#that's where we show our resolution

[unproduciblesmackdown]

arrrghhh and having a moment just now b/c earlier i was rewatching this clip and appreciating how ofc not only is it a stellar little expression saga of jeremy's there but it's so Relevant to how we're being shown like [yeah clearly this is a bad idea but we are led to understand why he'd do it anyways] when like yeah jeremy's hurt & miserable as this new computer enemy immediately beating him up insulting him like you're the worst die Admit You're The Worst & Die. but also like jeremy was already There & already getting that message from others / life, which is why he's in this situation already, and why even though this obvious antagonism & hurtful treatment Does dig that hole a little deeper it's like, still more of the same from jeremy's perspective / a supposed further confirmation of what he was already sufficiently believing was true anyways. but what's so different & new to him is this like invented & temporary Vision Of How Things Could Be where suddenly he's getting attention that is so positive & everyone is sooo hyped about him we love everything about you....and That's what's so much more motivating to jeremy than the previous shit that he of course experienced as Unpleasant

and then just now was looking at this gifset again with christine being surprised by how as she's increasingly exiting the defensive mode of trying to stay out of the way / rein herself in, jeremy's just interested and encouraging and giving Thee clearest most positive feedback as earnestly and spontaneously as she's being rn....the way that she's having a parallel experience to jeremy's Mall Visions Of Possibility like here's this random person suddenly who is responding so positively to whatever tends to be reacted to negatively as [weird/wrong/overmuch]....their earnest spontaneous little parallel threads that keep weaving together throughout the story like. christine and this ever surprising new person who first crops up super nervous but then really openly enthused about Her enthusiasm; freaking out at a mall food court; doing great at play rehearsal even though he's new to this; then a whole moment where at first he's maybe being confusingly standoffish compared to that enthusiasm at their first meeting but then the whole [i guess a part of me xyz] section of a guy that i'd kinda be into like waaaaauugh oh lord and now i'm thinking of the agtikbi reprise like i am sweeping the bmc obcr up into my arms for so many reasons & including that track is a hell of one....being presumably a bit further bemused by jeremy's whole deal but during this period where christine's presumably a bit preoccupied w/the play and with trying to try new things and dating jake, there goes jeremy suddenly dating brooke apparently & eventually evidently christine is like okay i guess he's in this popular kids group more cohesively than i am & [whatever interpretations in how christine thinks that jeremy is also hooking up far & wide w/ppl in that group lol] but here he is also feeling in over his head & overwhelmed & out of place after trying to play the part & Act Correctly & indeed managing to end up here & yet....And Yet they can have another earnest vulnerable spontenaous enthused encouraging moment on the couch, despite that then of course christine's like okay look in general What is going on around here, and that's even before anyone's burned down a house & so forth, all before we he she they get Proof of what jeremy wants & feels & chooses, and have that reunion finally with finale jeremy where it's like, yeah he's got more confidence in Himself, ofc he still likes her and her as herself, and he's still nervous but okay with that, she's more comfortable likewise being out of her comfort zone lol not trying to maximally stay either in the one arena she can be herself Or otherwise out of everyone's way, ugh their vimh moment like that willingness to be vulnerable with this person b/c as in any interactions you're not guaranteed "safe" but the stakes of that and effort of navigating are made lower by having this trust and understanding and knowing this person genuinely cares....the fact that they can misunderstand each other And That's Fine because they can and do just go "no, i mean xyz" which in turn isn't to chastise but an earnest effort to connect & let this other person understand & know you better & believing that They want to exert the effort to Try To Get It, to Genuinely Care....waah

tl;dr that the way jeremy is (theoretically) looked at in the mall while simply existing when everything is going to be wonderful and so alive & is so moved by is the way christine experiences jeremy looking at her For Real when they're first properly meeting in the i love play rehearsal scene, and furthermore: ;ww;

[neonacidtrip]

I’ve been making memes for friends for years and decided I should share the ones I could easily find

[zvaigzdelasas]

South Africa’s genocide case has put the spotlight on a deeper fault line in global geopolitics. Beyond the courtroom drama, experts say divisions over the war in Gaza symbolize a widening gap between Israel and its traditional Western allies, notably the United States and Europe, and a group of nations known as the Global South — countries located primarily in the southern hemisphere, often characterized by lower income levels and developing economies.

Reactions from the Global North to the ICJ case have been mixed. While some nations have maintained a cautious diplomatic stance, others, particularly Israel’s staunchest allies in the West, have criticized South Africa’s move.

The US has stood by Israel through the war by continuing to ship arms to it, opposing a ceasefire, and vetoing many UN Security Council resolutions that aimed to bring a halt to the fighting. The Biden administration has rubbished the claim that Israel is committing genocide as “meritless,” while the UK has refused to back South Africa.[...]

As a nation whose history is rooted in overcoming apartheid, South Africa’s move carries symbolic weight that has resonated with other nations in the developing world, many of whom have faced the burden of oppression and colonialism from Western powers.

Nelson Mandela, the face of the anti-apartheid movement, was a staunch supporter of the Palestine Liberation Organization and its leader Yasser Arafat, saying in 1990: “We align ourselves with the PLO because, akin to our struggle, they advocate for the right of self-determination.”

Hugh Lovatt, a senior policy fellow with the Middle East and North Africa Programme at the European Council on Foreign Relations, said that while South Africa’s case is a continuation of its long-standing pro-Palestinian sympathies, the countries that have rallied behind it show deeper frustrations by the Global South.

There is “a clear geopolitical context in which many countries from the Global South have been increasingly critical over what they see as a lack of Western pressure on Israel to prevent such a large-scale loss of life in Gaza and its double standards when it comes to international law,” Lovatt told CNN.

Much of the non-Western world opposes the war in Gaza; China has joined the 22-member Arab League in calling for a ceasefire, while several Latin American nations have expelled Israeli diplomats in protest, and several Asian and African countries have joined Muslim and Arab nations in backing South Africa’s case against Israel at the ICJ.

For many in the developing world, the ICJ case has become a focal point for questioning the moral authority of the West and what is seen as the hypocrisy of the world’s most powerful nations and their unwillingness to hold Israel to account. [...]

Israel sided with the West against Soviet-backed Arab regimes during the Cold War, and Western countries largely view it “as a fellow member of the liberal democratic club,” he added.[...]

“But the strong support of Western governments is increasingly at odds with the attitudes of Western publics which continue to shift away from Israel,” Lovatt said.

Israel has framed the war in Gaza as a clash of civilizations where it is acting as the guardian of Western values that it says are facing an existential threat.

“This war is a war that is not only between Israel and Hamas,” Israeli President Isaac Herzog told MSNBC in December. “It’s a war that is intended – really, truly – to save Western civilization, to save the values of Western civilization.”

So far, no Western countries have supported South Africa’s case against Israel.

Among Western states, Germany has been one of the most vocal supporters of Israel’s campaign in Gaza. The German government has said it “expressly rejects” allegations that Israel is committing genocide in Gaza and that it plans to intervene as a third party on its behalf at the ICJ.

An opinion poll by German broadcaster ZDF this week however found that 61% of Germans do not consider Israel’s military operation in the Gaza Strip as justified in light of the civilian casualties. Only 25% voiced support for Israel’s offensive.

But it is in Germany’s former colonial territory, Namibia, that it has attracted the fiercest criticism.

The Namibian President Hage Geingob in a statement on Saturday chided Berlin’s decision to reject the ICJ case, accusing it of committing “the first genocide of the 20th century in 1904-1908, in which tens of thousands of innocent Namibians died in the most inhumane and brutal conditions.” The statement added that the German government had not yet fully atoned for the killings.

Bangladesh, where up to three million people were killed during the country’s war of independence from Pakistan in the 1970s, has gone a step further to file a declaration of intervention in the ICJ case to back South Africa’s claims, according to the Dhaka Tribune.

A declaration of intervention allows a state that is not party to the proceedings to present its observations to the court.

“With Germany siding with Israel, and Bangladesh and Namibia backing South Africa at the ICJ, the geopolitical divide between the Global South and the West appears to be deepening,” Lovatt said.

Traditionally, the West has wielded significant influence in international affairs, but South Africa’s move signals a growing assertiveness among Global South nations that threatens the status quo, says Adekoya.

“One clear pattern emerging is that the old Western-dominated order is increasingly being challenged, a situation likely to only further intensify as the West loses its once unassailably dominant economic position,” Adekoya said.

19 Jan 24

[onceuponatown]

Goodbye Tumblr. You ruined it!

Hello followers!

We are sad to say that we are discontinuing Once Upon a Town.

We started this blog in August 2013 with the aim to find, research and show historical photos in high resolution formats. The main idea was to present history as documented through photography - from the very earliest to circa mid-1950s. The large format quality we favored for our blog was chosen for its immersive properties. We wanted the past to come alive and to show you all just how much has been lost with ever increasing development, historical erasure and plain carelessness, but also to show just how quirky and eccentric many of our immediate ancestors were. Where possible we have included explanations for the images and in the process we learned a great deal about very niche corners of our recent history - and just how little we generally know about people and life from just over 100 years ago. It has been an enriching journey and we hope people who have followed this blog feel a little closer to the Victorians and Edwardians and homesteaders and flappers and dogs and cats and places captured on camera so many years ago. Much now is gone and only exists in these old photos.

In order to post this high resolution photography, we have since 2013 used a customized theme that allows large format to show on our website main page, which we recommend is accessed through a browser on a computer for a more immersive viewing experience. But thanks to Tumblr’s discontinuation of the legacy editor, this is no longer possible. The new editor they have forced down everyone’s throats (over the complaints of many) arbitrarily crops new posts and ruins the overall look of the website page. In short, it messes up the entire concept of what we have come to regard as a visual archive of the late 19th century and early 20th century. And while it still looks the same in the Tumblr feed, it’s the website most people outside Tumblr access and link to. This is our front page.

Regrettably it seems to be a trend among social sites to force unpopular changes on the people who create the content. They have become big and arrogant and care little for what users want. They keep “fixing” what isn’t broken by breaking them more. Twitter, Facebook, Instagram, Flickr, Deviant Art and now Tumblr have all gone through these self-destructive processes over the heads of their users and all have become worse platforms for it. 

However, even though we will no longer post new material here - at least for as long as Tumblr maintains the discontinuation of the legacy editor - we will leave the site up for people to peruse at their leisure. Our old posts are, as of yet, not affected by Tumblr’s changes and we simply can’t get ourselves to delete ten years of collecting and research. We recommend you make good use of our archive and hashtags. There’s a bit of most of everything in the deep depths of this vast collection which counts thousands of images by now. And you might just stumble on something really weird that you didn’t know about. 

