#some of these might make more sense if u read the manga

[meo-eiru]

What's ur inspo for art? ur art style is so cute... any art advice?? Jajsjdkkaka, I understand if u wanna gatekeep 👁👁

I meant to answer this several days ago but couldn't find it in the sea of asks welp

Anyway as I mentioned before we don't gatekeep art related stuff in this household, artists help other artists.

Honestly it's hard to name an inspo but I do have artists I look up to a lot (this might be a bit long)

Kanisuke, you guys might be familiar with her, she's the artist of the upcoming yandere inside game Yandere Town. I know it's not out yet but I'm actually obsessed with this game and have even translated all the character intros (they are a bit old atp so there might be some mistakes) and actually if you see a Yandere Town related post high chance it's from me. Not only her art but I love her writing style as well.

Hakuri-sensei, their manga Sachi iro no One Room is definitely one of my biggest inspirations. I love the relationship between Sachi and her "captor" and it's the only manga I actually cried my eyes out while reading.

Tayu-sensei, all of their work for Yuugen Romantica (one of my fav drama cd series) are breathtaking and they've also developed even more since then, their current works are just so stunning and I love studying the way they draw hair

Shirahama-sensei, she👏is👏a👏queen👏 honestly I don't have much to say, go read Witch Hat Atelier it's an artistic masterpiece and a giant love letter to art itself

Furumi-sensei, another queen! She's the artist of my favorite Fate Grand Order character Ashiya Douman. I've even bough her art books before, honestly she is just so talented. I don't know what she was drinking when she came up with Douman but I need some of it

Usagi Routo-sense, another fgo artist AND JUST LOOK AT HOW INCREDIBLE THEY ARE AT USING COLORS LIKE??? HOW??? Their art is like cocain for my eyes I could look at them for hours

AU, one more fgo artist and oh my god guys this person right here is one of my biggest inspirations just look at their drawings. I'm not kidding I actually spent hours just inspecting how they shade outfits. I'd sacrifice my soul just to get a chance to watch them draw live

☝︎ FAN, an Ashiya Douman fanartist and god guys the comics they draw!!! They are the cause of some of my current biggest fetishes ngl

Oyo-sensei, an fgo artist and is also the main artist of 18trip. They have such a clean art style that's very pleasing to the eye. I especially love the reference sheets they draw.

Shibatora-sensei, she is the artist of my FAVORITE drama cd series Shinai naru Thanatos and my overall favorite yandere character from any fiction Seo Eito. Honestly if you know me irl probably the first thing you'd mention about me would be my chronic Shinai naru Thanatos addiction because based on what everyone says I start speaking about it within 2 weeks of meeting someone new.

ORKA, the artist of A Stepmother's Marchen. Anyone who knows that manhwa probably knows why she's on this list, her art has so much soul and passion in it, literally every single panel looks like a painting and it makes me want to cry just looking at it

82 Pigeon, an incredible incredible Korean artist, I think they also give art lessons? I really tried to get them but couldn't figure out how. They also have a youtube channel and I learn a lot just by watching their speedpaints

[cashmoneyyysstuff]

hi bestie do u have any ff writing advice ?? ur flow and imagery and STYLE is so so good i love it. how do u come up with such good ideas??

hi ! first of all thank you SOOOOOO much that means sm to me it genuinely makes me so happy to know that you enjoy my writing. !!

speaking of writing..it took me a while to figure out a system i was comfortable with. i'm a little all over the place in general and that translates a lot in my drafts ESPECIALLY LMFAOO if you caught one glance at my drafts it's mostly just a prompt of a few sentences and w spelling mistakes in every word cus i write them down so fast so as not to forget them LMFAOOO. but it really works for me !

i know a lot of people say it but it really works, literally just write ! it doesn't have to come out as a full beautifully crafted piece immediately, just write down anything you can and polish it up all you want later ! forcing inspiration to come to you almost always has the opposite effect, for me anyways !

for flow, i think i like to mostly write dialogue between characters out first and then write my descriptions and actions around that ! i always get more excited about writing dialogue more than descriptions (not that those can't be fun ofc !)

oh , this might help for imagery ! and idk if you've noticed but the structure of a lot of my writing is heavily based on animes and manga. like the set ups and punchlines. (massive nerd ik) like if you read some of my one shot's like this one, this one (probably one of my fav fics i've done btw) or my first born series FBRC, (especially this part) (this part was actually the one i was most excited to write, and it's heavily based off of kobayashi's dragon maid's actual good and not weird moments and soundtrack, listening to music also helps me out a lot too!)

i try to model my speech to what i think an anime episode of the scenario i thought about would look like. visualizing my writing helps me write a lot as well, if that helps ! a little fun fact for you, fujimoto's writing has influenced a lot of the way i describe situations in fics, since i really like the sorta 'childish' descriptions over super fancy ones (cus i can't write those, but i don't really like them veerry much, but a lot of them are enjoyable to read!!) i find it very endearing and it's one of the reasons why i enjoy writing childhood friends to lovers so much. it's this sorta simplistic level of thinkin that kids have if that makes sense and it works out really well if you wanna write fluffy pieces if that makes sense

some examples ! :

"he drags you around a little too hard but it's to show you something he knows you'd like and you repay him by being patient with him and letting him drag you around to his hearts content. he let’s you use the crayons he’d just denied another classmate seconds ago and when it’s really early in the morning and you’re still sleepy unlike your more energetic friend, he waits for you. sitting with you in the reading corner quietly commenting on a little bit of everything in the book you’re sharing until you’re awake enough to start the day because katsuki wanted you to be together through anything no matter what, starting the day without you was simply unimaginable."

"despite his quieter presence he always seemed to stand out to you. his bag is big enough to carry everything he needs without having to shove anything inside or leaving it half opened. he wipes his mouth with a tissue after he's done eating his lunch alone and his handwriting is pretty. his lashes are long and he's pretty."

"you hated it when people said that because the shoto you knew wasn't like that. he knew people talked about him and he hated being associated with his father. he likes the caramel you sneak in for him at school and you like the way his eyes light up when he guesses the flavour of fruit candies you make him taste. the shoto you know that ties your shoes for you and shares his umbrella with you, the one who half heartedly stomps into wet puddles with you, the one with the pretty lashes and pretty smile and pretty handwriting isn't like that."

there are a lot of other examples (im OBSESSED with this trope can you tell.) i like these sorts of simplistic childish ways of love. tiny little specks of affection that make the heart so much fonder in such little big ways..if that makes sense :>

i dunno if im just very..special, but since i have a lot of oc's and scenarios constantly flowing in my brain, most of my ideas just tend to be what i dreamed about the night before, or what i daydreamed about LMAOO. even random things that happened to me at school sorta go from "oh it would be funny if this happened to [insert character]" and then they snowball into more and more thorough ideas !

and of course as cheesy as it is the most important part is to have fun ! i cannot stress enough how important it is to be in the mindset when you're writing. it's like when people say to force yourself to draw so you don't 'lose it.' and i do think it can work to jog inspiration, but i believe that as long as you enjoy it, you'll never truly lose it. so i say, write when you feel like it and don't write if you don't, it can truly be very draining. but it's all up to what feels better for you !

anyways, i hope my insane ramblings helped you out a little bit, and have fun writing !!

much luv xxx

[nocturnalazure]

heyy i think studying the trend of ts4 stories editing style will really help you improve your visuals. I know that picking an aesthetic is a choice & i honestly think you should stick to what you like instead of following the mainstream but popular stories are popular for a reason & you might engage more readers by following their storytelling formats (ex: using captions instead of text bubble, using different reshade/gshade based on the mood of the scene, show your sims moodlets, etc.) but ofc popularity isn’t everything and you have loyal readers already so i’m just gonna root for you & wish u good luck❤️

Hi anon, and thank you for your message and recommendation!

