#some mentions of sex

[swiftiephobe]

note that by "okay" i don't mean with no hint of awkwardness at all, just that you'd be able to sit down and watch with your parents and then not have it be a big deal that you're all watching it.

feel free to put in the tags how old you are + where you're from + please rb for sample size 🫶

[haunted-xander]

Forgot to post this my bad

[saffrontulip]

do people not understand that they can hate kataang without making aang seem like a horribly abusive person? the amount of times i’ve seen someone say “aang uses katara for air bending children” or “he forced her to get with him” is concerning. you can dislike things normally??? no need to do all that extra shit.

[anotherpapercut]

genuinely so many of you want to be leftist and "punk" and countercultural soooooo bad but you refuse to become comfortable with the concept of people taking drugs for fun because they like it and not because they were somehow tricked or forced into it without knowing what they were getting themselves into

you'll be like "addiction is a disease!!" but think you're better than those degenerate stoners because you only drink energy drinks and white claws and would never touch "illegal drugs"

many if not most drugs CAN be consumed completely safely with almost 0 risk to the user and even if that werent true and all drugs were extremely dangerous you still wouldn't be better than those of us who love doing drugs recreationally

lighten up and grow up. get offline, talk to real adults, and stop being shocked to discover that they enjoy doing stuff that adults do like have sex and do drugs and even listen to rock and roll

[undedkat]

Had a dream where there was a talent show and the God of Death of was there. And everyone who touched them (god of death) would slowly start to die, which wouldn’t have been a problem except Death kept trying to have sex with everyone.

[ladystoneboobs]

an examination of theon greyjoy's feelings about and (implied) relationship with evil uncle euron

Theon searched for his uncle Euron's Silence. Of that lean and terrible red ship he saw no sign, but his father's Great Kraken was there, her bow ornamented with a grey iron ram in the shape of its namesake. [...] It might be only a caution, now that he thought on it. A defensive move, lest the war spill out across the sea. Old men were cautious by nature. His father was old now, and so too his uncle Victarion, who commanded the Iron Fleet. His uncle Euron was a different song, to be sure, but the Silence did not seem to be in port. It's all for the good, Theon told himself. This way, I shall be able to strike all the more quickly. -Theon I, aCoK

the first we read of euron is in theon's first pov as he searched the harbor at lordsport for euron's ship. no reason is given for singling that ship out nor an initial reaction to its absence. later down the page euron is described as different from balon and victarion, with none of an older man's caution to be expected from him. that's why theon thought it for the best that euron's ship was not in port, though at this point it appears his only concern is being the boldest greyjoy around, commanding the fleet all the more quickly for its already being assembled, and not being outshone by euron. the only hint at more is his description of the ship as "terrible".

"You can marry off your sister," Esgred[Asha] observed, "but not your uncles." "My uncles . . ." Theon's claim took precedence over those of his father's three brothers, but the woman had touched on a sore point nonetheless. In the islands it was scarce unheard of for a strong, ambitious uncle to dispossess a weak nephew of his rights, and usually murder him in the bargain. But I am not weak, Theon told himself, and I mean to be stronger yet by the time my father dies. [...] [Asha-as-Esgred, to Theon:] "Euron Croweye has no lack of cunning, though. I've heard men say terrible things of that one." Theon shifted his seat. "My uncle Euron has not been seen in the islands for close on two years. He may be dead." If so, it might be for the best. Lord Balon's eldest brother had never given up the Old Way, even for a day. His Silence, with its black sails and dark red hull, was infamous in every port from Ibben to Asshai, it was said. -Theon II, aCoK

