#symmetry god force

[raccoons-art]

D&Dorks art dump!

[narrlsy]

My brain finally understands how to make pixel art

[glibussy]

Hey! D&Dorks fandom! Yeah all 10 of you!

Come join the fandom discord! Its a lovely place to share art and fics, make friends, and just goof around! We'd love for more people to come in and hang around!

[saintclay]

Fuck it, D&Dorks time. 

Okay so genuinely, The Absence being a kid is so fucked up in the best way possible. Like Sir Superhero said that The Absence was a kid of indeterminate gender, and (correct me if I’m wrong) around 8-ish which like. Okay. 

Imagine you’re this kid. You’re somewhere between the ages of eight and ten, probably. I mean 8-ish could be anywhere from a tall 6-year old to a 12 year old who’s hitting puberty late, but considering that this kid did find one of the god thrones (and because they were described as being ‘around eight’) I’m going to assume eight years as my lower limit, and guesstimate around ten-ish as an upper limit, all things considered. anyway.

Imagine going on some kind of whirlwind adventure in the chaos realm, full of fantastical things, probably, and finding a throne, sitting on it and then suddenly.

Nothing.

Nobody can remember you. Even if you talk to them even if you ask them to remember you, they just can’t. And this would be horrid enough for an adult, but you’re a kid. You’ve probably never been on your own before, you’ve never really had to go for long periods of time without someone around to take care of you. You are at an age where you actually need a lot of socialization with peers in order to not get, y’know, profoundly fucked in the head. 

And this goes on for millennia. It goes on for so long that you forget your own name, you forget who you were before you were the God of Secrets.

This goes on until you find a party of adventures who come to figure out what the fuck is going on with a city that is suffering because someone broke a pact with you except surprise surprise the entire party except this one old blind dude are gods. Fledgeling gods. (Well okay no it goes on until this one dude comes and asks you to take care of the party of fledgeling gods, but lets not split differences)

And then suddenly, one of them remembers you. They give you a name that isn’t just The Absence. One of them, for some fucking reason, is lecturing you about safety and personal space like they’re your mother or something.  

Like god damn no wonder Skeezvol got stolen as soon as Emmy realized that he did, in fact remember them. Isolation does shit to you, and they’ve been isolated in the most concrete sense for a long time.

also it is so fucking on brand that the ‘Kid NPC’ that this party adopted is both technically older than all of them and is also probably more powerful than all of them

[polishtem]

The Helio Headcanon

D&dorks are my life at the moment

so i made a lengthy (and growing) headcanon about one character we meet in the season 2 finale. Emerald.

So yeah, this is the helio headcanon for emerald from d&dorks symmetry war: Godforce/Backspace

emerald is actually genderfluid while emmy is agender because their gender identity changed and grew with time. And emerald finds it freeing to be able to kind of....fluidly be.

Also emerald is seen as the face of the Backspace council despite not wanting to. like, they're a loner first and foremost but people seem to cling to them.

this emerald named themselves after being named something else...did some quick research. this emerald uses the name emerald with the newcomers since that's the most common name emmy's take on. While This emerald can create Heliodor gemstones and so they use the name Helios.

in the begining they didn't have a name, cuz the godcursed didn't care much for them and the first glib called them emerald because he had an emmy he lost and Helio was like, okay with the name, but grew resentful, because it wasn't THEIR name, it was the name of someone else that they were given for looking like them and the name doesn't even RELATE to them as it should seeing as they CAN'T make emeralds

and so they went to a SG, since they're the god of wealth and asked them WHAT the gems they can make are. the Sg looked at them, quickly responded with a string of words, with the only one that stood out was Heliodor (they listed off the properties, that they're in the same gem family as emeralds etc.)

and so the big boss emerald got their name. Helio (or Helios/heliod/heliodor, but more often Helio)

ANOTHER THING

looking at my other headcanon. emmy's physical age is what they feel like/their mental age at the moment and not an accurate reflection of how long they lived

WHAT IF HELIO- and hear me out. Didn't get to be a kid. Like, godcursed got them, they got to backspace/created backspace, and emerald had to help lead it. No time to be a teen, to grow.

they had to skip it. No Kid-Preteen-Teen-Young Adult-Adult just Kid-Adult+leader of a growing community A load of responsibility just dropped on their shoulders like a ton of bricks

[wolfiesmoon]

hey, i wanted to say first that i love ur writing style. Also I wanted to ask (if is not a problem) jade, floyd and leona the prompt “cheek kisses that leave red lipstick stains”

awwww i'm so glad u think so!! i'm not sure if you mean the more silly one or the more serious one but either way i'm very happy 🩷

the reader is gender neutral in essence but they do wear lipstick because it's needed for this fic

jade's is suggestive i suppose????? so watch out for that????

