#syntax editor

[tjeromebaker]

How to Use SPSS: A Beginner’s Guide

If you’re diving into the world of data analysis, SPSS (Statistical Package for the Social Sciences) is an essential tool to have in your arsenal. This guide walks you through the basics of SPSS to help you get started with confidence.

SPSS Statistics Essential Training If you’re diving into the world of data analysis, SPSS (Statistical Package for the Social Sciences) is an essential tool to have in your arsenal. This guide walks you through the basics of SPSS to help you get started with confidence. What is SPSS? SPSS is a powerful statistical software used by researchers, students, and professionals to manage, analyze,…

[babychosen]

save a horse (ride a cowboy)

8pm, Friday. Red dress. Booth near the end of the bar, by the dart board.

She forgot how demanding the text felt, but it had only encouraged her to want to show up even more.

[inkgeeky]

you ever read a translated webnovel and think to yourself "well, you've got the basic premise of the writing down, but a dog could maintain pov and grammatical structure better than this"? bc im the dog and i want to rewrite this entire translation

[idontwantrobyntodie]

"you used that comma incorrectly" i KNOW!! it was for RHYTHM!! for EFFECT!!

[sokokoko]

Do you also read through fanfiction that doesn't have the worst grammar but still has some mistakes, going through it with a mental red pen and improving the sentences? Or are you normal??

[ataraxianascendant]

they call me 007

0 css skill

0 sense of cohesion

7 fake syntax errors

[gloomglimmer]

𝐂𝐇𝐈𝐀𝐑𝐎𝐒𝐂𝐔𝐑𝐎   is   a   text   generator   designed   specifically   for   roleplayers   using   discord.   It   helps   you   format   your   text   with   ease,   ready   to   be   used   in   Discord,   making   your   roleplay   posts   stand   out.   This   is   my   first   attempt   at   a   generator.   If   it   has   any   bugs   feel   free   to   dm   or   inbox   me.   Please, like or reblog if it helps with your interactions.

›    𝐅𝐄𝐀𝐓𝐔𝐑𝐄𝐒    :  

Bold,   Italic,   Strikethrough,   and   Underline    ›    Want   to   make   something   bold   or   italic?   You   can   click   the   B,   I,   S,   or   U   buttons   to   quickly   format   your   text   while   typing   in   the   editor.

Double-Spaced   Text    ›    Enable   the   Double   Space   checkbox,   and   it   will   automatically   add   extra   spaces   between   words. 

Markdown-Ready   Text    ›    Once   you're   done   typing   and   formatting   your   text,   click   the   Generate   Discord   Format   button.   Your   text   will   be   converted   into   Discord's   markdown   syntax,   ready   to   copy   and   paste   into   your   chat!

Copy   to   Clipboard    ›     After   generating   your   formatted   text,   you   can   quickly   copy   it   to   your   clipboard   with   a   single   click.

This   tool   uses   some   simple   coding   magic   behind   the   scenes.   Built   using   Quill.js,   a   text   editor   library,   and   some   custom   JavaScript,   it   allows   you   to   format   text   in   real   time.   When   you   apply   styles   (like   bold   or   italic),   it   changes   the   text   instantly,   and   when   you   hit   Generate,   it   converts   it   into   the   markdown   format   used   in   Discord.

[literaryvein-reblogs]

Writing Notes: Self-Editing

Editing writing draws upon different skills than creative storytelling, which makes self-editing difficult for many writers. If hiring an editor isn’t an option, you will want to improve your own editing skills to increase your writing’s readability and overall quality.

Tips for Editing Your Own Writing

Print it out. Reading your words on the printed page can help you find spelling mistakes, sentence fragments, and run-ons more easily than trying to track them down on a bright computer screen; you can even change the formatting of the text if that helps you look at it differently. Use a red pen (or any other vibrant color) to track changes or edits along the way.

Read aloud. Hearing how your writing sounds can also help you listen for lines that don’t sound right, like wishy-washy sentences, overuse of particular phrases, and unnecessary words. Sometimes a writer doesn’t realize that their sentence structure is poor or that their main point isn’t clear until they hear it read aloud (you can even use a text-to-speech program or ask someone else to read it back to you while you jot down things you notice).

