#text category layouts

[https-xavii]

TEXT DIVIDERS

sorry for not posting layout posts

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[changes]

A new way to navigate Tumblr

If you use Tumblr on a web browser, you might have noticed us testing a brand new navigation on your dashboard in the last month. Now, after some extensive tweaks, we’ve begun rolling out this new dashboard navigation to everyone using a web browser. Welcome to the new world. It’s very like the old world, just in a different layout.

Why are we doing this? We want it to be as easy as possible for everyone to understand and explore what’s happening on Tumblr—newbies and seasoned travelers alike.

Labels over icons: When adding something new to Tumblr in the past, we’d simply add a new icon to our navigation with little further explanation. Turns out no one likes to press a button when they don’t know what it does. So now, where there’s space, the navigation includes text labels. Since adding these, we’ve noticed more of you venturing to previously unexplored corners of Tumblr. Intrepid!

What’s already been fixed? Thanks to feedback from folks during the testing phase, we’ve been able to make some improvements right out of the gate. Those include returning settings subpages (Account, Dashboard, etc.) to the right of the settings page instead of having them in an expandable item in the navigation on the left; fixing some issues with messaging windows on smaller screens; and streamlining the Account section to make it easier to get to your blogs.

What’s next? We’re looking into making a collapsible version of this navigation and improving the use of screen space for those of you with enormous screens. We’re also working on improving access to your account and sideblogs.

That’s all for now, folks. For questions and suggestions, contact Support using the “Feedback” category. Please select the “Report a bug or crash” category on the support form for technical issues. And keep an eye out for more updates here on @changes.

[bloghub23]

WordPress.com

https://wordpress.com/plans/

[books]

Writer Spotlight: Jamie Beck

Jamie Beck is a photographer residing in Provence, France. Her Tumblr blog, From Me To You, became immensely successful shortly after launching in 2009. Soon after, Jamie, along with her partner Kevin Burg, pioneered the use of Cinemagraphs in creative storytelling for brands. Since then, she has produced marketing and advertising campaigns for companies like Google, Samsung, Netflix, Disney, Microsoft, Nike, Volvo, and MTV, and was included in Adweek Magazine’s “Creative 100” among the industry’s top Visual Artists. In 2022, she released her first book, An American in Provence, which became a NYT Bestseller and Amazon #1 book in multiple categories, and featured in publications such as Vogue, goop, Who What Wear, and Forbes. Flowers of Provence is Jamie’s second book.

Can you tell us about how The Flowers of Provence came to be?

I refer to Provence often as ‘The Garden of Eden’ for her harmonious seasons that bring an ever-changing floral bounty through the landscape. My greatest joy in life is telling her story of flowers through photography so that we may all enjoy them, their beauty, their symbolism, and their contribution to the harmony of this land just a bit longer. 

(Photograph: Jamie Beck)

How do your photography and writing work together? Do you write as part of your practice?

I constantly write small notations, which usually occur when I am alone in nature with the intention of creating a photograph or in my studio working alone on a still life. I write as I think in my head, so I have made it a very strict practice that when a thought or idea comes up, I stop and quickly write the text in the notes app on my phone or in a pocket journal I keep with me most of the time. If I don’t stop and write it down at that moment, I find it is gone forever. It is also the same practice for shooting flowers, especially in a place as seasonal as Provence. If I see something, I must capture it right away because it could be gone tomorrow. 

(Photograph: Jamie Beck)

You got your start in commercial photography. What’s something you learned in those fields that has served you well in your current creative direction?

I think my understanding of bridging art and commerce came from my commercial photography background. I can make beautiful photographs of flowers all day long, but how to make a living off your art is a completely different skill that I am fortunate enough to have learned by working with so many different creative brands and products in the past. 

(Photograph: Jamie Beck)

Do you remember your first photograph?

Absolutely! I was 13 years old. My mother gave me her old Pentax 35mm film camera to play with. When I looked through the viewfinder, it was as if the imaginary world in my head could finally come to life! I gave my best friend a makeover, put her in an evening gown in the backyard of my parents’ house in Texas, and made my first photograph, which I thought was so glamorous! So Vogue!

You situate your photographic work with an introduction that charts the seasons in Provence through flowers. Are there any authors from the fields of nature writing and writing place that inspire you?

I absolutely adore Monty Don! His writing, his shoes, and his ease with nature and flowers—that’s a world in which I want to live. I also love Floret Flowers, especially on social media, as a way to learn the science behind flowers and how to grow them. 

How did you decide on the order of the images within The Flowers of Provence?

Something I didn’t anticipate with a book deal is that I would actually be the one doing the layouts! I assumed I would hand over a folder of images, and an art director would decide the order. At first, it was overwhelming to sort through it all because the work is so personal, and I’m so visual. But in the end, it had to be me. It had to be my story and flow to be truly authentic. I tried to move through the seasons and colors of the landscape in a harmonious way that felt a bit magical, just as discovering Provence has felt to me. 

(Photograph: Jamie Beck)

How do you practice self-care when juggling work and life commitments alongside the creative process?

The creative process is typically a result that comes out of taking time for self-care. I get some of my best ideas for photographic projects or writing when I am in a bath or shower or go for a long (and restorative) walk in nature. Doing things for myself, such as how I dress or do my hair and makeup, is another form of creative expression that is satisfying. 

What’s a place or motif you’d like to photograph that you haven’t had a chance to yet?

I am really interested in discovering more formal gardens in France. I like the idea of garden portraiture, trying to really capture the essence and spirit of places where man and nature intertwine. 

Which artists do you return to for inspiration?

I’m absolutely obsessed with Édouard Manet—his color pallet and subject matter. 

What are three things you can’t live without as an artist?

My camera, the French light, and flowers, of course. 

What’s your favorite flower to photograph, and why?

I love roses. They remind me of my grandmother, who always grew roses and was my first teacher of nature. The perfume of roses and the vast variety of colors, names, and styles all make me totally crazy. I just love them. They simply bring me joy the same way seeing a rainbow in the sky does. 

(Photograph: Jamie Beck)

[sparklecarehospital]

I mentioned this a while back I'm pretty sure, but just a reminder that once V4 is over, the site will be under maintenance for a while as I implement the site revamp. It won't be immediately that day, but it'll be relatively soon after. The volume ends on the 1st, so if you aren't caught up you should get caught up before then. There will be a Google drive archive of pages that I'll put together for people to access while the site is offline but it won't be possible to put content warnings on any of the pages on Google drive, which is why I recommend catching up as soon as possible (and I don't recommend reading for the first time through the Google drive archive for this reason either.)

I promise that every majorly requested feature over the years plus many more accessibility options will be included in this update. The mobile reading experience will be LOADS better with a new mobile layout that's easier to use and you won't have to zoom in on everything, content warnings will be customizable (YOU CAN PICK THE CATEGORIES OF WHAT CONTENT YOU WANT TO FILTER) and even entirely optional (YOU CAN DISABLE THE WARNINGS ALTOGETHER) the saturation toggler will be improved by miles and replaced with a slider AND you will be able to set the saturation the first time you ever open the (new) site to keep new readers from immediately getting blinded by the colors when they open it. Archive page will have images, there will even be a "transcript archive" that gives you the option to read the entire comic in text form if you need that. THERE WILL BE MORE CHARACTERS ON THE CAST PAGE!!!!!!!! You will be able to bookmark and save your place in the comic and go back to it later. Pages will be easier to find as you're actively reading with "thumbnail galleries" on the comic pages that show you smaller versions of pages that you can scroll through and click to jump further. There will be an option to put the pagination buttons above and below the page or both. Typing in a page number for a volume on the url bar will redirect you to the right page without needing to know which specific update it's in. All of this stuff is confirmed, if not already fully coded (several of these are coded already) will still be there on launch. I will note that some parts of the site are a bit different (the mobile site looks pretty different in order to make it more useable) the core functionalities that you're used to won't be different. I promise this update will be worth the wait and work it will take.

