#that's just one example. doesn't sound very good now that i write it out

[spotforme]

it's very stupid

[plutoslastwords]

i honestly love these fics so much xx

i was hoping you could write about landos reactions to baby norris milestones, for example, first time crawling, first words, first steps etc.

milestones

lando norris x daughter!reader

summary: a collections of moments that made lando realise that his baby girl was getting bigger (spoiler alert, he doesn't take it well)

w/c: 2.9k

warnings: none

a/n: ...........hey. i'm sorry i may have been slightlyyyyyy mia (only 1 month....) school has been actually the death of me, but i'm on break now!!! (yay!!!!) so here's a longer one as my sincerest apologies xxx

~~~

Even when you were barely a day old, Lando could already tell that you were going to grow up too fast, that he was going to have to cherish every moment that he could whilst you were still with him. He is not ashamed to admit that he cried on your first birthday, the thought of his little girl getting bigger, getting one year closer to not needing him anymore was too much to handle. 

Therefore, milestones were a very big deal in the Norris household.

Crawling

It was around Christmas time when you first decided that you wanted to move around on your own, and figured out how to coordinate yourself to do just that. You were in Bristol, staying with Lando’s family for the holiday season meaning you were in one of your best moods, getting to spend so much time with your Nana and Grandad, and your aunts and uncle, all of whom spoiled you endlessly. 

As is typical for the Norris family, after lunch everyone had herded into the living room, sitting in front of the tv with big glass doors looking out onto the vast property to the side of the room. 

You were sitting on the floor, playing with some building blocks that you were making towers with. Lando was busy telling his family how you were going to be a future architect because, ‘look at her tower! Look how good she is!’, therefore he didn’t seem to notice when your attention moved away from the building blocks, more interested in something that you could see in the garden.

A couple deer had decided to take a trip into the Norris land, casually grazing on the grass. Having lived in Monaco for your entire (albeit not very long) life, you had never been exposed to such wildlife like this, you were infatuated. You try babbling to your daddy to come and help you and take you over to the strange creatures, but he is too busy bragging about you to listen. So you have to take matters into your own hands. 

Carefully moving one limb at a time, with the uttermost focus on reaching the wondrous animals, you begin to manage to propel yourself across the floor. Unfortunately you aren’t quite as graceful as you imagine, leading to you falling onto your front.

“Woah, baby, what’re we doing?” Lando immediately gets up, ready to come and scoop you up into his arms, protecting you from any possible danger, but his mom stops him. 

“She’s crawling!” She whisper-shouts, excitedly. Lando’s mouth opens, but no words come out. How have you grown so quickly? It was only yesterday that you were opening your eyes for the first time, it seemed, how were you already learning to crawl?

Not letting your little fall set you back from reaching the cool animals, you manage to drag yourself a few steps towards them, slightly clumsily, but you got the job done. Lando lets out a strangled sound from his throat.

Much to your disappointment, when you are nearly at the windows, the deer must hear something from deeper in the grounds, and run off, causing you to stop where you are and not move. You don’t have anywhere to go anymore.

Sensing that he would no longer be preventing you from achieving a milestone, Lando rushes over to you, scooping you up into his arms, pressing soft kisses to the top of your head.

“Oh, baby. What a big girl! Did you just crawl my darling? Yes you did! My smart, smart girl…” He coos, you don’t really understand, but he sounds happy, so you giggle at him. “My baby…” he mumbles, “You’re growing up so fast, hm? What’s daddy going to do…?”

He carries you back to where he was sitting on the sofa, keeping you in his arms on his lap as you continue to coo and babble. “Maybe I’ll just carry you for the rest of your life, hm? You can’t crawl if you’re in my arms…” he begins to consider, but quickly backs down when his mom swats his arm, then he just pouts. 

“Never want you to grow up, my love…” He murmurs into your little ear, kissing the top of your head sweetly.

Walking

Once you had started crawling it was hard to stop you. Lando often had to chase you around the house because you discovered the art of crawling under the table where he couldn’t reach you, giggling like crazy at his failed attempts to get you. You were a little menace, but he still adored you. 

However, he knew that the time would come that crawling wasn’t going to be enough for you anymore, he dreaded the day. He hated how big and self-sufficient you were becoming already, he couldn’t dare to think about what would happen when you could walk. Would you even ever want him to carry you anymore? He pushes it to the back of his mind, too upsetting to ponder.

Even though you were barely a year old, you were still more well-traveled than half of the human population. Lando refuses to leave you alone, even though his friends and family have offered to watch you countless times whilst he’s away for work, he would never accept. 

At present, you were in Ibiza with him, he was there with Max and Keegan for some much needed downtime after the chaotic first half of the season. You loved Ibiza, spending hours upon hours crawling around in the sand, building elaborate sand mounds castles whilst Lando chatted with his friends.

You soon discover, however, that the feeling of the sand on your hands is icky and gritty, getting in the way of holding your bucket and spade comfortably, but you can’t not get them sandy, because then how would you crawl around? It’s quite the dilemma.

You put all of your brain power into discovering a solution. Looking around you see a little girl, who’s a bit bigger than you, who’s moving around without her hands, like your daddy does! If she can do that, then surely you can, you think.  

Using your giant mound of sand as support, you manage to push yourself up onto your two feet, feeling much taller than you did a few seconds ago. Now comes the tricky part, but you’re sure that you can manage it. 

Carefully, you manoeuvre one leg into front of the rest of you, aiming to get further along the beach, to a pretty seashell that would make the perfect turret for your mound castle. You manage to take one step, getting ever so slightly closer, the beauty of the seashell pushing you on.

Another step, Lando is still none the wiser, engaged in a heated discussion about some video game with his friends. 

Another step, Max turns his head, like Lando he is always looking out for you, it’s his duties as a godfather after all. When he spots you he almost chokes on his beer, letting out an odd sound that causes both Lando and Keegan to look at him funny.

Another step, Max doesn’t say anything, just widens his eyes and points to where you are toddling over to the sea shell.

Another step, for a minute, Lando just sits there in silence, not knowing how to react, his baby is walking. This wasn’t meant to happen so soon, how are you already walking, he needed you to be his baby for longer, soon you were going to be independent and never need him anymore…

Another step, finally he speaks, “Oh my god…” he chokes out, Keegan and Max adorning similar slightly shocked expressions. 

After he’s decided that you’ve gone too far for his liking, he strides over to you, swiftly hurling you up into his arms, to which you respond with a whine, pointing at the shell that you so want to get.

“You want the shell, baby?” He asks quietly, still not quite ready to accept the fact that he just saw you walking for the first time.

You respond with an eager nod, and of course he walks over with you in his arms and picks up the shell, placing it into your outstretched hands.

“You walked, baby, didn’t you… such a big girl…” he murmurs into your hair as you play with the pretty shell, “God you’re growing up way too fast…”

Talking

You learning to walk doesn’t get any easier for Lando, he winces everytime you manage to take a few more steps, and eventually just has to accept it when you’re charging around the apartment on a daily basis. 

In some ways, even though you don’t need him to carry you around as much anymore, he quite enjoys the fact that you know how to walk, it gives you more of a sense of character (if that was possible), more of a chance to express what you want, as you could just simply walk over to it. 

It is very rare that you and Lando get to have a quiet weekend to yourselves. Normally, he’s either at a race, or has other commitments with Quadrant and such that mean that you’re not at home in Monaco. 

On this occasion, one of the members of Quadrant had gotten sick just before filming was meant to take place, so it had been postponed for a couple weeks, meaning that Lando got to have a quiet weekend at home with his favourite person in the world. 

Before you were born Lando has to admit that he wasn’t the most experienced or talented chef, often relying on his pre prepped meals from his trainer, or takeaways. But since you were born he has taken it upon himself to learn how to cook, so that you weren’t eating the same two meals for the entirety of your childhood. 

Currently, he was in the kitchen, cooking your favourite, pasta bolognese. You were in the living room, immersed in watching something on the TV, some cartoon with a lot of animals, Lando had lost track of all of the names of your favourite shows. 

Deciding to spoil you, as he always does, Lando brings in the finished pasta to the living room, ready to let you watch your cartoons whilst you eat your lunch, as long as you didn’t make too much of a mess, which you would end up doing, of course, you’re a baby there will always be a mess.

You grin when you hear him coming with the pasta, but as soon as you see it you scowl, he has forgotten the most important ingredient, the cheese. 

Lando freezes at your scowl, he hates when you’re upset and he doesn’t even know how to fix it. “What’s wrong, my love? Is there something wrong with the pasta?”

You just scowl harder, all you want is the grated cheese on top of your pasta that always makes it taste so much better. You stare at him scowling for a minute until…

“Cheese.” 

He freezes, just stares at you with his mouth agape, completely lost for words. Did you just… talk???? His mind is going completely haywire, his tiny, baby, precious girl was talking?? You were meant to stay a baby forever! Talking was basically a telltale sign that you were growing up and about to leave home forever and he’d never see you again!

When he doesn’t respond to you, you scowl some more, repeating yourself louder in order to get your point across, “Cheese!”

Your adorably angry tone seems to be able to snap him out of his trance, “I- uhm- you want cheese, baby? You want daddy to get you some cheese?”

“Cheese, daddy!” 

He completely loses it there, his eyes immediately fill with tears when he hears you say ‘daddy’, scooping you up into his arms and holding you as close as possible, lathering sweet little kisses all over the top of your head.

“Oh, angel, daddy will get you some cheese, okay? Daddy will get you all of the cheese in the world, anything for you, okay?” He mumbles, bouncing you on his hip as he makes his way into the kitchen in order to grab the cheese that you were obviously so desperate for. 

“My big, big, girl…” he coos, “Can’t believe you’re already speaking, hm? Feels like yesterday when you were this big!” He uses his free hand to show you a tiny pinch, to which you giggle at his exaggerated tone.

As he grabs the cheese from the fridge he whispers to you once more, “Daddy loves you so much…”

“Lub you daddy…” and then the waterworks start all over again.

First day of school

You had become quite the chatterbox after you started speaking, picking up full sentences in only a couple of weeks, but nothing made you talk more than the idea of going to school.

There had been much discussion about where to send you for school. Lando’s parents were quite keen on you coming back to England for school, where you were from, as it would be much easier for you to make friends there. Lando, however, hated the idea of you being separate from him, you’d gone to nursery in Monaco, so the french language and people weren’t completely foreign to you, and he’d much rather you be at home with him.

In the end, after much back and forth you were enrolled in a primary school in Monaco, but in the words of your Grandmother, ‘as soon as she feels the slightest bit upset I’m flying her straight to England’.

The days leading up to your first day at school you were the opposite of upset, practically jumping off of the walls, making Lando chat to you about your new ‘big school’ every evening. You’d tired him of every question that there could possibly be about starting a new school.

“How many people in my class, daddy!?” ‘15 baby, lots of friends’

“How many subjects daddy?!” ‘Maths, French, English, maybe some history’

“Where are the toilets there daddy?” ‘Not sure yet, my darling, we’ll find out when we’re there, okay?’

And the list goes on. 

Lando was not sure if he was ready to send you off to school, he already struggled when you were at nursery, and that was only 3 days a week. You were still his baby, he couldn’t bear to be without you, not knowing whether you were safe or happy.

Finally, the dreaded day comes.

You are up at the crack of dawn, banging on Lando’s door, barging in even after he doesn’t answer, poking him repeatedly on the head.

“Daddy!! Up!! School today!!” you shout excitedly.

He groans in response, still half asleep, scooping you up and onto the bed next to him as he sits up and rubs his eyes.

“G’morning my angel… we’re up quite early today, hm?”

“School today daddy!!” You repeat, “We gotta get ready for school today!!”

As much as he disliked the idea of you going to school today, you were being so adorable about it that he couldn’t help but let a big grin grow on his face, god he loved you.

“Yeah?” He smiled, “Let’s get you ready then baby… you want me to do your hair?” Like cooking, after becoming a dad Lando had taken it upon himself to learn how to do hair, he was not going to let his daughter be left out because she was the only one without someone to do her hair in pretty styles.

“Bunchies daddy!!” Your word for pigtails. His heart swells, he thinks that pigtails make you look absolutely adorable, even more so than normal, if that’s possible. 

“Of course, my darling. Let’s get you into your uniform first though, hm?” He coos, lifting you into his lap in the bed, taming your messy hair slightly so that he can see your little face better. 

The two of your work in getting you ready for the day, you were being very meticulous about everything, down to the colour of the hair bows that he was using to tie your pigtails up with, but by the end you looked perfect.

Lando could’ve cried looking at you, standing there in your little blue uniform, with a backpack that’s way too big for you on your back, you were getting so big…

“My angel… you look perfect, you excited?”

“Yes!!!” you squeal, “‘M gonna make so so so many friends, daddy!!”

“Are you gonna miss daddy, baby? You’re not gonna see me all day…”

“It okay!! I’ll see you when I’m home!” He rolls his eyes at the fact that he’s more torn up about this than you, he’s meant to be the adult here!

“Cheeky girl…” He mumbles under his breath, but you don’t hear, too focused on making sure that your bag is packed just right.

He takes you to school himself, you babbling away in the backseat of the car about how excited you are for your first day, as much as he hates it, he can’t help but smile at your childish wonder. You’re not going to be saying that in a few years…

When you finally arrive at the school, you hug him tightly before leaving him.

“I love you, daddy…” You mumble into his chest

“Daddy loves you so so much my darling, you go and have a great day, okay?” Then he goes back to his car and sobs.

~~~

a/n: i hope that you enjoyed!!! i've got loads of wonderful requests from you guys that i promise that i'm working on!! might do a special easter event if i manage to get everything done!! ;)

[docdudo]

Hi!! I want to start by saying I absolutely love your writing! It’s great writing and is pretty good for me to understand (English isn’t my first language).

I just wanted to ask, How do you think poly hybrid 141 would react to adopted reader getting sick?? And I mean really sick, like a good case of the flu that takes a whole week, like 7 days and antibiotics to go away??

I could see them being so worried and stressed, taking her to doctors and everything because they get better in 24-48 hours with their fancy strong immune systems! I also wonder if adopted reader would be confused by going to the doctors, because if anything happend while in previous foster homes, she was told to just figure it out and get better on her own.

You are right about one thing: hybrids have a better immune system than humans do!

Humans are considered weak and frail in every sense of the word. That includes their health. In fact, a human's health is so discussed that specialists from other races all study the human body constantly so they would be able to treat one, would they ever needed it.

(Because of the lack of total humans on this universe, it's rare to find a human doctor, for example. So, other races have to cover for them in a lot of different fields. There are programs and organizations in this world that entierelly foucused on making sure the few humans that exist would get the care they need. So, for example, if you are a doctor and also specialize on taking care of humans beside some other race, you would probably be paid more by the governement).

Now, little reader getting sick? Like, really sick? Yeah, that house is turning upside down. As hybrids, the whole 141 pride themselves on being good caretakers and providers. They also know how much more frail humans are compared to them.

But know is different from experiencing.

Little reader would start off with the typical signs of the flu. Stuffy nose, throat a bit sore, a sluggish body. All that. But, as we all know, it's very quick for sickness to develop. And in the spam of a night, little reader is waking up with a high fever and a weak, useless body.

The 141 would notice almost immediatly. They can smell how sick you are, even from your room. That weird, almost sour smell that we can usually smell when we blow our nose.

Before you know it, you would probably be in Price's or Soap's arms, surronded by their warmth, hearing their cooed words that make zero to almost no sense to your sick and hazy mind.

And at first, they are very much panicking. They are calling the rest of their pack while cooing and conforting you, Laswell being the one to tell them to immediatly take you to the doctor.

And they do, everyone going on the car together, because if one of them had anything to do that day, it's immediatly getting canceled. They would still hold you close, on their laps, and every single one of them are cooing quietly at you. Even Ghost. Tho his "cooing" sounds more like his normal voice, just extra quiet and gentler than usual.

And it's true, you're not that used to going to the doctor. You usually never get that sick, and as a foster kid, it just doesn't happen often.

But, you were feeling pretty hazy, mind clouded and feverish. You barely remember going that first time to the doctor with them.

You barely remember the kind doctor that was trying his best to easy your foster parents' worries, and all the examination he did on you, even if you couldnt cooperate much with how confused you were.

You certainly got treated at the hospital and monitored until your fever came down a bit. After that, they send you back home with your parents, who had gotten a lot of new instructions and medicines to properly take care of you at home.

You took almost a full week to finally start getting better.

They would't let you sleep in your room anymore, since you got sick, you had been sleeping on their shared nest, with them. They would constantly check on your breathing and heartbeats, and would even feed you themselves and make sure you were plenty hydrated.

And even after you got better, they would still be extra careful and overbearing for a little while longer.

You can be sure that they would be taking extra measures now so that you never get sick again.

[darlingdaisyfarm]

takin’ what’s not yours (ford x reader x stan)

chapter 2 | chapter 1

someone please whack me with a rolled-up newspaper like a misbehaving dog so i actually finish my fics on time. also i think this chapter is mega boring but i have no more brain cells to fix it because im very tired

tags for this chapter: death mention (i mean a dog’s death, and this is a little self-indulgent, but i just wanted to write it exactly like that), gore (not so much), panic attacks, child abuse, alcohol, flashbacks, unreliable narrator

Stanley, who has never met a terrible situation he couldn’t defuse with a joke, lets out a breath. “hey, bro, you planning on hunting something tonight or just ready to, i dunno, take out some deer in the backyard ”

Ford blinks once, but doesn’t lower the crossbow. “Already did,” he answers calm as you please. “for an experiment.”

You and Stanley go silent at the same time. The crackling of the old lightbulb above you fills the space where words should be. Somewhere outside, a tree branch scrapes against the roof, snapping you out of trance.

“. . . What,” you say finally, because someone has to.

