#sorry word vomit lol

[surreal-duck]

master artist and his number one fan

guy who is being so normal about the new additions to their profiles. i think abt midoris initial infatuation with his art slowly developing into appreciating yuzuru himself as a person and idol to the point he worries about how he sees him (ex: a bit of home party and in workplace survival rules) sometimes thats a lie i think about it a lot. and yuzuru learning to enjoy art just for the sake of drawing!! seeing the lets try diy story where he doesnt even refute drawing on midoris desk and was only worried that his doodles might cover up the mascot design compared to how discouraged he usually would be in earlier ! stories. everything to me i adore their dynamic if that wasnt obvious by *gestures to basically everything*

and happy pride month 🏳‍🌈

[garpen]

Is Tyler an OC or is he a character from the comics sorry

Tyler is a character from the comics! He appeared I believe it was in Batman: Urban Legends. I know I have the comic at home, so I'll double-check when I get home.

He's a kid that Jason met and wanted to take in, but Batman talked him out of it. Tyler's mother I believe died from an overdose and Jason killed the drug dealer's father (someone correct me if I'm wrong it's been a hot second since I read this issue so the details are fuzzy)

Some in the fandom like the idea of Jason having taken in Tyler.

Tyler doesn't have a confirmed last name and was only in one or two of the comics in the series, so a lot of people don't know about him.

He also goes by "Blue Hood" as when Jason found him I think Jason was bonding with him and calmed him down and told him to be a hero. When Jason asked what would be Tyler's hero name was, Tyler responded by asking 'Well what's your name?' Jason said: Red Hood. So Tyler said, "Okay, then I'll be Blue Hood"

Their whole interaction was really just so cute.

[cherrirui-official]

Friendlocke Violet Gijinkas (Part 1/7)

Since the edited episodes are starting to come out, I figured that bc of that and the fact that I've been keeping this in the back burner for a loooong while now, might as well complete all my friendlocke violet gijinkas!! Some are gonna stay the same while others are gonna have slight/ complete redesigns, so please keep that in mind!

I plan on posting them in order by groups of three, so there's gonna be seven parts in total, all of which I'll be linking here when done vvv

(Part Two) (Part Three) (Part Four) (Part Five) (Part Six) (Part Seven)

!! These will contain personal headcanons I have for the cast, little fun facts, and also spoilers for Friendlocke Violet (for both the edited vids and the streams) !!

@saltydkart-reblogs

And that's pretty much it, designs under the cut!

LARK:

HUGE nerd. spent most of his time during the Uva Academy studying different kinds of pokemon as well as different fighting styles he can utilize once he is able to go out on his own journey with his very own trainer! Too bad that didn't really help in the long run...

His entire wardrobe consists of McDonald's related outfits. It's fucking insane. He even has some from long LONG ago that aren't available anywhere else.

The bubble pattern on his hair is able to move and change. Nobody knows how this is possible, not even Lark himself. All Lark knows is that his hair looks incredibly stylish!

Speaking of bubbles, he has the ability to blow bubbles whenever and wherever he pleases!

Often keeps himself extremely clean and gets upset if even a small speck of dirt gets on him, despite this he somehow smells like McDonald's food and axe body spray. Disgusting. He's so cool!

Even after death he still likes to hang around the other team members as a ghost, often getting to know the newer members as well as reuniting with the old ones. Sometimes they see him, sometimes they don't. It usually depends.

SARA:

Due to being a human in her past life, Sara is able to actually speak with the other humans in the pokemon world. However she usually doesn't due to it being seen as extremely weird and out of place. She did slip up once while talking in the presence of Arven, who thought it was the weed making him hear things.

Oinkologne are usually unable to do much with their hooves but Sara spent nights practicing how to knit with her new hooves and now she's able to do it flawlessly. I don't know how she managed to do that but go queen!

When first joining the team she'd often have the urge to eat her food related companions. It was a strange time for Sara, but she managed to overcome it.

When Peppy gets sick, she usually is the one who nurses him back to health. She was a human once so she often is able to figure out whatever sickness Peppy has and treat it properly. I suppose she's like a second mother to him.

The bag she carries with her is full of thread that she collected from various Tarountula she encountered on the journey, as well as little things she knits together in her spare time.

For the most part, Sara forgives... but NEVER forgets.

Did you guys know that Sara has a new YouTube channel? Check it out!

Pastey:

Before joining the team, Pastey was a nameless wanderer. He's been down every road in Paldea and knows almost the entire region (except for Area Zero) like the back of his hand.

He's gotten hurt pretty badly throughout the run (ie. the Mikey fight, the Atticus fight, and ESPECIALLY the final battle), however, he does not gain any (physical) scars from those fights. This is bc he's basically an axolotl, and axolotls are usually able to heal without scarring.

Pastey's "arms" are, to put it simply, mud prosthetics. More info here vvv

Pastey HAS met Mall Bingo once before the run, however, he doesn't recognize her. The only reason he does not recognize her is bc she wears glasses. (You know how people somehow aren't able to recognize Superman bc he wears glasses in his civilian attire even tho his face remains the same? It's basically like that lmao)

Unlike the lightbulbs he eats, the gasoline he drinks isn't really mandatory to his diet. Gasoline is like alcohol to him and he drinks it like an absolute CHAMP.

He goes fishing when there's nothing else to do or when he can't sleep at night. He doesn't do this bc he thinks it's fun or anything, only bc it's a "good time passer" or so he claims. Other members of the team will often sit with him and vent out anything that's troubling them at the moment, and Pastey is always there to listen to them.

And that's pretty much it. Next is Joe, Hannah Ü, and Mykyie!

[babycandle]

kindergarten teacher!reader x john price imagine 🖍️🧨❤️‍🩹

You first meet John when he comes to pick up his niece and nephew with his sister-in-law.

