“If you want more representation” okay but what if they did a better job than all the other actors???
Like, with PJO Rick didn’t go “only black people can audition for Annabeth!! Grover has to be Indian! Zeus has to be black!”
No, the actors auditioned, did a good job, and got the gig.
Like instead of crying cause all these white actors didn’t get it, ask yourself if they even deserved the position.
Everything isn’t some “woke” propaganda or “more representation.” They just deserved the job.
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I'm still not over the fact that in the book, Aziraphale and Crowley are supposed to look 30 and 24 years old...
This is what they would look like
That's David in 1995 in The Bill and Michael in 1997 (not quite 99 like it's supposed to be) in Wilde.
Those are children! Mere babies!
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Imagine your psychic soulmate, the only other person in this hell called living who truly understands you, gets a taste of freedom but decides to stay in place because they've convinced themself that hell is all they deserve.
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thinking about how Humans Are Space Orcs stories always talk about how indestructible humans are, our endurance, our ability to withstand common poisons, etc. and thats all well and good, its really fun to read, but it gets repetitive after a while because we aren't all like that.
And that got me thinking about why this trope is so common in the first place, and the conclusion I came to is actually kind of obvious if you think about it. Not everyone is allowed to go into space. This is true now, with the number of physical restrictions placed on astronauts (including height limits), but I imagine it's just as strict in some imaginary future where humans are first coming into contact with alien species. Because in that case there will definitely be military personnel alongside any possible diplomatic parties.
And I imagine that all interactions aliens have ever had up until this point have been with trained personnel. Even basic military troops conform to this standard, to some degree. So aliens meet us and they're shocked and horrified to discover that we have no obvious weaknesses, we're all either crazy smart or crazy strong (still always a little crazy, academia and war will do that to you), and not only that but we like, literally all the same height so there's no way to tell any of us apart.
And Humans Are Death Worlders stories spread throughout the galaxy. Years or decades or centuries of interspecies suspicion and hostilities preventing any alien from setting foot/claw/limb/appendage/etc. on Earth until slowly more beings are allowed to come through. And not just diplomats who keep to government buildings, but tourists. Exchange students. Temporary visitors granted permission to go wherever they please, so they go out in search of 'real terran culture' and what do they find?
Humans with innate heart defects that prevent them from drinking caffeine. Humans with chronic pain and chronic fatigue who lack the boundless endurance humans are supposedly famous for. Humans too tall or too short or too fat to be allowed into space. Humans who are so scared of the world they need to take pills just to function. Humans with IBS who can't stand spicy foods, capsaicin really is poison to them. Lactose intolerance and celiac disease, my god all the autoimmune disorders out there, humans who struggle to function because their own bodies fight them. Humans who bruise easily and take too long to heal. Humans who sustained one too many concussions and now struggle to talk and read and write. Humans who've had strokes. Humans who were born unable to talk or hear or speak, and humans who through some accident lost that ability later.
Aliens visit Earth, and do you know what they find? Humanity, in all its wholeness.
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if you liked disco elysium, you'll also like...
these books:
the southern reach series by jeff vandermeer (2014 for these three books, with a new book coming this fall)
perdido street station by china miéville, the memoirs of stockholm sven by nathaniel ian miller
these games:
the thaumaturge (2024) (yeah, that's rasputin)
NORCO (2022) (underrated point and click narrative game in a near-future new orleans)
kentucky route zero (2013) (it's so fucking good)
pentiment (2022)
these shows:
true detective season 1 (2014) and also season 4 (2024)
the leftovers (2014-2017)
dark (2017-2020) (german show - netflix will try to default to the dubbed version but don't let it!)
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Sooo tired of the pessimistic views of tv glow’s ending. Yes, Owen is dying. She knows this. She says this. But she’s not denying anymore… she looked inside and felt a weight lift for a moment and she felt good about it for once. Marching in a straight line with determination, past everything in the fun zone towards the door. No longer breathing as raggedly or needing the inhaler. Digging herself out from the dirt one step at a time.
She’s dying, but she’s not dead. There is still time.
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Feeling unsafe is not the same as being unsafe and people are unable to distinguish between the two - you always have a right to be safe, but you do not necessarily have the right to always feel safe. This is an underlying theme in a lot of issues, like judging others' kinks, queerness, race, media analysis, and more; what the real heart of the problem is is unfamiliarity, things that people do not know and thus shrink away from in fear or disgust or discomfort. It can be a basic instinct to approach change and unfamiliarity with caution, but it needs to be an intentional act to challenge that fear/world view. It is something that we owe to the people around us, and that we owe to ourselves.
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the way the older batboys cope with relationship trauma is that tim is a serial dater (cannot, will not, be single, would rather swallow glass, name the last time he was single), jason is a serial kisser (what's the name when you're not dating you're just kissing people? in brazil we call it "staying", like when you go out clubbing and kiss 10+ randoms) and dick is a serial cheater (i've said what i said)
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