Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever.
I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.
Art I drew related to the subject because I like to respond to asks with art.
But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.
The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.
It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.
Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.
I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.
I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.
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A little different than last year's, but here we are again. To say that this past year hasn't been absolutely wild would be a lie, cause HOLY SHIT MAN
This year's birthday is. A little different for me, but you already have the silly comic to show that so I won't make like a broken record oops
But, despite the changes and hills that life's decided I should climb or throw at, it hasn't changed the fact that I'm so genuinely fucking thankful to the people that I've known since joining this fandom. I'm not even kidding when I say that being here has actually changed my life for the better. I know I said something similar last year, but this time, hoo boy it sure turned up the AMP and test how far I could go.
So, to everyone, both new and old; thank you for being here :D
@garbagechocolate @darkxsoulzyx @smoljeanius @bunmuffin @skizabaa
@tuzesdays @sleepykas @fernzwing @kandidandi @starsketchez
@just-a-drawing-bean @notdysfunk @ilsole @amberluvsbugs @cloudyvoid
@nomsthecat @alfinefalf @nosleepygay @theblog-with-thestuff
@cacaocheri
(Edit: ty kibbits for informing me of the. Fuck ass tagging system)
AND TAGGING OTHERS BECAUSE. POINTS. BONKS WITH HEAD. GETTING TO EITHER INTERACT OR TALK OR WHATEVER IS ALWAYS A DELIGHT
@ohno-the-sun @kibbits @ink-yy @saltyfryz @kaprisvn
@hierba-picante @sunny-sophies-garden @cookiiemancer @sneeblbop @justaduckarts
@pepethehumanz @crystalmagpie447 @woolysstuff @mocha-illustrates @duhsty1
@sanchensky @pillowspace @victarin @witherfide
[I DEFINITELY GOT SONAS WRONG AND THESE AREN'T ALL THE SILLY PEOPLE I KNOW BUT IM SITTING HERE AT 2:30 IN THE MORNING JUST KNOW YOU'RE THERE IN SPIRIT HANDING YOU ALL POPTARTS WAUGH]
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Taking into consideration Till's history with sexual assault (i will be tw and cw tagging for this), it puts the Ivantill kiss in round 6 in so much more perspective for me. Not only that, but it gives a lot of context and reasoning to the way that Till interacts with other people (as well as his rapid, violent mood swings) into perspective.
I just to preface with this- I have never been the victim of sexual assault or sexual harassment, so my discussion on this purely comes from what I know at a psychological angle, in addition to what I know based on this video from pop culture detective on Youtube and his videos on the male interaction with abuse and generally seedy behavior in media. It's really good, I enjoy his content a lot. Anyways analysis below the cut. Content and trigger warning for discussion of sexual assault, sexual abuse, psychological abuse, and pretty much everything else relevant in this fandom (slavery, child abuse, etc)
Out of all of the characters in Alien Stage, Till is the most openly dehumanized. Sua is treated like a doll, Ivan is treated like a trophy horse to parade around, Luka is something of a combination of both- but Till is the lab rat. He's the losing dog that Urak is betting on. They're all dehumanized to a degree but Till is dehumanized so much so that his defining feature is his rebellion. Even amongst the fandom, he's made into Ivan's side piece or the idiot who's hopelessly in love with Mizi and yeah, I do think Till is a dumbass but I say that out of the deepest affection possible, I love this little freak and I want the best for him. I truly do.
He's so smart and talented and yet, he hates himself. He's passionate about music, he uses it to express himself in ways that he can't otherwise, and he's so good at music, too. He's not good with people and he has a temper and he's easily flustered, yes, but he's so complicated. He was hopeful and innocent to the ways of the world but when he was bought by Urak, he was shown how utterly and hopelessly cruel the world could be. Comparatively, even Ivan and Sua got lucky, with their absent and emotionally abusive owners- Till was put through hell, experimented on, forced into a cage and treated like a feral animal that needed to be shown who was boss- even when he was willing to go along with anything at the start. He wanted to be loved. He wanted to be cherished. Children always want so desperately to please their authority figures, I can't imagine that he would have resisted in the beginning, hoping that if he went along with whatever Urak told him to, that he would be rewarded and treated with tenderness and care.
He never was. He was beaten and broken and thrown through the wringer time and time again. They made him miserable because that's what Urak wanted- that's what makes good art, after all. A tortured artist who cuts off their own ear but paints the most beautiful night skies.
Even in Round 2, we see this dehumanization. Till has a tether, keeping him to the stage, because he's "dangerous." He's marketed as this rebel, who needs to be tied down, who needs to gagged and muzzled, we can't let him speak because if he opens his mouth, he'll bite. He's pushed down to the ground, subdued, IN HIS MARKETING. This is how he's presented FROM THE BEGINNING. He is forced into this role of the mad dog who screams and claws and bites because this is the mold he was given, he pushed himself into it because that was all he could do. He's giving Urak what Urak wants and even that isn't enough. Because he might be broken, he might have given in, but he's still a stubborn bastard.