I hear you and you're surely right about what is popular, but I see how most TS4 players do their storytelling, and I personally find those visuals rather standard and uninspiring. I believe the word that you used is key: it is a trend. Which means, for one, that it can be a temporary thing, but above all, that it isn't necessarily an improvement.

Typically, captions. There is a reason why speech bubbles or their equivalents are widely used in comics and graphic novels: they are easy to understand at a glance for the reader, and versatile enough for the author to convey the proper tone. Captions hamper creativity and readability, imho.

I do like the effect of Reshade or Gshade or other -shades. I tried installing it, wasted a whole day, failed, was disappointed, uninstalled it and never touched it again. And then I thought: I spend a lot of time selecting my decor and background. I want them to be visible, not blurred. I want the details to be seen in their entirety. It's true that blurry backgrounds and dreamy filters make for pretty, atmospheric pictures. But do I want my story to be atmospheric? No, that's not my purpose. I want my story to be emotional, gripping, interesting. I'd like the reader to focus on the dialogues, the characters' face, the actual content of the story, not the feel of it. To me, visuals enhance a story when they explain by themselves who the character is and what they think. They don't need to be sophisticated to do that.

(Not to mention that Reshade is capable of putting a strain on my computer and I don't want it to overheat. The game already crashes enough as it is.)

I know it's just an idea among others, but showing moodlets is not something I will ever do because I don't do gameplay. I just tell a story using the Sims 3 as a medium. Many of those popular trends do not apply to my style, in fact.

If anything, I'd like my story to be read like a manga, not watched like a Netflix series. My stubborn use of speech bubbles and detailed backgrounds is what makes me different, and maybe that doesn't coincide with popular.

Because in the end, "popular" is just that: defined by prevalence but bearing no guarantee as to quality or innovation.

I thank you for rooting for me and thank you again for taking the time to send me a message, because somehow my head is clearer now about what I want and do not want for my story. I have no idea whether or not my visuals are globally appealing to other people, but *I* like them as they are. I'm willing improve technically, if I believe it will bring something essential to my work as a whole, something I'm missing for it to make sense. I get that my aesthetic may seem outdated to some, and it is unfortunate that so few people are ready to give my story a chance, but just like you said, I have a bunch of loyal readers and that is priceless!

[arudoe]

talk about bruise anything you want, i wanna hear

YAAAY MORE BRUISE

i alr talked about some hcs so ill chat a bit about some aus i have heehee!

- idol jay au !

i feel like this one is prolly the most well known (only because its the only one ive ever drawn for….) but basically jay is an idol/musician and cole is his nr1 fan! it was very inspired by prime empire and also those like harry styles x reader wattpad fics from back in the day… yeah…

all ive got for the story so far is that cole went to a fansign event and while getting his magazine signed jay also sneaks his personal phone number on one of the pages (something along tbe lines of xxx-xxx-xxx text me o_<) and… yeah things move on from there 🙏🙏

- mad scientist jay and his creature cole

OKAYY this might be one of my weirder ones but i think about it a lot 😭😭

anyways jay is a disabled basement dweller college dropout scientist guy and one day he kind of feels some paranormal presence in his lab and conducts a bunch of tests and comes to tbe conclusion there is a ghost floating around in his lab. so like the normal person he is he tries to communicate with it but only gets a bunch of weird cryptid messages that dont make sense… so he comes to bright idea of “hey! i should make this ghost a vessel they can possess!” so he makes a body frankenstein style and low and behold his plan worked!

cole, a ghost from the 80s who possessed the body is now chilling in jays lab with him, but like most people who have been dead for over 40 years he is very curious about the outside world and what has changed.

but jay for some reason is very adamant about him not going outside at all, which causes some tension between the two..

(the reason is jay has abandoned issues) (also cole is kind of a freak of nature) (affectionately)

I LIKE THIS AU A LOT cus its so stupid honestly and i love me some ghost cole also like im still mad about how ninjago decided to completely discard jays love for inventing… let the man make his little trinkets…

- wizard school au

basically what it sounds like… they are wizards.. at a wizard school… and do magic…

yes this was partly inspired by h*rry p*tter BUT ONLY THE VIBES (i barely remember the movies)

BUT UM this is like a whole universe thing and theres so so much lore and world building so… if u want a separate post about it… lmk

- roommates au!

this is my most recent one (and the one i think about the most) but um yeah pretty self explanatory it was based off this jdrama/manga called good morning call so uhhh ya!

basically cole and jay were enemies throughout highschool and basically spend all their energy hating each other but they to their separate ways during college but reunite (unwillingly) as roommates!

they navigate living with each other and learn to let go of their hate (which stemmed from a mixture of misunderstandings and insecurities) and then eventually fall in love!!

i think this is the au i have the most work done on (i have a draft for every major scene that happens in the story heehee) and perhaps! one day i will actually make it a real thing !

so um yeah! i have a bunch more but most of them are very unfinished or just… vague ideas or vibes i go by… i also have some aus that arent bruise so um if anyone wants to hear about those… smiles

BUTTT TYSM FOR UR QUESTION i dont rly say this a lot but any interaction i get with my content means the world to me and i always giggle and kick my feet when reading reblog comments bc everyone is so nice 🥹🥹

[desultory-novice]

CW: Serious but vague talk about the complex feelings associated with the loss of a loved one and mourning - both in Kirby and in real life. Some personal stuff and once more for good measure mentions of death and mourning.

-

I know I don't owe anyone an excuse for my brief absence, but I was completely caught off guard this year when I realized the anniversary of Planet Robobot fell just days before the passing of my own father last year. No surprise I didn't make the connection last year, but it hit me this year and it hit hard.

I know that they're not the fandom's most popular characters ("most hated" may be more like it?) but I feel almost painfully close to the story of Susanna Patrya Haltmann and Max Profitt Haltmann. For I was also a child who was torn between being really mad at my father for his flaws and mistakes while also pining for this idealized parent-child relationship we didn't have, to the point of often spurning the bond we did have because it wasn't going the way I imagined it. I also had to watch close up as he wasted away, his senses going one by one, till he looked more and more like a fading shell of a person.

...You know, I didn't even finish playing PR until last year or maybe the year before? Of course I knew the story spoilers. But I couldn't make myself play it. I finally did because I felt I had to. And I'm glad, even if finishing it left me with a weird sense of sadness. A sense of sadness that finally came full circle a few months later...

I thought I would draw something for the anniversary this year. Something sad, bittersweet, poignant, meaningful. Something akin to a tribute. But my pen just wouldn't move. I don't think I have the words or the visuals to fully express what I felt about it right now. It's why, even though I really do like these two characters, I hardly ever draw them.

It's this closeness that renders them blurry in my vision.

...I suppose I might as well talk about this while I'm here, but I have this ask in my inbox about the Merry Magoland Branch AU. About Joronia and Max and what happens to them after their souls are freed.

'Do they come back to life?'

...God, I've written one thousand answers to that post in my head.

