#that first one made my heart stop

[hinamie]

I don't want to regret the way I lived

[imerian]

My (very old) loscar brooch (?) that i just now made doodles for

More pictures under cut

[amber-in-the-rough]

been rewatching tdp seasons 4 to 5, I'm currently at s4 ep2 and there are 2 things I figured I should put down for myself:

just so you know, in any media the first thing I pay attention to is music. Like, half the reason I enjoy Star Rail is because of music. The same thing goes for the Dragon Prince. When I rewatch s1 to 3, every time I'm almost melting because of how beautiful the melodies are. They are generally both sad (the Last Sunset my beloved) and full of hope (the main theme), but they can also be ominous and insidious (hi Aaravos' theme) and also loving and tender (Because She's Rayla). But when I first watched s4 and then s5, I didn't notice music at all. Like, at most I made a mental note about two (2) melodies in s4 ep1. The rest went unnoticed :/ Which admittedly is uncharacteristic of tdp. But... Now that I'm watching s4 again, I'm so relieved to finally hear the beautiful music I had been expecting from tdp. It's there and it's been there this whole time. It's really the Mystery of Aara- Music haha.

what caused me to make this post is s4 ep2. A couple of minutes before Rayla's return we see Callum is done with the translation of the runes and he now has the full text of the riddle. "In Darkness, gaze upon the Fallen Star". Then we hear Aaravos' theme start playing (woahhh), the Star rune on the cube lights up and Callum walks around with the book. It's honestly terrifying to think that- it would have taken him only a tiny bit of time to figure out the meaning behind the riddle text (that he needs to put out all the light). And if he gave it a shot (which he would) and put out the candle and pulled the curtains (the moonlight was there), he would have met Aaravos. *curtain call* Oh god. And then the story would have gone an entirely different route. That is, if Rayla came just a tiny bit too late (god, I need a fic based on this au). But she comes just at the right time to mess things up and save Callum from the dangerous path and it's then that we hear Rayla's theme start playing (Silvergrove OST / Because She's Rayla). I love how the two melodies are interwoven. The ominous Aaravos' melody slowly gives way to the hopeful Rayla's tune. Perilous darkness gives way to the bright moonlight. And that is just so freaking beautiful.

P.S. I sometimes see in the fandom the thing about Callum having two paths before him. The one is Rayla (moonlight & love) and the other is Aaravos (darkness & also love?.. we don't know his pre-story but I think it all comes down to the same thing. to love). So what I want to say is- the music confirms it.

[alexjcrowley]

I am all against the "social" social media (that's why I almost esclusively used tumblr) but I think TikTok should have existed in 2009 to make very shirt aesthetic edit of Jenson Button at Brawn being sad during the entire second half of the season + montage of various people Luca di Montezemolo saying he's not world champion material/he doesn't have that one extra bit with the audio "There's really no way of winning/ If in their eyes you'll always be a dumb blonde"

[cubffections]

ummm 2.5 what the heck ど⁰̷̴͈꒨⁰̷̴͈う

[ode-to-fury]

Every single character in the First Law except Bayaz is like wow my life sucks and i wish i could be literally anywhere else than where i am if only life werent horrible and god did not hate me and just blatantly refuse to acknowledge that theyre terrible people who make terrible decisions

[daddy-long-legssss]

The Story Behind The Song: Arctic Monkeys’ early ambitions on ‘A Certain Romance’

Lucy Harbron – Far Out Magazine | January 17, 2024

It was 2006. Mortgages were crashing, and businesses were going bust. Tony Blair was on his last legs in office as the longest-serving prime minister since Margaret Thatcher, and the hangover of ‘Cool Brittania’ was beginning to set in with an unexpected ferocity. Things were bleak when a young Alex Turner sang, “There ain’t no romance around there” through the public’s speakers. Arctic Monkeys were about to write themselves into musical history as the voice of a new generation.

The final song on their debut album, there has always been something special about ‘A Certain Romance’. In 2022, after the release of their seventh album, The Car, Turner seemed to find himself reflecting back on that 2006 track. To the musician, that early cut holds a clue to everything that was to come as he said the piece “showed that we did actually have these ambitions beyond what we once thought we were capable of”.

Coming in at over the five-minute mark, ‘A Certain Romance’ almost feels like the Arctic Monkeys’ version of a rock opera, summarising all the themes, feelings and energy that came before it on their seminal album Whatever People Say I Am, That’s What I’m Not. It has the cheekiness of ‘Fake Tales Of San Francisco’ and the catchy instrumentals of hits like ‘Dancing Shoes’ or ‘I Bet That You Look Good On The Dancefloor’. Utilising the northern charm of ‘Mardy Bum’, it stands as a final, neatly summarising point on the social commentary found in their early tracks like ‘From The Ritz To The Rubble’ or ‘Riot Van’. Really, it could be argued that ‘A Certain Romance’ is the ultimate example of Arctic Monkeys’ original sound, perfectly encapsulating all the things that made the world listen up and pay attention.

It’s like they seemed to know that, too, always allowing the song a special place. In fact, it was really the band’s opening remark. Years before the offer of a debut album came around, the group were a well-oiled machine with their own local hits. They had the northern live music scene in their hands as their homemade demo CD was passed around like everyone’s worst-kept secret. Beneath the Boardwalk features eight out of the 13 songs that would be on Whatever People Say I Am, That’s What I’m Not, albeit in a slightly different, lower-quality version. But the opening number, ‘A Certain Romance’, sounds just the same.

It’s all there, from the rolling opening drums to that final guitar solo. Recorded and produced in a rented studio at only age 17, the existence of ‘A Certain Romance’, one of the band’s most explorative and energetic numbers, in this form this early in their career feels like a diamond sitting in a mine. It proves that they were always onto something special.