Take a break. Walking away from your writing project for a period of time and coming back to it with fresh eyes can help you gain a fresh perspective by creating an emotional distance between you and your work. If you’re finding it hard to be objective, give it space—when you return to your own writing, you may find yourself with an entirely new outlook.

Keep your voice active. With active voice writing, the subject of a sentence is performing an action. That action is represented by a verb, which is the part of speech that anchors all complete sentences. While passive voice isn’t completely forbidden in a piece of writing, it’s usually a good idea to keep your tone energized, as it keeps your readers reading.

Edit line by line. A good editor will systematically go through a piece of writing line by line, and that is what you should do as well. It may take time and be a painstaking task, but if you’re editing your own work, you’ll need to look closely at the words you’ve written to find any outstanding issues like grammatical errors or typos.

Get familiar with style guides. Professional editors may come equipped with extensive editing skills, but it’s possible to learn what they know. Look up which writing style guide applies to your writing (if you’re copywriting, you’ll likely want the AP style guide, whereas fiction writing will use the Chicago Manual). Follow the proper guidelines laid out and add them to your editing checklist: Are all the commas where they should be for this particular piece? Are words properly italicized or quoted? Knowing what to look for can not only expand your editing experience but help you become a better writer.

Avoid clichés. While they appear in good writing every so often, clichés are mostly boring unless you have a unique spin on them or can integrate them in a way that doesn’t seem tired.

Embrace re-reading. Editing isn’t a one-off process, and chances are you’ll need multiple read-throughs in order to find all of your weak sentences, grammar mistakes, punctuation errors, and spelling errors.

Mind your syntax. Be on the lookout for issues with grammar and word choice. Certain words can change the whole mood or feeling of a piece, and using weak verbs and weak adjectives will only exacerbate that. Make sure your writing feels strong and clear, and use a thesaurus with caution. If you’re not exactly sure how to use a word, don’t.

Save the proofreading for last. Whether you’re copy editing for content marketing or writing the first draft of a memoir, proofreading is the very last step you should take when self-editing. As you go through your piece, you’ll be re-writing sentences and paragraphs, so searching for grammar errors or doing a spell check before your final draft will only waste more time. It’s okay if you spot errors along the way (you don’t have to ignore them), but don’t make it the first step you take when tackling your own editing.

Source ⚜ More: Notes & References ⚜ Editing ⚜ Writing Resources PDFs

[jilyandbambi]

Also, maybe reading books will remind some of you that lines of dialogue are supposed to have paragraph breaks between them, that you capitalize proper nouns, and that it works best to say "she/he/they" instead of "the blonde" or "the ravenette."

fascinating that when you tell people "you have to learn the rules to break them" when talking about drawing/painting etc everyone nods and agrees but the second you say "you have to read books if you want to write better" there's a horde of contrarians begging to be the wrongest people ever all of a sudden

[physalian]

Beta Reader Checklist! (Suggestions)

Beta reading is highly, highly subjective, so take this whole post with a massive grain of salt. IMO, in short, more feedback is always safer than less feedback, unless the author states otherwise.

Like, if they ask you to do a final read through for any lingering issues, you can speed-read your way through the manuscript for general vibes and enjoyability. If this is the first round of edits and beta reads, the more you can give them, even if you think you're over-reaching, the better.

Thank you to all my betas thus far, absolutely no shade meant with this post. Everybody's got different expectations. This is meant to help anyone who's unsure about the task before them.

So I'm going to use some snippets from my seasoned beta reader's feedback from my upcoming novella for the variety of commentary you can give.

Positive vibes/reader reaction

Even if the manuscript is a hot mess, sending back a beta read with 0 good things to say is going to demoralize the author. Even if all you can say is "this is a cool concept that can benefit from a better execution," letting the author know that they've written something salvagable helps, especially if you can do it in the first few paragraphs.

Grammar and Syntax

You are not a line editor and should not be expected to line edit someone's first draft (and this beta got the ~7th draft). However, if you do see something while reading, there's no reason that you can't leave a suggestion.

