#the ending we needed

[cynthiav06]

In which scenes do you think they should have given Klaus and Hayley a kissing scene?

Let's say we disregard the entirety of season 1, let the whole Elijah thing blow over.

Firstly, in season 2, when Klaus is consoling her after explaining the realities of being a hybrid, in the real moments are vibrant scene or even when he takes her out to kill witches, they could have given us a forehead touch in the for the former and a kiss for the latter part.[Both consumed by bloodlust mostly Hayley as Klaus can control it, she accidentally(definitely intentionally while acting on her true desires) kisses Klaus and he is so enamored he can't help but reciprocate.

I trust you, more than you know scene should have definitely evolved into a kiss. Klaus can't help the jealousy and the feeling of fear that arises at the thought of her marrying Jackson (yes, yes, he is also worried about Hope's existence being revealed, but there's obviously more) and after hearing Hayley's words he wants to convey to her that he does trust her and care for her so yeah a kiss there for sure.

In season 3, Hayley turns back and is fighting Klaus but breaks down after seeing Hope and then hugs her? I think that scene should have also had Klaus hugging them both, maybe to symbolise his apology or other but not a kiss, but at least a hug.

After he saves her from Lucien, we really need a scene where he hugs her, and then she kisses him because she needs to feel that he is real and they are both alright. Klaus kisses her back equally fervently to assure her that she is safe as she is both afraid for Klaus's life and her own so he can feel her fear and relief now that Lucien's dead. That should have definitely been added. (So many missed opportunities for the building up to probably the most compatible and perfect couple you would think they didn't do it just to not brutally destroy the previous Klaus or Hayley ships. Oh shit that's exactly why)

When they are alone in the wood clearing, and he says, "I have given you a thousand reasons to abandon me, but you haven't yet, thank you?" A kiss would have gone really well with that.

Maybe a scene where Hayley shows off her karaoke skills, and Klaus is so amazed he kisses her? That would have been perfect.

When he goes to Marcel to sacrifice himself for Hope, Hayley and his family, a parting kiss

When Klaus, Hayley and Hope unite and Klaus and Hayley see each other's struggles they can't help but kiss because Hayley has missed Klaus's presence, his words, his protection and Klaus has missed his little wolf and littlest wolf dearly, moreover Klaus can't help but marvel at her strength each time for whenever he thinks this might just break my little wolf she perseveres through it and he has been wanting to kiss her since they last parted and as she was one of the few who broke him out the want only doubled.

A lots of kisses during that time cause two people don't go to such lengths for each other if they don't love one another like crazy.

When he has to leave with the hollow's essence, a sorrowful but desperate kiss. Yet again, parting ways and this just might be permanent.

I like to think Hayley gave him individual visits to check on him when Hope was grown enough and was in school and they kissed and everything.

Lastly when Klaus saves her from Greta, the Hollow's defeated and its all good for the rest of them, after Hope's taken back, passionate kissing and make out scene that results into another miracle baby is exactly what we deserved. [This is what I believe would have actually happened if the writers weren't bloody fools and also so I don't wallow in misery at the unfairness of it all for both of them]

[george-the-pumpkin]

Skull: I kinda missed you guys, and it looks like it's gonna rain.

Lucy: I missed you too, Skull.

[inkskinned]

what is with men being mad any time a woman raises her voice where did that even come from. someone posted a video of a small electrical explosion, and the top comment was of course the woman screams. the second comment is women try not to scream challenge, level impossible. i had to go back and watch the video again. there is, somewhat fainty, a little gasp emitted off-camera, more of a yelp than a scream. it is mostly lost in the crack of the explosion. afterwards, you hear her voice, shaken, say, are you okay?

i am helping one of my friends train her voice pitch lower, because she wants to be taken seriously at work. she and i do each other's nails and talk about gender roles; and how - due to our appearance - neither of us have ever been able to be "hysterical" in public. we both appear young and sweet and feminine. she is cisgender, and cannot use her natural voice in her profession because people keep saying she appears to be "vapid". we both try to figure out if our purposeful voice lowering is technically sexist. is it promoting something when you are a victim to it?