by theon's next chapter, when he and (unknown, to him) asha discuss their greyjoy uncles, theon has learned that euron hasn't been seen in the iron islands for two years. atp, rather than just noting that euron's not at home, theon has decided it's for the best if he's died somewhere and can never return. the word terrible is again used wrt euron and it's also said that his ship is infamous all over the world. euron is the only greyjoy never to have given up the old way in any sense, and the implied danger to theon is that he could also partake in the old tradition of a strong, ambitious uncle murdering his nephew. euron has thus been establishled as a villain, a threat, and possible kinslayer more specifically but we have yet to learn all the other, more unique aspects of his villainy. i think it likely that grrm, with his gardener-writing, had not yet decided that euron was an incestuous sexual predator. the risk of nepoticide is enough to explain theon's nervous shifting at the mention of euron's cunning and the terrible things said of him, but it could also apply to euron's full characterization only revealed years later in aeron's pov, one of those little half-open seeds gardener-grrm could decide to grow later.

[Robb Stark, to his assembled bannermen and his mother:] "Euron Greyjoy is no man's notion of a king, if half of what Theon said of him was true. Theon is the rightful heir, unless he's dead . . . but Victarion commands the Iron Fleet. I can't believe he would remain at Moat Cailin while Euron Crow's Eye holds the Seastone Chair. He has to go back." -Catelyn V, aSoS

our next clue about theon/euron is not from his own pov but in the book between his arcs when he's "offscreen". i'd say the fact that theon had confided to robb at all about euron is significant, let alone that he related enough things about euron for robb to rhetorically dismiss half of what theon told him and still feel confident of ironborn infighting with euron on the throne. (with theon's status unknown and asha absent from the isles too, euron would have a claim to that throne and a better one than victarion regardless as the eldest surviving greyjoy. vic is the dutiful younger brother who wouldn't normally make any power play, so for robb to know that euron's rule would be challenged by his younger brothers shows he does indeed have insider intel wrt euron.)

this accurate read from robb stands in pretty, ahem, stark contrast to everything theon must have told robb and himself about the likelihood of a robb/balon alliance. an impartial observer who knew (as theon did) that balon's first rebellion was about bringing back the old way more than just independance from the iron throne would have known those goals were not in line with the kitn's cause and that alliance was a no-go from the start. we see in the quoted portion of theon i above how he lied to himself about balon becoming a cautious old man and this being his time in the sun, yet it seems euron was the one family member he couldn't lie to himself about. not only did euron make such an impression on him that theon always remembered him very clearly but the effect was such that amid all his hostage time at wf fantasizing about his return home, he felt the need to tell robb the truth about this one scary relative by confiding in him with multiple stories. (though if euron had sexually abused theon, i can't imagine him ever explicitly revealing that to robb or anyone else.)

"My uncle[Victarion] is never coming back," Reek told them[the ironmen Victarion abandoned at Moat Cailin]. "The kingsmoot crowned his brother Euron, and the Crow's Eye has other wars to fight. You think my uncle values you? He doesn't. You are the ones he left behind to die. He scraped you off the same way he scrapes mud off his boots when he wades ashore." -Reek(/Theon) II, aDwD

this is euron's only name-drop in theon's dance pov, significant only in that it shows theon had recent news of his uncles, enough to know that euron dgaf about keeping balon's northern conquests and had instead drawn vic and the other captains far away. which brings me to ...

Crowfood. Theon remembered. An old man, huge and powerful, with a ruddy face and a shaggy white beard. He had been seated on a garron, clad in the pelt of a gigantic snow bear, its head his hood. Under it he wore a stained white leather eye patch that reminded Theon of his uncle Euron. He'd wanted to rip it off Umber's face, to make certain that underneath was only an empty socket, not a black eye shining with malice. Instead he had whimpered [...] -Theon I, tWoW

