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#songs really sad and has a sad backstory
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Song "Daddy" by Korn and Ash Lynx :(
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automatonknight · 2 years
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lone star shine down on my hometown
id: a digital greyscale drawing of kurier-she’s white and has long, dark, graying hair as well as a beard. she’s visible from her head to her chest. she’s wearing a cowboy hat, a plaid, unbuttoned shirt over a white tank top and a simple, black eyepatch over her left eye. the background is solid black with a lone, white star shining right above kurier’s head, they’re looking up at it with a sad expression. end id
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kimberly-spirits13 · 1 year
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SFW Fluff Alphabet w/ Jason Todd
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A= How affectionate are they
he's like a teddy bear and wants to cuddle all the time
he always wants a kiss or a hug and wants you to know how much he loves you
Jason's affection knows no bounds- he makes sure that you feel great and are doing perfect and that everything in life is alright
Cold? He's got a hoodie and a blanket. Sad? He's a leather shoulder to cry on. Happy? He's happy too
he likes to be touching at any moment
On patrol you're rubbing shoulders and he's as close to you as possible without straight up hugging you, he's got a hang on your back, hand on your thigh, he's got both hands holding your hands, you two link pinkies, his hand is in your hair, his hand is on your cheek, any form of touch
B= Bond- What do you bond over
Jay really, really likes reading so if you're into reading, he wants to talk about it a lot
if you're not a reader, well surprise, you are now
hearing him talk so highly of his books makes you want to read, just so you can talk to him more about them
He likes to work on his bike and clean his weapons so if you're down to help him, he'd be so excited
if you also have a tragic backstory, get ready to trauma dump with each other
he's got a deep respect for those who have lived through terrible tragedies and are still functioning members of society (even if it's partial functioning)
C= Cuddles- How do they cuddle
Cuddle monster
like it's cheesy but it's how you describe him
he also loves sleeping on top of you with his head buried in your neck or using your chest as a pillow and he's got his arms wrapped tightly around you
he likes to be the big spoon since he finds it uncomfortable for someone his sized to be cuddled lol
he's a giant so just let him tuck you into his chest and snooze away
he likes to cuddle in minimal clothing sometimes, not in a sexy way but in a he really likes having you close to him at all times
plus, he's a space heater so it's not like you're going to get cold
D= Domestic- What are they like domestically 
he loves being domestic
you two have a nice medium sized apartment with a guest room or two and your bedroom and an office maybe with a big kitchen and living room and a washer and dryer room
He makes bank on that criminal mastermind gig
Plus, if you're working, it helps being dual income
He really likes cleaning around the house and you think it's a stress reliever for him
there are temporary dance breaks during cleaning and he likes to dip you down and kiss you to whatever song is playing- he secretly finds it adorable when you dance on his feet and he will not complain, but don't tell a soul deary
he really really really likes to cook too
Your place always smells like a master piece and Jason really likes going to William Sonoma
it's the fanciest place that he will willingly go to
E= Ego- How much do they think about themselves in a relationship
He's got boundaries like a normal human being, but the dude is really selfless
Jason just wants everything to be alright and he is able to make compromises where they need to be made
the one thing that he really, really cares about is making sure that his weapons, bike, helmet, and things are all in check
I wouldn't recommend going around and messing with anything unless you have to
Like he's not going to be mad at you, but Jason just prefers that that stuff gets left alone unless specifically told otherwise
F= Fights- How are they during and after fights
fights are few and in between but when they happen, they happen
it's not really ever over anything small because you can quickly just talk it out with Jason
if it's over something like a mission or safety or doing something reckless, it's a big fight
he doesn't yell, he hates yelling at you, but his eyes go dark and he's so angry
he's probably clenching his jaw and just has to take a minute to cool off at some points
"I'm not ignoring you, I just can't talk about this while I'm this angry about it."
and he'll go on a brisk walk to cool off
he comes back and sits down and talks about it less angry
Alfred once told him, "it's not you against Y/N, it's you and Y/N against the problem. Don't be upset with each other that you have differing views or wants, that's how humans work, we're all different. Anger only gets grown men into bat costumes Master Jason."
G= Growth- How does your relationship change them
Jason actually becomes more secure in himself
it's like you've taught him that he deserves to be loved, so it's easier for him to accept that he doesn't hate himself
he's more patient, more deliberate with the things that he does and says and because of this, he comes home from patrol less and less injured
H= Hugs-What are hugs like
big bear hugs
he likes to engulf you and make sure that you're not leaving for a little while
He likes all kinds of hugs because it means that he's close to you, but he prefers the ones that turn into cuddle sessions
he'll run his hands through your hair or scratch your back
sometimes when he's having a bad day, he just needs to burry his head in the crook of your neck and have you whisper that it's going to be alright
I= I love you- How fast did it take for them to say II love you
he doesn't say it too fast, but he also doesn't take forever to say it
It's maybe like a year or a bit less into dating and he has to leave for a mission
You were either not going to go because you're not a vigilante, or you needed to stay behind to make sure that some crime mob wasn't starting back up
He says "I love you" when he's about to leave
He doesn't want to leave you, but he knows he has to
He hugs you so tight when you say it back
it means the world to him that you care about him like that
it's a rib crushing soul and he thinks about it the entire mission
J= Jealousy- How jealous are they
I'd say he can be pretty jealous but also he's easily leveled off
if someone is taking your attention and he's not getting as much as usual, he inserts himself into conversations or situations like a Golden Retriever
he just kinds of sits there and stares at your or rubs circles on your hang until you give him attention
If it's someone flirting with you, he likes to make some sort of show out of it
If there's someone flirting with you at a gala (which happens a lot), he pulls you in for a dance and kissing you in the middle of the dance floor
You know what he's doing but you're not going to deny it are you
K= Kisses- How do they kiss/ where do they like to be kissed
He likes to be kissed everywhere
his shoulders, his abs, his collarbone, his neck, behind his ear, his cheek, the forehead, on the lips
you name it
he really prefers a real kiss though
that's his go to
L= Love language- What’s their love language 
quality time and physical touch
he just wants you
Jason would melt into you at any moment if it meant he got to be close to you
He wants to spend time with you, even if you're not doing the same thing, and he wants his body touching yours somehow
M= Mornings- What are mornings with them like-
he's the kind of guy that sets an early alarm if he has to get up so that he can cuddle
mornings are basically always slow and warm and cozy
he likes to cuddle in the morning and have himself wrapped around you
sometimes before bed, he turns the AC colder so that when you wake up, you have to be close together to keep warm
if he wakes up before you, he'll either go back to sleep, or he plays with your hair until you wake up
N= Nicknames- What are their nicknames for you
doll
babe
love
darling
hottie
hot stuff
angel
love
O= On Patrol- What’s it like being on patrol with them
He likes to keep a close eye on you
You have to learn that it's not because he doesn't trust you, it's because he's always worried about the people he loves getting hurt or dying
he wants to make sure that at any moment something goes South, he's there to protect you
he flirts a lot on patrol
He also likes cracking jokes while he's busting skulls
it's one of the more morbid things he does
he likes to team up on patrol and always wants to know what you're doing and how you're doing
the two of you will often be seen near the bank building eating fast food perched on the ledge
he'll totally take you to his favorite gargoyle don't worry
P= PDA- What’s their stand on PDA
loves PDA, loves touching you
he's not gross about it like he's never making out with you in front of a crowd but he's always got an arm around you or a hand on your thigh
There are plenty of pap pictures of him with his arm wrapped around your shoulder while talking to you or glaring at something/ someone
if you're also famous for something, the paparazzi are always there but ten fold the intensity if you weren't famous
articles are always being written about Gotham's favorite couple
America's favorite couple if you're big enough
Q= Quirks- What are their quirks
he really likes to keep things really, really clean
usually your house is spotless because he's cleaning up after himself and you do the same
sometimes partners just get comfy and leave their crap everywhere
not Jason, he's clean as can be, not because he's uncomfortable around you, but because it's comforting for him to be in a non chaotic space
you know that he's stressed when he starts leaving things everywhere
R= Remember- Do they remember the details or the big picture
Jason remembers everything down to the final detail
there's like an always open compartment in his brain that filters and sorts the information about you and your relationship
he knows what you like and dislike, who you're beefing with at all times, what flavor candies are your favorite, what food you don't like, if there's a spice you don't like, he knows how you prefer your clothes and what color metal for jewelry you prefer, he knows how you like the recoil on your guns if you have any, he remembers the washing detergent that you use and the dryer sheet scent and brand
man knows everything
it's like that one kid that just knows random, niche information that no one expects them to know
he knows it allll
S= Security- How do you two feel around each other
he feels so safe and free around you
he just knows that if there is a problem, you'd be able to handle it
If there was a moment when he was taken out, he knows you'd protect him somehow
he gets all soft around you and he feels comfortable letting his guard down
You can trust that he's always there for you and that no matter what, he's going to be there for you
Jason is loving and attentive and wants to take care of you in any way possible
