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#something about the end of secret life and the end of season 9 and the anniversary of moon big all coinciding had me thinking about endings.
jellieland · 6 months
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It’s a while before Scar reappears on Hermitcraft, after his victory.
When he does, Pearl is doing one last sweep over the server. Things are starting to slow down a little as the server is shut down, colours muting and mobs stumbling to a stop, but it’s nothing half so violent as it was last time.
Xisuma has backups of backups of backups, and Pearl has been repeatedly assured that last time was the exception, not the rule.
Still. She checks things over.
She is flying over Scarland when she sees Scar, sitting there at the end of Main Street and staring pensively out across the server.
She hasn’t seen him since he killed her, almost a week ago.
She flies down and alights softly beside him. “Hey Scar,” she says.
His eyes flicker to meet hers. He gives her his signature half-smile. It looks a little strained. “Well hello there, Pearl!” he says. “You know, I forgot about this place!”
Pearl looks at him for a moment, and heaves a sigh. So, they’re talking about this, are they? She sits down on the bench beside him.
To be fair, she isn’t sure who else he would talk to about it. If not her, it would probably be Grian. Grian, who just this morning had snapped at her to make sure she didn’t miss out Scarland in her final loop, in that way he had of transforming a remarkable amount of the worry he felt into irritation as soon as it left his mouth.
“Yeah,” says Pearl. “Me too. Nice to be back, right?”
“It’s ending,” says Scar, and Pearl winces. He isn’t wrong. The timing on this isn’t brilliant, but they couldn’t really wait much longer. “Why do things keep ending?”
“What, just sort of things in general?”
“Everything always ends,” says Scar, staring at her intently. “It ends and ends and ends. How in the world do you not go mad with it?”
Pearl chuckles ruefully. “You're asking the wrong person, mate.”
A villain, but not a demon. Forced into wickedness, but not made with it inside him.
No. No, he wouldn't understand. Not really.
“I don’t think it’s the going mad that’s the problem, really,” she says. “I think it’s the keeping going afterwards.”
“Oh.” He sighs. Then he narrows his eyes in suspicion, glancing up at the sky. “What about the moon, Pearl?” he asks. “How’s that been looking? If that’s gone all funny again as well, I don't know what I’ll do.”
Pearl looks up at the sky.
She looks up at the sky for a while.
It’s been more than a year, now.
“I reckon the moon’s still worn out after last time, mate,” says Pearlescentmoon, still staring at the sky. It’s the easiest place to look, at the moment. “You can’t do that kind of ending twice, you know? It would be too much to do it twice.”
The sun is bright, but she feels a chill, deep in her bones.
“Well,” says Scar. “Well! That’s good to know. But still, it’s very nice of you all to wait for me for so long.”
Pearl shrugs. “I mean, we didn’t really wait. It’s only been a week.”
Scar blinks. Blinks again. “Huh,” he says. “A week. Interesting!”
“Interesting?” Pearl squints at him. “How so?”
He stares at her for a moment before he speaks again. “I thought that was it,” he says. His eyes look far away. “I thought that was all there was, Pearl. I thought there was nothing, after.”
Pearl opens her mouth, but he keeps going.
“I thought that was all there was,” he says again. “So I wasn’t going to just give up. You know? That would be absurd! I was going to keep going. I did keep going!”
“You did,” says Pearl. It’s halfway to a question, but not quite there.
She doesn’t know if she would have kept going, if she had been given the choice, and not handed victory and death in one fell swoop. That’s one of the few things about her victory that she hasn’t wondered about much. She hadn’t even considered it before, to be honest.
She thinks, probably, that she would have kept going.
She’s less sure that it would have been pretty.
“I did,” says Scar. “You have to, don’t you?”
Pearl thinks of Grian. “I don’t know,” she says. “I think it’s a choice, sometimes. I think that makes it mean more, actually.”
“Well. Maybe,” says Scar. “It just- I couldn’t waste it, you know? It was a whole world.”
The weight of that settles over her. A whole world.
A whole world, and refusing to give it up, until you are made to.
“How did you die?” asks Pearl. “In the end.”
“My elytra broke,” says Scar.
“…Huh.” says Pearl, taking a moment to consider the implications of that statement.
“I was trying to get more shulker boxes,” says Scar. “Do you know how annoying it is trying to get stuff done without shulkers, Pearl?”
“Yeah,” says Pearl. “I have an idea.”
“Well,” says Scar, “I was trying to get more but my elytra broke. Did you know, the void kills you no matter how many hearts you have.”
“Oh,” says Pearl. “Yeah, I guess it would. You see Lizzie down there?”
Scar snorts. “No. Everyone falls alone, Pearl, don’t you know that? Martyn, and Lizzie. And me too.”
Pearl looks around at the world, slowing down around them. “Well,” she says matter-of-factly. “You’re not falling now. You’re here now.”
“…Yeah,” says Scar softly. “Would you look at that? I sure am.”
They sit in the quiet for a while.
“Why would you not kill me?” asks Pearl abruptly.
Now is not the time to ask. She knows this. But it’s been burning at the back of her mind for the past week, and there will never be a time to ask.
Scar blinks at her for a moment, but recovers without missing a beat. “But Pearl!” he says, all wide-eyed innocence. “I did kill you!”
She gives him a look. “When I asked, Scar.”
“I-” he stops, and sighs, serious again. “Look. I know that was what you wanted. But- it wouldn’t have been fair.”
“Why?” asks Pearl.
“It wouldn’t have been fair,” says Scar again. “You can’t talk about it, first. You can’t volunteer, you can’t plan it out, you can’t draw a line in the sand. It ruins everything, if you do that.”
He looks at her, eyes intense.
“If you do that, that makes it a choice, not a reaction. That's what it is, I think. That must be what it is. You said it yourself—if it’s a choice, it means more.”
“That was my choice, Scar.”
He shrugs, unrepentant. “And I made mine, too.” He frowns for a second. “Think of it like this: I was fighting Gem. And when she died, I just kept fighting.” He shifts slightly, looking almost uncomfortable. “It doesn’t have the weight it would’ve had if we stopped and decided to make it matter more.”
“You’re saying it doesn’t matter?” asks Pearl flatly.
“No!” exclaims Scar. “No, that’s not what I was trying to say at all! But- I wasn’t given your life. I didn’t just accept it. I fought for it. And you didn’t have to give it away. It’s worth more than that, Pearl. Someone should have to fight for it.”
The look he gives her then… she has to look away.
“That’s what I think,” says Scar firmly. “That’s what I wanted to say.”
Pearl stares down at her hands for a while. “I don’t know if I totally agree with how you chose to do things,” she says. “But… thank you, Scar.”
They are, again, quiet for a while.
“What do you think I did, while I was still there?” asks Scar eventually. “You know, if someone was making you guess.”
Pearl leans back and looks at him intently, considering. “I reckon you caused chaos, and made something beautiful.” She shrugs. “That’s what you always do, yeah?”
“Oh,” says Scar, looking genuinely touched. “Why thank you, Pearl. I certainly try.”
“You sure do. You know, whatever else you do, I have to give you that,” says Pearl wryly.
Scar looks at her for a moment, then tilts his head slightly to the side. “You know, Pearl,” he says, serious, then pauses.
“Yeah?”
“I left a whole pile of shulker boxes in the Mounders’ base.” His voice stays serious even as his typical sly smirk creeps across his face.
Pearl takes a few seconds to register what he’s just said. “I- you- Scar!”
“Completely unsorted,” he says airily. “It was just a real mess, honestly.”
“Why would you tell me that!”
He snickers at her. “I can’t believe you would leave such a mess, Pearl! I mean, who else could it have been? It’s in your base, after all!”
“You should be ashamed of yourself!” Pearl narrows her eyes at him, laughter bleeding though the mock-annoyance in her voice.
He shakes his head. “And you call yourself a cleaning lady!”
“Right, that’s it!” says Pearl. “I’m finding this server and tidying it up whether you like it or not.”
Scar jerks back slightly, humor suddenly shaken.
…Right. She’d almost forgotten.
He looks away. His expression, though, is thoughtful rather than pained.
“I don’t think you need to do that, really,” he says.
Pearl watches him. “Why not?” she asks. “Are you the only one who’s allowed to keep trying?”
He sighs.
“There’s always going to be some things you can’t clean up,” he says. “But you can’t always be going backwards to get them.”
They look out at the world around them gently, carefully slowing down to a stop.
“Yeah. Yeah, you’re not wrong,” says Pearl. “I guess it’s a balance. What you can fix, and what you need to let go.”
Scar nods. “I think so.”
He gives her a warm look. He looks up at the sky, where the normal sized moon is just beginning to rise. He glances around him at the remarkable things he has made, that this time will be left just as they are.
“And there’s always a new sunrise,” he says.
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multifandomgirl08 · 10 months
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Mini Verstappen Series Masterlist
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Paring: Single Dad!Max Verstappen x Fem!Reader
At the end of 2020, Max Verstappen gets the surprise of his life when he finds out that his ex-girlfriend had given birth to a son, his son. A year and a half later Max's longtime girlfriend of 8 months finds out about his son Nico.
This is an ongoing series. I'm always adding to it. The masterlist changes often.
I do take requests for this. If there is anything that you want to see happen in this series just message me in my ask box. All of my normal request rules apply.
Reader Face Claim: Hande Erçel
Total Published Word Count: 52,941 Words
Disclaimer: This work below is fictionalized ideas and stories involving real people but does not directly reflect their thoughts, feelings, or behaviors. Please keep in mind that this is a work of fiction, so enjoy it as such.
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𝑅𝑒𝑎𝑑𝑖𝑛𝑔 𝑂𝑟𝑑𝑒𝑟
0.0. Prologue - [December 2020]
Max finds out that he has a son. And it changes his world.
0.1. Be Something You'll Love and Understand [December 2020] Outtakes
He knew that he should have called his mom yesterday but he was still wrapping his head around the idea of being a father.
0.5. The Moment You Smiled At Me - [November 2021]
The evening that started it all for Max and Reader.
1. Mini Verstappen - [July 2022]
You get a small surprise the first time you visit Max’s apartment.
1.5. Girlfriend? - [October 2022] Request
You meet Nico.
1.8. Caught - [June 4, 2023] 18+ Outtakes
Lando swears he knocked before walking into Max's hotel room, maybe he should have yelled before opening the door.
2. Change - [November 26, 2023 + January 2, 2024]
It’s the end of the F1 season. Some things are changing for the Verstappen's.
SMAU #1. The Secrets Out - [December 31, 2023 - January 1, 2024]
It’s the start of a new year. You and Max decide to tell the world about Nico.
3. A Lioness Protects Her Cub - [May 5 - 9, 16, 23, 2024] Request
Reporters are vultures and Max picks out a ring.
4. Day At The Karting Track - [June 15, 2024]
Nico starts karting. It opens a small can of worms.
SMAU #2. Through Max's Eyes - [March 8, July 30 - August 15, 2024]
Max’s Instagram posts about Y/N, and a small life update from the couple.
5. Something Bad, Something Good - [August 17 - 19, 2024] Request
Reader deals with the haters on Twitter, Nico calls Reader Mama. Max claps back at the haters on Instagram like the malewife that he strives to be.
5.5 Time to Move? - [August 25, September 15, 2024]
When Max had brought up moving, it was because the lease on his apartment was going to be up at the end of the year. Maybe it was time to find a new place for all of you.
6. Race Day - [October 20, 2024] Request
Nico tags along with Max during a race day in Monza, well as much as he can.
6.1 Wedding Headcanon - [February 2, 2025]
Headcanons from Max and the Reader's wedding. Social Media posts from their honeymoon.
6.5. Give and Take (Kind of Love We Make) - [February 28, 2025] 18+ Request (The Morning After)
Max had a plan in his head for the evening. He had mapped out the track before, and intended to keep to his strategy until they got home.
6.7. To Constantly Be Away - [March 10, 2025]
Second race of the season and Max is already having a tough time with the car. Missing his family only makes it worse.
7. From Three to Four - [April 4, 2025]
Reader tells Max that your expecting, he doesn't have the best reaction at first.
8. Stones To Throw At My Creator - [July 2025]
He wasn't his father. He would never raise Nico like that.
SMAU #3. The Verstappens - [January 8, February 2, May 26, December 3, 2025]
Big things happen to Max and the reader in 2025. Moving, getting married, and a little surprise that neither of them were expecting.
8.7 Give Me Eyes To See - [December 7, 2025]
Nikita's first few days at home. Flashbacks to moments from the reader's pregnancy.
8.8 Nikita's First Christmas - [December 24-25, 2025]
Nico's first Christmas with his baby brother.
8.9 Ghost of Bittersweet Memories - [January 25, 2026]
A few of the drivers visit you and Max for the day, and you end up talking with Charles about a woman that he meets at an FIA event. (This is the conversation I referenced in Part 2 of Bittersweet.)
9. Glass Houses - [February 17, 22, 23, 2026]
When Raymond had called you about going and getting lunch, you should have known that something was going on.
9.5. All That I Can Give - [May 10, 2026]
Another Mother's Day and one of Nikita's firsts.
9.7. On Sleepless Roads, The Sleepless Go - [December 2-3, 2026]
It's the early hours of Nikita's first birthday, and you can't help but look back at the day you brought your son into the world.
SMAU #4. A Year in Moments - [February 10, May 28, August 2 & 27, October 21 & 31, 2026]
SMAU #5. - [2027]
10. X3 - [July 8-9, 2027]
SMAU #6. - [2028]
11. The End of An Era - [November 2030]
The days leading up to Max retiring from Formula 1. The Article announcing his retirement. And the last race of his F1 career.
12. Right On Track - [2036]
Checking in with the Verstsppens in 2036.
13. Letters From The Past - [November 17, 2038]
Max and Reader sit down to read the letters that Amelia (Nico's birth mom) wrote.
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𝐸 𝒳 𝒯 𝑅 𝒜 𝒮
Pinterest Board
Playlist
Paring Evolution
Timeline
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Dividers made by @cafekitsune | Banner made by me
Mini Verstappen taglist: @karmabyfernando, @barcagirly, @sachaa-ff, @iamahallucinationnn, @musingsbyshreya, @glow-ish, @nonsensical-nonsence, @fanboyluvr, @champomiel, @gothicwidowsworld, @lighttsoutlewis, @itsalwaysgay, @minkyungseokie, @mynameisangeloflife, @ursforever129, @aundercover, @bborra, @mindless-rock, @cixrosie, @barcelonaloverf1life, @taylorslovesswifties13, @konsti081, @mellowarcadefun, @smnthnclj, @brekkers-whore, @lpab, @thedecalcomania-blog, @xoscar03, @em-gvf01, @haikyuen, @shelbyteller , @geniusalpaca
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thatgirlstrawberry · 1 year
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See this?