They never needed any help. In fact, their producer, Jim Abbiss, noted that they even seemed nervous about the help. “I think they were probably a bit weary, like ‘who’s this guy? And is he gonna make our sound this or that.’”

They didn’t want anything to change too much, as the group already had the songs figured out. Turner certainly did, as the track’s meandering narrative about hometown lads, fights, and local boredom is already there. Talking on a podcast, original member Andy Nicholson revealed the story behind the song. “We had a practice room with a pool table in, and we had a party in there, and we invited another band who were friends of ours, and we all had some drinks,” he said. “Then something happened, someone throws a pool cue, someone throws a pool ball, and everyone ends up fighting,” he added, explaining the lyrics, “there’s boys in bands / And kids who like to scrap with pool cues in their hands.”

But the magic of Arctic Monkeys lies in their nuance. What begins as a snooty analysis of his local landscape is a genuinely affectionate take. “Well, over there, there’s friends of mine / What can I say? I’ve known ’em for a long long time / And, yeah, they might overstep the line / But you just cannot get angry in the same way,” Turner sings, looking around at his bandmates and lifelong friends. ‘A Certain Romance’ is not only a time capsule for the group’s beginnings but is an ode to all the people who were there with them. It’s an ode to the hometown that made them and all its various characters.

But as the last guitar solo roars to life, there is an unspoken statement that they’re going to be bigger than what they came from. “I remember when we were recording ‘A Certain Romance’ and having a conversation with the producer about the final guitar solo,” Turner told NME, recalling the moment these songs were reworked for their debut. But they wouldn’t let anyone mess with ‘A Certain Romance’, knowing exactly what they were doing and trying to say with that one. In the 2003 demo version, all the feeling is already there, and Turner wouldn’t risk it.

“There’s something that happens at the end of that track where we break some rules in a single moment,” he continued. What happens at the end of the piece feels even more special, considering how the album was recorded. “These are the songs we wanna do, and I think this is the order we wanna do them in,” Alex Turner told their producer, recounting the conversation in 2007 to RadioX, “And he goes, ‘alright, we’ll try to record them in that order as well.’” As the final song, that last guitar solo is the last thing recorded for the album, standing as a cathartic outlet and a chance for the band to prove themselves.

“We focused on the [emotional] effect of the instrumentals over the words,” Turner reflected on the track, concluding, “and I feel like we’ve been trying to do that again and again since then.”

+

[the-names-quinn]

Ass. CLENCHED.

[yamsgarden]

Just some more Still Wakes the Deep blah blah, but omg having just been diagnosed Diabetes type 1 myself recently, it makes me only love and feel for Roy 10X more...

This shit is litteraly poison, but so does the food we eat with how much sugar there is in ugh OTL

Never thought in a million year I had DT1, I had 0 symptoms and am in pretty good shape, but then suddenly, organs are starting to hurt really badly out of nowhere...

Don't wait too long poeple and check with your doctors even if there's ''nothing'' T0T and to all Diabetic ppl out there, keep on fighting 💪✨

[sskk-manifesto]

Finally got around to watching ep 11 (´；ω；｀)

[phoenix-flamed]

Me, fondly remembering my playthroughs of FFVII, VIII, IX, X, X-2, and XII: I don't need more blogs I don't need more blogs I don't need more blogs I do --

Though if I did RP as anyone, it'd hands-down be Beatrix from IX.

[skitskatdacat63]

2005 - Pit crews acknowledging the camera(because I think they're really endearing)

[yeonban]

I might be ~quirky~ for this (welcome to my twisted mind and etc) but I genuinely have so much fun with shipping nowadays, ever since I chose to be singleship for each muse. I feel like my adhd has never allowed me to pour even half as much care and attention into a ship as I'd have loved to when I had multiple ones at the same time per muse, so being able to focus on a single romantic dynamic per muse really feels like a weight off my shoulders

[genderqueerpond]

amyeleven fivenyssa crossover

[martyrbat]

the snow queen

prev. | pt. 2 | next

(ID below cut)

[ID: part two. We continue from where we left off:

They came to a stop, for a moment's rest. But something caught his eye - a demand for his attention. The Ice Queen tends to her reindeer as Batman looks at the luscious foliage growing in the barren land. He approaches it, finding a woman with long, red hair and dressed entirely in green residing within it. The narration continues, "You look lost," said the green woman. "Why are you here?" "We're looking for... someone," answered the Batman. "You'll find no one here, but you're free to look," she said.

"Do you like my garden?" asked the green woman. "It is beautiful," he replied. "Why not stay, so we can enjoy it together?" she offered. The Batman paused to consider. The garden was enchanting. A calming peace washed over him. And yet something felt off. "I sense you're troubled." "Something is missing from your garden," he responded. "Or perhaps... Concealed." Batman admires the greenery but pauses at a singular plant. It's stem bearing no flower as the woman stands behind him, her features hidden by her green gardening hat. He stares fixated on the plant before turning around and lifting her hat, revealing her remorseful face. He remembers when he was just a young boy, laying two red roses on a cracked pavement for the first time. He looks over the memory, knowing the grief of his adolescence shaped him into the man he is today.

"You associate red roses with the loss of your parents. I hid them from you, only wishing to remove the pain those memories create. To lift your burden and offer you a chance at paradise in this Eden."

"I can't stay," he said with resolve. "Something remains unfinished. I'm still needed elsewhere." "Then take these with you," spoke the green woman. "And may you find what you are searching for." She looks down in thought at the red roses in her hand before gently passing it to Batman. She stands, alone in her heaven, watching him ride off into the glacial, barbaric land once again.

END ID]

[mechanicalbowtye]

read the scratch upd8. little too close to home