T= Taste- what do they prefer in a partner 
he needs someone that can keep up with him
he's an intellectual, even if doesn't seem like it
he's an analytical person and needs someone that can have conversations with him and be on his level
Like you really don't have to be a straight A student because not all smart people are straight A students
I mean come on, Albert Einstein was reported to be a bad student and he's a genius
he also wants someone that puts some care into themselves
if you're running around without a care in the world, stepping into oncoming traffic because you don't care, it's going to stress him tf out
U= Understanding- How understanding of you are they
Jason is extremely understanding of life
I mean it's screwed him over a few times so he knows that it can get difficult
Jason also needs someone that is understanding of him
they understand why he maybe doesn't want to watch IT, or he sleeps a lot when he can, or he doesn't like loud noises and ticking sounds
Jason being understanding though doesn't mean that he's easy to use
Oh he understands alright
he understands that he hates the people that try and use him for gain
V= Value- What do they value most in a relationship
Jason values someone that will be just as enthusiastic about something as he is
He loves someone that wants to be around him and talk to him
he need someone that he can vent to without judgement
he needs someone that respects his personal boundaries (as any normal human is like)
he needs someone that can understand that even if sometimes he messes up, he's really, really trying to turn out better than he was told he would become
W= Work- Do they balance their work schedule well around your relationship 
he's pretty good at balancing work around your relationship
it helps if you're a vigilante too
sometimes things comes up and he has to skip a date or comes home extra late and he really, really hates it and feels so bad about it
he's sure to call and text you all the time to make sure that you never get stood up somewhere or that you know what he's doing and what his intentions are
He never wants you to feel like you're being left behind or put on the back burner
X= Xtra- Extra headcannons
He's got good taste when it comes to interior design
he got an apartment where he did to make sure that it would always have sunlight during the day
I'd say he's a handy person too
I mean he worked with Bruce his entire life and does mechanics, he can't be that bad at fixing a bad pipe or general maintenance
Y= Yearning- How much do they miss you when you’re apart
Jason hates LOATHS being without you
if you're out of town for a mission or something, he doesn't sleep well and he struggles to chill out
he's always on edge wondering if there's something wrong that needs fixing
whenever you're reunited, he's all over you
the "never leaving you again" mentality
he's not obsessive but he really, really misses you when you're gone
like his other half or one of his lungs is missing
Z) Zeal- How dedicated or enthusiastic about the relationship are they
when he's serious about something, he's all in it
he loves being around you and making leaps in your relationship
he values your company and everything that you have to offer and he just thinks that you're the greatest thing to exist since indoor plumbing
there's no cheating, no longing looks at someone else, there's nothing that indicates anything going on between him and someone else
He's just there for you and that's it
he is yours and yours only and that's how he prefers it to be
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animentality · 1 year
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I got sad because I realized that the only good relationship that Dark Urge and Gortash had was with each other.
Gortash got sold by his parents, was abused in hell, barely escaped, and then spent the rest of his life plotting and scheming and refusing to get close to anyone, ultimately even selling another child he took in to the same nightmarish life he'd once escaped from.
Dark Urge was forced to kill their foster family by Bhaal, and then went to a Bhaal temple, where they might've been worshipped, but I highly doubt that the murder cult weirdos really thought of them as a person, and not just an object of worship. It is awful lonely up on that bloody pedestal. Plus the way they beg Bhaal for forgiveness for liking Gortash makes me suspect that it's never happened before.
And then I hold my little heart in my hands and weep for the two of them.
Because I know gortash is a piece of shit who refuses to break the cycle of abuse. And I know the dark urge has murdered a shit ton of people and enjoyed it too.
But...but...your honor ...I still feel sympathy.
I still felt sadness in the house of hope, when that asshole admitted he used to beat Gortash black and blue for fun.
I still felt grief when I read dark urge's letter to their god for ADMIRING someone.
For caring about a person.
And then I found out that dark urge had been living a normal life until they killed their foster parents.
You can say that dark urge enjoyed it, but I just don't think that's the case.
Baldur's Gate 3 has some laughably evil villains but there is nuance. There is humanity in most of the characters, good, evil, and morally gray. Even big baddies. Ketheric Thorm notably has a rather sad backstory full of grief, loneliness, and love turned to madness, Gortash was broken as a child by parents who shattered his ability to care for anyone but himself, and even Orin, if you confront her about Sarevok's relationship to her mother, can even be seen as a tragic figure. Like what the fuck, her own mom tried to kill her as an offering to bhaal.
Maybe all bhaalspawn are laughably one dimensional villains with absolutely no human traits to them, but that's just fucked.
One of my favorite themes is how everyone is a slave to the gods, their playthings, their disposal tools.
Poor Ketheric Thorm said it best when he said that we're just copper pieces to be traded, that we might have beaten him, but the gods beat him first.
He's so right, man. Most if not all the companions are slaves to Gods and devils.
Dark Urge was a slave to Bhaal, just a means to an end, a sharpened blade pressed against the world's throat, and Gortash was the plaything of devils, traded away by parents who didn't care about him, a powerless little boy who'd grow up to be a tyrannical power hungry despot.
I choose to believe they recognized each other. They worked together initially because they had their own agendas, and were doing their usual song and dance of manipulating others, but the more time they spent together, the more they actually liked each other.
They were genuinely friends, or lovers, and it's sickening and it's driving me mad, and it's all so sad.
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blueepink07 · 2 months
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Yuno: her struggling relationship with autonomy
(character analysis)
One aspect I have always loved about media characters is their attempt to be perceived as mature, despite their young age. Some succeed, others struggle to hide what they see as their childish side.
Yuno is no different in this context and I'm surprised that people don't talk about it enough.
Beginning with her age 18, it's truly a controversial age, if I may say. It's a confusing age, because you are technically considered an adult, but, at the same time, your mind is not fully developed to actually be one. In the end, you are still a child at heart and mind, despite the fact that you are legally an adult.
We don't know much of her home life and honestly I don't think it would do any good for me to make assumptions, since it's pointless in the long run and it would just lose credibility. However, one thing it's for sure based on Yuno's actions. She desires autonomy.
Yuno: Despite that, you arbitrarily assumed things about me and sympathized with me. Even though all I did was make a rational decision of my own free will.
I'm the one who chose, let you and you and you all in ~🎵
She highlights quite a lot with these phrases… She chose for herself, she is an adult who willingly decided to partake in compensated dating. Being called naive or innocent, two words that usually are used to describe little children, surely infuriated her… and she shows it.
It's funny now that I think about it. Fuuta also has the same problem, but his reactions are more childish, in the end, not doing him any justice. However, Yuno is no different. Of course, she does it in a more subtle manner, but she really does get worked up quite a lot when it comes to her being perceived more as a teenager than an adult. Her whole song it's literally about this idea. Yuno being infuriated that she is infantilized by the audience, making a sad backstory for her so they can dismiss the idea that there wasn't necessarily a big factor that provoked her to partake in compensated dating, but it's only her own free will.
I might add that the compensated dating itself is a way for Yuno to feel that she has more autonomy and she no longer needs to be treated as a child.
"An adult is a human or other animal that has reached full growth.[1] The biological definition of the word means an animal reaching sexual maturity and thus capable of reproduction." ~ wikipedia
Moreover, even the media promotes the fact that sexual content should strictly be watched by adults. And Yuno does end up having sex during some of these dates…
And if this idea isn't convincing enough… I think that Yuno likes to partake in compensated dating, because she knows the clients don't consider her a child. They are interested in her, in a way that makes Yuno feel satisfied with herself (at least, for a short period of time, when she is in their presence) she feels grown up and mature. She also receives money for her services, providing her with enough financial resources for Yuno to consider that she finally managed to complete one of the first steps of adulthood, to be financially stable.
Doing something that is not really socially accepted, again, can be considered as autonomy, because you do not follow the same rules that the society obligs. Yuno knows how compensated dating is perceived, but she still does it, because she thinks this action provides her "warmth".
The "warmth" that Yuno speaks about is a vague term to describe her desires. Based on her interactions, I would like to think that this term refers to genuineness and mutual understanding. Yuno, in the first VD, describes the society as being a place where "everyone eats each other". People need to point fingers at others who made a mistake, who did something that's not socially accepted to make themselves feel better.
Yuno: That’s right. You know those people who just wanna convince themselves, so they intrude in other people’s affairs even though it’s not their place—I despise them. That’s what I was saying. They only do that to make themselves feel better, don’t they? Those people don’t actually end up doing anything.
And you know what is interesting? The fact that Yuno finds more closure being in the company of some murderers. Why? Because they can also be considered some outcasts of the society that she pretty much dislikes.
Es: However, it also explains why you’ve given up. About yourself, human beings, even the whole of society, you’ve realised everything—that’s why your expression is so cold.