Part of my brain says the "right" answer to give - here on my Kirby blog where every story has a happy ending or at least a chance at salvation no matter how grim - is "of course they come back to life!" The Merry Magoland Branch AU is a sad but cutesy fractured fairy tale of a story where everyone ends up better than they started! Besides, they’re already souls. What else would happen to them? Just quietly go off to rest? That wouldn’t be satisfying!

...

But another part of me looks at "Kirby," a series that has characters who have "died" and come back to life and characters who have died and stayed dead and I feel like, as painful as it is to those such as the Sectaranza shippers and the other fans of of the implied dead cast members...

...they're not coming back. They can't come back. They shouldn't come back. Even in a completely fictional setting, even in a silly AU, it is hard for me, personally, to make myself change what has happened. What has been done. 

Don't get me wrong, I've even scribbled out a few "everyone lives!" scenarios but I've never been able to draw a single one... I tell myself that if a miracle happens and one day I'm scouted to make a Kirby comic or animated series or movie, something where I get to retell the world from the beginning, I would not have it so the "dead" characters die, if only because they are unique enough that I would want them around to use for future stories. Like Moretsu Pupupu Hour, with its funny Sectonia who is literally allergic to peace. Or that one manga I haven't read where Susie and her father run some kind of puzzle store??

But again, that would be a Kirby I had control of from the beginning.

I guess what I'm trying to say is that I'm proud of Kirby the series for not being so grimdark “realism” that Marx, upon blowing up, turns into meat pasta and instead comes back with a smile and laugh to kick exploding jester balls at people all because you waved a magic heart-shaped wand. 

And I'm absolutely content with letting spunky wizard Magolor mercilessly fight his way back through some sort of purgatory dimension and start life over as a medieval salesperson, building up good karma one microtransaction at a time. I think that stuff is important. (Well, not so much the microstransactions.) But I'm also proud of it for letting some characters... not come back. 

Dark Matter Blade is both a badass and strangely attractive (...just me?) for an eyeball made of dark matter but despite the fact that maybe all he wanted was friends, despite the fact that it's implied he rescued Gooey from Dark Matter and hid him on Popstar to protect him from Zero, despite the fact that he should have become a good guy and was instead used heartlessly by Zero like ammunition, losing the few marks of individuality he'd been able to keep thus far (his hair and armor and cape) he's just gone. He'll never join the others on Popstar. Never enjoy the warmth of a spring day or get to be a sibling to Gooey. He'll never even get to explain things to poor Gooey that they ought to know, and he was probably the only one who could.

It's tragic. It's upsetting. It's unfair.

And it's...important, much as I hate to say it.

Dess secret... but I actually get a little mad when people want Taranza to "...hurry up and find a new girlfriend and stop being in mourning all the time" because... I think it's okay for Kirby to have "a character who is in mourning." I suppose there's no real reason he can't be "character who was in mourning who was able to find love again" but I also kind of like that he's THERE as a character for anyone who has lost a loved one and is still sad about it. For those who haven't begun rebuilding their life just yet.

Gooey is the one who lost someone without every really knowing what he had/could have had. Susie is the one who lost someone and also has to get back to work because that's a real thing too.

I didn't really mean to talk about death and mourning in Kirby (for a second time) but I think part of me had to as well. At least if I was ever going to go back to regular posting. I don't even really feel as if I even captured everything there was to say. Like I said, I don't really have the words. 

But, yeah, anyway, if you've ever seen me politely push back when someone brings up Susie or Max discourse of the negative variety on my blog, hopefully you have a slightly better understanding as to why I respond the way I do.

[ritsukaaoyagi]

Hello! I am an adult (later 20s) who never read loveless. Do you think it is worth reading loveless from scratch? Or is it one of those artworks that is more enjoyable when you consume it at the right time/place/age.

I hope my question makes sense! I think some manga/movies etc are more enjoyable when you read at a younger age when it came out and then revisit with nostalgia. Versus reading years after its popularity/ intended age to consume

YAAAY ok sorry this might be so much bc I'm not even really sure how to put this all bc I'm insane about loveless... and my answer to this question sometimes depends on how pessimistic I'm feeling about loveless at any given time. I used to think that the "nostalgia factor" of loveless (or just being really obsessed with it as a kid) is what primarily contributed to my enjoyment of loveless, but I also really intensely hated loveless as a teenager and struggled to really enjoy it again until sometime last year, and I think this is mostly because I did re-read it at the "right time" in my twenties with a significantly different perspective on Life, and on the heavy aspects of life that loveless surrounds. so I do think it's worth reading loveless for the first time Especially if you're an adult... you would probably get a lot more out of it is what I'm saying, but then this also depends on the other kinds of manga/stories u like. but of course u probably already know what that would entail.

BASICALLY YES GIVE IT A SHOT!!!!!! I think it's so worth it but it's also really easy to be put off by it. I think the more structurally messy and I guess unpalatable parts of loveless are probably easier to deal with if you've been a fan for a long time, but then even this I think is really just dependent on the person...

sorry if this was not a really good answer or kind of confusing... I have thoughts on this but I didn't want to write too too much OHAOHRGWIHAJOH

[itadoriposting]

cant fully speak as i am not up to date with the manga so take this with huge spoonful of salt. as devastated as i have been reading the spoilers, i do have some thoughts. while i can 100% see how people find this last chapter frustrating, and agree to an extent, it does feel almost poetic in it's tragedy imo.

more thoughts under the cut

the satosugu of it all? we have to get this out of the way first. the way that both gojo and getu's bodies were used as tools and weapons to fight on the side of what they believed when they were alive, except it's contorted. gojo gets sealed because he's distracted by kenjaku in geto's body, yuuta appears as gojo because they cannot win without him. even if he lost. they were both just figureheads by the time they died, gods for their devotees to bow before. not to mention the toll on people around them, who have to live with this resurrected and came back wrong and yet somehow didn't come back at all because are you really back if you're just a puppet who's only purpose is to be used? they will always be intertwined. (also not to mention the physical appearances of the stitches, gege really went in with that one.)

also kind of love the call back to are you the strongest because you're gojo satoru or are you gojo saturo because you're the strongest? i've seen a few posts about this specifically in the tag and what the answer might reveal itself as. i don't know what it's gonna be, frankly, and i also don't know what i want it to turn out to be. i just know that it's going to be interesting, especially on the note of how gojo was really just a god to most people. he was The Strongest tm because he could do what no one else could. even he didn't really believe he could be defeated. was that because he was gojo saturo, who was at the end of the day permanently a little smug (though not without reason), or because he was the strongest, so he could simply acknowledge the fact? i don't know!

i think that for yuta and yuji and shoko, in particular, to have a chance at feeling any peace it needs to have been worthwhile. they've all sold their souls to win at this point, to beat sukuna, but especially yuta. who did what no-one else would or could fathom. (we do not support or accept any yuta hate on this blog thank u.) i also appreciate that it ties into the overall narrative of both jjk as a whole and the jujutsu society. it's a tragedy, and it's set up as a tragedy. for even the people who exist and live in this world. i hope that yuta doesn't end up dying as a result of this, though i know it's possible if not almost likely. i think there's a great deal of poeticism about a boy haunted by death once again kind of existing between alive and dead. his brain is alive, his body is dead. has he been a little bit dead since the day rika died? is that still why he can face all of this? i hope he gets a good ending, but i'm not really holding my breath for it. also i think the massacre of the higher ups was LONG TIME COMING. they claimed to want to protect the jujutsu world, but they did so at all costs, and honestly they were wrong often. having yuji itadori put to death when he's likely going to be the one to defeat sukuna. absolutely iconic, no notes. also i think killing the higher ups aligns with what gojo wanted most of all. he often said no one is supposed to take the joys of being young away from the youth, and he protected his students. two of which were going to be put to death by the higher ups if he hadn't stepped in. he said that his dream was to build a world where those kind of sorcerers would be able to run a better society, and hey after they defeat sukuna, maybe they will.

