#story about what if

[willywonks-blog]

Paul Williams, the renowned singer-songwriter, sat nervously in a dimly lit room, his fingers tapping anxiously against the arm of his chair. As he waited, thoughts of the opportunity that lay before him swirled in his mind. He had been asked to be the singer and songwriter for the upcoming horror film, "Nightmare on Elm Street." It was a chance of a lifetime, a unique collaboration between the realms of music and cinema.

Just as the anticipation became almost unbearable, the door swung open, and in walked Robert Englund, the actor known for portraying the iconic character, Freddy Krueger. Paul couldn't help but feel a mix of awe and trepidation as he gazed upon the man who had brought nightmares to life on the silver screen.

"Paul Williams, I presume," Robert said with a wide grin, extending his hand. "I've heard great things about your work, my friend. It's truly an honor to meet you."

Paul shook Robert's hand, his voice a little shaky as he replied, "Likewise, Robert. I've been a fan of your portrayal of Freddy Krueger for years. It's surreal to be working with you."

Robert chuckled, taking a seat opposite Paul. "Believe me, the feeling is mutual. Let's get down to business, shall we? I hear you've written a song for Freddy's character in the film."

Paul nodded, a glimmer of excitement replacing his nervousness. "Yes, I have. I wanted to capture the essence of Freddy's twisted and malevolent nature while also incorporating his haunting presence in dreams."

Curiosity sparked in Robert's eyes, and he leaned forward, eager to hear what Paul had composed. With a deep breath, Paul began to sing the full song lyric verses he wrote:

"In the darkness, he appears, lurking within the shadows.

Freddy Krueger, ruler of dreams, where terror only grows.

He whispers secrets in the night, haunting every sleeping mind.

With razor gloved hands, he strikes, leaving nightmares far behind.

Oh, Freddy, the master of fear, his laughter echoes through the night.

He'll slash his way through every dream, a nightmare's cryptic delight.

A villain born from fire's embrace, fueled by vengeance and dread.

He'll haunt your dreams until the end, where sleep and death are wed.

As Paul finished the last line, a heavy silence hung in the air. He looked at Robert, heart pounding, waiting for his feedback.

Robert's eyes gleamed with an eerie delight, a sinister smile forming on his face. "Paul, my friend, that was absolutely magnificent! You've captured the essence of Freddy's character flawlessly. I could hear his wicked laugh in every line, feel the fear coursing through the words."

Relief washed over Paul, and a smile crept onto his face. To receive such praise from the man himself, a master of horror, was beyond anything he had hoped for. "Thank you, Robert. Your feedback means the world to me. I wanted to create something that would elevate Freddy's presence and give the audience chills."

Robert raised his hand, signaling for Paul to stop. "You've succeeded, my friend. Your contribution to this film will be invaluable. I can already imagine the music seeping into the audience's dreams, linking them to Freddy's twisted world."

For the rest of the day, Paul and Robert discussed their shared vision for the music dream sequence in the film. Their creative energies collided, their ideas merging seamlessly into something that promised to be extraordinary. They laughed, they brainstormed, and they bonded over their love for their respective crafts.

As Paul left the meeting, his heart was aflame with inspiration. He knew that this collaboration would bring out the best in him, challenging him to create music that would forever be etched into the nightmares of those who watched "Nightmare on Elm Street."

Months passed, and the film's release date drew near. Paul's haunting lyrics found their way into the score, and with each note that echoed through the theater, he felt the convergence of his music and Robert's on-screen presence. The audience recoiled in terror, their hearts racing to the rhythm of Freddy's malevolent song.

When the lights came up, Paul took a moment to absorb the audience's reaction. The fear, the excitement, the sheer terror that hung in the air spoke volumes about the success of the collaboration. And as he glanced over at Robert, a look of sheer satisfaction adorned his face. They had done it, together.

In that moment, Paul Williams realized that sometimes, dreams really do come true. And in the case of Nightmare on Elm Street, they manifested as a haunting melody, forever etching Freddy Krueger into the annals of horror history

@baycitystygian and @weirdbird74 what If Paul Williams did nightmare on elm street..

[poorly-drawn-mdzs]

License to Kitty.

[wasabi-gumdrop]

local ladies man’s signature move totally useless against autistic monster enthusiast. more on Kabru’s fumble era at 6

[endusviolence]

Rowling isn't denying holocaust. She just pointed out that burning of transgender health books is a lie as that form of cosmetic surgery didn't exist. But of course you knew that already, didn't you?