Teenagers usually have little power in our society. They can achieve great things, but have to go through more hardships due to the limited freedom. They need an adult to actually help them. That’s just how society is built.
Yuno's distaste for the society can explain why she has grown so fast, or, at least, thinks that she has matured enough. She was tired of the society inflicting on her rules that she, as a simple teenager, had to oblige. So, going into Milgram, starting to hear people crafting a sob backstory for Yuno, treating her like a child, despite the fact she has already done a few steps in order to sustain herself financially and emotionally as a young adult, it's truly insulting.
Es: This is just popular belief, but the law is also something the people have decided. There’s nothing, which can satisfy every single human being, now is there?
Yuno: That’s right.
However, even after all these, that doesn't mean she doesn't actually struggle with this new found autonomy that she craves.
I actually think that this autonomy is the cause of most of her suffering.
As I stated before, compensated dating is something that she decided to partake in, in order to prove her independence. She thinks that what she has chosen for herself is healing, helping her. But, if it's that the case, then why do we have these scenes?
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It's difficult to admit that one of your decisions was actually… Quite wrong. Especially, when it's one of your first one's as an official adult, in the very first stage of your life when you finally have enough independence.
“Cognitive dissonance is what we feel when the self-concept — I’m smart, I’m kind, I’m convinced this belief is true — is threatened by evidence that we did something that wasn’t smart, that we did something that hurt another person, that the belief isn’t true,” said Carol Tavris, a co-author of the book “Mistakes Were Made (But Not by Me).”
She added that cognitive dissonance threatened our sense of self.
To reduce dissonance, we have to modify the self-concept or accept the evidence,” Ms. Tavris said. “Guess which route people prefer?”
So which one does Yuno prefer? To convince herself that what she is doing makes her happy.
Yuno: Despite that, you arbitrarily assumed things about me and sympathized with me. Even though all I did was make a rational decision of my own free will.
Yuno: I’m not pitiable. My family gets along super well. And I’m not particularly struggling for money. I decided, of my own free will, to do it because I felt that it was necessary for me.
Sometimes, considering how many times she mentions it, for me it feels like Yuno tries to convince herself that what she is doing is good for her.
But you know what is funny to me?
She is good at making herself enjoyable for others as well as giving somewhat good advice:
Mahiru: My birthday…… the day I was born……But was there really any reason for me being born? Lately I’ve started to wonder that. Do you ever think about stuff like that, Yuno-chan?
Yuno: Eh? Not really. I mean, Mahiru-san, you’re really the romantic type, right? Not that I have anything against that. But isn’t it a bit much to think that everything in life has a meaning? If it makes you happy to think like that then go ahead, but if it doesn’t, then isn’t that in itself meaningless?
Mahiru: : ……you might be right. I’ve always just lived my life like this, so I don’t really know.
Yuno: We’ve all just gone through a bunch of things in life that happened to lead us here. It’s nothing more than a coincidence. Definitely not fate or anything. Probably. Even if there isn’t a meaning, you can still be happy that it’s your birthday. That sort of thing’s all you need in life really. So happy birthday, Mahiru-san.
Mahiru: ……no, I’m fine. As long as I don’t move too much I don’t even feel any pain. Sorry for making you worry.
Yuno: Oh, really? That’s good then. Mahiru-san, if there’s anything you want then just ask. It’s not like it’s a huge burden, I can just ask for it along with my own stuff.
Mahiru: Ok…… I’m fine for now. Sorry, for making you worry. Ah, Yuno-chan…… Today’s your birthday, right? Happy birthday.
Yuno: …Haha, thanks. Thank you, but y’know. Is it really ok for you to be saying that to me when you’re in that situation?... you really aren’t suited for Milgram, huh, Mahiru-san.
Amane: What is it… Kashiki Yuno. Don’t sit so close to me. Go away.
Yuno: Sorry for barging in when you’re getting into your worldview thing. But Mahiru-san’s finally managed to get to sleep. Humour me with some small talk while I take a break. By the way, Amane. Have you ever wished you were never born? I’ve thankfully lived a pretty fun life so far, so haven’t really. But you seem to be struggling with something. So I kinda wondered if you thought like that.
Amane: ……I don’t think that. Being born into this world is the first miracle any person experiences, and is something to celebrate. Even if after birth I was put through trial after trial, the value of that will never disappear.
Yuno: Hmm. Ok…happy birthday, then. It’s good that you were brought into the world, I guess.
But Yuno has a big, and I mean a BIG tendency to self-destruct, not intentionally.
Wanting to be independent comes with its own downfalls. At the beginning of the trial, Jackalope states that Yuno has distanced herself from social interactions. So much so, that we have never seen her actually confiding to someone else, in any of the portal timeline translations. She might have her reasons, either minimizing her problems, and using her energy to help the ones she deems to have worse than her, or, this is simply her nature to bottle up her own sadness. This again might also be the cause of her wanting autonomy and proving to herself and others that she is mature enough to manage her emotions.
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Not confiding in someone else for a long time can cause depression. Something that Yuno might be struggling with during trial 3 or she is already struggling with it a bit.
Furthermore, it's interesting that Yuno admits disliking behaviors that she deems childish. For example, she doesn't like the way Haruka and Muu behave, because they are ignorant of the problems in prison and have a really childish way of thinking. Amane's hate towards Shidou, might be often wrongly interpreted as a simple child's tantrum. Kotoko's actions, responding with violence to violence, it's again, an aspect often deemed as childish and immature.
Yuno: Really? If you ask me, Kotoko is someone I would never want to make my friend, though. She’s the type who picks a conclusion from the very beginning and won’t actually talk with you.
Yuno: Well, I guess it’s arbitrary who one gets along with. But Mahiru-san in particular is something. I think both her body and mind are at their limits. Also, Mikoto-san was also attacked but apparently it ended up in something of a draw. That guy was strong, huh—how unexpected. Also Haruka and Muu-chan have become kind of bothersome. And additionally, Amane-chan and Shidou-san too, huh.
Lastly, her second MV also shows her desire of autonomy in Milgram, not only through lyrics, but through visuals too.
Beginning with her door, it looks a lot like a medieval castle door.
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Her room, the way it is designed, especially the bed and the chair, also resemble a princess' room.
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However:
Despite the important role that princesses played in courtly life, they had limited personal freedom. They were often kept under close guard and were rarely allowed to leave the palace or castle where they lived. This was done to protect them from danger and to prevent them from engaging in political activities that might undermine the authority of the king or prince.
Medieval princesses had little to no autonomy most of the time. Their life was dictated from the start, having the only purpose to be betrothed and give birth to children.
That’s why the design choice is intentional. Yuno feels like a princess trapped in her pretty room (the MV is quite claustrophobic, the only outside elements being a few memories), exposed to the world (the many windows imply this), the voices that keep demonizing her.
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That’s why the scene where she starts breaking things in her room is so important. It serves as a sign of rebellion, to show that she is not the perfect, helpless princess that people like to portray her as. She is an adult who makes bad or good decisions, who thinks for herself. She is proud of her autonomy and is tired of constantly proving to others that she is not capable of taking care of herself.
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suzannahnatters · 1 month
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Let's talk about what IMO The Rings of Power gets RIGHT about Galadriel as an interpretation of Tolkien & a female character.
I think Galadriel is an inspired choice for a major protagonist of the series. Audiences already know her, yes. But she's also a perfect choice if you're wanting to make a Tolkien fantasy fanfic in the 21st century - which does expect prominent female characters (thank goodness).
This is because Tolkien's Galadriel contains multitudes. The important thing to know about Galadriel is that she was at different times in the legendarium's creation BOTH a rebellious mess AND a wise queen.
It was only towards the end of his life, when Tolkien began to see Galadriel as an analogous figure in his world to the Virgin Mary, that he began to remove the traces of rebelliousness from her backstory. But originally she was up to her neck in a little event called "the Kinslaying."
The version of Galadriel we see in THE LORD OF THE RINGS is one who has been specifically banished from Valinor for her part in rebelling against the Valar in order to go to Middle Earth. She sings a whole song about how sad she is she's never been allowed to go back:
I sang of leaves, of leaves of gold, and leaves of gold there grew: Of wind I sang, a wind there came and in the branches blew. Beyond the Sun, beyond the Moon, the foam was on the Sea, And by the strand of Ilmarin there grew a golden Tree. Beneath the stars of Ever-eve in Eldamar it shone, In Eldamar beside the walls of Elven Tirion. There long the golden leaves have grown upon the branching years, While here beyond the Sundering Seas now fall the Elven-tears. O Lórien! The Winter comes, the bare and leafless Day; The leaves are falling in the stream, the river flows away. O Lórien! Too long I have dwelt upon this Hither Shore And in a fading crown have twined the golden elanor. But if of ships I now should sing, what ship would come to me, What ship would bear me ever back across so wide a Sea?