i know i'll have more thoughts about gojo giving consent for his body to be used after death, knowing that he was after all the strongest, but my initial thoughts are just that it makes sense, both for gojo as a character and because of the tragedy of the jujutsu world. death always walks beside them, they're always thinking about it. for someone as strong and vital as gojo, it makes sense to make plans for inevitabilities you can't prevent. especially after what happened to riko and how no one could save her, how gojo's first death lead to hers. even yuji, who has been a sorcerer for less than a year, is constantly thinking about death (and has died a fair few times himself). that's so much of the reason that he even joins the jujutsu world. he wants to have a Good Death and he thinks being a jujutsu sorcerer will lead the way for that. maybe gojo also wanted that. a good death where he was still able to serve people, even beyond it. a death that would mean he was able to uphold the society that geto, not radicalised geto but his best friend from high school, would've wanted.

this became a really long rambling essay, sorry to anyone who clicked under the cut expecting like concise expansion. thank you for reading this for this long if you did! like and subscribe for more of me dissecting the fact that gege akutami is absolutely a sadist wearing a chefs hat and we are all overheating in this kitchen

[fearfylsymmetry]

less of an ask and more of a compliment i love the way your tags are organized…”decay as a commodity” “bodies shifting in narrow spaces” etc is it your own original work or quoting from a song/poem/or something?

helloo angel and welcomee to the show, its always such a joy when people appreciate my silly little tagging system. they're all just random sentences i thought up ages ago, , just to make sense of the mess in front of you etc y'know how it gets love. i couldn't really get behind tagging things as "art" "people, faces places things" etc. i needed to inject a bit of flavour to the whole thing (let this not be read as a subtle jab towards any new york based tumblrinas , we're above that c'mon now). i wouldn't say these little phrases are "personal" by any means but they have been motifs i wanted to actively explore in the art i make so no harm putting them up here i guess haha

for posterity's sake i thought i'd just copy an explanation of my tags from an old ask

decay as a commodity : okay so i envisioned this as a way to just summarize modern living? i think of a whole blueish neon color scheme with this one. my line of thinking was,, with the world slowly rotting away and living becoming so expensive and exhausting, whats the one commodity we all share? wouldn't it be decay? aren't we all slowly fading together etc etc. i use this for images with cooler muted tones and anything with a futuristic vibe,, along with some grimey, monochrome photography

the setting dawn: this is the polar opposite of decay, i think of it as "hope beyond hope" a la Prior Walter's line in Angels in America. i know "the setting sun " might sound more natural but i think of it as,, dawn , when the sun breaks through - in this short period the world starts to wake. qs the dawn sets the day kicks in, with all its routine misery. Dawn i think, is the only time the sun is kind to you, because its still hidden away at least slightly. But the day truly starts and itbeats down on you. And yet we continue to live, past the boredom and the pain, we live past hope, past the quiet comfort of dawn. I use this for pictures with earthy tones and things on the more uplifting side

bodies shifting in narrow spaces: this has some overlap with the decay tag, im not as organized as i need 2 be. i use this for figures & portraits ill want to draw or just really any photography i like that features a human presence. think of it as people so dependent on an outside gaze they constantly try to reinvent themselves, or just, everyday people, getting less and less time to live, having to work and forcing themselves into relationships with any real connection

original sin and other contingencies: im trying to fit this in for more risque photography and maybe things on the more gory side. how do i explain this.. okay so... when there's nothing left to do you'll always have sin to turn to just yo keep yourself occupied, along with other methods/contingencies u get the jist

linen that lingers: my fashion tag nothing more 2 it

the canvas as testimony: for art that is made for the gallery or art that is held in higher regard i guess, more high culture. it includes painting, sculptures,along with architecture,, but maybe i should make an architecture tag. i think of the things here as more personal efforts

motion on a still surface: for art that is energetic and really pops off the page. includes comics, manga, fanart, animation. stuff here may be more low culture but really its not. i just differentiate these art tags as ,,one is stuck to the canvas whatever that canvas may be, while the other leaps off the page

word on a wing let me soar: books, poetry, articles, journals , all words that i adore

a conversation with the self: i wanted this to be for things that are very personal to me but i just use my other tags

angels in descent: my little funny haha tag for yknow ,,, funny haha. yknow the "devil's rejects" the movie? like its a way of saying people so horrible no even the devil would take them. okay so i thought " god's rejects " but that's lame. so i landed on this, like idk...imagine angels falling from grace

arcade shuffle: for my little viddy games lol. sorry for being a #gamergirl but yes it happens sadly ,,moving on

jet jump jive: for songs

at the pictures: for movies,, like imagine im going "cant talk im at the pictures wheee ^_^"

there is such a great distance between now and later: to track my art and writing progress but i barely use it cause it barely draw or write these days i blame the wave of despair that washeth over me

proof of concept: photos i took but there's like almost nothing here

misc that are just funny 2 me like i do it 4 a little chuckle i deserve it:

screw it posting hole - for hole the band

bowies in spaaace - for bowie, after the flight of the concords song cmon its a little funny at least cmon now

twink speaks- for twin peaks lol

[davyjoneslockr]

wait the mista thing reminded me do you remember that one quote murolo makes abt his stand being divided... what do u think that means if we apply it to mista bc murolo knows abt like bad company and the. other stand I forgot but he knew Things and ur the mista person.... so enlighten me if u can with ur very cool thoughts

YES I think about this so much. Like literally the first thing that came to mind when Murolo mentioned that was "wait. Mista though."

(For reference/anyone who hasn't read PHF, this is the quote in question:)

Obviously, by the time of Purple Haze Feedback, Mista has a "hollow pit inside," caused by the grief of watching his loved ones die and, very likely, having no other support mechanisms to process it (he's isolated from Trish, and his relationships with Giorno and Fugo are rocky, at best). At the same time, I think the Sex Pistols being a colony stand has to stem from something further back - after all, they've been a colony since he obtained them years prior (and his backstory seems to imply that, even before the stand arrow, they'd existed on some level, though they hadn't yet manifested).

If I can refer back to that Fugo and Mista post, I think what split the Sex Pistols might have been his very OCD-coded thought patterns. Just as All Along the Watchtower (a stand made from a deck of cards, which puts on performances with the "stage name" The Watchtower Troupe) reflects Murolo's belief that the world around him is flimsy and unstable, and that he can't trust anyone and must put on facades to avoid being betrayed; and how he claims Metallica, Bad Company, and Harvest reflected their own users' "hollow pits;" the Sex Pistols are another facet of Mista's life that give him routines and structure, even if it seems irrational to others. He actively has to take care of the Sex Pistols, feed them when they need to be fed, keep them in line behaviorally, etc, or he'll be defenseless, and tangible harm could come to him. Forgetting to, say, give the Pistols lunch would be, in Mista's mind, no different than taking the fourth slice of cake; in both cases, performing (or not performing) a specific, seemingly unrelated action puts him in danger.

