#some will be a little much ✨

[okmcintyre]

[egophiliac]

I have SO many thoughts about everything and they are in no kind of order yet, so here's just some quick little bits in the meantime!

I am not normal about any of these characters!

[starry-bi-sky]

Stuck in the middle of a forest made of

Flesh and bones and they're all scared of

A lost little boy who has lost his heart

Fear's not enough, they have to

Tear him apart —-------

There are two things Daniel Fenton knows that his family knows as well: 

He’s adopted.

He can’t remember anything else before that.  

‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 

What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 

When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.

(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 

The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.

It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 

The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 

His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.

(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 

(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 

They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  

(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)

Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 

He turned back around and went inside.

—-------

Where do we go

When the river's running slow

Where do we run

When the cats kill one by one

—------

One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  

He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 

It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 

He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 

Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 

(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)

After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 

He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.

—------

Hazel beneath our claws

While we wait for cerulean to cry

Unsettled ticks run through time

Enough for the hunt to go awry

—-----

There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 

He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 

Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 

(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 

(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  

He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 

A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 

He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 

His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.

Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   

—-------

Harpy hare

Where have you buried all your children?

Tell me so I say

—-------

When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 

Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.

He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.

Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 

(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)

(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)

(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  

—--------------

It clicks and it clatters in corners and borders

And they will never

Hear me here listen to croons and a calling

I'll tell them all the

Story, the sun, and the swallow, her sorrow

Singing me the tale of the Harpy and the Hare

—-------

More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 

Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 

His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 

They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 

It is a fast dream. 

His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.

His brother, face obscured in all but his eyes, which are green as emeralds, nods. 

The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 

The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 

His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 

(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 

—---  

She can't keep them all safe

They will die and be afraid

Mother, tell me so I say

(Mother, tell me so I say)

—-------

When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 

The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 

(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 

(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   

Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 

(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)

—------

Seeker, do you ever come to wonder

If what you're looking for is within where you hold

Will you leave a trail for them to follow a path

You'll soon forget

Home

—---------

When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 

When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.

‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 

He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.

He ends up calling himself Phantom. 

(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 

----------

Home is where we are

Home is where you are

Home is where I am

-----------------

Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.

[swampybogg]

Twin WIP!

[heymrspatel]

bartender ian seeing mickey walk in through the doors of The Rosewood Brewhouse

🍺🌷more florist mickey and bartender ian!🌷🍺 more flowers and brews drabbles here! @deedala's companion florist mickey art here! 💙✨

[mangywayway]

[kaidanalenkosprmanager]

THE BEST OF PRIORITY: THE CITADEL (PART 2)

Featuring: Cmdr. Sophie Shepard, Lt. James Vega, EDI, and Maj. Kaidan Alenko With: Councilor Donnel Udina, Councilor Tevos, Councilor Laiel Sparatus, Cmdr. Armando-Owen Bailey, and Kai Leng And a Special Guest Appearance by: The Illusive Man But sometimes the way a thing goes down does matter, Sophie. Later- when you have to live with yourself. Knowing that you acted with integrity- then it matters. Mass Effect 3: Legendary Edition (2021)

[coconut530]

HE HAS RETURNED TO US

[tricks-n-illusions]

[Reaction to this post] - [Lady Ombre belongs to @ask-noonescity]

Alts have been added for smaller text.

Silas pulled his hand away in response, he wasn't expecting rebellion towards his threats, especially one he said with such confidence. The sudden physical contact made him cringe, despite his face being hidden his body language made it obvious he felt discomfort at being touched. He didn't like that, not one bit, her lack of fear was unnerving and the sinister grin she gave made his skin crawl. It felt like the power and advantage he had over her was suddenly pulled out from underneath him. He didn't have control over the situation anymore and that terrified him.

As she leered back everything in his body was screaming at him to run, yet just as before when faced with something much scarier than himself he froze like a deer in headlights. He didn't know how to react, he didn't know what to do and he was so confused by the situation he didn't even realize the unexpected stinging pain that was quickly starting to dig into his fur. It was only when he felt his mask finally beginning to slip that his panic and self-preservation finally kicked in.