“I needed to analyze the cellular structure post-mortem, it’s relevant to my research.”

Stan lets out a laugh, which sounds a little too loud in that awkward silence. “Oh, sure. Yeah. Right. Because that makes total sense, totally normal thing to do. Real brother-of-the-year shit.”

“Science isn’t about sentimentality, Stanley. Besides, it was already injured when i found it. I only expedited the process.”

Expedited the process. Jesus Christ.

You glance at Stanley, who is staring at Ford with such confused face, seeing something he doesn’t recognize , doesn’t have name for, which is funny, because you’re pretty sure he’s seen a lot of versions of Ford by now. Except this this one, who’s holding conversations with himself in his own head, this one with the dark circles and the too-quick explanations.

However, you were Ford’s assistant, his best friend too, so you know how his brain works, although even right now you can’t find explanation for. . . whatever this is.

You take a careful step forward. “Ford, why do you need dead animals for your research?”

“That’s complicated.”

“Try me.”

He exhales through his nose, apparently annoyed. “ Certain anomalies leave biological imprints even after death and I hypothesise that these imprints could be harnessed. Imagine, for example, an organism imbued with interdimensional properties—“

“Okay, okay, no. Stop.” Stan holds up both hands. “literally no idea what you just said, but it sounded fucked up. Also, you're still pointing that thing at us, genius, mind putting it down before i start thinking you’re planning on adding people to your little science fair project?”

Ford blinks again, then looks at his own hands as if he just now realized what he was holding. Carefully, he sets the crossbow aside.

“It’s not like that,” he mutters, pushing his glasses up, looking away.

“Great,” his twin says. “good talk. Totally reassuring.”

There’s another silence, because Ford doesn't answer that. You dont know what to say too. And the shack gets colder with every minute. Ford’s back is turned now, and you don’t know if he’s done talking or if he just doesn’t care if you’re still standing here.

You glance at Stanley again, silently telling him to say something, to do something, that's his own brother after all, damn it! But he ignores your request and folds his arms over his chest. What a moron. . . And because you hate this kind of silence, you try again. “Ford,” but much softer this time. “seriously, are you okay?”

Ford doesn't answer right away and that's the part that worries you the most. “It’s not as morbid as you’re making it sound. I needed to study the decomposition process in controlled conditions. It’s for science.”

Which is possibly the worst possible answer he could have given.

Stan scoffs, shoving his hands into his jacket pockets, nervous, but trying to hide it. “Yeah, that clears it right up. Real normal hobby you got there, Poindexter.”

Stanford just ignores that.

Then, out of nowhere, as if to shake the whole tension, Stan shivers, “Oh man. Do we have any tea or something? I’m freezing.” he says it offhand obviously, but it’s the perfect excuse for you.

So you seize it immediately. “Yeah , i’ll— i’ll go make some,” you say, already turning toward the kitchen.

Ford barely acknowledges you leaving, but Stan does. You notice the way his brown eyes flick toward you, the silent thanks he tells you. You both need a second to breathe.

The kitchen is cold when you light the stove, set the kettle on, press your hands to the counter and think. Ford is weird, you knew that, but this is different. The last time you saw him, he wasn’t like this, his skin wasn’t so pale, his eyes weren’t so dark.

He was paranoid. . . Maybe, okay, he sure was, but there used to be some kind of. . . purpose, excitement behind that paranoia. Now, it just looks like wild fear.

A deep, sinking feeling twists in your gut.

Meanwhile, in the other room, Stan’s stomach growls and the sound is too loud, making Ford glance at him. “You should eat something.”

Stan rolls his eyes. “thanks for the life advice, doctor sixer.”

“It’s just an observation.”

“Yeah? Well, what are you, taking a role of an older brother now?” Stan mutters, leaning back in his chair.

Ford doesn't answer, just stares, not knowing what to say to that. In the kitchen, the kettle starts to whistle as you shake yourself out of your thoughts. Pulling out some old mugs andgrabbing the first container of tea you can find, you turn your head to the cookies are on the counter and without even thinking about it, just grab a handful and pile them onto a plate.

When you walk back in, Stan’s sitting stiffly, arms crossed, visibly uncomfortable, while Ford is in exactly the same position as before, hasn’t moved an inch.

You set the tray down with a little too much force. “Ford, i hope you don’t mind i stole your cookies to feed your brother.”

But he barely reacts. Stan, though, eyes the plate, two seconds away from breaking down in gratitude.

“You are actually a lifesaver,” he says, grabbing one immediately.

You pass Ford his tea, but he doesn’t drink right away. Stan, on the other hand, takes a sip, exhales long and slow. “ God , finally, something warm.”

The moment almost feels normal until Ford lifts his mug, opens his mouth and spills the entire thing down his front . You freeze , feeling the cookie stuck in your throat . Just. All of it. No attempt to sip or at least to adjust , looks like a full-body failure of basic motor skills.

The room goes dead silent as Stanley and you stare again.

Ford doesn’t react, just sits there, drenched in tea, holding the empty mug like nothing happened.

“. . . Bro,” Stan says finally. “what the fuck was that.”

You’re gripping your own mug tightly, nervous. “Ford?”

Ford blinks, looking down at his soaked clothes, he slowly touches the fabric, not understanding what went wrong. “I guess I miscalculated.”

Stan throws his hands in the air. “Miscalculated? Miscalculated what, basic human function?”

Ignoring his twin again, Stanford doesn’t answer, still staring at the tea, clenching his fingers. You bite your lip. yeah. Something is wrong. Something’s really, really wrong.

Stan makes a strangled, baffled noise, shoving a hand through his hair, trying to process what he just saw. “Sweet Moses, Sixer, you just malfunctioned. You just— what the hell was that? You need a reboot? A software update?”

Ford, to his credit, keeps his fa c e expression calm as possible. Only brushes a hand over his soaked clothes with a blank face. “It’s nothing, Stanley, a minor lapse in coordination.”

“A minor lapse?” Stan repeats, looking to you for backup. “ Are you one year old?”

You want to laugh, because this is fucking ridiculous because Stan is damn right, but the feeling that’s been pooling in your stomach since you stepped foot back in the shack only deepens.

Ford isn’t acting normal. Not weird normal. Not his usual ‘I’m smarter than everyone and i know it’ normal.

“Ford,” you say quietly. “are you sure you’re okay? This is getting weird.”

Stanford turns to you like he just now remembered you were here and the second your eyes meet, you immediately want to look away as if your body is trying to tell you something your brain hasn’t caught up with yet. Get out.

“Of course i am, why wouldn’t i be?” you're not sure if you imagined it, but the intonation sounds rather sarcastic.

You don’t get to answer as you hear something crashing outside. Stan nearly chokes on his tea while you jolt so hard your own mug sloshes in your hands.

Ford is the only one who doesn’t react.

“Shit,” Stan hisses, immediately craning his head toward the window. “what the fuck was that?”

Your heart beats faster. You don’t know why, but suddenly the only thought in your head is—

“What if it’s a yeti,” you whisper, deadly serious.

Stan whips his head toward you. “Why the hell would it be a yeti?”

You glare at him. “Ford literally just admitted to performing illegal backwoods taxidermy. Why wouldn’t it be a yeti?”

Stan thinks about your words and his expression changes. “ Yeah , okay, fair point.”

Suddenly you hear another noise, but this time it’s a sharp rattle against the window.

Stan nearly jumps out of his skin. “oh fuck, it’s the cops.”

Ford finally sighs, tilting his head to glance toward the front door. “It’s not the police, it’s the wind.”

You and Stan exchange a look. Ford is right, the storm outside has picked up hard as the wind is howling through the trees, snow slamming against the shack in heavy sheets.

Stan exhales, realizing that he probably doesn't have a chance to get out of here in his car, the roads are so damn clogged. He runs a hand over his tired face. “Great, just fucking great.”

You glance toward the door, slumping your shoulders. “Yeah. Looks like i’m staying the night.”

Ford doesn’t even hesitate, happy with your words. “You can take the spare room.”

Stan raises an eyebrow, surprised at how fast his brother offered. You are too, honestly. Does that mean . . . you don’t get to finish your thought when Ford turns to Stan. “You can stay too, Stanley.”

At first, Stan doesn't react at all, thinking that he misheard, but then his brother's words gradually sink in. He's wary when he clears his throat, rubbing at the back of his neckawkwardly, obviously not used to that. “Uh. Yeah. Okay, thanks.”

Ford steps past him, when he passes his twin, though, he stops and leans in. “don’t worry , im not dad, i won’t throw you out.” just like that, he keeps walking, leaving Stan standing here wide eyed and frozen.

You stare after Ford, then back at Stan .

“Oh, um,” you say. “what the hell.”

Stan looks down. “yeah, no shit.”

***

The shack at night is a different thing, you knew this already, but knowing it and feeling it are two different things. You’ve stayed the night here before, back when things were normal, back when Ford was normal and the silence always calmed you, unlike right now. When you hear your own heart beating and the whole house is listening.

Stanley is asleep, dead asleep. Sprawled across the couch in a tangle of limbs and blankets, snoring faintly through the storm’s howl. Good for him, it's the first time in years he hasn’t had to sleep in the backseat of a car, curled up around himself like a stray dog in a storm drain. It doesn’t matter that the couch is stiff, that the room is freezing, this is the best sleep he’s had in years.

***

Summer, 1960-something. Kids. Kids with scabby-kneed, sunburned noses and wild hair.

The harbour always smelled like salt and fish.

Ford’s hands shake when he sees the bruise. So deep, ugly, purpling against Stan’s cheekbone, swelling beneath his eye.

“What happened?”

His brother was sitting on the curb, resting his arms over his knees, staring at a crack in the pavement.

“Dunno, pa just gets mad.”

The words felt like someone had dropped a rock right into Ford's chest, as it just sank to the bottom of his stomach, too heavy to breathe around.

Stan must’ve noticed, because he grinned. He actually hated that look, hated seeing his own twin with that kind of expression, because that made Stan know exactly how he looked when their old man had really lost it.

“But hey, hey, least now i look tough, huh? Bet all those bullies are gonna be real scared now,” he grinned, nudging Ford with his elbow.

Ford’s hands curled into fists. “thats not,” he cut himself off, shaking his head. “that's not gonna help, Stanley!”

“Eh, maybe,” he shrugged. “but it sure looks cool, huh?”

It didn’t. It looked awful.

Ford's chest was too tight. He looked at his brothers bruised eye, at the careless shrug in his posture, and suddenly the words burst out before he can stop them.

“We should run away.”

Stan opened his mouth, surprised, Ford, sixer, being this bold? And a second, he almost looked serious, considering it.

Then he laughed loudly. “and go where, genius?”

“Anywhere! Somewhere better. We could, we go up north, where it’s colder, where nobody knows us.”

Stan squinted at him. “but what about ma?” Ford hesitated, looking down. Stanley's smile faded as he rubbed his bruise. “look, Sixer, i appreciate the whole dramatic rescue thing, but we’re kids. Where’re we even gonna sleep? In a box?”

“We’d figure it out, you'll never be homeless, we'll never he homeless,” Ford insisted. “we’re smart—“

“You’re smart,” Stan corrected, no bitterness, just a fact. “im just a guy who can throw a good punch.”

Ford hated that he said that, so he didn’t give up.

“We could take a boat,” he tried again. “work at a dock, make some money—“

“You’d get seasick in five minutes.”

Ford scowled. “i would not.”

“Yeah, you would,” Stan teased, nudging him again.

Ford didn’t answer, because he hated the way Stanley took it all as some kind of joke. He was serious. He meant it.

But Stan just sighed again, stretching his arms over his head. “nah. don’t worry about it, Poindexter. Ain’t no big deal.”

It was a big deal. But Ford didn’t say anything else. Just sat down next to him, wrapping his arms around his knees, staring at the same crack in the pavement.

They were kids, they thought like kids. Ford just wished they’d stayed kids. Stanley wished the same.

***

Ford is in his bed, but he's not sleeping. Or maybe he does, technically.

He shifts, twists, rolls to his side, then to his back, then to his stomach, then repeats the cycle, stuck in a loop. His body doesn’t want to be still, doesn’t know how to be still.

He can't really control it, can’t open his eyes no matter how much he wants to.

It’s the same dream every time. Ford and him, sitting across from each other, playing chess, if Ford could call it that because every move Ford makes is a lie, and every move Bill makes is a trap.

Ford can’t win no matter what he does, no matter how many times he tries. Bill moves a piece. Ford counters. Bill moves another. Ford moves in response.

And when Stanford blinks, they’re already back at the start, the pieces damn reset and the game begins again.

“What do you say, Sixer? another round?”

Ford clenches his jaw, it’s not like he has any other choice. He just moves the first piece.

Every time their game ends with same, when Ford sees the door to his childhood home. It's already happening, every night.

He sees his brother standing there, staring in at their father with hope in his eyes, waiting for him to change his mind.

Ford sees his father’s mouth moving and even though can't clearly hear the words, he doesn't even need to hear them. He knows what happens next.

It’s already happened.

It’s always happening.

You aren’t asleep, either. Your head is too full, your body is too restless . Your thoughts won’t quiet. Ford, you cant get him out of your head. What you saw hours ago is sitting heavy on your chest, making it hard to breathe properly. Something is wrong with him and the whole shack, it doesn’t feel like it should.

You don’t know why it bothers you so much, but it does. Ford has always been intense, sure, his brain works faster than everyone else's, you've always known that.

You shake your head, taking a deep breath. No use going in circles. You have to talk to him tomorrow, ask him. And let him deny your questions as much as he likes and look at you like you're crazy, you'll get your way.

As soon as you close your eyes, finally sinking into sleep, the lights go out, and the whole room plunges into an all-consuming darkness. Fuck.

You immediately sit up, gripping the blanket. It can't be that bad.

It's fine, this is fine. You know where you are, you're in the shack, the storm outside is brutal, but that's normal. The generator will probably kick in any second now.

. . . Any second now.

. . . Any damn second.

The darkness does not change. You swallow. No use waiting, there should be candles somewhere in here, just to keep you sane and. . . would word safe fit here? Honestly, you just want to make this place feel like somewhere, instead of nothing at all.

Pushing the blanket off, you slip out of bed, feeling the cold floor beneath your feet.

Ford keeps candles somewhere, you know he does because it was a Christmas gift from you, years ago. So it should be easy to find them.

You put your hands out to feel for the walls as you move slow, trying not to bang your shin into anything, listening to the creaks of the house around you and footsteps. Wait.

Footsteps, exactly. Your whole body goes rigid.

Someone else is awake. Your heart pounds as you pause, listening hard.

Okay, they're not rushed, you take a note of that. Not stumbling or uncertain. Not. . . What was his name? Stanley? Yeah, probably not Stanley's, he would be louder, sloppier.

Meanwhile these sounds too slow, intentional.

Your fingers shake as you reach out, feeling along the shelves. Goddamn, you need a candle. Just one. Just enough light to fucking see.

Seems like luck is not on your side because just when you take another step, you damn trip, your hands shoot out, grabbing wildly for balance, but before you can fall and hit the ground hands catch you.

And they're not yours. Your breath stops. Someone else’s. You barely have time to react before you feel them close around your waist, digging into your stomach, your hips, moving fast, searching, checking. So strong. Coming from behind.

They trace higher, gripping as they move up to your chest. The air rushing from your lungs, your body tenses as a jolt of shock slams through you. The hands don't let go, not letting you pull away as they hold you in place. You try to yell, but before you can, you hear someone's voice right in your ear.

“Shouldn't you be asleep?”

Your blood runs ice fucking cold, but hands don’t let go.

If anything, they tighten. Painfully gripping you, grasping keeping you there, locked in place. A rush of panic clouding your senses before you even have time to think.

And it doesn't help th at the darkness is so thick, so you can't see who's behind you, can't even get a glimpse

Long fingers trailing slow over the curve of your sides, the dip of your waist, the softness of you beneath them. They follow the shape of your hips, press into the plush of your thighs.

You gasp when you feel your back pressing against someone’s broad chest. But your thoughts don’t fully settle on who or what it can be because your body is screaming louder than your mind. Sharp panic coils in your gut.

Your mind is too scattered, clouded with adrenaline. You thrash. Or at least you try to. Your muscles tense to push, to shove, but the hands don’t budge.

Panic overrides everything, making it impossible to think and breathe. Your body tells you one thing: get away .

But the fear floods your veins like ice, so much so that you can’t even count the fingers on the hands holding you.

Five. Six. Which is it? You should know. But sadly, your mind is too frantic, your skin burning too hot where those fingers press, where they curl. You don’t even realize you’re shaking.

And when they let go, all at once, the air rushes back into your lungs as your body stumbles forward, and you don’t wait or look back, letting your feet carry you .

You don’t remember running back to bed.

You don’t remember pulling the blankets over yourself, heart hammering, breath coming too fast, too shallow.

All you remember is pressing yourself into the mattress, squeezing your eyes shut and whispering the first prayer you've ever said in years. Not that it helps

So instead, you think. You force yourself to think.

Because fear is useless to a scientist, it is irrational, fear clouds judgment, fear lies.

And if you let it win, it will consume you.

You feel. . . violated. That’s the word, isn’t it? Or was it something that could be explained away as a trick of the mind?

Was it someone? Yes. Someone grabbed you. Someone touched you.

Your stomach lurches and you swallow it down, gripping at the blankets while your brain tries to work through it. To think. To rationalize.

This can’t be. Logic has to win, but the feeling is still there.

The ghost of hands on your body.

And you don’t sleep.

***

There's dirt under your fingernails, packed tight in the creases, clinging to the skin of your palms. Your hands hurt a little. Dug too deep. Pressed too hard. The grave was small, no headstone, although you wish you could, just a little wooden marker Ford helped you to carve.

Somewhere in the trees, hidden in the thick summer-green leaves, cicadas chirped. It was so warm, the grass beneath you was soft, a little overgrown, tickling against your arms.