⋆୨୧˚ Jade Leech

"Interesting choice of lipstick. Not in a bad way, of course." Jade commented upon seeing you.

"I bought it yesterday, but I still have something I have to test out." You tried your best to look innocent and nonchalant.

You've had this lipstick for a while actually, but you still haven't tested if it's transfer proof yet. Jade is the perfect candidate to test that out. Atleast in your humble opinion.

"Oh? And what might that be?" he smiled at you.

"You'll see. Like, literally right now." you mirrored his decievingly innocent smile. After you kiss him, his eyes will probably go wide like they always do when he isn't expecting something. Which just so happens to be one of your favourite expressions of his.

You reached your hands out to him and pulled his face close to yours, then pressed a nice, long kiss on his right cheek. You mirrored it on the left one too, of course. Symmetry always looks nice.

Just like you predicted, he made the exact face you envisioned, with slightly pink cheeks as a bonus.

"Oh. I was... certainly not expecting that." he sounded genuinely surprised, smiling happily at you and showcasing his sharp teeth in the process. Knowing Jade, you honestly don't want to know what he thought you were going to do with that lipstick.

"Aw man, it's not transfer proof." you acted slightly dissapointed, but in reality, you couldn't be more glad that it isn't. Hmmm, it kinda feels nice to catch Jade off guard like that. Maybe you should do it more often.

"You don't realise what you've just done, do you?" his smile quickly turns sinister in a way you can't quite put your finger on. It makes you feel all weird, like you're pray getting cornered.

"Done what?" you laughed nervously.

"I do hope that you are good at hiding bite marks." as he said that, he was already grabbing your wrist and dragging you to god knows where.

"Wait... Jade, where are you taking me? Jade?!"

You have a feeling the lipstick might get smudged by the time you're done.

⋆୨୧˚ Floyd Leech

"I don't wanna talk to you..." Floyd sulked, not looking at you.

"He's been like this for the whole day." Normally, Jade would deal with Floyd's bad mood, but he's been causing even more trouble for the Lounge than usual today and was not very willing to be put in a better mood by his brother, so Jade was forced to employ higher forces to help him out. The higher forces being you, of course.

"Right... Actually, I think I might have an idea on how to solve this." You thought of a certain thing you wanted to for a while now but never had the chance to.

"Is that so?" Jade noticed the mischevious smile on your face, amused at whatever you'll come up with.

.

"Floyd, come with me." You pulled on his collar, sounding confident and serious.

"I told you, I'm not going to talk to you..." he glared at you, trying to push your hand away.

"There's no talking involved." You pulled harder and he finally let up, silently letting you drag him to a quiet corner of the school.

Because he's still in a bad mood, he hasn't looked your way at all. This also means he hasn't noticed the lipstick.

Suddenly, you grab a hold of his face and press a kiss to his lips before he can protest.

"Oh... oooooooh!" His face brightened up and it seems his mood has instantly improved. Floyd's a surprsingly simple guy sometimes, isn't he?

But, you're not done yet.

You pepper kisses on each of his cheeks without letting him say anything at all. He lets out strange but not entirely unwelcome noises while you're busy decorating his cheeks with kiss marks.

"There. Are you in a better mood now? Because the Mostro Lounge needs you." you looked satisfied with your work and so did Floyd when he got a glance of himself in the mirror.

"Ehhhh, do I really have to? I feel like squeezing you, not going to work. Especially not now that I'm all decorated with your kisses." he looked annoyed at the mention of work, wanting nothing more than to smother you with love and bonecrushing hugs right now.

Seems your plan kinda backfired since he became a little too happy and doesn't seem fond of letting you go anytime soon.

⋆୨୧˚ Leona Kingscholar

It is a bit unusual for you to wear such a bright lipstick color. He brushes it off, thinking you were just in the mood for a bright color or something.

Why should he care what color your lips are, anyways? Does not matter at all.

"Leonaaaa.... come here, kitty kitty~" you called him over jokingly and he glared at you in annoyance which only made you snort harder. But he still came over anyways, so you call it a win.