Fun commentary

We authors like to know that the reader is connecting with the story. These comments tells me absolutely nothing helpful about bettering the manuscript, but they're human responses from a human reader and it's just nice to see. Beta readers are casual, you should be allowed to stay stuff like this.

Developmental edits

Beta readers generally come before the big expensive editor (if you ever hire one at all) which means the goal is more big picture, developmental commentary over splitting hairs about punctuation. This comment got me to add about half a paragraph's worth of extra narrative to expand upon, because I liked the suggestion.

Continuity and reader comprehension

This novella happens to be about a niche subject that not every layman reader will understand, so I have to find the line between overexplaining to those who know, and underexplaining to those who don't, without reading like a textbook. The top line I ended up leaving as I didn't think the risk of confusion was worth the added technical detail. The bottom line was a continuity error that I did have to fix.

Repetition and style

I'm an author who will always look for ways to lower my word count. Sometimes cutting a random line is better for the narrative than doubling down and trying to justify it with extra details. In this case, I over-used a motif, and happily saved myself 7 words.

Potential for extra detail

If you struggle with lengthening your word count, you can ask your betas to focus on where the narrative is thin and can benefit for more immersion and backstory. This beta leaves me comments everywhere suggesting places for extra sensory details, as I write very lean narratives with little fluff, and my consistency with sensory details varies widely.

All told, over 21k words of story, this beta left me exactly 100 comments, and a couple quick line edits within the text itself. It shows me, at the very least, that she was engaged with the story. The only time she doesn't leave me comments is when a scene is so intense that she forgets to make one.

The Reader Report

The reader report is a separate document from the manuscript copy that compiles and condenses the beta's thoughts into a much shorter format so the author doesn't have to scroll up and down constantly for a big picture takeaway. It also expands upon any commentary the beta had, but didn't want to put in a single tag within the narrative and is typically written after most of the manuscript has been read for overall thoughts.

This beta in particular knows what I like, which is breaking down the report by chapter (or parts in this case). The only thing missing from her delivery is a final conclusion that will answer the three big questions:

Did she like it?

Would she buy it?

Would she recommend it?

But it was also done in a rush and in her email she said I made her cry so I count that as a yes for all 3.

—

I did not implement every suggestion from her, but I did acknowledge where other readers might feel the same and weighed the pros of trying to satisfy everything vs maintaining my clear vision.

The benefit of the beta process, if you work with multiple betas, is having more than one reader's opinion, and why I don't think anyone should pay ridiculous fees for a developmental editor. My betas all had different opinions on this manuscript, and I can treat their feedback like a scatterplot, deciding on revisions with an average throughline.

At the end of the day, you write for yourself, not to please any one beta reader. They're suggestions, not rules, and even if your beta tells you they hate it, you at least learn who your target audience isn't, and what naysayers wouldn't like.

[felikatze]

Do you wish you could easily look up information on ISAT, yet the wiki is lacking in it?

Well let me tell you the good news, my friend... YOU can fix that! all you need to do is sign up to wiki.gg (which doesn't even require an email address!) and you can get editing! Add information that the wiki editors have overlooked!! correct spelling mistakes!! write guides for obscure achievements!!

"But I'm afraid to make a mistake!"

Don't worry! If you have questions, simply head to #the-wiki-channel on the official isat discord server, and there'll be plenty of people to help you out!

"But I don't know how wiki editing works!"

in that case, check out isatwiki's very own style guide! It gives you the run down on formatting, page layouts, syntax, and citing! If you still feel unprepared, check out a completed page and copy its formatting! Completed pages are few and far between at the moment, though. Ahaha.

"I don't want to mess up on a public page!"

In that case, our dear pal the style guide is here to help! Check out the last section on Sandbox pages! A very own page, just for you to mess around with! Additionally, you can cut your teeth on making an user page for yourself! Put anything on there (that complies with TOS, of course) and have fun!!! Check out other people's user pages too, if you want!!

"But I don't know what to do!"