Your throat still felt tight, and your hands, fisted in your lap, felt hollow.

Your voice came out rough. “it’s stupid to cry over a dog, right?”

Ford turned his head toward you, furrowing his brows, not sure if you were joking.

“What?”

“I mean,“ sniff. “its just a dog.” you rubbed at your face, pressing your palms into your eyes until all you saw was red behind your lids.

He stared at you, and you could feel it. His gaze rested on you, assessing, he was trying to figure out if you meant it or if you were just saying it to make yourself stop feeling.

Ford was not good with emotions too. You knew this. Logic, facts and equations neatly filed thoughts.

“You loved him, why wouldn’t you cry?”

You let out something between a laugh and a breath. It shook a little. “yeah,” you wrapped your arms around your knees. “yeah, i did.”

A scientist, you were a scientist, scientists weren't supposed to get that emotional over things that had clear, defined ends. Things that had lifespans. It was biology. Living things died. It was just how it worked.

But god, he was your dog. He'd slept at your feet when you stayed up too late, followed you through the woods, knew exactly when to curl up against you when you were sad.

“He was a really good dog.” Ford said eventually.

“He was so stupid,” you stared at the dirt. “always running into things. Remember that time he stole your sandwich?”

“He didn’t steal it,” Ford corrected. “you gave it to him.”

“After he tried to rip it out of my hands.”

“He was very persistent,” he admitted.

“You were so mad, i think that’s the first time i ever heard you swear.”

“I did not swear,” Ford said, scandalized.

“You did. I remember. And remember that time when he came back covered in mud?”

Ford smiled. “mud and skunk pray. You had to him, what, three baths?”

“Four,” you smiled back. “and he still smelled. I had to sleep with all the windows open.”

“You let him on your bed anyway,” Ford pointed out.

You huffed. “of course i did.”

Silence again. You leaned to the side, lettingyour head rest against his shoulder.

He didn't pull away. Only stiffened for half a second, like he always did, because he still wasn't sure what to do with touch. And then his hand came up and rested lightly against the back of your head.

The sun dipped lower, turning the sky honey-thick, melting into the trees.

“I’m gonna miss him,” you whispered.

Ford’s fingers curled slightly against your hair. “i know. Me too.”

You let out a breath and closed your eyes, feeling the tears again.

Ford's hand stayed in your hair.

***

Morning comes slow, at least the storm has settled. The sky outside the window is still covered with a gray haze, the snow is still falling, but the howling of the wind has subsided.

You don’t feel rested, but you’re awake and you need answers. You hate to admit it, but you're scared. And your thoughts don't paint the best picture for you.

You move careful, quiet, slipping out of the spare room into the main part of the shack.

And the first thing you hear is loud, unrestrained ridiculous snoring, coming right from the couch.

You blink, glancing towards it.

Stanley. Sprawled across it in the most undignified position possible. On his side, curled slightly inward, arms tucked close against his chest. Just a little, but poor guy is shivering. Like some pathetic, scrappy little street dog curled up against the cold. The blanket barely stays wrapped around him, but he clutches at it, seeking warmth in a place where he’s used to none.

For a brief moment, he looks. . . well, he looks cute. But you shake the thought away. You have bigger things to deal with. You need to find Ford.

The lab is quiet, but inside his head, it isn’t.

Ford is slumped in the corner, collapsed into himself with his knees drawn up, his hands tangled deep in his own hair, like he's trying to keep something from leaking out, all six fingers curled so tight against his scalp that his knuckles are bloodless. Moving his heavy head in small, restless jerks, shaking side to side, wanting to shake it out, but it’s not working, it never works, IQ, you fucking idiot.

Sixer's body tense with horrible, restless energy as if he’s still trying to wake up even though he never truly slept.

Dark, bruising exhaustion hollows out his eyes, pulling his features tight with sleepless strain. His glasses have slipped low on his nose, the bridge smeared with fingerprints, hes been pushing at them, rubbing at his own skin, trying to wake himself up.

Bill was always there.

The same dream. The same game. The same endless, maddening chess match. And the same loss.

Over. And over. And over.

No matter what move Ford made. no matter how many times he tried to outthink the demon, Bill always won.

And at the end it was always the same. Stanley, who's looking at his brother standing in the window, framed by the curtains

Stanley's eyes

Ford never forgot his eyes. The way they looked at him.

The way his brother had searched his face for some answer, at least some kind of explanation, begging. Stan's eyes so big, so damn wide, the pupils blown dark with confusion, desperation, with a hurt that had no words.

And his voice so small, so weak.

“Sixer?”

Ford shudders. Vomit rises in his throat. His hands tighten in his hair.

Gosh, he feels sick.

His stomach twists, coils, knots so tight it feels like it might rupture.

The sticky notes around him are everywhere, scattered across the floor, plastered against the walls, some even stuck to the sleeves of his shirt.

MISS ME, NERD? 
FEELIN’ RESTED? 
DOESN’T MATTER! I’LL SEE YA TONIGHT ;)

DON’T WORRY, POINDEXTER!

I’LL ALWAYS BE HERE FOR YOU! HAHAHA!

HOW’S STAN, BY THE WAY?

HE’S STILL MAD ABOUT, Y’KNOW. THE WHOLE… THING

REMEMBER WHAT HE LOOKED LIKE? YIKES.

He wants to rip them down, burn them, but they've dug their way into his skin.

But his body won’t move because his mind is somewhere else now.

Ford remembers the deer. Or what was left of it.

Half dead in the snow. Legs moving, jerking in agony. The crack of stiff joints.

Something that shouldn’t be alive rose from the ground, black tar pooling from its mouth. The ground beneath Ford's boots was damp, the scent of rot curling sharp in his nostrils.

Patches of fur are missing, peeled away, exposing the raw, rotting flesh beneath. Its ribs jut out in jagged angles, parts of it look eaten.

But the worst part is the eyes. Empty sockets, gaping holes where its eyes should be.

Ford ran, but forest was too big. Too many trees, too many shadows and sounds.

His feet slipped on something wet and Ford knew he shouldn't have looked down

Bones scattered across the ground, half-buried in the damp earth. And awfully glistening organs strewn across the ground. Dark red. Raw. Rotting.

A smell so thick, so rancid it shoves itself down his throat, makes him gag. His shaking hands flew to his mouth to stop the ill-fated piece of vomit that threatened to burst out.

You did this.

You did this.

You did this.

Ford screamed, falling to his knees, dirt and blood staining his clothes.

The sound that ripped from his throat didn’t sound human.

His throat closed, air wouldn’t go in, wouldn’t stay.

Ford opens his eyes. His body jerks , thrashing against the floor, his hands shaking, fingers clawing at his own skin, trying to tear something out of himself.

He can’t breathe. His throat is tight, closing, closing, his lungs burning, his vision swimming.

His stomach twists, nausea rising fast, his head spinning so violently he doesn’t know which way is up.

He can't breathe. He can't breathe. Ford is dying

His hands claw at his own chest, digging his fingers into fabric, into skin.

He barely registers the sound of someone entering the room, running to him, moving, hands grabbing his arms, gripping, holding.

“Ford, Ford. Hey—”

The deer.

The deer, the deer, the deer—

“ Ford!”

A voice he barely hears, hands on his shoulders, hands on his face, hands gripping him.

Not his.

Not Bill’s.

Yours

But Ford can't move, his body feels tight, contorted as if something is twisting him from the inside out. The color of his face is wrong. He’s so pale, every shadow and hollow stark under the overhead lab lights. His lips are parted, his mouth trembling, and his eyes, so wide, bulging, glassy with tears, but not focused.

Not seeing you.

He makes a noise between a choke and a gasp, his fingers digging harder into his own arms, his whole body starting to shudder .

You're on your knees in front of him.

“Ford,” you grab at his arms. “it’s okay, you’re okay, it’s me, i’m right here—”

Ford jerks, his hands flying out, shoving at you with a sudden burst of fear and he screams. “Go away!”

You stumble back, watching him wrapping his arms around himself, his whole body curling inward

“Go away,” he gasps again , “go away, you— you monster —”

“Ford, it’s me, i swear it’s me, look at me.”

But he won’t. His lips are moving, forming broken, faltering words, but nothing comes out.

He’s not here.

His mind is somewhere deep, somewhere dark, somewhere you can’t reach him.

“Ford,” you say again, softer this time, but firmer, shifting closer on your knees, “you’re having a panic attack, okay? you need to breathe, you’re safe.”

His scared eyes snap up to you, still wide and glassy and it doesn't take long for him to cry. Ford gasps so hard he thinks his lungs might collapse.

Your arms are around him, pulling him against you, pressing his face into your chest, holding him, feeling the way he trembles while he clutches at your arms in return, his hands fisting in your shirt, clinging to you.

“I’ve got you,” you whisper, “I promise, i’ve got you.”

“thirty-two point eight megahertz— quadrants , electron spin—”

What?

At first, it’s so soft you can barely hear it.

Your brow furrows . “Ford?”

“Event horizon c-collapse, field equations— metric tensor—”

You tilt your head to see him, but he just hunches further into you

“Warp theory— symmetry breakdown — proton decay—“

You squeeze him. “Ford, hey—“

He shudders and his muttering falters. Closing his puffy eyes, he buries his face deeper into your chest.

His mind registered it last, but his body recognized you first.

And you hold him, stroking slow, careful circles between his shoulder blades, your fingers weaving up into his hair, carding through the brown strands.

You try to breathe together with him. Slowly, letting him hear it. Letting him match it.

“I’m here, Ford, im right here, i swear you are okay.” you feel how his hands clench, then loosen, then tighten again.

His body still shakes, but the sharp edges of it start to dull, the tremors turning softer, his breathing slowing.

But his face stays hidden.

“Ford , i—” you swallow. “i’m worried about you.”

His shoulders stiffen. You keep going.

“This isn’ t. . . isn’t normal. You’re not okay, Ford. I think maybe,” your fingers twitch in his hair. “i think maybe you should talk to someone, to professional?”

The moment Stanley bursts through the door, his eyes widen at the scene before him. His brother, still trembling, lost in the fog of his panic attack, and you, crouched on the floor with your arms wrapped tightly around him, holding him close

Stan’s face immediately changes into that familiar, protective mask, although it's even more concerned now

“What the hell is goin’ on here?”

You turn your head to meet his worried gaze, your own heart still racing in the aftermath of what you just witnessed. “He just had a panic attack, Stan.”

“A panic attack?” Stan repeats, raising an eyebrow, clearly not sure how to process it, “jesus christ.”

You don’t say anything.

Your hand is still on Ford’s arm as you still feel the tremors running through him.

Stan huffs a sigh, rubbing his hands over his face, clearly unsure of how to proceed. Then, with a deep breath, he squats down next to his twin, trying to make himself appear less intimidating. “Hey, sixer,” he says, making his voice a little gentler, “what’s goin’ on? you . . . you talkin’ to anyone about this? is there somethin’ you ain’t tellin’ me? why the panic attack?”

Ford is still silent, his breath still ragged, as if he can’t find a way back to normalcy. He lifts his head, peering up at his brother, but it’s clear that whatever’s plaguing his mind, he’s not ready to share it.

“C’mon, Sixer, you can tell me. what’s really goin’ on, huh?”

Ford doesn’t answer. Stan looks at you, his gaze is questioning, but you don’t know what to say either. How do you explain something you don’t even understand?

Ford is not going to talk too, whatever it is that has him this scared, he wont say it aloud. He better keep it to himself, this deep-rooted and unspoken truth has to stay buried, even if it tears him apart to keep it locked in.

“Ford, it’s okay,” you murmur, squeezing your fingers lightly at his sleeve, “you don’t have to say anything if you don’t want to.”

Stan lets out a long, deep sigh, rubbing at his jaw, his eyes still on Ford. And, of course, because he can’t help himself, because he’s Stanley, because it’s how he deals with things, he tries to joke. Tries to break the tension the only way he knows how

“Shit, you look like you just saw a ghost.”

Ford stiffens.

Stan notices. And he . . . does that thing he always does, when things get too serious, when he doesn’t know what to say

He deflects.

Leans back, shakes his head, lets out a short chuckle.

“Or damn, maybe even worse. Like. . . i dunno. Like you just realized the government’s been spying on you through your radio or somethin’.”

Ford’s whole face twitches.

“Stanley,” you glare, warning him, and he immediately holds up his hands in mock surrender.

“What? What’d i say?” but his face betrays him. He knows what he said. He knows it was a bad joke. But he also doesn’t take it back, because that’s how he deals with things, isn’t it? Laughing when he’s scared. Pretending he isn’t worried when it’s clear as day that he is. And you don’t have time to unpack that, not when Ford is still sitting there, unresponsive.

“Just not now, okay?”

Stan grumbles, but doesn’t argue.

Ford hasn’t moved, at least his breathing sounds a little better, less sharp, a little more even, but he still looks. . . tired, so damn tired.

You soften your voice again.

“Ford, hey. . . i know you’re exhausted. I know you’re not feeling good, but maybe a shower would help? Get you cleaned up, get some of that tension out of your muscles.”

His eyes blink at you slowly, dazed you'd day, trying to process the words, but he just doesn’t have the energy.

“C’mon,” you coax, “you’ve got those bags under your eyes. You need some rest.”

There’s a long pause before Ford gives the faintest nod. And so you help him up, carefully, and he lets you, barely meeting your eyes, ashamed that you saw him like that but following your lead, disappearing down the hall toward the bathroom.

You exhale when you hear the water running.

Your body slumps just slightly, hands still tingling fro m holding onto him for so long. But you push through it, stretching out your stiff legs, then step toward the kitchen, glancing over your shoulder as you go, noticing Stan following you. Not that you're not used to it, after all, back home, you've got a little shadow on your own.

He doesn’t say anything at first, just leans against the counter, arms crossed, watching as you open the fridge, moving through the motions of finding something quick to make that Ford will actually eat without you having to argue with him over it.

Stan watches you like a cat staring at a fish tank. Or maybe more like a dog staring at a steak.

“I can hear you drooling,” you say without looking.

“I am not drooling.” you turn and yeah, no, he’s definitely eyeing the food with his whole damn soul.

“Uh-huh.”

He shrugs. “What can I say? I see food, I want food. You gotta get used to it if you’re cookin’ around me, sweetheart.”

“Noted.”

You keep working, stirring something in a pan, and Stan shifts against the counter, watching you for a second before glancing toward the hallway.

“Well, i gotta say,” he grumbles, back at eyeing the kitchen counter like a starving animal, “you really know how to make a guy’s day.”

You can’t help but laugh softly, rolling your eyes as you pull out the ingredients for a quick meal. “yeah, yeah, i don’t cook much, but i figured he needs something. Gotta take care of him.”

Actually you’re not much of a cook, but right now, it feels like the only thing you can do. You’re not a doctor. You’re not a therapist. You can’t fix Ford. But you can make him something to eat.

“So, what’s the deal with you two, huh?”

You pause mid-stir, glancing at Stan. “what?”

“You and Sixer. What are you? Couple? Friends? Lab partners? Secret government spies?”

You clear your throat. “we studied together.”

Stan raises an eyebrow. “just studied, huh?”

“Yes, Stanley,” you say, exasperated, turning back to the pan. “just studied.”

He watches you for a beat longer before humming, noncommittal. “Huh. That’s funny.”

You glance at him again. “what is?”

“That Sixer never mentioned me. I mean, you two were clearly close. Close enough that you’re still here, takin’ care of him. So why the hell didn’t he ever tell you about his own damn brother?”

You shake your head. “he doesn’t talk much about his past or his family. Especially after one situation where i saw a photo of his dad and said he looked just like him. Ford didn’t take it well.”

Stan chuckles. “Yeah, that’d do it, he doesn’t like the family thing much. None of us do.”

You glance up at him, raising your eyebrow, but before you can ask, Stan shrugs, not going to explain any further. “Sixer’s got his own baggage. We all do. Just gotta leave it at that.”

“He really doesn’t like talking about it. About his family or his past, i mean, i get it, but—“

“Hell yeah, sweetheart, family’s a hell of a thing.”

At end, Ford did eat what you cooked. Barely spoke, though. Sat at the table, moving food around with his fork, his own goddamn thoughts were so heavy he couldn't lift his hand right. You weren’t sure how much he actually tasted of what he was eating, but at least he got it down. You had to remind him to drink some water, push the glass a little closer when he forgot it was there.

Stan, on the other hand, jesus, the way he looked at the food, you almost felt guilty. Like some starving dog watching through a window. And yeah, he made a joke about it, about you running a charity kitchen or something, but you told him to just eat already. No need to act like a starving orphan from a dickens novel. He didn’t argue, eating fast, as if he might lose it if he didn’t.

It was easy to forget about what happened this night, the power cutting out and that moment of frozen, breathless fear in the dark. All of that got buried under your worry for Ford, who looked like he was about to pass out.

Ford was still pale, what made you want to press a hand to his forehead, check if he had a fever. You tried to ask, tried to get him to talk about it, but. . .

“You sure you’re alright?”

And of course, he just waved you off, mumbled something vague.

“It’s nothing.“

“It doesn’t look like nothing.”

“I’m fine.”

Stan chuckled, muttered something under his breath what made you shoot him a look before he could say something worse.

Ford didn’t want to talk, that was obvious. But that was the thing about him, right? Always acting like he was fine, even when he was so clearly not.

Stan had been quiet, chewing and incredulously looking around the house like it might spit him back out. He didn’t belong here, wasn’t supposed to be here, and was just waiting for the moment Ford would make it clear.

So, he cracked a joke instead. About how he should probably leave before Sixer turned into an even bigger grump, about how he “wouldn’t wanna overstay his welcome.”

“Soo yeah, guess I better be hittin’ the road.”

You frowned at him. “why?”

