd realize why they didn't want to use them)

Like the usual examples people bring up are Wiccans taking from various indigenous practices, like using white sage in "smudging" -- but these are, not actually "Wiccan" (as in the religion) practices, but things "Wiccans" (as in the people) have done. Which is, y'know, bad -- but an issue the entire modern witchcraft movement needs to come to terms with, and not inherent to Wicca the religion or exclusive to its practitioners.