The other thing that's interesting about the Sex Pistols, though, is that they're completely sentient. Historically, we see this with characters that have a strong resolve: Koichi, Trish, Giorno, and so on. At the same time, there's characters whose stands behave independently because they lack control over themselves - namely Fugo, to the point where Giorno expresses fear that Fugo dying without coming to terms with his anger/finding self-worth could cause Purple Haze to run wild like Notorious B.I.G. In a way, I think Mista's both; he has incredible resolve, yes, but it takes the smallest, most arbitrary thing to destroy that confidence. From his manga profile:

So the Sex Pistols are sentient, but unlike Echoes Act III, Spice Girl, or Gold Experience Requiem - who may act outside their user's conscious wishes, but always for the best - the way they behave is sometimes to Mista's detriment. They'll get distracted, fight with each other, feed into Mista's paranoia, and so on.

Going back to that Murolo quote does make me wonder, though - based on his theory as to why a stand splits into a colony, why aren't some other stands split? It would make a lot of sense for Purple Haze, Moody Blues, and Voodoo Child to be, for instance, because I'd say that Fugo, Abbacchio, and Sheila E all have their own "hollow pits" that shape them as people. Beyond Vento Aureo/PHF, it'd even make sense for Polnareff, Kakyoin, and Jolyne, off the top of my head. I'd even argue, if Keicho's obsession with his ambition is what made Bad Company a colony stand, shouldn't Giorno have a colony stand? Then again, maybe this implies something about Giorno - that, even if he tries to hide it, the people in his life are more important than his dream. Or maybe I'm just reading too much into this.

But thank you for bringing this up, this Murolo line lives in my brain rent-free and I've been looking for an excuse to talk about it with regard to Mista forever lol

[akai-anna]

HEY THERE MY LOVELY MUTUAL <3 <3 (I love when you reblog and queue my posts ur actually amazing ily so much I love reading your tags hugs hugs hugs <3 <3 <3 im in love, giggling kicking my feet everyday)

SAW THE CHARACTERS OPINION BINGO U REBLOGGED 👍 I GOTCHU

TAKAGI. BABY BOI OF DCMK (I remember seeing a poll rolling around somewhere about the most dcmk baby girl and Takagi won)

I will also have to have to ask you about Kaito HAHAH (my fav blorbo i will admit)

ok the thing is im from australia. choose an australian animal of your choice bc i am Intrigued. im not too sure how the bingo would translate though hahahah I don't think it would work very well

(feel free to also ask me anything or talk to me and about this bingo too >v0 b)

wait you know what i forgot LOL WE GOTTA HAVE THE PROTAGONIST DUO SHIN/CONE AS WELL. PLS

*LIGHTS UP LIKE A CHRISTMAS TREE* MY DEAR MUTUAL, HI CYN, HELLO!!!!

Firstly: WE'VE NEVER TALKED BEFORE BUT LET ME TELL YOU, I WAS (still am) SMILING LIKE AN IDIOT WHEN I SAW YOU SEND IN AN ASK! Yes, I keep track and i'm always happy to see you in my activity and my dash! (I'm also really happy to see we mutually share that feeling; I relate to the giggling kicking feet sentiment a lot.) I'm happy to have this chance to interact with you, in a sense, face to face! Bless you, darling, and I'm sending hugs right back at you.

Secondly: YOU HAVE EXCELLENT TASTE AND YOU HAVE MY ETERNAL ADORATION ESPECIALLY FOR ONE TAKAGI WATARU, he always needs more love, I FREAKING ADORE THAT MAN.

Thirdly: warning notes apply, as stated in previous asks:

I tend to interpret things liberally: only my own rules apply, which means ->

I check everything that makes sense to me, even if they might seem contradictory

The Character Opinion Bingo in question

Prepare for endless ranting. And as a certain someone says: さあショーの始まりだ わ!

I. Takagi Wataru

The Babygirl and Malewife of My Heart Personal Special Tag: #takagi is a good man

Points that I feel need a little elaboration:

I am so normal about them: I use the word "normal" as a synonym for "utterly obsessed with" and "absolutely love and adore". (I don't like the word in itself, hence, the only context I use it in, is this. But that is another story.)

*puts them in a salad spinner*: as in, the salad spinner is my brain, and he keeps rotating in it at high centrifugal force.

Canon isn't real if I don't look at it and That's a solid design right there: Detco Canon is... As much as I love it, I think we can agree it has its shortcomings/issues, and one of them is coming up. These two points go hand in hand at this moment because LOOK AT HIM!!! LOOK AT HIM!!! THIS MAN IS A BABY!!! LOOK AT HIM, HE'S PERFECT!!! THE SPIKY HAIR!!! THE SHAPES!!! THE COLOUR PALETTE!!! HE'S SO CUTE!!

I resonate with this particular video: his new design in the anime (partly thanks to the general Square-and-Pointy-fication) is just... THEY HAD THE PERFECT MAN. IT'S A CRIME. Bless that he is at least still cute in the manga, even if not the same way as in the early anime. The sharp cheekbones and soft looking hair have their charm.

My point is: THIS!!!! MAN!!! IS!!! A BABY!!!!

Literally I would kiss them and I want to BITE them: he makes me go FERAL with LOVE, and makes me feel like I want to gnaw on something or eat a whole fridge or scream endlessly into a pillow. I wouldn't do it to HIM (I'll leave that to Satou Miwako), but generally, the feeling is there. (Okay, I'll be honest, I would totally give him forehead, cheek, or hair kisses.)

To close his section, have one of my favourite bits about this Baby Of A Man. That poll was absolutely right about him, THE ULTIMATE BABYGIRL (and Malewife TM).

⊱✿⊰

II. Kuroba Kaito/Kaitou KID

The Local Mischief and Chaos Bringer Personal Special Tag: #the magical agent of chaos

LOL I DIDN'T EXPECT TO GET A BINGO, EVEN WITH THE FREE SPACE HAHA

Some points are the same as for Takagi, but here is elaboration on the ones that don't match:

Bastard, A Beast Unleashed and They didn't get bullied enough: let's be real. He's an Absolute Menace. And I sort of love that about him. Highly competent (competency makes me go weak), and if that is not scary (and hot) I don't know what. And sometimes he also goes too far (lifting skirts is not okay at all, Kaito) and needs someone to put a leash on him (or kick a soccer ball at him/chase him in a classroom). I feel that sometimes he needs a bit of bullying a challenge, to think about things. And again, honesty: I love seeing him suffer a bit, I love his Panic Moments LOL. Not in a mean way. But I also love how kind he is; the baseball chapter in the MK manga has my heart, and the Clock Tower Heist, and the Red Tear chapter... Not to mention the Nightmare arc. He cares about people and making others happy. I feel I went on a tangent here. Onto the bastard bit: he CAN BE SUCH A BASTARD AND I LOVE THAT ABOUT HIM TOO. Two of my favourite bits of Bastardry from him include 1) HOW HE DISGUISED AS RAN AND HOW HE BAITED SHINICHI AT THE VERY END OF THAT ENCOUNTER and 2) THE WAY HE SENDS SHINICHI CAREENING IN THE SIDECAR LIKE IT'S NOTHING (but also Shinichi getting right back at him and setting fire to the fckin fuel.) Pure Bastard Energy.

I want their gender: I love the way he is just so free-spirited about how he dresses/disguises. And I love the thought of him and Aoko doing outfit swaps (I blame that competition in MK for these. Also look at these delightful posts on the topic).