Stan gestured loosely. “i dunno, i just figure, y’know. Not exactly mr. Welcome here. ‘sides, your guy here looks like he needs his beauty sleep.”

“He’s not my guy.” you answered, but that didn’t stop the way your stomach twisted. Damn, you didn’t wanna leave Ford alone. Not after everything you’d seen. But . . . your dog. You had to get back. Had to feed her, take her out, make sure she wasn’t tearing up your furniture.

Ford didn’t respond. Just kept looking at his plate, barely eating anymore.

You hesitated. The thing was, you didn’t wanna leave. Not when Ford still looked like this and you knew something was wrong, but he wasn’t saying.

But you had a dog waiting for you.

Ford told you it was fine. That you could go. That he “preferred being alone right now. ”

And you hated that. Hated the way he always did this, how he always thought he had to go through everything alone, even when it was clear he needed help.

You promised him you’d be back tomorrow.

“I'll come back tomorrow. i’ll come back, and we’ll talk, okay?”

Ford didn’t answer right away, j ust stared at his plate. “okay.”

You didn’t like how he said it, like it was better if he was alone. Like he wanted to be alone even when he clearly shouldn’t be. And it made you sick, the way you left. Like abandoning a ship you knew was sinking, stepping away from a person you knew needed help. You hated it. Hated the way Ford always pushed everyone away, even when he was fucking drowning.

You and Stan stepped out into the cold, your breath coming out in little clouds into the biting winter air. It was getting dark already, sky looked gray and heavy, as always. Stan stuffed his hands in his pockets, shoulders hunched against the cold. You pulled your jacket tighter as you shivered, rubbing your arms.

“Cold?” he glanced over at you.

“Genius observation.”

The streets of Gravity Falls were quiet. Before long, you were near your place, the porch light shone warmly in the early twilight. You turned to Stan, about to say goodbye, but then you got a good look at him.

The dirt on his jacket, he probably hadn’t had a chance to properly wash it. The exhaustion on his face. And you remembered th e way he’d been staring at food all day, watching Ford eat, practically salivating.

“So uh, you have a place to stay?”

Stan blinked at you. Then scoffed. “‘Course i do.”

You raised an eyebrow.

“I do!”

“ Oh, okay. Where ?”

“Uh, y ’know. The— uh. The, uh . . . ‘lakeview inn.’”

You stared at him. “Well. . . okay.” and Stan seemed relieved that you weren’t pushing.

He coughed into his fist. “yep, great place, real fancy.”

You sighed. You didn’t have it in you to argue. Not right now. You just exhaled, gave him one last look as you told him to take care and stepped inside.

Your dog was waiting for you, so excited, wagging her tail. You knelt down, ran your fingers through her fur, whispered, “missed you too, girl.” Fed her, sat with her on the floor, talked to her, absentmindedly, about Ford. About his brother. About the way Stan was kinda . . . cute.

Meanwhile, across town, Stan climbed into the front seat of his car. He was cold. He curled his jacket around himself, stuffed his hands under his arms, tried not to think about how long it had been since he’d last had a real bed.

Or a real meal.

He should’ve expected this. It wasn’t like he hadn’t done this before. Sleeping in cars, parking lots, the occasional cheap motel when he could swing it. But somehow, after that meal, after you, this felt worse.

He stared up at the ceiling.

He thought about Ford. About how he looked tonight, half a breath away from collapsing. What kind of shit his brother had gotten himself into?

And then Stanley thought about you. You, who offered him food, just like that, like it wasn't some big deal. You, who told him to eat and watched him at the dinner table.

He exhaled, breath fogging up the air.

Tomorrow. Maybe tomorrow would be better.

***

The dorm is a disaster zone, but it always is when the three of you get together for all-nighters. Coffee cups, half-empty energy drinks, a plate of toast that no one’s touched in hours, and papers. . . so many fucking papers covered in chicken scratch equations and half-finished blueprints.

It was past three a.m. now. The window was cracked open a little, letting in the fresh night air, but none of you noticed the cold, too deep into the work.

“I’m tellin’ ya,” Fiddleford said, running a hand through his hair, “if we don’t take quantum decoherence into account, this whole thing’s gonna be about as useful as a screen door on a submarine.”

“Decoherence isn’t the issue,” Ford shot back sharply and impatiently . “if anything, it’s the entanglement equation that needs work. if we—“

“Oh my god, would you two shut up and let me think?” you groaned, gripping your hair. “you're both wrong. so wrong. like. fundamentally flawed.”

“Oh, is that so?” Ford pushed up his glasses, squinting at you. “care to elaborate?”

“Not really,” you muttered, blinking slow, yawning.

Fiddleford chuckled. “looks like we’re losin’ you.”

“Honestly, i think i’m about to collapse on myself. I need something stronger than coffee. Anyone got any adderall?”

“University rules strictly forbid unauthorized stimulants—“

“Fidds has moonshine in his bag,” you cut Ford off, grinning. “saw it an hour ago. Was wondering when he was gonna crack it open.”

Fiddleford looked deeply offended for all of two seconds before sighing. “Knew i shouldn’t have let you rifle through my things. . .”

You flashed him a grin before reaching for your tea, now stone cold and bitter as hell.

Fiddleford nudged his glasses up his nose and look ed over at Ford’s notebook, squinting at the formula again. “Alright , maybe you got a point there, buddy.”

Ford let out a smug little noise, proud of himself, but before he could open his mouth and gloat, you yawned again, barely muffling the sound with your sleeve. “Shit, i’m crashing.”

You tried to keep up, you really did, but god, your eyes were so heavy. That's why you took the right decision, somewhere between staring at Ford’s notes and trying to comprehend whatever the hell he was writing, you leaned, without even thinking.

Your head found his warm shoulder and that made him stiffen as if he’d been electrocuted.

Fiddleford went completely silent, stopping drumming his fingers against the table.

It was funny, really. You’d spent the whole night laughing with him, throwing paper balls, joking and teasing Stanford. Now, the moment your breathing evened out, everything got real quiet.

Ford. . . didn't move. Didn’t push you away, even though his shoulders were tense, his pencil hesitated, but then he just kept writing, like nothing happened. Just let you stay there, pressed against him, breathing softly in sleep.

Fiddleford didn’t stop staring, observing Ford's reaction, not in the way he expected.

He looked at you first, your face half-buried in Ford’s sweater as you sighed in your sleep, how easy it was for you to just fall into him like that.

And then he looked at Stanford. At his handsome face, which somehow seemed even better in the lamplight. The furrow in his brow, the six fingers wrapped around his pencil, so concentrated.

Fiddleford looked at all of it. Ford was a genius. A goddamn once-a-generation mind, sharper than a blade, but completely fucking useless at anything to do with feelings. He doesn’t get it. He doesn’t see things the way other people do, the way Fiddleford does.

Ford must’ve felt the stare, because after a while, he sighed and glanced up. “what?”

Fiddleford shook his head, smiling slightly. “nothin’, just thinkin’.”

“About?”

Fiddle ford took a sip from his flask and it definitely wasnt coffee. Something stronger. He swirled it, watching the liquid catch the light. “love, i guess.”

Ford scoffed, going back to his notes.“love? shouldn’t you be thinking about our project?”

“Oh, c’mon, ain’t you ever thought about it? bein’ in love? how it feels? ”

Ford didn’t answer at first, just kept writing. “love is. . .” he started, trying to find the right words. “it’s complicated. Distracting, even.”

Fidds hummed. “but good, no?” he grinned, taking another sip. “s’pose you think it’s all just chemical reactions, huh?”

“Well, technically, it is.”

“Yeah, yeah, dopamine, oxytocin, blah blah blah,” Fiddleford waved a hand. ”but it’s more than that.”

They were talking quietly so as not to wake you up. Ford didn’t answer as he shook his head, returning to his work.

So Fiddleford kept going. “i guess it feels nice, y’know? havin’ someone who understands ya, c ares ‘bout ya. Even when you’re difficult.”

Ford stopped writing again, listening intently to his friend's words.

“It’s when you’d do anythin’ for someone, even if it doesn’t make sense. When seein’ ‘em happy makes you happy. When you’d give up everythin’ just to keep ‘em safe. ”

Ford gave him a tiny smile. “you’re being sentimental,”

“Eh, maybe. Or maybe i just get it.”

Stanford finally turned to him, frowning. “get what? ”

“Doesn’t matter.” Fiddleford leaned back, stretching. “s’pose it don’t make much sense for a guy like me to be talkin’ ‘bout love anyway.”

Ford frowned deeper. “what’s that supposed to mean?”

Fiddleford shrugged, suddenly looking a little too interested in his flask.

“Are you saying you don’t think anyone will love you?”

“Oh, i know i ain't exactly a prize catch, Stanford.”

Ford settled his pen down. “that’s not true.”

and that made Fiddleford's eyes fill with hope “yeah?” he quirked a brow.

Ford hesitated, surprised at his own words and initiative, but then, because he was a good friend, because he meant it, he nodded, “You’re smart. Funny. Resourceful. You’re one of the most brilliant people i know and you're—“

“Handsome?”

That made Ford smile. “sure, yes! handsome, even.” Fidds thought he had imagined it. Did Ford really find him so? “so, im sure you'llfind someone. You’ll probably settle down, have a family. A kid, even.”

Oh. . . oh, okay.

And that’s when Fiddleford knew .

His smile did not drop, but he took another s ip of alcohol, letting the warmth burn his throat .

Ford kept writing, pleased he managed to lift his friend's spirit, while you doze quietly against his shoulder. He doesn't even notice Fiddleford getting up, leaning in close enough that Ford finally glances up from his notes.

“Yer my best friend, Ford, guess i’ll just love ya forever.”

Ford stopped writing. The pencil slipped from his fingers

But before he could ask, Fiddleford pushed himself up from the chair, stretched and yawned deeply.

He patted Ford on the shoulder, then grabbed his jacket.

“Whew! man, i need a walk. i’ll be back.” and just like that, he was gone, leaving Ford alone with the papers, the cold coffee and with the equations that suddenly didn’t make sense anymore.

Alone with you, asleep on his shoulder.

Ford didn’t move for a long time.

***

The morning air was cold enough to wake you up, even though you were still in the fog of sleep. Gravity Falls wasn’t exactly bustling this early, just a few cars passing, an old man walking his dog, the slow shuffle of someone dragging a garbage bin to the curb.

You pulled your coat tighter, holding your grocery bag. You'd only meant to grab something quick for yourself, but somehow, without even thinking, you'd ended up picking up something for Ford, too. Something that wasn’t just instant noodles and coffee.

He wouldn’t eat properly if left alone. You knew that, you knew him too well. You sighed, adjusting your grip on the bag.

Stanley Pines woke up in hell. Or at least, that’s what it felt like.

His entire body ached, joints were too stiff from sleeping in one uncomfortable pose whole night, cold burrowed so deep in his bones that even curling tighter into his jacket wasn’t helping anymore.

He squeezed his eyes shut tighter, just a few more minutes, ma, please, but the cold gnawed at him, dug under his skin, made every breath feel like ice in his lungs.

He was so fucking tired.

But sleep wouldn’t come back so he lazily cracked one eye open. Fucking hell.

Still the car. Still parked in the same damn spot he’d been in since last night. The windshield was fogged up from his own breath, the windows covered in a thin layer of frost.

“Mmmgh,” he groaned, trying to stretch, but back screamed in protest. God, sleeping in the driver’s seat was not good for his spine.

Cold. Everything was so fucking cold. His toes were numb in his boots, fingers barely flexible enough to work as he rubbed warmth into them.

“Good morning, Stanley,” he muttered to himself. ”what wonderful luxury awaits you today?”

He yawned, running a hand through his brown hair. His mullet was a mess, so tangle d, flattened weird on one side.

First things first, he fumbled for the glove compartment, rummaging through loose receipts and absolute trash until he found the old bottle of cologne. He sniffed it once, it was not fresh. But hey, better than nothing. He rolled it over his wrists, rubbed it against his neck.

Second, he grabbed an old comb, barely dragging it through his tangled mullet before giving up and stuffing it back into the glovebox.

Third, he adjusted the rearview mirror, squinting at his reflection, and groaned again.

“Oof.“

Looked like absolute shit. Dark circles, unshaven, face puffy from sleep. But whatever. Not like he had anyone to impress.

He reached down, adjusting his coat, when—

THUMP.

A hand. A fucking hand slapping against the driver’s side window.

“GAH!” Stan jolted so hard he smacked his knee on the dashboard. He panicked instantly, his hands flew to the wheel. “no, no, no, por el amor de dios, madre santa, no me lleves!” he spat out in rapid-fire spanish, already prepared to beg for his miserable life. “lo juro, no tengo nada, no me arresten, por favor, dios, maria, nadie, por favor!” his mind was a blur of oh shit oh shit oh shit, picturing cops and maybesome pissed-off local ready to drag him out, picturing—

Someone was writing on the window, through the fogged-up glass, a finger traced out two slow words:

It’s me.

That made him froze as he squinted suspiciously, still gripping the wheel tight. Hesitated. then, slowly, he rolled the window down.

You stared at him.

“So,” you said flatly, flicking your gaze between him and the car. “this is the lakeview inn?”

Stanley looked around, hoping a better answer would suddenly appear.

You crossed your arms.

“Technically,” he started, “i do live here. You ever heard of a little thing called, uh, mobile homes? Very trendy and, um, modern.”

”Uh-huh.” your eyes narrowed.

“Alright, alright, fine, ya caught me. I’m actually a millionaire, this is just my vacation home. My actual mansion’s up in the hills, but y’know, i like to stay humble”

“Stan.”

“Yeah?”

“You lied to me.”

“No, listen,” he started, already preparing some dumbass joke to get him out of this.

“You fucking lied to me.”

Stan threw up his hands. “hey, now, let’s not throw around ugly words like—”

“You told me you had a place , Stan.”

He stopped talking, and there was silence between you.

Finally, you sighed, rubbing your temples. “jesus, you look horrible.”

Stan bristled. “hey!”

“And you smell horrible.” not like you were lying though.

“Hey now, hold on!”

“Do you wanna take a shower at my place?”

Stan’s brain short-circuited. “what?”

“Then we’ll get you something to eat,” you continued, ignoring his slack-jawed expression.

He stared at you like you’d just spoken an entirely different language.

You. . . you were offering? Just like that?

“What?”

“You heard me.”

His brows drawing together, mouth pulling into a frown, jaw working as he was trying to find the right words. But it it didn't take long as he smoothed it all over in a blink, replacing it with serious face. He leaned back in his seat, crossing his arms.

“What, you pity me now?”

“No,” you said simply.

“Pfft, i dont need you takin care of me, alright? Go waste your charity on someone else.”

“Yeah?” you tilted your head. “so if Stanford was sitting in this car right now looking like this, you'd just walk away?”

Stan stared at you, surprised. You restrained yourself from laughing at how fast the smug confidence drained from his face.

“Thats different.” he muttered, rolling his eyes.

“Uh-huh.”

“Oh wait, wait, wait, i see how it is,” he grumbled. “you got tired of dealin’ with sixer, huh? figured you’d switch to fixin’ me instead?”

“What does this have to do here? Take the offer, dumbass.”

“Nah, i the natural scent.”

“You literally smell like a dumpster.”

“Okay, rude.” Stan putted a hand to his chest, feigning resentment.

But you only waited, waited and waited and that silence made him clench his teeth, grumbling under his breath. So when he finally let out a sharp sigh, dragging a hand down his face, you knew he’d given in. “you got hot water?”

That made you raise an eyebrow and smile. “Of course i have hot water.”

“Fine,” he muttered. “but only ‘cause i got nothin’ better to do and you begged.”

“Right,” you said, unimpressed. He shot you a glare, but you were already walking away, expecting him to follow. And, grumbling all the way, he did.

***

Early autumn. The bus stop bench is cold beneath you and you wish you’d worn something thicker. Clouds rolling lazily in the bright sky, October sun spilling through trees, gold colour caught in Ford's brown hair. He sits beside you, one knee bouncing, a habit of his, nervous tick, always. His hands are shoved deep in his coat pockets, and his breath fogs in the air when he exhales.

You bring the cigarette to your lips and inhale, one leg over the other, foot bouncing absently, meanwhile the tip glows warm for a moment, ember-orange in the afternoon light.

“It’s just a cigarette,” you say, watching the smoke curling from your mouth, but Ford, who's stiff like he's resisting the urge to snatch the cigarette out of your fingers, doesn't seem satisfied with that.

“Yeah and it hurts your pretty lungs.”

Oh. That tone. That damn tone, which means he’s about to start. Again.

He pulls his coat tighter. “Do you know how many carcinogens are in that? the tar alone is—“

You groan, tipping your head back. “oh my god Ford.”

“No, i’m serious. You don’t even understand what that’s doing to your body.”

“It’s not that bad,” you say, cutting him off, waving him away. “you’re acting like i’m chugging cyanide.”

“You might as well be,” his glasses slip down his nose, and he shoves them back up in agitation.

You've heard it all before, the lecturers, the statistics so you roll your eyes, amused, flicking the ash into the pavement. “When i wanna stop, i can.”

Ford scoffs. “that’s what they all say. . . I don't know if you know this, but cigarettes contain over seven thousand chemicals, many of which are—“

You blow smoke into his worried, but serious face and he immediately recoils coughing, waving his hand to dispel the haze. You laugh, reaching over to run a hand through his beautiful golden colored hair to smooth away his frustration.

“Honey,” you barely get time to say before Ford scoffs of. Oh here we go, petnames are back in circulation. You're using the secret weapon, you know exactly what they do to him. “Cant you trust me? when i want to stop, i can.”

Suddenly Ford is twelve years old again and Stanley smells like smoke.

He swears he can hear their dad in the other room, muttering at the evening news.

His brother leans against the windowsill, awkwardly rolling a cigarette between his fingers which he bummed off the older kids at school. There’s a hole in his sleeve. A bruise on his jaw.