Then check out our To Do list! All the wiki's main projects, all compiled in one place! And if something you want to do isn't on the to do list... do it anyway. If there's info you want on there that isn't, the more the merrier, right?

on my hands and knees. please. pretty please. we're a small wiki we have low standards. i will take literally anything over nothing at all. you can make the most barebones unformatted page ever and i personally will pretty it up for you. i merely ask that you cite. like at all. and if you dont cite you can put this cute little {{source}} banner up top so other people will know the info isn't cited.

you should get into wiki editing it's a very fun hobby. you might even pick up basic coding along the way and learn what it's like to cry over css.

[firstfullmoon]

Hala Alyan, “Naturalized”

The poem was published in Jewish Currents on October 20th and introduced by Claire Schwartz:

Hala Alyan’s poem “Naturalized” opens with a question: “Can I pull the land from me like a cork?” A question presumes and accommodates a multiplicity of responses; it is, as the poet Jos Charles says, “a program for contradictions to emerge.” In Alyan’s poem, the horrifically divergent matter of the world—brunch and marigolds and Vice and genocide—commingles, not only globally, but also in the speaker herself, who summons her father and thinks of Gaza, even as she wonders about the frivolity of her own life: “Sundays are tarot days. Tuesdays are for tacos.” But if the speaker is critical of her own consumption, she is also attuned to the ways she is consumed—her position as a diaspora Palestinian in empire’s transnational scheme means that she, too, is flattened to a form easily metabolized: “They like me. They like me in a museum.” Near the poem’s end, questions return, this time in rapid succession, as though struggling to reopen space for the irreconcilable: “Tell me, Tell me, / what op-ed will grant the dead their dying? / What editor? What red-line? What pocket?” But in the poem’s final line, the question mark falls out even as the syntax persists, the interrogative what transformed into declaration, testimony, indictment. There is no out from here, there are no two ways. There is only the fact of the world, refusing to be folded back into itself. Now what will you do with it?

[thecomfywriter]

✨👾 thecomfywriter’s guide to self-publishing 👾✨

navigation post get my book, Throne of Vengeance! TNV anthologies ToV community!

hi, fools! this was long overdue. forgive me—i got distracted. anyhow! welcome to the official guide to self-publishing, as requested by satoh (@@satohqbanana). i’m going to give you tips based on my own process, but by all means, feel free to deviate and add/remove steps for your own process. some steps are mandatory though. no skipping 😤

okay i’m not going to yamble too much, lets get into it.

1.0 finishing the draft

2.0 the editing process (copyediting vs line editing vs beta reading)

3.0 the latent period (!!!)

4.0 pre-publication marketing

5.0 the cover + blurb

6.0 the final read-through

7.0 pre-orders and marketing

8.0 publish!

1.0 finishing the draft:

stop procrastinating and write, dodohead. words on the page. it doesn’t have to be perfect. you don’t have to agonize over that one line for an entire afternoon. stick to the vision and get the words on the page.

if you’re wondering why i’m saying it doesn’t have to be perfect when we’re talking about publishing a (hopefully good) book, it’s because there’s still the editing process later down the line to worry about typos, grammar issues, beta reader feedback, and all that jazzy good stuff. right now, you need to have your vision and get it down. this isn’t your polished copy. but you need to have your draft completed before you go anyways. so stop moping over whether “elucidate” is the word you want to use in that sentence and finish the sentence.

lol. with love <333

2.0 the editing process:

now you can worry about elucidate and its purpose in the sentence. the editing stage has many sub phases. copy-editing and the line editing. you can hire someone to do this for you or do it yourself. maybe get a friend to help. doesn’t matter. you just have to be critical and thorough. no sugarcoating. no, “oh ill just let this slide” or “i don’t wanna be mean so i won’t give real helpful feedback” editors. proper editors who will say it as it is.

copy-editing (as i understand it) is big book concept editing:

are there plot holes? is the lore consistent? does it make sense? is it unclear? is the story even interesting? how’s the pacing? what about the characters? too many? not enough? the voices aren’t distinct? the style is inconsistent? none of the characters feel like separate or fully formed people?

this is the phase where all those questions are addressed. once the overall concepts and structure of the book has been editing, constructively analyzed, and you’ve gotten feedback for it, go back to step one and revise your draft based on the critique. you don’t move on until those big concept issues are addressed.

