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werewolfsmile · 4 months

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The Eliot Spencer Details Masterpost

I have been recording details about our beloved Eliot Spencer on my latest watch through. And now, it's finally time to reveal the details!! If I have gotten any details INCORRECT, I beg of you to correct me, at which time, this post will be updated and credit given. (Note: S1 was aired out of chronological order. I am going by chronological episode numbers - aka the correct order - and providing the episode titles as well to minimise confusion.) !! This post contains details from Leverage: Redemption! Read the episode references carefully if you are wanting to avoid certain spoilers !!

Shirtless Moments

S1 E7 The Two-Horse Job: The flashback scene when Aimee asks Eliot what his excuse was for not coming back to her, we see him being dragged/tortured, shirtless. "Tell us what you did with the monkey!"

S2 E2 The Tap-Out Job: Eliot is shirtless for the fight match.

S4 E9 The Cross My Heart Job: Ehh he's not completely shirtless here but whatever. At about 16 mins in, Eliot and Parker are getting changed together, Eliot strips to a singlet then throws his shirt at me the camera. (I didn't include other scenes of Eliot in a singlet here because in this scene he's actively undressing, whereas in others he's not.)

Necklaces

The earliest sighting of his guitar pick necklace is S1 E2 The Homecoming Job. It continues to pop up frequently in episodes, though noticeably less in S1. I thought about recording every occurrence of it here but ... lmao it's in legit waaayyyy too many episodes for me to bother.

S2 E10 The Runway Job: Honourable mention of the necklaces Eliot wears with his fashion week outfit. The longer one is kinda dogtag-esque, the shorter one is ... I think it's a fleur de lis? He also wears a range of chain necklaces later in this episode.

S4 E18 The Last Dam Job: Bird pendant (possibly kingfisher) visible at 34 mins 39 seconds. Full credits to @wolves-in-the-world for this one including the time stamp! You can check out their reblog of this post with more details here!

Dammit Hardison

S1 E13 The Second David Job: The FIRST INSTANCE of dammit Hardison in the entire show! Said upon discovering each other in the gallery, around 4 mins 15 seconds.

S2 E1 The Beantown Bailout Job: Said around 22 mins 30 seconds, immediately following, "What are the odds that Eliot's crotch will actually explode?" Iconic.

S2 E6 The Top Hat Job: When setting up for the magic show and discovering the rabbit missing, roughly 19 mins 45 seconds.

S3 E3 The Inside Job: Running from security, around 31 mins 30 seconds.

S3 E4 The Scheherazade Job: Trying to enter McRory's at the same time, around 1 min 30 seconds.

S3 E5 The Double Blind Job: This is an honourable mention because this time NATE is the one to say dammit Hardison! 9 mins 15 seconds.

S3 E6 The Studio Job: Upon discovering the master tape isn't in the case, roughly 32 mins.

S3 E7 The Gone Fishin' Job: Eliot and Hardison running in the woods for their lives, arguing as always. This one is a bonus 'dammit' because Hardison says it straight back to Eliot after Eliot yells it at him! Around 21 mins.

S3 E12 The King George Job: Discussing Hardison's forgery work, followed by Eliot regretting touching anything. Around 23 mins 55 seconds.

S3 E13 The Morning After Job: Pretending to be cops and accidentally ending up with a prisoner to take back to jail, around 16 mins 20 seconds.

S3 E14 The Ho Ho Ho Job: Honourable mention of Chaos mocking Eliot by saying dammit Hardison. Roughly 21 mins 15 seconds.

(phew, S3 was rough on Hardison! given what Eliot was going through with the whole Moreau thing.... ooh that's delicious angst)

S4 E5 The Hot Potato Job: Honourable mention for Sophie saying it this time! While playing the role that was meant for Eliot, around 24 mins.

S4 E6 The Carnival Job: Mixing chemicals for a distraction, roughly 25 mins 30 seconds.

S4 E17 The Radio Job: Hardison running away from being thrown off a high floor, around 5 mins.

S4 E18 The Last Dam Job: Sneaking around at the Bellington Dam, roughly 13 mins 35 seconds.

S5 E1 The (Very) Big Bird Job: 'Accidentally' putting a brew pub menu in front of Eliot, around 10 mins 20 seconds.

S5 E15 The Long Goodbye Job: Emotional scene that we do not speak about, around 12 mins 40 seconds.

RS1 E1 The Too Many Rembrandts Job: After knocking Harry out and asking Hardison to help carry Harry, and Hardison refuses. 11 mins 40 seconds.

RS1 E2 The Panamanian Monkey Job: Upon discovering that security is headed to the vault where Parker is, and the only way down there is through the vents. Around 34 mins 10 seconds.

RS2 E1 The Debutante Job: We get 3! In this whole episode! Probably to make up for Hardison being gone for most of Redemption. Anyway! First one when Eliot and Hardison are in Ralphie Roy's place and Hardison has no idea who Ralphie is, around 23 mins 15 seconds. Second is when they're breaking into the elevator and Hardison won't help fight or move the unconscious guards, roughly 37 mins 40 seconds. And third, after the job when Parker says that Hardison was the one who took out all the guards. Around 45 mins 10 seconds.

RS2 E3 The Tournament Job: Right at the start after Eliot says gaming isn't a sport and Parker texts Hardison, so Hardison starts blowing up Eliot's phone. Lmao. Around 4 mins 20 seconds.

RS2 E4 The Date Night Job: After realising Breanna stole his truck, Eliot says dammit, then aims it at a grinning Hardison, since Breanna is already running away. Around 46 mins 50 seconds.

Dammit Parker

S1 E4 The Snow Job: Parker jumps out of a second floor window, Eliot catches her. 15 mins. (Parker gets a dammit from Eliot before Hardison does!!)

S3 E8 The Boost Job: Parker driving erratically, Eliot thrown around in back seat. (Technically there's a pause between dammit and Parker but I'm still including it) 35 min 35 seconds.

S5 E12 The White Rabbit Job: Searching the mark's house, Parker wants to steal a shirt. Again, this isn't technically a proper dammit Parker, as Eliot instead says, "Put it back! Dammit." But I'm still including it because it was aimed at her. 21 mins 20 seconds.

RS1 E9 The Bucket Job: Parker is pretending to be a hacker heavily modelled off Hardison. Not a proper dammit Parker as, again, Eliot only mutters "dammit" under his breath, but still counts to me. Just after 18 mins.

RS1 E10 The Unwellness Job: At end of episode, after Parker admits that she didn't even learn Eliot's name till after the team broke up the first time. 44 mins 30 seconds.

RS1 E13 The Hurricane Job: After washing up on shore and entering the Beacon Inn, Parker and Eliot are bickering about Maria. He doesn't strictly say dammit Parker but there's absolutely no doubt who he's directing the dammits towards. 3 mins 30 seconds.

RS2 E6 The Fractured Job: When farewelling Billy and Parker says next time she'll finish telling him about the robot bodies. Again, it's just dammit not dammit Parker but it's close enough. 41 mins.

RS2 E8 The Turkish Prisoner Job: Another standalone dammit that is most definitely aimed at Parker! When breaking Romero out, Parker says she's a firefighter (with far too much glee), around 14 mins 30 seconds.

RS2 E10 The Work Study Job: A full dammit Parker this time! When Parker reveals that it's super easy to steal from a university and produces a whole bunch of stuff, roughly 22 mins 40 seconds.

Very Distinctive Moments

S1 E2 The Homecoming Job: Eliot ID's the weapon from the gunshots, around 8 mins. Later, he ID's a guy off his knife fighting style, around 18 mins 50 seconds.

S2 E6 The Top Hat Job: ID's a CIA guy from his stance, roughly 7 mins 45 seconds.

S3 E11 The Rashomon Job: ID's the smell of peppermint on Hardison's breath, around 21 mins.

S3 E12 The King George Job: ID's former British paratroopers by their haircuts, 30 mins 10 seconds.

S4 E1 The Long Way Down Job: ID's a former spetsnaz guy by his footprint, 13 mins 45 seconds.

S4 E5 The Hot Potato Job: Honourable mention of Eliot ID'ing ex-military personnel by their stances, he just doesn't say very distinctive. 18 mins 50 seconds.

S4 E11 The Experimental Job: Honourable mention of Eliot ID'ing a helicopter by the whumpa-whumpa (there's 7 of them did you know). Around 7 mins.

S5 E3 The First Contact Job: ID's military satellite transmission by the static, 7 mins 20 seconds.

S5 E9 The Rundown Job: ID's a Navy Seal who enlisted between '90-'95 by his watch, around 16 mins.

RS1 E2 The Panamanian Monkey Job: ID's a drone (Breanna's) from the sound. 11 mins 50 seconds.

RS1 E3 The Rollin' On The River Job: ID's Russian mob by the tattoos, 36 mins 30 seconds.

RS1 E7 The Double-Edged Sword Job: Honourable mention for Maria ID'ing the way Eliot disarmed her gun, 7 mins 50 seconds.

RS2 E4 The Date Night Job: Eliot ID's a guy as not having a distinctive anything - which is what is so distinctive. 20 mins 40 seconds.

RS2 E13 The Crowning Achievement Job: ID's MI6 off their search pattern, 6 mins 50 seconds.

Known Family

S1 E6 The Miracle Job: When discussing Bibletopia, Eliot says his nephew would like it. This is the ONLY mention of a nephew in the entire show, Redemption included; nor is there any direct mention of a sibling beyond this (which leads me to believe that this nephew is actually the son of a close friend/cousin/military buddy, rather than a direct family relation, but that's just my headcanon).

S2 E3 The Order 23 Job: When talking to the abused boy, Randy, Eliot says he has an uncle named Randy.

S5 E11 The Low Low Price Job: Eliot's dad owned a hardware store and he wanted Eliot to take over one day. But Eliot wanted to get out of that small town, so he joined the service. Fought with his dad the night before he left and hasn't been back since. He goes back at the end of this episode and knocks - but his dad never answers the door 😭

RS1 E9 The Bucket Job: While interrogating/torturing Eliot with Red Haze, Bligh says that Eliot's dad's friend from Vietnam has invited Eliot to join them for Christmas. At the end of the episode, Eliot goes to join them for dinner, only to get a message from 'J' that his dad was a no show. This 'J' is widely accepted as Eliot's unknown sibling but that is incorrect! 'J' is Eliot's dad's buddy from Vietnam!

RS2 E6 The Fractured Job: The ultimate Eliot family backstory episode!! (if you haven't seen it yet and don't want spoilers, skip this one!) Eliot was adopted by a black couple, Billy and an unnamed woman, after being abandoned/surrendered at a hospital as a baby. His father was a war hero who got none of the glory and sustained a wound, ruining his civilian career path, so Billy never wanted Eliot to follow in his footsteps. Eliot loved the stories of his dad in the military so joined up to be like him. His mother died while Eliot was on an op and he couldn't get leave to come back for the funeral, deepening the rift between him and Billy. Ultimately, they reconcile, (Eliot says his dad was always a hero to him, Billy say's he's proud of Eliot, they hug), and I cry every time 😭❤️ [Edit: Eliot being a baby at the time of being found at the hospital and consequently brought home by his adopted mother is unconfirmed and my presumption. We have no clear info on his age at adoption. Thanks to @nival-kenival for picking that up!]

Phrases: Ain't

S1 E4 The Snow Job: Said to Nate, right before Nate tells him to go skip some rope.

S1 E9 The Stork Job: Says it twice while conning Irina.

S1 E10 The Juror #6 Job: Upon being told to go help Parker instead of watching a sports game, Eliot takes his beer back.

S2 E2 The Tap-Out Job: Discussing the fights the mark runs, says they ain't the UFC.

S2 E3 The Order 23 Job: Said right before threatening to throw Randy's abusive father over the railing of a stairwell.

S2 E4 The Fairy Godparents Job: Upon spotting a hitman sent to kill McSweeten and Taggart.

S2 E8 The Ice Man Job: After hearing Hardison call himself the Ice Man, says he won't bail him out when things go wrong.

S2 E9 The Lost Heir Job: While trying to get Parker to the court room and end up cut off by the police.

S2 E11 The Bottle Job: When Hardison wants help to clean up Nate's apartment and Eliot refuses.

S2 E14 The Three Strikes Job: When Nate says to meet outside the ballpark but Eliot refuses because now he's sucked into the sport.

S3 E3 The Inside Job: Twice while arguing with Hardison about how to rescue Parker, once when Parker offers him a lift down the stairwell with her on her harness rig and he refuses. This is the most he says ain't in a single episode!

S3 E7 The Gone Fishin' Job: Once when the militia try to make him kneel, later when the militia kid catches him and Hardison near the train tracks.