Before Round 6 (but after Round 5), Till refuses to sing Mizi's song in the bar. He gets angry with a member of the audience for implying that Mizi is dead, maybe even saying shitty something about her, and he goes at them with a bottle. As @a-star-that-burns-brightly said, he's the only human we've ever seen to get violent with an alien within the bounds of Alien Stage, which makes Till all the more impressive- which means that they have to bring him down all the more forcefully.
I will admit- I didn't understand the scene to be SA until it was pointed out to me (not that I thought it wasn't, it just went over my head) but it adds so much to Till's character to analyse it through that lens.
They rape Till, punishing him for refusing to sing and punishing him to attacking an audience member. Terry Crews, who some may know from Brooklyn-Nine-Nine or other media, is a survivor of sexual assault, and he talked about it before the United States Senate Judiciary committee. He was assaulted by his manager, who was a man. And you may be wondering why I bring this up, and it's simply because I want to remind people that sexual assault is not about sexuality. It can be connected but correlation is not causation. Sexual assault is about exerting power over an individual to make them feel weak, lesser, and show them who is in control of the situation. It's not dissimilar to bullying (but far, far worse). After all, why would corrective rape be a phenomenon if it wasn't about exerting power over the victim and showing them that they don't have autonomy or agency? Because if they had autonomy or agency, they would be able to consent or conversely, the ability to say no.
Of course they don't have autonomy/agency, though, right? Because they're pets. They're possessions. It's akin to how we treat dogs and cats, we breed them and we don't let them say no, because they don't have an understanding of consent like we do, why would they need to say yes or no? They can just fight someone off if they don't want it, right?
Right?
Something that @k9punkout (Numso) said stood out to me, though, is that this might not even be the first time that this has happened to Till. This breaks my heart. Like, legitimately, it made me nearly cry when I read it, because the idea of sexual abuse being used as a form of regular and routine punishment against someone is horrible- but at the same time, that already happens. In prisons, in war zones, in households, sexual abuse is used as a regular punishment against people and that's horrible. The way that Till's experience specifically reflects that of a child in a toxic and abusive household is immensely interesting because of how people forget about that, how people don't seem to really care. He's a sopping wet kitten, yeah, he's a silly little guy, but he's been abused for his whole fucking life. He has a superiority complex that's teetering on an incredibly thin knife's edge and sometimes it wobbles into self-hatred and an absolute absence of self worth.
It's no wonder that Till clings so fiercely to the idea that Mizi is innocent and pure and hopeful, like he once was, because if she isn't- then does that mean he was stupid to ever hope at all? Was he stupid for expecting love and affection, from the people who were supposed to take care of him? Does that mean he's suffered for no reason, save Urak's amusement? Does that mean he's miserable just because, just because Urak demands that someone be miserable in order for them to be great? Does that mean he's been beaten, broken, made into this wretched, ugly thing simply because he's around? It's not so much that his suffering needs to have a purpose, it's more that if it's pointless and based on whim, then that says something about Till himself. That says that Urak saw something in him, something sturdy enough to be broken again and again and get back up. It says that he deserves this. (He doesn't, no one deserves that and deserving things is horseshit, but I can't imagine Till to be thinking anything else.)
Back, finally, to the whole reason I started writing this fucking thing: the Ivantill kiss in Round 6. I've seen some people call it SA, and while I can see why (and of course, I respect their opinions), I disagree.
Ivan shouldn't have continued to kiss Till after Till pushed him, yes, but at the same time, through the narrative of their kiss- it wasn't really a kiss at all. Not in the sense that it was an expression of sexual intent. And maybe this is because I'm on the acearo spectrum but. I don't believe Ivan wanted to kiss Till, it wasn't a romantic kiss, it was one last attempt to get Till to wake up, before it was too late.
Through the lens of knowing that Till is a survivor of sexual assault, the way that Ivan kissed him and his reaction to Ivan kissing him is all the more impactful because Till pushed Ivan away, yes, but he didn't seem horrified, or hollowed out like he is post assault in the bar scene. It shows his trust in Ivan, and maybe even the fact that he knows that Ivan isn't doing this to hurt him, Ivan is kissing him in a final effort to say "I love you. You're loved. I'm sorry."
Blue (@bluemoonscape) talked through this with me a bit earlier and he said something that stuck out to me as well "The kiss, if anything, shows how much control the aliens assert over them to put them in a position where this would be two friends’ last chance to communicate with one another, hence how desperate it is on Ivan’s part. (...) Ivan wasn’t trying to assert power over Till in any way; that just isn’t in his nature. Over the years, he basically lets Till dictate every aspect of their relationship, hell, he even gives power to Till over Ivan’s own freedom (power that Till didn’t want but nonetheless got)" and he really summed it up beautifully in my opinion. The ivantill kiss WASN'T romantic because it wasn't meant to be- Ivan was just saying that he loved Till period. It was a fucked up way to do it. I wish he hadn't.
But he was just trying to say goodbye.
(@atrophiedemotion because i mentioned this to you! <3)
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