#the fact that this is entirely in character and plausible for them to actually say.

[crypt1dcorv1dae]

Kuwabara: WE'VE GOTTA RESPECT WOMEN HIEI!!!

Hiei: if she breathes she's a thot.

Kuwabara, throwing him into the sun: ALL WOMEN ARE QUEENS YOU LITTLE RUNT

[rockrosethistle]

If there's one thing TGWDLM fans are gonna do, it's think about the implications. And the implications of the opening number are crazy.

So. We know that the show isn't completely chronological since the opening number takes place before the meteor hits. So that song is a sort of "flash forward" moment. But when you think about it, we don't really know how far in the future it takes place.

What we do know is that by the time it's happening, Emma is infected. She has a little solo in it singing about how Paul is pining over a barista

And we know that this is meant to be an infected Emma specifically. Lauren had other characters in the show, if they wanted to avoid the Emma implication they would've just dressed her as one of those.

So we know this is meant to be Emma.

And Emma isn't infected until the very end of the show. She's dragged off stage during the credits. So since she's infected in the opening number, we know the number takes place after the events of the show.

Another important detail is that Paul is infected before Emma. He's the one that passes it on to her.

So back to the opening number, Emma is infected. Which means by just following a simple timeline, Paul must also be infected. He should be singing and dancing, right?

But that's not what happens. Paul misses his entrance.

If Paul is infected, then there's no reason he should be missing his entrance. Furthermore, if he's a part of a hive mind, there's no reason other members of the same hive mind shouldn't know where he is. They are literally all connected by one brain, and yet both Mr. Davidson and Bill express they have no clue where he went.

What I'm saying is that Paul is not infected. He was infected (again, we know that because Emma is infected and he was infected before her) but now he's not anymore.

I'm saying there's a way out of the hive, and Paul found it. That's the only explanation that makes sense given the facts of the situation. Sometime after the events of tgwdlm, Paul is able not only to break out the hive mind, but to hide from it.

And if he broke out, others could do the same. Maybe even Emma.

Edit because a countertheory has emerged: Yes it's possible that everyone is infected the entire time and the show itself is just Pokey replaying the events for the fun of it. But it seems unlikely to me. First of all, each of the Lords in Black has a distinct personality. They all are evil, but within that they seems to fall somewhere on a spectrum of "silly billy" to "prick." For example, Tinky is more of a silly billy. He toys with humans without much of a motive and more for just shits and giggles. But in every instance, Pokey's more on the extreme side of prick.

He's one of the few with an actual motive behind what he does. In Yellowjacket, it's confirmed that Pokotho hates the sound of anyone's voice except for his own. The events of TGWDLM don't happen because Pokey is bored, they happen because he is executing a plan. So I don't think that he would just have them play out their little scenario just to entertain him, especially just one small island? I just feel like he'd be more focused on world domination.

If the theory is that all this is happening after Pokey's already taken over the whole world, no one was successful in stopping him, then yes it's plausible, but still weird. There are a strange amount of things in that show you just think an eldritch god wouldn't include.

Edit 2: New evidence has emerged???

The Guy Who Didn't Like Musicals is loosely based off of Invasion of The Body Snatchers. Paul's last name is even a nod to the main character, Matthew. At the end of the film, Matthew survives, and continues living among the infected, pretending to be one of them. And wouldn't that be just such a fun little parallel...

Obviously it doesn't prove anything but the source material doesn't lie folks.

[anto-pops]

Heart of Vipers - Ominis Gaunt x Female!Reader

Summary: After an ill-fated confrontation with Ominis' family, you come to learn that they want you for themselves. More specifically, they want your abilities for themselves. Ominis is less than pleased with the revelation and returns home with the intention of proving that the only person you belong to is him.

Alternatively summarized as Dominis turning into a possessive alpha male in the wake of his family's sudden interest in you.

Word Count: 9.3k

Warnings: 18+, aged up characters, minor depictions of violence, explicit sexual content, rough/possessive sex à la Dominis

Descriptions of Marvolo and Aleister Gaunt heavily credited to legacyshenanigans

Full fic can be found here on Ao3 (as always with more eclectic tags)

This was a bad idea. Truly one of the worst ones you had come up with in recent times– which was saying something when you stopped to consider all the stupid shit you’d gotten yourself into since starting at Hogwarts. But this was a decision born of desperation, and one that you adamantly refused to go back on. 

Not that you could, realistically. You were already here. 