S3 E11 The Rashomon Job: When Sophie changes her story to mock Eliot's accent and mannerisms.

S3 E15 The Big Bang Job: When confronting Moreau with Hardison.

S4 E1 The Long Way Down Job: Upon arriving at the base camp and complaining to Nate.

S4 E7 The Grave Danger Job: When looking for a buried Hardison and hearing the sprinklers.

S4 E10 The Queen's Gambit Job: At the end, swearing revenge on Sterling.

S4 E12 The Office Job: Arguing with Hardison about Eliot's sandwich while searching the warehouse.

S4 E13 The Girls' Night Out Job: When trying to convince Nate to socialise at the very start.

S4 E14 The Boys' Night Out Job: Exactly the same as the previous episode, so this one barely counts.

S4 E17 The Radio Job: In the patent office, when trying to figure out who lured Nate into this situation. The same scene is used later as a flashback.

S4 E18 The Last Dam Job: Warning Nate of the consequences of taking a life with your own hands.

S5 E2 The Blue Line Job: When ambushed by Marko when leaving the ice rink.

S5 E9 The Rundown Job: Once when going to wring information on the hit out of Riley, once when Hardison steps on the trigger plate of the claymore.

S5 E13 The Corkscrew Job: First time talking to Betty about how Leonard's a jerk.

RS1 E1 The Too Many Rembrandts Job: Twice when ambushed by RIZ thugs in the warehouse.

RS1 E2 The Panamanian Monkey Job: Once when discussing Ryan Corbett at the start, once when refusing to let Hardison have a turn with the diamond-tipped drill.

RS1 E3 The Rollin' On The River Job: When warning Breanna to be certain of her calculations for how to get him and Parker out of the casino's vault.

RS1 E8 The Mastermind Job: Once when discussing hiring people to overthrow a government, once when discussing how they're going to do like 6 things at once, including saving Harry.

RS1 E9 The Bucket Job: Said twice while talking with Blanche, after Blanche helped rescue Eliot from RIZ.

RS1 E14 The Great Train Job: While digging through the tainted soil with Harry.

RS2 E1 The Debutante Job: When trying to get to Volkov's plane with Parker and seeing that two guards are in the way.

RS2 E5 The Walk In The Woods Job: Talking to Paul after rescuing Harry, who was pretending to be Eliot.

Fun fact: for every ain't that Eliot says, Hardison says at least two more. And that's too many for me to bother recording!

Phrases: Y'all

Never. Not even once.

Hardison, on the other hand, says y'all all the damn time - every season, multiple times, sometimes even multiple times in the same episode.

Honourable mention for Chaos saying y'all as an incorrect mockery of Eliot's accent in S3 E14 The Ho Ho Ho Job.

... Okay, okay! So Eliot says it a few times in Redemption! But only in ONE episode!

RS1 E1 The Too Many Rembrandts Job: Said 4 times when playing a character and convincing people to clear out of the auction house.

That's it.

Aliases

These are all the names that Eliot's gone by or used on cons that I could find, not just full blown aliases.

S1 E1 The Nigerian Job: Detective Lieutenant Carden (the scene with this alias was cut from a lot of versions of this episode)

S1 E4 The Snow Job: Vince Fetkey, Hans Von Schwesterkrank

S1 E7 The Two-Horse Job: Brad Mackie

S1 E9 The Stork Job: Dale

S1 E12 The First David Job: Professor Sinclair

S1 E13 The Second David Job: Professor/Dr Adam Sinclair

S2 E2 The Tap-Out Job: Kid Jones (on the fight match poster)

S2 E4 The Fairy Godparents Job: Coach Brewer

S2 E5 The Three Days Of The Hunter Job: Earl

S2 E9 The Lost Heir Job: Officer Hilts

S2 E10 The Runway Job: Julian

S2 E14 The Three Strikes Job: Roy Chappell

S3 E1 The Jailhouse Job: Dr Abernathy

S3 E2 The Reunion Job: Lloyd Hickey

S3 E4 The Scheherazade Job: Guy Hamilton

S3 E5 The Double Blind Job: Phil

S3 E6 The Studio Job: Kenneth Crane

S3 E7 The Gone Fishin' Job: Agent Quint

S3 E8 The Boost Job: Skeeter

S3 E9 The Three-Card Monte Job: Detective Moffat

S3 E10 The Underground Job: Eric

S3 E11 The Rashomon Job: Dr Wes Abernathy

S3 E16 The San Lorenzo Job: Ray Laroque

S4 E2 The Ten Li'l Grifters Job: Charlie Siringo

S4 E4 The Van Gogh Job: Lieutenant (only granting him this one because CK played him in the flashback)

S4 E5 The Hot Potato Job: Tom Boonen

S4 E12 The Office Job: Mr Dennis

S4 E14 The Boys' Night Out Job: Luigi

S4 E15 The Lonely Hearts Job: Jackson Cooper

S4 E16 The Gold Job: Tobias Bowden

S4 E17 The Radio Job: Cowboy (*cough* John McClane *cough*)

S5 E2 The Blue Line Job: Jacques "Jack" Labert

S5 E3 The First Contact Job: Willie Riker

S5 E5 The Gimme A K Street Job: Steven Turner

S5 E6 The DB Cooper Job: DB Cooper/Young Steve Reynolds (again, technically not an alias but whatever it's here anyway)

S5 E7 The Real Fake Car Job: Barry McElroy

S5 E11 The Low Low Price Job: Archer

S5 E14 The Toy Job: Carl

Honourable mentions of Eliot being called: "Rambo" by Hardison in S1 E2 The Homecoming Job [thanks @independent-fics for this!]; "Emeril" by Parker in S1 E3 The Wedding Job [thanks @aardvaark for this one!]; "Sparky" by Parker in S1 E10 The Juror #6 Job and by Tara in S2 E15 The Maltese Falcon Job; and "Skippy" by Hardison in S3 E7 The Gone Fishin' Job.

RS1 E1 The Too Many Rembrandts Job: Will Gallagher

RS1 E6 The Card Game Job: Glenn the Savage

RS1 E7 The Double-Edged Sword: Emmett Milbarge

RS1 E8 The Mastermind Job: Frank Farmer

RS1 E10 The Unwellness Job: Hank

RS1 E12 The Golf Job: Reed Wilkins

RS1 E13 The Hurricane Job: Calvin

RS1 E15 The Muddy Waters Job: Armus Vagra

RS2 E7 The Big Rig Job: Kris

RS2 E8 The Turkish Prisoner Job: Nick O'Brien

RS2 E10 The Work Study Job: New Blood, Caterpillar

Honourable mention of Eliot being called "Skipper" by Hardison in RS1 E16 The Harry Wilson Job.

Known Associates

This is in direct reference to hitters/people from the criminal world that Eliot knew or was aware of prior to the Leverage Team. Quinn is not included in this list due to that distinction (sorry Quinn).

S1 E3 The Wedding Job: The Butcher of Kiev

S2 E7 The Two Live Crew Job: Mikel Dayan

S3 E11 The Rashomon Job: Gutman

S3 E15 The Big Bang Job: Chapman, Damien Moreau

S3 E16 The San Lorenzo Job: Damien Moreau

S4 E4 The Van Gogh Job: Frank, Randall

S4 E6 The Carnival Job: Roper

S5 E4 The French Connection: Rampone

S5 E9 The Rundown Job: Riley

Trivia

S2 E6 The Top Hat Job: Eliot claims he only sleeps 90 minutes a day, and that he cured his claustrophobia as a kid by locking himself in the woodshed behind his house for a couple nights.

S3 E6 The Studio Job: Eliot is nervous to perform in front of an audience, to the point that Parker startles him and she's surprised that she did. Interesting to note that he seems to have no issue playing sport in front of crowds.

S3 E7 The Gone Fishin' Job: Eliot says he hates beets.

S4 E5 The Hot Potato Job: Eliot chews gum. He does this throughout a LOT of episodes across the seasons but I've only noted down this one episode for it.... thanks, past me 🙄 [Edit: thanks @nival-kenival for more info! Another confirmed episode is S1 E2 The Homecoming Job, and S3 E13 The Morning After Job!]

S4 E9 The Cross My Heart Job: Eliot says he fought a guy with a Nerf sword in Damascus, 2002.

S5 E11 The Low Low Price Job: Eliot drives an F-150 to his dad's house in Oklahoma. This is a THIRD vehicle that apparently belongs to Eliot, in addition to the Chevrolet Silverado and Dodge Challenger we see in other episodes. The F-150 is not seen again.

S5 E12 The White Rabbit Job: Eliot has 'special sedatives' aka a little psychotropic he picked up outside of Bogota.

Eliot mostly walks at the back of the group, presumably to be the rear guard and make sure no one falls behind. See ... just about every damn episode for evidence.

RS1 E3 The Rollin' On The River Job: Parker says that Eliot has cut his way out of an ice cave, escaped a gorilla enclosure, and catered a wedding for the mob.

Eliot is seen wearing glasses throughout various episodes. A flashback in S1 E1 The Nigerian Job shows him wearing presumably his own glasses. All other instances of him wearing glasses (that I can think of) are when he takes someone's glasses for a con. It is unconfirmed if Eliot actually needs glasses to correct his eyesight or not, but is a fandom headcanon. In S3 E1 The Jailhouse Job there is an interaction where Nate ribs Eliot for taking so long in a fight, and Eliot says it's because of new glasses. An argument could be made that this means Eliot does require glasses. [Thanks @independent-fics for picking this up - for pretty much all the details pertaining to Eliot's glasses!]

And there you have it! All the details that I've spent the last 3 months collecting!! Now it's time for me to take a good, long break because my brain is fried! 😂

Once again, let me know if you find any errors so I can update the post. Data from Redemption S2 is where I've most likely missed things, since I don't have it on DVD and it's sooo much harder to scrub through streaming footage to find things. When will they release RS2 on DVD I need itttt.

If you've made it this far, thanks for reading! I hope this post can be a helpful reference for you!

#eliot spencer #leverage #leverage redemption #the eliot spencer details masterpost #meta #does this count as meta??? ah who cares.#christian kane #parker leverage #alec hardison #nate ford #sophie devereaux #my posts #reference #not everything has time stamps because i could. not. be. bothered.#just the stuff i figured i'd use the most #and ngl i started researching when he says 'y'all' because i often see it included in fics and i was like... eliot would not say that #not trying to have a go at anyone i just had to prove it for myself #this has been a labour of love #emphasis on the LABOUR #no more laptop time for a while #i'll be sticking to my phone thanks #oh and if anyone has details that they want to add on go for it!#this is an official leverage fandom resource #i was originally gonna add photos and/or gifs to this but lmao no #it's enough of a monster as is #time to post

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littleplantfreak · 9 days

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A Candle’s Memory

Pairing: Umemiya x Reader

Cw: Fluff and slight hurt/comfort

Word Count: 1782

I did this as an exercise that turned into me writing for longer than I was supposed to because I felt sad about leaving it unfinished. The Prompts were candle wick or an old flame rekindled (I did both) and the theme was : Preservation in preparation for the coming winter, we try to hold onto the last bit of warmth. Write about letting go, or not wanting to.

Oh! Thank you @birinboom, min skat and my lovely beta reader. I wouldn’t have posted it without you 😘

Thunk

Snow hitting your window snaps your mind out of the book you were reading and breaks the immersion completely, causing more anger than fear. You know the face that pops up outside the window immediately as you give him a bored look. For a 12 year old, Umemiya's more dependable than most adults, dragging himself out of bed at 6:00AM to shovel the older neighbors' sidewalks. His cheeks and nose are stained red, and his sniffling causes the window to fog up.

When you crack the window halfway, the warmth is sucked out of your room, the wind blowing the candle you were using as a reading light out. Dog earring the page of your book, you reach out as your hands cover his cheeks, hoping to bring him some form of warmth. You really have to pity his poor skin with the way he gives it no more care than to wrap a scarf around his neck and sometimes bury his face deep in it to keep away frostbite.

"Whatcha readin' this time?" He asks, feeling the blood return to his face now that there's warm skin over his own frigid cheeks. The candle blown out stares him down while the wax cools as if faulting him for its death.

"Treasure Island. You should read it after I'm done." Because he should. You know his taste, and this is something he can get behind. Pirates and adventure for a boy who's got an equally adventurous dream roiling in his bones. He never asks what it's about, and you never tell him, both content at the surprise.

"I'll pick it up on my way to school," Is all he says to that before taking the matches off the side of the table and relighting your candle. He hops down a little ways, setting out to do at least two more sidewalks before he has to go back home and get dressed.

