#the civil rights leaders

[vanessafangirl13]

Happy late birthday to one of the famous leaders of the civil Rights movement. Rosa Parks. Who sat on her seat refusing to give her seat up to a white person in the face of segregation and pave the way for other brave leaders to come

[alwaysbewoke]

[notaplaceofhonour]

I don’t know who needs to hear this but famed civil rights leaders Martin Luther King, Jr. and Malcolm X were not talking about pogroms or shooting up music festivals and daycares when they said “a riot is the language of the unheard” and resistance “by any means necessary” respectively.

[mimi-0007]

Gloria Richardson leader of the Cambridge, Maryland Nonviolent Action Committee..

[bubblinelovechild]

The RWBY fandoms treatment of Adam makes me very uncomfortable

This is very long sorry I was rambling <3

There’s something really odd about the dedication RWBY fans have to hating Adam. So much so that they’ll admit the writing of the WF is racist but refuse to admit that Adam a member of the white fang also suffered from that racist writing.

There’s this weird dedication to pretending there are no problems with the choices made around Adams character and vilifying literally everyone who tries to talk about it, for the sake of continuing to blindly hate him. The fandom seems to struggle with understanding that the show is fictional and everything that happens in it is a direct choice of its writers. Y’all talk about Adam like he is a real person who has personally offended you irl. Just a huge lack of media literacy tbh.

A white man wrote a civil rights group, that he admittedly based off the black panthers, as the generic bad guys of his shitty anime knockoff and made a central theme of the show the idea that fighting against your oppression violently makes you just as bad if not worse than your oppressors. Then he mad the leader of that group a generic abusive meanie bad guy. Who essentially is what white supremacists think civil rights activist are all the way down to being the fictional equivalent of a black supremacist.

When there was backlash to this he made a knockoff Malcom X and then killed her in her only scene and made a character whose ideology is basically sit down and lick the feet of your oppressors and had the audacity to say he was based off of MLK. How the fuck do you base a character off of somebody without doing basic research on them because contrary to what people seem to believe MLK was not a doormat and this is a conversation for a different day but I’m sick and tired of his memory being weaponised against black people.

What’s worse is that Adam is the only character portrayed as actually doing something to fight racism. Ghira’s faction is only ever seen fighting against other groups. I don’t know if y’all know this but that’s not how the civil rights movement worked. Most of the leaders didn’t agree on methods but they coexisted because the main goal was the liberation of black people and they knew they had to coexist. MLK did not go around calling the cops on revolutionaries he disagreed with.

The problems with Adam and the WF are not separate and cannot be. Most of what’s wrong with the Faunus plot line is the way the show handles Adam. The choices made with his writing cannot be separated from those they made with the WF overall. Adams choice to kill his attackers to keep himself and other Faunus safe, from people literally trying to kill them, is treated the way it is because of the stance they took with WFs writing. When Adam kills a human supremacist trying to kill Ghira you’re supposed to see it as an extreme and the beginning of his turn to evil. Adam isn’t a real person every descisiom he makes is informed by the white writers of the show. Why would the bias they displayed writing the WF not apply to him?

Some of you have been abused and relate to Blake in that sense, a lot of you seem to be projecting your abusers onto Adam. I’m sorry you went through that but you are not excused from buying into racist rhetoric. It’s incredibly uncomfortable as a black person to watch people talk about how “healing” it was for them to watch a civil rights leader admittedly inspired by black people slapped around and killed by two white women. It is anger inducing to watch fans celebrate “queer representation” dancing on the corpse of a monumental disrespect to black people and our history.

RWBY doesn’t even handle abuse well tbh and most of the queer rep is not that great, there are many shows that do it so much better, there is actually no excuse for hanging on to the black people are bad for fighting against racism show.

[swizziee]

Malcolm X & Muhammad Ali. (1964)

[blackstar1887]

The Courageous Sacrifice of Bunchy Carter and John Huggins: Inspiring the Fight for Justice

[yearningforunity]

"What could be more natural? After sorrow, comes joy."

Fannie Lou Hamer on the Meredith March Against Fear, Mississippi, 1966.

Photo: Charmian Reading

[blackbackedjackal]

Shit's fucked.

[troythecatfish]

[sergeant-angels-trashcan]

Why would I stan the white cop robot when the mixed race android Moses is right there

[aaliyahunleashed]

Happy Heavenly Birthday to Dr. Martin Luther King Jr.

January 15, 1929 - April 4, 1968

[vicontheinternet]

This is for the “we aren’t our ancestors” gang you’re right y'all aren't your ancestors y’all are lil bitches I hope this helps

[mimi-0007]

Malcolm X 🖤🖤🖤🖤🖤✊🏾✊🏾✊🏾✊🏾✊🏾✊🏾💪🏾💪🏾💪🏾💪🏾☝🏾☝🏾☝🏾☝🏾

[steampunkforever]

Making movies about real tragedies is always a difficult undertaking. No matter the pains you take to be as sensitive as possible, it's inevitable that such a touchy subject is going to anger SOMEONE. This doesn't even take into account the times that you, as a hypothetical filmmaker, will actually mess up for real. Nevertheless, director Paul Greengrass set out to tackle the Irish Troubles-- by no means an uncomplicated subject --in his film Bloody Sunday, a piece of cinema that tackles tasteful portrayal of the Bloody Sunday massacre by putting you in the crowd.

When we talk about how using cameras to communicate affect in cinema, handheld is one of the simplest mechanics for getting the audience to feel present in a film. It's why the crowd shots in Pi or the Goodfellas club scene or even the Evil Dead DemonCam work so well. This is essentially first person POV, and even when it isn't directly so, we feel like we're there with the characters, protesting on the streets of Derry against internment at the hands of the British. Greengrass uses handheld camera effectively, eschewing the newsreel perspective in favor of camerawork that felt more like the handheld camcorder footage used to film the 9/11 attacks on the twin towers just a year before the release of this film. He pulls you directly into the narrative. You're as much of a witness to the violence as the reporters documenting the Derry protests or the commanding officers giving the order to send in the Paras.

This brings us to the way Greengrass edits the film. The footage in Bloody Sunday rarely cuts, instead fading to black and then fading in the next shot. It feels almost like archival footage, the fades cutting off characters mid-sentence before taking us to the next segment of the film. This technique isolates the shots, but it heightens our awareness of how these discrete places and people (The British Paratrooper squad, Irish Nationalist politician Ivan Cooper, Major General Patrick MacLellan) all led up to the massacre.

It reminds me of working on my own films and logging footage. Each clip stringing together in a vacuum, telling a story without the invisible hand of narrative shaping perception through crossfades and transitions. Until the shooting starts, and Greengrass organically moves into a seamless, breathless sequence in which the Paras start shooting and the crowd scatters. It feels like you're there, and I noticed my blood pressure raise at the injustice unfolding onscreen. Incredibly effective filmmaking here, and the intentional camerawork does an impressive job at bringing the audience into the events of Bloody Sunday without the feelings of voyeurism often present in cinema about human suffering.

Bloody Sunday is, in my opinion, an elegant portrayal of a tragic landmark in the Irish Troubles. It's a film that impacted me emotionally, elevating my heartrate at the injustice unfolding onscreen. The British Government still shields David Cleary from prosecution for the mass killing, with legal repercussions for anyone who refers to him by his real name instead of "Soldier F," making clear the need for us to remember these atrocities perpetrated in the name of imperialism.

[swizziee]

Martin Luther King. (Circa 1960s)