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That’s the look of pure horror, when his girlfriend’s father aka Aaron Hotchner storms into the working space the chief landed them (just imagine they are on a case somewhere far away) and LITERALLY seething and *angry vocalising* his disagreement with theirs relationship, because Spencer’s 5-10 (just age gap idc) older (reader’s over 18 for dear life) and she just started working there (7months). Derek has to physically restrain him from hurting his not so soon son in law. He calms down soon enough to get to work, but they’ll have a big talk about it, including Rossi. Cuz this man can’t hold a secret for dear life. I can imagine the ANGRY FACE Hotch does 🤬🤯 when he finds out about it. Also can you make it a lil bit longer with spice? Like after the big disapproving talk with Hotch, that they freely have a long hot makeout sesh, not worried about her dad finding out about them. In their apartment, where he’s sitting with his back to the headboard, hands tightly squeezing her hips while she’s whining on his lap.
I Hope this text above was coherent enough for you to consider making something with it. I hope that both sides of your pillow are cold. Ily<3
YESSS OMG
Not-so-happy Hotch
In which Hotch finds out that Spencer and Y/N have been seeing each other and is not happy about it
Warnings: angst, angry angry Hotch, spoilers from season 5, age gap (9 years), reader is 18+, heavy making out near the end + grinding kinda, sadness a lil bit, fluff, lmk if I missed anything!
Spencer Reid x fem!hotch!reader
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Y/N sat on her bed alone, in the hotel room. The team were in Massachusetts investigating the murders of a variety of women. It was her third case. She’d only been there for about 7 months.
She’d been dating Spencer for 4.
The day she walked into the BAU in her little white blouse and tight black jeans, Spencer had his eyes on her. Not just because of her body but because of her bright personality. He couldn’t believe how wonderful she was even after what she went through.
He obviously knew her before she started on the job, she was Hotch’s daughter. She first fell for him when she was 18. The day Haley died. She was with Jack and her in the house. Foyet had tied her to a chair and had her watch him kill Haley.
It messed her up. It made her want to stop people who did the same to other people and their families. She had originally wanted to be a teacher but everything she saw that day changed her entire life.
Spencer was the one to untie her because her father moved right past her, putting a finger to his lips with his gun raised in the other direction.
Y/N felt her mother’s blood splatter all over her face and clothes as Foyet shot her in the head. She squeezed her eyes shut and let a muffled scream out over the gag he had tied around her head. The sound of Haley’s body hitting the floor made her flinch.
She didn’t dare open her eyes but she could tell Foyet moved closer to her. “I’m gonna go find that little brother of yours and you can watch me kill him too.”
And he moved her mother’s body.
Y/N cried and didn’t open her eyes until she knew he was out of the room. She tried so desperately to get the cloth out of her mouth but nothing worked.
Moments later, her dad appeared. She widened her eyes and whined. He let a tear slip from his eye and pressed his finger against his lips.
He moved past her and looked forward, making sure that his gun was pointed forward. Then all the noises from fighting and gunshots were heard.
She let out more screams hearing her father fight for his life. It was almost like she couldn’t breathe., she was screaming so hard.
Then she heard them tumbling down the stairs. Punch after punch.
“Reid, get her out of here!” She heard the voice of her uncle Derek Morgan behind her.
Suddenly, Spencer Reid appeared in front of her, making sure not scare her. “You’re okay. You’re okay, look at me, Y/N.” Spencer rushed as his hands tore at the knots around her hands and feet.
She looked into his eyes trying to stop the tears. When her hands were untied she reached up and tore the cloth from her mouth. When her feet were untied, Spencer wrapped his arms around and pulled her up from the chair.
She buried her head into his shoulder trying to contain her sobs as he carried her out of the house. “Is my Dad okay!?” She asked when he set her down on the ground. “Is he dead too— what about Jack— where is Jack!?”
Spencer shook his head and watched her eyes dart around. Her chest heaved but she was barely taking in any air. “Y/N, stop. Look at me, please.” Truth was, he didn’t know if Hotch was dead or alive.
The woman stopped looking everywhere else and settled on his eyes. “Take a deep breath in.” He held her hands tightly in his. He watched her body shake as she did what she was told. “Now let it out.” She nodded and squeezed his hands a let her deep breath out through her rounded lips. “Good. Keep breathing just like that.”
Y/N had always had a little girl crush on her father’s coworker. He was cute and awkward and had a nice smile. So, when she started working there, she was able to get to know him better.
“Everyone, meet our new liaison, Y/N Hotchner.” Garcia squealed and clapped, Morgan smiled and went in for a hug and Spencer stood back with his hands in his pockets with a small smile on his face.
Hotch turned to the rest of the team. “She’ll start out as a liaison but we’re working to get up to profiling level. She is a part of this team just like all of you.”
Days after that, past her mother’s funeral, she left town. She went to college, pretty much reset her entire life. One day, after all her classes she went to get coffee. All by herself. She didn’t have many friends anyway.
While she sat by the window with a book and her coffee, someone familiar walked in. She didn’t see him at first but when she heard his voice across the shop, she looked up. “Spencer?” She called.
He turned around and was pleasantly surprised. “Y/N!” He raised his brows. “What— how—“ he paused. “Hi, how are you?”
She pressed her lips together. He had the same look on his face that everyone did when they asked her that question. Pity. “Y’know, I’m okay.” She shrugged.
Spencer nodded. “G-good.” Y/N took the pause to look at him. His hair was longer, stubble was grown out, he was really fucking pretty.
She inhaled deeply, a wave of confidence washing over her. “Can I… buy you a coffee?”
Spencer tilted his head with a smile. “No.” He shook his head. Y/N visibly deflated. “I-I already bought one.” He leaned in a bit closer. “You can buy me a chocolate donut with sprinkles though.”
She scoffed jokingly. “Wow. Begging a broke college student for food.” She rolled her eyes with a teasing smile, pulling her wallet from her back pocket and walking up to the counter. Spencer blew a raspberry and followed behind her.
In her hotel room, Y/N pulled her knees up to her chest waiting for his knock at her hotel door. Her heart always raced when she realized that they could be caught by her father. But she loved Spencer and she fully believed that nothing could stop her from seeing him. She knew her dad would probably have a big problem with it. Y/N was now 24 and Spencer was almost 33. She knew also that he didn’t want her dating anyone for that matter.
Knock. Knock. Knock.
She smiled and bit her lip, climbing out of the bed. She walked to the door and opened it. “Yes?” She raised her eyebrows, trying to keep her composure as Spencer stood there with a small smirk and a small pink box in his hands.
“I have a delivery for a Ms. Y/N? Is she here?” Spencer asked, his eyes gliding down her body.
She shrugged and leaned against the doorframe. “Depends. What’s in the box and what do I owe my amazing delivery man?”
Spencer stepped forward a bit. “There’s a donut in the box. And you owe me a few kisses as the delivery fee.” He smiled, his eyes were soft— puppy dog like.
She bit her lip. “Well in that case…” She pulled him into to room by his tie and shut the door quietly.
Unbeknownst to both of them, Hotch was standing at the end of the hall watching this.
.•.•.•.•.•.•.•.•.
Y/N was outside talking to a few news reporters who were asking questions. Her dad and Derek went to check out the latest crime scene. When she saw the SUV roll back into the parking lot of the station where base of operations was set up.
She nodded at a man with a microphone who had asked her a question. “Everyone should stay inside, lock all doors and windows. Don’t answer the door after 7. Be safe and if you know anything, call the number on the screen.”
She walked away towards the SUB and furrowed her eyebrows when Hotch got out of the car hurriedly.
“Hotch— wait! Hotch, you gotta cool down!” She heard Derek’s voice from the other side.
She furrowed her brows and tilted her head to the side. “Dad, what’s wrong-“ He pushed past her and walked towards doors of the station.
Derek rushed past her too. “What the hell?” She whispered, following them.
“Hotch, just give the kid a damn second!” Derek called after him.
Their voice disappeared as they entered the station. Y/N’s eyes widened when she realized “the kid” was Spencer.
Inside, Spencer was drawing lines across the map of Massachusetts where the murders happened when he heard Derek yelling. Luckily, the place was clear of cops because they were in a small town and all eight cops were assigned to keep watch of a few people.
“Spencer Reid, get your ass here right now!” His voice boomed and all of the blood seemed to drain from his face. He whipped his head around in shock and turned away from the board nervously. “Mind telling me why I saw you go into my daughter’s room last night?” He asked, his hands placed on his hips.
Y/N walked up beside Morgan who had the bridge of his nose pinched between his fingers. Her eyes desperately tried to connect to her boyfriend’s but the poor man was so scared he didn’t look anywhere but at Hotch. “I-I…uh…”
Hotch walked forward closer to him a little too quickly for Derek, Spencer and Y/N’s comfort. “You better give me a real good excuse and o don’t wanna hear what I’m thinking.” He shook his head, his voice low and intimidating.
Spencer didn’t say anything so Hotch all but lunged forward and Derek reached and grabbed his arms, pulling him back.
“Dad, stop!” Y/N cried.
Derek pulled him back more. “Come on, Hotch. Take a breath.”
“Let me go, Morgan.” He shook his head and shut his eyes.
The man shook his head too. “Not unless you can truthfully promise me that you won’t hit the kid.” He paused for a moment and when he didn’t get an answer, nodded. “Guess I’m not lettin’ you go then.”
Rossi walked into the building with JJ and Prentiss behind him, all of their faces contorting in confusion. “What the hell is this?” The man asked, holding his hands out.
Hotch didn’t spare a glance at them. “Reid’s messing around with my daughter.” He said.
Spencer shook his head. “I-I’m not messing around with her, I love her!” He blurted. The room was silent and it seemed to make Hotch even more mad.
He turned, ripping himself away from Morgan, pointing at his daughter. “Outside. Now.” He walked past her and towards the doors, pushing Rossi’s hand away when he tried to reach for his shoulder.
Y/N looked around at everyone, holding eye contact a little longer with Spencer before sighing and turning to leave the station.
When she got outside, her father was there with his arms crossed and a stone angry look on his face.
“Dad—“
“You are not to see him in a romantic way ever. Or I will fire you from this job.” He saw how her eyes softened and tears filled them.
She shook her head. “Do you think— I mea do you think I’m just messing around, dad?”
“Yes, I do. Y/N, It’s wreckless and unprofessional.” He nodded.
Y/N squinted. “You think so little of me? That I would let him play me like some game?”
“You are a child, Y/N—“
“I am a grown ass woman and I’ll see whoever I want to see.” She stopped him.
“He’s almost 10 years older than you!” Hotch scoffed.
She groaned and covered her face. “We are both mature adults. I don’t think it’s that much of a problem, dad.”
He stopped moving and looked at her. “I mean It, Y/N. Stop seeing him or I will fire you.”
Y/N have him a challenging look. “Do you want my badge now, then?” She raised her eyebrows and stuck her hand on her hip.
Hotch seethed. His daughter was just like him and it sucked.
“Get back to work for now but it’s mine when we get back to Quantico, understand?”
She shook her head with a roll of her eyes and pushed past him.
“And I don’t want you near him either!”
.•.•.•.•.•.•.•.
Case closed. And now they were on the way back. The entire jet was uncomfortably silent.
Y/N didn’t show it on the way back but she didn’t think that her father was bluffing anymore. They landed on the air strip and when everyone was off, her eyes filled with tears.
It was only her and her father left. She pulled her badge from her coat pocket and walked up to him, holding it out.
He looked at the badge for a moment and then at her. He sighed heavily and turned away from her, exiting the jet.
She raced after him. “So, what— you’re not firing me?” She called. He stopped and turned to her.
“Get Spencer and meet me in my office.”
He left her there, a billion possibilities racing through her head. Would he fire Spencer instead? Would he fire both of them?
.•.•.•.•.•.•.•.
“Spence!” Y/N whisper shouted as she walked behind him.
He flinched and turned. “H-hi.” He nodded. He hadn’t spoken to her since the day Hotch almost beat him up.
“Uh… my dad wants us in his office.” She nodded.
He nodded and visibly grew nervous. “I- okay.”
Y/N stopped him from walking and tilted her head. “Spencer, wait.” He looked down at her. “Don’t be… scared. I won’t let him do anything. And he won’t fire you. You’re too good at this.” She smiled, placing her hand in his.
He opened his mouth but then closed it before deciding that he was going to say something. “I-is there any way we can hold hands until we get to Hotch’s office?”
She tilted her head to the side and didn’t respond, she only squeezed his hand tighter.
.•.•.•.•.•.•.•.
Y/N, for Spencer’s safety not for her comfort, net go of him when they reached her father’s office. And she walked in first. Spencer followed behind her, his nervous stare causing him to move quicker and knock over a file that was on the little table near the door.
Y/N saw Rossi standing in the corner. She furrowed her brows and tilted her head.
She looked back at Spencer before looking at her dad who still looked very angry. They stood side by side and in silence until Hotch spoke.
“Sit.” He pointed at the two chairs in front of the desk. Spencer almost immediately fell into the chair, Y/N slowly sat down in the other one.
They were enveloped in silence once again. Hotch sighed and looked down at his desk. “Listen,” He started. Y/N bit her lip. “I do not approve of your… relationship in any way.” He shook his head. “But, I can’t afford to lose either of you. This job needs you.”
Rossi shook his head. “This team needs you.” He crossed his arms.
Spencer and Y/N looked at each other. “I think your relationship is premature, unprofessional. I expect you to at least think about a break up for the good of the team.” He nodded. Y/N looked down at her lap. “Y/N, you may go.”
“But-“
“Now, Y/N.”
She looked at Rossi who nodded his head comfortingly, telling her silently that Reid would be okay.
She got up from the chair and took one last look at her boyfriend before leaving.
She decided she would go home because there was no way her father’s little talk wouldn’t take more than and hour.
.•.•.•.•.•.•.•.•.
Y/N paced in her kitchen, worried for her boyfriend’s well being. She hadn’t heard from him in two hours.
She had changed from her work clothes into a shirt that belonged to Spencer and a pair of pajama pants. She had also cooked because she knew Spencer would not have eaten between the time he left the BAU and when he got to her apartment.
She heard the familiar knocks at her door and rushed to it. She flung it open and there stood her boyfriend who looked sad. Y/N pulled him inside and wrapped her arms around him wordlessly. He leaned down to bury his head in the crook of her neck.
“Are you hungry?” She whispered, her nails lightly gliding over his upper back. He shook his head. “Do you want to go talk?”
He nodded and she pulled away from him, keeping her hand in his. She walked with him to her bedroom.
He climbed up on the bed first, his back pressing against the headboard. Y/N began to sit down next to him but he pulled her over his lap, hands settling on her thighs. “Spence…” She brushed a piece of hair out of his face.
“He Uh…” He cleared his throat. “He told me that he wanted me to break up with you. And then when I told him that I couldn’t do that, he told me not to hurt you or he would ruin my life.”
Y/N tilted her head to the side and rubbed his cheek bones with her thumbs. “I know you’d never hurt me Spence.” She shook her head.
He smiled and leaned in a bit. She kissed his lips slowly. “I don’t care that he doesn’t want us to be together.” She shook her head.