This routine continues until it stops snowing. Or at least you would think it would. He doesn't have any real reason to come back once it's warm enough, you'd think, but when he shows up on a morning without snow, you're a bit confused.

"I saw the candle going again and decided to stop by." He says immediately. It's still cold, but his face is much less irritated by it without precipitation.

"Are you...on a walk?"

"Something like that!" He says leaning into the window, giving no concern over how close he gets to you or the burning candle he almost knocks over. It'd be silly to say you didn't have a crush on him, especially with his constant morning attention and how his smile seemed to light up your room more than your candle ever could.

His eyes go to the book you're reading once again. This time the cover reads Hamlet. When he meets your eyes again, you let out a breath you'd been holding.

"This one is a tragedy, so you might not like it as much." It's more than you've ever said about one of the books before.

"Do you like it?" He asks, gray eyes dancing between looking at your bedhead and the pretty eyes that caught his attention the first time he saw you through the window.

"I do."

"I'll give it a try." He shows a softer smile, less thousand-watt and more warm sunny day. You're not sure if he can tell just how breathless it makes you when he does that. Surely he has to know. The thought of him smiling like that makes your heart twist in an unpleasant way, but you'll be damned if you ever let that monster win against showing him nothing but the smile you return to him.

The one morning you wish he'd come, he doesn't. The dread you feel lays heavy like a rock in your throat as the moving van comes that afternoon, dragging you away from your window. Before you leave, you look from the outside where he'd stand, seeing from his point of view what it looked like sans burning candle. Surely it must look more comforting with the flame and its golden halo.

When you think about him coming back to the dark empty frame, no longer allowed access, the tears you thought would be so easy to hold back fall painfully. The bookmark you lay out on the windowsill that your parents bought you as a birthday present sits limp and dead, and you wonder if it'll blow away before he finds it.

It does not blow away before he finds it, luckily. The unlucky thing is that you're gone. He's been kept away by a fever he didn't think would get worse after the first day. Try as he might've to meet you, the room spun, and he quickly and often became accustomed to the toilet those three days he was bedridden. The bookmark had small pressed petals and a pink tassel to match them. He holds it tight, looking at the window and feeling like it was a closed door.

𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒

When you move back to your hometown, you're well out of high school. The town has changed for the better as you walk through, seeing the community flourish with potted plants in front of stores no longer kicked and smashed, and kids walking together, no nervous glances to the alleyways anymore. You've got an inkling as to who's responsible for the change, but you brush aside thoughts of him even now, the nostalgia keeping you from reading any books you'd shared back then. You'd learned fast back then that rereading them only caused stormy waves to wash over you, soaking you in a delicate sadness.

There are plenty of books in the world. A few are off limits. If you saw him, though, would it allow you to read them again, the way you so desperately wish to? Sometimes you wonder if it's the books you miss or the interest Umemiya gave to both you and the pages.

You buy your old house from your parents, who never got around to selling it. It's run down and dusty, and the rooms are the same as ever. You can't bring yourself to take any room but your own from back then, setting it up differently except for the desk against the window.

The old scentless candle is now replaced with a sweet lemon one that you allow to burn while the window stays open well into the later evening. The lack of scent back then was only due to your parents who weren't pleased with your staying up past bedtime, hours into the next morning, and then sleeping when you got home from school until you started the cycle once more.

The house feels better now that you've got it clean, at least. There are carpets to rip out, and leaks to check. The backyard is overgrown, and the light in the shed refuses to work, but this is home. It feels more like home than the house you'd moved to all those years ago.

The next day, you walk back to your house from the library with a stack of three books nestled close to your chest. You can't help your eyes flickering to the large figure making his way to the door you've just come out of, and when you hold it for him, you're more sure than ever.

"Umemiya Hajime, is that you?" you ask, voice a little more enthused than you'd wanted it to be. He looks once, then to the door before he double takes. You can see the cogs turning in his mind, with the cutest pout you didn't know a grown man could make. Your name falls from his mouth like a question. "The one and only," you say, and your smile turns fond, remembering just how much tinier he used to be. You were always taller than him, at least from your seat at the desk, but now he towers above you.

"It's really you," he breathes for a moment, looking at the differences and picking them out easily. He feels like it was just yesterday that he leaned too close to your candle, singeing the end of his scarf by accident. He remembers the look of panic when you realized he was on fire and started smacking at him with your book. You'd ended up having to buy that one from the library due to the soot and small scorches to the cover from your rescue. He still has it on a shelf in his room, insisting he'd pay you back, but you said it'd be a late Christmas present despite it being closer to Valentine's day than anything. When he brought it up back then, you'd waved it off, stuttering something about how it was more about intention than actual calendar dates.

"Are you visiting?" He asks, not having heard that you were around from anyone, but you always were a bit more introverted.

"I bought my old house and moved back actually. There was a job with a 20-minute commute from here, so I figured it'd be great to be somewhere familiar. I didn't know Makochi changed this much." He sees the crinkle of your eyes and the smile you throw to him when you say the last sentence, knowing you've always been fully aware of his dreams. Seeing that was worth more than any praise. The look was praise itself, maybe, given how it filled his chest with a warmth that had him laying a hand there as his fingers played with the neck of his shirt as he tried hard not to fist the fabric.

"If I'd known, I would've stopped by sooner."

"You know now, so stop by whenever you want," you laugh, because years ago, he would never have been shy about it. The book you see he's holding has something pink attached. A memory surfaces, spanning over years of living in a separate, different place, only to settle right where a story ended. At least you thought it had ended, but maybe you'll have to crack it open again just to be sure.

"This time, you can come in through the door." You walk off with a wave, thinking about lighting that lemon scented candle again when you get home. You let it burn long enough last time for the memory to shape the wax into a nice, even pool, which will help the wick burn slow and steady once you relight it.

#mari writes #umemiya hajime x reader #wind breaker x reader #im never quite close enough to the theme as i want to be but i think it was decent enough

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thekingofwinterblog · 5 months

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Was the Grand Line originally land? (CONFIRMED Theory)

So in lights on the most recent chapter, 1113, we learn that the world government's great and final plan is to flood the entire world, leaving only the red line above the sea level and drowning the rest of the world.

With this in mind, there is of course the obvious question, of wheter this was always the plan, even during the void century.

And if so, there is the question of wheter or not the original alliance succeeded, and the Grand Line as we know it is just a post apokalyptic remnant of a once, much grander landmass, not necessarily one made up completely of land, as we know that some of the kingdoms(the great kingdom itself) during the Void century WERE islands, but one where there was still a very clear land bridge across the world, beyond just the red line.

So, lets dive into this idea, and the evidence for and against.

Starting off with, the grand line is a bizarre place, and we have no actual explanation of why it exists. It cannot be the one piece equator equivelant of the equator, for as oda has confirmed, the map above is aligned so north, south, west and east are those direction on the globe, with the red line and grand line both at an angle across the world, not aligned in the four compass directions.

Then of course there are the frankly bizarre phenomena of the grand line, which though a lot has a somewhat logical explanation, there are still plenty of mysteries, such as the bizarre weather currents of the grand line, and the way the calm belt is very clearly supernatural in how it works.

Why is the start of the line so bloody strange, so much less predictable and filled with nonesense than the rest of paradise?

But lets begin dissecting the idea that the grand line is a post apokalyptic wastelands. How would the continent sinking into the sea explain the weather phenomena?

Well... Crocus claims that the reason for the grand line's being filled with abnormal magnetic fields as a result of each of the islands being very rich in minerals, which frankly speaking, doesnt really seem to be the case for the most part from what we've seen... but if you assume that them "being rich in minerals" actually refers to the idea that the core of each of the islands that survived the ancienct apokalypse were filled to the brim with strong, durable metals from the very core of the earth as the lands around was sunk beneath the waves, there might be some logic to it.

The "islands", or at least the mountains they rest on, would indeed be filled with rich minerals, and more importantly, they would be way closer to the surface and now much more "uncovered" by stone, and be just beneath the surface, and so wrecks havoc on anyone trying to use a compass.

but are there more to suggest the grand line used to be above sea level?

Yes, actually, there is.

In paradise, there are 4 megastructures that seems to defy any, and all logic for how they could possibly have been built.

The tree gates of justice.

And Impel Down.

we have no idea who built these ginormous structures, but the simple reality is that with what we know, They just dont make sense.

The Gates are so so stupidly big, that the only creatures that would match it is the big elephant of the minks, and the florian monster.

However, forget the size, the bigger problem is the foundations.

Impel Down is structured like a castle, with a very clear, tiered set of levels.

assuming it was indeed built in the middle of the ocean, from the bottom up, the only race who could possibly have done it would have been the fishmen, who from what we know would have absolutely no reason whatsoever to help the world government make it, given they were on the opposite side during the Void Century, and relations have not gotten much better since.

however... if we assume that both of these structures, the gates of justice, and Impel down, were made on land BEFORE they were submerged, the mystery of the how their construction suddenly makes way more sense.

they are stupidly big, but they were built above ground, making their construction much more logical.

if so, then at the bottom of the sea in this area, one could probably find walls, similar to the gates, connecting the 3 gates, with all 3 and the castle of impel down obviously having been part of some grand, defensive fortification, with their current use of controlling the whirlpool having little to do with their original intention.

And then of course there is how the one piece world is portrayed in Monsters.

We dont know exactly when Monsters is set, but it has to be sometime before the void century, because it was in a different age than the era of isolation that was put into place after the the mountain walls were put into place after the great war, and it cant have been during the void century itself, for it it had been, any mention of the man would have been ruthlessly wiped out by the world government, and he would most certainly not have been famous across the world.

So he lived sometime before the great conflict started.

the more interesting part about monsters though, is how the world looks. Rather than the familiar world of island based city states, We are shown a wast landscape with no sea in sight.

Now it's of course possible this story is set somewhere on the red line, or one a massive island, but there is something else to suggest that the world of old was fundamentally different than what came later.

Ryuma was recognized as the man who carried "the world's greatest warrior soul", and was famed far and wide, with the nickname suggesting a level of international fame on the same level as mihawk... except there is a bit of a problem here.

One piece's world building is built on the fact that every single island is very isolated from all the rest of the world. even if there is one world government, that a lot of states are a part of, but defacto, each island is an independent nation unto itself, except when the world government wants something from them.

News simply does not spread in this way in the one piece world. The only reason pirates such as Luffy, whitebeard and roger are famous, is because the powers that be have a wested interest in making them famous, and spread their wickedness and thus warning of their danger, but also as a justification to why they need to have the mariens around to protect people.

and yet the tales of Ryuma both in monsters and in one piece proper is a worldwide spread story, which given how old he is seems bizarre all things considered(how old his legend is, how widespread it is, how nobody except the people of Wano would have a political reason for keeping his legend alive, etc)... but if one assumes the entire world has heard of him because he literarily walked from one end of the world to the other, with only small boat trips to cross gaps in the continent of the grand line, then the idea that he would be remembered by all long, long after his death makes way more sense.

And then of course there is another, huge detail that is very easy to miss. One Piece's age of exploration just ended, relatively speaking.

The one piece world is OLD, with Alabasta's capital being 4000 years old, and the world government as an organization being 800 years old.

And yet... The world, or more speciffically the grand line was still being charted out and mapped as late as 400 years ago.

four centuries after having been created, the world government and the people of this world didnt know the rough layout of paradise, the part of the grand line where the only kingdom we know for a fact was part of the original alliance against the great kingdom was located.

That seems... insane to be perfectly honest... but it makes WAY more sense if one assumed that the Grand line used to be one, relatively well connected landmass that stretched across the world in relation to the red line.

But once that for the most part sank into the sea(most certainly as a result of the full might of the ancient weapons being unleashed on either side of the war), the world as the people of old knew it was broken, and had to be completely remapped, a process that took centuries.

This could also explain the world government's big symbol. a cross with 5 dots, one in the middle, and 4 around it.

Now the idea that this symbolizes the 4 directions of the world is not a new theory, but the dots are another question, with us having no idea what they mean.

Here's my theory.

all five represents the same thing, the alliance's big plans for a capital of the world, Mary Geoise, located on one of the spots wheree the world's two big landmasses met. the meaning as it originally was envisioned, was that no matter which direction you went, you would always end up back here at the center of the world.

#one piece #chapter 1113 #one piece spoilers #theory #theories #void century #one piece was actually a post apocalypse all along #Mary Geoise #meta

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skyeslittlecorner · 8 months

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Tails for All! - Abaddon edition

Dantalian

A small fluffy ball, slightly elongated towards the top. It looks like a deer, but with black fur instead of brown.