By the end of LOTR, that exile sentence has been revoked, probably in part because she resisted the temptation of the Ring when Frodo offered it. What we're seeing through Frodo's uncomprehending eyes in THE MIRROR OF GALADRIEL is the end of a REALLY REALLY long character arc.
In Tolkien's published work, Galadriel the wise queen wasn't born, she was made over many centuries of rebellion, temptation, and struggle. She had to learn.
Until Tolkien changed her. A flat arc is also valid, of course. But, for this character, the change arc is equally valid.
In TROP, beginning with a younger, more rebellious Galadriel seems to be a clear artistic decision to follow a change arc. I LOVE, BTW, that in the first ep we see her both in armour AND in beautiful dresses. This character is not going to fit easily into boxes.
Just like she does in Tolkien, TROP Galadriel contains the potential both to be Nerwen, the "man-maiden" and Galadriel the wise queen. TROP Galadriel doesn't seem to be under a sentence of exile, but she DOES start the series with a stated inner struggle.
I'm not going to spoil it for you, but I'm so excited to see where this goes. This is a young, angry, sword wielding Galadriel who is clearly at the start of what could be an epic character arc that refuses to put its protagonist into a tidy little tradwife/rebel binary.
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be-missed · 7 months
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Find You Again (Drabble)
Jenna Ortega x Fem!Reader
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(pictures not mine)
Summary: Four months post-breakup, Y/N "swiftly" moved on, entangled with a rising singer. Jenna, still raw from their shattered romance, covertly attended Y/N's performance at Coachella Valley Music. The echo of Y/N's new song sliced through her soul like a knife, reigniting her heartbreak with an unbearable intensity.
Warnings: curse words, notify me if there are any
A/N: This is a backstory. A new song released by Wendy, so listen to it if you can!
Song: His Car Isn't Yours // WENDY
Masterlist
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"Do you wanna go around to get some food?" Mia asked Jenna, obviously trying to get her away from the stage where Y/N will perform in a few. The both of you planned this; You will perform your first ever stage in Coachella while she watch you. But it turns out that the world has other plans for the both of you.
You broke up with each other four months ago, but you are now dating a rising singer for two months. It fucking hurt, really. It hurt Jenna so deep. She never heard from you after you dropped off her things in her house and she went away to do filming.
"No, uhm, you go ahead, I'm not really hungry" Jenna smiled timidly to her sister. Mia nodded and leaves Jenna alone at their spot, near enough to watch you clearly, but far enough to not be seen.
Five minutes later, the crowd are cheering for your opening song. Jenna was watching you sing, reminiscing those days where the both of you were in a studio and she was the only person that gets to hear your masterpiece. She wants to gatekeep you actually, she doesn't want anyone thinking that they wanted to be yours. Because you are only hers and she's only for you.
She remembers how she drives to your house, picking you up, driving fast in the highway and driving slow through the suburbs. She remembers how you were always waiting up in your driveway waiting for her car to park in front so that you can greet her. Jenna sometimes parks her car on the other side of the street just to surprise you, but hell she wonders how you still noticed where she is parked.
A tear fell from her eyes, she wiped it up fast, not wanting to be seen. She hates herself right now, she hates how she is so hung up on you while you were out there dating some dude. Jenna thought to herself, "Did some force take you because I didn't pray?" because if it did, right here, right now, she'll be on her knees begging that things aren't real and she's just dreaming.
Your voice break her thoughts when you said "So this song is for someone... that has been a part of my life. A big part actually." You bitterly smiled, Jenna saw the camera focused on you, it didn't go unnoticed that you were actually finding someone in the crowd. You continue to speak "So uhm, if you are ever here, this is for you."
Jenna is nervous, because it's either you sing a song about that dude or your gonna sing about her. But she doesn't want to get her hopes high, so she did some breathing exercises to ground herself when the intro of the song started.
You start singing the song, it was... a sad one. A song that is actually about you and her. The moon is taking over the sun making the venue a tad bit darker, making the fans lit up the flashlights on their phone.
You moved to the center of the stage, closer to the people that are watching you. Scanning every possible face that your low resolution eyes can see. Trying so hard to find Jenna, because she promised. She promised she'll watch your first performance in Coachella.
Am I supposed to find someone
Makes me feel how I felt?
I'm trying think it's time that
I try again with someone new
The stream of tears on Jenna's face is now continuous, no matter how hard she tried to stop herself, she just couldn't. No one knew the relationship that you two had, no one knew that the two of you are connected. The both of you are rising stars in each track that you take, but the both of you are still not famous enough to break the internet with some dating rumors.
Now it's eight o'clock and I'm waiting on
This good guy to come pick me up
I just wanna have a good night
He's pulling up, oh my God, I see the headlights
And he opens my door but his car isn't yours
It's not you anymore in my driveway
It isn't you drivers seat on the highway
It isn't you on your way every Friday
And I hate that it hurts that his car isn't yours, yeah
But that car isn't yours
No, his car isn't yours
Yeah
The bridge hit every part of Jenna's heart that screams your name, which absolutely every part of her entire being. After your break up, she just drive past your house just to see if you are awake, to see if your dining room light is on, or just to see you in your driveway waiting for her.
Now it's 2 AM, he just dropped me off
Asked if he could come in, I told him maybe not
Then he asked what he did, I said that nothing's wrong
It wasn't your car
The song ended in a sad beat with you thanking everybody on your team, the festival, and the audience that watched you. Sad to say, you ended your set with a broken heart. You were happy, of course, being able to perform on a big music festival with a lot of people that can support you and listen to your music. But Jenna wasn't there, you didn't see Jenna standing on her spot, rooted there like she was planted.
But that car isn't yours
No, his car isn't yours, mmm-mmm
Eh-yeah, mmm, yeah
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A/N: Chapter 3 is not still finished but here is a drabble for Find You Again. If you have any drabble ideas for Find You Again, just send it! Thanks for reading, hope you enjoyed it!
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falloutnewnobody · 7 months
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what kind of drunk i think each of the fnv companions/honorary companions get
Boone: sad drunk. he drinks like once a year and when he does he has one beer and starts feeling like a mitski song. he always leaves the function/bar/club/etc to go stand in the yard and stare pensively up into the night sky.
arcade: horny drunk. mr "overt flirtation will get you anywhere," actually drinks fairly frequently but only really gets drunk once every few months. absolutely the worlds worst flirt and he knows it, his strategy is just to tousle his hair a little, lounge on surfaces in a slutty white button up with the sleeves rolled up to his elbows and wait for someone to come make out with him. it always works.
benny: also horny drunk, but in an obnoxious, over the top way. terrible flirt but earnestly tries his best. lives for drunk cigs and is usually the guy to go over and make out with arcade.
Cass: we already see this is game but crabby drunk who just kinda wants to sit alone in a silent room with her whiskey like an alcoholic white dad in his office on a weeknight.
Lily: sleepy drunk but she doesnt drink around the grandkids, she thinks it'll be a bad influence on them
Raul: chill drunk. he's pretty much the same but more tired and more jokey
Vulpes: "im not drunk," drunk. thinks he has the alcohol tolerance of a bull but actually has the tolerance of a waifish goat. spends the entire night confidently slurring out the phrase "i'm not even that drunk,", shit talking every single person at the function (to their face and behind their back), starting petty drama, and listening in on other people's conversations. All star flip cup champion. always throws up in the yard and finds a way to blame in on "being sickened by the profligate's behavior," rather than alcohol poisonig. thinks that anything he did during a blackout doesnt count because he doesnt remember it, therefore it didn't happen.
Veronica: supportive drunk: Veronica's the girl who sits in the club bathroom and cries with you while you tell her your traumatic backstory. usually the one to talk down boone and make sure Vulpes got home safe.
ulysses: infodump drunk/sad drunk. self explanatory.
rex: no
ede: NO
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artsyfartsypaige · 3 months
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Guess who saw the A.R.T production of Gatsby the other night?!?!?! It was truly an amazing show (I legit cried during it) and I would love to bring up some of the highlights. In a few scenes, my only thought was “the tumblr is gonna love this”. It was a phone free show so I don’t have photos of the stage or actors but I’m happy with discuss.
1) The stage was made of metal car parts, glittery string curtain and two black marble staircases. It was kinda split between Gatsby’s world and the Valley of Ashes.
2) The actor for Nick, Ben Levi Ross, was probably the funniest actor in the show. He had great line delivery. He was also super short and literally everyone towered over him.
3) on everyone’s costumes, there was a coating of dirt/rust at the bottom. It was such a cool little detail.
4) Nick has a small panic attack when fireworks go off at the party and this is how him and Gatsby meet. They sit together on the bottom of the stairs and it legit felt like a rom com meet cute.
5) yes, Nick makes out with McKee. He spends every party scene from that point on flirting with some guy or making out with a member of the ensemble.
6) I’m not totally sure if Gatsby is still a bootlegger in this version but they show him killing a man so he’s definitely involved in some sketchy business.