done? okay, now it’s time for line editing.

exactly as the name implies, you’re going line per line, word per word, and catching any typos, grammar errors, punctuation—all that jazzy good stuff. REALLY BE THOROUGH. get a fresh pair of eyes on it. hire someone. put it through an editing software like grammarly. but be THOROUGH.

do the words you use make sense? are you using british or american english? slang? are you writing too much purple prose? do the sentences flow? are you using too many commas (stop that. don’t be afraid of periods).

you really need to understand the grammar and syntax rules of the english language to do this step on your own. otherwise, get help. or learn. whatever works with your budget lol.

done line editing? great! send it to a beta reader/ a friend, a writeblr mutual, someone you hired—just make sure they aren’t dancing around feedback and they give it to you as it is. i had a friend straight up tell me one of my drafts was ass LOL because the characters voices were too blurry and she never knew who was talking. there were some slow pointless chapters and the pacing was inconsistent. thus, i went back to step 1 and revised based off her feedback and came back with another draft.

don’t be afraid of critique. you need it to grow.

3.0 the latent period:

this is where you take a step back from the draft, preferably for months, and avoid interacting with it to give your mind a break and reset your eyes. this is a huge stage because this is where i want you fools to get your copyright and isbns in order.

GET. YOUR. BOOK. COPYRIGHTED.

do not share it until it is copyrighted. you can copyright unpublished materials. technically it is your intellectual property even before you copyright it, but that little ©️ is your legal shield. COPYRIGHT YOUR BOOK.

it costs ~$60 to make sure no one can steal your shit. this is nonnegotiable. do this.

i also got an isbn for my book so i could publish it with other services apart from KDP and expand the market. hence why some people were able to buy it off barnes and noble, for example. i highly recommend.

this is also the phase i started looking at platforms i wanted to publish on/with and reading the contracts. i’m being serious. read the contracts. make sure it aligns with what you want and what you’re comfortable with. don’t skim. don’t just accept. you’re putting your signature on that, bro. read it properly.

the publishing platforms i used were ingramspark and KDP. you’re gonna need to know your book dimensions too. so have an idea so you can estimate the printing costs.

the settings i did for mine were off white, 6x9 paper with the recommended gutter margins (used KDPs excel calculator to determine) and black and white ink (no colour) to get the lowest printing cost per book. ingram spark was similar. only thing with ingram spark is you need your page number to be even (no 575–it has to be 576) and KDP has a 600 page limit. so bear that in mind.

4.0 pre-publishing marketing:

you have to generate hype for your book. now that its copyrighted, its safe to share excerpts, little quotes, make edits for your characters or oc profiles to generate an audience. i did this mainly on tumblr vis tag games and whatnot, but honestly? that's the BARE MINIMUM lol.

don't be like me. i hate social media so i honestly did not market my book the way i know i should have (and still should). i still don't market my book because lol... i dont wanna 🥲

BUT! like it said--dont be like me. make an author website (a proper one. pay for the domain if you can, otherwise use the free domain, but make a professional author platform for yourself and your biography. you'll need this to set up a goodreads author account and claim your book on there). use instagram and make an author instagram profile (i technially have one here, but i never use it lol womp womp i just hate instagram sue me) and promote your book with the teasers. go on pinterest and make moodboards or "book trailers" through a carousel of images. USE TIKTOK. i know it's a plague platform (i dont like it, clearly), but it is where you will find the most fruits for your marketing.

this stage is all about generating hype for your book. why? so when you set your book up for preorder (and, yes, you will be doing that so you have a general idea of market demand and interest), you have people who are genuinely invested and want to buy your book.

marketing ideas because apparently i'm your free publicist:

oc edits

character moodboards

quotes and excerpts

that one trend on tiktok where you give the vibe of the book and a soundtrack // song to it

oc / book soundtracks

"would you read a book about..." [list the themes / enticing tagline elements of your story] -- it's a trend on tiktok

platforms to promote your book:

tiktok (#booktok)

instagram (#books, #readers, #bookstagram)

tumblr (#readers, #bookblr, #writers of tumblr, #reading, #writers, #book reccs; don't just use writer hashtags, is what i'm saying)

wix or the like to make your website

twitter (a lot of authors have official twitter accounts. once again, i never bothered OOPS)

youtube (making videos talking about your book--the ogs of this blog know LOL-- compiling playlists, etc)

also, don't be afraid to make or commission art for your ocs. speaking of which...