I don't know how long the site will be offline for because it's going to be so much work, but I'll try to set it up as quick as I can without rushing anything at risk of major bugs.

[sammhy]

do you have any minimal channel layouts? preferably a The Walton Files from youtube theme? or just something to match what i’m doing for the categories!

⿱　　꙳　　🗑　　，　005

　. ♱﹒ଓ Layouts! ⭒ ˚₊·

˚ Made by me! sorry, i never saw walton files !ˎˊ˗

⠀˚ ✧　　꙳　📺　ᐟ.ᐟ　Text

୨୧　　　ˎˊ˗　✧　ˑ ˑ 📮 　Text

യ﹒　　﹒ᘏ　ᐟ.ᐟ　📬　Text

˚　✧　˚ 　🍚　　‹𝟹　，Text

〞　୨୧⠀˚　·　◌　✧　 ִ🏠　Text

[nietleuk]

the templates you make are so cute! Can you make an server template using these emojis?: 💭☁️🎀🛼👛✉️ If you do Tysm!

YESSS SORRY FOR THESE LATE POSTS

divider creds to @plutism !!

discord text layouts!! could be used as category or channel ˘˘﹒

like or reblog is use!

emojis used :: ☁️🎀✉️🛼💭👛

ᐢᗜᐢ﹒text﹐☁️

口﹐text（｀δ´）

﹐⊂text⊃﹒🎀

﹒𖦹﹐text゛✿

✉️イ﹒text﹐･ᴗ･

﹒？﹐textʬ﹒❀﹒

⭔﹒text﹒⺡🛼

✿﹒text﹒⬦﹒

ᶻz﹒text﹒◖◗

﹒〣﹒textᗢ﹒💭

❀﹒text⿻﹒

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extras !

emojis used :: 🩵🦴🌷🕊️

🩵⤸﹒☆text﹒@

˘ᗜ˘﹒text﹒♡

﹒🦴ᴗ﹒text﹒ᵔᴗᵔ

⟡﹒text﹒★﹒

➔﹒％text﹒ᗜ﹔

﹒﹪﹒text﹒🌷⟢

﹒ᵔᴗᵔ﹒text✮﹒

^..^﹒text﹒🕊️

[noneorother]

The art director & the Good Omens book cover tier list of doom, part 3

Part 1 l Part 2 l Part 3

I am your resident Art Director/Good Omens enthusiast, and welcome to my completely meta-free book cover tier list. Listen, making a book cover is HARD. I should know. But while we salute these artists for their hard work and time, I think we can all admit that once in a while, the vision is just not on. And on very rare occasions, publishers seemed to have managed to commission the cover art directly from hell... here's where we left off last time:

21. Labas zīmes, Latvian cover

Our boys are back! And they are so ready to join the Dead Boy Detective agency. I would say that Latvians don't wear much tartan, so Argyle might seem like a similar print, but it just seems so... not Good Omens. Much like Crowley's flying purple people eater tail and Aziraphale's Conan the Barbarian sword, we're straying into niche AU fan fiction territory here. I mean, it's not *wrong*, but it certainly ain't right, either.

Tier: Does the Job

22. Bons Augùrios, Portuguese

Let me start by saying this cover is so close to being in the blessed category. The layout and spacing are divine, the imagery is simple and whimsical, it reflects the humour inside the gravitas to give you an idea of the *feeling* of reading Good Omens. So few of these covers have gotten this aspect of good design right. Honestly, I would slow clap if it wasn't for that random FLAME JIZZ stuck to the bottom right hand corner of the book. Who's idea was that? Dagon's?

Tier: Great

23. Semne Bune, Romanian cover

I admire two things about this cover: 1) Their utter commitment to a clean 3-colour palette and comprehensible layout. 2) Symbolic demon giving a principality head joke RIGHT ON THE FRONT COVER. This designer had balls. cotillion-sized balls. Now, does Aziraphale's sword have a sentient rooster tassel that watches said head-giving in horror? I sure hope not, but I don't see how that could be allegorical so, I'm torn. I feel like this goes in two categories for completely different reasons. And seeing as I'm in charge around here...

Tier: Great & Not so Good (Omens)

23. Semne Bune, Romanian cover cont.

Compared to the last cover's gigantic double-entendre, this feels so tame and logical. The text is centred and balanced. There's breathing room, and we have wing symbolism! I've never seen a cover try to split Terry and Neil's names like that, which is a fun twist but BY GOD that center line is not straight near the right end of the feathers and it is sending this cover straight down to Does the Job. It's grounded there forever.

Tier: Does the Job

25. HYVIÄ ENTEITÄ, Finnish cover

In this list, having something actually *relevant* to the main plot of the book and not mangling and main characters really puts you in rarefied air. All the motorcycles are book accurate which means somebody read something! Would I have ever picked the empty parking lot of Famine's restaurant as a subject worth a cover? Absolutely not. But the sick 80s lightning tips it into "fine" territory. The text is yellow. It's pretty.

Tier: Does the Job

26. Head ended, Estonian cover.

My face after staring at this cover for ten minutes and finally realizing that this is Hastur and Ligur waiting around for Crowley to pull up:

The artist's face after watching me do that:

Do I even need to rate this? It's called HEAD ENDED. I don't know how to be funnier than that.

Tier: WTF

27. Dobry Omen, Polish cover

Some good points for trying to be original with the layout of the title by drawing a custom pitchfork "Y", but the heinous kerning and the fact the whole text block is not even centred kind of makes me take all the points back. I feel like we're pretty heavy on the demonic, extremely light on the angelic in this take. Maybe it's because on his death bed the lead guitarist of White Snake will finally admit to having designed this cover in his spare time.

Tier: Not so Good (Omens)

28. Good Omens, Hungarian cover

If I told you this designer did not read the book, and instead just watched the trailer of The Omen (the movie) and vibed this heinous brown carpet swatch into existence, you would one hundred percent believe me. I can't even talk about the faux belle-époque font right now. I am irrationally angry.

Tier: WTF

29. Good Omens, Bulgarian cover

WHO. IS. DADDY. WIZARD?? Is all I can think when I look at this cover. Aziraphale & Grommet are recognizable enough, and you could make the case for telescope monkey being Adam, but I need to find this cover designer and shake them until they tell me who this deranged Gargamel is supposed to be. I must know.

Tier: Bad

30. BELAS MALDIÇÕES, Portuguese cover

After all we've been through on this list so far, this truly sucks. It's not even weird. It's just puce text layered atop text to create a great yawn of a cover. Shout out to the designer of the Diablo PC game font, I hope you got paid.