Canon isn't real if I don't look at it: I have... issues, with canon, you could say. Like the way he has no support system, especially bothers me. I would like to see his character treated with more care (be it MK or DetCo). I live for good character development, and I crave that for him.

To close this section, have one of my favourite conversations between these two menaces of nature.

⊱✿⊰

III. Australian Animal of Choice: Koala

Fun fact: I've been in love with koalas ever since I got a keyholder plushie from relatives in Australia when I was like... in kindergarten? Or early elementary? Also don't worry, *puts on sunglasses* I wouldn't have mentioned animals, if I thought I couldn't work with them.

Elaboration is needed here I feel.

I am so normal about them: I'm not as obsessed as I used to be but I'm eternally fond of koalas. Did you know their fingerprints are so similar to us they could be mistaken for human fingerprints? Or how they spend most of their time sleeping because the eucalyptus they consume is toxic? Or how they can actually swim well? Or how they are literally surviving by being Dumb As Shit because Being Dumb Saves Energy? Yeah, I'm totally normal about them.

*projects onto them like a mf* and I want their gender: Oh to be a koala, just existing, sleeping, sometimes waking up to eat some eucalyptus, then going right back to sleep. I want that.

That's a solid design right there: HAVE YOU SEEN THEM? SO FLUFFY LOOKING!!! WITH BIG CLAWS!!! THE BIG NOSE!!! SO SHAPED!!! NOT TO MENTION THE EARS!!!

They are so silly and They Sure Do Exist: how did this animal even come into existence? Weird lil creatures. THEY ARE JUST SO SILLY. THE NOISES THE MAKE. Like oh my god.

Literally I would kiss them: THEY JUST LOOK SO SOFT, HOW DO YOU EXPECT ME NOT TO BURY MY FACE IN THE FUR?

⊱✿⊰

IV. Kudou Shinichi/Edogawa Conan

*Prof Agasa voice* He has many nicknames, like Gremlin Child, Absolute Menace, Ultimate Baby, Lil Nerd, Walking Encyclopedia Son, or Disaster Child. I think I call him as many names as I do my dear Rosie, so that is quite telling LMAO Personal Special Tag: #the detective gremlin

HDSBSKDB DOUBLE BINGO (AND ALMOST 4 BC HE'S ALSO DET'S FAV, SO ALMOST CROSSED OUT PROXY TOO KSJNVKSVNJS OK, my love for him is showing, I guess)

EDIT: FCKIN TRIPLE BINGO AS @vampirecatsw POINTED OUT oh my god, I'm blind

Again, some thoughts on relevant bits.

*projects onto them like a mf*: THIS CHILD IS SO FCKIN NEURODIVERGENT, AND I FCKIN RELATE, ALSO HE LOVES AND CARES SO DEEPLY IT HURTS AND I RELATE SO HARD.

A Beast Unleashed: another MENACE OF NATURE. You cannot let him roam free, he finds trouble like it's Breathing. Also love it when he goes ballistic. Or when he shows how competent he is. Like GOD. HE'S AMAZING, and he's a danger to criminals and himself, mostly.

Everyone else if wrong about them: not EVERYONE, just... some people. We agreed with a friend that some of our issues in portrayal lies with the fandom sort assigning him traits that Hakuba has, but not Shinichi (Hakubification). Of course, people can have their fun with it, but it's not for me and have my own opinions on the matter.

Canon isn't real if I don't look at it: again, DetCo has issues. Like the lack of continuity/ erased character development, or not bringing up issues ever again, and the like. Early DetCo was GOOD at these, and I miss those times.

That's a solid design right there and I fuck with this aesthetic so hard: HE IS!!!! SO SHAPED!!!!! SO ROUND!!! (or at least used to be) THE GENTLE CURVES OF HIS FACE!!! THE SILLY HAIR!!!! NOT TO MENTION HIS FCKIN WARDROBE!!!! I'M OBSESSED WITH HIM!!! Also, I have a huge thing for blue eyes and dark hair combination, not to mention the glasses... I'm fckin weak for glasses... god. He just hits all the right spots in my heart and brain. (Not to mention his personality, I WANT TO CRY I LOVE HIM SO MUCH-)

They didn't get bullied enough: I live for others teasing Gremlin Child. It's not quite bullying (never HURT HIM FOR REAL, I'LL CRY), but he needs to be TEASED MORE FOR SURE. I guess Bastardry also fits into this, that's good too.

SQUEAK: sometimes he is just so DUMB I want to SQUISH HIM HARD OR SHAKE HIM. I LOVE HIM, I SO DO, even if he is an idiot at times. God. I love him.

Literally I would kiss them and I want to BITE them: HIS CHEEKS ARE SO PERFECTLY ROUND I WANT TO CHOMP ON THEM. ALSO ALL THE KISSES TO HIM!!!!! BABY BOY!!!! GIVE HIM ALL THE KISSES!!!! AND HUGS TOO!!!

Bastard: the way he FCKS WITH SOME CRIMINALS. OH MY GOD. THE WAY HE IS SOMETIMES A MENACE ON PURPOSE. THE WAY HE SOMETIMES GETS SO ANNOYED HE JUST GOES FOR HIS WATCH. Also the way he is an absolute bastard to KID. His attitude is just so. *chef kiss* Love a menace of a child, HE'S AMAZING. HIS RAZOR SHARP SMIRK, THE MISCHIEVOUS CHILD FACE.

I have way too many favourite bits related to this boi. So. Have these random screencaps from my DCMK folder.

I hope you have fun reading this madness, Cyn! I HAD AN ABSOLUTE BLAST, YOU HAVE MY ETERNAL LOVE, may you have an absolutely blessed day, dear.

[amoneki-ramblings]

oh and also idk if the amoneki blog is the place to ask but can u tell me about ur opinion of eto :]

OH HELL YEAH !!!! I should've clarified, I'm cool with asks for anything/anyone, unfortunately I might not have as much to say for some characters/ships since. I'm still getting through the manga orz but I'd down to discuss anyone!!

Also sidenote but thank you for sending two asks?? I'm answering this one first since the amoneki ask will take me. A while. But also I read this and immediately went "eto !!! eto holy shit it's her!!" so I must get the energy out (and hope it's coherent)

How I feel about this character:  Goddd Eto is so fucking Cool as a character. She has so many things I absolutely Love in one character. She's an absolute monster in terms of power, eldritch-like, she is a horror beyond anyone's comprehension and I love her so much for that. When she made her first (I think) big appearance in :re (Volume 5. The Kanae Scene) I loved her sooo much more I love her fucked up-ness, I love her Apple and God Thing and 'breaking down people's idols and becoming their god' because I Love religious symbolism. She's so ominous and formidable and she has such a fucking presence, it's amazing, yet at the same time we still see the same loneliness in her that's prevelant in the majority of Tokyo Ghoul, but maybe even moreso. Throughout the series it's shown how important parents and family are and how they've shaped the characters and give them drive (especially considering almost nobody has both parents. alive, and it effects everyone So Much it's a constant theme.) And obviously Eto couldn't really. Have that. At all. And it fucked her up definitely. The loneliness is overshadowed by. The Monstrosity (which makes sense of course, because that loneliness also brews Hatred for the world) but it also cuts through in things like her writing as Takatsuki Sen (which Kaneki obviously picks up on and relates to), the way it shines through when she's able to deconstruct others' desires and wills and suffering (after all, one must experience suffering themself to truly understand someone else's), and the slight respite with Aogiri (man. I wish to know more of her dynamics with the members/executives so bad) god I love her so much, she also has such a cool character design I'm in love with it, I can't wait to see her even more in :re.