He's glad he has small horns because it makes him look less dangerous. He is even happier with his little tail. It's cute and matches Sailor Moon's uniform more than any nasty weapon. He only wishes you could write on it.

Asmodeus doesn't like his tail because, unlike the other two, he can't hold Dantalian by the tail like on a leash. Dantalian offered to attach barbed wire to his tail. You don't know how this conversation went further.

His tail smells lovely, like almonds. Why? Nobody knows.

The best anti-stress squeeze in all of Hell.

Sensitiveness 10/10. Stand on it. Crush it. Tear out the fur. Set it on fire. The more you abuse it, the better.

He will be honestly surprised when you start stroking and kissing him, but... hey, it's actually nice too!

Phenix

A long, feathery tail. The feathers are blurry because they are made of pure flames, you can't see where the feathers end and the fire begins. The whole thing is long up to the feet.

The color of his tail depends on his emotions, in arousal the shades change between red, orange and white when he cums (so usually).

Asmodeus asked Beelzebub to give Phenix a piercing at the base of his tail. Beel could not agree, because he was not his citizen, but under his watchful eye, Asmo did it himself and put a padlock on Phenix, thanks to which his tail does not burn inanimated objects.

Phenix can actually regulate whether his tail will burn someone or not, but he's too excited to consider such things.

Perfect for fighting. Angel feathers smell beautiful when they burn. In addition, severed limbs can be burned to prevent the enemy from bleeding out too quickly.

When not excited, his tail curls up and is much smaller and about the size of Stolas. At least that's what Morax said. No one else can confirm or deny.

Sensitiveness ?/10. How do you want to touch the fire?

In fact, you saw that a one person can touch Phenix's tail whenever he wants. But Asmo is a mean bastard and all you will hear from him is "try it yourself".

In bed it can only be used as a night lamp. At least until you teach that little bird to keep his emotions in check (good luck).

Ronove

Calf-length, very hard, covered with stone-hard skin, with a ball the size of a fist at the end. Morningstar, actually. Dark, gray skin, rough. He actually has patches like a dinosaur.

The spines are long, sharp and hooked at the tip. They will tear out a piece of meat if they get stuck.

Can retract spikes. He controls them much better than Phenix controls his flame. When you're dealing with just the ball, it's very nicely slick and in the right shape... wait, that should have been at the end.

When he was younger and Asmodeus told him to shut up, he put his tail in his mouth. Now it's a bit too big. You can lick it too... wait, yes, at the end. Again. Oops.

Perfect massager. Heavy enough that you can feel it running along your back and shoulders, but not overwhelming.

Sensitiveness 7/10. He loves playing with his tail when you are together. The tip and base are the most sensitive. Play with them, but not too gently, spankings and whips are most desirable.

Rough skin is perfect for grinding. Besides, he'd love to see it.

…well, we know about one more figure from this country. And I have an unhealthy obsession with him. He's so hot he burned a hole in my brain, and he isn't even out yet. We only know his appearance from Love Unholyc, but just let's have some fun, I'll try to fit him something. We'll see how this post ages lol.

Asmodeus

Scorpion tail. As thick as his arms, black as his hair, hard and shiny, with a sting at the end.

At first, his tail is confused with Beel and vice versa. In fact, they are two completely different things. Beel is much more flexible and thinner, while Asmo is larger and harder.

He likes to sit on a chaise-longue-like throne in a brothel-looking hall, hold you in his lap, wrap his deadly tail around you, and watch Dantesque scenes at his feet with his queen by his side. The only thing missing is popcorn.

Like his hair, the tail is wrapped in barbed wire. Normal devils would prefer it had some sort of cover on it. The other kings wondered whether they should really do one to him.

Of course it's poisonous. The only antidote is to drink milk from his horn. If you don't please him, he will sting you to try harder. He likes watching you fight for your life…

...but he will never lose himself enough to do real harm to you. I mean, kill you. He will detoxify you long before you pass out.

By the way, do I need to mention that this poison is the strongest aphrodisiac in hell?

Sensitiveness 4/10. As opposed to being the embodiment of lust, his tail is used for fighting rather than caressing.

Yes, he will try to put his stinger in you. No, this is not a good idea. Of course he knows it, but he loves the horror and outrage on your face.

#whb #what in hell is bad #whb phenix #whb ronove #whb dantalian #btw does Abbadon have any color assigned? Guys don't have ults #whb asmodeus #I was physically unable to skip him #at least we know more about him than Orias #I know he's supposed to be with the kings but he ended up here as an extra because he's unofficial #He'll change his place if he kindly shows us his sexy ass

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skythealmighty · 3 months

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This is Melvin Sneedly. He's the kid with the fluffed up hair and the bowtie; remember that now!

So. Um. I'd like to offer my own AU to the table! It's called Pranksterswap, and how it works is Melvin swaps role with both George and Harold. At once! They don't swap personality, though, that stays the same. (ALSO, THIS AU FOLLOWS A MISHMASH OF THE BOOK AND SHOW, NOT THE MOVIE.)

Let's start by analyzing our main G&H, shall we?

WARNING: LONG POST. SORRY.

George Beard and Harold Hutchins

They still write comics as Tree House Comix! In fact, they even have matching button pins- courtesy of Harold's mom, who I like to imagine is a bit of a craftswoman. There's one key difference though- they started comics in first grade, not kindergarten.

George is still our loveable dumb humored writer, he's just a little less rough and tumble than before and a bit more cautious (Harold played a big influence on that). He wears pants now! And a backpack all the time for his notebooks.

Harold played a lot more influence in the early days, leading them both to be a lot less jump-into-danger-at-first-sight. Sometime after they start making comics, he gets the idea of art school from his mom (who went to art school), so they both plan out to go to art school so they can make comics forever.

They're... mostly model students. They both have ADHD, but only George is medicated, so Harold tends to unknowingly space out. (George has the Hyperactive type, Harold has the Inattentive type.) Really, the only rules they break are "doodling in class" and "selling comics on the playground", so they don't see the principal often.

This doesn't mean they don't get prank ideas; they do, but when they get them they usually hand them off to...

Melvin Sneedly

Melvin is... still Melvin, mostly, with a different progresssion. Especially in kindergarten, he very much felt unchallenged and bored, but without G&H causing mass mayhem, he didn't turn to tattling- instead he turned to online classes, and then to studying his classmates like a lab experiment.

Potty humor and childish jokes eventually became what he tried to figure out, mostly by nature of him growing up with more "sophisticated" humor. Though he didn't end up completely getting it, he did end up appreciating some of the wordplay and figuring out the "formula" so he could join in.

Though he still didn't quite "get" it, seeing other kids laugh at his jokes was a point of pride and made him happy. Thus begins his more juvenile sense of humor.

By the time George and Harold started selling their comics, he was studying other possible ways to make his fellow students laugh, and also keeping tabs on what his classmates did for fun. Naturally, he bought a pretty early copy, just about when he found out about "pranks", and well, things were pretty much set in motion.

Using the first Tree House Comix as a guide, he did his first prank on his first grade teacher, and burst out laughing at her reaction, something finally clicking for his sense of humor.

The rest is history, really, though a lot of his pranks quickly became much more complicated after that, mostly to test his inventions and intellect. A lot of them were inspired by Tree House Comix, of which he was now an avid reader- which, of course, eventually ended up in...

Captain Underpants!

Melvin makes an off-hand joke while trying to get out of weekend detention (he has the Invention Convention that weekend, where he can proudly share off his prank inventions! Come on!), and it accidentally turns Krupp into the Captain, which as we all know makes things so much more complicated.

Unlike G&H, Melvin does realize the weight of what he's done pretty well, and is frankly kind of horrified about it. As a result, he treats Captain a lot more genuinely than canon G&H do, and ends up in the fray alongside him more often than not using technology to make up for his lack of superpowers.

The books/show end up leaning far more towards edutainment just by nature of the main characters- Captain is kind of clueless, and Melvin likes sharing knowledge. As a result, Captain here is a bit more knowledgeable, though he does tend to retain all-over-the-place fun facts more than other things.

Melvin also has generally no qualms about Krupp finding out, but he's also spent so long anxiously agonizing over the scenarios of what would happen so he's still dreading it. Captain seems mostly oblivious to this.

So... yeah that's... about it! Sort of. There's a lot more that I haven't touched on, but this post is LONG as is. Colored versions of the drawings might come eventually! ...Eventually.

Oh yeah and feel free to send me asks if you have any questions!

#captain underpants au #captain underpants #cu pranksterswap au #cu au #roc save #rocket talk #read later dumbass (at self)#george beard #harold hutchins #melvin sneedly

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ectonurites · 1 year

Note

Now that we’re halfway through it what are your thoughts on Kon’s solo?

I've been enjoying it! I think it's been fun so far—I do think that letting Kon have a story where he's out on his own just doing a classic little adventure like this rather than... something super tethered to the greater DCU/its continuity messes is refreshing after the last few years he's had.

Like I definitely don't want him isolated from all his friends in space forever or anything like that, but I think him getting to do this on his own right now is cool. I think the thing Porter seems to be going for with Kon 'chasing after the glory days'/trying to find some shred of his old life to cling onto (even if it's just a space imitation of it) is definitely interesting and like... makes enough sense to me for him and where he's at after The Everything.

I just gave this 'how Kon has changed across the eras' post of mine from a while back (fall 2021, so written shortly after the whole Suicide Squad Match Ordeal™) a re-read and something I was talking about at the end was how after all the experiences he's had he has looped back around to embracing aspects of his old self (that he'd been pushing away for a long time because of 2000's-era Trauma And Angst) and I think this current book is definitely like, playing with that.

What I was talking about in that post ended mostly after YJ 2019 though—his state of mind at that point being more or less 'okay I'm back now let's goooooo!!!!!' before The Horrors of realizing he came back to a world that really had moved on without him for years really set in. Like, he knew about that by the end of YJ 2019, but I think he needed to sit on it for a bit and see it firsthand... also even though I know the book was a mess and not well received, I think we should still acknowledge Dark Crisis: Young Justice—where he got a firsthand taste of the olden 90's 'I hadn't died yet, I hadn't disappeared yet, I hadn't been replaced yet' days in Mickey's dream world. After experiencing that and getting some reality checks from the rest of the team, he knows he can't seriously just go back, you can't go back to the past like that... but...

The new understanding of himself he'd achieved just before/while stuck on Gemworld—where we saw he was making active choices about who he's gonna be based on what he wants rather than Clark-based expectations or anyone else's input, and where he was rolling with the changes and circumstances that had been thrown at him—has been thrown SERIOUSLY out of whack!

So rather than it being that 'he's returning to aspects of who he used to be while incorporating the experience and maturity he's gained along the way over the years' situation from YJ 2019, it's started warping into 'he's regressing back to the safety of being the Metropolis Kid/his 90's era self just out in space this time so TECHNICALLY it's DIFFERENT'. Which I think is an interesting approach! And him acting completely and totally in denial of that being what he's doing (even though it's clear he knows damn well it is) is also totally in line with classic Kon—thinking back to the Young Justice (1998) #7 camping trip LMAO.

But like, the thing is, Superboy: The Man of Tomorrow #1 started with an editor's note clarifying it takes place before Action Comics #1051 which began the new family-focused era of the book... that Kon is very obviously present for.

So we already know he's gonna figure out that there is a place for him back on earth and that he doesn't need to completely regress and try to relive his past somewhere else, he can just be himself and carve out his own path at home and have a place within the family. We're not stuck guessing about what Kon's fate is gonna be after the fact—instead, this book gets to focus on this journey he's going through and we're along for the ride to see how he's gonna finally reach that conclusion! Which is fun!

Anyways, that was a lot of word dumping—Kon just gets me going man, you know he always does—but in conclusion: I'm enjoying the book overall, it has definitely kept me as a Kon fan engaged, and I'm looking forward to seeing where it goes!

+ as much as ideologically I am opposed to DC Round Robin, I'm definitely (at this point anyways) glad that this book got to exist.

#dc spoilers #tuesday spoilers

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craftlands · 3 months

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oop sorry! i did come across one of your mor pankh posts regarding the designs and such about the characters and i do have some points to lay out on their accuracies and inaccuracies, as an indian myself, though i cannot say my word for it will be wholly accurate since again, india as a subcontinent is VERY chaotic and the cultures within different states and a lot of times, certain villages and territories vary drastically. a lot of my points could be disagreed with by another indian and if some of my points ARE incorrect, i'm open to being corrected.

i know it's also pretty late, considering this was one of your older posts but i did give it some chew time. sorry if i'm bothering you.