Tier: Bad

Part 3 roundup:

[4pplec0re]

okay. okay. site thoughts. here are my thoughts

obsessed with the layout

big fan of audios playing when you click on or hover over certain things

really cool carnival theme, of course

so many lesbian colored things ??? they fw the lesbian palette

i really like the fan land <3 i hope i can get up there sometime. i wonder when/if they plan to switch it up. like how often

I LOVEE THE YEARBOOK <3

they will never let noel live down the taco bell thing... GET A JOB! STAY AWAY FROM HIM! /ref

i like the ferris wheel and carousel designs! suuuuper cool!!!

my merch thoughts get a whole separate category

at first glance--super lame. horrible colors. not much visual interest. my favorite is virgil!

after exploring the actual shop, you can see that they have a lot of different color options. better color options. why they used that lame fucking gray to advertise the logo shirt rather than my FAVORITE shade of green is beyond me. even the white is better. why is gray even an option its so boring.

pink virgil shirt is hard

still, not a lot of variety. while i am happier with the actual options, i wish most of them weren't just text. i wish there was more visual interest. the site looks super cool in my opinion, making the merch even MORE underwhelming.

anyway, i will probably be buying the cyclone logo in kiwi and potentially pink virgil <3 overall, love the site, still disappointed with the merch

also they need to get on tumblr dude why are they on insta of all things. im also shocked theyre not more active on tiktok. come on folks get with the program we're all on the tumbley

also they need to ship to asia because oomf lives in asia and i think he deserves cyclone merch too

[ghxst-system]

Downloaded octocon and have few things to say

Very barebones app right now. Can't do a tag within a tag, which is very inconvenient when needing to organise thoroughly

EG: We like to have folder for "Call To Front" in which are sub-categories of each role for the headmate to choose from. Also folder for "Age" divided into multiple different age groups and mental vs appearance age

Haven't gotten used to visuals yet so may be based on not being used to it, but the design feels very hard to read and inaccessible for us. The accessibility options are very limited right now. It is visually pleasing and has a few different options for the layout but would appreciate more accessibility options especially as low mobility and poor fine motor skills person. Also no way to search for alter right now which is inconvenient especially as have poor memory and use keywords to find alters through searches

The stealth mode works well based on test

Alter descriptions can be padded out with custom fields. However options for types of custom field are limited to text, number and Y/N rn

Think if want to get app, should wait until few updates to improve but for now seems like very good improvement as it is anti endo. Has lots of potential!

[sunny-sourzii]

OKAY SO ABOUT MY STORE!!

(yes I'm making a store for merch clown/DCA related)

The actual layout of the store isn't done but I've gotten the majority of my product ideas already listed. I'll probably make a banner/header for the main page when I have time

Some examples of products I've made so far:

Just a heads up because I know I'll get asked about it

No, I don't get all of the money when you buy a product from my store. A majority of the money goes to the shipping company, and is taxed. That, and also, the website I'm using has a minimum amount I can charge for a product, otherwise I won't get any profit at all

Yall trust me I don't WANT to make the hoodies $50 but if I go any lower I litterly won't make anything. A majority of the money goes to the shipping company and taxes

For example, I originally wanted to make stickers $2, but I can only do a minimum of $5 because I'LL only actually get 11 cents

I'll make more products overtime, and don't hesitate to tell me if you have any suggestions for products !!

I have a "SourziiStore-Announcements" channel in the "info-and-rules" category in my discord if you want more updates on it :]

I hope y'all like it !! <33

I'm eepy goodnight

[1800pain]

PRIVATE SYSTEM SERVER.

Hello. As a show of my ability, I have created a private system server template for you to use. While "private" is in the name, I have included two access roles (Friend and Trusted Friend)—however I have not done any permissions for them. There is a Bot role that has permissions for them, like access to the System Setup category.

And, like the last template, only traumagenic systems can interact with this blog and use my templates. Endogenic systems and their supporters get blocked.

Note that not every single channel is in this gif, just the ones I deemed the most important to show.

Use the template here, however do note that the announcement channel and all of the forums channels will not copy over, and you will have to add them yourself: Private System Server Template

I am okay with you editing my template for your own use. Do not redistribute as your own.

If you need any help, you can leave an ask in my inbox.

Explanations for channels under the cut. LONG, BUT PRETTY DAMN IMPORTANT TO READ.

All forum channels are marked with a speech bubble emoji 💬 in front of them; those are channels that you will miss. The single announcement channel that also will be missing is marked with a mega emoji 📢.

#welcome - When someone joins the server, they will not see any channels, and you must give them a role so they can access this the server. You can see their welcome message here so you know someone's joined.

📢 update-status-fronting - If a switch happens, you put up a DNI, or want to otherwise warn people about your current state, you can update it here.

🔇 layout by 1 800 pain on tumblr - Feel free to delete this.

Text channels:

#bot - This is the only channel that has "Use application commands" permissions on it. If you would like to set it on other channels, you'd have to do it manually—or you can add it to the @​everyone tag.

💬 dms - In the title, I put "[DM/GC] Channel name" under the post, then write the participants. I have a tag system for this channel (see below).

💬 thoughts - Headmates' thinking time. I also have a tag system for this channel (see below).

💬 mailbox - Essentially, I create a channel with a headmate's name and there are two tags: Read and Unread. Read means they've read the messages people leave for them, and Unread means they have yet to read them. It's a simple way to communicate with headmates who are not fronting.

System Setup:

All servers here are unable to be chatted in; only any member with the Bot role can do that. I enjoy setting up my PluralKit work into a few separate categories:

#resources - Easy access to Simply Plural, Notion, Evernote, or various places I get PNGs to set up PluralKit profiles—things of that nature and related to it.

#pk-setup - For descriptions and things.

#pk-pfps (not in gif) - To add profile pictures and banners. I put it in its own space because it's a different type of spam, image-based spam, than pk-setup, which is mostly text-based spam.

#new-arrivals - For showing people who made their PluralKit account, mainly for documentation.

#pk-spam - Just general things that don't quite relate to the ones above; typically things like pk;r.

💬 image-resources - If you change your icons or banners a lot, this can help. I put icons/banners here with credits to the original artist, the original art, and the edited version we use in our profiles. It's tagged by Icon, Faceclaim, Banners, etc.

#pk-log (hidden, not in gif) - To store PluralKit messages. If you also would like, you can add a more general moderation bot (such as Carl-bot) to also store non-PK messages.

System-centric:

#to-do: Self-explanatory; got any plans? Put them here.

#sys-chat: More general system chatter.

#sys-work: Talk about... system work.

#headmate-observations: If you notice something about your headmate—such as a positive/negative trigger, a various quirk they have, or any idea how their role works—share it here.

💬 headspace: A headspace forum to talk about headspace. More information in the image below.

The collection of the channels that you will miss, check the images above for extended information:

📢 update-status-fronting (uncategorized)

💬 dms (in general category)

💬 thoughts (in general category)

💬 mailbox (in general category)

💬 image-resources (in System Setup category)

💬 headspace (in System-centric category)

[solradguy]

What’s been the most fun and/or challenging part of working on the wiki? Also is there anything that still needs to be worked on that other people can help with?

THE CODE KILLED ME. So the wiki has a template that automagically puts this cool little Wikipedia help thingy next to Japanese text (the "?" on the end) in infoboxes and by command in text using some {{wiggly boys}} code:

And we wanted to try to get the Korean stuff on the wiki too because it's the second most officially supported language behind English and there's a bunch of cool exclusive Korean GG stuff no one's ever documented before. But there wasn't a module like this to help out with Korean text like there is for Japanese text.

I put one together based on the Japanese template's code and it was a nightmare. I was fighting for my life in the template trenches. It works though!! I did get it after a while!!

Mostly.