“Me either.” He nodded, trying to catch her lips again. She smiled and wrapped her arms around his neck, his hands found her hips.
Their kiss deepened and his hands guided her body back and forth over his lap. A little noise came up from her throat and she accidentally bit his lip. She pulled away when he hissed and giggled quietly. “I’m sorry, baby.”
He let out a deep chuckle, squeezing her hips. “Bite me as much as you want. You know I love your mouth.” He whispered in her ear seductively. Y/N’s eyes all but rolled into the back of her head.
She whined and leaned back in, his tongue entering her mouth almost immediately. She absolutely loved his kisses. He always tasted like peppermints and chocolate.
His hands moved her back and forth again, she tried to ignore the feeling of his hardness underneath her. She moaned into his mouth, her fingers tugging at the hair on the nape of his neck.
Desperation to just be close to each other enveloped them. When they broke away for just a second, his name left her mouth breathlessly. It wasn’t to get his attention, it was to tell him that she was scared. She had been scared of losing him.
They felt closer than ever before, both of them on fire for the other. They had no care I. The world of who approved of them or not.
.•.•.•.•.•.•.•.•.•.•.•.•.•.•.•.•.•.•.•.•.•.•.•.•.
Helloooooo i hope you enjoyed this! If it’s not how you expected I will happily rewrite it to the best of my ability!
I tried to add some flashback scenes to make it longer. Also, I made Hotch really mean bc I didn’t know how else to write him but I love him so much!!
Thank you for requesting @thbidkbutok !!! Luv you babes!
Also, feel free to request anything you want! In my ask box or private message!
Oop i forgot the Taglist lol
Taglist: @mrsgweasley
@tuesday-yellowxx
@blue-willows
@monzarella
@criminallymagic
@mermateyepmatewithte
@lipstixstain
@urlovelydarling
@dreatine
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@honey-on-my-lips
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snitchcrimsonwrites · 1 month
Text
Maybe pt. 7
Pairing: Norm MacLean X Female Reader or OC if you squint
Former friends to a relationship?
Life is pretty easy in Vault 33 until you're trying to rekindle a former friendship and Raiders attack. Now, our main characters are trying to navigate newfound feelings, all while undercovering the mysteries of Vault 33. Stay tuned. Follows the main storyline of season 1; some events may be reordered for plot.
Norm navigates his decision to aid Lucy's escape from the Vault with help from his friends, finding comfort and another demotion on the table.
Part 1 Here. Part 6 Here Part 12 Here
Part 2 Here Part 8 Here
Part 3 Here Part 9 Here
Part 4 Here Part 10 Here
Part 5 Here Part 11 Here
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Norm had quite the day and was ready for it to end. The post-events of the raider attack and his sister leaving the Vault to find their dad had left him physically and emotionally exhausted. He didn’t know how much more he had left in him. So when he heard a soft knock at the door of his outer living space, he wasn’t sure if he was in the headspace to deal with a visitor inquiring about his dad… or sister, for that matter, as it wouldn’t be long before the word on her rescue mission got out. 
When the pressurized door unlocked, he was relieved to see it was you standing at the threshold. 
“Hey, I don’t mean to bother you,” you started, but he waved off your apology. “No, it’s alright. What’s going on?” He asked, genuinely curious. 
“I came by to check in and see if you needed anything or wanted to talk—or not talk,” you added quickly. “I can do that too if you want some company.” You fidgeted with your hair, not quite knowing how to word the next part. “I just know how weird going from a full house to an empty one can be,” you trailed off. 
Norm perked up at the thought of spending time with you; maybe he had a little more social battery left. “Yeah, actually, that sounds nice,” he mused, stepping aside to let you in. “Though, I don’t think I have it in me to do much talking. I can put something on if that’s alright with you?” 
“Sounds perfect,” you reply, moving into the MacLean’s living room and claiming a spot on the couch. 
Norm flipped on the Radiation King television set, the box coming to life with grey images of cowboys fighting gunslingers from an old copy of “The Man from Deadhorse,” his dad’s favorite already queued up. Immediately no. “Let’s try something else. Any requests?” Norm asked, not feeling like dredging up any emotions associated with putting on a Western. 
“Dealers choice.” 
“Communists from Space! It is,” Norm decides, grabbing the next available tape, popping it in, and joining you on the couch. 
The two of you start off silent, attempting to enjoy the film with the limited social interaction Norm requested, but before long, neither of you can resist adding your own color commentary to the events on the screen. 
“I’m confused,” you interrupt. “Doesn’t a communist invasion from space imply that the containment policy failed in Europe, Asia, and now space? They’re suggesting America is losing on all fronts.” 
Norm snorted. “I appreciate that your suspension of disbelief stops at American geopolitics and not at the fact that those space helmets aren’t connected to any source of oxygen.”
“I’m asking the real questions here, Norm,” you giggle back. 
“I think the bigger question you need to ask is how the communists even managed to get the alien forces on their side? Cause there’s no way there’s a shared language.”
“I’d guess propaganda and the universal promise of American government secrets,” you deadpan.  
That sent you both into a fit of roaring, sidebusting laughter. 
As the laughter subsides, Norm announces, “Thank you for this. I didn’t realize how much I needed it until now.” He was grateful for the company but also for your ability to make him feel whole after the events of the last couple of days. No obsessing over the concerns about his family or what you two saw in 32, just time he was able to be Norm. 
“Of course, if you haven’t noticed by now, I really enjoy our time together,” you say, unable to control the blush rising to your cheekbones. 
“I do, too, and I hope I’m not being presumptuous by saying I would like to continue spending more time like this together,” Norm stated, trying to gauge the status of where the two of you stood. Was this friendship, or were you moving into the “something more” territory?    
“Not presumptuous of you at all,” you affirm, taking the opportunity to position yourself closer to Norm on the couch. He stiffened slightly, surprised by the contact of your vault suit against his, but took your repositioning as a sign to wrap his arm around your shoulders, “Is this alright?” he questions, ever the gentleman. 
“Perfect,” you respond as you lean in to rest your head on his chest and watch the rest of the movie. 
Something more, alright, noted. 
________________________
Norm is awoken by the sound of static on the television set and is momentarily disoriented when he realizes one, this wasn’t his bed; he was out on the couch, and two, the weight on his chest preventing him from sitting up was you curled up under his arm sleeping at his side. The two of you had fallen asleep on the couch sometime during the second movie you put on. He eased back down onto the sofa, intent on enjoying the moments before you both woke up.   
Beep. Beep. Beep. 
He feels you stir at the sound of your alarm and begin to reach over him to shut off the device. No, just a few more minutes, he wished. 
“Sorry,” you manage sleepily, rolling the upper half of your body over Norm, grabbing the Pip-Boy, and quieting the beeping. Norm does his best to suppress his imagination from running wild over the nature of your position hovering over him as you turn off the alarm. In another swift motion, you move to sit up and stretch away some of the sleep. Norm does the same, hoping you won’t notice how much your simple actions affected him this morning. “I didn’t mean to stay the night and keep you out on the couch,” you continued, unsure if you overstayed your welcome. 
“If it means you staying over, I’d gladly take the couch,” Norm replies, causing both of your cheeks to redden. 
You linger, not wanting to leave but knowing you’d be late if you dawdled any longer. After checking the time on your Pip-Boy, you decide it’s time to get up from the sofa and move to the front entryway. “I’ve got to run and get cleaned up for work, but we can meet up after my shift if you’re up for it.” 
“Definitely,” Norm assures. Everything else in his life might be turned upside down, but this was his one piece of solace.
“Okay, it’s a date,” sealing your statement with a kiss on Norm’s cheek before pressing the release button on the door. As the door slid open, you both were surprised to see Chet waiting outside, arm raised, ready to knock on Norm’s door, and he looked equally as surprised to see you leaving the MacLean residence so early in the morning. You decide to play it off as nonchalantly as you can. 
You greeted Chet with a wave and a sweet, simple “Good Morning, Chet” as you hurriedly exited the hallway and headed toward your place. You trusted Norm could navigate a conversation with his cousin without your help. 
Chet didn’t wait for Norm’s invitation to enter. He rushed into the MacLean domicile, making sure you were out of hearing distance, before he exclaimed, “Now, what’s going on with that?!” Gesturing wildly towards the direction you left from. “You had (Y/N) stay over? When did that start?”
Norm sighed and closed the door behind him, not eager to try to explain himself to his cousin. “It’s not like that,” he said, emphasizing the suggestive “that” Chet implied. “Nothing happened; she came over to watch a movie, and we fell asleep. Nothing to tell,” he wrapped up with a shrug. He wasn’t optimistic about his chances of ending the conversation with that explanation.
Chet looked at him and said, “Come on, Norm. You and I both know that when you invite a girl over to watch a movie, you’re not actually doing much movie-watching.” 
“Gross,” Norm rebutted, knowing who the girl in question was. “Is this what you came over for? To traumatize me and dissect my relationship with (Y/N)?” 
Chet frowned, not because of Norm’s taunting but because he was reminded of why he was here in the first place. Norm’s love life was a welcome distraction from the news he had to share. “No, I was supposed to inform you that the Vault council has summoned us for a hearing this morning. I’m starting to  think they’re not pleased we helped Lucy.” 
“Of course, they’re not. Did you think they were going to be? That we’d help her escape the Vault, and they’d give us a thumbs up and a sticker?” Norm asked. There was no way he was that naive.
_____________________________
Norm waited outside in the hallway while Chet took his turn meeting with the council. Suddenly, the silence in the corridor was broken by the sounds of sobbing and hyperventilating from behind the door. He guessed the council had made their decision. 
The council room door slid up slowly, and Chet exited. His face was puffy, and his eyes were red from the bouts of crying behind closed doors. He wondered if they were particularly tough on him. 
Norm decides to do the polite thing and asks him if he’s okay, even though his emotional state clearly displays the answer. 
“You okay?” 
“Yeah, I’m being reassigned,” he replied with a strained thumbs up. “ You were right; the whole “opening the Vault door for Lucy” thing didn’t sit too well with the council, so I guess I’m not gatekeeper anymore,” he said, trying to hold his composure. 
 “It’s not a big deal.” Norm could see right through that lie. This was a massive deal. For most people in the Vault, their identity was intricately intertwined with the position they held in the Vault. Take that away, and you’ve got all the material for a full-blown identity crisis. 
“I’m just not really sure who I even am anymore. Sorry…I. Mmhm.” Chet couldn’t hold himself together any longer, excusing himself from the conversation. 
Woody appeared in the doorway, summoning him into the meeting.  “Norman, you’re next.” 
Norm finds his familiar seat in front of the council, and Reg wastes no time kicking it off. “You know why you’re in here?” 
“Cause I helped my sister escape the Vault.” Cause I couldn’t just ignore my family in trouble. 
“Escape?” Woody laughed. “ You and Chet put your sister in incredible danger by helping her out that Vault door. The rad levels up there alone….” 
“Worse,” Reg interjects, trying to highlight a larger point,” you could have killed us all. What do you think started all this? These Vaults are impenetrable, meaning that those raiders could have only gotten into Vault 32 because some bonehead opened the door to the surface.” He wasn’t like they didn’t take this into consideration, but some things are worth the risk.
Betty, who had been quiet until now, shooting Norm a glare that threatened to burn through him, piped up. “A single bad decision put everyone at risk, not just Vault 32 but 33 and 31 as well. I telegrammed with the Overseer at Vault 31. Thank goodness, they’re unscathed. But you could have destroyed the last vestiges of civilization.” 
“It was Lucy’s idea.” Maybe playing the dumb coward could work in his favor. 
“And you didn’t think to at least try and stop her?”
“No.” 
“What are we going to do with you?” Betty asked. He wasn’t quite sure if it was rhetorical.  
“You were going to reassign me a couple of weeks ago; move forward with that, I guess,” Norm resigned, but he was growing tired of the council’s hypocrisy, and the next lines just slipped out. “I’m just glad to hear that we punish people down here for breaking the rules. Is that just for Vault dwellers or people who come down here and murder vault dwellers?” He made his position on the matter as clear as possible. 
Betty smirked at his statement, “Now that I think of it, we’ve got a job for you, after all,” as if she had been waiting for a chance to punish his insolence. 
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epicbuddieficrecs · 2 months
Text
Fic rec for my BFF, pt. 1
My best friend is currently watching 9-1-1. I've been trying to get her onboard the Buddie ship and she is graciously tolerating me. She's asked for some fic recs and so this is what I came up with! I did have to work with a few parameters to fit her taste, the most important one being nothing post season 3 cause that's where she's up to and she didn't want spoilers.
Hope you enjoy these bestie!
Canon to Canon Divergent
Things We're All Too Young to Know by Daisies_and_Briar / @cal-daisies-and-briars 
Canon S1-S6, S7 Spec | 123/? | 379K | Mature
This is a love story. Even if it doesn’t always look like it. Even if it doesn’t always feel like it. A look back on Eddie and Buck's lives up to now, and what led them to each other, interpreted from the current 9-1-1 canon.
THE canon fics to end all canon fics. I know it's still a WIP and it spans up to post-S6, but if you want a canon fic, that's the one to go for.
Leading with the Left by letmetellyouaboutmyfeels/ @letmetellyouaboutmyfeels 
Canon Divergent, Different First Meeting, Stripper Buck | 84K | Explicit
When Buck said he was a "bartender" in "South America" what he actually meant was "stripper" in "Mexico." And when Eddie said, "What's your problem?" what he actually meant was, "Is this about the time you gave me a lap dance?" In other words, there's a few things the 118 doesn't know about Buck. Or Eddie. Or Buck and Eddie's relationship.
One of my most re-read fics. The smut is impeccable. The angst is so good. Absolutely love this fic!
Your Scars and Your Lonely Heart by Taste_is_Sweet
Sentinels AU, Canon Divergent - Tsunami | 82K | Teen
Clara Williams just wanted to visit Pacific Park during her layover in Los Angeles. She never expected to find a young, exceptional Sentinel dying for lack of a bond. Actually, what she really never expected was a tsunami, or the same Sentinel to save her life. But Clara's a Guide, so now she's on a mission to keep Evan "Buck" Buckley alive until she can get him to Eddie Diaz, the Guide who should have bonded with him, but didn't. Because Clara can't bond with Buck, no matter how much she wants to. There's just one problem: Buck's convinced Eddie doesn't want him, and he might not survive long enough to find out the truth.
Another one of my most re-read fics! I had never read a Sentinels AU before and I fell in love with the concept!
the distance to the stars by cloudydaisies 
Didn't Know They Were Dating, Post-S3 | 27K | General
“Didn’t know you were seeing someone.” Buck just laughs. Like, honest to god giggles. Eddie is stuck fighting off doubly massive waves of butterflies and confusion, all while Buck just gazes down at him. “That’s cute,” he hears Buck mumble, just before climbing into the truck, calling Eddie after him. - or, everyone knows eddie is dating buck except for eddie, literally.