He looked at you, waiting for you to clarify on what you called him over for. Better be worth his time.

You grabbed a hold of the two braids at the front of his hair and pulled him into a kiss. Though it was a short(er) one since your main targets are his cheeks.

You made sure to thoroughly decorate them with kisses, turning his head left and right to inspect your work and make sure the number was about equal.

"You done?" he tries to sound unbothered, but you immediately see through it. He's definitely really happy about it.

"Yeah. You can go back to napping now." you let him go, and he lingered for a moment, no doubt dissapointed that you actually said yes. But since he didn't want to show it, he returned to his napping spot under the tree and you went back to studying in the library.

.

"Leeeeeoooonaaaa! Are you here again? Professor Crewel is mad at y- What is that on your face?" Ruggie's scolding session was cut short when he noticed the lipstick marks on Leona's face.

"What are you.... Ugh..." turns out Leona kinda forgot about the fact that lipstick usually leaves marks and that his cheeks were full of 'em this whole time. He groans at the realisation.

Though... they might not be that bad if they were made by you.

"Oh my god, stay still. I gotta take a photo of this. I'm sure your family would be happy to know you're doing well in your love life." Ruggie was about to pull out his phone but was stopped by Leona who swiftly grabbed his wrist. Wait, since when was he standing, anyways?

"Jesus, you scare me sometimes..." Ruggie pushes his phone back in his pocket. "Well, do I go get something to clean your face or what?"

Leona hesitates.

"Yeah, yeah."

[randomness-is-my-order]

the pjo show’s cinematography is so warm and homey and clever and detail-oriented so i wanna compile a few of my favourite still shots because why not??

^this one had me smiling so hard, not because it’s a particularly beautiful shot but the framing of the three is so well done. the focus is on sally who is talking to grover (both prominently in the front of the shot) while percy – who isn’t a part of the conversation but a listener of it – is still properly visible through the glass of the door and like??? i just think it’s a super cool way of having a passive character in the shot that i haven’t ever seen before, in a way that percy is both highlighted and still so clearly in the background that it doesn’t take away from the focus characters. also percy’s sweater matching the colours on the door is the cherry on top!!

^next is this one. it’s so perfectly angsty and though not complete, the symmetry is still eye-catching. it encapsulates the feeling percy must experience in that moment–him, amidst destruction, knowing he’s the cause but not knowing how or why. he looks all of twelve with his haphazard hoodie and almost forlorn look. he is not gloating, he is not cheerful. though he doesn’t know the gravity of his parentage, it’s almost like the show is telling us that his powers–which cause the door to break, too btw–will always be a source of isolation for percy. he is a force of nature, a destructive one most of the time, and the fact that he is just a child who is confused will never matter because this world doesn’t care for childhood but godhood alone.

idk, this shot just evokes a very unsettling kind of sadness for me. i think it’s beautifully framed.

^i absolutely love this one simply for the fact that the sheer struggle of the fight is so prominently visible. and yes, i cheated, this isn’t exactly a still shot but like an action sequence screenshot but whatever, it’s too good to not mention it here. the way percy is, honest to gods, bracing against the spear for his dear life, the evident and overwhelming rage on clarisse’s face, the blocking of the scene – it’s perfect. clarisse is not playing and percy is genuinely in danger and i love how this shot and the whole scene really sold us on that fact.

^ i just think it’s extremely cool that we can see the minotaur howling in pain, percy having his mouth wide open as if he’s letting out a yell as he goes to plunge the horn and that as percy does this act–killing the minotaur–which is surefire source of safeguarding himself and grover, something that will get him to camp, we can see thalia’s tree in the background. there is no reason percy had to make the kill here, with the chaos of the fight, so the fact that this is the spot and this is the shot as he kills the minotaur makes me think it’s deliberate. having thalia in the background is so impactful because again, percy could have met a similar fate in some other alternate universe but here, he wins and he survives.

^ do i even need to explain??? the shot is pretty and beautiful and almost magical. percy, alone with a tin of fire, burning blue food and talking to his mother. maybe one thing i can point out is that the sally-percy bond has been heavily indicated through glowing lights since the start. if you recall, the “you are not broken” speech by sally was given in front of the warm, glowing headlights of the car and percy’s face was illuminated by that warmth just the same way it is illuminated by the tin-fire in the forest.