1) first up is kaalaa baunaa. she IS wearing a saree but the draping and style is pretty reminiscent of modernized styles of saree draping. we do have the traditional drape but the generations right now have gotten to mixing and matching western clothing and experimenting with saree drapes. her outfit, while not culturally inaccurate ( because we HAVE the short/pant combo with the saree ) is grossly inaccurate to the time and setting.

there's also the fact that her outfit screams 'bollywood' in a sense. the blouse in particular is something you'd see on actresses during burner movie shoots ( and even those were a little less provocative...but again the blouse does hold a lot of callbacks to colonial oppression and wearing sleeveless blouses back then was considered 'rebellious' ). in my opinion, if i were to change up her design, i would just omit the saree and put her in a salwaar, since that is the usual go to in northern indian states ( unless in formal events ).

but for the stuff i loved about the design? is the design itself XD. it's just grossly inaccurate to the timeline, but in a modern context, it does have a very stylish flair to it. i just wish she reserved those for festivals rather than everyday living ( because from experience, sarees are HARD to walk in depending on how you drape it which is why my college uniform is a salwaar ). unless they were trying to hammer home how alien she is perceived to be, as an arcanist, which in this case? it works thematically. just tone down the sexualization.

her second outfit is a little more accurate though and i have a preference to that. mostly because of the jewellery she uses. mh. the bollywood style outfit? the embroided saree? the baithale bottu? MH. y e s.

tldr ; the design is pretty good but contextually, for the timeline and for her occupation? it's not the most accurate. but i wouldn't call it a travesty and completely inaccurate either. in a modern setting, her outfit would have passed well in a get together or a friend's party.

2) shamane. okay so the imagery and his outfit WAS something i needed to do my research on. but the 'connection to nature' thing is pretty common here too in tribal societies. my own community, while centuries far removed from it's initial tribal roots, still worships familial sprits and natural objects alonsgside the usual practice of hinduism. i kind of liked that aspect about him tbh because it did reflect of the few vestiges that were left over in my community XD. hell a good chunk of his design was very steeped in tribal influence, though differentiating it is a little difficult ( which again is my critique, but that could also be me not being as well versed in indian tribal culture. it's probably in part because of ignorance. ).

the closes i can get to the influence of his outfit would be naga tribes in nagaland with a mix in of a few others. i'll try to do more research and get back to you on that. i'm just wondering how he got all the way to nagaland???? that's like in the far east...though if were to narrow down the locations, it would be in the few locations where it snows...HMMMM. but yeah the feather motif? tribes here seem to tout it too, depending on what tribe it is.

he does wear your typical sherwani with a large coat on top, something that is, in fact accurate to men's fashion at the time. most middle class or well to do families ( the ones who were not a part of the 60% - 70% below the poverty line ) did hold that similar style of traditional wear with western influence, or straight up turn to western clothing as a whole. its a very small nod to the fact that he was from a well to do family at least. then the eye imagery on the prosthetic arm could be a reference to the nazar, though it's not blue.

tldr; his outfit holds heavy tribal influence but i really need to do my research on which ones in particular.

3) kanjira.

okay. i'm a little upset with her. the fortune teller aspect is rooted in how astrology played a huge part in indian culture. the coffee readings could have been an aspect carried over by cultural mixing through islamic trade and invasions as well. kanjira is another aspect that is a little more of unsure territory. there are parts of her outfit that i can recognize. but together it does feel a little disjointed. and confusing. her jewelry is recognizable. her kamarbandh for one and her skirt.

the blouse though? that confuses me. for one it's more in line with 1910s fashion. the blouse was initially not a part of a lot of traditional indian dresses and were introduced by the british due to extreme discomfort ( aka they didn't like that indian women didn't cover up their chest ). the earlier blouses strongly resembles victorian blouses, with puffed sleeves and ruffles. but then there is that older the shoulder thingie and i'm like ??? HOW DOES THAT WORK-

the snake motif could be a reference to the irula tribe from south india. even her name is a reference to an instrument in south india ( which resembles a tambourine ). i don't think her base outfit is based on accuracy due to the mismatched nature of it. it seems like she just took what clothes she could and made do with that, which given her economic status, makes sense. her alt outfit does glean into what influences she took after, perhaps the banjara tribe. i will need to look into it some more. but it is admittedly, facing a similar problem to kaalaa in how it's so heavy stylized. it's not accurate save for the motifs and yes, it could do with some better work in both versions.

now for the stereotype. i'm very on the fence in this sense with how i could understand that the 'thief' stereotype is referenced. but kanjira is however, a product of some very real stuff that happened ( and still goes on even now ). the unfortunate reality is that people who are considered beneath the lower caste and obc umbrella face their share of discrimination as hooligans and thieves amongst the indian majority as well, even today. it's harmful, but she's the reflection of the struggles of a lot of communities who lived in poverty post colonial india. the british left a lot of scars and the governments after did very little to help and kanjira, as a child with no parents did what a lot of kids back then turned to. it's circumstances deeply rooted in systemic oppression, casteism and so many other issues. i've had family members in similar situations ( my mother's side in particular ).

so i do wince at the fact that she's labelled as a 'stereotype' even though i do see WHY she's a stereotype when the context is removed. her spoken english is also another wince. i know you didn't mean to be offensive and i'm sure to a lot of indians you might not be but kanjira's english is the way it is simply because she was never formally educated in it. she does refer to asking for help to read english words and it's fairly obvious she picked up on the language by listening to others speak it. matilda however, did have to learn it from a pretty young age in the foundation. she was educated in it, whether she likes it or not ( a lot like my case ).

a bit of a breakdown here. english is mostly learned in india for the sake of convenience. it's used in our parliament because it's culturally neutral and doesn't show favor to certain state languages ( and native language in itself is a very culturally sensitive topic in india ). you learn it in case you need to study in foreign firms or if you travel abroad. it also means that if you and a good chunk of other indians speak in english, it allows some leeway to communicate in other states. because again, different languages and dialects are spoken in different parts of india. i myself have a better chance of communicating with a different people from different states in english, no matter how broken it is than having to learn a separate language every time.

i know a lot of people in my college who didn't start learning english till grade 11 and speak pretty similarly to kanjira. so alluding to her imperfect english as a 'not great thing' kind of rubs me the wrong way due to personal gripes of mine, mostly in part due to how eletist it tends to be at times. the mindset of janjira not being good at english being considered 'really not great' kind of fuels into a still ongoing problem of insecurity and a lot of other issues i'd rather not clog the post with.

she's fluent in hindi and it's obviously her preferred language and she can certainly write and read hindi as well. it's kind of similar to making fun of an american for not knowing fluent french they picked up from a few classes, while they're still in america. again, i doubt you meant any harm saying that but my gripe with how learning english is so desperately seeded in some families just to appease how the west views us ( that stereotype you mentioned? yeah ) and the constant perpetuation of the stereotype, has a lot of ramifications.

i don't know how to explain it but it's kind of like this : you call broken english a stereotype, we're afraid of being stereotyped, we try to avoid being stereotyped. but there are people here who can't. maybe their medium of education wasn't english for a good few years, even if their family is well off. that leads to further discrimination from us to them and from you to them.

yes english is a neutral language, but it's also horrifically overrated due to the imbued belief that it also alludes to being educated. i lost chunks of my own mother tongue trying to learn english, simply because it was given more priorities at my home and at my school because of us moving and the imbued fear of seeming uneducated.

i know you meant no harm to that.

but on a cooler note, punji literally means 'money'. kanjira named her snake 'money' and with the drip it has? it's strangely cute XD. it's like that one meme.

also kanjira's accent, kind of reminds me of a few annoying girls in my school ( it's a very common accent in north india and my hindi speakers tbh ). she's literally the valley girl's take in india. the drawl, the lilting tones every time i listen to her, i hear that one girl from fourthe grade and i'm like "n o." because it has that condescending edge to it. i love it XD.

tldr ; kanjira is both 'it kind of makes sense' and 'fuck it we ball'. she could do with reworking. i like the thought that her outdated blouse and her clothing was a mix and match, possibly picked up from charities as well but...yeah XD.

these are mostly my takes. overall, i thing r1999 actually has some of the better depictions of indian culture compared to a lot of other stuff out there ( and there is a LOT of bad stuff ). the fact that there was variation in their accents, the casual switch between english and hindi, the story of mor pankh itself and shamane's incessant need to feed us ( which is a thing in our families btw )...i'm pretty happy with it. and yes, even we fuck up aspects of our own culture. aka, adipurush exists and i will shit on that way more.

sorry for bothering you and thanks for reading through it all ( and i hope i didn't come across as rude in that segment about language )!

hiya! sorry for taking so long to get to this ask -- i was out of town for like a week and had absolutely Zero energy on coming back for like another week afterwards. i want to head this off by saying you're not bothering me in the slightest, i'm genuinely delighted to get to be able to talk about things like this in more depth and i really appreciate you taking the time to write this out! (peek behind the curtain: i have gotten up several times and paced around excitedly in the course of writing this. i REALLY love discussion and critique and Learning Context in general.)

i think time's been pretty kind to the Mor Pankh update, all things considered -- having several months to sit on it (and also no longer playing CROB -- good god Centipede and Black Pepper are an absolute mess of racist/Orientalist tropes, and that was pretty recent at the time of Mor Pankh), it's definitely better than i initially gave it credit for. a lot of things you've mentioned here -- especially a good deal of the further context on Kaalaa Baunaa and Shamane's clothing, as well as further context on Kanjira -- is something i truly don't have much to add to other than "i didn't know that, and this makes me a lot more favorable towards them than before".

definitely Kanjira is still someone i find myself heavily split on. i think a lot of what you mentioned about the way i treated her speaking broken English very callously is probably right on the money and thank you for the correction on that end -- given the context of the story that seems to be one of the more thoughtful aspects of her overall characterization and design. the thief/fortuneteller stereotype is something i'm a little more hesitant to dismiss at face value, though; while it may be a coincidence, there's definitely a history of stereotyping Rromani people in particular as like... scantily clad fortunetellers who steal from people, and it's something that feels really prevalent in Kanjira's design for me. from an in-story perspective i think rev19 does a great job of contextualizing and fleshing her out as a character, but from an overview of the character it rings eerily similar to Orientalist tropes about both Indian and Rromani people in a way that i will probably never be fully comfortable with.

i do think it's hilarious that her snake is named Money though. that's beautiful and i can't complain in the slightest.

Kaalaa Baunaa is a delight to read about in terms of where her outfit might be drawn from. i genuinely don't know a good 90% of the fashion/clothing context when it comes to basically anything in rev19, so for a lot of it i'm definitely deferring to you in terms of whether or not her outfit is accurate. i do definitely like her second outfit better as well (it also looks a lot more comfortable. we're under a heat advisory where i am right now and i WISH i had something like that to wear when i eventually have to go out and walk the dog). i don't really have much else to say here, though

finally for Shamane i will fully admit to being woefully out of my depth and being very attuned to looking for First Nations stereotypes owing to that be a particular trope i'm very used to seeing (gods the feather thing happens SO MUCH). that said, i am absolutely kicking myself for not researching things first, i think learning more about the context of his specific design and beliefs makes me come around a lot more positively to some of the aspects of his design -- especially what you mentioned about it being historically accurate, as that's something i did not consider initially and is really cool to hear about wrt what the design process may have been! (also i love his arm design, like, a lot. no idea if connecting it to nazar designs makes sense or not, it does appear that those are almost exclusively blue though maybe in the context of rev19's worldbuilding red eyes would have developed as the "evil eye" instead? idk, but i can probably count on one hand the amount of prosthetic users in gacha games whose missing limbs are actually given thought and treated as aspects of the story rather than just visual flavor.)

in conclusion: yeah, i think after learning more about the context behind these character designs i was definitely a bit harder on Mor Pankh than i needed to be -- relative to other games that take a swing at depicting SWANA and/or Indian cultures i think rev19 is doing way better in that category than most of them. i will say part of why i am so frequently critical of rev19 is that i also love the game a lot -- i don't put much time or effort into critiquing things that are just straight up bad, and if i'm hard on something that's usually because i really want to sink my teeth into it and talk about what works and doesn't work within its story and broader cultural contexts.

(and also -- thank you again for taking the time and thought to send me this! i can't express enough how much i appreciate being able to learn more about the context of a lot of these characters and the story and just, like, talk about it openly. it rocks! thank you!!)

#Anonymous #long post #reverse 1999 #AAAAA I'M SO SORRY I'M LATE. BY LIKE A WEEK. CHEESE LOUISE IT'S BEEN A TIME #seriously though again again thank you. i was way too mean about kanjira in retrospect yikes #like admittedly a lot of this comes from a usamerican reading of these designs and noticing some iffy similarities #so i was definitely not going to get it fully right -- but i would always rather be corrected than let something that looks bad go unnotice #(if that makes like. any sense at all)

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starsreminisce · 7 months

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Before HOFAS Elriels claimed Elain will play a major part. Plus SJM said this book will set the future ACOTAR book.