Don't know if you knew this, Marie, but Buddie is the #1 most tagged ship in the "Didn't Know They Were Dating" tag cause they're such idiots <3 and this is one of my favorite ones!
the weekly bet (but the forever kind) by theleftboobgrabber/ @theleftboobgrabber 
Late S3, Getting Together | 49K | Explicit
“Thanks,” Eddie mumbles, hiding his face deep in his pillow, even if Buck can’t see him in the dark. “What for?” Leave it to Buck to be confused about something so obvious. “Being you, idiot.” “And again with the name calling,” he answers, content and sleepy. Nights like this, Eddie feels like asking for a miracle. But to the team, it wasn’t a matter of if Abby would take him back, but when. A matter of days. When the squad bets on how long it will take for Buck and Abby to get back together when she comes back to LA, Eddie is forced to reconsider keeping his feelings for Buck a secret.
Top tier pining + oblivious Eddie = 👌
Always, All Ways by ashavahishta/ @tevankinkley
A/B/O AU | 85K | Explicit
“Buck is very dear, Mr Diaz. Not only to me but to the pack. You’ll find that if you treat him with anything less than utmost respect you’ll have a lot of people to answer to.”   Eddie swallowed. It was clear that in the absence of a mate, this omega had found himself a very protective pack. “Understood, sir.” Or: Buck’s the only omega in the 118. He’s got secrets, and walls a mile high. Eddie’s the alpha determined to knock them down.
There's not a ton of A/B/O fics in this fandom, and I should really try to read more of them, but this is probably my favorite one so far!
I Hit the Accelerator (But the Car was in Reverse) by extasiswings/@extasiswings, letmetellyouaboutmyfeels/@letmetellyouaboutmyfeels
S3, Friends With Benefits, BDSM | 68K | Explicit
When Buck is forced to confront the truth about his breakup with Abby, having casual sex with his hot new coworker seems like the best rebound idea. Unfortunately, that hot new coworker turns into his best friend. But best friends can keep having sex with each other, right? There's no way this could possibly go wrong.
THE friends with benefits fic! (ok lbr there's a ton of great ones, but this one is S2 focused iirc)
AUs
My Blood on Your Skin (My Rose on Your Snow) by letmetellyouaboutmyfeels/ @letmetellyouaboutmyfeels
Mythological AU, BDSM | 80K | Explicit
When Eddie needs cash and fast to take care of Christopher, his LAFD Academy buddy suggests a job as a bouncer at Elysium - an exclusive sex club in downtown Los Angeles. Eddie doesn't care what goes on there, so long as he's paid, but he finds he cares a lot bout the club's enigmatic owner, Evan Buckley, and it's not long before the two of them are violating every boss-employee rule in the book. But there's something different about Buck and the club, something not quite... human. If Eddie wants to keep Buck, he's going to have to delve into the world of immortals, and all the risks that implies.
You can expect amazing smut by this author as always, but also really interesting worldbuilding and characters!
All My Shattered Oaths by letmetellyouaboutmyfeels/ @letmetellyouaboutmyfeels
Vampires AU | 107K | Explicit
Eddie wants to stay away from his family’s legacy and give his son a normal life. Buck’s desperate to find a way to get over the love he lost. Fate has other plans for both of them.
SO GOOD. The canon divergent reincarnation vampire AU you didn't know you needed!!!
a bleeding sun on a silver screen by rarakiplin (gmontys)/ @hoediaz 
Actors AU, Friends With Benefits | 130K | Mature
One day, Buck will tell an interviewer that he would be happy to make movies with Eddie Diaz until the day he dies. But first, years before that, he sees Eddie for the first time on the set of Chimney’s fifth movie.
An epic tale of movie making and enemies to friends to FWB to strangers to lovers!
The Truth of Love (Amas Veritas) by allyasavedtheday/ @littlespoonevan
Practical Magic AU | 20K | Teen
Bobby opens his mouth like he wants to argue but decides against it. “Walk me through the logic here then. How will this make sure you never fall in love?” “Because I’m making someone who doesn’t exist,” Buck explains, glancing from the half-full bowl to Bobby. He can’t work out what the look on Bobby’s face means so he pointedly elects to ignore it. “They’ll have brown hair,” he starts, clipping another petal from the rose bush. “And brown eyes-“ “Lotta people out there with brown hair and brown eyes, kid,” Bobby says lightly and Buck rolls his eyes. “But not many that can ride a horse backwards,” Buck counters. “And whose favourite shape is a star and who’s got…two scars,” he decides, plucking a basil leaf and dropping it in the bowl. “One on each shoulder.”
Because Practical Magic AUs always make me think of you <3
I'll Scrawl it on Every Wall I See by letmetellyouaboutmyfeels/ @letmetellyouaboutmyfeels
Canon Divergent, You've Got Mail Fusion | 29K | Teen
When Eddie joins the 118, he and Buck don't exactly hit it off on the right foot. Or continue to walk on the right foot. In fact they kind of can't stand each other. Good thing they each have a beloved anonymous pen pal to share their daily woes with, someone completely unlike their insufferable coworker.
I do love some good romcom vibes!
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mochiwrites · 2 months
Note
STOP I CANT WITH THIS MOCHI PLEASE 😭😭😭😭😭 pls more secret husbands 🥺 /nf
more secret husbands for you!! :D <3
season 9. ohhhh season 9.
grian loves scar’s elven tree. he also really loves his long hair <333 sometimes when he’s bored and they’re relaxing, grian will start braiding scar’s hair just because. scar always really enjoys it, he gets really relaxed and becomes jello against grian
god the looty and booty conversations… scar calls grian’s booty “adequate” one time as a joke and this man Never lets scar live it down. “gonna say it adequate again, dearest?” “griaaaan, it was one time! you know I love your beautiful booty! it’s amayzin’!”
I. Cannot believe I just wrote those words. ANYWAYS
they do the villager stuff with tango, and poor tango is third wheeling the Whole time. by now they know their friends are trying to set them up together, so their goal to mess with them is in effect. rip tango
the diamond pillar war… the fact that it started between scar and grian is so ???? look, they’re grossly in love and are absolute sweethearts. but they’re also the most competitive bastards with each other. it’s a part of their love language
scar has accompanied grian on many diamond hunting trips so he can make his tower bigger, and vice versa
when the hotguy thing starts… everyone is incredibly surprised by how accurate of a shot scar is — with the exception of grian, who knows how scar even got those accurate shooting skills. I think there’s a moment where he checks in with scar, just to make sure he’s okay and it feels alright. which has scar melting, pulling grian in by his waist and kissing his forehead, “I’m feeling a-okay, sweetheart. thank you for checking”
grian is very quickly exasperated by hotguy
when they go to the end together and scar kills him, he feels horrible. he didn’t mean for grian to lose all his stuff! he immediately heads home to meet grian in the overworld and help him with whatever he needs. he kinda follows grian around like a kicked puppy — except he’s the one who kicked himself. grian, while annoyed and a bit frustrated, takes scar’s face in his hands and promises that it’s alright, give him a few minutes to cool off
after their end busting trip there is a very long cuddle session
when grian starts having issues making progress on his mega base, he hides out in scarland a lot more. in fact, they’re in scarland for most of the season. the main reason is because grian wants to experience as much of scar’s dream with him as he can, and scarland is more polished and complete than grian’s rocks are
when building the scarland castle, scar consults grian a lot for block palettes, gradients, general building ideas. grian is his personal cheerleader through the whole thing
grian is also really clingy with scar while mumbo is off world. outside of scar, mumbo is very close with grian. after he crashed into mumbo’s redstone world, the two of them bonded a lot. they almost instantly became best buds. mumbo is grian’s second emotional support guy. he’s also been a constant in grian’s life since he joined hermitcraft (something he’s not used to having outside of scar) so grian misses him a lot, and with a member of his flock gone, he gets clingier with the others
scar doesn’t mind all that much, he loves a clingy grian — he’s always told grian not to be afraid to ask for things with him, and grian being clingy is a result of that. it makes scar happy to see (and maybe after losing him for two years or so, scar is a little clingy too)
grian bounces building ideas around with scar whenever he gets stuck on his base. sometimes the two of them will go there together and see what they can throw around
THE FUED WITH DOC…. it’s really funny because these two really are each other’s worst enablers. scar hasn’t been sleeping because he’s been stressing with building and hiding it so grian doesn’t worry about him. but that’s thrown out the window during grian’s intervention with his base. and then they’re flying to doc’s tunnel bore and oh god they’re in so much trouble. they hide together in scarland and start making evacuation plans to hide in their apartment in hypixel
and I’ll end this with: in between every season, with the exception of the jump between season 8 and 9, the two of them go back to their hypixel apartment with jellie and spend their breaks there <3
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raayllum · 1 month
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6x05 Moonless Night Speculation
So 6x05 is called "Moonless Night" and it's ruining my life (affectionate), so let's talk about it.
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Seasonal Placement
Something that's worth noting, I think, is that while episode 5 is undoubtedly an important episode in each season, as it marks the official "over halfway point" of the 9-episode assortment, thus far across the series it doesn't tend to hold the most plot compared to episodes occasionally surrounding it. Consider how 2x05-2x06 or 3x04-3x05 are grouped together as little collections, either grinding the plot to a halt to give flashbacks or to see Ezran leave his kingdom crownless and for Rayla and Callum to retrieve Zym from the wily Nyx. Even 4x05 and 5x05 aren't particularly plot heavy episodes, often getting the next segment of the story underway by travelling to a new location or having certain characters / pieces of information reconvene.
What episode five does tend to be are emotional turning points for characters:
1x05: This is the episode that makes the trio Friends, most notably allowing Rayla to open up to the boys about her parents and her fears, and having their togetherness reaffirmed. Unlike in the previous episodes, she's not hopeful or tolerating them anymore, and the boys have seen some of her more consistently good attributes / learning her behaviours too.
2x05: Callum finds the resolve to open the letter from King Harrow and we see where his mother, stepfather, and Viren felt about the mission that ultimately led to tragedy.
3x05: Soren chooses to do the right thing and stand by Ezran, and Callum and Rayla begin their romantic relationship.
4x05: Callum and Rayla deal with the lingering results of their fallout, even as Callum is able to admit that he is happy she's back, and we see how Rayla has become more jaded whereas Soren's gone in the opposite direction.
5x05: The group reconvenes to decide what to do for the rest of the season about Aaravos, leading to an interesting difference between the brothers. This one fits the pattern the least, arguably, but we'll talk a bit more about how S5 breaks patterns in a second.
As of course, TDP doesn't have to follow any previous seasonal notions. In every other season, Callum's arc(s) have always carried over into the season finale in some way—for 1x09 and 2x09, it's his relationship with magic, and for 3x09 and 4x09, it's his relationship with Rayla. Season five subsequently breaks convention as his arc is shored up by the end of 5x08, leaving 5x09 to give more room for Viren and Claudia's emotional arcs as well as a minor beat for Rayla's metaphorical/literal one with water. Season six could break previous patterns even further with 6x05 being a massive turning point.
With all that in mind, let's first examine what the Moon itself represents in TDP, and then what a night being moonless might mean before we get into plot and emotional arc speculation.
What does the Moon Represent in TDP?
One of the things that's nice about a series like TDP that takes its magic so literally is that we do have a handy list of things the Moon represents, at least tangentially. Callum's Spellbook reads, "Illusion, love, charm, private, deep, secrets, manipulation, death, reflection, appearances, and duality." Certainly seems like a very Aaravos-y star adjacent list, don't you think?
And we also get the explanation from Lujanne in 2x01, which is based off Plato's concept of the forms:
The arcanum of the moon is about understanding the relationship between appearances and reality. Most people believe that reality is truth and that appearances are deceiving. But those of us who know the Moon arcanum understand we can only truly know the appearance itself. You can never touch the so-called reality that lies just beyond the reach of your own perception.
For Lujanne, the philosophy behind the arcanum is rooted in the duality of truth vs secrets, appearances (and illusions) stacked against each other, and the nature of reality. However, we see other aspects of the Moon arcanum, such as Moonshadow form, be tethered to something equally involved in duality if perhaps more noteworthy for our purposes (Bloodmoon Huntress):
Moonshadow form is only achieved when we understand the balance between life and death. Balance is weight against weight, and to understand the weight of death, you must feel the weight and value of another's life. Think of those you love, those you hold dear. Now think of the souls who have touched your life. Understand that each time your weapon meets its target, each time we fulfil our duty, the potential for that life to change—to love another—is gone. We may remove hate, but we remove the potential for love as well.
Now, we can see how both of these may overlap with each other later — Harrow had the appearance of someone who posed a risk to the world but no longer did, and the vengeance declared was for an egg that hadn't actually been killed — but we'll get more to the other implications in the following section.
For now, I want to focus on examining the other less 'metaphorical' meanings and look at some of the more literal associations we have with Moons in the text. As we all know, there's been a prevalent light-darkness motif running throughout each season of the show that's only gotten more affirmed — and more linked to Rayla and Callum's relationship — as the show has gone on. (If you want more details, check out this tag.) We see this first hand in 2x02 "Half Moon Lies" where Lujanne also counsels Rayla through some Moon arcanum wisdom about her relationship with Callum:
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L: And it is the same with you. There are parts you keep hidden. Real trust is about accepting even the dark parts we will never know.
By resolving to tell Callum about his stepfather's death, Rayla chooses to show her whole face — a full moon, if you will — and it's not the last time truth is associated with light in opposition with darkness either ("I finally see the truth. I find myself here at these horrifying crossroads because I have followed a dark path"). We even see this in the way the framing at the Nexus changes compared to before Callum knows the truth with Claudia, and after when he knows the truth with Rayla, with Rayla being framed in the light. The truth may be ugly, and Harrow's death darkens Callum's life, but just like each girl's hair being white and black at this point, Callum ultimately chooses Rayla when it matters here the most.
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It is likewise not surprising that Callum's understanding of the Moon arcanum ("After all, we can only truly know the appearance itself" "Now you're starting to sound like Lujanne") evolves alongside his understanding of Rayla, knowing better how/what she hides in S3 and what's actually going on.
Then season four comes in very heavy handed with making Rayla synonymous with the moon pretty blatantly in a way she hadn't previously been afforded. Just having Callum looking at the moon is meant to represent his love and longing for her, after all, and she's framed as the moon upon her return as well, literally moving from dark (moonshadow form) to light.
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This is a sort of association we've only thus far had given to characters like Janai with the sun. And then they have the association drawn through dialogue, too, just in case the Most Obvious Framing Ever wasn't enough.
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Okay, so Rayla is a Moonshadow elf who now has the moon as a potential stand-in for her. Shocking, I know. But put a pin in it as we have one other blatant Moon symbolism thing to discuss, and that's Runaan and Ethari.