“You know dad will smell it! He's gonna know. He's gonna—“

“Yeah, yeah, he'll tan my hide, blah blah.” Stan rolls his eyes, sliding the cigarette between his lips , lighting it with exaggerated flick of the lighter. The first puff is taken in a deep, inexperienced breath before he exhales through his nose. “seriously, Poindexter , would you stop being paranoid? when i wanna stop, i can.”

But he doesn’t, he lies, because Ford hears him cough at night sometimes. Watches him light another in the schoolyard.

He knows it’s bad. But Stan doesn’t listen.

Why does his brother do these things? Why does he always push the limits, cross the lines? Why does he always seem so desperate to do the things he knows he shouldn't?

That day, when they returned from school with large backpacks at the ready, Stanford glanced towards their house. “seriously, Stan, put it out. If da smells it—“

“What, you're scared he'll ground me?” Stanley smirked. “big whoop.”

“Stanley!”

Stan rolled his eyes at his twin's dramatic behavior, but stubbed it out on the pavement, flicking the butt into the bushes what made Ford exhale, relieved.

But the relief didnt last long.

Because week later, their dad does find out.

And Ford watches as his own twin, for all his bravado, gets actually scared. Ford hates that look. He hates it almost as much as he hates the sharp crack that follows.

Ford doesn’t like thinking about what happened next, doesn't like remembering the way Stan screamed. Doesn't like remembering how loud their father’s voice got, making the walls sh ake, how the belt cracked sharp as thunder, how Stan tried to act like it didnt carve its place into his skin.

But Ford remembers. He remembers the way Stan didn’t fight back, how he flinched at sudden movements for weeks. How he hissed through his teeth when he sat down too fast, and how he lit another cigarette anyway.

Ford opens his eyes. He's back in present now, back at the bus stop with you watching him with frustration in your eyes.

“Ford?”

He swallows, shakes his head, forces his thoughts back into place. He doesn't tell you any of that. “just. . . promise me you'll think about it.”

You groan again. “jesus, you sound like my dad.”

Ford flinches and wonders, distantly, if you notice. If you know what that comparison does to him.

“I told you, darling, when i want to stop i can,” you add, caressing his cheek.

He doesn't argue anymore, because he already knows that line. Heard it before. Millions of times. And he knows it's a lie.

***

Stanley Pines doesn't know what to do with kindness. Not the real kind, anyway, where someone takes him out, sits him down and actually pays for his meal as if some random knucklehead like him is worth the damn trouble.

He can't help it; he feels awkward because he is not used to people being nice to him. He's not used to much of anything, except scraping by, finding the next scam and eating cheap food out of plastic wrappers. So when you dragged him to the Gravity Falls diner, promising him a real warm meal, he was suspicious.

The waitress barely had time to finish setting down the menus before Stan barked out an order. “Burger, double. Extra fries. Chocolate milkshake. And gimme some bacon on the side.”

You're an idiot, he thought, the hell are you getting the money for all this?

Your brows shot up, but you didn’t say anything, just smiled and told the waitress to put it on one tab. That’s when Stan’s gaze snap s to you. “One tab? wait, you’re payin’?”

“Yeah, why not?” you answer casually, because it's not a big deal for you, but Stanley frowns.

“You sure about that? ‘cause, uh, i don’t exactly have, you know. . .” he trails off, scratching the back of his neck.

“It’s fine. Just eat, Stan.” and that’s what fucks him up. Because nobody’s ever wanted to spend their money on him before, not unless they were expecting something in return. But you just look at him with those soft, genuine eyes and tell him to shut up when he starts talking about returning money.

When the food arrives, Stanley attacks it like a man starved, which, honestly, he definitely is. The burger disappears in minutes, followed by the fries, then the bacon. Grease smears his chin and he doesn't even bother wiping it off, too busy slurping down his milkshake like his life depends on it. Not a single goddamn cru mb left. You swear he licked it. “Well, shit, if i knew you were gonna feed me like this, id have showed up beggin' at your door ages ago.”

You watch in both amusement and horror at the starved man in front of you, who barely stops to chew, talking with his mouth full .

“Yeah, yeah. You eat like a starving stray dog.”

That makes him choke on his milkshake, he wipes his mouth with the back of his hand, glaring at you while you laugh. “jesus, toots, the hell's that supposed to mean?”

“I mean,” you wave a vague hand, smirking. “you're scruffy, hungry all the time, you look at people like they might kick you if you get too close.”

“Hey, don't insult dogs like that.” He cuts in, effectively ending the conversation as he goes back to his food, shoveling another bite into his mouth.

“Damn, Stan, you wanna slow down before you choke?” you tease, propping your chin on your hand, watching him shoveling food into his mouth with the single-minded desperation of a man just let out if a cage.

Stan grunts, barely acknowledging you. “’s good.” you notice the ketchup on his cheek and chuckle.

“Yeah, i can tell.”

After couple of minutes, he finally pauses, chewing slower, he swallows hard and taps his finger on the table, avoiding eye contact with you. Leaning back with a groan and patting his stomach with one hand, Stan smears a little grease with other. He exhales, heavy. Then, as if realising how fucking feral he just looked, tries to play it off.

“Whew. Almost forgot what real food tastes like. Jail slop, y'know? Not that I've been to jail. Ha, kiddin.” he pauses and grins. “unless?”

Silence.

You stare at him, blinking. He watches your face, waiting for laugh or well, some kind of reaction that doesn't make him feel like a goddamn idiot , but you just look at him like. What. The fuck.

Stanley throws his hands up. “Okay, tough crowd. Coño. . .” he mutters the last word under his breath, shaking his head

“Was it Spanish?” your eyes perk. Stanley tenses , but you squint at him. “how do you know Spanish?”

“Uh, picked it up.”

“Picked it up where?”

“Places.”

“ Uh-huh, ” you lean forward. “cmon, teach me some.”

“Nah, i aint exactly fluent, sweetheart.” Stan laughs forced.

“But you sounded pretty fluent just now.”

“Yeah, well,” he rubs his neck. “i picked up the good words.”

You let it go, for now, because you notice the way his eyes dart and how how tries to make himself look just casual, enough for it to be convincing.

***

The dorm hallway was too bright and loud, full of students shuffling papers, setting up models and diagrams, nervously practicing their presentations to each other.

Ford stood off to the side, as always stiff and uneasy, shifting his weight from foot to foot, shoulders tight. His fingers fidgeted uselessly, six of them curling and uncurling.

The project was ready. The calculations were perfect. He should’ve felt confident.

Then why did he feel so out of place?

He scanned the room, seeing students, professors, familiar classmates. Goddamn. Ford hated how nervous he was, hated that his mind was half on the project, half on—

“G'mornin’” your lazy voice broke through the noise. “or, well, g’afternoon? god, what time is it?”

Ford turned. Oh, you were a mess with your hair wild, clothes rumpled, eyes heavy with sleep. A coffee cup dangled from your fingers, mostly empty. You yawned, covering your mouth halfheartedly.

Ford gave you a quick once-over, barely holding back a sigh. “you look— “

“Beautiful?” you grinned.

“like you rolled out of bed five minutes ago.”

“Aww, you noticed,” you laughed , stretching. Then, with absolutely no preamble, “so i fell down the stairs today.”

“What?” Ford raised his eyebrows.

“Yup, just,” you made a vague flailing motion with your hands. “ Wham, right down ‘em. It was very tragic. A true fall from grace. ”

You expected him to at least huff a laugh, maybe shake his head or give you that exasperated, fond sigh. But Ford didn’t. Instead, his brows drew together, and his eyes quickly swept over you, scanning for damage.

“Are you alright? do you need to see the nurse? You should’ve told me earlier.”

“ . . . you’re not laughing, ” you pointed out. “normally you at least try to pretend i’m funny.”

“You fell down the stairs, and you expect me to laugh?”

“Well, when you say it like that—“

“Are you hurt?”

That care, honestly, took you by surprise. “uh,” you looked down at yourself, then shrugged. “probably? i dunno, i was too tired to check. ”

Ford exhaled slowly, clearly trying not to engage, but you just kept going.

“Man, i am not ready for this presentation,” you groaned, rubbing your eyes. “seriously, i have no idea what i’m gonna say. But hey, i’d do anything for my two lovely nerds. even stand in front of a bunch of judgmental geniuses and pretend i know what i’m talking about. Right, Ford?”

Nothing.

“ . . . Ford?” you waved a hand in front of his blank face. Obviously, he wasn't listening, judging by how distant his gaze was, he was somewhere else entirely.

“Hellooo? Earth to Sixer?”

Ford blinked, snapping back. “What? Oh, sorry.”

You gave him a look. “man, you’re the one who’s supposed to be all focused and sharp. i m the one running on three hours of sleep and caffeine fumes.”

He barely heard you. “have you seen Fiddleford today?” Ford asked abruptly.

“What?” you paused.

“Fiddleford. Have you seen him?”

You frowned, thinking. “um. no? now that you mention it, i don’t think i have. But i just woke up like an hour ago, so last time i saw him was when we were working on the project. Why?”

Ford looked away and pursed his lips guiltily. “he said he was going for a walk. I remember he had a drink, said he’d be back. But he never—“

“You don’t think . . .?”

Ford shook his head quickly, Interrupting your thought. “ No. No, he’s fine. He’s probably just, well, late.”

But you both knew that wasn’t like him. Fiddleford was always there on time, cracking jokes and filling the space with his presence.

And now he wasn’t.

The noise of the hall seemed to fade. Ford exhaled sharply, shaking his head. He said your name, nervously slipping a textbook into your hands. “We should focus, he’ll show up.”

***

The ride to the shack is cool, winter sun setting earlier than youd like, same as always. Your dog is curled at your feet, eyes flicking back to Stan at the wheel. He grumbled about the fur at first but you can see it, he likes your dog, likes her a lot. He's just being difficult, pretending, putting up a front.

Stanley drives slowly, you don’t know if he always does, but right now, you wish he’d go faster. You want to see Ford as soon as possible.

But Stan doesn’t seem nearly as excited as you. There’s a knot of unease sitting somewhere inside him, but mostly, he just isn’t sure what to say when he finally sees his brother again.

“Hey, I’m bothering you again because I’ve got nowhere else to go?”

After a beat of silence, you glance at him. “you ever think about calling Ford before he called you?”

Stan's eyes are fixed on the road as he speaks, “thought about it. But i figured he’d just tell me to drop dead.”

“He wouldn’t.”

“Yeah?” he glances at you now , twisting his mouth. “pretty sure he told me worse when i got here.”

When you reach the shack, you knock. Wait.

No answer.

You knock again. Still nothing

Stan squints. “maybe he’s sleepin’.”

You huff, shifting your grip on the grocery bags. “actually, i lived here sometimes, so i’ll count it as my home too. And if Ford doesn’t wanna open the door for me, i’ll open it myself.”

Stan smirks. “yeah, that tracks.” but then his smirk fades as he narrows his eyes slightly. Lived here before.

You unlock the door, steeping inside and the first thing you notice is quiet the shack is

“Ford?” you call, but you don't get an answer.You exchange a worried glance with Stan. Ford seems nowhere to be seen.

“Should we be worried?”

“Nah,” Stan says, but he doesn’t sound convincing. “he's probably just. . .”

You step into his room and you see Ford sprawled out, dead asleep, hair a mess, glasses off. He's curled slightly inward, breathing deep and even, absolutely gone to the world.

Stan smiles. “Told ya he’s fine. Nerd just passed out.”

“I'm still worried, should we wake him? ”

Stan eyes his brother. “Nah, let him sleep. Dude probably hasn't in days.” he tells you, already leaving the room.

You nod slowly, still focused, studying Stanford's face. Okay, yeah, Stanley is right. You should let your poor n erd sleep. You turn, stepping back into the hall.

“You shouldn't have come back.”

And that makes you freeze as you quickly turn your head to the sound to see Ford sitting up. Staring at you, his eyes are open now, fixed on you.

You blink, thrown off, eyes flicking to the person sitting in front of you. Then, before you can think about it, you step forward, reach for his hand and—

Picture passes. Ford is still in bed, asleep.

You swallow. A slow, creeping dread curls in your chest. Who or what did you just see?

….

“Nerd looked bad. Needed sleep.”

That was the verdict. So you let Ford be.

“He always was a bad sleeper,” Stan grumbled, stepping past you, glancing around the shack, still having hard time getting used to it. “musta gotten worse over the years.”

Just let the man sleep. He'd wake up eventually.

You had to do something to keep yourself busy. Giving your dog a quick scratch behind the ears as you walked past, you figured she deserved a proper meal after all the traveling.

Stan, though, stayed behind and damn, it wasn't like he was snooping. Not really.

It was just this place felt weird.

He rubs the back of his neck, glancing around, taking in the clutter, the books, the walls covered in notes and sketches, and hell, even that weird curtain draped over the entire back wall like Ford is hiding some secret government operation. It's just. . . odd.

“Guess some things never change, huh, Sixer?” Stanley sighs. And that’s when his eyes accidentally land on the lighter what makes him tilt his head.

Since when did his goody-two-shoes, anti-smoking,'your-lungs-are-a-delicate-system-Stanford' brother have a lighter?

Stan picks it up, turning the little thing over in his hand. Metal. Decent weight.

Not some cheap thing, either.

He wants to call out to you, “hey, did you know Ford's got a lighter in here?” but he remembers, at the last second, that Ford is still dead asleep in the other room and screaming that loud would disturb him.

So instead, he just holds it, closing his fingers around it, turning it in his palm, flipping the lid open with a soft metallic click.

Weird.

Stanley's curiosity itches. So he looks around again, just in glance, just to make sure you aren't watching.

Then, his gaze drifts lower to the small pile of books near the armrest.

He chuckles. “Nerd books,” he tells himself, but his hand reaches down anyway.

One of them catches his eye. Heavy thing with a lot of pages.

Gravity's rainbow.

Oh yeah. He’d heard of that one.

Didn't seem like the kinda book Ford would normally read, though.

Stanley carelessly flips it open, barely glancing at the pages. Blah, blah, blah. Too many damn words for someone as impatient as him.

Suddenly, something slips out of page 69.

A bookmark?

Stan makes sure to catch it before it can land, brushing his fingers over the glossy surface before he turns it over.

Huh.

A photo.

It was you and his brother. From college, clearly, you both looked so much younger, holding some kinda trophy.

Some nerd award, Stan assumes.

Ford had that same awkward, stiff stance he always had in photos, but you looked too happy, excited, eyes shining. Laughing, hair a little windblown, standing too close to Ford, who had lipstick mark on his cheek.

What?

Stanley squints, fuck. . . he really needs to buy glasses.

You never really expect to see your nerdy brother like that. Looking. . . well, normal. Young. Happy.

Stan continues to stare. At Ford’s unsure smile. At your beaming one.

He turns the photo in his fingers again and glances toward the hallway where Ford is sleeping.

And then, a hand lands on his shoulder.

“Mierda!” Stanley jumps, nearly throwing the book across the room. He barely had time to shove the polaroid away before he turns, swearing under his breath, “por el amor de dios, you tryna give me a heart attack?”

You, startled, take a step back and raise your hands. “shit, sorry!” then your head tilts, “wait. Was that, was that Spanish again?”

Stan is still catching his breath, clutching at his chest like he just lost ten years off his life. “Si. Yeah.”

“What were you looking at?”

“Nothing.” Smooth, effortless. Completely unconvincing, but before you could say anything, his face twitches as he makes a sharp inhale through his teeth. “fucking hell.”

Your gaze drops to his shoulder, where your hand had landed.

A burn.

“Stan.” he swears he hears the shift in your tone before he even sees your expression. You reach forward, touching his arm again, but softer this time, brushing your fingers against the fabric of his jacket, near the burn. “You never treated it.”

Stan rolls his eyes. “it’s fine.”

“Bullshit. ”

“ It’s. . . oh, damn, it ain't like it's infected. ”

“That's not the point.” you pull, planting your hands on your hips. “you let it heal like that? No treatment at all?”

“Ain’t like I had a whole damn first-aid kit on me, sweetheart.”

You frown. “you could’ve at least—“

“It’s fine.”

And so it goes, the familiar dance of grumbling and resistance, before he finally gives in with a gruff and let you do your thing.

“Okay, fine. Fine. Do whatever.” he sighs, groaning, rubbing his face.

You mutter something about stupid stubborn men under your breath before reaching for the first aid kit on the nearby shelf.

But before you could even open it you hear your dog growling low what made your head snap toward her. She’s staring at the hallway that leads toward the front of the shack.

“Aww, shit.” you hear Stan say.

“What?”

He gestures toward the hallway. “you got ghosts in here, too?”

You give him a look, but your dog won't stop growling and that's when your eyes widen because you just hear the front door creaking slowly. Next thing you feel is a gust of cold air sweeping through the room.

Stan turns, the door is open what made fresh snow carry inside, dusting the floor in uneven patches.

You and him stare at it, realising that neither of you had opened that door.

After a long pause, Stan walks over and slams it shut, clicking the lock in place.

Then turning back to you with annoyed face, “so, anyway, how the hell is everyone in this town so damn weird?”

“What?” Stan plops back down next to you.

“i mean, you know,” he gestures, winces a little when the motion tugs his injured shoulder. “this place. Gravity falls. It’s weird. Fuckin’ weird. Like,” he tilts his head, looking at you, squinting. “theres so much paranormal weird shit here, and i aint even talking about my brother.”

“Now you sound paranoid.”

“See? That’s what i mean!” he points at you, triumphant. “exactly what i’m talking about! Everyone’s just, like, casually fine with all the weird shit, but if you point it out, suddenly you’re the crazy one. ”

As you work, carefully dabbing at the burn, he hisses through his teeth, every touch of yours is met with some kind of protest or mumbled curse or half-hearted complaint.