Shoutout to the Final Fantasy Wiki for the original JP template code and to the Dragon Blaze Wiki for seemingly being the only other English language wiki out there that cares about Korean text lol I don't know anything about Korean writing beyond super basic stuff (like what "hangul" is) so I had to do research into that alongside trying to learn wiki code.

The most fun part was probably getting GG World together, honestly. We couldn't believe that no one had actually transcribed those anywhere online before. Well, there was a file compiled by Lux for Revelator, but we wanted to transcribe these as-presented in the games and we couldn't use Lux's file since the goofy typos and some lore oopsies had been edited haha

Toxic and Elk have hauled ass getting those entries ripped and added. Major shoutout to them. I got the base layouts together and they went to town lol It's so cool seeing it all together now. We even started getting the official languages besides English and Korean added for Strive too.

As for what someone could do to help........ There's.... a lot...... Of the 4,532 image files currently on the wiki, only a very small handful of them were organized into categories when we forked. Here's the page of all the files currently not in a category: https://guiltygear.wiki.gg/wiki/Special:UncategorizedFiles

And all of the image categories they need to be sorted into. Note the subcategories under some of them: https://guiltygear.wiki.gg/wiki/Category:Images

I think I made the correct amount of categories for stuff but there may be one missing here or there. There were a lot and it was hard keeping track of them lol Feel free to holler at me on here or on my talk page over on the wiki if you need something made. I'm solradguy on the wiki.

These major character pages are also either entirely lacking citations or only have maybe 1 or 2 on the entire page (bad!!): Johnny, Chipp, Kliff, Baiken, Venom, Jam, Robo-Ky, Slayer, Sin, Izuna, Dr. Paradigm, Valentine, Bedman?, Answer, Haehyun, Elphelt, Giovanna, Happy Chaos, Asuka R♯

Swapping out the vague "GG World" citations on the wiki with the correct entry would be very helpful too. Like some pages will cite something and it just says "GG World" instead of " 'Axl Low' Xrd Rev2 GG World entry" or whatever relevant entry is needed.

If you know Korean, we also need to have the romaja added for the GG World entries. None of us knows Korean well enough to do that so not a single one has it filled in lol.... We were planning on using Revised Romanization of Korean since it's the official South Korean romanization system but if there's one that's more commonly used/accepted that's cool too (like how Hepburn is used for Japanese more often than the official Kunrei-shiki romanization)

[bloghub23]

WordPress.com

https://wordpress.com/plans/

[yanxidarlings]

QUOTEV UPDATE

I'm honestly really proud of the q community people have come together and are working on alternatives, so for those of you who are wondering in general what's going on, here's a little rundown of discord servers quotevians have created, what happened, and what's next.

What Happened?

Unfortunately, it doesn't look like the Q mods are going to change their decision to remove the group, feed and message functions. These changes will come into effect July 1st, so there is time to archive and save what you need to.

There is a lot of discourse and theories going around as to what caused this, a common one is that a user threatened to attack the white house, and caused the feed to go down, but Q mods have confirmed that the changes have been in the works for months.

Why are these changes being made? No one really knows why the Q mods are making this decision, from the official news statement on Quotev, it said the group, feed and message features are being removed due to no one using them, but I'm calling bullshit because the vast majority of it's active userbase was either on there to socialise and roleplay.

According to the Q update announcement, there will soon be the option to download groups and messages, however the mods have not given us an exact date as to when this feature will be available, so if you have stuff to save, start doing so now.

What's Next

For the time being, many Q users are beginning to save and archive roleplays, messages, plots, ect. There are a few sites they're doing this on.

Discord

Discord has many features that make it convenient to save work, however on discord only text can be saved. If you are going to use discord to save, I would suggest creating your own personal server, and sorting stuff into different categories, and then placing things relavent to each category in channels.

Tumblr

Tumblr users are allowed to have various blogs which makes it a good option for anyone looking to preserve things like roleplay groups. However to my understanding there are daily post and blog limits, which might drastically slow down the archiving process. If you are going with tumblr as your option, then you are permitted up to 10 secondary blogs per day, and 250 posts per day per blog. Creating a blog is as simple as going to accounts and clicking the new blog option.

Google Docs

For those of us who roleplay on Q, this update is going to hit particularly hard. There hasn't been any official confirmation of journals being removed, however I and many other Quotevians are not trusting the mods, and are backing up journals. Google Docs is the best place to do this if you want to maintain any aesthetic layouts. Whilst it won't accommodate every layout, it does provide an easy and quick space to save journals. If you have a google account then docs should be available to you.

Archiving aside, there are talented Q users looking into creating a website similar to Q, which may be where Q survivors will migrate to. I don't know when the site will be up as of now, but I will post updates when they are available.

Discord Servers

If you were on when the first plane hit then you would have seen the link I posted to the initial survivours group. Since then various servers have been created, so here's a rundown of them and the links to join.

Luneris

This is where the Q user who is looking into creating an alternative site is taking suggestions. I believe it's the largest server so far. On it there will be updates and there are many Q survivours congregating together. https://discord.gg/U6spt44E

Quotev Hub

This is the server that Q users on discord are using as a makeshift Quotev. It's basically the Discord Quotev server. It's the largest Q server I've found. https://discord.gg/ZJFDNE67

Quotev Survivors

This is the original server I shared. It's gained quite a few members and is being set up as another Discord Quotev. https://discord.gg/5qK7REz2

Qcord

This is one of the smaller servers, but I'm including it incase you want to make sure you're in every server like I am. https://discord.gg/SbYkaD4D

Quotev Roleplayers

This is where roleplayers are gathering. If you want to advertise roleplays or discuss them, I would go here since it's aimed for that purpose in particular. https://discord.gg/jNp9D9Ma

That's all the updates I have for now. I know alot of us are freaking out and panicking, but just know you're not alone, and us Quotevians are going to get through this together.

Rest in Piss, Quotev (2010 - 2024)

[ultra-violet-heart]

THE 2018 DENGEKI BUNKO INTERVIEW WITH 86--EIGHTY-SIX AUTHOR ASATO ASATO

Disclaimer: This translation is made by me for fandom purposes only. This interview, conducted in 2017, gives major insights on how the sci-fi mecha series 86--EIGHTY-SIX was conceived and written before it eventually won the Dengeki Novel Prize back in 2016.

Please ask my permission and credit me+this post if you will be re-translating this to other languages. PLEASE DO NOT REPOST ON YOUTUBE AND TIKTOK AND PLEASE DO NOT REPOST THE IMAGES ON THIS INTERVIEW. Please take the fan translations here with a grain of salt. 

Credits to @Yashamise from Twitter for copies of this Dengeki Bunko Kono Light Novel ga Sugoi magazine.

Erratum: This interview was conducted and printed in 2017, but this Kono Light Novel ga Sugoi magazine is dated 2018 as an advance issue of sorts. This interview has been summarized here. My apologies for the title.

I’m posting my Ko-Fi here as currently, I’ve been having financial trouble regarding my medicine, so if anyone can donate, I would be much grateful for the help, thank you very much.

AN INTERVIEW WITH 86--EIGHTY-SIX AUTHOR ASATO ASATO

“I wrote what I liked, in the way I liked them,” this author says. This tale is filled with the grief from war, the ugliness of racial discrimination, as well as the romance of mechas and of garter belts! In this interview, she reveals to us everything about its roots and its appeal! 