After HOFAS came out, it was obvious that Elain didn't make an appearance. Some Elriels continue to argue the book points out to Elain's book. . . However Az had A MAJOR part it the book. I believe he deserves HIS story to be told.

Az definitely deserves to have his story told, and I believe that Elain isn't the right person for him to share it with.

SJM tends to follow a formula that works well for her. She often pairs characters who have experienced trauma, allowing them to relate to each other and help each other heal.

To me, it seems that SJM isn't overly concerned with how one character feels about another, as the plot is the primary focus. Throughout her books, she has portrayed pairs that start at opposite ends of the spectrum and end up in completely different places. What matters to SJM is how well-matched and similar her planned couples are. She's not necessarily changing her formula; rather, she's now emphasizing why Gwyn is perfect for Az and why Lucien is perfect for Elain, something that was lacking in both ToG and CC

The main takeaway from the series for me is that both Cassian and Rhys have reached a level of self-assurance where they can accept their own flaws. It's simply a matter of finding someone who can accept them for who they are.

It's significant to note that both Cassian and Rhys have expressed their fears but haven't shied away from sharing them with their partners. Az explicitly states in his BC that he's afraid to open up to Elain, and I don't believe it's Elain's responsibility to reassure him. That's something Azriel needs to work through on his own.

The dynamics between Azriel and Gwyn are different. Azriel refrains from touching Gwyn not because he fears tainting her but because he's aware of her discomfort with physical contact. He finds solace in Gwyn's presence and is less focused on his insecurities when he's with her compared to when he's alone with Elain.

Azriel's behavior towards Gwyn aligns more with mate behavior. He constantly considers her comfort, abilities, strengths, goals, and reactions, which was lacking in his interactions with Elain.

HOFAS spoilers ahead

We have ample evidence that Az is refusing to embrace his Illyrian heritage, only to discover that the Illyrians rebelled against the Daglans, and he wields the weapon of the Illyrian who led that rebellion—a figure now idolized and memorialized. This revelation is a tremendous burden for Az to bear, especially considering his struggle to see any merit in being Illyrian.

This is a unique struggle that Elain doesn't share. Despite her transformation into a fae, she doesn't exhibit resentment towards her new identity, as evidenced by her active involvement in aiding fae readjustment post-war, similar to Lucien's efforts with humans. Both Elain and Lucien initially harbored prejudiced views towards each other, yet they've both made strides in overcoming these biases.

Elain's main challenge lies in grappling with her mating bond, a struggle Az can't fully comprehend given his intense desire for such a bond. Lucien, on the other hand, was willing to wed without a bond, highlighting another difference in experiences.

While Lucien also deserves to have his story told, it's evident that SJM is currently emphasizing Az's narrative. This suggests that Azriel's journey is distinct from Elain's.

Az deserves to have his story told alongside someone who truly understands him, someone who has decided to step out of the shadows despite the comfort they offer and who comprehends his struggles, particularly regarding his hands.

As for the timing of when to tell Azriel's story, that's a discussion for another time. As a strong supporter of Elucien, I believe Elain's absence in HOFAS indicates that their narrative is next in line to fill the gaps between Nesta's ability to remove the mask to save Feyre and Azriel's need for her to list those she loves.

Nesta's relationship with Elain has yet to fully mend, unlike the understanding reached between Nesta and Feyre by the end of ACOSF as demonstrated by Feyre's support in HOFAS.

Therefore, the question of whose story comes next remains uncertain for me, but fortunately, we won't have to wait long for the next announcement.

#elucien #gwynriel #antie/riel #antielriel

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miradelletarot · 4 months

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What do you think Gale's standard sleep wear is? Pre- tadpole and post. Like yes we love his cozy velvet PJs but that just seems like lounge wear. Is he a pants no shirt? Full matching PJ set? Just undies? I'm thinking a lot about this.

OH! I have actually thought about this a bit! I HC that Gale is actually a very hot sleeper (heh). So, he either sleeps in just his Netherese briefs, or loose sleep pants. Something soft, and light. He would prefer to sleep on the cooler side, likely with a fresh breeze blowing in through the windows, or some other way to keep the temperature mild in his room at night.

Of course, that means that when he gets cold in the middle of the night, he is completely COVERED in a pile of blankets and pillows...and then wakes up sweaty, hair completely disheveled, and mouth sticky and dry *because* he was covered up so much. Now, post-tadpole, I think he still does this, but with Tav next to him? He cuddles up to them instead, and loves being tangled up with them whether for comfort, warmth, or some measure of intimacy.

He's still quite the blanket thief, but I think he's a bit more careful once Tav is around, perhaps even going so far as to have a separate blanket so he doesn't steal Tav's blankets in his sleep.

Whether he's pulling an all-nighter doing research, or on a semi-regular sleep schedule, he's quite the restless sleeper. So much energy, and thoughts on the world around him that his body just won't stay still.

Tav (or Tara) snuggles make his rest a lot less tumultuous though.

#gale dekarios #gale of waterdeep #gale headcanons #mira's ask box #bg3 asks #answered asks #asks answered

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mixelation · 1 year

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reborn au notes 2 self, chunin exam edition

on kushina: i want to write her as a badass, but in light of the recent minato oneshot, i've decided that while she is a badass, she was actively kept from the frontlines of the third shinobi war because oooh ahhh our precious jinchuriki!! so she's not actually like... very well known internationally. so what this means

both itachi and deidara are like "well if she was any good i would have heard of her" and then ideally both of them would have separate "oh god what the fuck what the fuck WHAT THE FUCK" moments because actually she has an OP bloodline limit, is a fuinjutsu master, and has insane chakra/stamina. and this is BEFORE you factor in the fox

iwa denies minato entrance for the chunin exam tournament despite it being traditional to host foreign kage because they're terrified of him planting a hiraishin seal. they're then iffy about letting his wife in with fuinjutsu supplies. but they too are like "well if she were worth knowing about, we'd have heard of her"

on kisame/mangetsu: i forgot i pitched the idea of kisame being there to babysit bby mangestu entering??? i think i'll keep this element. nothing i post on tumblr is "set in stone" but this change probably wouldn't affect the written pieces very much. so the tourament is

First round:

Tori vs Some Chump (opening match -- expected to be underwhelming and supposed to give people time to find their seats -- Tori finishes it in less than 30 seconds)

Itachi vs Kurotsuchi (Itachi wins)

Deidara vs Some Chump (Deidara wins)

Mangetsu vs Some Chump (Mangetsu wins)

Second round:

Tori vs Itachi (Itachi wins but in a complete reversal of her previous match, Tori draws it out)

Mangetsu vs Deidara (Deidara wins but the bloodline limit is ANNOYING)

Final: Itachi vs Deidara (Itachi wins)

i'm not 100% what mangetsu at 13's personality would be, but i like the cracky idea of of him having a weird little crush on tori. mostly because i think it would make both her and kisame like (INTERNAL ALARM BELLS GOING OFF) but also for plot reasons*

tori: idk what to do i've only ever had weirdos be attracted to me???

deidara: only weird-- tori he sneezed too hard and turned into a puddle. he IS a weirdo

*basically i'm toying with the idea of tori going SOBBING to mangetsu that iwa kidnapped her mentor, because kisame will report to kiri that they did this, but mangetsu's more emotional testimony will sell it to kiri. i decided with the piece i just posted that it makes more narrative sense for tori to pull herself together and make moves on a plan rather than waiting for deidara and itachi to solve it for her. so she's like: okay, im confident we can get to her, but how do we prevent a fourth war in the event iwa decides to claim WE attacked first? witness from another village. okay here i go~~

kisame has no personal stakes in doing anything about kushina or their mission so he's not going to physically help with that, but he does consider itachi his ally so he'll happily go and tell the mizukage that he was presented with strong evidence that iwa tried to hold the hokage's wife ransom after she and her team diligently obeyed all their stupid rules....?

on the hiraishin seal that the utano** clan picked up at the very beginning when tori was 4: originally i had the idea she'd use it to take down oto somehow. like she gets her hands on it and chucks it around until minato comes to check it out or something. but instead i decided it's better if she just figures that out on her own. although NOW i'm debating if she leaves the hiraishin seal out in the open in the hopes konoha comes ot check it out and take care of any degs for her. <3 the consequence of this is that she's on minato's radar before they ever meet, but i'm noooot sure i like this

either way i think i'm going to use it to very slowly foreshadow hiraishin!tori. but also maybe. out of spite, and because she spent a lot of time studying one when she was a kid.... she paints a couple hiraishin seals in iwa as payment. as a little treat <3

(this is NOT the most politically savvy move so even if minato privately thought it was funny, i think he's reprimand her. even when she's like "no i ARRANGED for kiri to back us up, they're not going to do anything because they CAN'T." but alternatively maybe she writes a note that she hid one.... can you find it? <3 <3 <3)

**i know i originally wrote it as "uta" but "utano" looks more like a name so i'm changing it lmao

#reborn au

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asimplearchivist · 5 months

Text

𝓐 𝓦𝓲𝓼𝓱 𝓕𝓾𝓵𝓯𝓲𝓵𝓵𝓮𝓭

𝐂𝐇. 𝐈𝐈 𝐨𝐟 𝐓𝐇𝐀𝐓 𝐏𝐎𝐈𝐒𝐎𝐍, 𝐑𝐄𝐂𝐎𝐍𝐂𝐈𝐋𝐈𝐀𝐓𝐈𝐎𝐍. 𝐏𝐚𝐫𝐭 𝐕 𝐨𝐟 𝐈𝐍 𝐓𝐇𝐄 𝐌𝐎𝐑𝐍𝐈𝐍𝐆 𝐋𝐈𝐆𝐇𝐓.

[𝓪𝓼𝓲𝓶𝓹𝓵𝓮𝓪𝓻𝓬𝓱𝓲𝓿𝓲𝓼𝓽'𝓼 𝓶𝓪𝓼𝓽𝓮𝓻𝓵𝓲𝓼𝓽] [ 𝐏𝐎𝐊𝐄𝐌𝐎𝐍 𝐌𝐘𝐒𝐓𝐄𝐑𝐘 𝐃𝐔𝐍𝐆𝐄𝐎𝐍 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 ] [ AO3 | SPOTIFY | PINTEREST ] summary ✨ ⤏ meeting a mythical isn't as novel as it used to be, but it still has its benefits. pairing(s) ✨ [tba] word count ✨ 3.3k a/n ✨ [header credit] | [divider credit] ⤏ this took way too long to finish, but the great thing is that I have to write one more chapter before I can post a couple that are already prewritten. maybe I can stay ahead after that point. :) I promise we'll get into the meat of this soon, and I hope y'all enjoy! ✨ MASTERPOST ✨ ✨ PREVIOUS CHAPTER ⤎ ✨ ⤏ NEXT CHAPTER ✨

“This is it?”

Lu lowered the Wonder Map so Eliana could squint at it. “…Yes. It matches the description that Bidoof gave us. I double-checked the old tomes in the Guild this morning while you ran our errands to make sure I had the right location. This is it.”

“No wonder so few have stumbled upon it,” Lu murmured, gazing into the narrow cave entrance with no small amount of trepidation as he rolled the map back up and stored it securely within their prepacked Treasure Bag. “With all the foliage growing around it, we almost walked right past it.”

“It’s not the worst place we’ve had to explore, though,” Eliana pointed out. “And if Bidoof was able to traverse it with relative ease way back then, it shouldn’t be too difficult of a challenge for us now.”

“Not accounting for Jirachi’s temper,” Lu responded quietly.

Eliana glanced up at him, frowning. “Are you having second thoughts?”

“What? No1” he said, ears perking forward. “Just—I worry that he might be less inclined to answer our wishes if we’re waking him back up from his nap just a couple of years after Bidoof did.”

“It just means that he won’t be in as deep of a sleep this time,” Eliana replied wryly, curling her tail around his waist in an easier approximation of a hug that she could manage while standing on all fours. “If he doesn’t want to grant us anything, that’s fine. It’s just for the sake of exploration, right? Finding out for sure? It’s not like we have anything really vital riding on this.”

“…Right,” Lu admitted, but the apprehension in his eyes matched his flat, noncommital tone. “Nothing vital.”