According to Lucy, his brother’s wife, he’s a government worker who is constantly traveling for work, and the kids missed their super cool uncle dearly. You’d heard many stories from the kids themselves, but this Uncle John remained sort of an enigma to you, like an imaginary friend.

Nothing could have prepared you for the real Uncle John.

He stands at a good head (and maybe half) taller than you, dressed in a casual navy shirt and utilitarian cargo trousers, a baseball cap embroidered with the British flag atop his head. Thick facial hair covers most of his lower face, but it doesn't do much to hide the bright smile he gets as soon as he lays eyes on the kids. The ease with which he picks up his niece and nephew, Olivia and Oliver, nearly leaves you breathless – not to mention, the sight of his thick, fuzzy arms flexing and unflexing as he tosses a kid over each shoulder, eliciting delighted squeals from them both.

(In some decrepit corner in your mind, you wonder if he could do the same to you. Probably.)

As you're chatting with her and updating her about her kids’ day, Lucy motions him over so she can introduce you to each other. “This is my husband's brother, John!”

“Hello there, lass.”

The smooth, brassy tones of his voice wash over you like a tidal wave that you’d happily drown in. You introduce yourself as the kids’ kindergarten teacher, and he gives you a good-natured smile as his niece and nephew start climbing all over him like a tree. “I hope they haven't been causing you much trouble,” he chuckles, a twinkle in his eye.

You try your best to swallow the dryness in your mouth. “Of course not! It’s a joy to watch them learn and grow everyday,” you reply sheepishly, clearing your throat as you avert your gaze.

You're too busy internally cursing yourself for not looking a bit more put together; there's dirt and sand all over the bottom half of your overalls, paint splatters going all the way up your arms and maybe even on your face, and your hair is matted and frizzy. Self-consciously scuffing the soles of your sneakers against the floor as you try and fail to get the sand off of it, you miss the way his gaze rakes over you from head to toe, the corner of his mouth curling in interest.

It's at that exact moment that Lucy plucks her kids off of John and hands them each their backpack to carry themselves. You deflate a little, knowing that that's their cue to leave.

However, you instantly perk back up again when John turns to you, his arms now empty, and extends a hand for you to shake. “‘Twas a pleasure meeting you, lass. Hope to see you around more often, yeah?”

Your heart catches in your throat as you reach out to shake his hand. When he grabs you in a firm, warm grip, you feel his calloused fingerpads brush over the back of your hand, and you have to suppress a shiver from running down your back.

“It was nice meeting you too, John.” You offer him a shy smile, praying that your cheeks don't look as warm as they feel.

You distantly wonder if you were imagining his touch lingering just a tad too long before he finally lets go.

As he turns around to leave with his family, you're quickly whisked away by the other kids demanding your attention. Consequently, you don't notice the way his eyes stay on you even as he walks out the gates, nor do you notice the way his sister-in-law waggles her eyebrows at him suggestively as soon as they're out of earshot.

You don't have high hopes of seeing him after that, of course. Maybe it's just the fact that you've been single for several years since your first serious relationship ended – yes, you convince yourself, that's why you can't stop thinking about him all night. That's why you still feel the weight of his hand in yours, the brush of his fingers on your skin tickling like a phantom touch. That's why the sound of his voice echoes in your mind like a broken record, and that's why you keep thinking back to the way his eyes crinkled when he looked fondly at his niece and nephew.

But you can't deny the way your chest squeezes when, the next day at kindy, he comes by to pick up the kids again – this time, alone.

bonus (an alternative pov):

There's a very short, concise list of the things Price lives for. Since the birth of his brother’s daughter, she’s been undoubtedly added to the top of that list. Then followed the birth of his nephew as well, who obviously followed suit and quickly became a serious contender for the number one spot.

He makes it a point to visit his brother’s family every single time he gets time off without fail. The kids grow up absolutely adoring their super cool, super strong uncle who always comes back from his business trips with funny stories to share. (Their favourite activity to do with him is hanging off his arm, almost using it like a monkey bar.)

So, when he’s finally granted leave after nearly a year of bouncing all over the world and eliminating several apocalypse-level threats, the first thing he does is call his brother and fly back straight to them.

He lands while the kids are at kindergarten, so when Lucy offers to bring him along to pick them up, he jumps at the chance. (He made sure to take a very thorough shower before hopping on the flight here, not wanting a single speck of dirt from foreign lands or speck of blood on him. Even so, before he leaves with Lucy, he takes extra care to wash his hands and scrub underneath his fingernails again. Just in case.)

It goes without question that he's absolutely over the moon to see Olivia and Oliver – the sight of them running to him, screaming his name in joy is nearly enough to make him melt. He sweeps them up in his arms, holding onto them like a lifeline.

Occupied with the kids for a few minutes, he glances up to see where Lucy has gone. Then, he sees you.

You're chatting with Lucy, your smile bright and your eyes brighter. There's wildflowers tucked into every pocket on your overalls and rainbows of paint on your arms, as well as a smudge of yellow on the side of your cheek. The soft afternoon sunlight hits your hair at just the right angle that it highlights the stray strands of hair on your head, making you look like you're wearing a halo.

For a moment, all the bustle and noise around him winds down into a fuzzy, white silence. You're the prettiest thing he's ever laid eyes on.

[kheprriverse]

Ko’jin being a pest in dragon-form is one of my favorite things to think about. And I’m going to share with y’all part of this au-branch and why he’s a total nuisance below.

Everything about this au is completely the same as my main one (the best abbreviation i can give rn for the main one is “COTS”) except at some point near or after the end, Ko’jin offers to ascend Ballad. Theres a lot of events and decision making that spurs this kinda offer, and I promise it makes sense for him. Thats where it splits into the wargod au.