Text and Composition: My Street 

Illustrator: Shirabii

Translator’s Note: For purposes of this interview translation, the interviewer will be labelled as “MS” for My Street, since they layouted and probably conducted this transcribed interview. Also, for words that have brackets or parenthesis:

{} = implied by context                             

() = given emphasis/given parenthesis in the interview itself

[] = included in the footnotes/translator’s notes

A robot lover as far as she could remember

MS: Thank you very much for your time today for this interview. It was surprising to learn that the author {for 86--EIGHTY-SIX}, Ms. Asato, is a woman.

ASATO: I get that a lot (haha). My family says the contents of my work is just “the usual {for Asato}” though. I think my Afterwords have the impression they’re written by a woman, and I never hid that in particular (haha).

MS: This year {2018}, 86--EIGHTY-SIX placed first in the New Works category and second in the bunkobon {paperback} category overall. How do you feel about this now?

ASATO: I’m very happy. I knew of KonoRano’s existence [1], so I was hoping {86--EIGHTY-SIX} might be listed there somewhere, but it was a surprise that it placed higher than expected. As I said in this interview’s foreword: “I wrote what I liked, in the way I liked them.” I’m thankful that many readers found it interesting.

MS: For readers who haven’t heard of 86--EIGHTY-SIX, can you give us a summary of this work?

ASATO: It’s a lively, filled-with-clanks story of the protagonist Shin, his merry band of thieves, and their remotely-working-class-president Lena. [2] (LOL)

MS: 86--EIGHTY-SIX is your debut work. Can you tell us about the time you started writing this work?

ASATO: I’ve been writing ever since I can remember, and I started with writing manga {scripts}. I switched to writing novels around before I started junior high school and have been writing them ever since.

MS: You’ve been interested in robots and military-related things ever since elementary school, is that right?

ASATO: Yes, that’s correct. My mother liked {Space Battleship} Yamato [3] and Gundam, and as I have a younger brother, I got into watching and reading anime and manga targeted at boys. I was rarely exposed to anime and manga targeted at girls. We had the Mobile Suit Gundam movie trilogy [4] at home (which I’ve seen many times), and I also watched The Brave Police J-Decker [5] and The Brave Express Might Gaine [6], as well as other shows in The Brave [7] series. The only anime I had watched that is {targeted at girls} is Magic Knight Rayearth [8], which is another story with robots fighting in it (haha).

MS: I reckon such an environment led you to writing 86--EIGHTY-SIX. Can you tell us about your writing process?

ASATO: I originally submitted {works} to the Kadokawa Beans [9] Bunko Newcomer Awards. I avoided the Dengeki Novel Prize as it was rather {too hard to enter} due to the large number of entries [10] there. The novel entry I made on the 21st year of the Dengeki Novel Prize (2014), however, was totally not aimed at women at all, so I didn’t have any other choice but to submit that to said contest, as it has the closest deadline. It was a sci-fi fantasy work, with a theme of redemption, set on a time before and after {a} revolution. At that time, I thought, maybe I can go past beyond the 3rd round of screenings and unexpectedly, maybe placed on a good spot? However, the evaluation I got from the judges were “This is a 100% a work targeted at girls” and “Next time, we hope you will submit a work that should be Dengeki Bunko-like”. As Dengeki Bunko [11] is an all-kinds-of-genre publication, I didn’t know what ‘Dengeki Bunko-like’ even meant. I thought about it a lot but couldn’t figure it out, so I just kept on writing and finished my next entry, which is 86--EIGHTY-SIX.

MS: How did you come up with the idea and structure of 86, a war drama where unmanned drones and “unmanned manned drones” battle each other?

ASATO: I once read a newspaper article whose main message was “It won’t be good if a country sends its citizens to war, but it shouldn’t be a problem if they made an army of foreigners fight in their stead.” In that case, I felt very afraid that other people will be forced to fight instead of us, with the idea of “those aren’t people, but drones” justifying this and everyone just allowing it {to happen}.

MS: As written in Volume 1’s Afterword, looking back at history, it. is true that racism and racial exclusion existed to no small extent. So, why did you decide to incorporate “racism” into your work?

ASATO: Ever since I started writing novels, I have repeatedly written about boundary lines between “human beings and those who are human but not treated as human beings”, with 86--EIGHTY-SIX being in a similar vein. One of the bases for this is probably the class discrimination found in Final Fantasy Tactics [12], for example. A character there, Argath, who is an aristocrat, tells a commoner character: “But the gods have no eyes for chattel! [12]” This line has stayed with me ever since. After that, I continued to write with the motifs of “human beings and livestock in human form” and “human and those considered not humans”. I think BLACK/MATRIX+ [13] influenced me as well. This game deals with ethnic discrimination, set in a world where black-winged people are ruled over by white-winged people. In there, those who were discriminated against were treated harshly. They were treated like livestock, with the game having this line of, “Why is a mere slave like you wearing clothes?”

MS: Do you often play games?

ASATO: When my gaming consoles weren’t connected yet to the Internet, I used to play a lot of RPGs. I’m not good at action games. I did play a lot of Final Fantasy, like Final Fantasy VI, Tactics, VIII, IX, and X [14].

MS: Are there other works which influenced you? I wonder if there’s something similar like the war situation in Knights of Sidonia [15], which was mentioned in Volume 1’s afterword.

ASATO: I often watch a lot of robot shows, Knights of Sidonia included. In addition to the Gundam series mentioned earlier, I also watched Full Metal Panic [16] and Gunparade March: A New Song for the March [17]. It’s not a robot series, but I also have read Battle Faery Yukikaze [18] over and over. I like {literary} structures where the protagonist side is overwhelmingly inferior while the antagonist side is the superior one. I want to see the flow of emotions from the characters more than the fight scenes themselves. I think emotions such as fear, resignation and desperation show more in situations where {characters} are hopelessly in a big disadvantage. Winning a battle by domination can be exhilarating, yes, but those other emotions don’t show as much during that. That’s why I prefer for the protagonists to win through unrefined and tenacious means, rather than them winning by outsmarting {enemies}.

The work’s influences from horror films and in-depth military research

MS: The Legion are getting more ominous, and the deteriorating situation for Shin and his group is putting them on a very big disadvantage, if I’m not mistaken.

ASATO: 86--EIGHTY-SIX has been influenced more by horror movies than robot anime, with it being based on movies such as The Mist [19] and Screamers [20]. Mist is a horror story where the protagonists get trapped in a supermarket due to a mysterious fog and monsters, and the people gradually lose their ability to make rational judgments as they are unable to defend themselves or escape, without any rescue in sight. This horror movie has a great ending, so I’m inviting you all to watch it without further spoilers. 86--EIGHTY-SIX was initially set as a novel about a fog of nanomachines covering the walls outside of the Republic, and the “Legion” being an aggregation of said nanomachines. However, that kind of thing couldn’t exactly be defeated by conventional weapons, so it was rejected at the setting phase. These elements from this setting, however, were retained in the form of Volume 1’s final boss character and the appearance of those electromagnetic jammers clouding the sun.

MS: It’s rather surprising this came from a horror setting.

ASATO: The other {inspiration mentioned earlier}, Screamers, is a sci-fi horror film where autonomous war weapons evolved on their own and went out of control. In 86--EIGHTY-SIX, the Self-Propelled Mines, which look like wounded soldiers, are based on Screamers. The work is rather interesting as one has no ideas who their enemies are and everything else looks suspicious.

MS: So you have a situation like this, and you applied what kind of emotions you want to be shown in that situation, correct?