a storm almost sends a pole through a car window. in the dashcam, you can hear the woman passenger say her partner's name twice, crying out in alarm. she sounds terrified. in the comments, she is lambasted for her lack of calm. how is that even fucking helping?

in high school, i taught myself to have a lower voice. i had been recorded when i was genuinely (and righteously) upset; and i hated how my voice sounded on the phone speakers when it was played back. i was defending my mom, and my voice cracked with emotion. it meant i was no longer winning the argument: i was just shrieking about it.

girls meet each other after a long summer and let out a little joyful scream. this usually stops around 12-14, because people will not tolerate this display of affection (as it has the effect of being passingly annoying). something about the fact that little girls can't ever even be annoying. we are trained to examine each part of our lives (even joy) for anything that could make us upsetting and disgusting. they act like teenage girls are breaking into houses and shrieking you awake at 3 in the morning. speaking as a public school educator: trust me, it's not that bad, you can just roll your eyes and move on. it does not compare to the ways boys end up being annoying: slurs in graffiti, purposefully mocking your body, following you after you said no. you know, just boy things.

there's another video of a man who is not allowed to yell in the house, so he snaps his fingers when he's excited about soccer. the comments are full of angry men, talking about how their brother is unfairly caged. let him express himself and this is terrible to do to someone. eventually the couple has to address it in a second video: they are married with a newborn baby. he was trying not to wake the infant up. there is no comment on the fact women are not allowed to yell indoors. or the fact that it could have been really alarming or triggering for his wife. sometimes i wonder if straight men even like women, if they even enjoy being in relationships with them.

for the longest time, i hated roller coasters because it always felt inappropriate and uncomfortable for me to scream. one of my friends called me on it, said it was unusual i'm so unwilling. i had to go to my therapist about it. i don't like to scream because i was not raised in a safe situation, and raising my voice would have brought unsafe attention towards me. even when i am supposed to scream, it feels shameful, guilty. i was not treated kindly, so i lack a basic form of self-protection. this is not a natural response. it is not good that in a situation of high adrenaline - i shut up about it.

something very bad is happening, i think. in between all the beauty standards and the stuff i've already discussed - this one feels new and cruel in a way i can't quite express. yes, it's scary and silencing. but there's something about how direct it is - that so many men agree with the sentiment that women should never yell, even in an emergency - it feels different.

is the word shriek gendered automatically? how about shrill or screech? in self defense class, one of the first things they tell you is to yell, as loud and as shrilly as you can. they say it will feel rude. most women will not do this. you need to practice overcoming the social pressure and just scream.

most women do not cry out, even when it's bad. we do not report it. we walk faster. we do not make a scene. what would be the point of doing anything else? no matter what we do, we don't get taken seriously. it is a joke to them. an instagram caption punchline. we have to present ourselves as silent, beautiful, captivating - "valuable."

a woman is outside watching her kids when someone throws a firecracker at them. she screams and runs towards her children. in the comments, grown men flock together in the thousands: god. women are so annoying.

[biggest-gaudiest-patronuses]

not "i ship these characters" or "i want them to bond platonically" but a secret 3rd thing (I want them to be forced to interact by the Narrative bc they would HATE that)

[egophiliac]

tsum events really are just the best, huh

[empanadazul]

In the first picture Zagreus is shorter than Persephone because he is standing one step below, he is still the youngest member of the family and barely stepping into his role on the house as Prince. He is supperposed with the image of his parents gazing lovingly into each other, he is integrated with his figures but still feels like slightly distanced from them, like a teenager trying to find the way they present themselves. After seeing him the whole game with other clothes it feels weird to see him wearing that tunic and his lance is comically big.