Ballad ends up with a lot of free time over the years adjusting to the new life. It takes a very long time (I’m not exaggerating when i say at least a couple hundred years) where he’s able to fully accept his new role in the world and finally be able to solidify himself as one of the very few deities currently alive. (I can imagine it was very hard for him to make the decision in the first place, knowing how important his family and original life is to him. And that in of itself is a whole other deep dive.)

It becomes kind of routine for him to meet Ko’jin in certain “touchdown points” where the moon serpent is taking time to rest. Ko’jin has had to spend years catching up on so much that he missed since his original falling, the battle against Majora that left him on the edge of death. These touchdown spots serves as a moment of peace for him to rest and regain what energy he had used up and are usually places of interest relating to the moon serpent specifically (shrines and springs primarily).

Eventually though, Ballad caves into an idea Ko’jin offhandedly suggested in the past; “if you want to be so busy you should just start a new ranch in Termina”. Because yk what? He does need to be busy! He misses his animals and he misses working. So why tf not?

I also imagine ko’jin returns home at the most inopportune times; always when Ballad is busy working or napping. Which also makes him out to be somewhat annoying, but what’re you gonna do when a gargantuan dragon god decides its cuddle time? Cuddle with em, obviously.

Basically slow ranch life simulator with two deities who bask in the sun with their farm animals and sometimes get into fights with other giant world-destroying forces. Very normal.

[rolandkaros]

i remember that mana shim said that part of the reason why she didnt want to speak out originally about her abuse was because there was so much concern about the nwsl folding like how the wusa and wps did. that there was this feeling like 'i dont want to be the one to ruin it' because so many of these women had fought so hard to get a professional women's league started in america. these players had a minimum salary of <$7,000 and were expected to try and play full time professional football on that salary. non-national team players had a salary maximum of $31,500. many of them worked multiple jobs to fund their careers.

i can never really take arguments about the quality of women's sports seriously.

women's football was banned completely for 50 years in england. 50 years, the men got to play and learn and improve and adapt. 50 years, the men's game evolved. and 50 years, the women were banned. are you don't think that might have an effect on the sport as a whole? many other women's sports had similar bans at one point or another.

the men can do virtually whatever they like and get paid hundreds of thousands – millions, even.

did you know the manchester united women's team got a brand new, team specific building last season? and in june it was announced that the men's indoor facility would be needing to go under construction so it could be "revamped"? and that the women's facility was handed over to the men for training? and that the women will now train in portable buildings?

but yes, of course. talk to me about the product. talk to me about quality. because we must be objective, we must look at the numbers. its so obvious, of course, the men are simply outperforming the women! the men must be better. there is no other explanation.

[silly-little-lurker]

Uh hi

First post yippee

Scenes drawn from chapter 11 of THIS (link below :)) AMAZING FANFIC, I DOUBT ANYONE’S GONNA SEE THIS BUT IF YOU DO, GO READ GO READ GO READ GO READ PLEASE PLEASE PLEASE IT’S SO GOOD

(Read the tags on AO3)

I honestly didn’t think I was going to post anything here, but this fanfic is too good not to make fanart for hasgsfhvjvlws <33

Apologies if drawings are weird; I’m mostly a traditional artist trying to warm up to digital art and I have—

No idea what I’m doing!!

*jazz hands*

(I know that Vox is supposed to be stuck in the box on the narrow side but shhhhh (2nd image;middle doodle))

Okay bye :3

[mx-myth]

Okay so I've had some meta thoughts about Laurence's amnesia and how it relates to his relationship with Tharkay sitting in my drafts for like over a year now so I figured I'd finally clean it up and post it. Heads up it's really long.

Laurence finally consciously realises that he loves Tharkay (or is in love with him, whatever nuance you'd like) after "knew him, and knew himself." But at this point he's completely in pieces as a person (more on this next paragraph). Post-amnesia, he's an entirely different man. Pre-Temeraire Laurence is the harshest, strictest version both of and with himself. He follows the rules to the letter, basically takes Temeraire only out of duty in the beginning, and even keeps the promise between him and Edith despite there being no formal arrangement at all. Post-Temeraire but pre-amnesia Laurence has softened. He's putting less emphasis on the rules and more on his morals (see: treason). He has more leeway but still carries that honor/duty/order with himself.

Which is why post-amnesia Laurence is the version of himself that discovers that he loves Tharkay. In the wake of losing his memories and then regaining them he's lost and unmoored. Both of his past selves are so different and therefore so distant. They're both true but it's too jarring for him - especially in his current circumstances, much less the overall war - so Laurence becomes a new person. This is Laurence at his most vulnerable, his most unguarded, who smiles more often now because he doesn't really know that he didn't smile that much before. He has two major tethers to his personhood: Temeraire and Tharkay (I hesitate to say only tethers, simply because Laurence's life isn't that small, but repeatedly these two are the ones who have had the biggest impact on his life, who have kept him going). Obviously he loves Temeraire, he's never going to stop loving Temeraire, he just isn't capable of it, but seeing Temeraire didn't bring back his memories (I can't imagine how Temeraire must have felt, meeting a version of Laurence who had never met him). Laurence loves Temeraire in the most unconditional, selfless way - to be very Greek about it, his philia. But I think when he finally comprehends how Tharkay was the catalyst behind this radical change of his self he dives into his memories again and goes over them in excruciating detail (and he was definitely doing that already, but now he's doing it with a lens exclusively focused on Tharkay). At some point he comes to the realisation that Tharkay loves him, and that he loves him, and that he's been unconsciously shoving it down every time it's surfaced (past-Laurence was saying no homo while actively homo-ing). And with the benefit of being an new version of the same person (and also some hindsight, finally), this Laurence says, I've committed treason. My country sees me as a traitor but they still need me to serve them as a tool. I lost myself once in a war (see: "what are you doing?") that's still being fought. Time is short and there's no guarantee I won't lose my memories again, that I will still be the person I am right now. What do I have to lose?