All the people I ship romantically with this character:  Hmm since she hasn't made too many major appearances with individual characters so far none really yet? However I feel like I may grow very intrigued in etoken, two people that share loneliness, they're also a little fucked up I think they could be interesting together (I'm certain they're gonna interact more later also i've seen. the eyeball scene (on accident) and honestly yeah that's my kinda Weirdness))

My non-romantic OTP for this character: Again I want to see more of her appearances/interactions with others more first !! But I'd honestly be happy just to see her interact with the other Aogiri executives more, it's pretty entertaining and it's definitely my kinda thing

My unpopular opinion about this character:  I guess I wouldn't really know if anything I thought is considered unpopular haha, I just kinda like her all around okay?

One thing I wish would happen / had happened with this character in canon: Well, currently I just want to see her more in general, although I think seeing more of the ways she can totally screw with people would be great, she is so Psychological Horror and I fully support it

my OTP: Again, none yet but there may be Something on the horizon

my cross over ship: Honestly I don't really have any crossover tg ships

a headcanon fact: I am taking this opportunity to increase the religious undertones tenfold. She can pull out So many bible references on the fly (that a lot of people probably don't get) and definitely weaves them throughout her writing (Kaneki canonically knows things from the bible, more than the average person at least, so he would absolutely pick up on them). I think she'd have some very interesting thoughts about the bible and what it says about humanity and the idea of God itself, and she definitely owns one somewhere

Hopefully that wasn't too long orz Anyways yes I see Eto in my inbox and I jump up and down in excitement I don't have a coherent list of favorite characters but she is definitely Somewhere in there and I'd let her rip my limbs off anyday Eto my beloved

[bythepen98]

My childhood ship❤

I love them so much and seeing snippets of their relationship in the new series is heartwarming.

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(Ignore the rest if u don't want an essay. Might regret this when i wake up tomorrow idk)

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.

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They'll always have a special place in my heart. I do acknowledge the criticisms I see from other fans about the pairing (and of Sakura's character in general bc the writer apparently sucks at writing women?) but I also don't know if I have the right to say anything against it as someone who only watched the og years ago as a kid on TV and not shippuden. Didn't have Internet and I don't think the series popped up in cartoon network or animax so I eventually forgot about it. Now the length alone is too intimidating and I barely watch shows in general anymore, so most of my shippuden knowledge are actually from all the fics I've been reading. I just want to like the pairing as they are and my younger self would've been screaming/crying in happiness if she'd seen these shots.

.

On a different note, I grew to love Naruto in general again after taking the plunge to read the fics (before that I've been binging hp fics). Maybe not enough to watch the show or read the manga, but enough to love the characters themselves and their relationship with each other. I want to draw more fanart of them but there's also that hesitance where I feel like a poser since I don't know the shippuden canon context like other fans. I feel that way with other shows that I've watched but never finished, and with genshin too(I tried playing once but it was too big for my phone and pc. Plus I'm just not that kind of gamer. Still want to draw some of the characters). I'm not sure if I'm making any sense but this thought has been bugging me for awhile and I just wanted to express it out loud. Maybe there are other content creators like me too who only watched a [small] part of a show or game but adored the characters enough to draw/write multiple pieces of it.

[kae-karo]

What got you into Katsuki and Shoto as a pairing? And what is it about their dynamic that just makes sense to you?

oh hi hello dear!!! stellar question and funny answer - the shortest version is uhhhh basically indoctrination LMAO

so for those who don't know, rose is a very devoted tdbk/bktd shipper and while we were both into bnha at the same time for quite a while, i was more focused on dabihawks? but between reading her writing and general exposure via her connection to the tdbk community, i was like oh u know what i could vibe with this?

and i think any time u have someone to talk to abt smth it's more fun to roll it around in ur head y'know so i was overall thinking abt it more, and had a few places where i was slipping it in as a background or secondary ship in other fics, and then writing some ideas straight tdbk/bktd? slippery slope lmao

as for like. WHY i ship them/what abt their dynamic makes me like. enjoy them? i think one of the core things (as i spent some time thinking abt this) that stands out to me is the consistency of actions as a way of communication over words?

bkg is very much a 'actions speak louder than words' type character - it's functionally in everything he does in canon, all the ways he's trying to make up for what happened with deku, etc (bear with me as i am not completely caught up on the manga so my knowledge beyond a certain point is a lil vague)

and then you have tdrk who spent his childhood listening to how great his father was and hearing his father tell him this was for his own good, so he'd grow up to be a hero to surpass all might, etc, while his actions told a very different story. and, in the end, it was his actions that influenced tdrk's feelings for his father

so there's just...i think this underlying layer of compatibility that lets them both step beyond words and it makes for a very interesting dynamic, writing them at least? they also have some really fun insecurities to play with and very interesting ways of having the other character address those insecurities, not to mention they're both emotionally constipated lmao

i think part of it is just indoctrination + fun characters to play with? and the other part is like. once i got to playing with them and digging a little deeper, i started seeing how interesting their specific dynamic was to poke and prod at and elaborate on lmao

tyty for the ask dear!!! <3

[fuckblizzardbearlover]

LITERATURE FOR DUMBIES

So a huge problem in all fandoms seems to be a server inability to understand basic literary devices/tropes/ and story structure.

Its definately ok to not be an expert, however you all should consider that if something seems off or wrong to try to do what people have done with literature for thousands of years, discuss it.

"I dont understand this story thread" "what was the point of X" "why is the story focusing on this side character"

Almost every "these new episodes/movies suck" rants are basically those but instead of asking, just declaring the trained professional writers are bad or stupid.

Like...its ok. But when i was in school in a classroom or 30 students only half actually did the reading and a fraction of those understood it and a fraction of THOSE understood the nuances. But thats why book clubs and literary events and classes EXIST. To be a safe place to discuss things. And NOT rant and insult the writers.

So here is a few major tips i see as problems for alot of people.

1) in almost all media the characters do not represent the authors opinions. They can align and in some the story is an excuse for the author to speak certain opinions, but most characters have a specific personality. And an authors challenge is to think about how they would interact. So just because a character is giving a speech about, idk , how all people are selfish, doesnt mean the writer thinks that. It means THAT character thinks that

2)related: characters lie, have flaws, motivation and biases. People dont have 20/20 future hindsite . It literally makes no sense to say "this character should have done this ". THAT character? Had 5 seconds to make a decision. If u soent more than 10 minutes thinking about an alternative you have already negated your own argument. People are ruled by emotion and prejudice. Further people propogate propoganda. In Black Panther Killminger wasnt a revolutionary. He was blatantly using propoganda to justify his actions to himself and others. His real goal was to gain control of the worlds most powerful military so he could be a tyrant. This is explicitely shown in the movie by him aalting the earth and using his new power to immediately attack the people he claims to want to free. No killmonger wasnt "right". Nakia was, she was depicted FROM THE START as using wakandan resources to help her kin around the world, killmingers first act was to solodify power and destroy wakanda's culture, independance and people. Thr villain speech is a tool for the villain to trick themselves into thinking they are the hero, or to sap the strength of the hero, or as a mirror for the heroes character development.

3: exposition and character development is not "filler". Filler is trivial screen time meant to stall, usually because the writers are behind or having trouble and is most prominent in anime because they are adaptions of manga which might be unfinished. I.e. naruto shippuden wasnt finished so the show writing team made up a whole au story that wasnt in the manga to stall.