Now, the moon itself isn't super prevalent for Runaan and Ethari, per se. They're far more associated with circles/cycles (their family, the pendant, the shape of the lotus pond), weapons, and hearts — their goodbye dialogue for example. We do see two heavy Moon associations for them, though, both of which that is particularly apt for today's meta:
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It also worth noting, of course, that neither of these things are exclusive either to Ruthari in the text. The notion of "Guiding Moon" and Ruthari's partnership is a consistent parallel to Rayla and Callum's evolving bond, as well as Rayla giving Callum the necklace with the same sentiments that Ethari did upon giving one to both her and Runaan.
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With all that symbolism and setup out of the way, let's get into the biggest speculative question we have to try and answer:
Why is it Moonless?
Now, what you might've noticed in all our symbolism and setup is one main commonality: the moon, while tethered to duality, is usually seen as a more positive symbol than not having a moon. Light, or the light side of the moon, is better than the dark side or it being nonexistent. We can already see undercurrents in this given Callum's arc surrounding darkness ("In darkness, gaze upon a fallen star"): light, or the moon, is a Good Thing—most of the time. If you want more discussion on why Light isn't solely good in the series, check out this meta here.
What I'm getting at here is that Moonless Night almost undoubtedly refers to some kind of dark turn or tragedy. The only question is what/which one, and for that, I have three main thoughts:
1) Luna Tenebris
Luna Tenebris was the Queen of the Dragons after Sol Regem was disposed and before Avizandum (+ Zubeia) took over. She was also queen when humans were expelled from Xadia (known as the Judgement of the Half Moon) and mysteriously vanished circa 4x04's flashbacks, leading to chaos:
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However, Luna Tenebris' disappearance is far more associated with a red Blood moon which doesn't bode well for the connection between blood-dark-star magic, and is most obviously associated with the Bloodmoon Huntress, Kim'Dael, as she and her kin were hunted under Luna's reign. So I'm not positing that Luna's death for her personally was a moonless night.
But it might be for someone else, who's been forced to live without her, and who vanishes shortly after she does.
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Luna Tenebris' presumably 'unsuitable heir' (maybe the wrong kind of archdragon? Arcanum-less?) bears a striking resemblance to the dragon we see Rayla approaching (attacking?) in the S6 clip from the video game trailer:
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We know that he's in a snowy place and we also know thanks to released screencap titles that Callum and — more importantly per the screencap above — Rayla are in snowy place from 6x03 "The Frozen Sea" onwards to presumably 6x05 "Moonless Night" at least, given that I can't imagine they'd always be at the infamous Starscraper (6x04) for just an episode. If Luna's heir is not an obstacle in 6x03 on their way to the Starscraper, facing him could be something they have to do — perhaps he's a nuisance to the Celestial elves or holds something they need, like a glowing crystal — in 6x05, as he's the result of well, a Moonless Night.
This is probably the most abstract of the few we have and the most entrenched in Just Plot (at least phrased/pictured as the above). The other two subsequent theories are much more in vein with an episode focus and/or the title maybe having multiple meanings (the above as well as one of the other two we'll detail down below).
2) Moon Fam Release
I'm prepared to eat my words but honestly, "Moonless Night" doesn't fill me with a lot of confidence for it to be a Moon fam heavy episode—at least not in a happy way. For starters, like I said before, there's all the negative associations with being 'moonless'. Even Ethari's vow amounts to "Myself and my love is with you even when there is no light/goodness/hope in your life." That doesn't exactly feel like a reunion vibe given that Runaan being released from the coins is surely something he will ultimately feel positively about.
Ethari's vow to Runaan is going to be harder to uphold if Ethari isn't there for Runaan's release. If Ethari is Runaan's guiding moon and it's a moonless night, then it doesn't seem like Ethari's there. Of course, he could be. I've speculated for a while that 6x02 will feature Rayla and Callum dropping off the Shadowpaw and making a pit stop at the Silvergrove, giving us a chance to catch up with Ethari; perhaps he'll even come along and has been left out of the (admittedly few) screencaps we have of Rayllum approaching the Starscraper for marketing seasonal secrecy purposes.
Another long held theory though is that whatever Callum has to do to ultimately set Runaan (and everyone else) free from the coins will not end well though.
If Ethari is there in 6x05, that makes me think the Moon fam will get out around the halfway point of the episode, they'll have like one (1) very happy scene, and then almost immediately major shit is going to hit the fan that becomes the focus.
Another add on reason is that I think if Moon fam are released and reunited in S6, the plot reasons behind it are 1) to give Callum a motivation to potentially go 'too far' (too fast?) in his quest to release him, and 2) to have Runaan there to encourage Rayla to kill Callum if/when he gets possessed again. There are many other reasons to love Rayla's parents, there are many other reasons to want them around, but from a structural/plot standpoint of being side characters, I do think that's the purpose they're here to serve in s6, with probably having an expanded role in s7.
For example, if we follow along the line of "Moonless Night" being a release episode with the meaning being largely related to Runaan and Ethari > the main characters, that means it would have to be about either how much Runaan missed Ethari in the coin (which we don't need to see to understand the coin is terrible, we know that) or two, Ethari not being there and Runaan not listening to whatever Ethari would want him to do (maybe not being upset with Rayla or angry at Callum?).
I just can't see an episode like "Moonless Night" ending on a good note for anyone while still having the name of the episode be earned unless we entirely go flashback heavy (Aaravos, Rayla's travels or whatever) or the Luna Tenebris heir route.
With that caveat in mind, I want to talk about what is the most likeliest reason behind "Moonless":
3) Aaravos and Callum
As stated before, the character most accordingly associated with the moon is Rayla. This association has become even more literal into arc 1. I think it's the association next to the Luna Tenebris one that makes the most sense.
While I could perhaps see a flashback or expansion on how she felt during her time away featuring into S6, I would question the validity of doing it at a location like the Starscraper where there is so much feasibly else to focus on in a very unique and special location where we're primed to be meeting new characters (possibly friends and foes from the celestial elves), getting lore drops, and stuff focused on Callum and Rayla's present emotional journeys. Something like that would make more sense on the way to the Starscraper where we're just killing travel time, the same way the S2 flashbacks were reserved for the two episodes where the kids are just stuck on a boat, or in S3 on the way to the Storm Spire.
The other thing that's worth noting is the way that Rayla is framed as the Moon in opposition to Aaravos' darkness. Callum worries he's on a dark path and Rayla reminds him that he can choose to take another way. Callum is gazing 'in darkness' at a Fallen Star and Rayla shows up haloed in light to literally turn him away from it. Like in 2x02, she's seen as the more positive, light side of the moon. And we know without a doubt that she will be at the Starscraper alongside her human fella. We know from S2 and S5 that Callum will go to "dark places" in order to help/protect her.
There's a few different ways this could play out. Maybe Rayla goes off on an agreed upon mini-quest to fetch something from Luna Tenebris' nearby heir to help free her parents, leaving Callum worried and alone at the Starscraper, and he's possessed in the interim. Maybe, as noted in Option 2), he frees her parents at great detriment to himself. Maybe she's threatened because the Celestial elves aren't that friendly or serve Aaravos.
If Callum only 'succumbs' to Aaravos' possessive / coercive control — a moonless night is total darkness — then the removal of light would be a reasonable step on the path to getting there. Threatening or fearing the loss of that light ("But the second you see that elf girl in pain, you completely lost yourself") in order to make it disappear, to let a "dark path" overtake Callum? It'd be a tragedy. It'd be moonless — and it would plunge Rayla's life into darkness as well, fearing that she might have to become the assassin both Runaan — as she carries his bow — and Callum — heart vs duty — have asked her to be.
Conclusion
Like I said, I think there are ways to overlap. Both Option #1 and Option #3 could be paired together if the heir puts Rayla at risk in her journey, or Option #2 and Option #3 if freeing the Moon Fam with all the coins' deep blood magic indicators are taken to the forefront (aka the symbol on the coins matching the symbol on Aaravos' book). It could be none of these things.
If 6x06 is indeed "Moment of Truth" as has been speculated, I'll assume de facto that 6x05 ends with Callum being possessed again (although again, the circumstances that lead to said event could take many paths) in order to nudge Rayla's arc ahead (whether Runaan is literally there or not, though I would probably lean towards yes and Option #2 for 6x05). It'll just be go go go plot and drama wise — and no matter what, I can't wait for it.
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i am so normal about PET team hermitcraft10
sO NORMAL
like i KNOW the symbolism is fake and im just incapable of letting go of Do2 as a concept
but whAT IF
you THINK about it
Tango created Do2, Etho won it, and Pearl figured out the secret message. Those are. Special things i thgink
and those three specifically are a group in s10.
and it's obviously because they're friends with each other and just normal reasons !!
but. consider THIS
The Creator, the Winner and the Queen
Surprise Fanfic attack!
Season 9 didn't really... end.
Well, it did, but small pieces of it were still lingering. Clinging to the future in what tiny, subtle ways they could.
Mumbo's title cards were, somehow, one of the things they were latched onto the most. But after a while of living on — or even just Watching the server, you'd know to expect him to be... unorthodox.
<Mumbo walked into the danger zone due to Llama>
But there were other things. There always was. For one, there was Demise. The last little pieces of not only Season 6, but also the Life series, although Grian would deny that if ever asked. It was only fair to give the new guys something they were used to, to adjust them to the new experience.
But there was something else as well.
The postal service was another one of those pieces of the past. Or, at least, its founders were. They never talked about it, the style of the build never reflected it, but as anyone familiar with the server's antics would know, when you create an entity that's true nature is beyond comprehension even to yourself, it follows you.
Tango knew. He knew the other two knew. He knew they knew he knew. Or, at least, he thought they knew.
With the way the postal office was built, wandering its cozy halls on occasion felt like traversing a maze. All three of them knew this. They each thought they were the only one who knew there was a why.
Of course Tango knew. He knew everything about that beast, the presence that had made itself known in the Citadel, that which he himself created, and yet somehow also didn't. He knew it all. Or, at least, that's what he told everyone last season. What he told himself.
Etho knew. He knew the familiarity of what the building made him feel. He knew whenever he held a piece of gold, hesitating just a moment to feel the memories come a little closer. But he only ever allowed himself that moment. It was a gold block, not a trophy.
Pearl knew. She was the one to figure it out, after all. The message wasn't important back then, when that word, that name, had a real owner. But she had to have known why she, ever so subtly, could never stop thinking about that name as she opened the door to the office.
If any of them slept in there, they dreamt of ice and fire, those two distinct roars they knew so well, of ghostly laughs and those tolling bells. It was a chaos they all knew too well. Of running through halls like power running through a circuit like the strange aura running through the River.
They had been here before. They had been to this building they'd never seen and she'd just built, the house was new but the home felt ancient. And they were happy. They were haunted by something that wouldn't ever let go of the server fully, and they welcomed it.
Pearl gave a soft laugh whenever she was walking alone in the building and saw the movement of horns from the edge of her vision, or mistook a satchel on a shelf for a golden crown adorned with eight spikes and four claws. Etho gave a smug but friendly smile, unseen to all but the one it was intended for when he thought he heard the distant whistle of a note block, or the soft clatter of a key from a dropper. Tango was comforted by the darkening of the air, a presence that was ominous but a few months ago now felt more like a reassurance that a friend hadn't left, like a hand placed softly on an uncertain shoulder.
They all knew it was intentional. Fate spun by a place that had played games with them as much as they had with it, yet it brought them together to show its compassion, or perhaps, its gratitude.
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charlewiss · 2 years
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one-word november prompts!
so I decided I wanted to write a lil something every day for the whole month. don't know if i'll be able to make it to the end but it'll be a fun to try!
masterlist
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| 1. hoodie
pairing: charles leclerc x reader
summary: why seeing you wearing his clothes made his heart race like that? why you couldn't stop smiling after realising it smelled like him?
| 2. secret
pairing: arthur leclerc x gasly!reader
summary: "did you know that your brother was dating my sister?"
| 3. rain
pairing: george russell x reader
summary: the rain had caught you unprepared. luckily, he lived close.
| 4. social
pairing: pierre gasly x reader
summary: he was a social butterfly and you were quite the opposite. how do you manage to sort it out?
| 5. reunion
pairing: mick schumacher x vettel!reader
summary: it's been 5 years since you had seen mick. what changed? what stayed the same?
| 6. tourist
pairing: daniel ricciardo x reader
summary: seeing australia through his eyes was something else.
| 7. sunrise
pairing: mick schumacher x reader
summary: he needed to take his mind off the silly season. you couldn't sleep.
| 8. hide
pairing: charles leclerc x gasly!reader
summary: charles and you were seeing eachother for quite some time, but still couldn't quite figure out how to tell your brother, pierre. (and maybe you don't need to)
| 9. airport
pairing: george russell x reader
summary: trying to get home was never more difficult. maybe it was for a reason after all.
| 10. weight
pairing: daniel ricciardo x reader
summary: the season has been too tough on your boyfriend. you decide it's time to take some weight off him.
inspired by know you (708) by with confidence.
| 11. dream
pairing: pierre gasly x reader
summary: you've been avoiding him since your dream two nights ago. he isn't happy about it.
| 12. special
pairing: george russell x reader
summary: he's been dying to show you how special you could feel with him by your side. if only you would stop dating idiots that waste your time, he thought.
| 13. necklace
pairing: charles leclerc x reader
summary: little taylor swift reference. he can't stop thinking about you wearing his initial on a chain around your neck.
| 14. nephew
pairing: george russell x reader
summary: george had been begging you to meet his nephews, but you had plenty of doubts: what if they didn't like you?
| 15. win
pairing: mick schumacher x reader
summary: first win for the prettiest boy. you've been there since day 0.
| 16. midnight
pairing: pierre gasly
summary: kiss me on new year's eve as the timer counts down and the clock hits 12 (inspired by this post)
| 17. pet
pairing: mick schumacher x reader
summary: your boyfriend is a known dog person, and you love angie very dearly. but you met a little tiny friend and you just can't avoid the little kitten.
| 18. sober
pairing: pierre gasly x reader
summary: after a night out with pierre, he pleads: 'please, can you repeat it when I'm sober? I want to remember it'
| 19. wonder
pairing: charles leclerc x reader
summary: being the hopeless romantic that you are, you've been dreaming about your special other your whole life. you're talking to your best friend pierre about the dream guy. what if you already knew him?
| 20. jealousy
pairing: arthur leclerc x reader
summary: he had always been second best to everyone but you.
| 21. score
pairing: pierre gasly x reader
summary: the four times he made you flustered and the one time you hit him back.
| 22. eyes
pairing: mick schumacher x reader
summary: you had never seen such pretty eyes before.
| 23. closer
pairing: charles leclerc x reader (forced proximity)
summary: you were scared of elevators. perfect timing when you two got trapped in one.
| 24. question
pairing: mick schumacher x reader
summary: too many unanswered questions and one drink too many
| 25. sick
pairing: charles leclerc x reader
summary: he's feeling sick, so you take care of him.
| 26. promise
pairing: pierre gasly x reader
summary: some promises are made. some are broken. for the worst or for the better?
| 27. camera
pairing: felipe drugovich x reader
summary: he liked to take pictures before as a side hobbie apart from racing. but now that he found his muse, he's been hiding more often behind the lense.
| 28. rings
pairing: mick schumacher x reader
summary: young and in love. why would u wait any longer?
inspired by paper rings by taylor swift
| 29. interview
pairing: daniel ricciardo x reporter!reader
summary: he didn't want to be disrespectful, but he could stop looking at you.
| 30. surprise
pairing: george russell x reader
summary: it was his birthday and you couldn't be there. or could you?