(And on some level, this Laurence thinks, what can stop me?)

He begins giving to Tharkay what Tharkay always had given to him. His acts of devotions start small (relative to Tharkay's; transporting too many ferals is obviously a little outside of what Laurence can feasibly do). He cares for Tharkay once he wakes ("have you noticed the top of your head appears likely to come off?"), he helps him eat and drink, he massages his hands once they heal, he stays with him through the nightmares that come to haunt him. And he continues doing these little things for Tharkay, hoping that he understands (he's willing to wait, Tharkay waited for him after all, and Laurence doesn't want to push him, especially as he's healing). But I think the act that hits Tharkay like, oh, it's different this time is when Laurence bargains his freedom to Napoleon. I feel like that carries unspeakable meaning for Tharkay, who was ostracized growing up and ended up never having a "permanent" home since he travelled so much. I can't imagine that he hasn't been in a similar situation before, but he's probably always been expected to weasel his way out of it without any outside help. He's trained himself out of expecting someone to help him, to care enough about him to save him. Yet part of the man who turned to treason simply so the dragons of France wouldn't die in pain lives on in this Laurence. Pre-Temeraire Laurence is rules and post-Temeraire pre-amnesia Laurence is morals, but post-amnesia Laurence is all heart. There was never a way he was going to leave Tharkay behind.

So Tharkay starts watching him. He watches Laurence continue to devote himself to him, again and again. He brings him his coat on cold days. When it rains and their scars ache he curls around his hands and rubs lotion into them. When he goes into town he always brings Tharkay back a little gift. He starts growing vegetables in the garden and he learns how to cook non-wartime foods and how to knit (because he is a man forged by war and what does one even do during peacetime when one's dragon is busy reforming the government, anyway?) and suddenly he's providing for Tharkay like never before. He looked away for one moment and suddenly Laurence's prescence and all that he does has made the manor a home.

Yet Tharkay, for years, has told himself so many times that Laurence is off-limits, untouchable, that he can love him but that there's no chance that Laurence will love him back. The only way he can love Laurence is silently, nearly from afar, and so he tried to do that. But he can't just stand by and so every time he finds himself committing a deux ex Tharkay (see: ferals, again). He understands that there's some shit Laurence needs to learn himself (and god is this series very good about character development for Laurence) but he's not going to do nothing when the man in about to die. For him it's about caring and providing for Laurence even if he doesn't know it. He learns to content himself with the knowledge that, even if nothing comes of it, he can still be by Laurence's side.

But then the amnesia plot happens (which he only learns of after all of it goes down) and suddenly there is a half-stranger wearing the skin of the man he loves (loved, he tells himself) looking at him with those familiar blue eyes filled with a completely unfamiliar emotion. He's relieved that Laurence remembers but he's said that his Laurence is gone that he's even thinking of it like that (Tharkay has a lot of anger, both at himself and others and the world). Laurence is right in front of him, he's not gone at all, but he's gone in a way that matters. But also this new Laurence is by his side all the time. He's feeding him and helping him drink and dress and he sleeps on the floor by his bedside. Tharkay is so confused because this has to be some kind of fantasy dream he's having. He must still be in the cave (and it's believable that he is, because he returns there every night in his dreams). But he isn't and he has to struggle to come to terms with this new Laurence.

So every time Laurence does something even remotely nice he hyper-analyses it and rationalizes it to himself. He deludes himself into thinking that this is normal for Laurence now. It's normal for Laurence to fuss and hen over him now; it's normal for him to smile at him with that emotion written plainly on his face that Tharkay still hasn't (refuses) to decipher. And he does this well into post-canon.

For that reason he only gets with the program when Laurence has to leave the manor (leave home) for a long while (probably with Temeraire) and suddenly Tharkay is all alone in this huge manor. He's wearing the socks Laurence knitted for him and eating food Laurence grew and walking into rooms and seeing little parts of him scattered everywhere. There's a novel he's reading left on the table by the chair he prefers in the library. There's a cookbook in the kitchen in which he's bookmarked recipes he thinks he might like. Tharkay finds a handwritten list of things they need to buy in town left out for him. He left his pillows on Tharkay's bed because he knows he likes sleeping with a ton of pillows (and they smell like him, and Tharkay pretends he doesn't bury his face in him, that he doesn't miss him while he's gone). When Tharkay wakes up in the morning he makes two cups of tea and waits for Laurence to come in from talking with Temeraire before remembering that neither of them are here (home). He expects Laurence to appear in the evenings to ask if he wants to go on a walk through the grounds with him (and he always ends up saying yes). Tharkay learns that the manor is too big for one man who has always been a little too lonely in his life.

So until Laurence returns home he plots and plans and agonizes. After a week once Laurence has come home (and the first thing he had said to him was welcome home, and Laurence had beamed at him, and it was so unbelievably natural to say it) Tharkay begins his attempts at reciprocating. He wakes up earlier so that he can brew Laurence tea so he can take it out to sit with Temeraire. He says that he cooked some of the recipes from Laurence's cookbook and insists on making them for Laurence (he had to figure out his system of marking which recipes were Laurence's favourites). He gifts him a sturdy, functional, and beautifully crafted knife to wear around the house for daily use; he specifically makes sure the knife is up to Temeraire's standards. In fact, Tharkay talks to Temeraire about everything, and Temeraire tells him, with no minced words while completely drawing his own conclusions, that it's very nice that Tharkay is asking him for his blessing, but does he really need it at this point? Haven't they been courting long enough? He's always approved of Tharkay, because he makes Laurence happy.