ASATO: Yes. Looking back, I think I was strongly influenced by the novel Chaos Legion [21] {in this regard}. Shin’s Personal Mark, which has a shovel on it, was influenced by his special ability as well as his role being the “Undertaker” responsible for collecting the fragments of his comrade-in-arms’ {Feldreẞ} units.

MS: The more I hear about it, it seems this work is really packed full of things {you} like.

ASATO: While I was writing this, I played the Black Hawk Down [22] movie repeatedly instead of just background music. It’s also a favorite {movie} of mine.

MS: I would like to ask you about military-related matters. What kind of material did you use for your research?

ASATO: I borrowed all relevant materials I use from the library, so I don’t have any specific references… About racial discrimination, I read materials about Nazi Germany [23], the internment camps in US as well as the 442nd Infantry Regiment [24] and Scroll of Agony: The Warsaw Ghetto Diary [25]. As for the weapons, the Juggernaut and the Legion are based and patterned from tanks, so I’ve read materials dating back from World War II [26] as well as the Gulf War [26], where 120mm tanks were the main weapons used. The Juggernaut’s 57mm cannon wasn’t used very often, so I had a difficult time finding research material for it. The unit itself is based on the M551 Sheridan [27]. This airborne assault tank has aluminum alloy armor, but the Juggernaut reflects the pitiful aspect of said flimsy armor which explodes upon impact by any stray attack.

MS: Why did you make the Juggernaut and the Legion multi-legged tanks?

ASATO: Because it’s romantic! I love multi-legged tanks! My first exposure with them is the X-ATM092 [28], a spider-shaped mobile unit from FFVIII. The loud, resounding footsteps it produced as it chased you away was very scary, and it left this impression of being a symbol of a very powerful weapon. I also like Ghost in the Shell’s Tachikoma [29] and the Tobigumo from the Swallowtail novel series [30]. In reality, multi-legged tank units aren’t really fast enough, and there is too much ground pressure for those to actually carry a 120mm cannon… but I make up for it with my imagination (LOL)

A character that embodies the idea of “to be human” walks alone

MS: Concerning those people called “Eighty-Six”, what do you think it means “to be human”, which you tried to depict in Volume 1?

ASATO: What I tried to depict in this work is “to respect other human beings, and to live without regrets.” However, I don’t think everything I wrote in this main part is actually correct. I think this is the answer the “Eighty-Six” came up with due to the environment they lived in. In Volume 2, the stage now shifts to the Federacy, so the theme there is now what will happen if said environment has changed.

MS: In Volume 2, I see this as a story where the “Eighty-Six”, who managed to get safety for the time being, nevertheless still returned to the battlefield. I think this sentiment was portrayed very well.

ASATO: Volume 3 will focus on what happens inside {Shin’s head} after he made that choice, so please look forward to that. After all, they don’t feel safe even after coming to the Federal Republic of Giad. And the war against the Legion isn’t over yet. Since the Eighty-Six think they will not survive if they don’t fight, I think they will continue to fight until the Legion disappeared. Then… what will they do after the Legion are eventually gone? …They will certainly have to think about that in the future as well.

MS: Do you have a favorite among all the characters?

ASATO: It’s Raiden. Of course, I love the two protagonists, Shin and Lena, but Shin isn’t really a very cooperative character with me, so I have a certain attachment to Raiden, who provides much support. Instead of simply just crafting the plot, I write in a way that captures how each character would act in line with {the type of} world I've created. That’s why I do not know what the characters think, what goals they have, or what pasts they bear unless they “talk” to me. Shin is not the type {of character} to talk about anything in particular, and he doesn’t even say anything much except for his name. It wasn’t until I finished writing that climax of a battle in Volume 1 that I realized what he was fighting for. After I wrote it, I was like, “Huh?! So, this is it?!” and was surprised as the author (LOL).

MS: So, you didn’t think about Shin’s background at first?

ASATO: Yes, that’s right. During that climax, I finally understood {everything} concerning Shin, so I went back on that part and wrote the details that I then added. 

MS: So even at the plotting stage, you haven’t put together the {setting and background} for each of the characters?

ASATO: To begin with, when I wrote Volume 1, I haven’t even made a plot. I didn’t even have a story structure in particular, and just wrote while letting the characters act. The first time I finished this volume, the last two pages were still missing, but Shin brought them to me, saying, “Sure enough, write up to this far.”

MS: What happened after Volume 2?

ASATO: I have submitted the plot… but stressed on the important scene that “I won’t know everything until I write it” then submitted it. As a result of this, only the boss character from Volume 3 remained in that plot I submitted. {I caused} my editors a lot of trouble.

MS: How did Frederica (the character) come to be?

ASATO: Frederica is a character with a part further on in the series, so I intended to debut her in Volume 2. As I was writing her, however, it seemed she and Shin have similarities on what they carry on their backs. Since then, she acts as a mirror to Shin. As Shin is a character who is not very good at grasping his own emotions, {I had Frederica} serve as the one who verbalizes those emotions. I wondered then, what does it mean to have a 10-year-old verbalize {another person’s feelings}? (LOL) I simply wanted to show a little girl. In Volume 2, the heroine, Lena, is absent, but I can’t have another girl the same age as her as this volume’s heroine… and so, under this pretext, I brought out {Frederica as} the little girl heroine.

MS: For some reason, I thought there’s other many works featuring little girls in the battlefield.

ASATO: If this were about a real battlefield, it would have been filled with old men. I like older men soldier characters, so that would have been fun to see, but I don’t think readers would find that interesting. Cute little girls adding a touch of color {to a work} is important (LOL).

MS: Did you decide on the setting from the start?

ASATO: The setting was generally decided from the beginning. The scenes were written out as needed. For example, regarding the battlefield, the Legion are ground-based weapons, and it would be troubling if they’re easily eradicated by aircraft weapons. That’s why {I had} the Eintagsfliege, a Legion unit which has jamming, and restricted the use of aircraft and communication devices. This, however, would have prevented Shin and Lena from communicating with each other, so I then devised the special communication device called the Para-RAID.

MS: How deeply did you think about this world’s setting on itself?

ASATO: The necessary scenes have been chosen in detail, otherwise, the rest of the details aren’t fixed. For example, it’s not in the main story, but the Republic’s population has already been decided upon. It’s the reverse with the countries on the edge of the continent that aren’t scheduled to appear, as they might have a Chinese-like culture… that’s all I thought of it right now. There’s also this “sensory tuning”, which hasn’t been written in the setting yet, but is scheduled to be involved in the future part of the plot. However, as I said just a short while ago, the story {as a whole} is influenced greatly by how the characters act, so it depends on them to make the best use of the setting. From this point on, who will survive and who will die… is something that I still don’t know.

MS: Is it still unknown how the war against the Legion will move forward?

ASATO: The basic points {for that} have been decided, with the foreshadowing being built onto step by step. However, it is up to those two, Shin and Lena, if they will follow suit. (LOL)

MS: What about the Legion, then?

ASATO: About the Legion, the setting about them has been solidly established, including the future boss characters. However, I can’t say anything about them yet. Details about them have been foreshadowed little by little. I write hoping the readers will be surprised by this later.

The love for garter belts explodes! A talk about eroticism

MS: Changing the subject, what it is about your particular fixation towards garter belts [31] and pilot suits [32], both of which you spoke so passionately about in your Afterwords?