"Please stop-!" Silas yelped out in fear, his claws were franticly clawing at the vines but he did little damage to them. It was like all his efforts to escape meant nothing to her, he felt so helpless and scared. Of course, he would die this way, a victim to his own stupidity. His breathing quickly spiralled out of control as he felt the vines begin to tighten, he didn't like this. It all felt so sickeningly familiar to him, the pressure around his neck, the way he gasped for air and panicked, it was all much too close to something from his past. This had happened before? Hadn't it? This was something he was acquainted with, something he knew well. She always did this to him, just another punishment on the long list.

And for some reason, everything in his mind couldn't stop him from melting back into those moments. She was here again, wasn't she? Back from the grave to torment him? Despite everything he knew, every logical thought denying her existence in the present he couldn't shake the thought. In one last ditch effort to ease his anxiety, he opened his eyes... But that only gave him a passing glance of a face he knew well.

Lady Ombre was truly gone, her words falling on deaf ears as she lectured the fox. All that replaced her was the terrifying memory of a ghost here to hurt him once more.

Silas franticly kicked and squirmed in the air, his tiny paws were desperately attempting to tear at the magical energy around his neck. Seance merely looked on in annoyance.

"What are you good for if not? You really don't know how to do anything, do you?" Seance scoffed, her magic was slowly tightening around the fox's neck more. Her grip easily constricted his airway. "I asked you to kill... one person." She held a singular claw up as the tiny Giratina spirit drifted around her, "But you couldn't even do that little fox, could you?" "Why do I even ask you to do things, what are you worried they're going to hurt you?" She laughed as Silas struggled. "You should be more scared of me than some stranger, did you not learn what happens when you don't listen? Was the tail not enough? Do you need another reminder?" "What's next, Hm..." The ghost hummed, pacing around the fox in thought. "How about an ear, or maybe." She suddenly grinned as her eyes darted back to him. "An eye? Oh, you'd love that, wouldn't you? Every time you'd open your little eyes and realize you can't quite see the whole picture, you'll remember me and think about how much you should have listened... How does that sound, hm? Or I could finally just kill you?" Silas frantically shook his head in reply, the air he was able to breathe in was getting more scarce by the second. "You're right. That'd be too merciful, someone as horrible as you doesn't deserve mercy." With the last bits of air he could get the fox gave a broken plead. 

"Ugh, Seriously?" She groaned.

Silas hit the ground with a loud thud, the sudden allowance of air instantly threw him into a coughing fit. Seance however just stared down in irritation, her ears twitching with every sharp cough. "Are you fucking done now?"She asked in irritation, she obviously felt no remorse for her actions. "Stop the dramatic coughing fit, you're not getting any sympathy from me. You want sympathy then why don't you crawl your way back to your human, hm?" "I'm sure she's stupid enough to reward your misbehaviour with pets and kisses. You always did like being a little pampered pet, didn't you? Having a soft bed and food in your bowl~" She mocked. "Disgusting really, you pets are all the same." Silas only continued to cough before he made a weak effort to stand.

He only looked down in shame, despite her scolding, tears quickly began to fill his eyes. But there was no sadness, no emotion to go along with them all he felt was a disconnect from his surroundings as he drifted back into reality. [ . . . ] It seemed Lady had let go of him long ago, but he was too stuck in his head to have noticed. He only sat there in silence as his hand cautiously wandered to the place where the vines were. The presence of pressure still lingered even if the vines were no longer there. He seemed confused, unsure why Lady Ombre didn't simply kill him when she had the chance.

Just as she left the fox made a frantic scramble for his mask. Tears were beginning to well up in his eyes, all he could mutter out was faint repetitive apologies as he shakily took the kitsune mask in hand.