That's how Tharkay realises he and Laurence have been dancing around each other like shy birds, both of them subtly showing off but not making the first move. And maybe he realises that Laurence is thinking how he used to think - that it's okay as long as he can be by his side, that he doesn't need his love reciprocated (it's a very long chain of Tharkay loving Laurence, Laurence knowing Tharkay loves him and loving him back, and Tharkay loving Laurence and knowing he knows he loves him and loves him back). And of course Tharkay wasn't going to make the first move back then, and if Laurence hasn't by now, then maybe he should borrow some of Temeraire's courage.

It's something small. The words come later, given how action-forward both Laurence and Tharkay are. They don't even need words. Maybe Tharkay takes Laurence's hand during dinner and intertwines their fingers, maybe he touches Laurence's cheek after he's braided his hair as their eyes meet in the mirror, maybe as they pack away the port and piquet he kisses him good night. Whatever it is, they look at each other and simply know. Tharkay sees Laurence slowly start to smile, a huge one that spreads across his entire face, one that he's only seen on Laurence when he thinks he's alone with Temeraire. He seems to brighten, almost radiating light.

For his part, Laurence reciprocates. He squeezes Tharkay's hand, he turns his cheek into Tharkay's touch, he pulls him in for another kiss. He watches as something seems to drop from Tharkay, something that he hadn't even known he was carrying. He becomes loose and relaxed, his body language more open as he looks at Laurence with one of his little smiles, a bit of shyness that he's never seen before evident on his face. He tells Tharkay that he's the most beautiful person he's ever seen.

[nonbinarypirat]

Heyyy so I saw you were open to questions and doing commentary!! So I was wondering do you think Azz and Iruma’s relationship is different than Clara’s and Iruma’s? And and also would love to hear any love trio thoughts🙏 tysm !!!!

this is a great question!! as a spoiler, i am deeply in love and invested in the soulmate group and love the connections they have together and on one on one ways. yes! i do think they are different in many ways! Here's a little break down on my thoughts on their relationships :) .Get ready for word vomit, i went overboard

Azz and Iruma: Azz and Iruma relationship is one of deep personal openess. That isn't to say that they leave Clara out of their personal feelings, they do, but both of them lacked the normal carefree freedom as kids. Azz because of his brilliance and Iruma because of his parents.

Due to this, we see they often fall into sharing thoughts and anxieties with each other in their solo interactions. Azz and Iruma have also known each other the longest, at least a week or two went by before meeting Clara. So Azz met Iruma VERY much when Iruma was at his weakest moment, when he was so confused about the world he found himself in. And despite the weridness with their relationship at the start, Azz has always been there with Iruma, he's the third person he ever met here. With Azz having toned down is extreme admiration to Iruma this has made these moments possible between them.

I also don't want to make it seem like they don't joke with each other, we have seen that they do. They have both changed so much when it comes to having fun thanks to Clara. Now, they are able to have a shopping day and be silly. But without Clara to really push the envelope when it comes to fun, they have more calculated fun.

Clara and Iruma: Very much a playful cutesy relationship. (I honestly hope we get more interactions of just the two of them in the future.) Clara represents the childhood Iruma never had, never could have, and therefore allows him to explore childlike wonder. How to open up in more expressive ways, carefree exploration, amd fun to the fullest extent. And by doing so, Clara is able to understand Iruma's moods better than most since we let our guards down completely during moments of pure relaxation.

We see this when Clara immediately saw Iruma was upset and needed to let out his emotions and just be a child. She knows when Iruma is genuinely happy and when he's stressed and doesn't know how to express it. And we have seen that Iruma greatly appreciates Clara for letting him experience and understand playing, something he never had the time to do before. And by being around Iruma, Clara has been able to develop strong moral and logical thinking. Clara has always been a character that is more aware of what's going on then she let's on. But I think the childlike part got in the way of full development in this aspect of her character.

With Iruma, she is able to explore and understand more complex ideas and thinking. One issue with being so isolated like Clara was is that she never got to explore any type of critical reasoning. These things can only be developed by interacting with others. And so, in the beginning Clara was very short sighted and immature. Now, she not only has the love trio, she also has the misfits and it's not clear if she would have been able to create this friend circle without meeting Iruma. She has grown so much as a character and I love seeing her be mature and willing to make sacrifices (putting aside Iruma time because Azz needed it more) while still being chaotically happy.

Love Trio: What can I say that probably hasn't been screamed about in a different post. They are soulmates, deeply connected to each other in every way and bring out the best in each other. They don't "complete" each other, more like they allow for each other to be themselves to the fulllest. They all default to too serious/angry (Azz), too hyper/inconsiderate (Clara) and too in his own way/"yes man" (Iruma) when apart and together, make up for their weaknesses and boost their strengths.

Each of them has been important to the other's growth. They all have their place in the love trio and deeply love their roles too. The love trios relationship is based on deep trust, mutual (and healthy) dependency, and joy. By being with each other, they have created a safe space to allow expressiveness and vulnerablity while still leaving room for fun and happiness.

And it's so cute to see how close and personal they all get. Especially Asmodeus who always felt more standoffish to physical affection in the beginnings, even with Iruma besides a hand of the shoulder. As the story progresses, we see them be more comfortable with each other and that shows in their physical closeness. It's just a wonderful design choice on the artistic side of things and perfect for showing them care more for each other. On a personal note, my headcannon is a queerplatonic poly relationship (though sometimes I ship it as a full on romantic relationship) so it's even cuter to me.

anyway, those are my thoughts and interpretations of the relationships! since this post become super duper large, I will make a seperate post about Azz and Clara and link it in the comments because their relationship is shaping up to be very cute too and not just iruma focused :)

[clownsalot]

im very normal about fuuta in general but i dont think im ever going to emotionally recover from his fire motif and what it represents for his character and how he reflects the greater theme of justice so that means i must rant about it