At the time of writing this, Once Upon a Town has a total of 44,394 followers. We find that kinda impressive for a blog that doesn’t contain porn or manga. So here’s to all of you! We thank you for your interest and feedback over the years.

-OUAT

[cauliflowercounty]

Knives Dance (Part II)

Feyd-Rautha Harkonnen x fem!Reader

Summary: You and your father address your people to quell the seeds of unrest on Youra.  Realizing the resolute dedication of your people, Baron Vladimir begins to conspire against you and your homeworld, something you and Feyd will not take lying down when you put a plan of your own in motion.

Warnings: visceral imagery, more death, reader goes a little mental 

Word Count: 6.0k

Part I | Part II | Part III

Breaking your kiss reluctantly, Feyd looks around at the twenty some odd soldiers you’ve both just killed, exhilaration and admiration for you still coursing through his veins.   “I’m sorry to do this, but I must ask something of you, Feyd,” you say, looking down at both of your garments saturated in blood. 

“Anything,” he responds without a second thought. He knows he means it.  

“You must not let anyone know what I showed you or that I was fighting alongside you tonight.” You walk over and pick up your second blade that Feyd tossed away, strapping it back to your thigh along with the other one.  Next, you collect Ozran’s knife and hand it to Feyd. It’s light and flimsy in his grasp compared to your daggers, truly a laughable excuse for a murder weapon.  An animal being killed for supper deserves to be killed by a better blade than this. You fasten your cloak back onto your person, and it consumes your body again, making it seem as if you hadn’t just butchered half the dead around you. “These are my best kept secrets. You must say that it was you who killed all of our attackers.”

“Of course,” he replies, and you press a soft kiss on his lips in thanks.  As soon as he leans in to kiss you back, approaching footsteps become audible.  It’s your father, the baron, and a fleet of Youran guards with their weapons drawn.

“Let’s give them a little show, shall we?” you whisper against his lips. As soon as they come into view, Feyd feels you fall into his arms, spotting delicate tears collecting on lower lashes. He brings his arms around you, cradling your figure as you sink to the ground and begin quaking in his embrace, which makes his heart twinge. 

Your father calls out to you, aghast as he spots the dead bodies surrounding you and Feyd.  The look on your father’s face is as if he’s worried you might turn to dust. He kneels beside you, taking you out of Feyd’s arms and into his own. “We heard commotion from the castle and came as quickly as we could. Are you injured, my darling child?  What happened?” 

“F-Father, I am alright, ” you quiver, breath shaky as you lean into him.  “It was so scary, though! Na-Baron and I were on a nighttime stroll, and suddenly a poisoned dart flew out of nowhere and nearly hit me.  When we looked over to see where it came from, Ozran was approaching us with a wild look in his eyes.” You’re sobbing into your Father’s chest at this point, tear stains soaking into your father’s clothes, and Feyd cannot help but be impressed by your theatrics.  “Ozran said he was unhappy with our dealings with House Harkonnen. He meant to kill us to make a point, but Na-Baron courageously disarmed Ozran and struck him down. As soon as that happened, Ozran’s loyalists began to strike, but they were no match for Na-Baron.”

Hearing those words, Feyd sees his uncle lift his chin up in pride, delighting in the thought of Feyd emerging victorious over twenty, killing in cold blood. Your father lets out a sigh of relief, pulling you closer in his arms as he holds the back of your head.  “It’s alright, y/n. You are still alive, and Ozran cannot hurt you any longer,” he whispers before looking up to Feyd.  “Na-Baron Feyd-Rautha. I am most grateful. Thank you for saving my daughter from those criminals.  I am in your debt.”

Feyd sees his Uncle’s eyes glimmer with excitement.  Your father shouldn’t have said that.  His uncle never passed up an opportunity to prey on those indebted to the Harkonnens. Before, Feyd also enjoyed the manipulation of other peoples, but now that his uncle has his sights set on you, a growing sense of unease begins to build, and he can’t bring himself to look at his uncle. 

“It was my honor to fight for your daughter tonight,” Feyd replies. “I am glad I was here to protect her life, and I would do the same again.”

Your father brings you to your feet, your cloak still concealing your stained battle gear underneath.  You bring the back of your hand up to wipe away your tears, letting out a meek sniffle.  Feyd keeps trying to remind himself that what you’re doing is just and act, a way of protecting your secrets from his devious uncle, but Feyd’s chest continues to ache seeing you cry. If he had his way, nothing would make you shed a tear ever again.

“If there were this many attackers tonight, that means we have unrest on our hands. There are sure to be more of them.”  your father says, turning to one of the soldiers. “Call the citizens to the castle, and prepare the thrones.”  

“Yes, My Lord,” the guard says, turning on his heel and hurrying away, and Feyd watches as he disappears.

“I do hope this does not mean the marriage will be called off,” Baron Vladimir interjects with a leading stare at your father.  Your father shakes his head straight away. 

“Of course not, Baron.  I value our alliance.  We will handle our people. I assure you, the marriage will happen on Giedi Prime,” your father says as the sound of a horn reverberates across the island nation.  “Would you be present for the address tonight?”

His uncle obliges, and the guards guide everyone through the winding hallways.  After a few minutes, they exit the fortress through another set of doors, and the group emerges onto an enormous stone platform overlooking an open basin lined with towering columns. Two grand thrones stand in the middle of the platform: one for you and one for your father.  Instead of stone like their surroundings, they’re made of thick, twisty branches of a rich, dark wood that have grown into the shape of chairs.  It’s almost as if these chairs were borne out of the very nature on the island.

Feyd looks down to the land below the platform.  People are quickly gathering below at a remarkable rate.  He sees citizens emerging from all directions from the surrounding mountain range.  Multiple cable cars whose lines stretch from inside the forest to the basin approach. Light shines outward from the compartments, and Feyd sees they’re positively filled with people. When the cars meet the ground, the stained glass doors open and people flow out and into the crowd while others run across the wooden bridges out from under the trees. 

Your father beckons all of you forward once the crowd has amassed.  When you and your father come into the people’s view, there is a roar of cheers.  Feyd sees people start to raise their hands and clap for you as the crowd begins a melodic chanting of “House Ronen!  House Ronen!”  The way they rally for their leaders is earnest and true, a sight to behold. 

You take a seat at your throne as your father does.  You gesture to Feyd to come stand behind your chair and the baron floats beside your father’s throne.  When the crowd spots the Harkonnens, some of the cheers turn to murmurs, which rumble through the group as more people begin to whisper to one another.  Your father raises his palm to the people, and they fall silent.

“Thank you, my dear friends, for coming at this hour.  I would not have called you if I didn’t think it was important,” your father’s voice booms.  “We have something very important to tell you tonight."

He gestures over to you and you rise from your seat and step forward, once again holding your cape closed.  The armed guards advance on the sidelines, holding their weapons at their sides to protect you.  You pause and gaze out at your people before centering yourself, holding your head high with poise appropriate for a lady of your stature. 

“I would like to echo my father’s thanks for your time and presence,” you begin, your voice collected and commanding.  “Not an hour ago, there was an attempt at my life at the Pools of Ashora.” A wave of disbelief propagates through the crowd.  Some cup their hand to their mouths and others begin to whisper to their neighbors. A few let out roars of anger, but Feyd swears he sees a few snigger at the news.

 “Twenty men led by researcher Ozran Neyru ambushed me and Na-Baron Feyd-Rautha Harkonnen tonight.  As you can see, the endeavor to end my life was unsuccessful. During the attack, Ozran told me he and the others were motivated because of my upcoming marriage to Na-Baron Harkonnen, that their belief is I am betraying our ideals by allowing the House of Harkonnen into our circle.  I do not doubt there are others that feel the same as him, and I have come to offer you an explanation, which I feel you all deserve.”

There are nods through the crowd.  Some seem undeniably compelled with your speech while others cross their arms with skepticism. You glance over to your father, gestures with his hand for you to proceed. 

“I have lived on Youra all of my life.  It is my homeland, and a place I care deeply for. When I was seven, I drank from the sacred pool on top of our great mountain, and when I was sixteen, I had my own Rite like each of you.  I know what being Youran is because I have lived it from the moment I took my first breath. I’ve grown up knowing our stories and our traditions, and I love the society we’ve been able to build.

“Looking out upon you tonight under the glow of the lanterns, I think of the tale of Zeyred, who was the first to release lanterns at nighttime to guide the souls of our departed to their final destination amongst the stars after he mistook a shooting star for the soul of his dead mother.  Zeyred used what he thought was the truth and created a wonderful tradition in order to help loved ones on their final journey.  Since then, we have left behind the notion that souls go to the stars once life is over, but we still release lanterns every night to pay our respect for him and the Yourans of his time.  It reminds ourselves of where we come from.” 

Feyd sees an air of nostalgia wash over the crowd and a few clutch their hearts, admiration growing in their eyes as you recount the traditional Youran folktale. 

“This practice of using truth for the betterment of others is ancient, but it still remains the lifeblood of Youra today. By seeking truth in our collective research, we’ve developed elixirs that have eliminated diseases that have historically killed many. We’ve found ways to protect our crops from failure. We’ve made advances in engineering to improve our ships and travel around our planet and beyond, broadening our quest for knowledge. By following truth, our quality of life on Youra has improved because of the choices our predecessors have made more than any of us alive today will ever know or appreciate.  We’ve found countless ways of providing for and protecting others.”  Mumbles of agreement echo from below. Some nod their heads to one another. The citizenry is certainly taking to your argument, and Feyd is in awe of your eloquence and composure. 

“Tonight, I have witnessed an undeniable truth: the prowess of House Harkonnen. I have seen strength, valor, and loyalty in Na-Baron Feyd-Rautha, without whom I would not be standing here in front of you. As a woman of Youra, I put my faith in what is real, which is why I am putting my faith in the House of Harkonnen.

“This union is not a departure from our ideals.  If anything, it is a commitment to them. It is my way of protecting you.  It will strengthen our society by putting us under the wing of the greatest major house and those we care for is simply getting a little larger. I have made this decision for the betterment of all of us. I ask you to join me in the celebration of this union when I depart for Giedi Prime.” 

The crowd erupts in cheers as you let out gasp in amazement at the overwhelming support by your people. Even the soldiers around you raise their weapons to the sky in support. You bow to your nation, thanking them for their time.  Some of the people in the crowd begin to chant Feyd’s name, thanking him for saving their beloved Lady, which catches him by surprise. Your father claps at your address, and Feyd joins him in applause, commending your efforts.