7) Wolfsheim signs a song called “Look like heaven but feel like hell” which was my favorite. It’s him explaining Gatsby’s fake origins to Nick. Gatsby gets to do a full dance number and quick change into his pink suit.
8) They added some backstory to Myrtle and Wilson that they lost a daughter in the Spanish flu. It was a sad but sweet detail as to why they’re the way they are.
9) In the tea party scene, Nick pushes Gatsby back onto stage after he runs out in a panic.
10) Gatsby doesn’t die in the pool, Wilson shoots him on the staircase.
11) Gatsby’s father is indigenous which is LOVED! I’ve always imagined Gatsby to be indigenous and so seeing that others had the interpretation was amazing.
12) overall beautiful music. A lot of raw emotion and a wide range. Wolfsheim’s song and “The Damage you do” by Tom and Daisy were my favorites.
Let me know if have any questions about anything!!! I really want to discuss the show!! Here’s the book I brought signed by the cast!!!
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mgnifique-tion · 2 months
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— from the heart.
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summary || ``the scientist, y/n l/n, finds the key to the god of mischief’s hardened heart.``
pairing: 2012!loki x gn!scientist!reader song recommendations: i’ll be your man - btob / covered by park jeup, choi suhwan, and kim seunghun (build-up) lowercase is intended… »» read part 1 here
— themes and warning/s: open-ended (yet again), very mild swearing, the enemies have turned to complicated lovers, religious/christian metaphors, angst, death of family member (mentioned), thor mentioned 🗣️🗣️🔥🔥🔥🔥 (just a heads-up)
— a/n: entry for april! what the hell, y’all… how did i get so active writing about loki, i’m not even into the mcu that much anymore (idk, probably because he turned into a tree and that was sad?) anyway, this is the second part to “human reaction” so if you haven’t checked that out, just click the link on the title for some backstory. this has also turned out longer than earlier so wow, i think i’ve gone crazy for loki (thanks a lot, tom 👍) — edit: hello, so this was supposed to be up for april but i'm posting it now on july because, unfortunately, i have a very busy life with unexpected events taking place. enjoy reading!
[ total words: 2.5k ]
support me on ko-fi! ☕
───── ❝ ❞ ─────
it was past midnight and that self-proclaimed god had brought you to the top of a hill, telling you to wait for him as he’ll be taking some time to converse with his allies.
allies in ruling the world? yes.
“faen!” you heard him growl into the darkness, which startled you from the rock you were sitting on. but of course, that sudden shock died down due to how tired you already were; sleepless and alert from anything that could happen if you’d ever close your eyes. there was that fear that you may never open them again if you had left them closed shut even for just a little minute. 
there was a long pause until you decided that it’d be somewhat of a good idea to say something. a single word at least just to fill in the silence. “... so, did the meeting go well?–”
“oh, will you just not question it!?” loki grunted, startling you again. well, he did say he wouldn’t lay a finger on you so erupting like a volcano right at you wasn’t technically breaking any rule. “don’t you see? it’s obvious that nothing else had gone well, you imbecile! what else would i have to offer you in exchange for your eternal silence!?”
then, he proceeded to take in a deep breath, closing his eyes to collect himself and his emptied patience while you just stared at him. yes, of course, you hated his guts and the fact that you couldn’t really do anything against him but you never intended to offend him; that question was genuine.
in fact, every single response you’ve ever given him was genuine.
“sorry,” you blurted out, “i was just asking. i didn’t mean to hurt your feelings or something... just wanted to know what went on.” the way your voice sounded so hazy and somehow breathy had given him the impression that you were already exhausted, not just mentally but rather physically. you couldn’t think of the words to respond anymore and maybe it would’ve been better if you had just said nothing.
but surprisingly, this was just another reason for loki to take interest toward your gift: humanity, as he’s said. “... did you just?–”
“yes… i did. i did apologize!” you didn’t even notice how your tone had changed; you’ve never raised your voice at him for the sake of him doing the same for you but you’ve had enough. you weren’t a friend, you weren’t even anything to him. you were just a total mortal stranger he spared, which does not give any reason for both of you to yell at each other but that rule has been broken.
after all, you’re just human and that is natural.
“i have never insulted after you’ve spared me,” you reminded him bitterly, getting up from that rock you’ve been sitting on ever since the past hour. you don’t even know why this god had brought you here and something about it was just familiar to you, just like the sacrifice of isaac. “i couldn’t sleep... i couldn’t eat... i couldn’t even ask you to stop whatever the fuck you’re doing to my world anymore but the moment i asked you about your stupid meeting, you just– you just blow up at me! is this what i get from saving you!?”
and that was the first time you’ve ever startled a god.
loki was stunned. slightly amused but completely out of words. just by staring at him, you’d know that he would start thinking of something with a smug smile but there was nothing on his face; he was fazed by you. 
“right,” he said with a low chuckle, “i must’ve forgotten you were human with feelings all over the place... natural... real.”
as the scepter started glowing again, panic rushed in your head and you damn knew that you had to run – just like the many times you’ve thought of that scenario but it just never took place. “you want a meal and an hour of sleep?”
“make it at least two–”
“four, it is.”
and despite the second peak of terror just occuring, that was also the second time he’s ever shown actual generosity. “you humans are too fragile,” loki commented with yet another chuckle as you huffed since that’s all you could do; you don’t trust his promises after all and you might never will. “... you really do need a proper leader. a god you can see, feel, and touch… not some written messiah.”
oh.
that statement must’ve crossed borders.
“... where do you want to eat?” he asked softly, almost as if he’s returning that genuine question he didn’t even bother to listen to. you were starting to wonder whether this was a symbol of your last meal. the last thing you’ll ever eat before your execution. 
who knows what else he could do with that scepter of his. “... well, in-n-out is open for twenty-four hours so…” you trailed off, looking away for a bit as your eyes scanned the area. every hill and path already turned into several landmarks in your mind as if you were the first person to discover it. “... would that be okay?”
once those uncertain words left your lips, the god of mischief smugly smirked back and nodded once. “i have one condition, however.” loki, of course, had to have some benefit from allowing you to take your basic needs as he stood before you, his hands clasped together and shown rather than his usual. “you’re not allowed to eat alone, therefore, once you purchase your cheap delicacies, we’ll come back here.”
so, a total bummer? of course, loki would know how to ruin your chances of escaping even if you hadn’t plotted against him… yet. “i wouldn’t want my apprentice to attempt freeing themselves, would i?” he knew what he was doing and you just had no choice; you needed to eat. you needed sleep. you needed to survive and in order to do so, you must abide by his rules.
he did spare you, didn’t he?
and as time passed by, you were now seated in the same mountain area, eating a take-out burger with a god. you didn’t know whether this was an early breakfast or a late dinner but nonetheless, you were somewhat grateful. “... are you not hungry?”
“gods don’t need to–”
“i bought you one, too.”
for some reason, loki just couldn’t say no to that as he continued to sit down next to you while your hands scrambled into the paper bag, searching for the other burger. at the moment, this was the only thing you could afford since he’s taken you under him once he’d given you that offer: wherein he or his blue-eyed minions couldn’t hurt you yet you still had to be somewhat his subject; a witness and a bystander.
after all, how could he lead humanity without being familiar with one?
“why aren’t you making attempts yet?” loki asked, “this is your perfect and only way of taking the hit and setting yourself free from my commands.”
“because i stick by my words,” you said back effortlessly, “i’ll be here until you let my co-workers– my friends go.”
he was silent again. in some way, he expected you to tell him that you were staying because you simply wanted to but a whiplash of reality quickly swept him away from his delusions. “so, you’re telling me that you’d wait until i let them go, huh? you’re willingly waiting for ages, then.”
the god hardened his heart and set aside any chances of letting your friends go as he chuckled before taking a bite from his burger. on the other hand, you just sat there, rethinking your choices; there’s no way nothing could convince him to let them go, right?
“yet i do admire your everlasting… hm… patience,” he pointed out, later letting out another low chuckle. “now that is something i don’t have… how do you do it?”
for the very least amount of times, he actually was genuine with that question. “well, i had a baby sister and she definitely trained me a lot with my patience.” you laughed, the delayed silence seeping in little by little, which made him cock his head to the side, curious about the matter.
“... had?” he just had to ask about it. “she passed away.” and you just had to tell him.
hearing your solemn, guilty answer was enough to make loki hooked to that story behind your younger sister’s passing. it wasn’t something you’d openly talk about but it surely was the only thing you endlessly blamed yourself for. 
“... oh,” loki uttered with a rather bitter tone, “i’m sorry for your loss… how old was she?”
“twelve.”
considering the fact that he was thousands of years old, his eyes widened after finding that out. “... that’s young,” he commented rather blankly but the look on his face was otherwise; you weren’t the only one terribly heartbroken about the incident. loki took the lives of eighty individuals in two days but never did he think of taking the life of a young child.
so, that was terrifying to think of. “and that happened because of?”