^ first, this is too fucking gorgeous. second, percy is wearing his red jacket again and this dream happened after he reached camp so in my opinion, this dream was initially a comfortable imagining of percy’s mind and was then hijacked by kronos but i could be wrong since i don’t clearly remember how they manifested in the books originally. nevertheless, it’s a great detail to have him wear the red jacket because even if he may not have it with him anymore, it’s still clearly something he holds dear – and might associate sally’s memories with.

also, the fact that percy seems to have alot of scenes with fire might be because as someone who can control water, fire can never truly be a source of danger for him and therefore, he can find comfort in its warmth unhindered, always?

^ how could i not love this epic moment? the trident is perfect, big and blue and grand and majestic. half the screen is water, obviously. but what makes this good shot a great one is that there is literally no one else directly near percy except annabeth. the campers are all far away and in this shot itself only annabeth remains close to percy, though she is fittingly on the land, observing the scene before her. remember how i said percy’s legacy promises isolation but this shot tells me that despite that, percy will have someone who he can count on to be by his side (also cool that even in the bathroom, annabeth was technically still near him, even if she was, well, stalking him) and maybe this is my delusional ass talking, but annabeth being here is foreshadowing for me. i just think it’s a choice to have this epic revelation where they could easily have had percy standing alone in the middle of the lake but no, annabeth is also there and not only because she’s the one who led to that revelation but because she’s someone who isn’t intimidated by percy’s parentage and still can be beside him.

^ i adore this shot because 1) it shows us just how young and tiny percy is and 2) it tells us that maybe that door is so fucking huge because it’s being inclusive of centaurs and other giants of their world. also, symmetry strikes again!!! the colours are so well balanced, not bright and vibrant but on the pastel side that indicates an aged feel to them.

and lastly,

^ i just find it funny that a private academy like yancy has an official vehicle that looks as beat up and terribly malfunctioning as this. 😭 like this half van was so out of place i literally goggled at the screen when it first appeared.

okay, i’m done for now. i also really liked the faceless sally scene in the start paralleling medusa’s eventual beheading but i already made a post about it. this legitmately only covers about 10% of the shots i wanted to talk about but these might be my favourites. this was long af so if you read the whole thing, mad respect to you.

[tanadrin]

Hey I just wanted to say that despite formally studying and doing research in physics my entire adult life, with a particular interest in standard model field theory, I never felt like I really understood the weak force until your angels / god / physics post. You've got a real talent for this stuff, and the understanding of these topics you have without a formal education on the topic is genuinely astounding. The other knowledge I've seen you display too, heck even just the questions you know to ask.

So thanks for the insight and, if it matters, you have this random physics researcher's seal of approval to be ridiculously proud of your understanding of physics.

Thanks! I had a thing a little while ago where I was absolutely determined to try to finally understand the weak force/electroweak symmetry breaking even though I had literally none of the mathematical background necessary to do so, and thanks to a ton of really good explainers online and some very patient mutuals on Tumblr I think I finally got to a point where it made some kind of sense.

I do think this area of physics is one that sometimes suffers from suboptimal analogies when trying to communicate these concepts qualitatively--there's a problem where formally correct analogies are sometimes difficult to use to build intuition and where intuitive analogies deviate from formal correctness in important ways. There are a ton of stock analogies in physics that I think get repeated because they are seen as canonical somehow, but which are actually kind of misleading if you're not very careful about how you explain them. Most explainers of electroweak symmetry breaking definitely suffer from this a little bit!

[whencyclopedia]

A Brief History of Egyptian Art

Art is an essential aspect of any civilization. Once the basic human needs have been taken care of such as food, shelter, some form of community law, and a religious belief, cultures begin producing artwork, and often all of these developments occur more or less simultaneously. This process began in the Predynastic Period in Egypt (c. 6000 - c. 3150 BCE) through images of animals, human beings, and supernatural figures inscribed on rock walls. These early images were crude in comparison to later developments but still express an important value of Egyptian cultural consciousness: balance.

Egyptian society was based on the concept of harmony known as ma'at which had come into being at the dawn of creation and sustained the universe. All Egyptian art is based on perfect balance because it reflects the ideal world of the gods. The same way these gods provided all good gifts for humanity, so the artwork was imagined and created to provide a use. Egyptian art was always first and foremost functional. No matter how beautifully a statue may have been crafted, its purpose was to serve as a home for a spirit or a god. An amulet would have been designed to be attractive but aesthetic beauty was not the driving force in its creation, protection was. Tomb paintings, temple tableaus, home and palace gardens all were created so that their form suited an important function and, in many cases, this function was a reminder of the eternal nature of life and the value of personal and communal stability.