The people are dismissed and the Youran soldiers guide Feyd and the others back into the castle. As the group is safely indoors, you grasp one of Feyd’s hands on your own and press a kiss on his closest cheek and lean in to whisper “Thank you, Feyd.”  

As you pull back, you and your father bow to the Harkonnens before you return to your quarters, still encircled by guards.  Watching you disappear behind a corridor, Feyd notices his heart longing for your company. He thinks of the way you two moved in perfect sync during your fight.  The fiery look in your eyes during the battle was thrilling to behold. His mind lingers on you as he reminisces about the feeling he had of bolts of lightning shooting through his veins when you kissed him.  Just as soon as he's entranced, he’s ripped out of his fantasy by his uncle’s fingers clenched around his shoulder.

“Come,” his uncle orders, and Feyd follows as they return to the guest wing of the fortress.  The walk to the guest wing is eerily silent.  All that can be heard is footsteps and the gentle whirring and occasional clicks that come from his uncle’s medical contraptions.  His uncle beckons him into his own quarters after the guards bid them goodnight.  The baron floats into the room while instructing Feyd to close the door behind him.

This guest suite is an exact replica of the one Feyd is staying in. The walls are covered in painstakingly crafted tapestries and the furniture is made of a red-brown wood with a bold grain that looks like billows of smoke. An entire wall is a floor to ceiling window that leads to a balcony which overlooks the ocean.  The soft reflection of the moonlight from the water’s surface streams through the window, illuminating half of the baron’s face in a stark white light while the other is cast in a sinister shadow. His uncle calls Feyd closer, and he obeys. 

“Well done, Feyd,” is the first thing his uncle says to him in a low voice.  “The Yourans may still be outside, so we must be quiet.” Feyd nods to his uncle in understanding as he notices his uncle’s unbridled grin, the one he only has when he’s plotted something truly heinous.  “The Yourans are weaker than I ever imagined.  I knew they were a society of wisdom, but I never expected them to leave themselves so… vulnerable.” The baron’s eyes are now ablaze with savagery. Saying the words out loud has lit the flames of cruelty that burns in his soul. “The fact that you killed twenty of them in the time between us hearing the attack and arriving in the courtyard single handedly is a true testament to their sheer mediocrity.  I shall reward you when we are back on Giedi Prime.  How about another mistress this time? I will ensure she’s properly broken for you.”

I don’t want your praise. I don’t want your gifts, Old Man, Feyd thinks, resisting the urge to grab ahold of his uncle’s neck, strangle him, and feel his trachea shatter under his thumbs.

“I was originally frustrated at you, Feyd.  I wondered why you simply didn’t allow them to kill her, but you’ve done well, despite your lack of foresight. We will not have to take the planet by force. Now we have a way to win over the people of Youra, and they will soon be ours. Lady Ronen is foolish.  She thinks their principles will keep them safe, but their dedication to their values will be their downfall.”

Feyd conceals his clenched fist from his uncle’s view as he collects himself.  He must not be rash.  Instead, he suppresses his emotions, and he asks his uncle “What are you proposing?” 

“We take her to Giedi Prime, and once the marriage is sealed, I want you to kill her.”  Those words make Feyd’s blood run cold. Kill you?  After everything that’s happened? After the fear of losing you had already struck his heart once today? Feyd will not allow it.  “We shall tell them it was natural.” The Baron continues with a venomous tone. “…and that it was her dying wish for her people to honor our alliance.” The baron grins, bearing his inky, black teeth.  Frightening images of your dead body crumpled on the glossy black floors of Giedi Prime flash in Feyd’s mind with your beautiful eyes blank and unseeing, which makes his head begin to spin. “You saw how they rallied around her tonight. They are so dedicated to her that they will honor her wishes even in death. The planet Youra will be ours, Feyd. We will take the bounty of their work to Arrakis where we will kill Muad'dib, and the House of Harkonnen will emerge victorious.”

With that, the baron shoos his nephew out of the room.  On the other side of the door, Feyd balls his fists and clenches his teeth so tightly it’s a wonder they haven’t cracked under the pressure.  Instead of returning to his quarters, he walks through the corridors of the palace straight to yours, trying to hold his breath steady as the bile within him threatens to pour over.  Outside of your room, there are armed guards keeping watch over the entrance.  One knocks at the door when he requests to see you and slips inside once you permit the guard entrance. 

Moments later, you emerge at the door. You’ve cleaned up since he last saw you and you’re no longer in your cloak and battle gear.  Instead, you wear a light, flowy nightdress that hugs your waist and reflects the moonlight exquisitely. You reach out to Feyd and bring his hands together near your chest.  Feyd’s heart skips and you raise yourself up on your toes to kiss him in earnest.  He sighs into the softness of your lips. Having you so close and being graced by your touch is one of the greatest privileges he has ever received. As you break away, there’s a look of concern on your face.

“Would you like to come inside?” you ask him softly and he nods.  As soon as he enters, you close the door and lock it behind you.  He lets out a frustrated hiss, finally able to express his frustration as he sits down in an armchair chair and rests his elbows on his thighs. He his head in his hands in frustration. “What’s wrong, Feyd?”

“My uncle is plotting.  He wishes for me to murder you after we wed. He thinks you weak and your people impressionable,” Feyd seethes, closing his eyes and running his hands along the back of his neck.  “I couldn’t ever bring myself to do that to you, but I know my uncle.  If I don’t do it, he will have someone who doesn't care for you like I do carry out the deed instead. He plans to take control of your planet and your people when you are gone.”

For the first time in years, Feyd feels like he’s on the verge of tears, something that the baron had him beaten for until his bones shattered when Feyd was a child.  He has only just found you.  You’ve begun to heal his heart and put the light back in his eyes.  You’ve shown him unwarranted kindness and let him bask in your affections.  You’ve given him someone to fight for, and just as soon as he’s found his salvation in you, it’s about to be taken from him.  Bringing your thumb up to his cheek, you wipe the small droplet that threatens to spill over away.

“Do not worry, my love,” you whisper to him, taking the opportunity to gently nuzzle his neck, and he sinks into your embrace.  “Please dry your eyes.”

“We have to get rid of him. We need a plan,” Feyd says with conviction, and you nod. As he looks up at you, his worries seem to fade when he senses your fortitude.  You support his cheek with your delicate touch and stare into his eyes.  Behind your irises he sees a glint of devilishness. 

“I know of a way, Feyd.  We’ll silence Baron Vladimir, and in the end, we will install you as the ruler of Giedi Prime. You will be Feyd-Rautha, Baron of the House of Harkonnen.”

–

The people of Youra come to see you off in droves as you depart for the wedding. Everyone is dressed in their very best as they watch you precess toward the Harkonnen vessel accompanied by your father, the baron, and your bodyguards.  Some parents have brought their children to catch a glimpse of you as you depart, the young Yourans perched on their parents’ shoulders to get a better view of you.  You wave to them, and the children smile excitedly when you acknowledge them. Feyd marvels at your people's continued love and affection for you as he offers his arm to you. The Baron glances over to Feyd as the citizens cheer for you, nearly drooling at the prospect of dominating this society. Feyd looks away from his uncle as you take his arm, his determination rising. He will not permit his uncle’s scheme to go to fruition.

Under Giedi Prime’s black sun, the wedding proceeds as planned by Baron Vladimir.  The entirety of Giedi Prime’s populace gathers to watch the union of Na-Baron Feyd-Rautha and the Lady of House Ronen. You wed each other in front of the crowd for all to see, wearing Harkonnen garb next to the baron and your father. Feyd cannot look away from you.  You are beautiful in every way.  The dress seems to hang delightfully on every curve of your physique. The long sleeves that extend just beyond your wrists conform to the shape of your arms perfectly. The rectangular cutout filled with sheer mesh placed perfectly over your breastbone is something Feyd cannot help but stare at.  The splendor is so befitting of your stature, and all he can think of is him and his Baroness ruling Giedi Prime together one day. 

You and Feyd each receive a necklace of dark stone plates from his uncle, marking your marriage.  Feyd grasps your body firmly as he kisses you, his mind consumed with you and you alone as he cups your waist. You are finally his to have and to hold, and how wonderful that is to him. The crowd chants for Feyd when he raises your intertwined fingers for the crowd to see.  The people exalt him, and the baron smiles from the sidelines as the alliance is sealed. 

During the celebratory banquet, you and Feyd make careful effort to keep you away from the baron, lest he has other plans for you.  The night goes on, the fireworks inky in the air and Harkonnen music playing to the late hours.  As the lights fade and the diplomats go home, you bid your father goodbye, promising you will return to Youra soon. As his ship disappears into the night, Feyd comes to stand next to you. It’s almost time. You’ve been summoned to the baron’s personal chambers. You and Feyd walk in silence to the baron’s room through the empty halls.  Outside the door that separates the two of you and the baron, there are no guards. 

“It’s a trap,” you mouth to Feyd, careful to not make any noise.  He gives you the smallest nod in agreement.  Luring his victims into a false sense of security is something the baron always loved to do.  Once they thought they were safe, the baron would turn their relief into agony and despair, relishing the emotional differential, torturing them until they begged for death after which he would oblige. Luckily, you and Feyd both know better, and you’ve come prepared.

Together, you both press one of your palms on one of the double doors and push them open. The room is inky black inside, only lit by horizontal strips of lighting.  In the center sits the baron in a tub of viscous black sludge. Proceeding slowly, Feyd sees you mark every object in the room, creating a mental log for yourself.  Nobody else is in the room.  It’s just the baron in his tub. 

“Welcome Feyd and Na-Baroness,” the baron says, taking a puff from his pipe as he leans backward in his tub. You both approach him, but are careful to distance yourself from the tub. “I wanted to congratulate you both on your marriage.  Our people seem quite enthralled with you, na-Baroness,” the baron comments before clicking his tongue and taking another huff. “I- We wanted to present you with a gift to welcome you to our House.”

The Baron gestures for Feyd to come closer, and he obeys as the baron extends his arm to gesture at a black box that sits near the edge of his tub. The Baron raps his fingers on the box once as his eyes maliciously dart between it and Feyd. Feyd knows what this box is.  Inside are his poisoned knives.  As Feyd looks at the box, he can hear his uncle’s voice from the night on Youra in his mind: “Kill her!”  

Looking back toward the doorway, two Harkonnen soldiers, armed with the barbs they use to subdue slaves in gladiatorial fights, have silently entered the room with their weapons drawn.  Their stances are wide.  When they step, they shift side to side, using the outside edge of their feet to make their footsteps barely audible. They approach you from behind, but Feyd knows you’ve already sensed them when your eyes narrow and your spine straightens as you moderate your breathing.