“... terminal disease.”
no matter how casual you sounded to him, your heart shattered. “well, actually, it could’ve been her twenty-second birthday last month if she made it… i’m a bit sappy now, aren’t i?” reality woke you up and told you to snap out of it; you weren’t talking to a friend, you were talking to a dictator. an alien. the god of mischief.
this story was not supposed to be and shouldn't be disclosed with him. “be sappy all you want,” he said, taking a sip from the straw of his cola. “after all, a god should be able to listen to his people’s messages, right?”
narcissistic? yes. but empathic? weirdly, that too.
“... that thing you used earlier,” you took a pause, letting out a sigh and then, a laugh. “it was supposed to be for her… well, for people like her at least.”
loki was giving it his best to not feel sorry – guilty for using the thing you’ve made but who knew that a sibling tragedy would soften his heart? he wouldn’t admit it, of course, but it was there. present at the moment and served as a reminder that he too had a sibling.
well, has.
“it was up for testing but of course, it was used for something else,” you said, eyeing him down as he managed to fake a chuckle; he couldn’t let himself show weakness after everybody else in his life made him feel like a nuisance – a tiny, little problem they’d have to deal with every day. not ever. never again. “... but i guess i still saved someone? and i still don’t know if i should be happy about that but it still provided its purpose.”
“oh, please.” he laughed, facing you more than he ever did before. “you saved me, your god and not anyone else… you should be celebrating this for your whole life.”
“you’re not the god i worship, loki.”
“well, i suggest you must. it’ll make this all easier for you.”
and he talked like a noble deity while eating a french fry. cheap and comical but it didn’t lower his status. “and, oh, if you do, there would be a lot of kneeling that’d occur.” that statement made you turn around and look at him with your brows either furrowed or raised; you had no idea how to react properly to it.
“... what–,” you were then stopped midway.
“i meant in praying.” he choked out.
this was one of your weirdest, most out of place conversations with the god so you just had to slowly turn away again and face the hills below both of you while munching on the burger in your hands. and then, he told you the truth you’ve kept deep in your chest, “... oh, i see it clearly now… you saved me because you want to prove yourself that you’re capable of keeping someone away from death. that you’re… worthy of things.”
it felt like time had stopped the moment you listened to him say that. for the first time, he was actually right with what he’d told you. he’d always claim the most bizarre things about humans and gods but this time, he was so close to the truth that he just blatantly told you what it was.
you were guilty because you couldn’t save her.
“i have a brother,” he added, “that’s why i… um… figured it out.”
“well, where is he, then? did you kill him?”
loki laughed at that. despite the hatred and fueling anger he had for his older brother, he wouldn’t end up killing him even though he’s close to it. the scars of the past made him into who he was now but the wound that his brother’s death would leave him absolutely destroyed. alone. all by himself. consumed by nothingness. just like what his old, so-called friends would tell him.
“he’s alive,” he said so soothingly, “and he’s living against what i had planned for this world.” those following words were much bitter, angrier than what he’s said before. it’s almost as if he’s relieved to see his brother again but upset enough to know that he wasn’t on his side.
“oh, you totally miss him.”
“... silence, peasant.”
and yet another unexpected scenario happened: sharing a laugh with the god of mischief who wants to rule over your world like a second hitler. “... but you can’t show that, can you?” you questioned and he nodded right away, politely letting you finish despite already expecting that you’d ask that. 
when the cold air and the rustling leaves collided, it was time for you to ask him the question that might just change the entire situation.
“is everything all from the heart?” you asked, pointing towards your chest as you stated him down. “... are you saying all of this from the heart?”
it took loki a while before he accepted it; he did speak about all of it from the heart. all of it. no lies were told for once and it was chilling for him. he didn’t even know that he was capable of opening the doors to the secrets he’s kept locked and buried in but that was the effect of the midgardian sitting next to him; the human who made him realize why thor loved jane.
the human he was willing to rule and to love. “... if i asked you now, would you kiss me?”
and for some reason unknown, your lips did brush against his, caressing them softly while you brought your hands to the back of his head, tangling your fingers around his waved locks. maybe you had been caught up by the moment but for him, this was real. this was the moment he understood why thor wanted to protect this world.
because humans spoke from the heart. 
but how could he take everything back when the damage had been done? when the chaos had taken over?
he pulled away and asked with teary, glistening eyes, “what have you done? why did you do it?”
one thing about him was that his need was also his one and only fear; it was love. 
you were startled once again, still keeping your hands behind his head. was it a trick? was it some test? you didn’t know anymore. you were bound to do whatever it took to save your friends and if a kiss that you’ve been longing for could do it, then what else could go wrong?
well, things may have not gone wrong for you but to loki, this was his one and only wake-up call.
wake up, loki.
you’ve fallen for the human.
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Round 2 Poll 14: GLaDOS from Portal vs Nastya Rasputina from the Mechanisms
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entry propaganda:
GLaDOS
big!! lovely!! will kill you!! loves you (in-game woman protagonist) a lot!! also hates you!! <3 big robot also <3 a robot that by extension is the entire science lab <3
Weirdly obsessed with another woman and fucks with her "for science"
Had a very fun codependent relationship with Chell which led to me discovering fan fiction in middle school
In unrequited(?) lesbian love with the main character who is also her test subject in the first game and the beginning of the second game. Literally writes and performs a gay-ass aria to her. Has written 4 songs about her if you count the one that’s cut content and the one in the lego game. Also her entire character motivation is “science” until it becomes “science and revenge.” Caused MANY, MANY lesbian awakenings
GLaDOS does it all - evil robot science MILF. While not necessarily a lesbian, a fondness for her is a lesbian trait, and her two songs are breakup songs w/ a woman, so read into that how you wish.
Nastya Rasputina
She is canically gay and is the engineer of the starship. Who is sentient. And her girlfriend. Yes the starship is sentient and her girlfriend.
canonically wlw AND trans. is literally dating her sentient ship, Aurora (in both a romantic and sexual sense.) shes the last princess of Cyberia, which is pretty much just Sprussia (Space Russia) (her backstory is really just the Romanov massacre but make it cyberpunk).
She is an imortal space pirate. She's dating the spaceship (who's name is Aurora). She has mercury for blood. She has forced the mechanisms to go do quests because Aurora was sad. She has the most autistic swag of any charcter I have ever seen.
Canonically a lesbian and dating the sentient starship aurora!! Also immortal space pirate
Not only is she the engineer of a sentient spaceship, she's also in a romantic and sexual relationship with the ship!
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milgram-tournament · 9 months
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MILGRAM Best Song Tournament, Round 1, Match 6 ALL KNOWING AND ALL AGONY vs. TEAR DROP
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Propaganda for both options under the cut!
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Propaganda for AKAA:
"AKAA is wonderful song with such bitter irony, bc that doesn't look like song someone who was voted inno… And we know more about Haruka! we see his mother! AND "MAKE MY DREAMU COME TRUE"??? NO I AM NOT CRYING YOU ARE CRYING (also I should say this is first song i heard and I love AKAA so, so much <3 let's do it <3)"
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1. It establishes so much of Haruka's character and backstory that was omitted from Weakness!! It helps shape Haruka's character so much and really helped with voting.
2.THE VOCALS OH MY GOD. This song really lets the voice of Haruka's VA shine!! It has some really nice growls but also has that soft part in the bridge!!
Overall it's just really good I love Haruka Sakurai
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Propaganda for AKAA:
Definitely one of the most hype songs from T2
The vocals are Banging
Absolutely love the taxidermy symbolism
Haruka is a sad little puppy
Everyone stand for the Mommy Issues Athem 🫡
Propaganda for TEAR DROP:
"yuno kashiki enthusiast here anyways tear drop propaganda WE BALL
let's start off with the lyrics! holy fuck, i'm so glad yuno finally got to say what she's wanted to say!!