here, we have theon meeting a non-bolton northman he's known before, no different really from all the non-bolton northmen inside wf or any others he'd met growing up there, none of whom really seemed to scare him as his captors did, yet the mere sight of mors "crowfood" umber's eye patch is enough to freak theon the fuck out, wanting to rip off the eye patch for reassurance that crowfood was just a regular guy. this is the kind of terror we'd expect wrt ramsay, which would make sense in that regard, as ramsay had been his most immediate abuser, torturing theon in every sense for around a year almost right up until the moment of his escape, and ramsay's still right there in wf, so theon had good reason to still fear recapture by him. euron, though? that's an uncle he hadn't seen in over ten years, who theon knew to be far from wf as seen in the above dance quote, so he had no reason to expect to see him again in that part of westeros and one would think he had enough immediate problems not to worry about someone he hadn't seen in so long. you'd think his pre-ned, pre-ramsay childhood with all the greyjoys would feel a lifetime away with all he'd been through since, esp the reekening. but whatever impression euron left on him was still just as clear and fresh as ever, so that anyone with an eye patch could suddenly make him feel fear of an uncle hundreds of miles and a decade removed from him. from this moment i take away two things: 1) theon will survive stannis and have to meet uncle euron again bc otherwise i don't see the point of grrm throwing this in here and 2) it now feels a helluva lot more likely that theon was another csa victim of euron's bc i don't think this kind of sudden fear could be accounted for with just general scariness from euron. feels more like being triggered by a trauma flashback (just as aeron had as soon as he heard that euron had taken balon's throne), doesn't it? and after having been recently sexually abused by ramsay all that time it makes sense that he'd be even more sensitive to reminders of another abuser as soon as he'd finally escaped ramsay, moreso than when he was just nervously shifting as he and asha vaguely talked of euron's terribleness.

after all, theon/aeron are already linked in the feastdance as both are youngest greyjoy siblings who happen to also be victims of abuse who had buried their old selves in a new identity. aeron's old self even sounds a lot like pre-ramsay theon. theon remembered pre-born-again aeron as the "most amiable of his uncles, feckless and quick to laugh, fond of songs, ale, and women", and aeron described his younger self as "a sack of wine with legs. He would sing, he would dance [...] he would jape and jabber and make mock. He played the pipes, he juggled, he rode horses and could drink more than all the Wynches and the Botleys, and half the Harlaws too." doesn't that sound like the ever-smiling and joking unserious theon we first met, fond of wine and womanizing, once a good dancer, and better ahorse than most ironborn? the only part really missing for theon is aeron's ability to always win literal pissing contests. you'd think being sexually abused by two different evildoers (euron and ramsay) would be enough of a parallel, but this winds preview chapter certainly makes it seem like they also shared the specific experience of being abused by euron in childhood too. our poor youngest kraken really did never have a chance, did he?

shoutout to this post detailing the evidence of theon's sa by ramsay for inspiration. ik i'm not the first to suggest abuse by euron too, but thought it useful to make the case by laying out all the relevant quotes as evidence.

[six-of-cringe]

The "ohhhh fuck dolphins, dolphins are evil they kill and rape, ohh otters are evil they rape seal babies, not so cute now are they" people are like the children who would smugly tell anyone who would listen that ring around the rosie is about people dying of the plague. Like ok. Do I need to explain how high intelligence correlates with complex behavior or can you shut the fuck up on your own

[ffc1cb]

i’ve always found it peculiar how during meeting the chargers cutscene the game just assumes your character automatically understands what krem is talking about when he mentions binding (though, granted, it’s all very unsubtle). like, this is a roleplaying game. what if i want to play a character who just doesn’t get it

[boyfriendgideon]

as yr favorite local jason todd fan sometimes i get so fed up with the apparent inability of most dc comic writers to write a class conscious narrative about him.

and yes, i know that comics are a very ephemeral and constantly evolving and self-conflicting medium.

and yes, i know they’re a profit-driven art medium created in a capitalistic society, so there are very few times where comics are going to be created solely out of the desire to authentically and carefully and deliberately represent a character and take them from one emotional narrative place to another, because dc cares about profit and sometimes playing it safe is what sells.

and yes, i know comics and other forms of art reflect and recreate the society within which they were conceived as ideas, and so the dominant societal ideas about gender and race and class and so on are going to be recreated within comics (and/or will be responded to, if the writer is particularly societally conscious).