“Now!” the baron bellows to the soldiers, who throw their hooks at you, aiming for your shoulders.  With the greatest of ease, you duck downward, allowing the prongs to soar over your head and clatter on the floor at the base of the tub.  You grasp the lines the soldiers are holding in your hands.  Standing back up, you twirl and swing one of your legs up and around the lines attached to the barbs. Using your foot as a hook, you force the lines downward and towards yourself, and the men topple over in their place as the lines are tugged toward you. They yell out in shock.

Feyd sees his uncle’s face contort in horror as he is frozen and at a loss for words. Clearly none of the three were expecting any resistance from you to be successful. You yank the ends of the barbs toward you and wrap your hands around the long rods. Dashing toward the entrance of the room, you make contact with one of them, killing them with a single blow before they have a chance to react.  The other one whimpers in fear, watching his comrade fall before attempting to scramble back to the entrance on his hands and knees.  

“FEYD, DO SOMETHING!” the baron hisses as you strike down the other who only makes it a few feet before your weapon collides with the back of his neck.  The second barbman falls to the ground, motionless. Feyd opens up the case and takes his knives out, holding them steady at his side.  As he approaches you, Feyd’s eyes flicker to the side toward where the baron lays in his vat of ooze, directing you to bring the fight closer to his uncle.  Your gaze intensifies, and you lower your stance, using the sharp edge of each barb to cut the lines away.

“Let’s dance, my dear husband,” you coo at him as you raise your weapons and rush at each other. The shrill sound of metal clashing fills the air.  You both know each other’s moves now.  As one attacks, the other easily parries, neither one of you coming close to inflicting real harm. Feyd feels the tingling of excitement in his soul.  Fighting with you before was exhilarating on Youra, but this is something else. He can finally see your beauty in all its glory.  The way your body contorts like an acrobat as you dodge and counter flawlessly. How your brow furrows when you take on one of his blows with impeccable form is a sight to behold. You are nothing short of a miracle. 

From the tub, the baron bellows, “Kill her, NOW!”  You and Feyd continue, circling around the tub so that you come closer to the baron.  With a signal to Feyd and one swift move, you knock baron’s hand closest to his control panel away, preventing him from calling for help.  The Baron gasps in surprise. You couldn’t have known that’s where the controls are unless you were told. The realization dawns on him too late; he feels the sting of Feyd’s blade on his neck. He looks up at his nephew in horror.  

Feyd drops his other knife and uses his free hand to force his uncle’s mouth open. The Baron chokes and gasps as the nephew he has groomed into a ruthless monster turns on him. The Baron tries to tell Feyd to unhand him as a desperate last effort as he struggles in the tub, but Feyd’s grip on his uncle is unwavering and only gets rougher. Feyd’s mind is ablaze.  This is his revenge for plotting to kill you and for a lifetime of abuse at his hand. 

In the past, Feyd revered his uncle, admired his iron grip on Giedi Prime, and thought that the baron was what he should aspire to be, but Feyd sees the truth now, looking down at his uncle writing in his grasp to no avail.  His uncle is and always has been pathetic.  It takes all the strength Feyd has in himself not to crack his Uncle’s neck right there. Feyd quells his impulsiveness. The plan must proceed as you arranged.

You approach from behind and stick two fingers in the baron’s mouth, stretching his cheek out as far as it will go.  The baron whimpers as he spies something stirring under your sleeves.  It circles down your arms and out from under the black fabric.  It’s a black centipede with thick, glossy armor.  It must be half the length of your arm, and the baron’s eyes quiver as it crawls onto the back of your hand and into his gaping maw. He chokes as the legs scuttle and scratch at his tongue.  The creature forces itself down his esophagus. The baron feels the creature thrash, and he can almost hear the chitin armor clicking against itself from within him as he chokes on it.

“Don’t move,” you tell the baron with a dark smile.  The baron’s fear is thick and palatable in the air.  “She won’t like it if her host moves too much.” You remove your fingers from his mouth and recoil at his saliva. “What shall I have her do first?  Maybe I’ll have her paralyze your vocal chords so you don’t go blabbing to anyone?” Your victim looks at you in desperation, but you tisk at him before letting out a rhythmic series of clicks through your teeth. The Baron feels the head of the creature wriggle inside of him back up into his throat.  The Baron coughs.  Gasping out in pain, he feels a searing pinch. Then the inside of his throat begins to burn. The centipede has clenched its jagged pincers around the inside of his throat. “Isn’t she so well trained, Baron?”

You lean down to the baron and hold his head in your hands so that you’re looking directly into his eyes, which are bloodshot and tearful.  “You pitiful man, you thought you could kill me?” you whisper to him as he tries to call for help, but no comprehensible sound comes out. “Let me tell you a secret: I am more than the damsel in distress you think I am. I fought alongside Feyd that night.  I even killed half of them. You shouldn’t have underestimated me or my people.  We may be caretakers, but once those we love are threatened, we will not rest until we have our revenge.  Now, you shall die a slow, painful, unceremonious death alone in a hot vat of black slime for your arrogance.”

You and Feyd release the baron from your grip. Allowing his body to sink against the edge of the tub.  The baron sputters, as he begins to convulse.  The venom is beginning to take hold.  Soon it will affect his whole nervous system and shut down his body entirely.  You and Feyd leave him there to rot as you deal with the bodies of the barbmen.  In the early morning before anyone is awake, you collect the centipede from the baron in his tub. His body is twitching ever so slightly, but there is no hope for him.  You hide the creature in your dress again, whispering small praises for a job well done and leave the room. 

By midday, the Harkonnen attendants are growing concerned that they have not heard from the baron, a servant opens up the doors to the baron’s chambers, finding him lifeless in his tub with empty eyes staring up at the ceiling with a single tear stain on his cheek.  The top doctors on Giedi Prime are brought in to perform an autopsy. They say he died of natural causes, unable to identify any trace of the centipede's presence.

The news spreads quickly about the baron’s passing, and you and Feyd put on a brave face for House Harkonnen.  The funeral procession is quickly organized. The people of Giedi Prime hang their heads, mourning the sudden loss of their dear leader as you and Feyd precess through the city alongside the coffin to put the baron in his final resting place. Feyd makes a speech, praising his uncle for his leadership, secretly relishing his death.

You put up large flags with the baron’s face on it throughout the land, shrouding the architecture in even more dark fabrics, hang a portrait of him next to the other past Harkonnen leaders in the hallway, and order a monument to be built in his honor. Nobody suspects a thing.

A month after the death of Vladimir Harkonnen, you and Feyd stand in front of the citizens of Giedi Prime in your best clothes again as one of the Harkonnen advisors announce your new titles: Baron and Baroness Harkonnen. The crowd chants for the both of you with zeal, grateful to have leaders again.  

The next morning, Feyd smiles as he opens his eyes and sees you sleeping peacefully, your head resting on his chest as you unconsciously run your fingers over his muscles.  He hopes you’re dreaming of him because you were most certainly the subject of all of his fantasies last night.  He tilts his head down, pressing a soft kiss on the top of your head.  He knows his next job is dealing with the Fremen attacks on Arrakis now that he is Baron Harkonnen.  Instead of concerning himself with that, he chooses to close his eyes again and pulls you in closer. That job can wait. For now, all his thoughts are consumed by you as they should be. 

--

Thanks for reading!

Part III OUT NOW!

Taglist:

@austinbutlerslovers

[kamehamehamlet]

The Tumblr reblog sensation is returning. But like the Sayians or Shakespeare’s folios, it has the potential to develop in many forms.

Visit kamehamehamlet.com to be notified when we have more details.

Follow this blog for a peak behind the curtain.

And read on to learn more about the show, how we got here, and where we’re going.

Thank you for waiting just a little bit longer.

Revival Project Q&A

Who are you?

Hi! I’m Daniel Cole Mauleón (@writepictures), the writer of Kamehamehamlet. In 2015 I co-founded the theatre company Play-Dot Productions with KHH’s director Shalee Mae Cole Mauleón.

What is Kamehamehamlet?

Kamehamehamlet: Good Night Saiyan Prince, was an hour-long one act play, performed during the 2015 Minnesota Fringe Festival. It’s a staged retelling of Vegeta and Freeza’s battle on the planet Namek. Marketed as a Dragon Ball Z and Hamlet mash-up, the parody quickly shuffled off its weighted gi, revealing it was actually a Waiting for Godot spoof. After five performances, Vegeta hung up his helmet of spiky hair. Seven years later, K (@amokslime) wrote this incredibly gracious post on Tumblr, which inspired two people to reach out to me via Reddit to ask if I had a script or a recording of the performance.

I want to pause the semi-marketing voice and say a heartfelt thanks to K. Kamehamehamlet was brought to life by an incredible team of artists during a summer I’ll never forget. We got laughs at jokes, gasps at fight choreography, and we broke even on the budget (a Fringe miracle TBH). K’s post gave me the chance to revisit that show through someone else’s eyes. The mix of pride and humility it stirs up is truly indescribable.

If there is art which has changed you, and especially if the artist is still alive I encourage you to non-intrusively share that with the artist.

Is there a copy of the script?

Yes, I’ll speak more about that at below.

Is there a recording of the performance?

There was, but I genuinely lost the files. And that’s for the best, honestly. It was a last-second attempt, filmed from two cheap cameras (with different qualities and resolutions!), both at bad angles and with truly awful audio. Trust me. It’s better this way.

That said, I do have other archival footage from rehearsal's, tech, etc. that I look forward to sharing for those curious.

What’s next?

This is the question I’ve been asking myself over the past year and the reason it took so long to post anything. Especially since one thing I want to do differently this time is make sure that any artists involved are meaningfully compensated for their time and skill. However, I can’t plan without a better estimate of what kind of support we would have, and I didn’t want to share our intentions without concrete details.

Right now, the best way you can support this project is by signing up for the announcement on kamehamehamlet.com.

The second best thing you can do is to share with others about this project, if I’ve learned anything reading through the comments on K’s post, it is that there’s a much bigger audience for KHH than I could have ever imagined, and you likely know at least one more person who would be interested.

And while I don’t want to promise anything I can’t deliver on, I will share that I’m planning on making the script available this year and I’ll be writing a separate post about that in near future.

If you’ve read this far thank you so much.

Photography by Ann B. Erickson. Vegeta is played by McKenzie Shappell. Freeza is played by Cayla Marie Wolpers. Costumes by Sarah Noel Simon.

[breeyn]

An essay rebutting the “bad writing” claims of s2 ofmd. Spoilers herein.

I’ll preface this with saying you’re obviously allowed to like and dislike whatever you want. I am in no way opposing that. And your reasons are your reasons. Have at. (Also - this is a collection of observations from the past few days, I’m not calling anyone out)

I AM going to rebut the idea that season two was poorly written and lost the spirit of what the show is about.