836 notes · View notes
thatcoyperson · 6 months
Text
// SESSION 9 SECRET LIFE SPOILERS [the ending] AND I MEAN MAJOR ONES
-
I got this idea from what Martyn said during his lore stream the other day and it cured me of my writers block, so I wrote this in a few hours after hearing it
[CW for blood, mentions of death, and I feel like the fact that my friend was saying "it all hurts" for like 30 minutes after reading this counts for something]
• -------- • -------- • -------- •
It’s over Scar. She's dead.
Standing in the ravine, Scar stared blankly at the stone ahead of him as those ghostly words echoed in his mind.
It was over.
He’d won.
Despite everything, he’d won.
A breathy laugh escaped him. It didn't feel like a win. Nothing about this did. It felt hollow and empty, meaningless.
A win was supposed to be a grand show to the world that you can make it to the end, a final showing that it can be done despite everything. One last stand against the world. That's what a win was meant to be.
But this wasn't any of that, not when Scar was stuck frozen in place, the faint rhythmic sound of liquid dripping off the rocks somewhere behind him being the only thing he could hear once the blood rushing to his ears subsided. How was any of this meant to feel like a win, like the grand finale to something that had been the last few months of his life when it was the furthest thing from grand? When he felt the furthest thing from victorious? How was he even meant to feel victorious or grand in a situation like this? He'd spent the whole season alone just trying to make friends, only for him to win by shooting the closest person he has to one of those.
Alone…
He never liked being alone.
How did he win while he was alone?
How did the guy with no friends win?
He laughed to himself, bow still held in one hand, and using the other to push his hair back. A pained smile was painted across his face as he laughed, asking himself how? How did he win? How did he make it this far all alone? How did he manage to tell himself that just one more day, one more day and it would be worth it enough times to where he won? It didn't make sense. Not to him at least.
No matter how long he stood there wondering to himself, there was still one thing that was left to be done. Hit the button.
He had succeeded his task after all, right? Scar had won, despite how meaningless this victory truly was.
All he had to do was hit the button and it would all be over. It would finally end. He could go back to Hermitcraft, his home, his friends. He finally wouldn't be alone anymore.
It didn't quite feel like his own movements when he started to climb out of the ravine, disconnected from everything going on. He desperately ignored the hazy sight of a red shawl to the side of his vision, feeling sick if he put any thought into what he knew was laying under it.
He didn't feel nearly as sick passing by a similar black shawl on the ground up on the surface, orange hair catching his eye for a split second as he slowly made his way across the blood stained grass and battle worn landscape of the world. And, shortly after, he reached the statue that stood in the centre of it all.
The Secret Keeper.
The being that doomed him from the very start. Quietly, he wondered to himself, was it proud? Proud that it's favourite player to mess with - proud that the one it moulded into the unwilling villain - had won? Was it proud of everything it had done, all the pain and suffering it caused? Or did it even think at all. Maybe it was just a simple stone statue, designed to have no will or intention, to have the sole purpose of handing out tasks at random, and Scar was just losing it from being alone for so long. He’d likely never get an answer.
It didn't matter though. Not when he was about to leave, not when he was about to finally be free from this hell he was stuck in, not when he was going to finally be able to see his friends again.
Letting out a shaky breath, Scar reached down and pressed the button.
A faint click echoed around the area, and then nothing. Nothing happened. It was just silence. No gust of wind to whisk him away back home, no welcoming voices of the hermits congratulating him on his win as they fade into view. No anything. Just silence. Painfully loud silence. Nothing changed. He was still there. Alone.
“Uhm… haha real- real funny there guys,” Scar chuckled awkwardly, his voice filled with unease. Why was he still here? That should’ve worked. Staring up at the Secret Keeper, he waited for a moment to see if it would react at all.
Nothing.
With a level of anxiety he hadn’t felt before, the button was pressed again, and again nothing happened. The world continued to stand still around him.
The feeling of unease began to grow in Scar’s gut, mixing with fear and making him feel sick all over again. “Aha, ok now thats-” The button was pressed again. Nothing. “-that’s enough this isn’t-” Again. Nothing. “-this isn’t funny anymore- oh god no please.”
Scar’s chest tightened the more he pressed on the button, becoming more and more desperate every press. “No no please just- please just take me home please I can’t do this anymore please.”
Tears began to swell in his eyes, panic truly setting in as he pleaded for an escape. Why wasn’t it working- why wasn’t it doing anything?! Was it broken now that the game was over? Was that why he was stuck- why he couldn’t get this stupid button to work?!
Falling to his knees beside the button, his head hit against the corner of the pedestal it was on. Pain slashed across his forehead at the impact, and he could feel the sickeningly familiar warmth of blood begin to well from the cut.
“PLEASE GOD JUST LET ME GO HOME!” he screamed, hitting the button again and again, his hand becoming sore and bruised the more time went on. The more he begged and pleaded and cried for whatever stupid entity was in control of this game to just let him go.
All he wanted was to go home, to see Jellie, to see his friends, to not be alone anymore. He’d been alone for too long, wasn’t that enough?
Loud cries and desperate pleas slowly turned into quiet sobs, and he brought his hand away from the button, resting them both on the edge of the pedestal beside his head.
“Please…” he sobbed, blood running down into his eyes and mixing with his tears. “Please just let me go.” a moment passed for him to catch his breath. Then, quietly: “I can’t do this anymore, please…”
His pleas went unheard. He was alone.
Alone…
He never liked being alone.
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weretheones · 1 year
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weretheones' masterlist<3
personal favourites marked with: ♥
Daryl Dixon
Series 
♥ All You Got | ongoing | angst, enemies to lovers | ~50k (so far)
↳ Daryl Dixon hadn’t known much beyond anger and loneliness his whole life, until he found family at the end of the world. Everything he grew to care about was ripped away the day the prison fell; so when he recognized you, an enforcer of his loss, hiding in that cabin, he almost pulled the trigger. But after you end up saving his life, he couldn’t find the indifference to leave you for dead, even if you’d been on the Governor’s side. (Mid-Late Season 4 + mild canon divergence) 
"all you got" masterlist
Mini-Series
♥ Gone For Good | completed | angst, lots of protective!daryl | 9k (total) 
↳ It was easy to lose hope when everyone around you started dropping like flies. When the flu hit, Daryl saw your optimism drain alongside your health, but it wasn’t until the brutal attack of the Governor that he lost his. After escaping by the skin of your teeth, you’re reminded just how cruel this new world could be. (Season 4)
part 1 | part 2
Try | completed | angst/fluff/implied smut | 14k (total) 
↳ Daryl Dixon broke your heart. After the world ended, you found him again, but he’s not the same man who rejected you. (Pre-Series & onward) 
part 1 | part 2 | part 3 | 18+ ONLY
Oneshots (newest to oldest) 
No Rush | smut, porn without plot | 1k 
↳ Daryl took his time with you. 18+ ONLY
Good Intentions | holiday fic - fluff | 2k
↳ Daryl was certain something went wrong on that run, it was the only reason why you’d be so late coming back. Until, you proved him wrong. (Season 3-4) 
♥ Silver Springs | major angst | 5k
↳ Something has always lingered between you and Daryl, even if the world never settled long enough to let it grow. Four years after Rick’s death, that hasn’t changed, but it doesn’t stop you from seeking him out by that river when Judith gets sick. (Season 9/10)
To The Bone| fluff | 1k
↳ You can’t stop shivering and Daryl can’t fall asleep. (Season 2-3 interim)
Tremble | angst/fluff |5k
↳ When an impromptu run gets Daryl hurt, you tend to his wound. (Season ¾)
♥ Alone | angst/fluff | 4k
↳ The prison cells might have been safe, but after months on the road, you couldn’t sleep. Not alone, at least. (Season 3) 
You’re Different | angst/fluff | 3k
↳ A close call pushes Daryl to confess; if he was going to die, he wasn’t going to go without telling you why’d he’d take a bullet for you in the first place, or why, for him, you were so different than anyone else. (Season 3) 
Speak Up | fluff | 2k
↳ Daryl had almost given up on confessing his feelings to you, falling victim to his self-doubts and the predictable solace of silence. Then Maggie and Carol opened their big mouths. (Season 5/6) 
Observant | fluff | >1k
↳ Daryl only ever heard Merle’s crude flirtations, but even he could think of something better than that guy’s stupid moon line– it only took a little observation. (Season 5)
♥ Doctor’s Orders | angst | 7k
↳ When a sprained ankle takes you off run duty, the new girl goes in your place. Which would’ve been fine– if she didn’t have that brilliant wit, gorgeous smile, and effortless skill. But she did. And it was only a matter of time before Daryl noticed too. (Season 4)
♥ Breathe Through It | angst/fluff | 4k
↳ When you come down with the flu, Daryl’s ready to fight through fifty miles of walkers, people– anything to get you those meds. (Season 4)
Heartburn | angst | 6k
↳ After a drunken confession and a gentle rejection, there was only one way to describe how seeing Daryl made you feel. Burned. The two of you grow distant while your wounds still sizzle. Daryl finds himself facing a choice he never expected: let you slip from his grasp or admit his deepest secret. (Season 5/6)
Rick Grimes 
Oneshots (newest to oldest) 
♥ Untied | angst | 2k
↳ After months of friendship, Rick’s suddenly started avoiding you. You decide enough is enough and confront him. (Season 4) 
Rest | angst/fluff | 1k
↳ Some days, it felt like the weight of the world rested on Rick’s shoulders. The night after the farm fell was no exception. (Season 2)
290 notes · View notes
who-datgirl · 30 days
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Who IS Ruby Sunday?
My head is spinning over the secret identity of 15’s companion. Ruby is only in one season as Millie Gibson, something very important will have to happen to have her only appear in 8 episodes. At first I wondered if maybe Ruby was The Master hiding in plain sight as a human. Davies confirmed recently that The Master is taking a break from the plot, so that knocked them out of the running for Ruby’s identity. I am left with one headcanon that, regardless of it winds up true or not, exists rent-free in my mind.
I believe Ruby Sunday is the child of 12 and River Song. I think during their 24 years on Darillium, River wound up pregnant. Once she realized she was carrying The Doctor’s child, she took the TARDIS while 12 was busy with something (In the Husbands of River Song special she confirms that she often steals the TARDIS with The Doctor none the wiser). River carried out her 9 months of pregnancy in secret and used the Chameleon Arch on newborn Ruby. The TARDIS then chose the coordinates that landed her at the church on Ruby Road on Christmas Eve (A clue chosen by the TARDIS for The Doctor since River and 12’s time on Darillium started on Christmas Day). River then popped the TARDIS back on Darillium mere seconds after she left and lived out her remaining happy years with The Doctor, with the truth about Ruby weighing on her heart.
Why would River do this? Simple. The TARDIS is no place to raise a newborn. The Doctor would have stopped running and settled down on Earth to raise Ruby. River knew her time was almost up, but with a child The Doctor would have continued his 24-year vacation and extended it into Ruby’s adulthood. River loves The Doctor for their gallivanting around the universe and saving countless worlds through their travels. The thought that an untold amount of stars in the sky would vanish without The Doctor’s help broke River’s heart: “Maybe The Doctor would never have travelled again” was her fear. Rather than raising Ruby out of a mix of love for Ruby and grief for River, River chose to let The Doctor’s grief of River be their fuel for saving worlds instead. Also, River figured by letting a Ruby live a human life on Earth she would get a quiet and good life that is without Daleks, Cybermen, The Yssgaroth, Weeping Angels, and all the other horrors that The Doctor and his companions deal with. For anyone interested in seeing how I imagine 15 and River’s confrontation about Ruby playing out, I will post a dialogue I wrote between them at the end of this post.
NOW, onto the little easter eggs that I have noticed so far that give credence to Ruby being River’s child:
15’s run has had a ton of talk with Ruby about family and being adopted, The Doctors biological ties are definitely a theme of the season.
Ruby’s initials are R.S. Same as River Song.
As mentioned above, Ruby is born Christmas Eve. 12 and River’s time on Darillium began Christmas Day. The TARDIS chooses coordinates that best suit a Time Lord/Time Lady when a Chameleon Arch is used. I believe The TARDIS chose that time and place as a clue for The Doctor to eventually find Ruby.
Coincidence seems to be forcing Ruby and The Doctor together. Almost as if 15 is the answer to her question about who her actual parents are.
When viewing Ruby’s memory, her hooded mother points at 15 which alters the memory. River and The Doctor’s connection has been shown to transcend laws of time and space before (I.e. 11 being able to see River on Trenzalore and even kiss her projection from the Library).
There is such a pervasive theme of music between 15 and Ruby. The Christmas special kicks this off with a fun musical number which seems innocent enough. Since then, all the talk of music has caused the words “Melody” and “Song” to come up quite a few times in the latest season. The Devil’s Chord episode to me felt like a slap in the face with deliberate wordplay. Timothy Blake begins the episode by discussing melody with Henry Arbinger (and Melody is River’s birth name). Towards the end of the episode Maestro finds “A hidden SONG” in Ruby’s soul. If she is River’s daughter that would literally be her last name.
I listened to the hidden song in Ruby’s soul that she sings before the Christmas music several times. Melodically it is quite similar to the melancholy tune “sung” by the Towers of Darillium in the “Husbands of River Song” special.
In “BOOM” the ambulance could not identify 15 properly as a life form. The ambulance had the same error when trying to identify Ruby’s next of kin.
I think if I am correct, once restored to a Time Lady Ruby gets fatally wounded and regenerates into the next season’s companion. This is why Millie Gibson is only in one season. I think Ruby lives on, just as the new actress Varada Sethu (Also Millie and Varada are both credited in next season’s first episode, perhaps we see the regeneration then?)
Is there any truth to this theory? Ultimately, that is up to Davies. As I said before, for me it will live as true in my head rent-free regardless.
As promised, my headcanon confrontation between 15 and River at the church on Ruby Road
*15 stands in front of the hooded figure on Ruby Road, demanding that she pull down her hood*
15: I know who you are! I know who Ruby is. I just have one question that I cannot understand……..*tears forming in 15’s eyes* WHY…..River…..
*The hooded figure pulls down her hood, revealing the saddened expression of Professor River Song*
River: Hello, sweetie.
15: Why River, why did you hide her away from me?!
River: Do I need to make you a list of reasons a baby on the TARDIS is a horrible idea? Traveling the way you do is no place for a child. And that was my greatest fear. I know that for you, you lost me long ago. If, if you knew we had a child. You would’ve stopped immediately. You’d do the one thing you’d never do in a million years.