and she fully shows the fact that she does compensated dating through the lyrics ("the wanted wanting the wanted")
and even if it sounds like she's scolding the audience for the song, she's also scolding her clients! they only perceive her as a certain type of character and deciding that's all she is. She's upset that we decided based on how "naïve" she looked instead of her actual crime (to be honest, I could write a whole analysis into why her murder is perfect for her character anywa) and she doesn't care what will happen to her, she needs her opinions heard
also kinda rap section?? banger fr
THE VISUALS!! GOOD LORD THE VISUALS!!! THEY ARE SO BANGER!!! they're really pretty and gosh i literally don't know what to say, the scene where vampire is in the background and it transitions to yuno sitting on her bed... the pink tinted glasses (YES FUCK I LOVE THAT MAN!!!!) THE COAT!! THOSE INBETWREN SCENES i'm obbing
AND THE INSTRUMENTAL!! PLEASE IM BEGGING YOU ALL LISTEN TO THE INSTRUMRNTAL OF HER SONG THERES SO MANY SMALL DETAILS!! SIRENS, TEAR DROPS RAHHH THE CLAPS/CLICKING TJE TECHNO PIANO GUITAR??? THE INSTRIMENTS I CANT NAME I THINK THEY ALL HAVE SOME READON OF BEING IN THE SONG AND I WILL FIND OUT IN AN ANAKYSIS POST I JUDT LOVE IT AUEUEU
literally tear drop is the banger ever i listen to this shit religiously thank you for listening to my tear drop propaganda"
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-Yuno’s voice. Enough said. -The imagery in the MV is brilliantly used, and doesn’t shy away from the horrors of Yuno’s line of work. -Vampire cameo!!! -Almost Lo-Fi vibes to the instrumental?? I can’t really explain it but it’s a vibe and I’m 100% here for it,
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"For teardrop: The pink aesthetic in the MV as a whole makes it super nice to look at :D"
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for-a-longlongtime · 7 months
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About shooting Triple Frontier, singing Moana songs on set, and The Hat
(disclaimer: this post includes some pap shots at the end, sorry. I'm conflicted about sharing them, even though these are really old at this point, but just given you a heads up in case you want to skip it - I've cropped them to show the hat on Oscar)
I've been meaning to make a post about this sooner, because a while ago I came across the Happy Sad Confused podcast (2019) where Oscar talks about shooting Triple Frontier - and it had some interesting things in it that weren't in the group promo for the movie. E.g. he talks about how he has videos of Pedro and Garrett singing Moana songs while holding assault rifles, "that's quite a bit of a mindfuck" (that tracks, I remember Bella talking about singing Moana songs with Pedro on the TLOU set).
About making the characters their own and bringing the story to the screen:
"There was not a ton of dialogue or backstory that you get to see about these guys. So there was an element of how do you show these people, how do you not make them anonymous? That didn't necessarily just jump out of the page. So a lot of that is trusting JC, and particularly trusting him in the edit. That's where he just, he really shines a lot - you can feel and trust that you can try a bunch of stuff. Things might not go great when you're shooting your production - the other was definitely a lot of like wrestling with ideas and things -, but in the edit, he sticks with it and he stays at it, and he is relentless."
At one point Oscar is asked about the Standard Heating Oil hat in the movie. For those of you who do not know the background story there; several years before Triple Frontier, Oscar worked with JC Chandor on a movie titled A Most Violent Year. He played Abel Morales, a Colombian born businessman who lives in Westchester, NY and owns the Standard Heating Oil company.
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And we all know the hat Frankie (Morales...) wears in Triple Frontier:
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Josh Horowitz from the Happy Sad Confused podcast is a real movie nerd, so he asked Oscar about it mentioning the JC Chandor Cinematic Universe. Here's what Oscar said:
"I know. That was, I gotta say, that was me, because I was like 'Can I, can I wear the Standard Hat?', and then he [JC] started thinking like 'Yeah, maybe', but then he was like 'It's too much, but Pedro can wear it'. And I was like okay, alright!"
Which brings me to my last point...
We know about those beach pics that were snapped of Oscar, Garrett, Charlie -- and then another set of them with Pedro and Tom Ben -- when they were in Hawaii to shoot Triple Frontier, right? As Oscar mentions in the interview, it seems like someone from the team [I'm assuming he means crew] ended up tipping off the paps for those photo ops.
I just randomly came across a much bigger set of those photos than I've seen before, and my heart suddenly stopped. Because...
...Oscar is wearing Frankie's hat?
Oscar is wearing FRANKIE'S STANDARD HEATING OIL HAT.
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I mean.
I know it is/was Oscar's hat first, and I think it was @legendary-pink-dot who mentioned that a bunch of people on the crew had them, but as far as I can see, this was the only moment he was captured wearing it - so I love it. I'm having a moment.
If you haven't heard Oscar on Happy Sad Confused before, check out the podcast here.
tagging some folks for heads up: @sin-djarin @legendary-pink-dot @magpiepills @perotovar @romanarose @penvisions @prolix-yuy @writefightandflightclub @ezrasbirdie @astroboots @pimosworld @alltheglitterandtheroar @nerdieforpedro @wardenparker
ok my brain is asleep at this point, so consider this a tag for everybody
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signed-sapphire · 6 months
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Okayyyy rewatched Wish
Here are my notes
Valentino wasn’t as annoying as people say. Sure, he did nothing for the plot and could’ve been removed entirely, but he didn’t make near as many butt jokes as people say he did
The lead-ins for all the songs were great. Certain media (Hazbin, for example) just jump into the songs
Magnifico??? Didn’t touch the pages??? So why would he be corrupted? Why does Amaya know of obsidian oil? Don’t you just skim the pages to release the evil?
Dahlia was amazing
“At the very least break the hold it has on him” Amaya? Didn’t you found this kingdom with thin? Wouldn’t you know?
Also Amaya was very sidelined. Where’s her backstory?
Asha’s magic wand mishaps were… corny at best
Why did they make Dario high all the time? He’s not stupid. I feel like they made him try to be like Fred from Big Hero 6 but failed
“Nine zillyboo, twenty alphabet!” Val, buddy. No.
DAHLIA. MATE. TRUE LOVE’S KISS CAN BRUNG HIM BACK I swear, it feels like the directors were switched
The spider-carriage thing. I feel like that could’ve been a Disney reference instead
Gabo was still my favorite out of the teens. Bazeema was sweet too
Also. Halzeema moments were actually in canon.
Sabino did not act 100 at all.
Crushing wishes did nothing to people except make them sad for .2 seconds
Asha’s drawing, her magic wand, none of that was important to the actual plot
I feel like the horses could’ve been Disney references too
Why did the roof open? That was never explained
Mag’s hair needed to be messier. Evil Magnifico? Crazy hair
How did he hear them from all the way down there
Mag’s really out there beating up a minor
The curse rope green things were not scary at all
Was Simon just in the forest the entire time?
The Magnifico getting sucked inside his staff… I feel that could’ve been a play to Dr. Facilier somehow
The stars raining down were beautiful
Was Star’s nose tap a reference to something?
The people’s talking… idk how I felt about that
WE 👏 SHOULD’VE 👏 SEEN 👏 SAKINA’S 👏 WISH
Another half-assed apology. First Namaari, now you. At least Simon’s was an actual apology. Wait. More of it goes on.
Ok his apology isn’t too bad
How did the staff get all the way down there?
Changed my opinion, Amaya deserved to tell Mag off
Did Mag’s curse break once he was in the mirror? Why did he act sad all of a sudden?
I’ve heard Asha’s movements weren’t finalized until later, but her movements seem pretty fluent
Clumsy and energetic, sure, but besides from the mouth drooping part, she wasn’t that quirky
Which. Could be a bad thing. She didn’t really have much of a personality
I like the Peter Pan building a flying machine idea
Zootopia ref
DARIO. SHUT UP
Why does everyone suddenly understand Star
But off-topic they were so cute
“It” I guess
Why refer to Star as an it
“They” was too woke for the Disney execs? Why, you had a one-second offhand comment about a water cousin who’s nonbinary!
That Cinderella-reference thing… wasn’t slow enough to be a dress transformation. So I’m fine with her not having a different dress. I mean obviously I would’ve loved it but idk
SHOW DON’T TELL, DISNEY
STOP TELLING
“I understand you well enough” I DON’T! HOW ARE THEY TELLING YOU
Some of Valentino’s jokes were funny. Sue me
I liked the Tinkerbell and Mikey Mouse reference at the end
The storybook was a nice callback
The credits should’ve been moving. Also CHOOSE BAYMAX TO REPRESENT BIG HERO 6. WHY HAVE VILLAINS LIKE MALEFICENT THERE
Overall. Not as bad as people are making it out to be. But definitely not worthy to be Disney’s 100
I’d say… 7/10. The backgrounds did look watercolor, but the shading seemed off in places. Especially Sakina. There was major improvement to be done, but with the hell the execs were giving (and the proven creativity of the concept art) I feel this movie is getting too much hate. Critiques and criticism are fine. But don’t blame the writers for getting rid of Starboy. Yes, it could’ve been better. But it’s Disney. And the creators tried their best to pour their love into a movie that they didn’t have a full say in.
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under-lore · 1 year
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How much merit did "Star is Chara's theme" have really ?
The music of Undertale is quite renown for a number of things, from its quality to its abundant usage of leitmotifs.
However, there are a few tracks which went under the radar, such as the ones that went unused in the final release of the game.
One of such tracks was "Star".
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This particular unused track found itself in an intriguing situation when it became the center of one of Undertale's biggest fully soundtrack-based theories of the early fandom.
The theory suggested that "Star" may have been an unfinished version of what could have been a Chara theme before the idea was eventually scrapped before mounting up to anything concrete.
That theory was based around the way Toby Fox makes his music and the way it correlates to his characters.
