#thank you everyone so much

[lavendel081]

Thank you for sending me asks about liking my art, it makes me so extremely happy! I just wanted to say something real quick, just in case it seems like I’m ignoring them. I want to make something small in return, so please wait for me, but please know your words make me smile so very incredibly much! Thank you for going out of your way to write me such kind words.

I want to use Emojis but I’m on PC right now :)

[commander-coppercogg]

Hello!

I know this blog has been nonexistent for liiiiiike what a year??? But I do wanna thank everyone for an amazing pride parade this year I had such an amazing time. This is the first year I did both days and it was so much fun. Extra special thanks to everyone who recognized me and came to say hello. I didn’t get everyone’s name but if you said hello to Bertie please know it made me very very happy. Super extra big thanks to @hawkepockets for being my turtle buddy and @commanderfloppy for telling me about the embiggering potion and just being excellent friendly people who are so so nice. Hope everyone had a good time and Happy Pride month from me, my boyfriend and our new cat, Herman Smerples.

He says weh.

[kazububs-archived]

ᴡᴇʟᴄᴏᴍᴇ ᴛᴏ ᴛʜᴇ ʜᴀᴜɴᴛᴇᴅ ꜰᴏʀᴇꜱᴛ, ᴄᴏᴍᴇ ɪɴ ꜰᴏʀ ꜱᴄᴀʀᴇꜱ ᴀɴᴅ ʟᴇᴀᴠᴇ ᴡɪᴛʜ ᴀ ɴᴇᴡ ɢʜᴏꜱᴛ ᴄᴏᴍᴘᴀɴɪᴏɴ!

➛ alter's 300 follower matchup / mood board event! [open]

first off a big thank you to everyone who has made this milestone possible, i love each and every one of you, and thank you for your loving support!! mwahs <3

to be granted access into our haunted forest, we must give some guidelines to ensure your own safety

must be following me to join this event (if you follow and unfollow me after getting a match, you will be blocked)

if you don't wanna see these posts block the tag #alter matches

one fandom per person (therefore one mood board), mutuals will get to pick up to two fandoms (therefore two mood boards)

No requesting certain things for a mood board, i will make them off the vibe of you and your matched character.

Send me this info about yourself to get a matchup

pick a fandom

favourite colour(s)

mbti

hobbies

preferred gender

picrew/picture of yourself

your ask will be deleted and the mood board will be posted so your picture(/picrew) will never be posted.

Fandoms included for these matchups: Tokyo Revengers, Haikyuu, Dead by Daylight, and Genshin Impact

[deaths]

OH my god someone sent me 50$ oh my god

[unforth]

Gentle reminder that very little fandom labor is automated, because I think people forget that a lot.

That blog with a tagging system you love? A person curates those tags by hand.

That rec blog with a great organization scheme and pretty graphics? Someone designed and implemented that organization scheme and made those graphics.

That network that posts a cool variety of stuff? People track down all that variety and queue it by hand, and other people made all the individual pieces.

That post with umpteen links to helpful resources, and information about them? Someone gathered those links, researched the sources, wrote up the information about them.

That graphic about fandom statistics? Someone compiled those statistics, analyzed them, organized them, figured out a useful way to convey the information to others, and made the post.

That event that you think looks neat? Someone wrote the rules, created the blogs and Discords, designed the graphics, did their best to promo the event so it'd succeed.

None of this was done automatically. None of it just appears whole out of the internet ether.

I think everyone realizes that fic writing and fanart creation are work, and at least some folks have got it through their heads that gif creation and graphics and moodboards take effort, and meta is usually respected for the effort that goes into it, at least as far as I've seen, but I feel like a lot of people don't really get how much labor goes into curation, too.

If people are creating resources, curating content, organizing the creations of others, gathering information, and doing other fandom activities that aren't necessarily the direct action of creation, they're doing a lot of fandom labor, and it's often largely unrecognized.

Celebrate fan work!

To folks doing this kind of labor: I see you, and I thank you. You are the backbones of our fandoms and I love you.

[kistana]

Seeing people enjoy the art that I make brings a smile to my face 😊, as long as my art can bring some kind of enjoyment or impact to someone then I think I'm doing awesome. Even if the amount of people who see them are low knowing the fact that there are people who got to see the art makes my day!

[garaks-padded-bra]

Well would you look at that!!

[tarabyte3]

Hey fanfiction writers: If no one's ever told you this before, it's not just fanfiction.

It's something you spent hours, days, maybe even months on, pouring your heart out onto a page because you were so full of passion and thoughts about a story or characters, you felt like you were going to explode if you didn't get it out. Maybe you lost sleep because your mind was racing with ideas or you forgot to eat or drink water because you were so focused. Maybe your back aches from being hunched over for so long, unmoving. Maybe you even felt like you were going a little feral because you were so excited about what you were creating, or were frustrated when you got stuck. Either way, you put your heart, mind, soul, and body into making something.

It's okay to want people to read it, and it's okay if you're disappointed that they don't or it doesn't get as much of a reaction as you were hoping for. Humans are social creatures. Sure, we write for ourselves, but we also share because the joy of doing so is just as powerful as the joy of the process. Of having created something.

We all experience that joy and that disappointment, and don't let anyone tell you otherwise.

So it's okay. It's not just fanfiction.

[thewizardhole]

my tavs and their romantic partners

[shepscapades]

[Part 1] [Part 2] [Part 3] [Part 4] [Part 5] [PART 6] [Part 7]

[This comic is part of my dbhc au, following the chaos and panic that ensues after Doc and Xisuma try to get Etho back online at the start of s9 after a very rough s8 finale that leaves him a little. broken. It's set to the vibes of Joywave's Destruction!]

[hooned]

enhypen's dancers congratulating them after their 3-day concert 🎉🍾

[buffaluff]

i am free

🩷💜💙

[thoselittleboats]

BG3 text - Raphael (7/?)

[wardingshout]

Travelling for Day 4 of SpeSilverWeek! going to Mt. Silver to visit "the extended family"...

[chiscribbs]

Grown Apart AU - Musical Style ✨

What is This Feeling from Wicked pretty perfectly encapsulates GA Donnie and Leo's first impressions of each other, so the musical nerd within me couldn't resist doing this (lol).

Context within the plot: After saving Mikey's life (by total coincidence), Donnie manages to infiltrate the Hamato residence as a spy, planning to capture the oozesquitos and hand them over to Big Mama, thus gaining her favor. Leo, however, sees through his act easily and has been keeping an eye on him since he arrived. Due to circumstances outside of their control - i.e. Splinter's decision - the two of them are forced to share a room with each other, which neither party is particularly thrilled about.

----------------

I just found out that, apparently, Grown Apart has made into the @tmntaucompetition preliminaries!!!! ASDFGHJKJH;!! Thank you to anyone who sent in a nomination! I guess we can officially call this "propaganda" now, so look forward to seeing much more in the very near future!

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.