5.0 the cover and the blurb

you can't avoid it anymore. you need to make a cover and write a back of the book blurb // synopsis for your book.

YES i know its hard to describe your book in a non-spoilery, enticing way. work on it. struggle through it. get help. but get it done. you can't finish your cover until it is done.

NOTE! if you are making your own cover, the dimensions are only going to be .25" longer than your page dimensions if it is hardcover. ALSO you gotta make it a pdf file. one pdf file that contains the back of the book, the spine, and the front of the book laid out as one page. this is why you need to get the blurb down.

if you're making it by yourself: play around with fonts, use canva + photopea // photoshop. add chrome, but not too much chrome. use references and easter eggs of important plot elements for your visual pieces. current book trend is text-dominant covers with interesting font and stylistic elements. i.e. tov has the title "throne of vengeance" as the main eye-catcher, in a metallic, legible but stylistic font, BUT there is the dragon ouroborous ring and the iron-rose dagger on the cover as well. the colours are intentional. the entire cover is an easter egg for the book, almost like a spoiler for those who know. make it engaging. enticing. you wanna draw readers in, but also make fans hyperanalyze and interpret the elements you chose.

another thing--you'll need to know your page count to know how thick the spine should be. so bear that in mind.

commissioning an artist may be expensive. i actually did commission someone for tov. i probably wont for the remainder of the series since this was the most expensive part for me. depending on who you get, it can range from $300 - >$1000. so just keep that in mind. i queried a lot before i commissioned the artist for my cover. and she was very in tune with the books themes, the symbolic motifs, and the general aura of the story when she created the cover. that is a good cover artist. don't pay someone if they dont take the time to learn about your book before making the cover.

resources to use:

photoshop/photopea

canva

reedsy (for finding artists to commission)

i can't think of anymore on the top of my head oops. ALSO if you're gonna use images, pay attention to copyright. you can't use copyrighted pinterest images for your covers. just saying.

6.0 the final read-through:

it should have been some months by now. time to read through your own book, start to finish, and see how you like it. catch any last minute errors, see whether you're satisfied with the end product, make any final revisions. this is the draft you're going to submit for preorder. the pdf cover will be your cover. the blurb will be your blurb.

also, in this phase, add your dedications, your acknowledgements, and your author blurb. oh yeah babes you need a headshot. i just used a picture from vacation LOL oops i dont like taking headshot pictures i got lazy womp womp.

anyways, your author blurb should describe you in a tag line (G.K> Multani, otherwise known as Naveena Khedar, is a pre-med student with a passion for writing... or something like that). then describe your credentials. have you written before? doesn't have to be same genre, but you want to represent your portfolio. list other books, articles, or journals you've written. then you as a person--hobbies, interest, etc outside of writing. finally, list your socials or where people can find you.

7.0 preorders and marketing:

publish the draft on KDP and ingram spark for preorder. announce that your book is available for preorder. it should take about a week for it to be approved and the preorder link to go live. and then repeat the marketing steps from step 4, but this time with your cover and a link to shove down people's throats :)

8.0 publish!

the date it goes live, make it an event! host a live-publish session! do something fun! have a party! do a book signing! go buckwild go crazy!

i did a live-vc session and unboxing.

oh yeah, also... while we're here. go buy/read my book.

Throne of Vengeance Official Synopsis

Buy my book, Throne of Vengeance: Volume One

Read Throne of Vengeance: Volume One PDF

lol :)

--

okay i have to go back to studying for exams. let me know if i missed anything.

COPYRIGHT YOUR BOOKS.

okay cheerios bye!