Once he felt it in his hands a faint calmness washed over him... He took a long moment to stare at it in silence. His claw was gently scratching at the smooth surface of the mask, a feeble attempt to help ground himself in the present day. He still seemed extremely shaken up from the interaction with her. His hands were unintentionally trembling, and he couldn't stop his tears from worsening as moments passed. He was so tired of this, he was so tired of showing weakness and letting strangers have power over him. He was getting so tired of people treating him badly, pushing him around, finding new ways to get under his skin and bring him to the pathetic tears he struggled to hide. "Everything is fine..." He muttered before he finally flipped the mask, completely set on using it to conceal any leftover tears.

"Why do I always do such stupid things…"

-> Oh? What's this? Seems Silas will remember this interaction. Lady Ombre has been added to the relationships page. -> Silas has been... slightly injured and will have minor scratches going forward.

[marclef]

kinda wish more people draw pizzahead & fake pep together like as a creator/creation duo. idk if it’s 100% canon that pizzahead made fake pep but it just seems like a fun concept

i just want to see them being silly lol

i do love seeing everyone's takes on Fake and Pizzahead together hehe, it's always either:

a. Silly Goopy Creature with his loving supportive father

or b. Goop Creature traumatized by his own creation, probably would tear Pizzahead to shreds out of revenge

as for me, well, i've got my own headcanons/take on their relationship.......... let's just say Fake might not be too happy about seeing Pizzahead any time soon. it'd probably take a bit to explain exactly WHY, but i won't bother you with that unless you really want to hear it.... hehehe....

but i DO still love seeing some nice interactions between the two! maybe just because i like seeing some Goofy Goober content to go alongside the occasional Ungodly Horrifying Monstrosity 😊

look at this boy and tell me he's not allowed to be Silly.

[good-beanswrites]

hello beans!! hope you're doing well 💜 ^w^ I know you've probably gotten a lot of requests - but I'm gonna add to that pile anyway because it's fun and also your writing is wonderful and always cheers me up to read!! I'm so inspired by your drabbles and you really bring these characters and this little world to life ;w;

From drabble list #1:

14. "Please tell me, this is not why you woke me up."

Character(s): honestly anyone, but my gut was saying Es as soon as I saw that sentence so... up to you!

Woo thank you pal, same to you!! Thanks for your kind words ah ;--; This is the perfect line for Es omg, I've been cracking up over it for so long 😂 I was tempted to write them waking up for T2, taking one look around and going "uh-uh," but decided on some T1 comedy...

Es rarely dreamed. Usually it was vague images and thoughts. Sometimes it was just them thinking about breakfast the following morning. Occasionally they were plagued by a nightmare of being forced to sing karaoke with the prisoners. Most of the time, though, it was just silence that welcomed them at the end of the day. Wonderful, peaceful, silence.

BANG-BANG-BANG!

Someone slammed their fist on the door. Es just about fell out of bed.

Mikoto’s voice came from outside. “Oi, get up! There’s been… uh… an incident!”

That was the last thing a prison guard wanted to hear at -- Es checked the clock -- 2am. Damn. 

They muttered to themself as they threw on their uniform. Why the prison’s cells didn’t lock was beyond them. Some of the prisoners were more troublesome than others, but the first trial had been going smoothly thus far. Why now? 

Their mind flashed with various possibilities, each one worse than the last, all urging them forward. By the time they were running down the hallway, their shirt buttons were a row off, and they had to switch their shoes to the opposite foot. They adjusted the cap clumsily on their head.

Fear gripped their chest as they heard Jackalope’s voice crying out for help from the panopticon. Jackalope never called for help. 

Es burst into the room. The prisoners froze, looking up guiltily. 

They sat in a huddle on the floor. Yuno and Muu held the little furry warden over a tub of sudsy water. Bottles of soap and shampoo sat nearby. An assortment of brushes and combs sat to the side. Splashes of water spread across the prisoners and ground, speaking to several failed attempts at getting Jackalope into the bath.