“You’re a goddamn baby.”

“And you’re a goddamn sadi—“ he doesn't have time to finish as he gasps dramatically again, throwing his head back like you just putted him through the worst pain imaginable.

“Oh, quit it.”

“Quit what?”

“Acting like you’re getting tortured.”

“Hey, you don’t know, you could be really bad at this.”

You press the gauze down harder, and Stanley hisses, jerking away.

“Fuck, watch it, would ya?”

“Oh, sorry, am i hurting you?” you deadpan. “maybe if you’d taken care of this in the first place, it wouldn’t be such a problem.”

“It ain’t a problem—“

“Oh, no, of course not,” you cut in, rolling your eyes. “burns are fine. Totally normal to just leave them alone and hope they magically heal on their own.”

“I was busy.”

“Busy being dumb?”

“Oh, fuck that, really,” he says flatly before he looks away.

You sigh through your nose, gentler this time as you go back to work, cleaning his burn around the edges. Stan's eyes flick to the coffee table and he remembers the lighter he’d found earlier.

“So, since when does Sixer smoke?”

You stop, freezing.

Stanley raises an eyebrow, watching the way your whole body goes rigid. “what?” he drawls. “hit a nerve?”

“Ford doesn’t smoke.”

“Yeah? that his lighter, then?” he gives you a look, nodding toward the thing. Wait. . . The realization hitting you. Fuck. You’d left it here? At Ford’s? “found that lying around. And i know that stick-in-the-mud was always on my ass about it, so unless he suddenly decided to turn into the marlboro man—“

You swallow. “no.”

“Huh.” his smirk widens. “so you’re tellin’ me— “

You scowl. “it’s mine, okay? I used to, but i’m trying to quit.”

After a beat of silence Stanley bursts into shameless laughter.

You glare at him. “what the fuck is so funny?”

“Oh my god,” he wheezes, slapping his knee. “holy shit, lemme guess, did Poindexter give you the whole ‘your lungs will rot’ speech? Went full psa mode?”

Your scowl deepens. “so what if he did?”

“No , no—” he’s still laughing, wiping at his eyes. “it’s just, you sound exactly like me when i was like twelve. Swear to god. He gave me the same fuckin’ speech. Like, word for word. Bet he even did the disappointed sigh.”

“He just cared,” you admit, looking away. “cared about my well-being. I used to think the same as yo u, that he was just being a nerd. But, y’know. Some things never change.”

That shuts Stanley up. So you use that moment when he seems to think or remember something, and clear your throat. “anyway, since you’re his brother, i wanted to ask you something.”

“Shoot.”

“Was he always like this?”

“Like what?”

“You know. Paranoid. Weird. Off.”

He gives you a look. “uh, i met the guy for the first time in ten years, like, yesterday.”

“Oh. Right.”

Stanley scratches his chin. “but, i mean, i dunno. When we were kids, he was always kinda anxious. Worried about grades, the future, that kinda shit.”

“Yeah. He was the same in college.” you nod, something clicking into place.

You fall silent, rubbing your chin, thinking. If even Stanley, his own twin brother, has no idea what’s going on with Ford, then who does? Who the hell would know what happened to make him like this?

There had to be someone. Someone who saw him a lot during those years, who knew what changed, who was here when that happened. Who knew what had made him—

Your eyes widen.

“Fiddleford.”

“Who?”

“Fiddleford. Fiddleford McGucket. Our good friend and Ford’s old lab assistant, he quit before everything went to hell, but if anyone knows what’s up with him now, it’s him.”

Stan stares at you. Then his entire body shook with laughter.

Ignoring that, you snap your fingers as smile appears on your face. “right! he should know!” you look at Stan, pausing. “what?”

“Fiddleford,” he repeats, grinning widely. “holy shit, that’s his real name?”

You cross your arms. “Yeah?”

“That’s fucking hilarious.” he shakes his head. “Ford and fiddle. Jesus.”

You shoot him a glare. “are you done?”

“Nah, nah, i need a second,” he chuckles, wiping his eyes. “Fiddleford. God.”

You ignore that dumbass, grabbing the phone, its rotary dial familiar under your fingers. You dial the number, tapping your fingers against the table, pressing it to your ear as the static hum of the line comes to life.

“Hello?”

The voice on the other end is unmistakable and it makes you smile, hearing your friend again.

“Fidds , it’s me,” you name yourself.

There’s a pause. Then, carefully, he repeats your name.

“Yeah! listen, i know you said you wanted to forget whatever happened when you were working with Ford, but—”

You don’t get to finish, because across from you, Stanley starts laughing again, shaking his head like he just can’t believe what he’s hearing.

You glare at him.

“Fiddleford,” he says under his breath, wheezing. “holy shit!”

You roll your eyes, bringing the phone back to your ear. “so, anyway— “

“Wait, wait, hold on,” Fiddleford cuts in, confused. “who’s that?”

Stanley, still grinning, leans in toward the receiver and says, loud as hell: “your parents named you what?!”

“Who in the sam hill is laughin’ at my name?!”

You turn away from Stan, pushing him. “ignore him.”

“Who’s laughin’?”

“Nobody.”

“I'm gonna die. Man, your name is awesome. And here i thought my parents had zero imagination.”

“Uh,” Fiddleford sounds even more confused.

“Don’t listen to him.”

But Stan just keeps laughing. “Nah, seriously, what kinda— “

You hear Fiddleford's voice going defensive. “now listen here, i’ll have you know Fiddleford’s a perfectly respectable name—”

You sigh, rubbing at your temple. Jesus christ. This was gonna be a long conversation.

Ford sleeps like the dead, the weight of exhaustion so complete that he might as well be a corpse until his chest lurches followed by painful gasp, his whole body jerking upright, pulling him back into the waking world.

His breath is coming too fast and shallow and Ford can't quite catch it. His heart is beating as if it wants to burst out, no longer belonging in his body. Cold sweat clings to his skin, dampening the sheets beneath him.

Another fucking nightmare.

Ford drags a hand down his face, through his hair. Inhales slow, exhales slower and forces himself to move.

The floor is cold when his bare feet touch it, but even that doesn't ground him, reminding him that he’s here, in the Shack, with him watching his every move.

He needs water, so he stumbles towards the door until he steps on something that makes too loud a sound.

Squeak.

Ford looks down.

A dog toy, a bright, rubbery, ridiculous thing, right there beneath his heel.

Oh he knows what it means. Happened quite a lot. You're here. And you brought your dog.

Ford sighs. Deeply. He sets the toy down on his desk and finally steps out into the hallway.

He hears your voice, unmistakable, and Stanley’s.

And then he hears a voice he hasn’t heard in a long, long time.

[sophsicle]

reasons criticizing fanfics publicly is lame

lets go over this again shall we?

it is not appropriate to give constructive criticism of fanfiction unless explicitly asked by the author. lots of authors are not interested in improving their writing, they are doing this for the goofs. the laughs. the giggling-good-times. giving people constructive criticism on fanfiction is a bit like if someone gave you a home made birthday card and in front of a room full of people you began to critique it. that social awkwardness? that is what you should feel when you start criticizing fanfiction

"I don't like" is not constructive criticism. it is not critical thinking. if you use the sentence "i don't like" in an academic paper you will fail. what you like is not an objective fact. it is a feeling. which you are allowed to have but which means nothing about the object of your dislike. now, to refer to point one, even if criticism IS constructive, still not appropriate here, but the amount of people who are confusing not liking something with being critical is truly baffling.

i have said this before and i will say it again. just because you have the opportunity to do something, does not mean you are right for doing it. for example, people love to say that if you post things online then you are giving people the right to criticize it. to which i say: no. i am giving you the opportunity. the same way that when i walk out my door i give people on the street the opportunity to shout terrible things at me. that doesn't mean you aren't still an asshole for taking that opportunity. just because you CAN do something doesn't mean you SHOULD do something.

assuming that fanfics should be open to criticism is treating them like published works and is treating fandom like a goods and services economy. we are not consumers consuming products, we are meant to be a community of people with similar interests sharing things. a timeless, but always relevant, metaphor for this, is that fandom is a potluck not a restaurant. you wouldn't go to a potluck and start talking about the food the way you might at a restaurant.

not 2 sound horribly naive or whatever, but maybe just be kind? like, it's not very hard. maybe just don't get on the internet and be an entitled superior asshat. idk man.

[meo-eiru]

Elias is a very good boy, but he's not very resilient or good at sticking with things, but I think I can Pavlov him into trying new things. For example, I know he has a shoot today. Before he goes, I make him promise to be good and cooperative because I want to see my pretty boy looking nice in his pictures and I will be talking to his manager about his behavior. If he behaves badly, I will scold him when he gets home and tell him that I am disappointed. I won't punish him, per say, he doesn't do well with punishment, but I think a scolding will work.

If he does behave well, I will greatly reward him. He will come home to me having cooked a delicious and healthy dinner for us to eat together, and dessert as a treat after. We will bathe together and cuddle on the couch watching a movie. After that, we will make love and I will THOROUGHLY satisfy and pleasure him a few times over. I want him full of dopamine/oxytocin and absolutely worn out. He will fall asleep feeling loved and adored and beautiful.

I will do this every time he shows an interest in things, and I will constantly shower him with praise whenever he shows an interest in anything. I personally like to read and write, but I don't think he has the talent or patience for writing, but I think I can get him to read.

He already has to exercise every day to keep his figure, so perhaps I can get him to listen to audiobooks while he runs. After every chapter, I heap praises on him for reading and I initiate a conversation about that chapter. Eventually he will want to look forward to reading, even if it is really more of the conversation with me he likes, but I can accept that.

I also think I can get him to cook by praising him and gently correcting him whenever he does something wrong. He lives to please me, and I will make it clear how much I love sweet boys who cook for me and men who are passionate in their hobbies.

Yoooo my boy Elias out there making people get masters in dog training and conditioning

Don't get me wrong I absolutely loved reading this, it's just so funny to me how much he sounds like a puppy receiving training.

But yes this would be one of the best ways to handle him, though he'll most likely still have occasional outbursts since in his mind even if the activities are now associated with rewards he still thinks he could spend that time with you instead.

If you can do good damage control during those times and make him feel like he's not losing lovey dovey time with you he'll be tamer.

[ifangirlalot]

➶ botw/totk!𝓵ink x 𝓯𝓮𝓶!reader ｡˚ ° | !!𝙎𝙈𝙐𝙏!!

𝕹𝕾𝕱𝖂 𝕳𝖊𝖆𝖉𝖈𝖆𝖓𝖔𝖓𝖘 | afab!reader, oral (masc/fem receiving), penetration, (kinda?) public sex, link's kinda a pervert idk

Love Note From Zee ; ;

the results are in! you guys voted for link nsfw headcanons and i shall deliver! had so much fun with this (and i absolutely did NOT get horny while writing this, i literally don't know what you're talking about, i'm SO normal about him wdym)

------------------------------------------------------------------------------

「 ✦ You know that whole thing about it ALWAYS being the quiet ones? Yeah, Link is the prime example of that. 」

「 ✦ Mans has a lot of pent up frustrations after being asleep for an entire century, so needless to say, your sex life is pretty damn active. It's either he sets the entirety of Hyrule on fire or he gets his dick wet in some way or another, you pick. 」

「 ✦ Link is a MAJOR whimperer. Especially if he's getting head? Ugh, he can't stop whimpering. It's only gonna get worse if he's being praised DURING the ravishing. 」

A plethora of whimpers spilled between the knight's lips as his tip was treated to the tip of [Name]'s tongue swirling and pressing against it. Link's hips bucked upward desperately, needing more. "I'm so proud of you, Link. You're doing so good, you deserve this and so much later for all the work you've been doing for this whole kingdom." [Name] would whisper in between bobs on his length. Link could hardly stand it. He pushed his hips forward once more, trying not to cum on the spot from all the praises he was getting and the feel of her tongue on his dick. He let out a sound that was a mix of a whimper and a grunt as his lover's mouth lowered down his shaft once more.

「 ✦ He's also a bit of a pervert. Naturally, Link's pretty nosy. Constantly reading people's diaries and stealing their shit, but with you, it's so much worse and so much more personal. 」

「 ✦ He likes to snoop through your clothes, especially your underwear, while you're sleeping at night since he doesn't really feel the need to sleep and gets bored. 」

While [Name] was sleeping on their side, sleeping off a full day of journeying through the Hyrulian countryside, Link was hidden behind a bush with his trousers undone and a pair of frilly underwear clutched in his hand. He fisted at his length, a series of slow, soft pleasured noises bubbling out of his throat. Normally, he much preferred having your hands jerking him off, but you were sleeping right now and he didn't want to wake you. But he just couldn't wait. Your underwear was coated in your scent and he could barely stand it. Besides, the soft fabric of your undergarments around his cock was almost a good enough substitute.

「 ✦ When it comes to fucking, Link is pretty wild with it, as he is with everything else. He's very fast and desperate with his movements. He gropes at your breasts and your hips and leaves love bites and hickeys all over your neck and shoulders. 」

「 ✦ His favorite position is mating press. Not necessarily because he wants to breed you, but rather because he just really liked having your legs propped up on his shoulders. Plus, it gives him more thrusting room. 」

「 ✦ Very enthusiastic head giver as well. He's fast and desperate with that, too. His tongue is working extra hard, pushing as deeply into you as he possibly can, and his lips suck at your clit like he's trying to get the last bit of pudding out of a snack pack. A true pussy glutton! 」

The wind carried Link's desperate-sounding whimpers to your ears as he held your thighs against his shoulders as he pressed his face into your pussy. His tongue darted in and out, lapping up any form of fluid he could pull from your body. His lips sucked at your swollen, abused bud as if he was trying to pull loose the last bit of liquid through a straw, Your fingers tangled into his blonde hair and tugged at it as your chest heaved. He looked so cute down there between your legs, eating you out like your pussy was his favorite meal. Which honestly, it probably was.

「 ✦ Lots and lots and lots of sex outside. Granted, you're never around people when you fuck, but you're in the middle of a field, so honestly, you've probably been caught fucking by a very embarrassed villager at least two or three times. 」

「 ✦ Not that Link really cares, though. He's completely fucking shameless, that boy. 」

[splonk-fox]

The flaws of Jax and Ragatha, and why they matter to Pomni's character arc.

Within the two episodes of The Amazing Digital Circus that have been released so far as of writing this post, there have been two characters who have been given the most attention and depth out of any of the cast (ignoring Pomni obviously), and those two characters are Ragatha and Jax.

The duo consisting of the kindhearted optimist and the meanspirited pessimist have without a doubt become some of the most interesting characters to analyze within this series so far thanks to how much meaningful screentime and character depth they have been given within the the two episodes that we viewers have been fortunate enough to witness with our very eyes.

But why is this? Why is it that these two have received special attention from the writers so far, and what role do they play in Pomni's character journey? Well I believe I may have found the answer, and it's unfortunately one that does not spell a good future for these characters. But to truly understand where I am coming from, we must first understand who these two characters are and how they relate to our main protagonist.

To start off with the kindest of the duo, we have already learned quite a lot about Ragatha thanks to the two episodes she has been featured in so far.

Her most prominent character trait is without a doubt her kindness. She is the first person to really be genuinely nice to Pomni upon her entrance to the circus and spends the rest of the episode showing her around the place and trying her best to help her get settled in.

She's also someone who doesn't like to be overly blunt with her responses, such is shown when Pomni asks how they leave the circus, to which Ragatha, instead of just saying that she couldn't, phrases it in a way that makes it sound as if they simply haven't found a way to leave yet, this was obviously done in an attempt to not freak Pomni out too much, though this doesn't really go anywhere thanks to Jax.

Now that's great and all, Ragatha's a nice person, you can easily observe that through casual watches of the show, looking deeper however, you can see that there is a lot more going on with Ragatha than she would like to make you believe.

Insecurity is another trait that Ragatha has that, while not shown off as prominently as her optimism, is still very important to Ragatha's character.

As we see in episode 2 of the series, one of Ragatha's biggest fears is not being liked. She vents to Kinger about how she feels like Pomni doesn't really like her that much, and that clearly scares her. And why wouldn't it? The end of episode 2 makes it clear that one of the most important things in this show when it comes to keeping the main cast mentally stable, is their sense of community.

They're all in this together, they have each other's backs and will do their best to be there for each other when it's needed. That is what is communicated to us within the second episode through Kaufmo's funeral.

This segment of the episode, while somber in its tone, is also one that instills hope within Pomni and the viewer. Because it shows that despite everything, the circus members do care about each other. That abstraction is something that affects everyone and it isn't something that is just brushed off immediately, which if you recall, was the crux of Pomni's fears as seen at the beginning of the second episode, the fear of being forgotten, the fear of no one caring.

"I don't even remember her name honestly" - Dream Jax.

So with how the importance of community has been firmly established within this show's messaging at this point, it should be no surprise that Ragatha's biggest fear is not having that community. Of people not liking you, of people hating you. So how does Ragatha solve this?

Repression, that's how. Of all of Ragatha's personality traits her tendency to not display her true feelings towards things are without a doubt the most damaging.

The best example of this is how she reacts to Pomni abandoning her for the exit. The pilot would lead you to believe that she was mad at Pomni for doing this, that she didn't trust her anymore because of this selfish act.

And yet, that's all brushed to the side in the following episode. Ragatha is back to her optimistic self and is saying that everything is fine! That it was completely understandable and that there was no bad blood between them. Yet you can tell that isn't the whole truth, that Ragatha really didn't get over what Pomni had done to her that easily.

Now do I think Ragatha hates Pomni or secretly resents her? No, not really. I do think she's being honest when she says that she doesn't hold anything against her for doing this. But that doesn't mean she wasn't hurt by it. We can see clear as day from the pilot that this did affect her, so why does she act like she doesn't?