but jesus christ. you (the writer/writers) have a working class character who has been homeless, who has lost multiple parents, who has been in close proximity to someone struggling with addiction, who has had to steal to survive, who may have (depending on your reading of several different moments across different comics created by different people) been a victim of csa, who has clearly (subtextually) struggled with his mental health, who was a victim of a violent murder, and who has an entirely distinct and unique perspective on justice that has evolved based on his lived experiences.

and instead of delving into any of that, or examining the myriad of ways that classism in the writers’ room and the editors’ room and the readers’ heads affected jason’s character to make sure you’re writing him responsibly, or giving him a plotline where his views on what justice looks like are challenged by another working class character, or allowing him to demonstrate actual autonomy and agency in deciding what relationships he wants to have with people who he loves but sees as having failed him in different ways, or thinking carefully about what his having chosen an alias that once belonged to his murderer says about his decision-making and motivations, you keep him stuck in a loop of going by the red hood, addressing crime by occupying a position of relative power that perpetuates crime & harm rather than ever getting at the root causes, and seesawing between a) agreeing with his adoptive family entirely about fighting nonlethally in ways that are often inconsistent with his apparent motivations or b) disagreeing and experiencing unnecessarily brutal and violent reactions from his adoptive father as if that kind of violence isn’t the kind of thing he experienced as a child and something bruce himself is trying to prevent jason from perpetuating. because a comic with red hood, quips, high stakes, and familial drama sells.

it doesn’t matter if it keeps jason trapped, torn between an unanswered moral and philosophical question, a collection of identities that no longer fit him, and a family that accepts him circumstantially. it doesn’t matter if jason’s characterization is so utterly inconsistent that the only way to mesh it together is to piece different aspects of different titles and plotlines together like a jigsaw. it doesn’t matter if you do a disservice to his character, because in the end you don’t want to transform him or even understand him deeply enough to identify what makes him compelling and focus on that.

and i love jason!!!!! i love him. and i think about the stories we could have, if quality and art and doing justice to the character were prioritized as much as selling a title and having a dark and brooding batfam member besides bruce just to be the black sheep character are prioritized. and i just get a little sad.

[angel-archivist]

It's so interesting and so exceedingly frustrating how agab is being utilized now within the queer community as a way to isolate and sort nonbinary and genderqueer folks into binary boxes that determine their moral purity levels, and their authority to do and write and exist.

The way nonbinary writers are being put under accusation of fetishizing gay men while their AGAB is continually brought up in a way that feels like queer-space-approved misgendering.

The way feminist circles that are supposedly trans-inclusive will use the word AFAB in a way that implicitly but intentionally isolates nonbinary people who aren't AFAB from joining. It's for women*.

The way the language is already flawed and leaves out intersex folks from the conversations while focusing on a binary of sex that isn't truthful.

The constant obsessing over whether someone is AFAB or AMAB and whether or not that gives them the privilege to join, do, write, or be present in certain spaces really really concerns me. How are we supposed to dismantle a binary system of gender if we can't even move past forcibly assigning and focusing on people's genders assigned at birth?

[theposhperyton]

All evidence suggests yes

[steelthroat]

*me putting my Transformers figures on a shelf after tidying up* "Optimus and Megatron go together obviously"

My dad jokingly: "Heh, are they friends?"

Me: "In the Ancient-Greek sense of the word yes"

[spotforme]

i can feel myself becoming a Nirvana girlie. first the hair started seeping into my thoughts and now i find myself wanting to overanalyse everything

[quarterprioritymidnight]

happy 3rd birthday to the hottest thing bastille has ever done anyone but me x nightmares (24.08.2020)

[tothesolarium]

There is no other joy like drawing someone 👌🏻 this close to going ape shit

[captainhysunstuff]

What’s up with the lawlight tag getting the p*rnbots, or is it just me? I know that I changed my community settings to allow more explicit stuff, but that’s not lawlight, y’know? It’s weird. 😐