Happy Birthday Kristina @funforahermit 💕 I hope you know how appreciated you and your love for Rhys are. You are a staple in this fandom and i am so thankful to have you here. Always kind, supportive, funny and full of Rhys horniness. Your gifs and posts always bring me joy. I hope you have a lovely birthday and lots of champers 💕Thank you for being amazing! ILY 💕
After watching the Barbie trailer, my parents are arguing over whether, as a previous diplomat, Barbie should have diplomatic immunity in a foreign country (her home country being Barbieland) and thus whether her arrest by LAPD is unlawful.
Neither of my parents are lawyers or have studied international relations, they just got excited by the trailer
Do you think we’ll see the parents/family of each of the guys???
Like, We’ve been TEASED with Ace’s brother, that I’m starting to think it’s just a reference to that Alice in Wonderland park character in Japan and nothing else….
Jack’s family, Ruggie’s grandma, Falena, Maleficia, Ms.Rosehearts, Just now Vil’s dad is in the picture which I am really happy but now I’m wondering about his mom, and so Deuce’s mom.
I mean, some HAVE a silhouette!! It could mean they do have a design in the making/ready to show. They could’ve shown us Falena in the Tamashina (hope I said that correctly) event, but didn’t (prolly to make Leona not so σ(▼□▼メ) and it’s understandable)
Anyhow, any idea/headcannon about this? Who do you want to see first?
I'm wondering if everyone might eventually get a travel event? like they've now introduced with Vil's that it doesn't have to be specifically hometowns, so that opens things up a lot! (especially if they have to figure out how to do three separate Coral Sea visits) (how would that even work otherwise)
but yeah, I hope everyone gets a chance! there's a lot of backstory characters I would LOVE to meet. :D :D :D though I do think some of them don't really suit the more light-hearted tone of the events (pretty sure you're right about that being why Falena wasn't in Tamashina-Mina, that would've just been. too much for Leona.) so like...we're probably not ever going to meet the Rosehearts. or Maleficia (although I maintain that this would be THE funniest possible way to introduce her outside of the main story, and actually I would love this a lot, can we please Twst) (I need to see her to put Malleus in a froofy little outfit and tell him what a handsome boy he is). but they've sprung surprises like Kifaji on us, and honestly anyone who shows up and tells embarrassing stories about characters' childhoods is good in my book!
characters off the top of my head who I most want to meet: literally any of the Zigvolts, Azul's mom, Ace's brother, Che'nya's grandfather (<- I think he would be a good one for Riddle) (please just any non-terrible adult in his life), any member of Rook's family because I need to see how they managed to produce him, and...really just whoever they can come up with for Silver.
i'm a sucker for narrators who are like,,, part of the narrative. they're a part of the story. they may or may not be fundemantal to it, but they influence it one way or another.
bloodweave is perfect because astarion can become a better person through being shown genuine compassion and understanding for the first time and gale can be convinced to do some truly crazy shit if you dangle something shiny in front of him the whole time
The choice to put Una Chin-Reily on a Starfleet recruitment poster in the late 2370s seems a nod to the extraordinary person she is and her exemplary service, but Boimler’s enthusiasm for her as a personal hero cannot mask the fact of what Starfleet execs are really doing here: while it is Starfleet tradition to honour esteemed personnel from its centuries of history, we have to look at the poster as a product of its time: it seems clear that, shortly after the devastating death toll and the rapid militarisation of the Dominion War, putting a prominent figure of the Great Exploration Age - and notedly someone who had not served in the Klingon War - as the poster person for Starfleet is an indictment that contemporary young people of the Federation are not drawn to the service as it is in their time anymore.
Critically, Starfleet has to use somebody from a 120 years ago, a timeframe that would lap generations of even especially long lived member species like Vulcans or Denobulans, to attract new recruits.
Boimler says himself that seeing Una as a representative and her motto - “Ad astra per aspera” was: “Uh, it was a really big reason why I joined.” Clearly there is a wealth of recognisable Starfleet officers from 2370 and onwards, but their entanglement in the Dominion War, or at least in the Borg threat makes them unsuitable as role models for people like Boimler who cannot help but associate these contemporaries with the horrors of war and intergalactic conflict.
Thus, the retreat to a “safe” historical narrative, with Starfleet still being about peaceful exploration reflects the growing divide between the realities of a colonised galaxy, the ongoing need of new bodies to fill the posts on all those ships and space stations and the aspirations and values of young people today. In this essay I will question whether Starfleet can keep its promise of scientific integrity in the face of growing political unrest in the UFP and ask what “Number One” herself would have thought about-
It's honestly wild to me that ToA went through so much trouble to emphasize the fact that Will did not magically fix all of Nico's problems and was explicitly not Nico's only doctor.
Only for TSATS to have Will fix all of Nico's problems and have Nico be entirely reliant on him the entire book and literally helpless without him and LITERALLY have Nico's problems be magically removed.
New pitch for dc: don't let any of your characters age they all just stay the same age for atleast the next 10 years with the only exception being Tim Drake who will do so at the same rate as people usually age eg: one irl year = one Tim Drake year
this very well may be premature, and I would love to be proven wrong by the upcoming episodes, but my most honest opinion? This adaptation is shaking out to be perfectly fine. It's good. I wouldn't call it great. Its actors of a lifetime being wasted on an extremely sanitized, watered down version of the Lightning Thief. They've cut out too much of the absurdity and silliness, as well as anything that's too scary or foreboding or violent. It's mostly faithful to the source material, and has some standout moments, but as of now, it's been a largely low-energy and low-stakes portrayal of a story that is high-energy and high stakes