I was thinking I'd probably see one of you! You're wrong :) Let's review the history a bit, shall we?

In this case, what we're talking about is the Institut für Sexualwissenschaft, or in English, The Institute of Sexology. This Institute was founded and headed by a gay Jewish sexologist named Magnus Hirschfeld. It was founded in July of 1919 as the first sexology research clinic in the world, and was run as a private, non-profit clinic. Hirschfeld and the researchers who worked there would give out consultations, medical advice, and even treatments for free to their poorer clientele, as well as give thousands of lectures and build a unique library full of books on gender, sexuality, and eroticism. Of course, being a gay man, Hirschfeld focused a lot on the gay community and proving that homosexuality was natural and could not be "cured".

Hirschfeld was unique in his time because he believed that nobody's gender was either one or the other. Rather, he contended that everyone is a mixture of both male and female, with every individual having their own unique mix of traits.

This leads into the Institute's work with transgender patients. Hirschfeld was actually the one to coin the term "transsexual" in 1923, though this word didn't become popular phrasing until 30 years later when Harry Benjamin began expanding his research (I'll just be shortening it to trans for this brief overview.) For the Institute, their revolutionary work with gay men eventually began to attract other members of the LGBTA+, including of course trans people.

Contrary to what Anon says, sex reassignment surgery was first tested in 1912. It'd already being used on humans throughout Europe during the 1920's by the time a doctor at the Institute named Ludwig Levy-Lenz began performing it on patients in 1931. Hirschfeld was at first opposed, but he came around quickly because it lowered the rate of suicide among their trans patients. Not only was reassignment performed at the Institute, but both facial feminization and facial masculization surgery were also done.

The Institute employed some of these patients, gave them therapy to help with other issues, even gave some of the mentioned surgeries for free to this who could not afford it! They spoke out on their behalf to the public, even getting Berlin police to help them create "transvestite passes" to allow people to dress however they wanted without the threat of being arrested. They worked together to fight the law, including trying to strike down Paragraph 175, which made it illegal to be homosexual. The picture below is from their holiday party, Magnus Hirschfeld being the gentleman on the right with the fabulous mustache. Many of the other people in this photo are transgender.

[Image ID: A black and white photo of a group of people. Some are smiling at the camera, others have serious expressions. Either way, they all seem to be happy. On the right side, an older gentleman in glasses- Magnus Hirschfeld- is sitting. He has short hair and a bushy mustache. He is resting one hand on the shoulder of the person in front of him. His other hand is being held by a person to his left. Another person to his right is holding his shoulder.]

There was always push back against the Institute, especially from conservatives who saw all of this as a bad thing. But conservatism can't stop progress without destroying it. They weren't willing to go that far for a good while. It all ended in March of 1933, when a new Chancellor was elected. The Nazis did not like homosexuals for several reasons. Chief among them, we break the boundaries of "normal" society. Shortly after the election, on May 6th, the book burnings began. The Jewish, gay, and obviously liberal Magnus Hirschfeld and his library of boundary-breaking literature was one of the very first targets. Thankfully, Hirschfeld was spared by virtue of being in Paris at the time (he would die in 1935, before the Nazis were able to invade France). His library wasn't so lucky.

This famous picture of the book burnings was taken after the Institute of Sexology had been raided. That's their books. Literature on so much about sexuality, eroticism, and gender, yes including their new work on trans people. This is the trans community's Alexandria. We're incredibly lucky that enough of it survived for Harry Benjamin and everyone who came after him was able to build on the Institute's work.

[Image ID: A black and white photo of the May Nazi book burning of the Institute of Sexology's library. A soldier, back facing the camera, is throwing a stack of books into the fire. In the background of the right side, a crowd is watching.]

As the Holocaust went on, the homosexuals of Germany became a targeted group. This did include transgender people, no matter what you say. To deny this reality is Holocaust denial. JK Rowling and everyone else who tries to pretend like this isn't reality is participating in that evil. You're agreeing with the Nazis.

But of course, you knew that already, didn't you?

Edit: Added image IDs. I apologize to those using screen readers for forgetting them. Please reblog this version instead.