Eliana elected not to comment on it. He’d still refused to reveal his wish during the last week they’d spent wrapping up the most pressing of their job list and preparing for the veritable repeat expedition into the Grass Continent’s unforgiving southeastern mountain range, despite her gentle, if curious, teasing. Star Cave was closer to Treasure Town than Mount Horn was, but the journey was not an easy one nevertheless. Their limbs were already achy and sore as they both had grown unaccustomed to traveling such far distances of late, since it had been almost a full year after they’d completed their own personal challenge of exploring the farthest reaches of the map in search of hidden treasure and undiscovered history following their shared, simultaneous evolutions (which Eliana had considered a sort of ritualistic shedding of their old forms and thus the hardships they’d faced before that moment). She figured that they ought to alleviate that—take some time to venture out again before the summer was over, maybe towards the northeast where the weather was cooler. She missed camping, honestly, the peace and quite of the wilderness.

They entered the dungeon with equal parts caution and inquisitiveness. Eliana’s suspicions were correct that the feral Pokémon contained within were manageable between hers and Lu’s advanced skill sets and experience. They faced no issues picking their way down the winding, crystal-illuminated corridors to the pit of the cave, where a large clearing nearly distracted them from the gaping, crumbling hole in the far rocky wall.

“Well,” Eliana remarked, “I suppose that answers the question of whether the deepest recesses are still accessible.”

“I still wonder what Guildmaster Wigglytuff’s parents fed him as a child,” Lu murmured somewhere between awe and intimidation. “It is honestly a miracle we were able to pass the graduation exam.”

“It helps that he was holding back,” she reminded him. “He doesn’t have the heart to hurt anyone he considers a friend.”

They made their way through the lower portion of the dungeon far more carefully, not knowing what to expect around every corner. It grew darker and darker, and their eyes struggled to adjust to discern the shadows from their lurking foes.

The pit of the cave was illuminated around the rim with glowing blue crystals that glittered like starlight, casting an ephemeral hue across the smooth stone floor. Eliana tensed when she spotted a Pokémon hovering in the center over a slightly raised platform shaped like a star. Pale yellow and ivory, with billowing tails and dangling tags…and noticeably awake. Lu stopped at her side, warily watching who could only have been the Pokémon they sought.

“Heyyy!” the stranger chirped, his face crinkling with delight. “I wasn’t expecting visitors! Who are you?”

Eliana and Lu exchanged a glance. They expected outright aggression upon treading into the Myth’s territory, like Bidoof had described. Not…excitement?

“I’m Lucario,” said her partner hesitantly, then gestured to her. “And this is Eliana.”

Jirachi’s eyes lit up. “Ohhh! You’re the pair that restored temporal tower!”

Eliana blinked. “How…how do you know that?”

“Ohhh, there isn’t a Legend in the whole wide world that doesn’t know about you two!” Jirachi crooned, floating over and circling their heads to get a good look at them. “We communicate via telepathy, you know. Uxie, Mesprit, and Azelf told everyone how you stopped time from freezing and knocked Dialga back to his sentences! Not to mention taking that nasty piece of work Darkrai down a peg or two!”

“That’s right. I almost forgot that the Lake Guardians had telepathy,” Lu realized, nodding. “But I didn’t realize that all of the Legends had it.”

“Yyyep! How else do you think we work together to keep the world at peace?” Jirachi giggled, covering his mouth with both hands as he twirled to a stop in front of them. “Buuut I digress! I take it that you came here to have your wishes granted?”

Lu blinked rapidly, peering down at Eliana in shock. “I—yes, you’re correct to say we came here to see you, but…”

Jirach tilted his head. “What’s wrong? Do you not have any?”

“It’s not that,” Eliana said with reticence. “We were just expecting…I don’t know, more of a challenge? We were told that it isn’t easy to have you grant wishes.”

“Thaaat’s correct!” the wish-maker said brightly. “Normally visitors have to rouse me from my naps in order for me to do anything, buuut I was already awake because one of my fellow Legends was communicating with me earlier. They’re loud enough that it woke me right up!” He giggled again, then spread his arms out wide. “Aaand I’ve been told that you two have been through quite a lot, what with saving the world and all—not once, but twice! I think that warrants a couple of freebies in my book! I think that it’s the least I can do as a reward for all your hard work!”

“Oh,” Lu said, relaxing slightly and letting out a breath. “I see. Thank you, Jirachi.”

“I should be thanking you! Now, tell me your wishes! Or would you like some suggestions? Some Pokémon like to have money, or power, or new friends, or—”

“No, nothing like that,” Lu interrupted him hastily. “I, um…how much do you know about us?”

Jirachi considered them carefully. “Weeell, I’ve heard through the grapevine that you,” he looked at Eliana, “are actually a human! Is that true? I couldn’t hardly believe it when I was told that!”

“I was a human, yes,” Eliana confirmed. “I…was attacked at one point, and it transformed me into a Pokémon.”

“Oooh, I see!” Jirachi nodded. “I have to admit, there is something different that I sense in you.”

“It also caused her to lose all of her memories,” Lu informed the Myth. “She was traveling from the future through the Passage of Time on her original mission to save the planet. She doesn’t truly originate in the present, but she’s been trapped here because of the distortion of reality’s fabric around her since she’s traveled through time. She’s unable to return home to the other Pokémon she cares about. That’s…the background for my wish.”

Jirachi perked up. Eliana stared at Lu. He didn’t meet her gaze.

“What is your wish, then?” the Myth asked.

“I wish…” Lu swallowed, then finally looked down at Eliana with tears brimming in his eyes. “…I wish that Eliana would be able to go back to the future, if she wants.”

“Lu,” Eliana murmured, her heart twisting. “I had no idea…”

“I know you have complicated feelings about all of it, understandably so,” he said quickly, interrupting her because of his fraught nerves, “I know that you haven’t really talked about the idea of trying to travel back, but…I also know that you miss them terribly and that you don’t like to discuss it because you’re afraid it will hurt my feelings or make me feel like you care about me less than the others. But it doesn’t make me feel that way, Eliana. I…you seemed so happy, having reconnected with the Pokémon from your past, and when you lost them…I’ve worried about you. You’ve seemed so sad and I don’t know how to fix it and—”

“Lu,” Eliana interrupted him gently, leaning back into her haunches to touch a paw to his. “It’s all right. I understand. Thank you for thinking about me.” She frowned. “I don’t know that it will be possible for me to return to the future. What Palkia said…”

“Yes, but we’ve been able to evolve since we stopped Darkrai!” Lu reminded her, eyes sparkling with passion. “There is a chance!”

“Possibly,” she admitted, “but…are you certain that you want to waste your wish on me? On something that might never come to fruition? There are so many other things that you’ve said you’d wanted so badly in the past.”

“Time and space are realms I rarely have influence over,” Jirachi added thoughtfully, watching the pair of them with interest. “It is likely that I will be unable to manipulate anything like that…but, if that is your wish, I will grant it to the best of my ability, as part of my promise to repay you however I can.”

“I’m sure.” Lu clasped a paw over his chest, expression determined. “Above all else, for everything that you’ve done for me, Eliana, I would do anything to see you happy.”

Eliana swallowed thickly, a knot coiling at the base of her throat. She nodded slightly. “Alright. Thank you, Lu. From the bottom of my heart.”

He kneeled to squeeze her into a brief, tight hug, then straightened and turned to Jirachi. “That’s my wish,” he confirmed. “For Eliana to be able to return to the future.”

“Aaalright!” Jirachi beamed. “I’ll do my best to make it come true!” He focused on Eliana next, expectant. “And you? Do you have a wish, too, Eliana?”

“I…” She dropped her chin into the draped material of her Virid Collar, her skin prickling with heat beneath her fur. “…I feel almost ashamed with mine, after Lu requested something so selfless.”

“I think I can guess,” Jirachi surmised. “Do you wish to have your memories restored?”

Eliana’s head snapped up to stare at him, startled. “I—how did you know?”

“I didn’t,” Jirachi giggled, waving his hands. “But with how close you seem to have been with those Pokémon Lu was talking about…it doesn’t surprise me one bit that you’d like to have your amnesia restored. I would feel the same way! I couldn’t imagine forgetting everything and everyone I ever knew.”

“So…you don’t think that’s selfish of me?” Eliana ventured, uncertain.

Jirachi’s expression shiftted into something like recognition. Then he smiled. “I don’t think that at all. You sound just like someone I met once before.” He giggled again and shook his head, gazing knowingly at the both of them in a new light. “I think it’s the exact opposite, actually. That you would want to carry on the memory of those closest to you, even if I am unable to return you to the future, is a sincere one. I can tell that you care deeply, Eliana, for everyone you know. I think I quite like you for that.”

She blinked, then returned his smile. “I…thank you. Really. That’s a great comfort to hear.”

“Of course!” Jirachi closed his eyes, pressed his hands together, and Eliana and Lu watched his tags glow for a moment before he returned to normal and stretched with a gaping yawn. “Aaah, it’s been a while since I’ve answered anything quite like that! It’s maaaking me feel kind of sleeepy…”

“Thank you for hearing us out, Jirachi,” Lu said warmly. “We appreciate you trying.”

“Ooof cooourse,” the Myth mumbled. His tails curled around himself and his floating grew more listless as his eyes began to drift shut. “Juuust don’t be disappointed if nothing haaappens…”

“We won’t.” Eliana brushed against Lu’s flank, her tail curling around his. “Sweet dreams, Jirachi.”

“Goodnight, Eliana. Goodnight, Lu.” With one last yawn, Jirachi curled up into a tiny ball and disappeared in a shower of sparkles that dazzled their eyes.

The sudden silence in the cavern was deafening. Eliana swallowed and turned. “Let’s go home.”

“Yeah,” Lu agreed softly. “I’m tired.”

The cave had quietened, thankfully, and gave them no trouble upon their exit. The sun was only just starting to set when they emerged from the tunnel, squinting against its harsh light until they acclimated. They decided to head back to Treasure Town rather than camp for the night, longing for the comfort of their beds and the rhythmic slosh of waves against the bluff that always lulled them to sleep. Even though there had been very little fanfare, and they hadn’t perceived any of Jirachi’s direct influence, they still felt exhausted.

It was approaching midnight by the time they turned to Treasure Town. All the shopkeepers and residents had retreated into their homes, leaving the square empty and peaceful. Shuffling down into their home with the cool, salty wind ruffling their fur was a palpable relief.

“Here, let me put all that away.” Eliana took the Treasure Bag from Lu’s paw with her tail. “Can you start the fire?”

“Of course.” Lu moved over and squatted by the pit they’d dug to house their open hearth, picking up the flint and steel to start scraping sparks onto the kindling he’d placed in the ashes that morning out of habit. “Say…do you really think that Jirachi meant what he said?”

“I don’t know, honestly.” She pushed open the chest they used for their rotating adventure inventory to start putting away the extra things they’d found in the mystery dungeon for sorting and trading the following day. “He seemed earnest.”

“Yeah. I’m glad we didn’t have to fight him. I feel like, one of these days, we’re going to run into someone who won’t appreciate that,” Lu chuckled. The crackle and hiss of a new flame preluded a flicker of warm orange light that flared across the floor. “There.” He stood with a groan and a sigh, moving over to the corner of the room. “Say, I think that chest is almost full. You might have to use this other crate for now.”

“You’re right.” Eliana dragged the bag over to the open box and peeked inside as Lu shuffled things around. It was a bit dusty, as they hadn’t used it in while. Him removing a few valuables stirred it all up and made her sneeze. He laughed quietly under his breath, and she heard the crinkling crumple of an errant sheet of paper.

She froze, heart stuttering against her ribs as she realized what the old relic he’d inadvertently rediscovered was.

Lu drew it up out of the crate into the burgeoning firelight, expression softening as he read the letter’s words silently. He set it to the side carefully, with respect, and Eliana drew in a deep breath as her eyes lighted upon the blocky footprint runes inscribed in ink long dried.

The first week or so after Eliana had returned from her untimely disappearance she had clung to that letter like a lifeline, tracing the strokes with her paws as though to imprint the weight of them into her memory. She had been relieved to be reunited with Lu, that went without question, as he had been her anchor for months throughout all the confusion that she had felt—but she had felt Grovyle’s absence acutely, someone with whom she had shortly (re)built an unshakeable bond and relied upon to guide her through the chaos they had single-handedly stood against. She had missed him terribly. She still did, and she couldn’t even explain the breadth of that feeling with words—her gut had never been wrong before, and she had trusted him wholeheartedly. It never truly went away, an acute and gaping wound she couldn’t seem to close with any distractions she’d tried. Her original partner, lost for a second time.

“You know…” Lu started, “…if you do go back to the future, I won’t be upset, right?”

Eliana regarded him without a word, gauging his pensive expression.