ASATO: About the pilot suits, on the outline for volume 2, I wrote "I don’t want men’s pilot suits paired with ground-based armaments!!!" using half of the A4 outline paper and submitted that (LOL). I’ve wondered whether pilot suits are really necessary, apart from space or aircraft or even ground battles. I’ve my doubts about it, and with said doubts I don’t want {characters} just wearing pilot suits, even in a robot thing. I do agree with the editor-in-charge about “Female pilot suits are justice!” so Lena wearing a pilot suit is scheduled to appear in the future [32]. After all, the garter belt shows a good place between sexy and cute. I think the eroticism {from the garter belt} dwells in its self-contradictory element: it’s just one additional item {in a set of clothes}, and somehow manages to show more skin―I think that’s the charm of the garter belt. In particular, if the color {of the garter belt} contrasts strongly with the skin color {of the wearer}, the impression of bare skin is more emphasized in spite of the wearer. Because of this, I think it’s wonderful that Shirabii colored the belt part {of Lena’s garter belts} black.

MS: It’s amazing the garter belt drawn by Shirabii has the functions of both a belt and a ring, isn’t it?

ASATO: Furthermore, Lena’s military uniform, a garment that is very much seen in public, has garter belts, which are usually private items, and I think that adds further to her ambivalent charm even more. As a matter of fact, at first, I argued that it would be better if {her} thighs were not visible all the time but could be glimpsed at occasionally, but after a 2 AM discussion with the editors-in-charge while looking at the rough draft of the cover art, they convinced me that “That ‘occasionally’ should be now!”, and we settled on its current form. The ideal situation {we have} was when {Lena} lifts her legs up and a glimpse of the black lace garter can be seen through the slit of {her} dress. However, as Lena is a prim and proper lady, the only situation I can think of where she lifts her legs while wearing a dress is when she is about to wear heels… I’ll have to ask Shin to do his best on this one.

MS: Rather a difficult situation, isn’t it?

ASATO: It’s Shin, after all. Also, a military uniform with pretty boy shorts + sock garters is also cute, and as Theo hasn’t appeared with his military uniform yet, I’m thinking to add that to his outfit now… (LOL). However, middle-aged soldier uncles shouldn’t show their bare legs with shirt garters! (Editor’s note: Please Google “shirt garters” for more info)

MS: Are there any {role/inspiring} models for your characters?

ASATO: Basically, none. However, as mentioned earlier, Shin is partly inspired by Sieg Wahrheit [33] from Chaos Legion, while Lena is partly inspired by General Garrison [34] from Black Hawk Down. In the film, {Garrison} is placed on a situation where he could do nothing but only communicate with his subordinates in adverse circumstances, and this inspired Lena’s position {in the series}. In Black Hawk Down, many characters died before we even understood them, and I think that influenced 86--EIGHTY-SIX as well.

MS: That’s right. They die when the chapters change. When you are writing, you’re writing without knowing who is going to die, isn’t it?

ASATO: There are some characters whose manner of death came to mind as I was writing them. I think they’re good kids, but I have no choice but to let them face their fates (oops).

MS: If the names of the Eighty-Six characters were names of Japanese people, would they still make good names?

ASATO: Yes. All their names can be written in kanji. For example, Shin’s surname, “Nouzen” is from the kanji of the Chinese trumpet creeper (凌霄花) {pronounced as “nouzenkazura”} [35].  I actually like the arrangement of the kanji {from that plant} within the kanji for “surpassing the sky” (霄を凌ぐ) {pronounced as “sora wo shinogu”}. If you use the same kanji and put the honorific (君) {pronounced as “kun”} on it, you can form the characters for the Eurasian goshawk (凌霄君) {pronounced as “ryoshoukun”} [36]. This is also a reference to Shin’s image, as he does resemble a hawk.

What’s next for this series? There’s so much more to write about!

MS: What will happen in Volume 3 of 86--EIGHTY-SIX? [37]

ASATO: It will be properly connected to Volume 1’s Epilogues, so please don’t worry about that. The battle scenes, which were limited in Volume 2, will be much increased here. It might be even tragic.

EDITOR KIYOSE: This paperback series will, of course, continue to be serialized, and the series will also be expanded into various adaptations such as comics [38] and other various media. This work will have a lot of side stories, so we hope you will all appreciate this series as a whole.

MS: Can you please tell us about the future developments of 86--EIGHTY-SIX?

ASATO: The stage has shifted to the Federacy from Volume 2, and as the war situation gets more violent, the environment surrounding the Eighty-Six and the others is about to deteriorate further. There will be new enemies for mankind to face, and their own numerous personal conflicts standing on their way one by one. However, they have survived far difficult circumstances up until now, and since Lena will join them in earnest by Volume 4, I think they will still survive, stubbornly, shamelessly, and boisterously. However, I really wouldn’t know what would happen unless I write them. (LOL)

MS: How many volumes does this series will have?

ASATO: Currently, I'm thinking of around 13 volumes. The war against the Legion has a general flow and an ending in sight already, so I'd like to get to that point first. In addition to that, I’d like to like to write a side story about Raiden and Shin when they just first met, if I have the opportunity [39]. There’s so much more I want to write about. From Volume 4 onward, countries other than the Federacy will be related, and there’s plans to stretch out the stage even more. The Queen's Knights [40], led by Lena, will also make their appearance. I think there might be some slight surprises about Shiden, who first appeared in Volume 2.

MS: Lastly, any message for the readers who have supported you and the series?

ASATO: I was never active on the web at all, and I was totally an unknown newcomer writer. I believe the reason why I and the 86--EIGHTY-SIX series have come this far is due to the readers who picked up the books and supported us. So, everyone, I will do my best to write bringing Shin and Lena and the Eighty-Six’s battle to conclusion, so from this point on, I look forward to your continued support!

{End of Interview}

Translator’s Notes (Most of the blurbs here are taken from respective relevant Wikipedia articles, and the notes also include the Magazine Notes from the actual interview):

[1] Kono Light Novel Ga Sugoi: Kono Light Novel ga Sugoi! (このライトノベルがすごい!, lit. This Light Novel is Amazing!) is an annual light novel guidebook published by Takarajimasha. The guidebook publishes a list of the top ten most popular light novels according to readers polled on the Internet and votes from critics, influencers, and other people related to the light novel industry. 86--EIGHTY-SIX ranked 2nd and 5th in the bunkobon category here in 2018 and 2019.

[2] Lena is the class president of Class 2-E in the 86--EIGHTY-SIX Operation High School spin-off side stories and the manga. This is probably among the first references to said spin-off.

[3] Space Battleship Yamato: one of Japan’s most influential sci-fi/mecha series, a Japanese science fiction anime series produced and written by Yoshinobu Nishizaki, directed by manga artist Leiji Matsumoto, and produced by Academy Productions.

[4] Mobile Suit Gundam: The first series in this very popular Japanese military science fiction media franchise, it was re-released into a film trilogy in 1981.

[5] The Brave Police J-Decker: The fifth installment in the Barve series.

[6] The Brave Express Might Gaine: The fourth installment in the Brave series.

[7] The Brave mecha and sci-fi series: a Japanese toy and anime franchise Brave series made by Takara and Sunrise, and currently owned by Bandai Namco.

[8] Magic Knight Rayearth: a mecha, fantasy and isekai shoujo manga series made by the all-female manga artist group CLAMP.

[9] Kadokawa BEANS Bunko Award: The contest launched by Kadokawa’s female-focused light novel imprint, Kadokawa Beans Bunko.