[liquidstar]

Yes, Greece still exists, we didn't all die 2000 years ago. Yes, people speak Greek. You people are so fucking stupid for real. So many of you claim to love ancient shit but can't even acknowledge the actual living culture of the people whose mythology and classics you romanticize. You keep leaving annoying comments about how you just forget Greek people still exist, thinking you're being quirky because you love ancient stuff soooo much that you forgot about the people it came from. You think about it so little you don't even realize that an actual Greek person has to read this shit, making it clear how little you actually care about the culture beyond the romanticized (and westernized) mythology. Don't claim you love Greece, don't use our mythology anymore if you can't acknowledge that we're still around without making it about how little you think about us. It's mind boggling that you'd think a Greek person would read this and think you're anything but obnoxious. Explode.

[tsuchinokoroyale]

At a party and a guy was telling me about how one of his coworkers was complaining about how he thought his dealer was lacing his heroin with cocaine and then the party guy was like “but his dealer was his brother” and I said “that’s some cocaine and abel shit” and the joke flopped so hard but I stand by it so I had to share it somewhere

[skellydun]

absolutely love reading such a well-written story and falling a bit in love with the author based solely on the way they write. like baby the way you italicize words makes my heartbeat quicken.

[lgbtlunaverse]

There's a version of the "don't go grocery shopping while hungry" rule specifically for writers where you should never under any circumstances be allowed to touch your draft within 3 hours of reading a really good story. Because sometimes when you read something great your head goes "fuck this is so much better than my stuff I should make that more like THIS instead!" Look at me. That's the devil talking and you should close the document NOW.

[jakeperalta]

letting celebrities think they can and should "use their platform" to speak on all current events and political issues regardless of how educated they are on them was a grave mistake

[bizarrelittlemew]

i can't wait to be 30+ and still in fandom and i can't wait to be 40+ and still in fandom and i can't wait to be 50+ and still in fandom and i can't wait to be 60+ and still in fandom and i can't wait to be 70+ and still in fandom and i can't wait to be 80+ and still in fandom and i can't wait to be 90+ and still in fandom and i can't wait to look back on my life and know that i loved things deeply and passionately and was inspired to create and was part of communities with incredible people from all over the world brought together by the stories that touched us

[xan-from-space]

Senshi is probably the most fandomized character in Dungeon Meshi, and while I don't exactly mind it, I do think he has more depth than that. I find all his little quirks and idiosyncrasies to be fascinating; he's very stubborn and set in his ways about things that seemingly don't matter, he thinks about things that other people don't, he has a deeply set value system that informs everything he does. He cares A Lot, like, this man cares So Much. That's the kind of person you have to be to drop everything to help a random group of adventurers save one woman. But because he feels so strongly about things, he can also be surprisingly immature at times (although he's also the character most likely to admit he was wrong about something). I think part of that is because he's lived in the dungeon on his own so long that he's not used to working with other people. He will extend empathy and friendship to almost anyone, but he does things his own way, and he doesn’t always feel the need to explain his way of thinking because again, he's usually on his own. He's both incredibly wise and kind of childish in ways that seem contradictory at first, but make more and more sense the more we learn about him. Major kudos to Ryoko Kui's writing and pacing to make that transition so seamless and have all those details from his backstory click into place perfectly. And on a wider thematic level, Senshi is kind of a perfect counterpart to characters like Thistle (or any other dungeon lord). Senshi understands the dungeon in ways that even its creator doesn't. Although everyone is scrambling to take control of the dungeon, Senshi is the one who actually takes care of it. He's the one who thinks about things like nutrition and proper sleep and the ecosystem, all those things that it's easy to ignore when you get swept up by the grandeur of it all. He's the most important character to have present in a story that explores life and death and hunger. His constant, invisible presence holds everything together.

[ministarfruit]

day 15: haunting ♡

(femslashfeb prompt list)

[kymsys]

'It was late spring, the first time all year that the sunshine had any real strength behind it. Satoru was wittering on about something inane as always — Tentomon or something equally ridiculous.