He continued unbidden. “I’ll miss you. And I’ll hope beyond hope that we’ll meet again. But…as long as you were safe and happy…I’d support your decision no matter what, Eliana. I don’t know what it’s like to be separated so starkly from yourself, I can’t even fathom how it feels…and I hope that you don’t think I’m trying to get rid of you. I just feel that I’ve had you for longer than I should have been granted.”

“You didn’t steal me from Grovyle, if that’s what you’re afraid of,” Eliana told him firmly, drawing his attention. “I hate that we were separated, and I regret that he had to endure what he did all by himself for so long, but…I feel like we were meant to meet. You saved me, Lu. I owe you my life.”

He rubbed the back of his neck, his muzzle crinkling at the corners as he fought an embarrassed smile. Always so humble, her partner. “Okay. As long as you know that I care about you.”

“I do. And I care about you, too.” She picked up a gold scarf and dropped it into the crate. “Maybe we should go to the Keckleon’s shop tomorrow and—”

She stepped on the letter. Vertigo crashed over her like the waves that had once threatened to drag her under the icy, crushing depths of the sea so many moons ago, biting into the wound in her transformed shape. The storm had dragged her to shore, a blessing and a curse at once—the current had dashed her head against a stone, wounding her further and robbing her of her identity. Her first impression after that had been Lu’s frantic spew of words at seeing all the blood welling from behind her ear and soaking into the sand beneath her weak, limp body. All she’d remembered were her name, the fact that she was supposed to be human, and not, in fact, a Pokémon, and a vague sense of loss that had never resolved until she’d encountered her original partner face-to-face in the Underground Lake.

Her partner, whom she had rescued and nurtured and protected with her life. Her partner, who had devoted himself to fixing his world at the cost of his own life for the sake of those that would come to be. Her partner, who had refused to grieve her before he’d ever accepted that he could have lost her forever before their time, but had lost her anyway because she hadn’t recognized anything about him except a faint sense of familiarity and trustworthiness.

The memories flooded like the tide, overwhelming and sharp like the pelting of frigid rain against bare skin, and when she came up out of it Lu was already holding her steady, repeating her name urgently with concern in his eyes.

Eliana reached out to him as best as she was able, clung to him tightly, and wept harsher than she ever had before.

#fisara's codices #fanfiction #pokemon #pmd #pmd explorers #pmd2 #pmd 2 #pokemon mystery dungeon #pokemon mystery dungeon explorers #pokemon mystery dungeon explorers of sky #explorers of sky #leafeon #lucario #jirachi #ao3: in the morning light

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jicklet · 1 year

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Oh no I forgot you ship Ted/Becca.

😆 Hi anon! I hope this doesn't ruin your day or anything, whomstever you are. If you don't ship it or ship something opposing or whatever's your bag, I'm sure we can still be friends, or whatever we are.

But I've been mulling this all over since the finale, and this is a good excuse to get my thoughts out. Because I come from ye old timey shipping days of "the idea of them together is cool, regardless of whether it happens or not." so that wasn't really my problem with the ending.

Here are the things that are true:

I really like themes and parallels. I like connecting dots and finding connections and all that jazz

The number of themes and parallels they set up between Ted and Rebecca was delicious and very fun for me.

My reaction to the finale is less upset than it is frustrated and confused.

My frustration isn't purely 'they didn't get together romantically so it sucks.' I had started making peace early S3 with realizing it probably wasn't gonna happen

I am frustrated because I wanted all those bits of cool narrative shit they laid out to Do Something

I am frustrated because it feels like Ted and Rebecca have had very few emotionally connected scenes since season one, and what's the point of parallel journeys and soulmateism if their journeys are going to stay so parallel and not join up more, and then just apparently diverge completely

And on the apparent diverging, I don't love it but it would have sucked less if their lines just matched up more in the middle! That could be poignant! But as is, it's more disappointing than tragic, because whatever potential was there wasn't almost realized and then lost, but instead just... never really approached. It feels wasted.

The show did not owe us them getting together, but what it did give us, I found unsatisfying. That's just a bummer, man.

Forgive me this metaphor but I cannot find a better way to put it: I am frustrated because I feel like I got ridden for 3 seasons while they went 'just wait it'll feel so good' and then they were like 'are you ready?' and then just hopped off and left.

I am confused because at the end of their story, I cannot figure out what I am meant to be feeling about it.

Again, I didn't need them to get together romantically, they totally could've found some other way to make it satisfying! But. Ted and Rebecca getting together romantically would have also tied it up in a lot of ways that worked and made the narrative satisfying.

Having a romance arc that works with their character arcs and the themes they've built on is just really cool as a story.

Obviously all that parallel journey stuff would've actually been leading them somewhere, ie to each other, yay woo

And not to each other just because they've been through similar shit, but because, as that last post said, among a lot of other reasons, they've been set up well to be what the other person needs.

Romance is not the be all, end all. But:

Ted and Rebecca both want to be in love with someone, someday.

Here is someone who already understands and balances and supports them.

Like, that's awesome. Is that not the qualities you want for them in a future romantic partner?

I can't see how it diminishes their friendship if it caries on very similar to it has been, just like, sometimes they smooch. Maybe I'm just too demisexual for this idk

Boat guy. I like boat guy, but he's a chiller version of Ted. I can't find that post that points out all the parallels there, but that episode by the time we got to Kenny Rogers I was like. Uh. Hm.

It's confusing to have boat guy have a beautifully intimate evening with Rebecca, all the while having so many specific details similar to Ted, and then just act like romantic Tedbecca is a wild, character-ruining concept.

Because the show ends with Ted leaving and Rebecca miserably walking out of the airport and straight into proxy-Ted. I have no idea how to feel about that.

I could keep going, but I'm about out for now, so uh. Woe, wasted Tedbecca potential be upon ye~

#Ted lasso critical #Ted lasso spoilers #V watches Ted lasso #Tedbecca #Ted x Rebecca #don't like; don't read pls no flames lmaooo

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firstkanaphans · 9 months

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hi, I was wondering if we'll get another firstkhaotung series in the future, do you think they still enjoy working together? or maybe they're sick of each other already? sometimes I feel like they look tired of being around one another ://

I honestly can’t tell if this is a troll or not because this is the most ridiculous thing I’ve ever heard 😭 Anon, Khaotung posted these pictures literally today.

It was like he knew First was out of the country so he just went ahead and completed the lovestagram himself. And even though First is on vacation with his family, he still replied in less than five minutes (by telling Khao he should join them in Japan because his mom wants to see him).

No way they’re tired of each other—although they may simply be tired since GMMTV has them jet-setting off to a different country every weekend and then participating in sportsball events instead of, you know, acting. But they’re both on vacation right now, so hopefully they’ll come back well-rested.

My question isn’t whether they’ll have a series together next year, it’s whether they’ll have any series at all. Because if they have a series, it’s going to have to be together since them and PerthChimon are the only pairs who don’t actually have anything on the books yet. I guess they could mix and match those 4 but I don’t see that happening either 😂

These are the boys who start crying anytime you mention them possibly not being able to work together in the future. These are the boys who told each other “I want to build a house with the same fences as you” and “if you find someone else, forget about them and stay with me instead.”

Aside from maybe MosBank, I don’t think there’s a more stable CP in the industry and the only reason MosBank edges them out is because I’m like 98% sure they’re legit married. I truly don’t think we have anything to worry about 🙏🏻

#when are we getting part 2??#i’m no longer asking #first kanaphan #khaotung thanawat #asks

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devildomditzy · 9 days

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Are there any fob songs you associate with Mammon? I was on a listening spree earlier when Disloyal Order came on and "What a match, I'm half-doomed, and you're semi-sweet" feels so MC/Mammon coded.

aksjs sorry my two interests constantly intertwine, and Mammon lives in my mind rent free 👉👈

oh ho ho I should have a large sign on my back that says please talk to me about fall out boy

I’m going to just give you the list and the lyrics, but this will still be a loooong ass post

I'm sorry this post took so long anon it's been sitting in my drafts forever.

From Evening Out With Your Girlfriend

Moving Pictures

"Last night I saw a movie And I thought about many movies I've seen at your house Excuse me if I'm rude But I'd rather that we just strike from the record ones I'd see again without you Leaning on my shoulder Distracting me from the plot line

Where can I go when I want you around But I can't stand to be around you? Go home, I'll walk myself to you I'll walk myself away from here"

From Take This To Your Grave

Grand Theft Autumn/Where is Your Boy?

"You need him, I could be him I could be an accident, but I'm still trying And that's more than I can say for him"

From From Under The Cork Tree

A Little Less Sixteen Candles, A Little More Touch Me

"And you're just the girl all the boys wanna dance with And I'm just the boy who's had too many chances I'm sleepin' on your folks' porch again, dreamin' She said, she said, she said, "Why don't you just drop dead?" I don't blame you for bein' you But you can't blame me for hating it So, say, what are you waiting for, kiss her, kiss her I set my clocks early 'cause I know I'm always late"

Of All The Gin Joints of All The World

"We're making out inside crashed cars We're sleeping through all our memories I used to waste my time dreaming of being alive (now I only waste my time dreaming of you)

Turn off the lights and turn off the shyness 'Cause all of our moves make up for the silence And oh, the way your makeup stains my pillowcase Like I'll never be the same"

Sugar We’re Goin Down

"Am I more than you bargained for yet? I've been dying to tell you Anything you wanna hear 'Cause that's just who I am this week"

From Infinity on High

Bang the Doldrums

"Best friends, ex-friends 'til the end Better off as lovers and not the other way around Racing through the city, windows down In the back of yellow checkered cars"

The Take Over, The Breaks Over

"Baby, seasons change, but people don't, and I'll always be waiting in the back room I'm boring, but overcompensate with Headlines and flash, flash, flash photography"

"Wouldn't you rather be a widow than a divorcee? Style your wake for fashion magazines Widow or a divorcee? Don't pretend, d-d-d-don't pretend"

From Folie à Deux

Disloyal Order of the Water Buffalos

"Oh, I'm a loose bolt of a complete machine What a match, I'm half-doomed, and you're semi-sweet"

Tiffany Blews

"Oh baby, you're a classic Like a little black dress You're a faded moon Stuck on a little hot mess (little hot mess) Whoa, whoa"

From Save Rock and Roll

Miss Missing You

"Making eyes at this husk around my heart I see through you when we're sitting in the dark So give me your filth, make it rough Let me, let me trash your love

I will sing to you every day If it will take away the pain Oh, and I've heard you got it, got it so bad 'Cause I am the best you'll never have"

Where Did the Party Go?

"This is the story of how they met Her picture was on the back of a pack of cigarettes And when she touched him he turned ruby red A story that they'll never forget, never forget"

From American Beauty/ American Psycho

Jet Pack Blues

"Did you ever love her? Do you know? (I remember) Or did you never want to be alone? (I remember)"

From Mania

Last of the Real Ones

"I was just an only child of the universe And then I found you, and then I found you You are the sun and I am just the planets Spinning around you, spinning around you You were too good to be true, gold plated But what's inside you? But what's inside you? I know this whole damn city thinks it needs you But not as much as I do, as much as I do, yeah"

Hold Me Tight or Don’t

"I got too high again, realized I can't not be with you Or be just your friend, I love you to death, but I just can't I just can't pretend, we were lovers first Confidants but never friends, were we ever friends?

But when your stitch comes loose, I wanna sleep on Every piece of fuzz and stuffing that comes out of you You, I took too many hits off this memory I need to come down"

From So Much For Stardust

Flu Game

"Last night I dreamt I still knew you You I carved out a place in this world for two But it's empty without you

I got all this love I've got to keep to myself All this effort to make it look effortless"

Hold Me Like a Grudge

"Hold me, hold me like a grudge The world is always spinning, and I can't keep up, woah Faster and faster, can't do it on my own Part-time soulmate, full-time problem, yeah So, hold me like a grudge"

"Call you up and demand, you have no fun without me"

From Believers Never Die Volume Two

Bob Dylan

"When they say, "You and what army?" I guess they're talking about you and me Baby, nobody will love you, nobody will love you like Like I do, I guess that's half true"

"Baby, no one ever thinks of you, no one ever thinks of you As much as I do, not, not even you"

"Cause everyone loves Bob Dylan I just want you to love me like that, yeah Would you bury me next to Johnny Cash? I'm obsessed, do you love me like that? Yeah

I'm sure there's a million more of their songs/lyrics I could correlate to him but we'd be here all day.

I could literally yap about Mammon and Fall Out Boy all day.

#kit's playhouse #om #obey me #mammon #omnb #mammon x mc #asks and answers

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