(more under the cut because this got longer than i expected whoopsies)

so anyway fire is pretty obviously supposed to be symbolic of his passion for justice right? that fire is all over the place in bring it on. he's wielding it to take down enemies, his signature weapon is a flaming sword. it's what he uses to lead the campaign against the people he's after, the people he's deemed in the wrong.

it's a fucking flaming sword, it's badass as hell!!!! it's what a hero of justice, a knight, would use!!!! it's cool as shit, it's his symbol of justice.

that's how he sees his justice in trial 1.

he's righteous, he wants so badly to believe he was a hero, he was doing it all for a good cause, for justice. his passion for justice was a tool he used to meet those ends, to be a hero, to wave it valiantly in the face of enemies.

the fire, however, is conspicuously absent once he's noticed the blood on his hands

interestingly, despite backdraft as a song title being much more related to his fire motif than bring it on, fire is actually surprisingly absent from the mv's visuals. fire, as in actual orange burning fire, doesn't show up much at all in backdraft except for when both fuuta and his victim begin turning to ashes, and a short bit near the end right after the last chorus when the spraycan explodes in fuuta's face. you know what the mv does show a lot of though?

smoke. and ash. the byproducts of a fire, the byproducts of fuuta's passion for justice.

bringing it back to firefighting for a moment: as many people have already pointed out, backdraft as a firefighting term refers to when a fire that has consumed all available oxygen suddenly explodes when more oxygen is made available, such as when a window or door breaks. the thing about fire hazards, though, is if the fire and the heat don't do someone in, usually it's the smoke. the smoke inhalation causes breathing difficulties and suffocation, making it even more difficult for a person to escape the fire.

in backdraft, instead of fire itself, what we're shown is these byproducts of a fire. the smoke is damaging to human health, and the ash shows that the fire has burned things up and caused destruction, in this case killing someone. all we're shown is the negative results of a fire, in sharp contrast to its badass, positive portrayal in bring it on.

hell, even fuuta himself starts turning to ashes and the spraycan explodes in his face, showing how even he is experiencing the negative results of a fire that has gotten out of his control, how even he has gotten burned by his passion for justice. or, is it es' desire for justice?

translation of fuuta's t2 vd by onigiriico

Me, too! I was like that, too! I also didn't think it'd turn out that way!

You and I are exactly the same breed! The only difference between us is the clothes we're wearing.

fuuta's justice and es' justice, it's all the same in his head now, he directly tells es that they're the same, that we're the same. it's all the same hunger for justice that ends up causing harm even if that wasn't the intention.

you know that saying that fire is a good servant but a bad master? i think that's pretty applicable to fuuta's situation. his passion for the pursuit of justice was great when it was still a tool, a sword he could wield, after all he did manage to shed light on some people's wrongs and bring them to justice. but once it exploded, when it became a backdraft that even he could no longer control, it did more damage than he intended.

it burned even him, it killed a middle schooler. and he recognizes that in backdraft. he only shows us the ways fire that becomes a hazard can go wrong.

translation of fuuta's t2 vd by onigiriico

What did I do? All I did was say that what's wrong is wrong! I was just going off at a bad person online!

I didn't think they would die! I just thought that wrong things are wrong, and that a crime is a crime! You get that, don't you? See? Aren't we the same?

it's just. fire is such a good metaphor for the message of fuuta's character and his arc. it's an amazing illustration of how dangerous it is when you feed a desire for justice too much, when you forget to put a boundary on how you handle that fire. eventually the fire spreads just like how passion for justice becomes zealotry, until more and more things fall under what you consider to be 'punishable' by your standards and goes out of control to hurt people that probably didn't deserve it. it's a warning to set proper boundaries on our own definition and desire for justice and what's 'right' so the good intentions doesn't spiral into harm. it's a reflection of our attitudes towards milgram as the audience responsible for their justice and forgiveness. it's amazing i love it i love fuuta's fire symbolism i love fuuta's character arc and i love milgram's writing so so so much

[professional-sephiroth-scrungler]

Ok wild fuckass theory that probably works more as some type of fan fic AU or fix-it (loosely) and probably won’t happen but chekekfj

This is gonna be very rambly but bear with me

To me it seems that TFS and new details in Rebirth are setting up that Jenova is in more control than we previously thought. While I still believe there is some level of fucked up symbiosis, I question how much is actually Sephiroth (insane or not) and how much is Jenova. Would Jenova want revenge on Rufus for killing Glenn? Probably not because that is a very human, Sephiroth thing to want.

Jenova is a calamity that destroys worlds, we’ve known this since the OG and we’ve known that the Nibelheim Incident was because Sephiroth was rightfully angry, betrayed, and upset at what he had learned (false info but hey). In Rebirth we see it flashing between Sephiroth and Jenova, especially in the reactor where their faces are overlayed for a second. It makes me wonder, while Sephiroth was 100% having a mental breakdown, would he have killed and burned the entire village if it wasn’t for Jenova’s influence. In Crisis Core before leaving for Nibelheim, he was talking about deserting/leaving after this last mission. Without Jenova, i could see him wanting to get revenge on the people who wronged him, take down Shinra, and other such things. But since Jenova’s sole purpose is to be a world destroying calamity, she would twist that want of revenge on those people into just getting rid of all of it and become a god.

Side Tangent. I find the length of Sephiroth’s bangs to be important on telling what Sephiroth we are looking at (sane, short. insane, long) and Square seems to have just kinda forgotten about CC Seph having shorter bangs ig for optimization but it makes moments like in Chapter 8 of TFS confusing where we see very much sane Sephiroth from right before the CC era with long bangs and it cuts to Sephiroth with the same model, as far as i can tell, at the Edge of Creation. That leaves two options I can think of; 1: the Edge of Creation is a Jenova created sub space or mind space that she has been taking Sephiroth to and he has no idea wtf it is yet (unlikely). 2: That little scene was Sephiroth during the Remake Trilogy slowly gathering old memories and maybe even realizing that Jenova is in more control and influenced him more than he originally thought and is slowly regaining his identity. This feels more likely so thats what im gonna continue this rambling with. But please Square, you can sacrifice a few more megabytes to add another hair model to swap in.