There was nothing special about the moment. Not really. Except for the fact that Satoru had shrugged off his jacket in the heat. It was draped around his shoulders just so, exposing the long column of his throat, pale after a long winter. Really, there was nothing special about the moment. But when Suguru looked at the boy silhouetted against the spring sky, bright and blue and boundless and beautiful — just like his eyes, Suguru thought — his heart skipped a beat all the same. With all the sight afforded to him, Satoru never missed a thing. So it was risky, what Suguru did. Later, when he was looking at his new phone wallpaper under the cover of darkness, grinning like an idiot, he'd wonder how he ever got away with it. Yet, if Suguru's yearning to capture that perfectly ordinary moment forever was stronger than all reason, perhaps it was stronger than the Six Eyes, too. After all, not even Satoru could stop time.' - by my beloved @fushiglow ♥

(( also glo says: FUN FACT! Tentomon is voiced by Suguru's VA — ergo it's Satoru's favourite Digimon, obviously )) ---------------------------------------------------------

freshly added headcanons: • gojo at some point randomly barged into sugurus room and put glowy stickers all over his ceiling • suguru has gojo as his phone wallpaper, but keeps it a secret • suguru is a hamasaki ayumi fan • the cinnamoroll phone charm is from gojo who spent almost an eternity getting that out of a gatcha machine for him • they were happy

[shizuart]

[egophiliac]

(almost) four years in, and I finally had time to draw something for the anniversary! woo! 🎉🎉🎉

[amu-says-hav-says]

I can’t believe I went through all of Season 2 assuming Nina was the stand-in for Crowley when you actually pay attention it’s so CLEAR that she’s Aziraphale. I was tricked by her spiky, sarcastic, cynical outer shell and lulled into a false sense of security by Maggie’s bubbly optimism and wholesome goodness, because on the surface they reflect the ineffable husbands perfectly, in their personalities, their aesthetics, even many of their actions and morals. but not, and this is the real key, when it comes to their “relationship”. but those first impressions really had me damn fooled. 

I missed the blatantness of Nina’s “we’re just friends. actually we’re not friends. we barely know each other.” the same thing Aziraphale said in season 1.  the way he still struggles to quantify their friendship when Nina asks. Nina’s sarcasm when Crowley asks about rain and awnings because it worked for him (we all know it LMAO). hell, that whole convo the girls have in the rain is so AziraCrow (“I know. I’m not your type” “...You have no idea” hits so much harder the second time, help meeeee.) “Lindsay” maybe being symbolic of Heaven and Aziraphale’s toxic relationship with them and their abuse? (the handwritten text messages in red pen make me think of angry notes on paperwork, anyone else?) because Crowley has never actually cared about what Hell thinks of him, just not getting into trouble (or him or Aziraphale getting hurt). Maggie is always chasing Nina. NINA NEVER GOES IN THE RECORD STORE. Just like Crowley always goes to the bookstore, to Aziraphale, Zira NEVER WENT TO THE FLAT (apart from The Swap but that doesn’t count imo). Crowley has always chased Zira, not the other way around. Always there to rescue him, always going to him for company, always relying on their shared connection, always US. OUR SIDE. All through season one, he comes to Zira every time to work together, never trying to work alongside Hell in any way that isn’t to save their skins or Earth, while Zira hides things from Crowley because he STILL thinks Heaven is ultimately good and will do the right thing if he can just show them. fix it from the inside. 

Maggie working up the courage to finally say something, to put herself out there, while Nina is utterly oblivious and then when she does realise Maggie has feelings, becoming standoffish, putting up that barrier, fighting it, denying it, ITS SO CROWLEY AND AZIRAPHALE IN THAT ORDER. the way I was fooled into thinking Nina’s trust issues are Crowley because he does have trust issues ofc he does BUT Crowley has ALWAYS TRUSTED AZIRAPHALE. has always relied on him. has always been hurt when Aziraphale doesn’t immediately reciprocate the way he expects (the holy water request, the bandstand, the “off in the stars” etc). he’s always the one putting himself forward. Aziraphale has always been the one to second guess everything, to fight their connection, their similarities, their friendship. the girls really made me think it was going to be okay when they sat Crowley down, even as my inner sirens were going haywire about Metatron interfering, they were telling Crowley he just needs to open up and it’ll all work out BUT HE’S ALREADY AT THAT POINT. he may not say it, and by gosh is that part of their damn problem, but he’s always SHOWN IT. he’s not Nina who needs time to heal and recover from her broken trust, he’s always been Maggie believing it doesn’t matter, they’ll end up together in the end anyway AND I WALKED RIGHT INTO THE TRAP THAT THIS MEANT THEY WERE GOING TO BE OKAYYYYYYYYYYY