15: *Angrily* What’s so —
River: You’d stop running, Doctor. You’d park your TARDIS on some corner of London. You’d sweet talk yourself into a quaint home, in some quiet city. You and her would spend years on Earth while she learns to walk, to speak. Long enough that the day would come that she’s old enough to ask why she doesn’t have a mother. I couldn’t do that, but not just to her or you. Do you have any idea how many worlds would see their final dawn if you are not around to pop in and interrupt some horrible disaster? Why, I couldn’t risk every star in the sky going out due to some mix of love for our child and grief for me!
So I did what was best for her, and best for the universe. I used the arch. I landed here. A time and place where she would grow up to be loved and to have one thing neither of us ever had, a normal life. I gave her the gift of a life free from Daleks, from collapsing stars, from the cold of space. I did that, and then I hid her time lord essence in the safest place I could, the one place you’d never go. Nine months have passed for me but for The Doctor on Darillium, I will return after a few seconds. We still have a few more years to go in the long night, and you haven’t a clue I left. You’re the smartest man I’ve known, but also the stupidest.
15: Well the universe didn’t seem to want us to be apart did it?! Coincidence pushed and pushed until I found her, or she found me, I’m not even sure which happened first. Everywhere we went together there was children, mystery, belonging, family all practically forced into my view. I was the answer to her question. Every time she asked who were real parents were, coincidence nudged my foot in her direction. It nudged and nudged until we found each other, and then the answer to her heart’s song screamed itself out in silence. I was meant to be in her life and I got there…..it, it was just the long way around.
River: In my heart I knew, if anyone could find her with no clue to go on, it would be you. I don’t regret the actions I took to hide her, but I’m so glad you are with her now. You, at least, can know her. My diary is out of pages. I don’t have any room for adventures with my daughter. You Doctor, you have all of time and space. Show it to her! If the universe doesn’t want our daughter to live a life of domestic bliss on Earth, teach her to be the Time Lady that she’s clearly meant to be. For the first time in a long while, you don’t have to be the only one of your people on the TARDIS. You finally don’t have to be alone in this universe, and for that I am so happy.
**The Doctor gently grabs River, holding her in his arms**
15: River…if I could do anything to save you, you know—
**River wipes away her tears and slowly backs away after the embrace**
River: Oh sweetie. Hush now. You and I both know how this works. We’re always rushing by each other in reverse. You have the beginning of the rest of your life with her ahead of you. Me? Well……all I have is the time with you on Darillium. I really must be getting back. Eventually you’ll stop entertaining yourself or impressively monologuing to some poor sap on that planet and notice that the TARDIS is gone. I must be back before then.
**Rivers walks into the distance, fading into the darkness of Christmas Eve night. A lone stream of light appears as she opens the 12th Doctor’s TARDIS. River takes one last look at baby Ruby on the church steps, and then one last look at 15**
River: Until next time Doctor.
15: NEXT time? Wait, River. How in Earth do you mean?
*River grins widely at The Doctor, and says one word before shutting the TARDIS door*
River: Spoilers
*15 stares a long while at the now vacant space of their former lifetime’s TARDIS until the glimmer of an idea appears in their eyes. 15 dashes to their TARDIS. 15 slows their approach as they go deeper and deeper into the halls of the space-and-time-ship until they stop at the door. This is the one door on the TARDIS they refuse to walk by, to even think about. With tears forming in their eyes, they open the door for the first time in centuries. Cautiously they walk into the bedroom that 12 and River shared in their time on Darillium. The room’s lights slowly hum on, the bed still unmade on the side River slept so her imprint can be seen in the sheets. Atop her pillow, rests a Time Lord’s pocketwatch. 15 opens it and hears the hum of a Time Lord soul. Inside it are two holographic pictures, one on each side of the watch: one of River, one of the 12th Doctor. On the bottom of the watch 15 can see something inscribed in the Gallifreyan tongue. It reads a name: Amelia Song*
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blicketdabest33 · 6 months
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FINAL CABIN PLACEMENTS I DON'T WANT TO EDIT IT AFTER THIS
So many of y'all had so many good ideas (and since a lot of these i came up with without any real reasoning) here's my updated version that i think fits A LOT better
#1 Zeus Cabin: Jimmy, Joel Jimmy: He's a Zeus kid, but everyone somehow forgets about it. Joel: He's competitive and strong. Also, because Jimmy is his half brother through godly parent, i get to make a fun bit about him dating Lizzie. And one of his origins in Afterlife SMP was a thunderborn
#2 Hera Cabin: Scott, Impulse, Ren Scott: Scott's whole thing is loyalty. Hera is the goddess of marriage and is insanely loyal to Zeus. However, I feel like Hera should get at least one affair. So now Scott can use peacocks as weapons. Impulse: According to @dawnfire7 Impulse is known for loyalty, which i did not know. He's also known to hold grudges. Perfect Hera kid. Ren: He's apparently known for loyalty (and i didn't really like his Nike placement anyway)
#3 Poseidon Cabin: XB XB: Something about water temple guardians
#4 Demeter Cabin: Sausage, Shelby, Bdubs, Stress Sausage: This man built Sanctuary in a jungle and has flowers in his hair. He sells wood. There is no other place to put him. Shelby: Mushroom gnome, spooky mangrove witch, powerful storm witch, i need not continue. Bdubs: Moss man. Stress: SHE HAS FLOWERS
#5 Ares Cabin: Martyn, False Martyn: His planet is Mars, which is the roman version of Ares. He ended Limited Life in such a violent way, i can't help it. He was also red for the majority of Secret Life. False: I just feel like False should get to kill people more often.
#6 Athena Cabin: Grian, Pix, Owen, Xisuma Grian: This sums it up pretty well
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Pix: Smart man. Archeologist and definitely a nerd. I wanna see him skipping out on training just so he can read history books. Owen: He likes to explore and discover new things in Pirates. In Rats, he's a tinkerer. In New Life, he's an explorer who wants to study hybrids. In Empires, he's a Llama who's curious about how humans work. Just a very curious character overall. Xisuma: Admin. I'm not elaborating.
#7 Apollo Cabin: Oli, Lyarrah Oli: MUSIC. MAN. Lyarrah: She writes the captions for the hermitcraft recap.
#8 Artemis Cabin: Pearl, Gem Pearl: Y'know, Artemis could've just like... had a kid, even though she took that oath. It wouldn't even have to be with a guy. Gods can change to whatever gender they want. Anyway, Pearl gets to be an Artemis kid because her symbolism is moon, she loves dogs, and will commit murder and hunt at night. Gem: Someone really wanted these girls to be sisters, and I think Gem and pearl should get to hunt at night and be fierce together. Oh, and she's got the whole deer aesthetic.
#9 Hephaestus Cabin: Doc, Mumbo, Tango, Zedaph, Fwhip, Iskall Doc: Redstone Mumbo: Redstone Tango: Redstone Zedaph: Redstone Fwhip: Redstone AND has a red scarf (don't ask me how that's relevant) Iskall: Redstone
#10 Aphrodite Cabin: Keralis, Skizz, Bigb Keralis: Okay, I don't know why, but Keralis gives me the vibes of a very charming person. His voice is nice to listen to, so imagine how useful it'd be if I gave him charm speak. Skizz: Person in the tags said he was really charming and you can't help but love him. I agree. He's here now. Bigb: Smooth talker. Someone (i think it was Scott) said in one of their videos "It's hard to kill him while he's talking". Charmspeak. Ma man, go do chaos.
#11 Hermes Cabin: Scar, Etho, Joe Scar: Trader Scar, scammer extraordinar. Etho: All i must say is Shady-E's. I get "jack-of-all-trades, master of none, often better than master of one" vibes from him. He's funny, he's mischievous, it just works. Joe: Comedy man. Excellent delivery. And, yet again, i look at this man and go "That right there is a multi-talented man with a habit for mischief."
#12 Dionysus Cabin: Joey, Beef, Cub Joey: *points at his season one empires theme* i need not say more Beef: Idk, food. I don't really have a reason. I don't know too much about Beef. Cub: Someone said Cub was really laid back, i liked this idea, he's here now. C'mon, go make ur empire.
#13 Hades Cabin: Zloy Zloy: Zombie man. He writes the Hermitcraft recaps in the dark at 2am with nothing but pure spite.
#14 Iris Cabin: Katherine Katherine: SHE. HAS. COLORS. and also I couldn't put her in Demeter cabin because Shelby is already there and i am NOT excluding Nature Wives from this au
#15 Hypnos Cabin: Wels Wels: @dingdinghq said something about sleeping during S6 and i completely agree
#16 Nemesis Cabin:
#17 Nike Cabin:
#18 Hebe Cabin: 
#19 Tyche Cabin: TFC TFC: Man goes mining and gets really lucky. That's it.
#20 Hecate Cabin: Lizzie, Cleo, Jevin Lizzie: Witchy vibes. Also, Arson. Cleo: Arson. She uses her magic for Arson. Jevin: He's a magic slime. Also, Arson. All Hecate kids love Arson.
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m3r1m4r5u333 · 2 months
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I might go a bit silent for some time after this post because I've been neglecting my real life lately in a way that's seriously about to bite my arse, but. I'm here to say something that I fervently wish the 9-1-1 fandom, and the queer audiences, or fans of queer fiction in general... will hear and embrace. It's this:
This is the time to let your freak flag fly!!!!
Don't you DARE hold yourself back!!!
Let that freak flag fly!!!
I say that because we need that enthusiasm for our survival. We need that enthusiasm NOW.
Who is this we? It's us!! Fans of the show. Fans of queer fiction. Queers! Allies! People who believe in love! Queer representation in media!!
Because do you even realize what this show just did when it gave us a canonized bisexual Buck, kissing a man on screen, for the first time, in season 7 of the show?
No, it wasn't fan service. It wasn't the show folding to an obsessive queer audience.
No, this was planned, from the very beginning. Anyone who pays any attention and watches the show with open eyes can see it was.
They wanted to create a closeted bisexual character who would stay in the closet for a good while. And they did.
Yes, I am being 100% serious, yes, I absolutely believe this to be true.
These characters we follow, these storylines we watch... Do you really think these characters are just the result of random keysmashing, the writers just going
"Hmm I don't really have a plan here, let's just call this guy "Buck" and release him into the world! ... What do you mean, who is he?
I don't fucking know, he's Buck, let's just decide what to do with him later! I'm going to lunch now, who's coming with me?"
No. These characters are designed. They are planned. They are crafted out by teams of writers, who brainstorm and discuss, and pitch plans, and figure them out:
Which quirk makes them interesting, what secret are they hiding, what are their flaws, what's their backstory, why do they behave like they do...
What to do with them, what kind of story to build with them, whom to match them with for future romances... And so on.
The end result is thought out, because they want the characters to be complex, and human... yet consistent...
And to serve a purpose: to help the storytellers create meaningful stories, and illuminate important issues.
And this character design process nowadays? It definitely includes figuring out what the character's sexuality is - way before you release them into the world!!!
Because the writers know they need to know, and understand the character, to operate them in a way that makes sense, and sexuality is an important part of the "design".
Because that's how you ensure consistent behavior, how you establish a personality!!! I'm being serious, this is just basic characterization, and worldbuilding, and these writers are professionals.
Sexuality is a trait that real people are fairly consistent about, and good fiction imitates real life. For example... If my dad just out of the blue got busy with another man, I would be quite stunned because I've spotted no signs that he might be closeted. Ever.
So if you want to create a closeted bisexual character, and not have people go "there were literally zero signs of this"... You plan. From the start.
And not just to avoid pissing off the straight audience!!! We queers don't appreciate half-assed queer characters any more than they do!!! That's ignorant and lazy, a casual middle finger to the queer audience.
But Buck's closeted bisexuality... It WAS definitely planned. It was CLEARLY planned. In a way that would make justice to the real bisexuals watching.
"Oooh but you're delusional, he's a womanizer, he's been a womanizer!!!"
Exactly. Because guess what? That isn't unrealistic at all. That is real life illustrated into fiction.
This is actually fairly common behavior for bisexuals, this era of almost hypersexual interest in the "opposite sex".
It is both genuine interest, and a front. It is genuine because it's not a lie. These closeted bisexual "womanizers" (or if it's a woman, "man-eaters")... Of course they are truly into these people they so eagerly court, why wouldn't they be. Buck sought out women, because he is into women.
And as said, it is also a front. Because it is often triggered by underlying insecurity. You think you're straight, or desperately want to be straight... But something just feels off. Maybe you notice someone who you "shouldn't" be drawn to, maybe you find that your eyes linger on odd things. Maybe you get turned on by something you "shouldn't".
And that freaks you out. So you try to drown these strange feelings by clinging into what you know. You know you like the "opposite" sex. This means you are straight!! You definitely are. Look at me, doing straight things, like a regular straight person!
It's kinda... A state of desperation, and denial is the engine. You became almost this parody of a straight person. A womanizer. A man-eater. 100% straight, look at me woo! It's about self-deception, and it's about bi erasure (not really even believing that bisexuality is a valid sexuality), and it's about fear of someone figuring you out.
And sometimes it's really just... About being oblivious, and lacking self-awareness. I mean... I am bi, just like Buck. Guess what clued me in? The unplanned flirting. Brainless, outrageous, oblivious flirting.
I am a woman and I did that with women. I had no idea I was flirting. I thought I was joking. Teasing. Bantering. Being friendly. Bonding. Being funny.
I am fairly outspoken and impulsive (now diagnosed with ADHD btw) so often I just leap before I think. So I just... interacted. And then one day, in the middle of a conversation with a female friend... I just got this really, really weird feeling. Like slowly waking up from sleep walking. Where am I, what am I doing? Why am I standing so close to her? Why does this feel so intense? And I just took in the moment, rewinded it, analyzed it, took notice of how oddly jittery I was. And went...
What the fuck. I am FLIRTING. I am totally flirting. I have been flirting! For a good while now! This is me, trying to provoke a very specific reaction! This is me, being excited because she's noticing me, and flirting back! (She was bi too btw, and out, so even though this never went anywhere, I am fairly sure that I wasn't wrong. We were both flirting.)
Anyway, this ramble was about Buck being a womanizer, and an oblivious flirt with men, and closeted, and not even realising the closet...
And it all making perfect sense!!! This happens! It happened to me! Some people don't realise their bisexuality until it practically smacks them in the face.
This is perfectly realistic story-telling. This is a valid portrayal of a closeted adult bisexual.
And Buck does flirt with men, on screen, since season fucking one!!! That emergency, in season one, the guy with the tape worm? That's him, being an oblivious outrageous flirt, starting to hit on a male patient mid emergency!!
Bobby actually has to cut it off because Buck is being super unprofessional there.
That was written, acted, filmed, aired. And as said, these characters are designed.
And that's not all. There are so many other instances of Buck flirting with a man, crushing on a man, being unable to shut up about men.