Anyways, going with that Sephiroth is slowly remembering who he was, and how episode 1 of TFS seemed to be drawing some pretty harsh parallels between Sephiroth and Rosen plus everything they seem to be setting up with Jenova, i think Square is setting up a type of redemption for Sephiroth. It won’t be a true redemption but it would be something. The line from Rosen, “There is no place for me in your world,” feels very intentional and VERY Sephiroth. The parallels between Sephiroth and Rosen’s isolation and being trained from a young age to do one thing only for Sephiroth to kill him because Rosen feels that he can’t be a part of society feels like a set up for how Sephiroth’s story will ultimately end. If Cloud and crew somehow manage to separately Sephiroth from Jenova or something, there is no place for Sephiroth in the world anymore for very different reasons than Rosen. He’s killed, tortured, tried to end the world; no one would accept him after everything he did. Clearly, sane Sephiroth felt a lot of guilt over who he had killed and was trying his best to be the hero he never truly wanted to be to maybe right his wrongs. But if he gets his mind back, there is no righting the wrongs he had committed. There is no place for him anymore. He had been a dead man for 5 years anyways. The only thing he deserves is death and to finally join the Lifestream. The only catch is if Cloud can show the same empathy young Sephiroth did for Rosen. Any in the end, I think Cloud will be able to. In Advent Children, he showed some level of empathy and compassion for Kadaj in the end.

In the small snippet of Sephiroth we got in chapter 8 of TFS, he was thinking about how hate breeds more hate but compassion can end that cycle. And I think that is going to be the key to finally ending the cycle of FFVII.

[eddiewithcat]

LOKI S2 EP4 SPOILERS !!

you know what is driving me the most insane i think right now??? the fact that we had loki DEFEND mobius TO sylvie.

like if this was s1 i would see loki starting off the conversation agreeing with sylvie and standing by her side in the argument, but instead he actively EXPLAINED mobius’ intentions to her in a way that would help her understand where they’re coming from.

idk that is just wild to me. the differences in loki’s character from s1 is just. Wow.

[cherrirui-official]

Friendlocke Violet Gijinkas (Part 3/7)

PART 3 RAAAAGH!!! SO SORRY THIS ONE TOOK SO LONG AAAH!!!! But it's here now, yippee!!! And just in time for Christmas too, wowie!

I plan on posting them in order by groups of three, so there's gonna be seven parts in total, all of which I'll be linking here when done vvv

(Part One) (Part Two) (Part Four) (Part Five) (Part Six) (Part Seven)

!! These will contain personal headcanons I have for the cast, little fun facts, and also spoilers for Friendlocke Violet (for both the edited vids and the streams) !!

@saltydkart-reblogs

Designs under the cut!

GRACE:

The light scars/ cracks on her body were injuries formed while she was accidentally sent through Turo's time machine. Unlike the paradox pokemon/ miraidon, GrAce's body isn't made of iron or metal, so her body wasn't able to withstand the large amount of tera energy used to power the machine as easily as the paradox pokemon were.

Luckily, she was just barely able to hold out against the time machine's energy until she made it to Turo's lab in the present day. Unfortunately, she can't be sent back because she would literally die if she went through the time machine again. Sooooo she's stuck in the modern era.

Very familiar with Area Zero and the various pokemon that reside down there, but moved out in order to continue producing music as well as familiarize herself with current-day Paldea.

She only vaguely know Clavell back when he was a rebellious teenager, though she didn't know his name. Clavell, on the other hand, was one of her biggest fans back in the 50s-60s.

Funny enough, when she sees "Clive" for the first time, she recognizes him! But not as Director Clavell, she just barely recognizes him as the random teenage fan that would occasionally ask her to sign various GrAce posters he had bought. She is also under the belief that he too, was sent from the past into the present, unaware that he simply just grew up.

Likes doing random poses for absolutely no reason whatsoever.

BRAIDY:

Believes that everything can be solved without violence, but can and will throw hands if need be.

Everyone in Braidy's family greet each other by playfully ramming into one another. So when Peppy and his team were getting chased down by Braidy's family during their journey, they weren't trying to attack them, they just wanted to say hi!

Braidy is really good with kids due to his experience with being the eldest sibling, as he'd often have to take care of his younger siblings.

Mykyie and Braidy shop at the same clothing store.

Speaking of Mykyie, the lighter parts of Braidy's fur appeared only after Mykyie passed...

As of now, he's still an apprentice, but he has great potential to become an all powerful wizard... someday.

CHRISTENE'S:

Artist's note: I couldn't fit their children in the bio sorry girls and gays. I'll probably draw them out later on after I'm finished with everyone else.

Their stomachs are basically voids, so every time they eat the food just disappears, which is why they're ALWAYS hungry.

HIGHLY flammable.

It is speculated that they're poppets, but you don't have any proof of that, do you?

If you listen closely, you can hear soft bell noises every time they walk. It is unknown why this happens, but I believe it is best not to ask.

Aaaaand that's it! I plan on taking a short break from these bc I wanna draw some other stuff. Dw, I'll continue to work on these very soon!

[violent138]

"#hey I have a serious headcanon that multiple of Gotham's elite were worried about or invested in Bruce's future#not even for court of owl reasons#but because he had the power and wealth to the alter the city the same way his parents did#falcone even tried killing him a bunch"

PLEASE talk more about this i'm begging. I want to hear all about this!!! Go into as much detail as you want but i'd absolutely read a 5k essay on this if you feel up to it

Though this isn't quite a 5K essay, you may come to regret asking lol. But I'm delighted to answer the question (thanks for asking):

Firstly, I guess to set up some Gotham lore, Gotham's a city of seemingly endless opportunity and is subject to constant power grabs. I think Black Mask once listed all the different factions that squabble over Gotham (street gangs, crime families et cetera). One of these groups is the Court of Owls (the society that secretly controls Gotham), made up of Gotham's oldest and wealthiest families.