Early Dynastic Period Art

The value of balance, expressed as symmetry, infused Egyptian art from the earliest times. The rock art from the Predynastic Period establishes this value which is fully developed and realized in the Early Dynastic Period of Egypt (c. 3150 - c. 2613 BCE). Art from this period reaches its height in the work known as The Narmer Palette (c. 3200-3000 BCE) which was created to celebrate the unity of Upper and Lower Egypt under King Narmer (c. 3150 BCE). Through a series of engravings on a siltstone slab, shaped as a chevron shield, the story is told of the great king's victory over his enemies and how the gods encouraged and approved his actions. Although some of the images of the palette are difficult to interpret, the story of unification and the celebration of the king is quite clear.

On the front, Narmer is associated with the divine strength of the bull (possibly the Apis Bull) and is seen wearing the crown of Upper and Lower Egypt in a triumphal procession. Below him, two men wrestle with entwined beasts which are often interpreted as representing Upper and Lower Egypt (though this view is contested and there seems no justification for it). The reverse side shows the king's victory over his enemies while the gods look on approvingly. All these scenes are carved in low-raised relief with incredible skill.

This technique would be used quite effectively toward the end of the Early Dynastic Period by the architect Imhotep (c. 2667-2600 BCE) in designing the pyramid complex of King Djoser (c. 2670 BCE). Images of lotus flowers, papyrus plants, and the djed symbol are intricately worked into the architecture of the buildings in both high and low relief. By this time the sculptors had also mastered the art of working in stone to created three-dimensional life-sized statues. The statue of Djoser is among the greatest works of art from this period.

Continue reading...

[scoobydoodean]

Okay btw we are all saying Alastair was lying about torturing John in 4.16 "On The Head Of A Pin" right? Like we all agree he was making shit up don't we.

Where even is John. John escaped out of the Devil's Gate in 2.22. Was his soul forced back into Hell? Because the Winchesters don't know that in 2.22. They never confirm where he went?

SAM Do you think Dad really... do you think he really climbed outta hell? DEAN The door was open. If anyone's stubborn enough to do it... it would be him. SAM Where do you think he is now? DEAN I don't know.

And after the Devil's Gate was closed, all the demons stayed out like The Seven Deadly Sins, so why not spirits that escaped?

And doesn't the fact that John was able to escape out of the Devil's Gate to begin with suggest he wasn't on the rack being tortured?

And why would Alastair torture him for "close to a century" and then stop? The time between John's death and Dean's death is like 2 years. Even if we say he tortured John until John escaped out of the Devil's Gate, wouldn't that be more than "close to half a century"? And why wouldn't they just go find his soul if his soul was that important?

The narrative symmetry of it doesn't work either like it does with salmondean being brothers. John versus Sam is a different story—like Lucifer versus god—not Lucifer versus Michael.

Also like suggestive evidence here:

DEAN Is it true? Did I break the first seal? Did I start all this? CASTIEL Yes. When we discovered Lilith's plan for you, we laid siege to hell and we fought our way to get to you before you—

I mean at the end of the day maybe the angels knew that Dean was supposed to be the one to break and the demons didn't, so the angels didn't act until Dean was in hell. But idk I am just not buying this from the mind games guy and his story is very fishy.

[raccoons-art]

Some Glib doodles <3

[narrlsy]

Prophis and Callisto study date!!!

[syndrossi]

resonant ch27 dvd commentary

Favorite line:

The red priestess had thought Jon’s resurrection irrefutable proof of her god’s power, yet at times Jon had wondered if he was so different from the wights he faced across the battlefield: something dead, with fire breathed into him rather than ice, intended instead to be a puppet for R’hllor.

It's an interesting parallel, and one that I'm sure Jon has mused upon before. The dead are not allowed to rest; they are tools to be used by unknowable forces. Unlike the wights, of course, Jon is alive and has free will, but that doesn't mean his return to the living wasn't meant to serve a purpose, as the wights do.