[10] Dengeki Novel Prize: a literary award handed out annually (since 1994) by the Japanese publisher ASCII Media Works for their Dengeki Bunko light novel imprint, spearheaded by parent company Kadokawa. It is among Japan’s largest light novel contests, with more than 4500 entries submitted annually. 86--EIGHTY-SIX won 1st place in the Rookie Awards category in 2016, launching it to the spotlight.

[11] Dengeki Bunko: a publishing imprint affiliated with Kadokawa’s ASCII Media Works. Many anime adaptations from light novels were published by Dengeki Bunko, including 86--EIGHTY-SIX.

[12] [Magazine Note 1] Final Fantasy Tactics: A tactical simulation RPG released in 1997. The socially conscious storyline, which tackled friction between nations and the gap between the rich and the poor, became very much a hot topic during its time.

Please take note I used the Final Fantasy Tactics: The War of the Lions translation here as contextually I believe this translation has more in line with EIGHTY-SIX than the translation of the actual game Asato played, which is the original Final Fantasy Tactics. Also, Argath vs Algus :3

[13] [Magazine Note 2] BLACK/MATRIX+: A tactical simulation RPG for Sega Saturn, with the PlayStation port released in 1998. It has a unique setting where virtue and vice are said to be reversed.

[14] Final Fantasy: a fantasy anthology media franchise, first and mainly developed as RPGs, owned, published, and distributed by Square Enix. Currently this franchise has 16 main series game releases. One of these games, Final Fantasy VIII, has its main soundtrack (“Eyes on Me” by Faye Wong) featured on the Afterword of 86--EIGHTY-SIX Volume 7: Mist.

[15] Knights of Sidonia: A sci-fi/mecha seinen manga, made by Tsutomu Nihei and ran from 2009-2015 in Kodansha’s Monthly Afternoon magazine. Its anime adaptation, which ran for two seasons, was produced by Polygon Pictures and aired from 2014 to 2015.

[16] Full Metal Panic!: a series of mecha light novels written by Shoji Gatoh and illustrated by Shiki Douji, published by Kadokawa’s Fujimi Fantasia Bunko and ran from 1998-2011. Its anime adaptations were produced by Gonzo, Kyoto Animation and Xebec respectively, from 2003 to 2018.

[17] Gunparade March: A New Song for the March: The anime adaptation for the Playstation video game Gunparade March, produced by J.C. Staff and aired in 2003.

[18] Battle Faery Yukikaze: a Japanese military science fiction novel series written by Chouhei Kambayashi. Its five-episode OVA adaptation ran from 2002-2005.

[19] [Magazine Note 3] Mist: A 2007 film based on the award-winning science fiction horror novella by Stephen King.

[20] [Magazine Note 4] Screamers: A 1995 futuristic science fiction horror film, based on Phillip K. Dick’s novelette “Second Variety”.

[21] [Magazine Note 5] Chaos Legion: A mixed-media action RPG released in 2003, getting a novelization by Tow Ubukata.

[22] [Magazine Note 6] Black Hawk Down: A 2001 war movie. Based on a non-fiction work about an actual urban war between international forces and guerillas that occurred in Somalia. The film depicts how a UH-60 Black Hawk​ gets taken down and this being dragged into a war situation.

[23] This is a very extensive subject, so please feel free to check out Nazi Germany on Wikipedia to get at least an overview.

[24] Another extensive subject, so feel free to check out 442nd Infantry Regiment on Wikipedia to get an overview.

[25] [Magazine Note 7] Scroll of Agony: The Warsaw Ghetto Diary: A diary kept by a Jewish teacher, {Chaim A. Kaplan}. It described the persecution and pillaging by the Nazis, as well as the three harsh years of {Kaplan’s} life.

Printed in Japan as (ワルシャワ・ゲットー日記―ユダヤ人教師の記録 or “Warsaw Ghetto Diary: A Jewish Teacher’s Record”), with Kaplan implied to have died in 1942 when he was sent to the Treblinka death camp along with other Warsaw Jews.

[26] Another extensive subject, so feel free to check out World War II on Wikipedia to get an overview. Feel free to also check out Gulf War on Wikipedia to get an overview on this topic.

[27] [Magazine Note 8] M551 Sheridan: an American tank developed to be amphibious, airborne tank. Its body was made of aluminum alloy to help reduce weight, but this made it vulnerable to anti-tank weapons and land mines, and it could explode when the shells it’s equipped with are triggered.

[28] X-ATM092: A spider-like robot boss enemy found in Final Fantasy VIII.

[29] Tachikoma: a blue-colored AI walker/roller tank that looks like a spider in the Ghost in the Shell cyberpunk media franchise.

[30] Swallowtail series: The sci-fi novel series written by Chitose Touma and published by Dengeki Bunko in 2008. The series is about artificial fairies, androids created in the form of humans, to be companions to still-living humans after parts of Tokyo’s population were wiped out in a pandemic, and one of these fairies, Ageha, is investigating a serial killer causing destruction. The work also has this multi-legged armored tank called “Tobigumo”. So far as I know this mecha doesn’t have official art, however, a fanart can be found in Pixiv here.

[31] [Magazine Note 9] Garter: They’re suspenders of sorts. “Garter belt” is the term for {a fabric strap which} which is clipped on over-the-knee socks or stockings. Having no shorts above garters is righteous! between the rich and the poor, became very much a hot topic during its time.

Asato’s interest in garter belts is not only shown in the novels, but also in the anime, which is noted to have a lot of thigh shots of Lena wearing said garter belts.

[32] [Magazine Note 10] Pilot suit: In this case, this is the type of suit that sticks really close to the body. As it shows the body lines quite clearly, it’s considered quite fetishistic. 

In the current time, 86--EIGHTY-SIX Volume 5: Death, Be Not Proud, has already been published, and Lena did wear the Cicada, which is Asato’s homage to pilot suits.

[33] Sieg Wahrheit: the protagonist of Chaos Legion.

[34] William F. Garrison: a retired major general of the United States Army who commanded United States forces during Operation Gothic Serpent including the Battle of Mogadishu, which served as an inspiration for the novel Black Hawk Down.

[35] The Chinese trumpet creeper, a native flowering vine species found in East Asia, usually in China, can mean “fame”, “honor”, “glory”, “abundant love” and “life filled with flowers” in the flower language.

[36] Eurasian goshawk: a medium-large bird-of-prey found in Europe and Asia and is among the species considered as “true” hawks. The kanji used in the article actually just refers to how Shinei Nouzen looks like a hawk, but upon further examination of said kanji in this reference, it pertained to that goshawk as well.

[37] Volume 3 of 86--EIGHTY-SIX was just about to be released in Japan around the moment this article was published, serving as a promotion of sorts.

[38] Several manga adaptations of 86--EIGHTY-SIX have been published as of current time. For more information, please check out this 86 Reddit Manga FAQ for further details.

[39] Besides Volume 1, Eighty-Six’s Interlude: Headless Knight II, Asato has managed to write this in the side stories Volume 10, Fragmental Neoteny Chapter 8: The Banks of Lethe and Alter.1: Claymore Squadron.

[40] The Queen’s Knights, formally known as the Brísingamen Squadron, was the squadron Lena became the Handler with after the Spearhead Squadron was sent on the Special Reconnaissance Mission. It was led by Shiden Iida and was pivotal in the Republic of San Magnolia’s defense during the 1st Legion Large Scale Offensive.