Because, from her perspective, her feelings do not matter. The only thing that does is to make sure Pomni is able to adjust, to make sure that everyone is happy, that everyone is still somewhat sane within the circus, and so she compromises her emotions in order to do this. Gooseworx has even said it herself that Ragatha often says things she doesn't necessarily mean in order to ease tensions. She doesn't want to cause conflict, she doesn't want people to fight with each other because she understands how important community is to the members of the circus persisting.

Yet in the midst of all of this, what Ragatha fails to realize is that with how she currently handles things, she is paving the way for her own mental break.

Ragatha, in her attempts to be there for others, has walled herself off from others being there for her. By lying about how she really feels about things, by acting as if she is fine, she is not allowing herself the emotional vulnerability necessary for others to be there for her when she needs it.

The closest thing we have had to this so far is with Kinger, and while having someone she feels comfortable enough to lament her feelings around is a good thing, this is one person, one person who is... not exactly mentally stable, to put it lightly. Is not exactly an end all be all solution to her problems.

Kinger being the only person who Ragatha can rely on is only gonna work for a limited amount of time, the more she represses, the more she hides her true emotions and clear mental instability, the closer she is to meeting a cruel fate, one that no one would be able to save her from because no one even realized there was something wrong with her. For in her pursuit to make everyone else happy, she has sacrificed her own happiness, as a result.

And then there's Jax.

Jax, in a lot of ways, is pretty much the polar opposite of Ragatha. While her leading trait is kindness, Jax's leading trait is being a complete and utter asshole. And while Ragatha is all about answering things in a roundabout way to ease stress, Jax is all about the blunt answers.

This is best shown to us in the pilot when, in the same scene where Ragatha tries to answer Pomni's question of "how do I leave?" in a way that wouldn't stress her out too heavily, Jax goes straight in with the "you can't". Jax is a pessimist, he has accepted that there is no way out, and is simply riding things as they go by.

Jax's leading character trait is all about causing as much chaos as he can for the sake of his own satisfaction. He doesn't care about how others feel, the only thing he cares about is causing as much chaos as possible simply because he can.

Yet that isn't all that's going on with Jax, there's something deeper here, something more complex.

When it comes to the scenes everyone points to when saying that Jax has a lot more going on with him than meets the eye, the scene where he reacts to Kaufmo's funeral is the one everyone looks at with an analytical lens, and that's for a good reason.

For I think this little scene might just tell us a lot more about Jax than we think.

One thing that I've come to notice about Jax's brand of chaos is that it's very reliant on others' reactions. All of the chaos he causes, all of the absurd and awful things he does are for the sake of seeing how others react. From throwing Pomni over the side of a truck and attempting to use her as a human bridge, or literally everything that he does to Gangle, it's all reaction-based, and that made me realize that, despite how selfish and uncaring he acts towards everyone else, community is still the one thing that truly matters most.

He needs the others so that they can react to his hijinx, as they are what give said actions meaning. If he had no crowd to watch as he acts like a shitty person, then he has no reason to do anything. But that is also where Jax's true character flaw comes in, his selfishness.

With how Jax is constantly pushing others around for the sake of his own amusement, Jax is very clearly a self-centered person. He is someone who is in it for himself and no one else. Who cares if others don't like him? Who cares if others despise him? As long as he gets to see funny things happen to people, he is gonna be okay.

But what happens when that method is no longer effective? What happens when the others don't give him the reaction he wants? What happens when he can no longer use chaos as a way to distract from the pointlessness of his reality?

Well, as scary as this may be to think about, Jax won't really have much of anything to fall back on. His cruel actions have wrote him into a corner. No one likes him, that much is obvious. And while Jax seems content with this now? What happens when he is put in the position of needing someone else's help?

Well, then he'll have no one, and it's ironically for the exact opposite reason to Ragatha. Ragatha's problem is that she is constantly repressing her emotions, despite the fact that she has people who care about her, she doesn't open up to them because in her eyes, her feelings are secondary to others'.

Yet Jax is the opposite, he's honest, he is self-centered, and that's also why he is one of the members who are in this most danger.

In a show that seems to be about how important community is and how important it is to stay together and be there for each other? To have a character who is the complete opposite of that. To have someone who doesn't care about others, who won't be there when someone else is hurting. To have someone who is actively making things harder for everyone... that just spells out demise.

Jax's true weakness is that he does not have a community who will be there for him when he needs it, he was never there for others so why should they be there for him? Meaning that when Jax is at the end of his rope, crying out for help, no one will listen, because as cruel as it sounds, most of the members would probably be happy that he's gone.

While this does admittedly rely a bit on speculation, I think what I've stated above might be the true reason for why Jax looked sad for a moment when the other characters were talking about the funerals held for those who have abstracted. Because in that small moment, he realizes he might not get a funeral of his own when he "dies", or if he did, no one would really have anything nice to say about him.

And that fear, that knowing of how the way you've built yourself up by putting others down has lead to everyone hating you, to everyone not having a single good thing to say about you... that is terrifying. And yet he hides it, he walks away, he refuses to attend the funeral because then he will have to be confronted with the uncomfortable reality of the fact that he won't die as someone who was remembered for doing good things.

The only thing he'll be remembered for, is how much everyone hated him. And all of that brings us right back, to Pomni.

I said at the beginning of this post, as well as with the title itself, that Ragatha and Jax matter to Pomni's character arc, but why is this? Sure they're both main characters so obviously they're going to influence her journey going forward, but how exactly does any of this matter to Pomni? It's simple really.

Ragatha and Jax represent two extremes, they represent what happens when you lean too far in one direction. In one case, it is caring too much about others and not caring about yourself, and in the other, it's caring too much about yoursef and not caring about others.

Pomni has already shown traits of both Jax and Ragatha. She has shown an empathetic, kindhearted side as seen in her interactions with Gummigoo, and she has shown a selfish side, as seen when she abandoned Ragatha for the "exit" in the pilot.

Pomni has shown herself to be both selfish and selfless. But what part of her matters more? Simple answer, both. It is important to care about others while also taking time to take care of yourself. Ragatha and Jax show what happens when you forget to do one of these things.

By always taking care of others, you're forgetting to take care of yourself, and by always taking care of yourself, you fail to take care of others. To find a healthy balance is to do both. To be aware of your own mental health while also making sure that others are doing okay too. And this is something that Pomni will need to realize if she is going to make it in the circus.

And this is where Jax and Ragatha become important. I believe these two will show Pomni how important it is to keep a balance of things. To not lean too far in one direction, as if you do, it spells bad news for you either way. And how will this be communicated to her and the audience?

Abstraction.

Think about it. If Ragatha and Jax's harmful practices continue without change and they end up abstracing because of it, that will be a wakeup call to Pomni, it will show her the flaws of being too selfless, and too selfish. Is it an extreme way to communicate such message? Sure, but it's also one that can't be ignored.

We, the audience, and Pomni, would see first hand the consequences of leaning too far in either direction, that if you don't find a balance, you will end up like Jax and Ragatha did.

And that's why I think these two in particular have been given so much screentime and attention these past two episodes. Because they are meant to show us the most extreme versions of Pomni's most prominent character traits.

The ability to care about yourself, and the ability to care about others.

Of course, I might be wrong in this assessment. We are far too early in the show's runtime to truly predict any big events like this. But from a narrative standpoint, I believe this interpretation makes the most sense in the way of showing us the audience, and Pomni, what truly matters. It's not just about you, it's not just about others, it's about both.

Thank you for reading.

[wisteria-lodge]

2 things about Lily

It's obvious that she was the one to defeat Voldemort the first time around, not Harry, but Rowling refuses to elaborate on the spell, saying that she cast it accidentally (which... yeah sure, but then she created a world where only one mother and child could do it out of love... like did other children that suffered were not loved enough? oh i so dislike that). I don't know why Rowling does it. Like I always wanted it to be an actual spell that she (and James) researched and did as part of their back-up plan, but noooooo. A woman? Win against the big bad? In the 90s?? Noooo

Lily grew up with two people that we get to know intimately, and loved them dearly. Two very miserable, envious people, who likely hid their accents and the fact that they are of working class, two people who did everything, and sacrificed many things in order to be around characters who where wealthy. Two social climbers. And you know what Lily also did? This has to be deliberate. Like, I don't think that it's a bad thing. I think that Lily definitely wasn't as insane about social climbing as Severus and Petunia (I consider social mobility to be a positive thing!!), buuut she too married into money. So there is that.

I find it sad that the prospect of Lily being crazy ambitious and wanting to have better things are always portrayed as bad in fics, if it is discussed at all. You could have made her into a person who dreams about making it and give her a conflict about marrying into money, feeling like she will become a fake, and still craving that security! But nooooooo. Pefect perfection or a sleazy seductress, nothing else ever

Extremely good points. Wanting social stability is just a real, relatable thing, and it's got to be a lot for Lily, being told you're magic... and ADDITIONALLY learning that the power structure of the magical world that you live in now is super prejudiced against you? And there is an active dark wizard *currently* targeting people like you?

Also the sacrificial magic being cast accidentally never made sense. Harry does the same thing (I guess) on purpose at the end, with the result that all of Voldemort's spells have trouble "sticking," because Harry sacrificed himself for EVERYBODY? But I mean Regulus also sacrificed himself to protect people from Voldemort, he didn't have to die. Dumbledore willingly died to protect... Harry, Draco, Snape? Shouldn't that have had some magical effect?

It honestly would have been *so* much easier to say that Lily defeated Voldemort with a spell that sacrificed the caster's life. That's very cool, old-magic vibes.

But... this slots into an larger trend with the way JKR writes passivity and self-negation as heroic traits. The best example of this is Newt Scamander, her hero with the central traits "neutral" and "pacifist." But even with Harry... there's a reason he doesn't level up his core spells, and is most heavily associated with a disarming spell that he learns in year 2 and a shield spell he learns in year 3. JKR actively doesn't want him to be a combat character. It is *true* that Harry does not cast a single spell on-page in the entire first book. He does more magic later, but that original tendency is still there: there's a reason most of Harry's level-ups consist of loot given to him by loved ones, and not so much skills that he improves. JKR's ethos on power (expressed through Dumbledore) is that the people who handle power best are the people who don't want it.

And unfortunately... leveling up your spells on purpose... now that sounds like something that a person who WANTS POWER would do. Casting super duper powerful spells accidently (which harry also does, constantly) (and Lily does, of course) ... now *that* is much more morally pure.

[andy-wm]

i'm wondering how your thesis of "idols will come out when they want" fits into your insane shadow analysis attempting to prove jimin and jungkook fucked in the middle of their travel show (amongst other things)? like do you get joy out or trying to drag someone out of a closet they might not be in? or is it something else? just curious! 😀

Hey wdcmaxy

Since you have the guts to use your name I'll respond :)

So, you read my thesis?

*Sips whisky*

Cool. And you read my insane shadow analysis too?

Hmmm... do you come here often?

Let me answer your question then.

I think we both know the shadows analysis isn't really insane - it's based on very basic earth science. Shadows grow longer as the day progresses because of the rotation of the earth on its axis. You sound reasonably literate so i assume you know this already.

I guess your description of my shadow analysis ( I think I'll name my next racehorse 'Shadow Analysis') as insane is an attempt to discredit the idea that a fair bit of time passed while Tae was out of the house? But that was kinda silly on your part. Even children know that shadows change as the day passes.

Nothing insane about it.

He was gone for hours, no debate.

Now let's move on to the fucking part, and when and how idols choose to come out.

This is actually worth discussing.

As flattered as i am that you think my tiny insignificant blog could be a game changer for anyone, let's be real.

How many people, besides yourself, do you think read my blog?

Serious question.

I'm estimating maybe 100. Double that on a good day. Maybe 300 if i write something REALLY profound which doesn't happen often.

I am way less excited about my impact on the world than you are, because I'm a realist.

BUT if by some strange twist of fate my blog came to the attention of someone whose opinion mattered (I'm not counting you, don't worry) do you think they would take it seriously? Do you REALLY imagine a random tumblr post about shadows could make someone believe that an idol was gay if they didn't already believe it?

Here's a great example of how that wouldn't happen:

You, dear reader.

You're my example.

You came here to tell me I'm speaking shit and that I should pull my head in, correct? My insane shadow analysis hasn't changed your beliefs at all. You're here, throwing a tantrum on my page, because you don't agree with what I'm saying, not because you suddenly believe it.

Or ...

Perhaps you suspect it's true and that scares you. Maybe you can't be absolutely sure I'm wrong and that's why you need to yell at me? Could that be it? Time for a bit of self reflection?

Either way, it's not going to make an iota of difference in the grand scheme of things.

We are all just dust motes floating through time and space, my friend. You dont need to worry so much. The universe is unfolding exactly as intended.

However... There are a couple of things we should agree on:

The fact is that the shadows grew long and therefore, time passed. And Tae was out for several hours. Maybe he went out for a bit of afternoon delight himself? Maybe Jimin and Jungkook played Pokemon Go all afternoon, or prayed, or practiced their English, or braided each other's hair.

Regardless of whether they did or didn't fuck, or how many times, or on what surfaces, the time still passed.

And whether I write my blog or not, people will believe what they believe. And they will be gay or they won't be gay.

And even though I never mentioned anything about them fucking in that post, whether you like it or not Jimin and Jungkook might be fucking right now, as you read this.

One last thing...

Please bear in mind, through all of this, that fucking is not the be all and end all of life. Sure its a lot of fun if you do it right but the notion that it's more meaningful than sharing your innermost thoughts and feelings, or giving someone your time and energy, is bullshit.

You can have a roots-deep love for someone and never even think of fucking them. Or you can meet someone in a public toilet and have at it, and leave without even knowing their name.

Sex does not equal love. Fucking is not that big of a big deal.

Unless...

Unless you're fucking someone the patriarchy doesn't want you to fuck. Then its a major issue.

Hear me out.

The need to control who we fuck is based a patriarchal need to control material wealth.

To control material wealth, the patriarchy needs to control reproduction (so they can be sure their wealth stays with their bloodline, because wealth is built over many generations) and to do THAT they need to control womens' bodies.... and to do that, of course they need to control who women fuck. And who men fuck too!

Do you know what the ACTUAL issue is with men who like dick? They don't automatically buy into the patriarchal way of life. (where's the solidarity, lads?)

Why don't they?

Because lifelong monogamy and marriage and nuclear families don't matter as much when you're not equating love with sex, and sex with reproduction. When your goal isn't to accumulate wealth and pass it down to your children.

Same thing applies to women who love women. They aren't focused on being demure and pleasing the men in power. They aren't focused on making themselves wife material. They will challenge the status quo and maybe even (shock! horror!) decide not to have children. How the heck do you make sure your money and power stays in the family, how do you build an empire, when the women are perfectly happy having sex with each other and don't want to love, honour and obey??

And whose fault is all this?

Its got to be the damned queers, right? They're making people think there might be other ways to share your life with those you care about! That's why its important to squash down gayness whenever you can, right, wdcmaxy?

Look at them destroying the fabric of society!

If Jimin and Jungkook ARE fucking every chance they get, good for them. I hope they're balls deep and breathless, hitting all those sweet spots for each other having a really good time.

And if they're not fucking, it actually doesn't matter to me because the way they support each other and share their hearts is beautiful. (I do think they are fucking though)

Truthfully, whatever they're doing, as long as they're happy I'm happy.

Can you say the same, wdcmaxy?

Peace.

[burningcheese-merchant]

So there's this Shadowvanilla fic on Ao3 Im fairly certain you know about, and in It SM and PV link up to eachother's minds/feelings/souls via their souljams touching, and its pretty sweet since since they're on their chests, the two basically have to hug to connect.

Which made me think, what about the other beasts and ancients? BS and GC would be by far the weirdest imo bc she would have to touch her forehead to his chest??? Which depending on the size difference It could still just be a hug.

SS and WL would touch their weapons (sword and staff), which can comes off as distant or cold, despite the fact they're about to peer into eachother's very being.

ES and MF suffer because their's are on their forehead and their ancient's are on their weapons😭😭 imagine HB shield to EG's forehead, that'd be awkward af

I'm not actually sure what you're referring to 😅 is it Jambound? I think something like that happens in it? I don't really remember, I read the first 3 chapters a while ago and that's it haha (I really don't have the time to read fanfics, especially not ones as long as that one (it's like 15 chapters long now and still going with no end in sight, isn't it??? Goodness)). I never really did much of anything on AO3 tbh, I honestly just go there to write and post my own dumb garbage and then vanish into the aether again

Regardless. I always vibed with the concept of the Ancients and Beasts connecting/strengthening their existing connection through their Soul Jams. But the way I've tried to get around the fact that most of their placements are... cumbersome and don't really lend themselves to that (White Lily's staff and Silent Salt's sword, for example) is, I think of it as... Through the sharing of the Soul Jams, they're all already bound to one another, yeah? So do they NEED to have them be a component in the physical aspect of this? Do White Lily and Silent Salt NEED to have their staff and sword clink together to express that intimacy? Or can they simply embrace each other nice and tight, staff and sword set aside nearby, and their souls can resonate just with that action? The Soul Jam not physically being in their hands doesn't really mean it's left their ownership and they've completely lost access to its power, I don't think; we saw that with how the Light of Abundance refused to answer to Smoked Cheese when he took it, and how Golden Cheese could keep fighting Burning Spice for a while even without it (albeit weaker). So idk if they need the Soul Jams to touch so they can feel closer to each other. I think they've all been naturally imbued with that power at least to some degree and thus don't really 100% need the physical Soul Jams to facilitate that closeness. If I'm already super glued to somebody then not putting my hands on their belt buckle or whatever isn't going to make us any less stuck together ykwim

With that said I like to imagine BS's being particularly sensitive since it's embedded in his chest. GC can press her hand down on it, or lay her head against it, and feel his heart beating through it, if only faintly. Maybe it feels warm to the touch, and grows warmer and shines brighter the faster his heart races. Maybe his breath catches in his throat when she touches it because it feels different there than it does when she touches any other part of his body. Maybe it acts as a cute little nightlight when they're curled up together in bed. Maybe it burns hot like a coal and glows like the fire in a hearth when they're deep in the throes of passion. Maybe, as a charming little gesture, she actually will touch her forehead to his chest so they can listen to that soft little clink that sounds the little kiss Abundance and Destruction shares. Maybe a certain something stirs within them both when she does it, maybe not. But it's cute. They're so in love that even their Soul Jams want to make out. Lol

Also any excuse to put her face in those big strong man titties is 👌👌👌 in her opinion

[youzicha]

Thinking about that that "slop accelerationism" post, and also Scott's AI art Turing test.