Episodes or movie scenes can do multiple things. They can world build or set the tone, introude story elements. Sometimes a scene in a movie exists just to give a break or give whimsy or an emotional reaction. The opening of the men in black was meant to start the audience with chaotic whimsy to get them prepared for the chaotic story coming, a comical scene in a shakespear play exists to return the audience to a neutral stare between dramatic scenes. Beach city episodes of steven universe exist to focus on stevens character development outside of battle because the story is about HIM not some space war. Non din jarin episodesof the mandelorian exist because the story isnt about HIM its about "the mandelorian" which could be any mandelorian and in s3 explicitely about anyone who identifies as such. The story is about their culture and how it fits in the space opera, not one lone space dads journeys with his new kid.

4: the story exists because of the intent of the author.

You can interpret art how u want, however any criticism has to be made with the understanding of what the author wants. If u want a story to be about something, thats cool but you can be disappointed if its not, but your criticism should not include that. Because the story is what the author wanted, not what u wanted. U want this kids show to have less fart jokes and season long character arcs? Well to bad, thats not why they made it. U want this show to have a positive story? To bad, they specifically made it to be trauma porn. You dont have to watch it, you dont have to like it. But u cannot be made when aomeone gives u free cucumbers and they turn into pickles and not tomatos.

Feel free to ad

[cursedvibes]

you!!! you get it!! yuki's entire existence feels like such a slap to the face for the spvs. shes the only one that escaped n has a ct but she still ended up fighting n dying for tengens sake, despite building up herself from the ground (i dont think the higher ups wouldve rly empathized with her situation, most definitely made it wayy more difficult to deal with, if geto n gojo had such a hard time she prolly got much worse 💀). i wonder what it wouldve been like to hear all the spv xP but alas we can only hope gege remembers this bit....yeah honestly i wish we got more drama out of their interactions n a bit of yukis own childhood instead of choso crying abt his brothers for the nth time 😭 pls tell me more abt the thoughts u have abt those two its always nice to read see ur thoughts (me who has read every single kenjin fic on your ao3 😁😁😁) the tengen situation rly showed who all read the manga n who all just saw the pictures n came up with their on hc for the situation 💀

Thank you for reading my fics <3 it means a lot to me

Well, we don't know if she's the only SPV with a CT, but I'm sure it's why she was able to escape. Riko doesn't seem to have one and that might be one of the reasons why Tengen saw her as an ideal candidate. We don't know about the other two that got merged, but it would make sense for Tengen to choose the ones that would have less means of defending themselves. The Heian one might've had one because that was probably still more of an experimental phase and she might have had less options, unlike now where there are multiple popping up in one generation and she picks the ones with characteristics she likes most and who probably also have a closer match.

So Tengen most likely knew Yuki's CT, but didn't tell the higher-ups, since Kenjaku got their help, but couldn't find it out. They basically promoted her to special grade based on mission results and I assume a good word from Tengen. That might've also helped her break through the glass ceiling of misogyny. As we see with Maki, it really doesn't matter how skilled you are, you can only advance as far as they let you and if you're a woman or they don't like you for some other reason, you're not getting anywhere. But she had her results to show off and what Tengen says goes, so they couldn't protest. It's impressive that she managed to keep her CT and status as former SPV a secret for so long, although the foreign missions definitely helped there.

I'd also like to have a bit more background on Yuki. Did she have the same religious upbringing as Riko? She was likely groomed into a sacrificial mindset too, so what made her be able to resist that? Did Tengen wait too long and teenage hormones ruined it for her? Just natural instincts? She is very rebellious in general after all. How did her first meeting with Tengen go down? So many questions that will likely never get answered. But that also means there is no limit for how we can imagine it all happening.

It's a real shame that Tengen and her intentions and past never really got questioned by anybody besides Kenjaku. Yuki has her complaints, but she ultimately doesn't do anything about them. Gojo suggested at one point to kill Tengen if she wants to force the merger with Riko, but apparently completely forgot about that once Toji came into the picture. He was so close to the root of the problem, but then didn't act on it. Riko would've died anyway, even if Toji wasn't around, just in a different way. And even if they managed to rescue Riko, it would've been some other kid that got sacrificed in her stead.

Mind you, I don't think Gojo could ultimately do anything against Tengen, certainly not at 16. He wouldn't even be able to touch her and she knows the capabilities of six eyes users better than everyone else. But I feel like an effort should have been made. The issue should be addressed. There could've been a lot of interesting stuff between Tengen and him too. After all, she also created him to make him protect her, so if he went against that, that would be a nice source of conflict. But I don't think he knows about his purpose and will likely never find out about it.

Either way, I would've liked more skepticism of Tengen in general. Kenjaku brings up right to Yuki's face that there is something very important about the Culling Game that Tengen has been keeping from them, but nobody fucking listens to them. It's so frustrating. Megumi also brings up that they should maybe not 100% trust Tengen, but nothing comes off it. The kids get so caught up in their plans and the opponents that keep popping up around them, that they forget who put them in this situation in the first place. That's how Tengen likes things to go I guess. Make people just forget about her and that's how she keeps getting away with it. And she relies a lot on the influence she established early on.

[seeingteacupsindragons]

Random question but i just started learning Japanese again (I did make an attempt a couple years ago but didn't learn much beyond the script and rudimentary vocab & sentences) and would love to know if you have any learning tips for a newbie! anything that helped you in your learning process is welcome!

(& are classes necessary or can it be done fully online & with books?)

My journey to learning Japanese has been full of fits and starts has been ongoing in some capacity since I was about 12, I think.

Anyway.

I did take a few classes in Japanese in college, which I think helped a lot: it taught me hiragana and katakana, which are just. Vital. And a few other bits and pieces. And then I let it rust over, because...well, college classes gave me some useful starting points, but it wasn't...a good way for me to learn a language.

When I picked it back up again, I had a few new things on my side:

Knowledge how to find and obtain Japanese content, both written and spoken, to actually try to understand

Friends! Who spoke! The language! And who could help me get over my terrible anxiety at actually trying to use it. And give me resources like recommending the dictionary I use and a couple of reference guides, and one even gave me her old class notes. I didn't really have friends to check in with on my understanding before, which made a lot of things harder.

Social media aka actually seeing people using the language naturally and not as a product of fiction. Super helpful in learning natural speech!

Etc.

I think if you have katakana and hiragana down, and some idea of how particles and grammar works, it's worth picking up some easy reading or kid's TV with a dictionary to see how accessible it is to you. If you can manage at least kind of, then that's a path you can take if it helps you. If not, you might need more formalized support to get to a place where you can self-learn.

It really all depends on how you learn, I think, and how inclined to languages you are, to figure out what you need.

Self-learning has been really, really good for me, but well. I'm that kind of person, and I'm the kind of person who grammar just. Makes sense to, hence my career field in "fixing people's grammar." And it's also fair to note in addition to Japanese classes, I took Italian in high school and my major program in college also included a number of grammar and linguistic classes to understand how...those kinds of things work.

So self-learning works for me, because of who I am and the basics I have in languages and grammar as concepts. This may not be the case for you, and that's fine! Classes or formalized programs can be really, really helpful for people who need structure or aren't good self-starters, none of which are bad things, but require different support.

Anyway, I hope some of this helps, and if not, I guess you can try asking again in a different or more specific way.

I've also talked about this a couple different times that might help?