Favorite detail:

The gifts! I had a lot of fun picking the first batch out. Rhaegar's gifts are pretty easy/obvious, and we even had Daemon musing last chapter about getting him charcoals and parchment. The book written by Aenar Targaryen will definitely be important/useful as they go through it. With the dragons left in the care of the Dragonkeepers, it's not a book that anyone has likely read in a century. Aegon or Visenya could very well have been the last to do so, other than Viserys briefly scanning it for information to reconstruct the hatchery in his model.

Meanwhile, the generational cartography is something that felt fitting for dragonriders to do. It is far easier to map something from a bird's eye view versus going about slowly on foot, though it requires recalling the details later, as dragonback is not the most stable position to draw from! One eagle-eyed commenter on the chapter guessed at Daemon's reasoning for Jon's gifts: in both chapters 24 and 26, he's shown interest in ship movement on dragonback and the landscape in general. So he gets a map and wooden model ships!

(Obviously Jon is attached to his bronze knife, but Daemon needs more lead time to have a Targaryen equivalent made.)

And the gifts also reflect aspects of Daemon that he shares with both children: a curiosity about the lay of the land and the movement of people and things below (a strategic eye), and his own interest in their family's history and dragons. Daemon's similarities to Jon are often more obvious, because their personalities on the surface are closer, but he shares many things in common with Rhaegar too!

Favorite dynamic:

The cousins, naturally. Aegon and Aemond's childish jealousy (enhanced by their existing dislike for their nephews) of their shiny new cousins spending time with other children, doing that thing that kids do where they demand you admit that they're your best friend obviously and far superior to any other friends.

Then we have Aemond "letting" Jon be Aemon so that he can be Rhaegar's brother instead, living out the dream of having a brother he likes and can relate to / have adventures with. While Aegon wants to buy "cool points" with his secrets.

And the sibling sabotage with Aegon's secrets, of course! With Otto as their grandfather and Viserys as their father, they are privy to some interesting conversations, which is a resource that Jon and Rhaegar can try to leverage in the future.

Meanwhile, no one has made any guesses yet as to the secret Aegon wants to show them...

Quick hitters:

I hate the flow of "Princesguard" but it's KINGSguard and QUEENSguard, so symmetry demands it. It's also very patriarchal (it's not called Princessesguard), but so is the Kingsguard tbh. I imagine "Princesguard" will be considered a neutral term.

I quite enjoyed delving into Jon's musings on the gods, and his conclusion that he'll pray to whoever keeps his family safe. It's a sentiment we've seen from him before, when Rhaegar has been in danger, where he throws out prayers to whatever god might listen.

Jon opens himself a little bit to Jon Redfort and receives a memory in return. A few folks on AO3 have wondered why Rhaegar can remember parts of Raymar's life but not Jon, and it comes down to Jon being very resistant to opening himself up that way. He keeps a very hard line of separation, which can make his emotions more volatile (Jon Redfort's emotions reach a boiling point that spills over).

I considered writing the gift-giving from Daemon's POV after I finished writing it in Jon's. I'm fond of the "least knowledgeable" POV principle, aka writing a scene from the POV of the character who knows the least about what's going on. Daemon lacks context on the candle, and he has no idea what the boys feel about his gifts, so we'd get his reads on both their reception of the gifts and what they're feeling about the candle. But it also felt reasonably fine from Jon's POV and I usually don't bother rewriting a POV unless I'm unhappy with a scene.

Harvest festival + ball name drop! It's about two months out for the start of the monthlong festivities, which gives interested knights of the land time to make the trek for the Princesguard tourney at its close (3 months from now).

The toy ships were a bit of a bust from Jon's perspective, since he's not actually all that interested in nautical matters aside from their implications for conflicts/supplies. But he wouldn't ever want Daemon to think so, so we'll see if Jon forces himself to play with them for his benefit later. 😅 Laenor+the Velaryon boys are more likely to be interested! (Laenor: You know, Daemon, if you ever need someone to teach you about seamanship...)

I really like the godswood as a setting. It's quite peaceful.

This chapter in general was quite peaceful, until Daemon dropped not one but two "famous last words" remarks at the end.

No deleted scenes or even deleted bits this time to share!

[glibussy]

Hello d&dorks fandom. Glad to see all 5 of us here today

[saintclay]

oh god Glib has been going Through It™ in these past episodes huh

Also genuinely the mental image of Glib holding Gold!Glib and just going “I’m so fucking sorry” before mercy killing him legit made me cry. 

[polishtem]

a friend gave me a prompt. Here is the result