Nearby, Mahiru was holding up the tiny guard’s uniform, her sewing kit spread out on her lap. Es spotted bandages on Yuno’s and Kazui’s fingers. Shidou was currently dabbing blood off Fuuta’s nose as he fumed. Jackalope leaned over to nip at the hands holding him, but Yuno and Muu held him fast.

“Es!” came his frantic voice as he thrashed around. “You gotta help me! Make them stop, dammit!” 

From the group of prisoners who had been watching from a distance, Haruka turned to them. “Oh! Es! Th-they thought that he needed a -- uh, a bath! His uniform had a h-hole, and Mahiru can s-sew! And they thought, they thought we could do it all t-together… Muu called it a -- a spa night…” 

“At two in the morning?” Was all that came to mind.

“We tried to get him to do it earlier today,” Muu said, “but we didn’t get a chance until now.”

“They didn’t get a chance to kidnap me, she means!” He squirmed around some more, swinging his antlers wildly. “They hid around the corner and nabbed me like the filthy criminals they are!!”

Yuno said, “hold still,” as she brought him closer to the water. He kicked his feet wildly, screaming at Es to show a little authority and do something. 

“Hold on a second,” they stopped her.

They closed their eyes, pinching the bridge of their nose. They took a measured breath. They were here to contemplate sin and crime, guilt and forgiveness. Their job should have consisted of questions about morality and life and death; they never anticipated looking around their prison and asking, “is human shampoo even safe for his fur?”

Kotoko spoke up from the other side of the room. “That’s what I thought, but is he really a rabbit? He eats human food and everything, we didn’t think a bit of soap was that different.”

Jackalope disagreed (“that stuff is as bad as poison -- poison I tell you!”) but the others chimed in with their agreement. From around the room came promises that they were being gentle with him, and that they’d keep quiet, and that they’d dry and brush his fur really well when they’d finished, and that they’d feed him treats, and that his uniform was already good as new, and so on. A few complaints at getting bit mingled with Jackalope’s own insults. 

“-- Alright.” Es held up a hand to silence them all. They knew a warden shouldn’t be making compromises with their prisoners. At the same time, they didn’t have the energy to argue about bunny baths at this time of night. “You can continue, but wash him outside of the tub. And go easy on the shampoo. Any mess you make must be cleaned by morning.” 

They were met with excitement and thanks. Jackalope grumbled that they were too soft, but he sounded relieved as he was whisked away from the dreaded bathwater. 

Es sighed. There may have been a few bites and bumps, but that was all. No emergency, no fight, no danger plagued Milgram tonight. Their relief quickly turned to annoyance. They leveled their gaze at Mikoto as he entered from the hallway behind.

“Please tell me this isn’t why you woke me up.”

“Huh? Oh, this? No, no -- we have everything under control. Aw, Mappi, that looks great!”

He pointed at her sewing job, revealing bandages on his hands as well. It looked like no one was safe from the rabbit’s little teeth… Then Mikoto jabbed a thumb casually over his shoulder. “Nah, the faucet in the men’s room broke when we tried filling the basin. The whole room’s flooded now. I think it’s gonna start spilling into the hallway soon.”

“WHAT?”

[deus-ex-mona]

chat, would you cancel her for $1

[mad-hunts]

so, i'm gonna give y'all a warning for this post immediately because i have yet to talk about this on here besides with one or two people, and the last thing i want to do is make anyone uncomfortable... but if you believe that cannibalism is a trigger for you then please do not continue beyond this point. for those of you who are okay with it, though, let me start by saying this:

barton does engage in cannibalistic acts sometimes, and this is actually one of the few, if not the only sources of shame that he feels in response to the heinous acts that he commits pretty much on the daily. and this is because he believes himself that it is disgusting and not something to be proud of; so, in a way, it does kind of demonstrate that he has some humanity left in him albeit in a very unsavory way and that's mainly why i wanted to bring it up. because his relationship with this part of him... well, it really isn't good, for lack of better words. which is understandable considering cannibalism is a rather big taboo in society, but it has become somewhat of a compulsion for him. not to excuse it in ANY capacity, of course. that is honestly just the best word i could use to describe it as i've done some research about it and, like other serial killers, barton is SO perpetually lonely that by consuming his victims -- it makes him feel like he is no longer so alone anymore as he will always be able to 'carry' a part of them with him that way, so-to-speak, and they'll never be able to leave him.