[toskarin]

somewhat controversial because I'm aware the general consensus on twine is that it's overly bulky for every possible use case, and it's faster to just write html than to learn the weird syntax, and the editor is bad, and it runs badly, and I agree fully, but sugarcube 2 specifically is oddly fun to write rpgs in

[mayakern]

Hiiii

I'm a writer who makes queer supernatural horror/dark fantasy/sci fi stories I was wondering if you might be okay with talking about your process in getting an editor/getting published? I know the basics, but I'm interested in hearing how people who are also writing queer stories have managed to gather followings for themselves and put their work out there

Thank you!

previous to self publishing, i participated in dvpit/pitmad which were events for unrepresented authors to pitch their works to agents and i also queried a number of agents and pubs separate from that. i received only rejections, which wasn’t really surprising because most publishers only accept fantasy romance manuscripts of a maximum length of 150-170k words. at the time, spitfire was 307k. i didn’t really take this too hard because i knew it was a long shot, since being outside of submission requirements is almost always an automatic rejection for new authors. i just wanted to be able to say i tried, honestly.

because of this and because i did not feel equipped to split the book into two by myself, i decided to self publish the book. it sold… surprisingly well. well enough that i suddenly had the budget to fund an audiobook with just enough money left over to hire a line editor to get the book polished before someone cemented my words in audio form.

i put out a call for editors on social media and got over 100 applicants. i requested editing samples from the people who were in my budget and seemed like potentially good matches. i had a lot of very strong choices but the moment i read danielle’s editing sample, i knew she was the one because she just got it, plain and simple. i was primarily looking for a line editor but i also had a couple non-syntax issues that were small enough to not require a huge structural overhaul of anything, but were big enough that my exhausted brain just wasn’t untangling them. i needed fresh eyes.

and then, as danielle and i were just hammering out our plans for our edits, claire contacted me. they’d seen some of my tiktoks about the book and were intrigued, then realized that they already knew me/my work and had actually bought a skirt from me at a con a few years back. they requested my manuscript, read it over, we had a couple meetings and then i signed with them. they suggested splitting the book into two and now that i was equipped with both a fantastic editor and agent—and now that trad pub seemed on the table and it seemed i wouldn’t need to self fund my own audiobook—i suddenly had the funds and support needed to tackle a huge structural overhaul of the once duology, now series.

all in all things only really worked out because i already had an audience who was willing to give a new author a chance. i think it helped a lot that i initially posted the book on ao3, meaning people could read it for free and didn’t have to spend money to risk being disappointed in something. it make the buy in very cheap for people. and somehow enough of them decided that they liked the book enough to buy it, giving me the funds for an editor and the numbers to look attractive to prospective publishers.

anyway don’t use this as a guide for how to get published. i have not been picked up by a publisher and even if i had, the path i’ve taken is really fucking weird and not viable for most people.

regardless, i hope this helped somehow and i wish you luck!

[olderthannetfic]

I don’t know if this is just my perception or if it’s actually a thing, but recently I’ve been reading a lot of new (2014 and newer) novels and graphic novels, and there are glaring grammar, syntax and spelling errors in all of them. Every. Single. One. Like the word “lead” instead of “led”. Misspellings that made it past the editor(s) and all the way to publication. These aren’t self-published books. They’re from major publishers, NYT and USA Today bestselling authors. You’d think someone would have been able to catch these errors before they made it to print. I’ve read fics with fewer errors.

It seems like older books (1990s and older) had none of these. Any idea what’s up with this?

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Heh. Have you seen my rants about why I chose to just self publish instead of even trying to go the traditional route?

I don't have hard numbers or anything, but yes, I have noticed that editorial standards seem to be way down in a lot of parts of tradpub. Less so in big name literary fiction, I think? But it was noticeable in a bunch of genre fiction I was reading a decade or two ago.

My impression is that it started to get more obvious some time in the 00s and is related to corporate pressures to hit specific profit margins that aren't that consistently doable for an industry like publishing. You see comments about it in blogs about finding an agent or preparing a manuscript. There seems to be a general consensus that you have to be more publishing-ready from the get go than in the past.

90s and older genre fiction had plenty of crap, and first printings will very occasionally have a typo I spot, but the vast majority of the old books I find used have pretty flawless editing even if they're polishing a turd. My impression is that there was more developmental editing too, though never the amount that people's publishing fantasies suggest.