My favourite movie of all time is Empire Strikes Back. It’s been my favourite movie since I was four. I’m pretty sure it’s a fave of David Jenkins, too. He and Taika have made absolutely no attempt to hide their love of all things 80’s - Prince, the Princess Bride, Kate Bush, Star Wars, etc.

I have ancient video tapes (that I can’t play because who has a vcr) where Lucas is interviewed by Leonard Maltin? Malkin? I dunno. Who cares. Maltin asks him about the Star Wars (original trilogy) story arc. Lucas says “in act I, you introduce all the characters. In act II, you put them in a situation they can’t get out of, and in act III, they get out of it.”

That’s how it works. This is how stories and literary structures work.

Of course you’re not satisfied with season two. You’re not supposed to be.

The arguments I have read on why s2 loses the spirit of s1 is because no one heals. No one learns anything. No one moves forward properly. The person who makes the biggest move towards healing dies. The two main characters end the show doing the exact fucking thing they had promised themselves and each other they wouldn’t do. Our romantic lead still doesn’t understand his value or make any headway on addressing his tragic flaw. It makes no goddamn sense.

My gremlins in weird: it’s not supposed to. In Act 2, EVERYONE LOSES. This is how it goes.

I’ve read a lot of people saying “but this felt like a series finale, not a season finale.” We all know that outside politics play a part here, the strikes make everything precarious. I remember the last writers strike. It destroyed tv for fifteen years. Anyone remember Pushing Daisies? Some of y’all have never had your fave show cancelled with zero resolution for the characters and it shows.

Daddy J did us a kindness. He softened the blow of a tough season. After the brutal cliffhanger of s1, he gave us a little softness and hope. All those things you’re mad aren’t resolved? It’s because THE STORY ISN’T OVER.

No one on earth thinks “stuff all your trauma into a box and ignore it” is good advice. A way to actually live. This show did not have enough screen time to throw out dialogue for no reason. There was foreshadowing in s1 for s2, and there is foreshadowing for s3 in s2. This is a well-crafted story by very smart people who care very much for these characters. There is zero chance Frenchie explained the box in his head for no reason. The reason people have not resolved their trauma and growth is because they haven’t done it *yet*.

And friends - it’s not thinly veiled. They straight up fucking tell us what they’re doing.

Luke Skywalker spends the first two movies fucking up and desperately trying to prove himself and just generally being an idiot. Sound familiar? He ignores the lessons he is supposed to be learning to go off and do what he feels like doing, and loses fucking badly. At the end of Empire, Han is gone, Luke and Leia wave goodbye to the Falcon that has Lando and Chewy - the rest of their crew - aboard. Everyone has lost everything they care about. Vader is undefeated. Yoda is pissed. Nothing is resolved.

You see where I’m going?

If you think I’m stretching this too far, welp, when Ed tells Stede he loves him - the climax of the finale - Stede quotes Han fucking Solo. Like - *it’s right there*. The story structure. The reason everything is unresolved.

So yeah. They wave goodbye to their ship because they have wounds to heal (like Luke’s hand). The people aboard the ship have things to find. Ed and Stede have *not* learned their lesson about whims and how not to be like Anne and Mary. It’s not stupid that they’re doing the same thing, and it’s not pointless that we were shown Anne and Mary. It’s all relevant.

The resolution comes in Act 3. None of these people are done. The story is far, far from over. And just in case the studios want to be dicks about it, David Jenkins was lovely enough to not repeat my enduring heartbreak over Pushing Daisies.

Thank you, @davidjenks 🖤

[greenmp3]

what i use: potplayer for capturing frames photoshop cs6 (can find it for free here or in other links on the tag) qbittorrent torrenting sites (this, this, eventually this) sharpening action arial rounded mt bold for subtitles

assuming you know how to torrent, if possible download what you want to gif in 1080p or the highest possible resolution etc etc

frames

open video in potplayer, go to the moment you want to gif and go back a couple frames (10-20) from when you want your gif to start (i usually just spam press D a bunch) (to see which key you have to press to go back on frames, right click > jump (to) > previous frame

now press CTRL+G or open frame capturing through right click > video > video capture > capture consecutive images...

my settings for capturing frames

(important to turn off subtitles before doing this or they'll be captured on the image too)

the folders i save it to -> i created a bunch of frame folders that i fill up since the way frames load in my photoshop require me to load an entire folder into it. so i capture an entire gifset's frames into one folder and then load up the entire thing

press 'start' on the consecutive image capturer, then start playing the video (best to mute it since the video might start playing slower), wait until the part you want to gif is over and stop the video, press CTRL+G again to stop the capturing

2. photoshop

depending on your photoshop you can either 'load files into stack...', which opens up a folder and you can manually choose which frames you want to load, or 'load multiple dicom files..." (what i have to do), where you select an entire folder to load its contents into photoshop

once you do either of those things, you got this

now click 'create frame animation' on the bottom

now we click on the three bars and 'make frames from layers'

!! if you loaded up frames with 'load frames into stack...' at this point you also have to click 'reverse frames' since they load in reverse order with this method for some reason

now we got our frames on a timeline and delete anything you dont want in your gif. if you have frames for multiple gifs on the timeline, go to image > duplicate and duplicate for however many gifs you got and delete the unnecessary frames from each one

crop tool, type in dimensions up top (in accordance with tumblr's dimension graph, so if you want a wide gif like the one on the top of this post keep it 540px). i usually crop my gifs to between 540x400 and 540x500. once centered on how you want to crop, press enter or double click on the image to crop

press ALT+CTRL+I or go to image > image size... to resize

open the actions tab if you don't have it already open, go to 'load actions...' and find where you saved the sharpening action you downloaded from the top of this post

i only use "all in one (sharper)" and "convert to animation (frames)", but unchecked the "canvas size" option on the latter one since we resized the gif ourselves

select 'select all layers current layer' on the action (the other steps we already did) and press play

our gif frames will turn into a group so now go to "convert to animation (frames)" and press play again

this will pop up at the end, leave it at 0.05 (maybe 0.06 if the gif is going too fast)

if we were to export the gif now it would look like this

now comes the coloring, which is personal preference. the reason i chose hannibal for this gifset is to show the white balance tool that works great in tinted scenes

open a 'levels' layer and selected the bottom eyedropper. then click it on a place on the gif that should be white but isn't (i clicked on hannibal's shirt collar). the gif coloring will change accordingly

then pick the top eyedropper and click on anything that should be black but isn't (you can click on multiple places and see how the color changes, keep trying until you find one that looks good)

the coloring difference with just those two clicks

and then the coloring is up to you, i usually just add more levels layers and color balance

here's all of the layers i applied to color this

VERY IMPORTANT to get into the habit of selecting those two thingies on each layer you apply (on the subtitle text layer select all three) so that the coloring stays the same on all frames

difference

+ subtitles settings using the text tool

shadow and stroke to make your subtitles readable

saving the gif. click ALT+SHIFT+CTRL+S or go to file > save for web... here are my settings

that's it

[meownotgood]

cpr. / dan heng x gn!reader, fluff, soft kisses, dan heng teaches you how to do "cpr" (poorly)

I want to teach you the basics of first aid. Come to my room as soon as possible. 

That's it. 

There's no, Would you like to come to my room? or, Learning first aid would be helpful for you, what do you think? Dan Heng is just as to-the-point as the first time you met him, and even though you try to pretend like it gets on your nerves, huffing your complaints to March and texting back an annoyed K, you still find yourself shuffling over to his quiet room on the Astral Express the moment your phone pinged you with the notification. 

You're silently thinking to yourself as you make your way there, rounding the hallway as slow as you can to give yourself a few extra seconds, or possibly to make Dan Heng wait for longer — or maybe it's both. 

Yet despite how much you ponder, even though you've known him for long enough to start understanding him, you can't decide if he's so direct because he's just that way with everyone, or if it's because he knows you'll always listen. 

Upon entering, his cabin looks the same as it always does: books strewn about and left open on important pages, glowing circuitry lining every wall, his bed unmade, pillow askew, blanket balled up in the corner. When you step in and slide the door closed behind you, he doesn't bother to look up from where he's sat cross-legged and hunched over a data screen, he simply pats the floor next to him with his palm and cocks his head to signal you to come sit down. 

"You almost got yourself killed on our trip to Belobog. Multiple times." Dan Heng explains, tone stern and resolute, not exactly rude, just matter-of-fact. Your knees knock his own once you've settled next to him. Your heart stutters a bit at the proximity, but he doesn't seem to mind. While he speaks, his eyes never stop scanning the screen. 

"We'll reach the Luofu soon, and I won't be coming with you. My biggest concern is you not knowing what to do in an emergency." He turns towards you finally, sharp and serious gaze meeting yours. "I'm already not excited about this, but I'd feel better if you let me run you through a few exercises." 

"I'll be alright. Don't worry about me. I know enough. I think." 

Dan Heng stares back with narrowed eyes and with his arms crossed over his chest, unconvinced. 

In a moment, he pushes himself to his feet, walking over to the desk and rooting around its contents, all while completely disregarding your last statement: "I'll lend you a first aid kit. If we start now, I should have enough time to teach you everything you need to know, mostly everything. I'm serious about this, so please try and pay attention. For your own sake." 

Right. That's fine. You can handle it. You're a pretty fast learner, you think. And thankfully, mostly everything consists of things you already sort of knew or techniques that are relatively simple to comprehend. 

Dan Heng walks you through the steps to bandage a wound — He holds your arm gently as he's showing you the proper way to wrap it, pulling on the bandage tightly and then softly, idly rubbing circles onto your skin with his thumb. 

How to treat a fractured bone, what to do if someone is choking — Dan Heng wraps his arms around you and shows you where to place your hands, resting yours on top of his in the center of your stomach. His chest presses flat against your back, his hair tickles the side of your face and you almost miss when he says into your ear, "Shove forcibly right here, and keep going until… Are you listening?" 

"Yes," You answer. "Er, sort of." You rectify. 

Dan Heng expels a heavy sigh. Right then, you half expect him to give up and kick you out, but instead he holds your shoulder and shifts back, he mutters a barely audible C'mere and guides you to rest your head squarely in his lap, leaving you laying down and peering up at him. 

He admits honestly, "I'm worried about you. If something were to happen to you there, I mean I trust everyone to look after you, but…" 

It isn't like him to trail off. "But what?" 

"But you need to know how to take care of yourself."

Shifting his hand underneath you, he props your head up further with his arm, the metal of his bracer firm on the back of your head. "For now, I'll teach you how to perform CPR. Pay attention to what I do. After this, we'll be done." 