now this is obviously not the way to go about dealing with his loneliness at all, as it is extremely messed up both morally and honestly, just wrong as a human being to do. but i also believe that there are other factors at work regarding his tendency to sometimes cannibalize his victims, and that is that because of the trauma he endured at the hands of his biological father (wesley mathis) whom forced him to eat people with him. it could sort of function as a very unhealthy coping mechanism for him to navigate that complex trauma; and this is because it may serve as an attempt for him to restore a sense of control over himself that he felt was stolen from him as a child, since he had no choice but to engage in it. plus, interestingly enough, antisocial personality traits are often an underlying element in those who divulge in cannibalistic acts. and cannibals in one study have been found to have more cases of abuse / have more family members who are criminals, so this could also be indicative that his environmental upbringing very well could have a hand in his subsequent (occasional) cannibalism after he commits his killings.

i also thought i would mention that, despite his apparent depravity, barton has taken extra care not to expose his own children to the same trauma that he had to suffer from as a result of wesley (what with the 'hunting trips' that they went on) and he would NEVER want his kids to see him eating people. so, although it still is unquestionably wrong for him to be cannibalizing people, things are a little complicated in that regard. while i'm talking about it, for my closing thought, i'd like to say that the police does highly suspect that the dollmaker is a cannibal but they haven't been able to confirm it as of yet. though i'd imagine that most of the underground knows that he cannibalizes people because rumors can be spread quite quickly, and i can totally imagine the way in which people found out being that they were unfortunate enough to have to stumble upon barton just... eating someone. and a lot more casually than one should probably be about it, because half of the time, he doesn't even remember that he's done it afterward because his mind literally just blocks it out. but that's something i shall expand on more later

[un-pearable]

i still stand by my cole has anxiety hc. dudes just been sublimating it by force in order to tolerate a life on stage and the moment he got the chance he moved to the top of a mountain. not normal behavior. learning to wield a kickass scythe was just a bonus of finally not having to be stressed about being Perceived all the time

[kaidanalenkosprmanager]

THE BEST OF PRIORITY: THE CITADEL (PART 1)

Featuring: Cmdr. Sophie Shepard, Lt. James Vega, EDI, and Thane Krios With: Flight Lt. Jeff "Joker" Moreau, Councilor Rannadril Bibsos Tembin Lesti Bensin Valern, Cmdr. Armando-Owen Bailey, and Kai Leng Kalahira, this one's heart is pure, but beset by wickedness and contention. Guide this one to where the traveler never tires, the lover never leaves, the hungry never starve. Guide this one, Kalahira, and she will be a companion to you as she was to me. Mass Effect 3: Legendary Edition (2021)

[apocalypse-boogie]

I gotta be honest, I don’t engage with the Criminal Minds fandom (despite having watched all of the original show + Evolution and read up on as much of the spin-offs as I could) because I don’t like how prevalent the racism and sexism and infantilization is in the fandom. There’s just enough of all that shit upfront that I don’t want to dig any deeper than I already have. I’m good, I get enough of that shit in fandoms that I’ve been apart of for years I’m not gonna let this shit sully my love for this show anymore than it already has (especially considering the show’s writing itself is not devoid of these faults).

I’d rather just love the show and dissect it and write analysis and fanfic for it and shit on my own.

My fav characters (just cause & kind of in best to least order): Penelope Garcia (she’s literally me, I love her), Derek Morgan, Emily Prentiss, Jordan Todd, Matt Simmons, David Rossi.