In the second picture he is taller than his mom and almost at the same level as his father, he is being embraced by him but his head points out from Hades's shoulder, he is fully integrated into the family but is also respected and acknowledged by all the gods as the one who reunited them. He mimics the posture of both his mother and father, leaning over Melinoë (bathing in her light) and embracing her with his hand (ready to protect her). His elegant clothes fit him and resemble the style of the Palace, even without his crown you recognise him as a Prince of Hades.

He grew up so much between this games. Probably embraced his role as a protector of the underworld population. Seems comfortable wearing his father clothes, he holds himself with authority, he earned respect in his realm. He became an adult. He loved his little sister, look at how his gazed is fixed on her, his smile might be even bigger than the one on his mother.

Hades looks peaceful and calm, he is probably smiling too. Persephone is wearing a light dress, similar to the ones she wore on the surface, without obligations. She wrapped her daughter with a shawl like the ones she used to wear. They are all dressed without their "royal" outfits. Before being the underworld rulers, they are a family welcoming a baby. They loved Melinoë so much. They would have devoted their lives to her until she was old enough to stand on her own. They would have given her all of the time of the day. They were ready to do things right this time.

.

Death to Cronos.

[cruelsister-moved2]

for real! (from kadji amin)

[Image description: Screenshot of text:

What I've realized is that I believe that the matter of gender is practical and relational. It's not about who you are inside, it's more about how you would feel most comfortable in the world. It's not 'Who are you?' but 'How do you want to live?'

Had that been the discourse when I was coming up, I would have breathed a sigh of relief. I don't have to figure out who I am on the inside, I just have to figure out how I want to live.

end of ID]

[baph0meat]

this is the Gaza Family Funds Directory, a spreadsheet of palestinian families' gofundmes, sorted by the amount of support they've received thus far. please choose as many as you can from this list to donate to, even just a dollar.

in addition, the sheet also contains a link to a gdrive folder with designs for flyers/stickers that you can print out and place in your community. if you truly can't spare anything directly now, please consider doing this so you can get these links in front of people who can donate!

it also remains urgent to keep the people of palestine connected in the face of communication blackouts; please contribute esims! it is very easy to do and is fully explained on this page: https://gazaesims.com/

if you cannot afford the price of an esim individually, there's a campaign currently running on twitter to which you can contribute whatever you can afford ($1, $3, whatever) to a larger pool which will then be used to buy esims collectively. there's also the crips for esims for gaza fundraiser, which operates similarly. there are probably more than this! i chose these two for this post bc they are currently active + both have easily vettable proof of donation (screencaps in the qrts of the twitter campaign, financial accountability document in the crips for esims campaign.)

finally, look into local grassroots organizations in your area so you can stay in the loop on protest activity. many such orgs have accounts on instagram. if you are in the us, looking for local chapters of the PSL, the palestinian youth movement, or national students for justice in palestine can be a good start.

please, please, please: pick something here and do it. i know it can feel overwhelming and there may be an urge to tell yourself that you'll reblog this now and get around to it later. instead please choose one thing. even if it's just finding orgs in your area and following them so you'll be notified the next time there's a protest. even if it's just downloading the flyer designs and looking up a print shop where you can run off a stack of copies. make a decision to do something tangible right now, even if it's just a first step.

[theoldkyokodied]

One wedding and three funerals

Background paintings under the cut

[barawrah]

beloved

[paper-lilypie]

ok but that kid Mobius couldn’t prune was Loki right. like, that was Loki right. The brothers at the dock. That was Loki and Thor right. It was Loki

Mobius couldn’t kill Loki, chose his burden, and dedicated his life to him instead.

Mobius’s story started and ended with Loki. It had to be Loki.

[jarrows]

recently i reread a bunch of my favorite sherlock holmes stories (norw my beloved) and felt compelled to create my own diagram for 221B

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[egophiliac]

bring your son to work day

[furiosophie]

[delicourse]

lesbian pride moment 😳🌸