The room's silence seems to stretch on. The endless hum from the systems and analyzers echoes in your ears, your heart pounds in them even louder. Dan Heng brushes his nimble fingers over your chest, right between your ribs, as his eyes scan your face they start to take on a certain sort of softness. 

He composes himself with a sharp breath out, a deep breath in. And then, he's leaning close, too close, gripping your chin deft between his thumb and forefinger, tilting it upwards. You watch his eyes flutter shut and you follow his lead. 

Your heart continues to thump so hard you're certain he can feel it: once, twice. Warm lips brush your own, clearly hesitant, and it's nothing like the straightforwardness you've always been used to getting out of him. No, Dan Heng seems nervous this time, and as he connects with you in an open-mouthed kiss, his hands getting sweaty, warmth pooling in his chest, he can't help his mind from becoming a total mess. 

He isn't thinking all of the sudden, isn't considering any of the consequences, like he's always tried to do. Your lips are on his, he didn't lock the door; he nearly forgets to breathe a steady puff of air into your mouth once the tingling feeling and the heat rising to his cheeks commands all of his attention. 

Almost as quickly as he leaned in, he's forcing himself to tear away from you, his eyes opening slowly, his expression completely unreadable. 

"It's self-explanatory." He reasons, sure of himself, but you swear his voice sounds quieter than it did before. Any louder and he'd trip over his own words, "You got it, or do you need another demonstration?"

"Show me one more time. Just in case." 

If anything were to happen to you, if you died and he wasn't there… 

And once more, Dan Heng is closing the distance, this time briefly reaching up to brush a few strands of stray hair away from his eyes before tilting his head and pulling you closer. 

He's gained a bit more confidence, and he kisses you hard, stops for a moment, caresses your jaw with his fingers and meshes his lips with yours to kiss you again — and you can't help yourself from reaching up, settling your arms around his shoulders to tug him in as close as you can get him. And he lets you. 

You'll be fine, won't you? He isn't sure, and he hates that he isn't sure. 

He'll have to ask you to promise him. 

You freeze, and he pulls away, only by a couple of centimeters, enough to breathe but to still feel his breath fan over your skin when he exhales. He's blushing fully now, you sigh his name against his mouth and it's the sweetest sound he's ever heard; he shivers all the way from his neck to the base of his spine. 

His head goes fuzzy, his heart throbs and twists like a burning star — God, he doesn't know what to say. His thoughts were moving a mile a minute, but the more he stares down at you, the longer you hold his gaze and let the seconds revolve around and around, he starts to forget it all. 

Dan Heng swallows the thickness forming in his throat, and he's about to force himself to say something when you suddenly start speaking instead. 

"You're doing it wrong, you know." 

"Huh?" 

Your head tilts. "Come on, there's no way you're that horrible, right? If you wanted to kiss me before I went, you could have just said so." 

And Dan Heng, ever-so direct, always so composed, feels his lips start to quiver and somehow can't manage a response to that. 

[quinnlarrabee]

Macron's fiery Sorbonne speech targets summering American Millennials

It’s no coincidence that Emmanuel Macron gave a fiery speech about the threats facing Europe the same week that American Millennials in New York, LA, and Miami began talking about booking their one-way flights to the continent. "There is a risk our Europe could die - we are not equipped to face the risks," Macron said, referring to the dietary allergies, alternative milk needs, and tedious conversations of trust-funded, unemployed young adults who will begin their summer in Paris to attend a museum benefit that spills into a large dinner party with several professional photographers before traveling to Puglia, Comporta, or Ibiza where they will subsist on ‘beautiful tomatoes,’ flat whites, and MDMA. 

Europe has struggled with illegal immigration for decades, and there is no more pressing illegal immigration threat than American Millennials who have decided that being unemployed in Europe is less distressing for their parents than being unemployed in Williamsburg. Google searches for ‘how long can I stay in EU without passport’ spiked in late-April among Americans who have not yet bought a Portuguese passport from a guy who used to run a turnkey Burning Man camp who is now running a Golden Visa scheme in Lisbon. “Our Europe today is mortal,” Macron said. “It can die and that depends solely on our choices,” the choices being whether or not to search and detain for ketamine at customs and how to clearly define tipping protocol in restaurants. 

“It used to be enough to spend a couple weeks in Italy in July,” observes Coco, a 34-year-old retired gallery founder who is on the board of several art-related non-profits that she instructed her unpaid interns to start. “But now it gets so hot in Europe in July that everyone is going in June and even like, May.” Coco has several weddings and dinner parties in various coastal destinations in Europe in June, but she has not yet RSVP’d nor has she booked any travel. “I know I’m going to go, but I’ve just been too busy to look at the dates or book anything,” she says, absently picking some kind of beige matter from the left eye of her toy goldendoodle. Macron at one point asserts in his speech that Europe is “too slow and lacks ambition,” referring directly to Coco’s ambivalent European travel plans. 

Uncertainty permeates the vibe in Europe right now, not because of a military threat posed by a giant, angry country with cocked nukes driven by a weak-minded Cold War relic, but because every Millennial in New York, Miami and Los Angeles has expressed their intention to occupy Europe without declaring the targets. 

“Is very stressful,” says Aldo Melpignano, the proprietor of Borgo Egnazia, a trendy boutique hotel in Puglia that for Europeans costs €120 a night and charges 30something Americans visiting from coastal zipcodes $970. “I see the hashtags on the Instagram, like, I’m coming for your @borgoegnazia,” he says. “Va bene, Allison, when you gonna come for us, and are you gonna come with that stupid capello?” says Aldo while making a pinched-fingers emoji with one hand and pointing to his head with the other. Hotel, coffee shop, organic market, and narcotics purveyors all over Italy, France, Spain, and Portugal have echoed this desire for more resolute planning and fewer hats from the demographic that funds the less productive but more desirable EU countries.  

"We must produce more, we must produce faster, and we must produce as Europeans," Macron said, a rallying cry to European DJs to sample only vocals that were recorded in native European languages.  

“Europe must show that it is never a vassal of the United States and that it also knows how to talk to all the other regions of the world," Macron said, refuting the irrefutable fact that Europe has become a summer camp for unproductive younger Americans and suggesting that they be immediately deported to Bodrum or Izmir upon landing at CDG, MXP, and LIS. 

“This is a betrayal of our values that ultimately leads us to dependency on other counties,” Macron said, making an observation about Europe’s frustration with having to work between May and August in order to show American Millennials how to correctly tap their credit card on puzzling European payment terminals.

“Europe must become capable of defending its interests, with its allies by our side whenever they are willing, and alone if necessary,” said Macron, in defense of French baristas who do not like working with oat milk. Taking a hands-on approach to ensuring the EU’s “ability to ensure our security” Macron and his wife will begin their Summer at a wedding in the Aeolian Islands in early June, float around Sicily or Puglia the following week, head to Bonjuk Bay for an appearance of prominent LA-based DJ, RICHE, and then couch-surf in Santa Gertrudis de Fruitera the rest of the summer.

[imloyaltoscoups]

i'm ready | yoon jeonghan

After seven long years, you finally find yourself in a place of true peace and contentment. The journey to this point hasn't been easy - the scars of heartbreak and betrayal ran deep, and it took time to heal and rebuild yourself.

But you did it. You persevered through the nightmares, finding strength in your own resilience and determination. With each passing day, you focused on your own growth and development, pouring your energy into your studies and your personal pursuits.

Completing your PhD was a milestone, a testament to your dedication and perseverance. It wasn't just an academic achievement: it was a symbol of your triumph over adversity, a tangible reminder of how far you've come since the pain of your past.

Along the way, you learned valuable lessons about self-love and self-care. You realized the importance of prioritizing your own needs and desires, of carving out space for yourself in a world that often demands so much of us.

The first years were undoubtedly the hardest. You struggled to find your footing, grappling with the weight of your emotions and the uncertainty of starting over. You were cautious with those who approached, wary of opening yourself up to the possibility of hurt once again.

But with time, you learned to trust yourself again. You rediscovered your worth and your strength, and you refused to let the pain of your past define you. You learned to allocate love and care for yourself, recognizing that you are deserving of the same kindness and compassion that you so freely gave to others.

You pause mid-packing, taken aback by your friend's unexpected enthusiasm. They shake the ticket with excitement, their smile infectious despite your initial reluctance.

"Y/N!!! We're going to Koreaaaa!" they exclaim, their voice filled with enthusiasm.

You hesitate, the memories of your past trip to Korea still lingering in the corners of your mind. The thought of returning to the place where so much heartache had occurred fills you with a sense of apprehension.

But before you can voice your concerns, your friend speaks up again, their tone resolute. "You're okay now, right? So it's okay to visit that country again. And besides, who knows when we'll have the chance to see our friends first ever exhibit. If you're worried of bumping with that piece of shit. Don't worry—I'll give him a piece of my mind. Maybe even a punch and a chokeslam for good measure!... I should have been with you when you went there" she pouted.

Their words catch you off guard, but you can't help but laugh at their fierce loyalty. Despite your reservations, their unwavering support gives you a glimmer of courage.

"Alright," you say, a small smile tugging at the corners of your lips. "This is for our girl."

With a newfound sense of determination, you resume packing, knowing that this trip will be different from the last. Armed with the support of your friend and the strength you've gained from overcoming your past, you're ready to face whatever challenges lie ahead. And who knows? Maybe this time, Korea will hold new memories of joy and adventure, rather than pain and heartache.

As you arrive at the exhibit of your best friend, you're filled with a sense of pride and excitement. You rush forward and envelop her in a big hug, a smile spreading across your face.

"Congratulations queen, you did it!" you exclaim, squeezing her tightly. "I'm so proud of you for pursuing your dream of being an artist. Look at the crowd!"

She returns the hug with equal enthusiasm, her eyes shining with happiness. "Thank you so much! I couldn't have done it without you guys. You two kept on pushing me to do this and here we are."

She then shows you around the exhibit, pointing out each piece with pride, you can't help but marvel at her talent and creativity. Each painting tells a story, a reflection of her passion and dedication to her craft.

As you admire her work, she offers you two a glass of champagne, a gesture of celebration for this momentous occasion.

"Cheers to you and your incredible talent," you say, raising your glass in a toast. "May your art continue to inspire and captivate audiences around the world."

She clinks her glass against yours, a wide smile lighting up her face. "Thank you, and cheers to our friendship. I'm so grateful to have you two by my side."

Together, you three sip your champagne and continue to explore the exhibit, basking in the joy of this special moment shared between friends. And as you revel in the beauty of her art and the warmth of her friendship, you know that this is a memory you'll cherish for years to come.