Go see Eddie's and Buck's meeting - the ridiculously homoerotic first introduction of Eddie. The way Buck absolutely must impress Eddie. The way he jumps to the idea that Eddie won the spot on the "hot firefighter calendar", the way he gets super flustered when Eddie compliments him and tells Buck he can have Eddie's back anyway.
The way he assumes Maddie is surely talking about Eddie instead of Chimney when she says "he's so cute". The way he is seen prattling about Eddie, Eddie, Eddie, and Maddie then asks about this "boy crush".
Go watch the entire storyline with Veronica/Albert/Buck/Taylor. It tells us very clearly that Buck sees Albert in a towel, and then can't stop rambling about him. This chronic inability to shut up about Albert is shown on several occasions.
Buck's date, Taylor, even walks out mid their double date due to that. Taylor takes in the clusterfuck she's been invited to, makes it very clear that she's heard A LOT about Albert as Buck keeps talking about ALBERT, and leaves.
Anyway - my point here is. The writing team wanted to write a closeted adult bisexual character, and figured... How do we make them realise that Buck really was bi all along?
Well, by showing him, being bi. Showing him in genuine relationships with women, and also showing him flirt with men. So that when he finally comes out, people have material to examine, and realise...
It was always there. He was always bi.
And they did because they wanted to bring awareness, to write a story of an adult closeted bisexual. The closeted part is important, btw. Because making him come out on screen is like simulating someone coming out to you in real life. They're making you ask;
Did you see the signs?
Or did you see signs... And dismiss them?
These stories are important because bisexual erasure is real. Many people don't even believe, or know that we exist!! And there is so much ignorance about what bisexuality is, what it can look like. "Oh, surely not a womanizer like Buck! Can't be. Ridiculous!"
But guess what? It isn't ridiculous. It isn't bad, or half-assed writing. You just don't understand the realities here.
Let me tell you some facts about bisexuality. I challenge you to verify them yourself, look up studies, and see that I'm not writing fiction now.
We bisexuals cling to our closets, desperately. Often well into adulthood. Btw, I'm closeted too actually, to my family. And yeah, I may sound like I'm 14. I am not.
And no, we aren't fine in our closets. We don't have it easy. We aren't doing well. We bisexuals are actually... Alarmingly, clearly, unwell.
And not just compared to straight people. No. We are pretty much, fairly clearly, either the top or near the top.. highest ranking mental cases among the queer community!! ... So. Yay?
Don't believe me? Look up studies about bisexuals. Though... There aren't that many, actually. Turns out, if you try looking up scientific research about bisexuals? Well, there isn't much. Compared to other groups of people, we are basically unstudied. Because hey, we're a bit meh. Why fund that research? Unimportant, those bisexuals! They're doing fine!
So... This is why I love this storyline, and Buck coming out. Because it's a high profile main character. And because they worked to get this right, to establish Buck's interest in women, as well as men.
You know, because that's what usually happens when a closeted character, or a real bisexual person comes out.
"Oh. He's gay now?"
Yeah. Bisexual erasure, it never stops winning. 🙄
Anyway, my post turned essay about letting the freak flag fly....?
That's how you support shows like these, writers like these, storylines like these.
By being an enthusiastic fan, and letting everyone know about it.
This is free PROMO for the show, our rambling, our freaking out.
Even if you personally have no legal means to watch the show, you can still support it by loving it. Talking about it. Letting your imagination fly. Indulging in your CRAZIEST fan theories!!!
And tagging it, reblogging it.
Please do that.
Don't listen to anyone trying to make you shut up,
Trying to get you to be rational,
Trying to organize a freaking "moment of silence" from shipping,
Trying to shame you and get you to "respect Buck's coming out arc" by focusing on it instead shipping characters....
Don't listen to anyone trying to make you hate a "problematic character".
"Problematic" characters are good writing!!!! Real people have flaws!
Guess what - trying to create and write perfect characters... If you do that? You end up looking at Teletubbies. Do you like Teletubbies? Do you?!!
Don't even listen to me if I try to argue for something because I "spot a problem' and want to whine about it.
No, ignore it, be confident, be a freak, let your freak flag fly!!
Because this is an important time in the history of the show, of queer media.
People are looking at how the show does after a queer twist like this one.
And they look at numbers.
At viewership. How many people the show lost.
How many it gained.
These numbers do not tell them which viewer ships whom.
Shipping is fucking irrelevant.
Shipping wars don't matter here!!
Because even if you ship Athena and a table lamp,
but post about it, it is still promo and viewership!!!!
How "sensitive" you are, and how overwhelmed the story arc made you...
does not matter here.
How disappointed you are that you did not get Buddie, yet, doesn't matter.
You being offended that people focus on some characters over others.... Does not matter.
It doesn't translate to the most important number, which is viewership.
And the best way to get decent viewership, and reward this incredible story arc, and love this show...
Is to let your freak flag fly!!!!!!!!!!
It's not to sit in silence because people are shaming you about continuing to freak out about your particular focus on the show.
That shame and "respect" just creates silence. That erases our voice. That mutes the fandom, the free promo, and tanks viewership.
Silence? That could kill this show, and OTHER shows that may consider doing something like this.
Going on mute now will only hinder incredible writers like these, wanting to create future shows and storylines like these.
You know... Because this scene about "let 'em fire us" underneath??
It is hilarious, yes. But it is also heart-breaking.
Because this is very likely META writing.
The writers, the show... scared, yet brave, wondering how the audience will react to Buck's coming out.
If this pays off. If they still have a job in the industry after this leap.
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So see what a gift these writers are.
Reward it by making noise.
By being absolutely unhinged about it.
Really, fuck this moment of silence to "Buck's bi growth".... Ship whoever, NOW, - Ravi and Buck and Athena together, if it tickles your brain!!!
Be problematic. Be a freak. Let it show.
Let your freak flag fly. That's how you love the show.
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misscammiedawn · 6 months
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Recently I've been introducing my girlfriend to Mr. Robot and last night, while watching season 2, I noticed something that made me love the show even more than I already did.
The subtle but intentional little bits of character development and motivation peppered into the show for sharp eyed viewers.
See, in season 2 we are introduced to Dominique "Dom" DiPierro, an insomniac/workaholic FBI agent who is part of the team investigating the 5/9 hack where our protagonists hackivist group managed to encrypt all of the credit and debt data for a banking system that covers 70% of the population.
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I am also quite in love with her for obvious reasons (see my redhead best head tag)
During this episode she has traveled with her team to Beijing to investigate the Chinese arm of the hacking. The investigation is aided by Chinese Security Minister Zhang. Unbeknownst to the FBI, Zhang is a public face for the series villain Whiterose, a transgender woman who runs The Dark Army, a militant hacking group whose influence is felt throughout the show.
During a party Dom disappears from the party to "look for a restroom" and finds a room of clocks, an indicator/reminder to any audience member who is not aware yet that Zhang is Whiterose. After a brief discussion Zhang invites Dom to a bedroom and shows off a closet full of beautiful outfits.
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She even invites Dom into her philosophy on time travel and parallel universes which becomes a major factor in understanding her motivations throughout the show.
(Incidentally this scene is lit in golden hues, a sign for the show to indicate safety and trust. Both characters are in frame for the majority of the shots. This show famously tries to isolate characters in frame during conversations to show barriers and disconnect)
Whiterose says these are her sister's outfits and by the end of the episode Dom is informed that Whiterose does not have a sister.
In a later season she even says outloud "she was showing me who she was".
I wondered why the mastermind of the plot was willing to trust Dom so quickly and with no apparent gain and allow her to survive the attack on the FBI that would happen the next day. It wasn't because of her value as an asset as The Dark Army do not attempt to recruit Dom until season 3.
Then I watched the episode again yesterday and understood why.
First let's talk about Whiterose.
Whiterose is a transgender woman who lives in China, a place where she is unable to live openly as her authentic self. She is positioned both masked in the light of day (as Security Minister Zhang) and authentically in the darkness of her secret life (as head of The Dark Army, Whiterose) as having inordinate amounts of power. By this point of the show we have seen that the CEO of E(vil) Corp, Price, capitulates to her. Price is seen as the literal devil at this point of the show and has outright referred to himself as "Master of the Universe". Yet he is not above Zhang.
With all of her power she is unable to change the circumstances of injustice that she lives in and at this point of the show that is all we need to know about her. There is more but it is not for us to know at present.
Whiterose and Eliott are both trying to change the world that caused them so much pain. Whiterose wishes to forcibly alter the world. She believes that there is no method of changing the world as it is because at some point it went wrong and the only way to "fix" it is to literally jump into an alternate version of our world where circumstances were better. She is jaded to the point of which she believes there is no future, only a better version of the past. She fights to change the past.
Eliott, in spite of everything, wants to fight for a better future. He believes that he can give people the choice to live better lives if the ruling classes allowed for such change to happen.
This is a show about healing, after all. One wounded victim cannot accept a world of hurt and injustice and wants to go back and change things. One wounded victim cannot accept a world of hurt and injustice and wants to force the world to change for a better future.
It's a good show.
So why does Whiterose let Dom see her true self?
Dom is a lesbian and the show takes place in 2015. This episode takes place on June 26th 2015.
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We do not know Dom's sexuality at this point of the show but we are later given the tools to unlock the secrets of this episode and conversation and to understand how Whiterose "clocked" her.
Earlier in the episode one of the characters, Angela, meets with a season 1 character in a bar. We see this playing on the television:
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It's not the focus of the shot, but seeing the footage of the LOVE WINS balloons bouncing up and down will catch the eye. As will the rainbow colored whitehouse. It is on screen for about 8-12 seconds. SAME SEX MARRIAGE LEGAL even on the ticker.
DIRECTLY after this scene is the sequence of Dom and Whiterose meeting.
During this conversation Whiterose insists on knowing why Dom is an FBI agent and after obfuscating she tells her story:
"Final semester of law school, dating who I thought was the one. At dinner, days before graduation, they got down on one knee to propose, and (this is going to make me sound wacky) but I excused myself to the restroom and left out the back and that was that."
Notice the lack of gendered pronouns?
Darlene sure does in season 3 when she teaches the audience how a character in this show can hear that sentence and know what they are doing.
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See these characters all know about masking and how it's done and so they catch those little tells. Darlene understood Dom's sexuality from just "On again, off again with someone but they're not really the one or anything like that."
Whiterose likely did digging on Dom before the meeting but both that conversation and the later reveal of how we, the audience, should decode her speech allows us to know Whiterose saw that Dom was in a relationship in law school that ended with her partner offering to marry her and that was the end of the relationship.
Whiterose knows what it is like to not be able to live as your authentic self (the reminder that the legalization of gay marriage JUST happened. Literally the day this conversation is happening) and saw an ally in Dom. Saw someone who understands what she feels and what she is fighting for. Whiterose consistently through the show is patient (a trait very unlike her) and kind with people she feels an empathetic bond with.
This understanding causes her to invite Dom to see "her sister's" outfits, knowing that the lie would not hold up very long. She just wanted someone who could see her for who she truly was to see her.
This show is about healing. It is about connection. It's about trying to be understood.
...and it legitimately is one of the best television shows that has ever aired.
I love it more than I can possibly put into words.
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mkcannothelpyou · 9 months
Text
Mission: Buy the Armored Core VI Blu-rays
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1. "621. Here's a request from a friend. Street dates for the Armored Core VI Blu-rays are in. Volume 1 includes Episodes 1 and 2. Deluxe Limited Edition packs in a bonus novella, if you wanted to know how G4 and G5 ended up in the Redguns. Audio commentary from me and Michigan too. Bring it home, 621."
2. "This is V.II Snail. I am commissioning you for this request—consider it a privilege. Having been favorably received, Volume 2 of the Armored Core VI Blu-rays is now available for reservation. Episodes 3 and 4 detail the events up to and including Operation Wallclimber. Packaged as a bonus is a novella that lays bare V.IV's induction into the Vesper Squad, as well as some of the meager deaths of Walter's mutts. Proof of your ability is on the line—you will not return empty-handed."
3. "Raven, it's me. Volume 3 of the Armored Core VI Blu-rays is going on sale. That means Episodes 5 and 6, where you take on the Watchpoint. I've looked into the bonuses. There's a novella in this one covering the Fires of Ibis, and a report on Dolmayan. I don't have any funds with which to buy it... Would you preorder it for me?"
4. "Tourist. This is "Chatty" Stick from RaD. There is a date set for Volume 4 of the Armored Core VI Blu-rays, which has made the boss very happy. Episodes 7 and 8 will cover the Crossing. There is a novella about how the boss created me, and a bonus CD of Arquebus and Balam corporate anthems. That's all I had to say. Later, tourist. "
5. "Hey, buddy. V.IV Rusty here. They just announced a date for Volume 5 of the Armored Core VI Blu-rays. That's Episodes 9 and 10, but word is they're going deluxe—a fresh cut of Episode 11, the one where we down the Ice Worm. Still going strong with the bonuses, too—a spin-off courtesy of Arquebus PR's radio station... one whole hour of Vespers VS. Redguns on CD. Don't miss out on it, buddy."
6. "Hey, tourist. It's your old friend, "Cinder" Carla of RaD. Looks like they're pushing out Volume 6 of the Armored Core VI Blu-rays. They're capping this one with the special where you intercept the Redguns. And hey, the viewers didn't vote for it, but someone up there loves us, because they're throwing in the alternate ending too. Chatty, boot up the ACs! Something tells me we're gonna go shopping!"
7. "V.II Snail, come in! This is V.VI Maeterlinck! They've gotten too lavish with Volume 7 of the Armored Core VI Blu-rays! On top of Episode 13, they've brought out a reveal-all OVA about the formation of Overseer, and a top-secret Institute report from Professor Nagai! They even have a CD where Handler Walter sings for the Episode 13 ending theme!? Requesting backup, stat!"
8. "Guess who's calling, tourist. Listen to your lucky numbers—Armored Core VI Season 2, Boxset 1, coming to stores. Sounds like they've got Episodes 1 through 4 in the "Fires of Raven" arc. Bonuses are... an old diary written by that little Ayre interloper, and a drama CD they're calling "MIND α, Release Phase 1". Happy face, tourist! Let's have ourselves the last laugh!"
9. "Hey, buddy. V.IV Rusty here. Just got a message about Armored Core VI Season 2—they're readying to sell Boxset 2. Contents are Episodes 1 to 4 of the "Liberator of Rubicon" arc. They're packing an Alternate Limited Edition with a figure of STEEL HAZE ORTUS. Your ideals brought cinders to life in the production team. I'm moving out to preorder, buddy."
10. One new message. "Rb23, independent mercenary Raven. Armored Core VI: The Movie -Alea iacta est- is now on streaming services. A UHD-BD, containing audio commentary by myself and Ayre, a CD of the main theme as sung by Ayre and ALLMIND, and a storyboard collection, is also available for purchase. This ending exists for all mercenaries."
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