I also hope AI text- and image-generation will help shake us loose from cheap bad art. For example, the fact that you can now generate perfectly rendered anime girls at the click of button kindof suggests that there was never much content in those drawings. Though maybe we didn't really need AI for that insight? It feels very similar to that shift in fashion that rejected Bouguereau-style laboriously-rendered pretty girls in favor of more sketchy brush work.

But will we really be so lucky that only things that we already suspected was slop will prove valueless?

As usual with AI, Douglas Hofstadter already thought about this a long time ago, in an essay from 2001. Back in 1979 he had written

Will a computer program ever write beautiful music? Speculation: Yes, but not soon. Music is a language of emotions, and until programs have emotions as complex as ours, there is no way a program will write anything beautiful. There can be "forgeries"—shallow imitations of the syntax of earlier music—but despite what one might think at first, there is much more to musical expression than can be captured in syntactical rules. There will be no new kinds of beauty turned up for a long time by computer music-composing programs. Let me carry this thought a little further. To think—and I have heard this suggested—that we might soon be able to command a preprogrammed mass-produced mail-order twenty-dollar desk-model "music box" to bring forth from its sterile [sic!] circuitry pieces which Chopin or Bach might have written had they lived longer is a grotesque and shameful misestimation of the depth of the human spirit. A "program" which could produce music as they did would have to wander around the world on its own, fighting its way through the maze of life and feeling every moment of it. It would have to understand the joy and loneliness of a chilly night wind, the longing for a cherished hand, the inaccessibility of a distant town, the heartbreak and regeneration after a human death. It would have to have known resignation and world-weariness, grief and despair, determination and victory, piety and awe. In it would have had to commingle such opposites as hope and fear, anguish and jubilation, serenity and suspense. Part and parcel of it would have to be a sense of grace, humor, rhythm, a sense of the unexpected and of course an exquisite awareness of the magic of fresh creation. Therein, and therein only, lie the sources of meaning in music.

I think this is helpful in pinning down what we would have liked to be true. Because in 1995, somebody wrote a program that generates music by applying simple syntactic rules to combine patterns from existing pieces, and it sounded really good! (In fact, it passed a kind of AI art turing test.) Oops!

The worry, then, is that we just found out that the computer has as complex emotions as us, and they aren't complex at all. It would be like adversarial examples for humans: the noise-like pattern added to the panda doesn't "represent" a gibbon, it's an artifact of the particular weights and topology of the image recognizer, and the resulting classification doesn't "mean" anything. Similarly, Arnulf Rainer wrote that when he reworked Wine-Crucifix, "the quality and truth of the picture only grew as it became darker and darker"—doesn't this sound a bit like gradient descent? Did he stumble on a pattern that triggers our "truth" detector, even though the pattern is merely a shallow stimulus made of copies of religious iconography that we imprinted on as kids?

One attempt to recover is to say Chopin really did write music based on the experience of fighting through the maze of life, and it's just that philistine consumers can't tell the difference between the real and the counterfeit. But this is not very helpful, it means that we were fooling ourselves, and the meaning that we imagined never existed.

More promising, maybe the program is a "plagiarism machine", which just copies the hard-won grief, despair, world-weariness &c that Chopin recorded? On its own it's not impressive that a program can output an image indistinguishable from Gauguin's, I can write such a program in a single line:

print("https://commons.wikimedia.org/wiki/File:Gauguin,Paul-Still_Life_with_Profile_of_Laval-_Google_Art_Project.jpg")

I think this is the conclusion that Hofstadter leans towards: the value of Chopin and the other composers was to discover the "template" that can then be instantiated to make many beautiful music pieces. Kind of ironically, this seems to push us back to some very turn-of-the-20th-century notion of avant-garde art. Each particular painting that (say) Monet executed is of low value, and the actual valuable thing is the novel art style...

That view isn't falsified yet, but it feels precarious. You could have said that AlphaGo was merely a plagiarism machine that selected good moves from historical human games, except then AlphaGo Zero proved that the humans were superfluous after all. Surely a couple of years from now somebody might train an image model on a set of photographs and movies excluding paintings, and it might reinvent impressionism from first principles, and then where will we be? Better start prepare a fallback-philosophy now.

[raven-at-the-writing-desk]

Hello Miss Raven!!! I need a bit of help... And maybe you could help? Perhaps?

I've noticed that in the English translation, they gave Leona this sort of... speech pattern? Style? Idk how to call it, but basically that thing where in his text they tend to replace the words ending with -ing to just -in'. But he doesn't do it in every word I've noticed.. In most, yes, but not all of them. And sometimes they make him say 'n instead of and and such. And a lot of wanna / gonna / gotta instead of writing the full thing. (And sometimes I think I've seen him use "ya" instead of "you", but that one's a bit less common on him from what I can remember)

I think this is a very interesting bit of characterization and I really like it! However, I struggle to implement it whenever I write him in English, since it's not my first language. I find it really hard because I never know when it's too much and when it's an acceptable amount... I never know when to replace the ing → in' while not making it too exaggerated 🥲🥲 I can't manage to make it feel, idk, natural? So I tend to prefer to ignore that aspect of his "speech style" entirely in fear of making him sound weird... Which is a shame, because once again, I think it's a very interesting detail, but I just never seem to get it quite right.

So, I wanted to ask... Since I think your interpretation of him (how you write him in general) is very good, and since I think you're a native english speaker too lol, is there any easy what to remember when to apply such "mannerisms" when writing him or similar characters? Or am I overthinking too much and should I just put it wherever I think it fits nicely? Or do I just put it in all the words ending with -ing with little exceptions?? 😭 I know that this type of written speech is used to represent how someone Says those words, like... spoken. But since I'm not surrounded by people who speak the language, I can't really go about it in that way either 😭 (as in "oh, I'll just listen to people around me and figure it out in that way!")

Okay, so 💦 I want to take a second to remind people (both Anon and my general audience) that I'm NOT open to telling people how to write. Asking for general advice ("how do I get over writer's block", "how do I get inspired", etc.) or about my own experiences is fine, but I'm not comfortable telling others how to write specific Twst characters, OCs, or what to do with their own art. So just know what whatever advice I provide in this post WON'T be me telling you to do X, Y, or Z to arrive at the "correct" answer. At the end of the day, it's only my own interpretation, and to pass around my interpretation as though it is gospel or the "most canon" would be incorrect to say. I understand that some may hold me, my takes, or my writing in high regard, and therefore view me as some kind of fandom authority or someone whose opinion holds a lot of weight. However, I've repeatedly stressed that this makes me uncomfortable and I want to discourage this behavior as much as I can.

Now then, Anon makes a lot of salient points. Every character has a unique way of speaking and their own quirks and mannerisms. There's the very obvious ones like Epel's dialect, but also more subtle things like how Leona (in English) drops the "-g" from the ends of some "-ing" words, how he sometimes uses "'n" in the place of "and", how he tends to use "wanna"/"gonna"/"gotta", and how he sometimes trades "you" for "ya". These are important things to pay attention to if you're trying to capture a character's "voice"! (Yuurei-san has an interesting series of posts about the Twst characters' speech patterns!) Most likely these localization choices were made for Leona's English dialogue in order to reflect his informal manner of speaking in Japanese. For example, he often uses ねぇ~, elongating some of his words sarcastically. If you have access to Twst EN, I'd suggest opening it up and listening to how Leona voices his lines (while you read the English text). If you don't have the game, you can probably still find voice clips on the Twst wiki(s) or on Youtube. That may help you get a sense of his cadence and how he words things. You also need to think about how you write his dialogue and the details around it. Is he mad or annoyed? Maybe tired or just not feelin' it? Consider how mood factors into whether or not Leona chooses standardized or colloquial English. Sometimes he adopts an overly formal and princely tone in some instances, like when he's presenting himself at the book 7 farewell party, so you have to consider situations where he uses formality sarcastically. Again, it really depends on the context. This will require a lot of thinking, judging, and putting yourself in the character's headspace. You won't get it perfect the first time (or even the times after); it'll take lots of trial and error to find something you're happy with.

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[bones4thecats]

Hi! I was wondering if you can do Poseidon X Goddess of music!Reader and the reader rarely come out of her house and if she does for example: when she goes to any meeting she always has this mask on:

and she always sits next to Poseidon for some reason she feels safe with him...?

Thanks if you do this request!

<3

God of Music! S/O Feeling Protected

Type of Writing: Request Character: Poseidon Name: God of Music! S/O Feeling Protected Requester: @imperfectbloodmoon

A/N: These may not be the best thing I've ever written, but I'm trying my best to keep up with stuff from my classes and with these requests. But, I do hope you guys enjoy this!

✧⋆⋅⋆⋄✧⋄⋅⋆⋄✧⋄⋆⋅⋄✧⋄��⋅⋄✧⋄⋅⋆⋄✧⋄⋆⋆⋄✧⋄⋆⋆⋄✧⋄⋅⋆⋄✧⋆⋅⋆⋄✧⋄⋆⋆⋄✧⋄⋆⋆⋄✧⋄⋅⋆⋄✧⋆⋅⋆⋄✧⋆⋅⋆⋄✧⋄⋆⋅

✧⋆⋅⋆⋄✧⋄⋅⋆⋄✧⋄⋆⋅⋄✧⋄⋆⋅⋄✧⋄⋅⋆⋄✧⋄⋆⋆⋄✧⋄⋆⋆⋄✧⋄⋅⋆⋄✧⋆⋅⋆⋄✧⋄⋆⋆⋄✧⋄⋆⋆⋄✧⋄⋅⋆⋄✧⋆⋅⋆⋄✧⋆⋅⋆⋄✧⋄⋆⋅

🔱 Alright, let's get one thing clear; Poseidon is a fairly oblivious man when it comes to emotions, which should be obvious

🔱 Poseidon was fairly wary when you first started to get close to him. He just isn't used to anyone trying to bond with him in any way, because many see him as a dangerous being

🔱 Which he technically is

🔱 Now, if you were a mortal or nymph, this guy would just push you aside and claim you to be a worthless being, not worthy of his time and patience

🔱 But, once he asked you who you were and you introduced yourself as the Deity of Music within the Greek Pantheon, working alongside that of Hermes and Apollo, he began to see you with more worth

🔱 Poseidon enjoys listening to your songs that you either sing or play on an instrument. He personally enjoys more slow and calming songs while he looks over his underwater kingdom

🔱 And he does enjoy your more reclusive nature, since he's not a very large people-person himself

🔱 He understands a lot more about you than anyone could realize, even yourself for that matter

🔱 But one thing he never fully understood was your need to wear that beautifully decorated mask that covered your entire face whenever you were to leave your shared home

🔱 Poseidon has claimed his love for both your personality and your looks often, though he's fairly monotone sounding, you can hear the amount of pulsing emotion underneath

🔱 Whenever he gets notice that one of his brothers is coming over, he tries to get you to keep the mask off; these are your family members, after all. They know how you look because they attended your wedding all those centuries ago

🔱 If you were to give him a good reason (such as; you didn't want Zeus to try protruding into your backside) then he would understand a bit better. But if you claimed you believed you didn't look good enough, he'd be beyond shocked

🔱 Like I mentioned earlier, Poseidon has claimed his love for both your personality and physical appearance. So the fact that you would still be insecure would make him feel the need to prove you were beyond good enough for a God like him

🔱 Okay, beyond the topic of the role and mask. He, like I also mentioned, doesn't understand emotions fully

🔱 Because of this, Poseidon is quite confused whenever you wanted to sit by him (before your relationship) at meetings, since normally everyone, deities included, were scared of him

🔱 Yet, every time you sat beside him, he never tried pushing you away, much to both of yours and everyone else's surprise

🔱 Despite his inability to understand why you personally wanted to be beside him, he does have quite a few hunches that many believe is true

🔱 One is that you wanted to be by someone who you knew wouldn't be to loud, the second is that you wanted to be closer to him, as he is in your pantheon, and his third one is that you wanted to be with somebody because you wanted to feel safer and protected from other Gods who may have bad intentions

🔱 Poseidon always mainly leans to the third one

🔱 After you guys started your relationship and got married, he started to have you sit right next to him. And by that, I mean by he'd have you sit either on his lap or right beside him

🔱 If I haven't mentioned it, he's possessive of what he deems to be his. Yes, he does allow you to be your own person, but he doesn't want anyone to get any ideas; specifically Zeus

🔱 He cannot keep his hands to himself, and that is coming from his own older brother!

[cripplecharacters]

Hey folks, fully abled writer here! I've got a question about nicknames/descriptive names related to physical differences and abilities. I write a lot of fantasy fiction with differing name and language systems than the real world. I'm also fond of using compound names, such as "Dawnbringer, Hardcutter, Bluemark, Bearhunter, etc." So in a fantasy world where much of this society has given names and clan surnames following a specific theme of strength and durability, I have a character that has both his given name but also a nickname many people call him. This nickname is "Firebrand," and I invented him many years ago when I wasn't very critical of my writing or biases and just wanted a cool-sounding fantasy name. He is is a city guard in a city that is regularly attacked by fantasy animals for plot and environment-related reasons, and as I developed this character more I decided that rather than his original dark edgy backstory where he was called Firebrand because he was tortured, he now gains the name Firebrand because he survived a dragon's fire breath and came out of it with burn scars up his chest neck and arms, particularly on his hands that limits some of his movement and dexterity. I intend to make it clear in the story that it isn't a derogatory name, it's part of their society's theme of having names that signify how people survive things.

He likes the nickname and the meaning it has in his culture, because to him it means he's good at his job and he has survived hard times. Right now, the story is told through third-person P.O.V, and he is primarily referred to in non-dialogue narration as his nickname. In dialogue, he usually introduces himself with his given name and surname, but many people including the rest of the city guards refer to him with the nickname . His family and boyfriend will use either name for him depending on the context and company. At a later point in the story, when he and some others end up in a situation where they are dealing with fairies and the magical rules about giving them your name, his nickname gives him an advantage against the fairy rules.

Is this a reasonable concept at all, or is it all very weird to use an injury and acquired physical difference to identify someone with? Or, if the concept is alright but the name itself is bad, do you have any suggestions for how I might want to come up with a different nickname? I'm thinking if the use of the word "brand" in the nickname has too much of a negative connotation, I could try to replace it with something like "Firehand" or "Firebrave" that might have a clearer positive connotation to readers as well as his in-story society.

And although it's not the purpose of this question, I have been doing research about burn scars and treatment; this blog has been helpful! Since the burns were deep and he has limb tremors and cramps as well as scars, he has exercises and ointments to keep his scarred skin flexible, and he takes care not to take long tasks that will strain his hands with fine motor skills or whatnot. When on duty, his uniform includes gloves and a high collar for protection, but in casual clothing his hands are bare and his clothing doesn't hide his scars unless it's for weather protection. I may come back in the future with more questions about that, but I've determined what I need to start with about the physical effects his injuries have on him.

Thank you, and I hope you're all having a good day!!

Hello!

This sounds fine and pretty cool to me. The most important part is that the name isn't intended to be derogatory and that he actually likes it.

As a different disability-related example, "Wheels" and all its variants is a surprisingly common nickname that wheelchair users use (mostly younger guys). Sometimes you have a few of these dudes in one group and three people look at you when you try to call for one of them, it's just a fun nickname. Could it also be a cartoon-bully level derogatory insult if it was used for a character that hates it? 100%. It's very context dependent.

That's the same sentiment that's crucial here I think. Your character likes it and is proud of it? Go ahead. It makes sense in his cultural background and his nickname falls under a similar naming convention so it fits. I like the mention of how it reminds him that "he has survived hard times", since it's something that I've heard from burn survivors who explain why they choose "survivor" over "victim" to refer to themselves.

To answer your actual question: yes, I think it's a reasonable concept that makes sense in the character's setting. In another context yeah, it could be weird to identify with an acquired physical difference like that, but other people will do it anyway, you could as well make it "yours" and be proud of it, wear it as a positive. I don't think it's something that is an automatic "no" even if kinda weird. I'd go case-by-case and in your character's case it seems great.

As for the actual name, I agree that "brand" does have a negative connotation in English, all the criminal/cattle/label associations are less than ideal. I don't think it's detrimental to the concept like some other potential nicknames could be (looking at all the No-Faces and Half-Faces, which I do think are strictly derogatory) but if changing it to something less loaded wouldn't be an issue I'd probably do that. Both -hand and -brave are pretty awesome (the latter kinda reminds me of a warrior cat name but that's definitely a me problem), since they're either neutral or very positive in their connections.

Personally I care more about the fact that you're researching your character thoroughly, don't think that him being a burn survivor comes with some intrinsic negative traits, nor seem to put him in one of the Four Boxes. That's more important than terminology and vice versa - one could use the most up-to-date correct terms to refer to their OC and still make them into an offensive nightmare with bad execution. It doesn't mean that specific words aren't important but they (generally) aren't what breaks or makes representation that people want to see.

You seem to be doing good: my advice is to rethink the -brand part due to its connotations, and just keep researching as you write him.

Hope this helps,

mod Sasza