Time pass by and your best friend excuses herself to greet other visitors, you nod understandingly, letting her immerse herself in the moment. Beside you, your other friend suddenly excuses herself to rushed off to the bathroom, leaving you alone amidst the bustling gallery.

As you scroll through the gallery, admiring the artwork, a familiar voice calls out your name. You turn around and are surprised to see Jeonghan standing there, holding a glass of champagne. To your own surprise, you feel no shock or hurt at his presence. Instead, you feel a sense of calm and resolution.

"Hi," he says, his voice tentative as he approaches you. "How are you?"

You offer him a small smile. "I'm doing better than ever," you reply confidently. "I got my PhD and now I'm planning on doing my residency."

Jeonghan's eyes light up with genuine pride. "That's amazing," he says, offering his congratulations. "I always knew you would achieve great things."

You exchange conversation for a while, catching up on each other's lives. Eventually, Jeonghan takes a deep breath and admits once again that he is truly sorry for the pain he caused in the past.

You nod, feeling a sense of closure wash over you. "I've forgiven you," you say simply.

His eyes widen with hope, and for a moment, you see the flicker of longing in his gaze. But before he can say anything else, a commotion interrupts the moment.

A little kid comes running towards you, calling you "mama." You glance down and see your baby boy, and you can't help but smile as you scoop him up into your arms.

"Where's Papa?" you ask, and just then, a voice responds—a man carrying your one-year-old daughter.

Jeonghan stands frozen, his eyes wide with disbelief as he takes in the sight of your family. You introduce your husband to him, and as you do, your baby boy innocently asks who the man you're talking to is.

"He's one of the singers mommy used to love," you reply gently, trying to keep the atmosphere light.

Jeonghan introduces himself to your family, his emotions held back as he struggles to maintain his composure. But as the moment stretches on, you can see the glass in his hand trembling, a silent testament to the storm of emotions raging within him.

"Mama, can we look for Tatie?" your baby boy asks, his eyes wide with curiosity.

You smile down at him and give a nod. "Of course, sweetheart. Let's go find her," you reply, your heart swelling with love for your children.

Turning to Jeonghan, you offer a polite smile. "It was nice meeting you again," you say sincerely.

Your baby boy tugs at your hand, eager to leave. "Goodbye, Uncle!" he chirps before running off with your husband and daughter.

Jeonghan watches them go, his face a mixture of shock and sadness. You offer him a sympathetic smile before turning away to search for your best friend.

As you walk with your husband by your side, his arm wrapped around you protectively, you feel a sense of peace wash over you. You lean into him, grateful for his unwavering support and patience.

"Thank you for being so patient love," you murmur, pressing a quick peck to his cheek.

He smiles down at you, his eyes filled with warmth. "You're very brave, you know that," he says simply, his voice filled with admiration.

You feel a surge of gratitude for the life you've built together, for the love and happiness that surrounds you. And as you continue to search for your best friends, you realize that maybe visiting Korea isn't so bad after all, especially when you have your family by your side.

In that moment, you realize that the greatest revenge you can provide to Jeonghan is finding your own happiness without him. And as you find your own people who cherish and support you, you know that you've already won.

part 1, part 2

....... ≿━━━━༺JEONGHAN༻━━━━≾ .......

[laurey257]

Good Omens fanfic recs that ease the pain. (All complete, canon-compliant)

I am an avid reader and I’ve been combing the floods of new (awesome) things hitting Archive and similar to find what best eases the pain of That Episode. Here’s the best canon-compliant and complete ones that give some soothing to the angst of our angel and demon parting:

**This was a hard decision but I am excluding works in progress since they need time to mature—all these are complete /compliant and can be invested in without fear.**

Jesus, Etc.

This one had me howling.  Crowley runs into a frantic Aziraphale with Jesus at a Barbenheimer premiere who he is frantically keeping busy to prevent the Second Coming.  A battle of the wills with pop songs in the Bentley, Taylor Swift, Kenergy, sushi, a nativity play and a magic show are the least of the insanity that comes next.  (Kudos for the awesome cameo from Mrs. Sandwich.)

To the Universe

This one is a 22-chapter, complete, canon-compliant season 3 full arc that can take the edge off for everyone who is internally screaming that we have years to wait to see all this resolve.  Really can’t say enough about this one.  It tied up every loose end.  Certain parts reminded me of Pratchett and the ending had me on the edge of my chair and cheering out loud.  (bonus extra in a hilarious treatment of Jesus in Tadfield that has him turning himself into a teen named Dave.) This could have been season 3 in another timeline.

Separate Ways

A sweet, short little one where Aziraphale has Muriel checking up on a devastated Crowley from the bookshop, and they finally at least talk.  No resolution, but it felt so nice to read. 

The Second Coming

One-shot (but around 7000 words in chapter format) that is canon-compliant.  Aziraphale “awakens” in the elevator (think ox ribs but sexually) and yeets himself back to earth to roger Crowley six ways from Sunday.  Smutty, so don’t read this one aloud to your parents.  (naked apology dance reference in here made my eyes fall out.)

Heaven is not fit to house a love

A sweet little one with a *small* deviation from canon (that seemed ok because they have a good point.) Crowley had never told Aziraphale about the way the angels managed his trial OR about what he saw in the Heavenly files with Muriel.  He jams his way into the elevator (telling the Metatron to get the next one) and tells him.

Not for all my Little Words

An adorable one where Aziraphale, realizing he screwed up, chases Crowley through loudspeakers and other people’s phones through Europe using famous love quotes until he gets his attention (and some forgiveness.)

Everywhere

Oh so lovely! A longer one-shot where Azi realizes that management is not what he cracked it up to be (they tell him nothing.) So he saves Crowley instead from a Heavenly asassination attempt. (Maggie, nina and anathema help!)

A Proper Apology

One where the Angel simply calls over and over until they really talk.  (Or imagine the idiots simply just used the phone.)

Cause you like me too much and I like you

A sweet little one where Aziraphale quietly resigns, has a chat with Gabriel and Beez in the bookshop, and does the apology dance.

A sweet little daydream Azi has in the elevator about apologizing to Crowley in the Ressurectionist pub  before waking up and realizing oh crap he is still in Heaven.

Did I miss any other good ones?  Tell me?

[teeny-tiny-revenge]

It's home cinema manufacturing time! 🏴‍☠️ Gonna put my pirate show on my shelf! (I'm doing an Arts and Crafts Project and I'm making it everyone's problem.)

After seeing how much they cost, I abandoned the idea of getting a Blu-ray writer for now. For the time being, good old DVDs is what it's going to be! My TV is old and not very big, so DVD resolution is gonna be fine.

It's been ages since I last burned a DVD. For the full experience, I'm gonna create nice menus and pretty sleeves for the boxes. Graphic design is my passion! Um.

Well. First needed to find a program to do stuff with. I'm a Linux guy, so I'm using Devede. (Which is free, btw. In case someone else wants to do a low cost spot of putting pirate show on the shelf.)

DVDs fit a maximum of 120 minutes of video. So, four episodes, I thought. But after a quick attempt, the program refused to do more than three (maybe because of the menu also taking up space, and four episodes cutting pretty close to the 120 min mark?). Anyway, three episodes per disc it is. It's a pretty nice runtime for watching the entire disc, IMO. An hour and a half, and then you can return to reality to realise you should probably eat something, or go to bed because it's midnight.

OFMD with its current two seasons has a total of eighteen episodes, which is divisible by three. You get the following setup:

Disc 1: Pilot, A Damned Man, The Gentleman Pirate - That's pretty good, Stede's introduction to piracy all on one disc!

Disc 2: Discomfort in a Married State, The Best Revenge is Dressing Well, The Art of Fuckery - All bangers. Great to watch together, our boys meet and shenanigans happen!

Disc 3: This is Happening, We Gull Way Back, Act of Grace - Many romantic moments, lots of great scenes, shit hits the fan at the end there. Alright!

Disc 4: Wherever you go, there you are, Impossible Birds, Red Flags - ... Pain and angst! What have I done!?! The disc of horrors. Gotta make sure to have tissues at hand when I watch this. But hey, it also has messy bun Ed! Small mercies.

Disc 5: The Innkeeper, Fun and Games, The Curse of the Seafaring Life. - Another disc with all winners. I love all these episodes so much! (You can watch this disc to recover from the trauma of the previous one!) But seriously, this one slaps.

Disc 6: Calypso's Birthday, Man on Fire, Mermen - Great combination again. Season finale! Love and excitement!

... Honestly, except for the psychological damage of putting all the most painful episodes together, this is coming out pretty cool. Says a lot about how good the show is. I actually really love all the episodes (yes even the painful angsty episodes of massive depression). Thinking about this little project really reminded me how much I love this entire show.

So, we got a tracklist, now menus, then we can burn this stuff!

I did the menu backgrounds in GIMP. Realised I have a big folder full of screenshots I took myself, screenshots someone else took and posted on Tumblr, official promo pics for the show, and I have no idea anymore where most of them are from, because I named the files according to what's on them. Which is useful for when you want to find pics (Need a picture of cursed suit Stede? I have files named that, easy peasy!), but not so great if you wanted to give credit to whoever took a given pic you used. (It's probably @sherlockig or @ofmd-ann or @blakbonnet. Please feel credited, your beautiful screens and gifs brighten my day, and some of them are now probably part of my DVD menus. Shrunk down and cropped, but, yeah.)

I originally wanted to structure my menus as having the title of an episode, then some pics from it, then the next episode, then pics from that, and so forth, but I couldn't convince the program to give me the necessary padding between the menu items, so I ended up just putting the episode images below the menu. Still like it.

Anyway, DVD menus can also play sound! Behold a crappy video of my beautiful creation (provided entirely for sound):

It plays Gnossienne N°5!

More crappy pics of my other disc menus:

Gonna make them some nice sleeves next. Some day. Gotta make sure they all work properly first. So. I'll be on my sofa, watching my DVDs. With menus! (Edit: here are!)

[sayruq]

On Thursday afternoon, the Freedom Flotilla Coalition was contacted by the Guinea Bissau International Ships Registry (GBISR), requesting an inspection of our lead ship – Akdenez. This was a highly unusual request as our ship had already passed all required inspections; nevertheless, we agreed. The inspector arrived on Thursday evening. On Friday afternoon, before the inspection was completed, the GBISR, in a blatantly political move, informed the Freedom Flotilla Coalition that it had withdrawn the Guinea Bissau flag from two of the Freedom Flotilla’s ships, one of which is our cargo ship, already loaded with over 5000 tons of life-saving aid for the Palestinians of Gaza.