And Batman comics make a point of repeatedly drawing attention to its key families, Kanes, Waynes, Elliots, Cobblepots (and the Arkhams too should you like to include them). There's an undue influence and importance they wield over the city.

But despite all the different forces that are competing to reshape Gotham in their image, it's the spectre of the Waynes that looms over it all.

This actually makes a lot of sense, since as some of the founders of the city, they were literally involved in creating the city's skyline and appearance. And then past that, there are so many instances and references to how Thomas and Martha (Kane or Arkham) were set on changing the city entirely (possibly a deviation from their more traditional ancestors).

This is the beginning of the loss of control for many others over the city (such as Gotham's wealthy and elite). Even smaller decisions, like Thomas' choice to save Carmine Falcone's life have major repercussions for the city.

The Waynes had a ton of power, buildings and institutions around Gotham hold their name. They were untouched by their potential criminal ties as they reconstructed the city, but it was clear that they were earning the hatred of a lot of powerful players. This includes the Court of Owls (historians still argue)/others, and if you're a fan of the TellTale game, it's clear that Bruce's family may have actually destroyed and usurped power from some of these other powerful families.

Regardless, Thomas and Martha's shocking deaths created a massive power vacuum that everyone would have jumped to take advantage of. And aside from gaining control over the city, all the old-money families would have wanted control over Bruce Wayne.

Because of the deaths of his parents, Bruce becomes a wildcard; he's the sole inheritor of Wayne Enterprises, all the money, power, and prestige his parents wielded. And in a way, it's almost like all the Waynes have some divine right/eldtrichy power over Gotham, by virtue of their fascinating blood line (or just their money).

So everyone would have been trying to control him/adopt him/use his access in the wake of trauma and exploit his age. When it didn't work, they likely all just settled into a stalemate of waiting for him to make moves so they could decide how much of a threat/ally he was.

In a comic I read (I'm sure there are other examples too, can't recall as I answer this), Carmine Falcone tries to kill Bruce Wayne via hired assassin, well after it's been established that nobody's even seen Bruce for a while. Carmine hears that Bruce could be at a party and sends an assassin with both a potent neurotoxin and a sword to ensure the job is done. So long after the deaths of his parents, these concerns of Gotham's warring factions continue.

And once Bruce starts acting on his vision for the city, one that aligns so well with Martha and Thomas' plans for Gotham, he likely cements himself as a threat yet again, and one that hasn't been schooled by his old-money parents in the games and underlying politics of Gotham.

So to continue on the line of thought that the tags came from: Regardless of what choices Bruce eventually makes -> I doubt that the Gotham elite wanted him making them without their influence

As a side note, because I'm kind of obsessed with the lineages that rule Gotham, if you look at Oswald Cobblepot, even as a crime lord descended from the Cobblepots, he's not just a street-level crook, but he also shapes the city.

[callas-shitshow]

okay hi i need help finding a fic. it was here on tumblr and i think it was recent? and it was steddie and it was about how steve is always perceived as like really dumb and everyone makes jokes and he hates it. and so then one day after he stays at eddies he locks his keys in his car but he doesn’t wanna go get eddie to help him get them out because he’s embarrassed so he walks to work. and i only got like halfway through it so i really wanna finish it but i can’t find it

[the-converse-high-top]

Would love to hear about potential parallel stories/lore in judaism 👁👁👁👁💞

i realized that i actually havent thought very in depth about parallels and themes in the bible in a LONG time but let me think...

one that jumped to the forefront of my mind is something that idk if its a theme/parallel or not, but it has to do with moses. in the torah (really in the talmud i think which is a bunch of rabbi's headcanons about the torah that were then accepted as canon later on), when moses was taken in by pharaoh a test was performed to see whether moses would overthrow him, and by extension whether he was safe to keep and raise. that test was to show baby moses two pots: one of gold and riches and one of hot coals, and whichever he grabbed would be indicative as to what kind of son he'd be. so obviously, being a baby, moses starts to go for the shiny stuff. but (so the story goes) since moses has plot armor an angel (of death [?]) reached out and moved his hand to the hot coals. this is important because not only did it secure his safety to grow up under pharaoh's watch, but it burned his hand, which he then put in his mouth which permanantly burned his tongue and gave him a lisp. now the lisp isnt really talked about much more until later on, and its kind of minor so i get why its often left out, but it changes the whole feeling of the story! because of the lisp, moses gets nervous to speak in front of pharaoh's mages, and so it's aaron who does the talking when they turn their staffs into snakes. it's aaron (iirc) who speaks to the hebrews and tells them the word of god. moses is the one who speaks directly to god and does his bidding in the stories, but aaron is the one who conveys the information. and AND i just remembered this continues!! it continues to be true that moses doesnt always tell his own story!! in the scientific world it is generally accepted that there are a few different authors/compilers of the torah, but in judaism there is one main accepted truth of how it was written with two endings: moses wrote the whole thing up until the last chapter when he was on mount sinai, writing down word for word what god told him to. the ending, though, changes because at the end of the bible moses dies there is a debate over whether moses wrote his own death before it happened (since god is omnipresent blah blah blah) or whether joshua took over for him after he died. if the latter is true, that would be the second time someone tells moses' story for him!! first aaron tells the mages and the hebrews who moses is and why he was sent to save them, and then joshua tells the story of his death and his exile from the holy land! there are THEMES and MOTIFS i can SEE THEM

i have no idea if this is what you were asking for but thank you for inviting me to infodump XD <3