For instance, from its rhythm to its instruments and its intensity or even its fairly epic/heroic yet pretty chaotic & impulsive nature, Spear of justice has "Undyne" written all over it it countless ways. It isn't just an Undyne-associated song, the song literally feels like Undyne. It is a musical representation of Undyne and the situation she finds herself in at the moment. And that is how a lot of Toby's music is written.
Even someone who has never heard the song and knows nothing about Undertale, if given a description of each of the main characters and asked of which one was this a theme of, would easily find the right answer.
This particularity comes from a few things, such as the fact that Toby confessed that he actually often makes the music first and then creates the scene around it by taking inspiration from the music.
And so, in the case of character themes, it means that Toby Fox songs end up being filled with hidden details and tones that are relevant to a character's personality, backstory, psyche, etc... And thus makes the songs a lot closer to the characters.
Due to this, a number of fans tried to reverse engineer some of the unused songs using this technique in order to try and figure out what they might have been for, and "Star" was the one that stood out.
The reason why it stood out was because the fans did believe they were able to find such connections between "Star" and the first fallen human.
Some of the ties they proposed between the song and the character were :
The song starts out with a sad/depressing tone similar to grief or regret, seen as possibly alluding to how Chara's plan was a failure (that Flowey came to cruelly regret), and how it caused the kingdom to fall into despair after their death.
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In addition, the song has a very strong "echo" effect, which is also often associated with the idea of death as well as that of the consequences of the past coming back to you. Two things that Chara as a character is also associated with.
But it soon begins to obtain an uplifting and hopeful undertone as the song goes on. This can be attributed both to Chara being seen as the future of humans and monsters, but also to their newfound "reincarnation" allowing them a new second chance at existence.
The combinaison of the previous two things makes the song feels somewhat confused before it finds itself a stable path. Which could also be tied to Chara's words at the of genocide. (but that one is a bit more of a stretch)
The song overall just has a very similar vibe to "his theme", Chara's best friend. As Toby likes to have musical similarities between themes of characters that are closely tied together.
The song is just long enough so that it could have fit to play during the chara flashbacks scenes at the end of pacifist if we were to add back the unused few more images that were going to be in there originally. (Side note : this being the case would give point n°3 a very toby-esque double meaning too. With Chara being there both in Asriel's memory and reincarnated)
Some claim that the instruments used in the song can tie it to the Dreemurr family, however my ear is not good enough to tell wether this point is actually valid or just a rumor.
The song starts off weak in intensity, but begins to grow stronger after a click that radically changes the song's overall feeling. (the same one that was proposed to be about their reincarnation.) This was suggested to be a reference to Chara's words about power at the end of the genocide route.
That the name of the song is "Star" in the first place, as there also happens to be a star named "Chara" not all that far from our solar System. On top of that, this particular constellation is known for having a top/northern dog star, and a south/lower dog star. Our Chara star is the lower dog Star, which could be interpreted as a metaphor for being a human yet living in the underground.
...Which isn't that for bad for a track that only lasts like 30 seconds.
So due to these reasons and to the fact that the song clearly seemed unfinished, it quickly became a popular theory that the song was supposed to be related to Chara in some way, with the flashbacks at the end of pacifist being a prime suspect for its intended scrapped use.
However, some time later, this screenshot came along :
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The reliability of this screenshot is to be taken with a grain of salt, as there are many rumors that this screenshot may have been fake, and i have not been able to properly identify the source of these rumors. And besides, a private e-mail isn't something that can be easily verfied the existence of.
But all that aside, the e-mail seems to say that before it was scrapped, the usage of 'Star' was actually attempted for the fight against Madjick, a regular enemy from near the end of the game.
Although technically not fully disproving it (as the fact that Toby makes the music first & it not fitting Madjick much or just overall that regular enemies don't usually have such unique themes might let one argue that it was first made for something other than Madjick, then was used for Madjick before being removed.), the way that Toby appears to talk about it seems to imply that there isn't really more to the song than that, and thus that the theory would just be wrong after all.
Since then, the theory was pretty much left as is, slowly fading away in popularity over time.
Was this theory correct ? Whilst we will probably never be sure, the answer is most likely no. I wouldn't bet on it, at least.
However, no matter wether this was all ultimately just a coincidence or not, one thing which remains true is that the music certainly does sound quite close to how one would have expected a Chara version of "his theme" from Toby to sound like.
The same cannot be said for other fanon Chara associated themes, such as "Megalo strike back". While Toby did make this song, this was not the song's intended name and it didn't have anything to do with Undertale.
I find it unfortunate that people went fishing this far on Toby's archives for a song to make fanon Chara content around when Star was right here in the Undertale game files for the taking and would have been a more fitting choice overall.
By default of being an actual Chara song, Star still had everything one would need to build good Toby-like fanon Chara songs around at the very least. But this opportunity went surprisingly under-exploited under Megalo strikes back's shadow.
It doesn't mean there aren't any Chara fanthemes using Star, though.
For instance, Undertale bits & pieces made this Genocide Chara theme using the Star leitmotif among a couple others. I believe it is an example of using Star as an inspiration done well !
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jaz-just-peachy · 1 year
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"I CAN WHAT?!" ---The prequel ●Muzan x YN●
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There has never been a case of a human being able to carry a demon's child. How would that even work? Would the child be a human or would it eat it's way through the mothers stomach into the cruel unforgiving world?
You were a beginner, a novice, not really well trained in the art of slaying demons. You didn't have a sad, sappy, pathetic backstory or motive like other slayers. You really were...just bored.
Selling your soul to a corporation run by a blind, deathly sick looking man sounded fun and mysterious. A great pass time while learning skills such as how to use a sword.
Your name is (Y/N) (L/N) and you were just an average water breather. Really, no one expected you to survive your first few missions. Not even the master. You were weak and the hashira saw absolutely no potential in you. Blunt I know.
You had a life outside of the corp. You didn't have a blood family but an amazing boyfriend named (Y/B/N) and his family meant everything to you. They really were just great people. They didn't deserve what happened to them.
You knocked on the front door of your boyfriend's house. 'Weird' you thought to yourself. He usually answers the door. Someone does anyway. You have never waited this long. Are they out? They would never leave without telling you.
You rummaged through your purse for the spare set of keys your boyfriend's mother had lent you. Smart woman. You unlocked the front door and walked in, making yourself at home. "I'M HOMEEE~" you shout in a sing song voice. "I would love for a loving boyfriend to come and shower me in kisses right now~".
No answer.
Tap Tap Tap
You stayed still. Still and quiet.
Tap Tap Tap Tap
A slow mind numbing tapping can be heard coming from all directions. You couldn't distinguish whether it was glass, wood, or plastic being knocked on. All so different yet so similar while in a state of panic.
The tapping noise started to fade as a new noise grew louder.
Thud Thud .... .... THUD THUD THUD THUD
Before you could even make sense of what was happening you felt sharp nails drag you to the ground as you were tackled by this...this...monster! Claws a bright yellow that contrasts the red liquid dripping from them and teeth, sharp, almost cat like. You could hear the sickening squelch as it's claws dug into your hip. Your once spotless clothing now tainted in your life essence.
Bile started to rise in your throat as the drool from this creature landed directly on your face. You try your best to dodge his saliva as it slowly drips, cold, onto you. With your eyes squinted you open one slightly to catch a glimpse of your attackers face.
(Y/B/N)
Your face drops as you recognize that face. It was your beloved boyfriend (Y/B/N) now nothing but a feral, drooling, mess. You look around hysterically trying to quickly find something else to focus your attention on. Then your attention was brought back to the...
Tap Tap Tap
Your head snaps back quickly to the source of the noise. Half way outside half way inside, the body of your ex future mother in law layed mangled on the window panes of the living room. The wind outside making her lifeless arm Tap Tap against the glass. Her stomach was torn open as she layed still. Barely recognizable.
You sob in disbelief as you try to fight back against your ex lover. His feral, hungry state making him grow stronger by the second. You knew tonight you were going to die by the hands of the man you once loved.
With every passing minute (Y/B/N) grew stronger and you...weaker. The noises that came from his mouth grew more inhumane as he got closer and closer to your neck. You close your eyes tight and brace yourself for the pain and inescapable death.
"GRRR EUGGHH"
(Y/B/N) hungry growing was brought to a sudden stop. His weight falling heavy on you. He was limp and not moving but you were too scared to open your eyes.
You felt a light breath on your temple as you layed tense on the wooden floor. The smell of blood and death hitting you finally. All at once. You felt yourself wretch at the smell. Again the breath game back. More like a sniff.
You open your eyes and the room was painted in a deep red. A shade of red that screams trouble, despair, and danger. That deep crimson red.
That's when you met the eyes of a tall, pale, sick looking an with that same shade deep in his eyes. You felt that nagging, foreboding feeling deep in your soul as you stared into his eyes and he stared back. Everything about this man screamed run.
"Interesting"
That is the last thing you heard before a sickening crack.
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🎀 🎀 🎀
Never wrote b4.
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