In its communication informing us of this cancelation, the GBISR made specific reference to our planned mission to Gaza. It also made several extraordinary requests for information, including confirmation of the ships’ destination, any potential additional port calls, and the discharge port for humanitarian aid and estimated arrival dates and times. It further demanded a formal letter explicitly approving the transportation of humanitarian aid and a complete manifest of the cargo. Again, this is a highly unusual move from a flagging authority. Normally, national flagging authorities concern themselves only with safety and related standards on vessels bearing their flag, and are not concerned with the destination, route, cargo manifests or the nature of a specific voyage. Just like when you register your car, the authorities don’t require you to detail to them every place you are going to go with the car. Sadly, Guinea-Bissau has allowed itself to become complicit in Israel’s deliberate starvation, illegal siege and genocide of Palestinians in Gaza. Israel is showing the world the extent to which it will go to deny Palestinians the aid they need to stay alive, in direct contravention of International Humanitarian Law, UN Security Council resolutions, and two orders of the International Court of Justice. Israel is only allowed to get away with this because we have an international order where law does not apply equally, where people are not valued the same, and where might equals right. The US has hijacked international law and is violating its own laws to protect Israel at every turn. A recently-leaked USAID memo states that “famine in Gaza is inevitable,” and that “changes could reduce but not stop widespread civilian deaths.” It also states that the government of Israel does not currently demonstrate necessary compliance with U.S. law required to receive U.S. military aid. Nevertheless, last week, the U.S. Congress passed and Biden signed a $26 billion aid package for Israel. It is this kind of naked impunity, over decades, that has brought us to this point where Israel can carry out a genocide, that includes a public declaration by Israel’s leaders that it is going to deliberately starve children, and not only face no consequences, but also involve a majority of world governments in its crimes. While our governments claim to care about Palestinian lives, they are complying, and indeed enforcing a situation where a state that has been found to be plausibly committing a genocide, is allowed to control what, if any life-saving aid gets to the people trying to stay alive.Yesterday, the UN Special Rapporteurs on the Right to Food, on the Right to Housing, and on the situation of human rights in the occupied Palestinian territory, issued a statement stating that civil society initiatives like the Freedom Flotilla are important precisely because governments are not complying with their obligations under international law and many of these governments are even complicit in Israel’s siege and genocide. The statement affirmed that ours was a legitimate challenge to Israel’s control over the delivery of aid to Gaza and it demanded safe passage for our flotilla. However, without a flag, we cannot sail. But, this is not the end. Israel cannot and will not crush our resolve to break its illegal siege and reach the people of Gaza. The people of Gaza and all of Palestine remain steadfast under the most horrific, unimaginable conditions. We take strength from their incredible, inexplicable ability to maintain their humanity, dignity and hope when the world has given them no reason to do so.It is our responsibility to keep that hope alive. WE WILL SAIL.

[headspace-hotel]

further thoughts on modern extinctions of species

The scientists have a great difficulty laid out for them, doing public messaging about climate change/biodiversity loss that communicates the urgency and importance WITHOUT inducing a panic and helplessness that leads to apathy and shut-down (exactly what is seen in many young people in regards to climate change)

Now we all probably know here that it is really important for scientists to do "obvious" "water is wet" type studies showing something is a problem, even if the problem is obvious to anybody with eyes, because then the study can be used as hard evidence to change policies or to inform skeptics.

However sometimes these studies themselves end up becoming "Obvious" facts.

Because they are so important, they get cited a thousand times, and it becomes so seemingly reliable, that the methodology of the studies is not questioned very much.

It's not necessarily that the studies are even wrong—it's that their conclusions become Facts when the original study would only say "probably true under these specific circumstances" or "likely if measured within these parameters" or "suggested by what little evidence we can gather."

Here is one of those facts:

We know that abuse and misuse of our ecosystems can cause extinctions. But there needs to be hard evidence backing that up.

"The current extinction rate is over 1,000 times the usual background extinction rate" is an important estimate for understanding the magnitude of the damage deforestation, resource extraction, and other over-exploitation do to ecosystems.

But this estimate has become a Fact. It is treated like a black box. It is so widely cited and in particular it is so commonly used as evidence for the idea that human impacts on the Earth are irreversibly and unfixably destructive. People use it as irrefutable proof that we are in the midst of a mass extinction that we have very little chance of stopping. And that makes people feel hopeless...which makes people paralyzed and much less likely to act on behalf of their ecosystems. "We're all going to die! I can barely do anything, and it's unlikely to make a difference anyway. Why bother?" That's not good.

So...Here's an article that explains how this number is reached.

When bryozoans were my special interest I delved really deep into learning about fossils, and because of this I wondered, "How do we even know the background extinction rate, and how do we know there is a normal baseline for Earth's extinction rates?" The article explains:

I'm having a hard time finding very many articles about this, actually, if anyone has others, I would enjoy seeing them

So here's the thing...the fossil record is really, really, really, really, really low resolution. Fossilization is an extraordinarily rare event, huge periods of time are totally missing from the fossil record in any given place, and...this is just me, but since many living species can only be distinguished from each other by analyzing their genome, I doubt we could tell for sure if two fossils are the same or different species.

The way biodiversity is structured on Earth, there are usually small areas where large amounts of species diversify, often areas that are unique and isolated in some way. In other words, some areas are hotspots for species diversity. Many species on Earth have incredibly small, restricted ranges. (On top of that, these diversity hotspots are often islands or mountains...which seem unlikely to be areas where sedimentary rock deposition is happening.)

Since fossilization is such an unlikely event, and the fossil record is missing most of the time periods for each place because sedimentary rocks just weren't forming there (or they did and later got eroded), fossils probably preserve more wide-ranging, generalist species that were high in abundance. There must have been tons of weird, highly geographically restricted places like the Galápagos islands where bizarre creatures evolved and were never preserved because it was just a tiny area. (This makes me want to cry if I think about it too long.)

What's more, with vertebrate animals, species that fossilize and get easily noticed as fossils, tend to be larger-bodied, and larger animals generally tend to reproduce more slowly, which means the usual speciation and extinction rate for these larger animals might not reflect the speciation rate for, say, spiders or snails.

How is it determined that a taxon went extinct? Basically, when a taxon appears in the fossil record and seems to disappear, that's considered an extinction. However, that doesn't mean it did go extinct then. Maybe its range just became smaller, or maybe there is an unconformity. We could have a Coelacanth situation.

What I'm saying is...the fossil record is only a tiny bit of all the species that have ever existed, and probably wildly misrepresents the range of species evolving and going extinct at any time.

Now consider that the data is being filtered through something else that distorts it even more: databases and compilations of other scientists' works. So many disagreements and little errors pop up when you try to synthesize these!

All of these reasons are why I think "There is NO WAY we could estimate accurately what the average extinction rate for Earth is." Which is why it's frustrating to see the "1000x the background extinction rate" number treated like a rigid fact.

It's supposed to communicate that a lot of species have gone extinct in a relatively short period, I don't think it can be extrapolated the way it has been, to an irreversible and indescribably dire situation where the destruction of the biosphere is far beyond anything that can be fixed.

Here's the other part of this conclusion I find frustrating: How the current extinction rate is being calculated. It is based upon double and triple digits of species in each group (of vertebrate animals) having gone extinct both since 1900 and since 1500. Essentially, it uses these numbers from the vertebrate animals we know about that have gone extinct to extrapolate about the general overall extinction rates on Earth.

Articles and books that use this "1000x the usual background rate" statistic present it as some kind of ongoing process that is ruthlessly proceeding forward as we speak. But it is derived from scientists going, well, we predicted 1 or 2 extinctions for every 10,000 species per 100 years, but 100-something went extinct since 1900 that we know of, so this means the "current extinction rate" has changed to be a thousand times what it was.

I'm not great with math. But these numbers seem...coarse. Does that make any sense? The species that went extinct are each specific cases that we know about, and when you take these individual cases and multiply them by big numbers and divide those big numbers to get something like "20 species are going extinct every day!!" that seems wildly irresponsible. People are reading that and thinking, "Oh God, every single day more frogs and fishes and bees are gone forever" when there was such a large margin of error involved in each step of getting there that the final number is almost worthless.

And here's the BIG, HUGE, MASSIVE PROBLEM: The study treats the "extinction rate since 1900" as the same as "extinction rate today." The design of the study totally disregards ALL CONSERVATION EFFORTS AND ENVIRONMENTAL PROTECTIONS because it assumes that human impact on the environment in all times since 1900 is the same as human impact on the environment today.

It is baked into the design of the study that the conclusions will assume wildlife conservation is happening to a much lesser degree than it actually is, because it uses the time when there were no protections for wild creatures or consequences for slaughtering them in mass numbers and dumping toxic deadly chemicals in waterways to draw its conclusions on what's happening "Now."

Environmental damage is still continuing, but it is not right to terrify people by treating species extinction as a steadily ongoing thing that has "risen" since 1500 because of broad forces that have stayed totally consistent, rather than something that happened for specific reasons in each case and can be prevented from happening. I have no doubt that species are still going extinct, but so many have been saved and are recovering, and it really matters that effort has been put into preserving them.

[swanpyart]

I think Skeptic and Smitten are actually true opposites and it’s part of why we never see them in a route together on their own. Skeptic is skepticism and Smitten is blind devotion, and those two concepts cancel each other out.

Think about it: our perspective of the Princess alters what she becomes. Damsel is a harmless and soft Princess Classic with no deeper world because the Smitten views the Princess as a harmless victim that can do no wrong and loves him back. The Prisoner is more complex because Skeptic IMMEDIATELY pegs her as someone more calculating, intelligent, but also capable of reasonable discussion. He’s willing to hear her out or side with her, but not without hearing out all sides.

Smitten and Damsel are star crossed lovers defying an evil Narrator that wants to tear them both apart. Skeptic and Prisoner are two hostages who realize that they need the others assistance to escape someone whose trying to pull the wool over both their eyes (also the Narrator).

And even funnier, BOTH are correct ways to interpret our relationship with the Princess!

But it’s hard to picture any sort of resolution between these two ideas because they are nearly contradictory because of the Pristine Blade; you either side with the Narrator initially or the Princess.

This could also be why Cold and Smitten don’t cancel each other out. Cold doesn’t hate the Princess, he just feels NOTHING towards her. He only shows up organically if we take advantage of her in a vulnerable state to kill her as quickly as possible. That’s why he only appears in states where the Princess is already “dead” in the Player’s view, like the Spectre, the Greys, and the Wraith. Cold’s only opinion of the Princess is “dead”, and that trait doesn’t contradict the opinions the other Voices may have.