The Gaunt Estate was massive. It was an imposing structure, shrouded in a perpetual darkness that seemed to kill off even the tiniest slivers of light, and you’d noted the distinctly foul scent of dark magic that encased the mansion from roughly a mile away. There were no Floo Flames to utilize for travel, so you’d been forced to apparate to Great Hangleton and walk the remaining six miles to reach your destination. This was your first time setting foot anywhere near Ominis’ childhood home, and the threat of splinching yourself by apparating to an unfamiliar location was a very legitimate concern. 

You almost wished you’d taken the gamble, if only to spare yourself the harrowing journey on foot. 

Ominis had to already be inside the manor, having left long before you decided you would follow him to essentially eavesdrop on his meeting with his family. You had never seen him so agitated in the hours leading up to his departure, and it was entirely due to the letter he’d received from his father. What it had said, you didn’t know, but you knew Ominis well enough to figure out that it wasn’t anything good. His entire demeanor had changed upon reading the apparent summons, but he wouldn’t tell you a lick of what it was about. He’d promised to return home as soon as he was able and left without so much as a goodbye kiss. 

The memory only reinforced the fact that this was a really bad idea. What the hell were you thinking? 

Now that you were actually here, you had no clue how to go about your poorly thought out plan. Going inside had always been the goal, but now that you were face to face with the blood-chilling building, you found yourself hesitating. Something told you that getting out would be a lot harder than getting in. You didn’t even know where Ominis could be, especially if the interior was as gargantuan as the exterior. Getting lost– or Merlin forbid, caught and tortured– seemed like the most plausible outcome. 

It was as the saying went; curiosity killed the cat. You seriously hoped you wouldn’t end up dead as a result of your inquisitiveness. 

Forcing one foot in front of the other, you started down the gravel path towards the arched double doors with your wand in hand. Your anxiety was like a physical entity hiding within your chest, but you smothered it beneath the overwhelming desire to ensure that Ominis was okay. While you knew he could handle himself, his family’s reputation preceded them, and you’d feared the worst earlier when you had borne witness to his expression shifting into something far more sinister than you were accustomed to. 

You cast a disillusionment charm for extra measure before giving the handle a testing twist, relieved to find that the door was unlocked. It wouldn’t surprise you if there were other safeguards in place that you were unaware of, but pressing on despite that unknown possibility was a risk you were willing to take. You opened the door a crack– just enough for you to squeeze through before quickly shutting it behind you– and you were instantly encased in suffocating darkness. 

The windows that lined the walls were evidently just for show. 

It smelled distinctly old inside, as though there had never been a time when the mansion wasn’t inhabited. The wooden columns that lined the entryway were cracked and worn, stretching all the way towards the vaulted ceilings before disappearing into the inky shadows high above. There was a striking amount of antique looking decor that lined the walls; from suits of armor, to ornate vases perched atop mahogany tables. Straight across from the front door was a giant portrait of what could only be the Gaunt family.

Ominis was nowhere to be found in it. 

The sound of distant, unintelligible voices echoed throughout the vast foyer from somewhere deeper in the house, drawing your attention and making the hair on the back of your neck stand on end. Your eyes scanned the room once more before you were furtively moving further into the room in the direction of the noise. 

Following the sound of the voices brought you to a giant oak doorway– a mere fraction of the size of the main entrance, but still obscenely large. From within you could hear a man you didn’t recognize, his throaty timbre one that seemed to command attention, and you couldn’t suppress the shiver that danced down your spine. Nothing about his tone sounded pleasant. 

“It’s been put off long enough,” you heard the man say as you sidled up directly against the door, careful not to lean on it too much and risk shoving it open. “We entertained your rebelliousness while you were at school, but Apollonia has anticipated this union for years now. It will happen. Whether you’re a willing participant, however, is up to you.”

“You already know my stance on the matter.” Ominis. “I’d sooner dig my own grave before I let you marry me off to that deplorable woman. She’s psychotic–” 

“A non-issue,” interjected the older voice. 

“Perhaps it’s irrelevant to you, but not to me,” Ominis snapped. You hardly recognized the threatening lilt in his voice; he sounded thoroughly fed up with the discussion, and you briefly wondered how long he’d been going at it with the unknown man. “She’s utterly wicked. Moreover she’s family. Have you forgotten my opposition to these incestuous relations you continue to shove down my throat?” 

At this point, you were almost positive the deeper voice belonged to Ominis’ father. You knew next to nothing about the man, other than the fact that Ominis loathed him with his entire being. Before you could delve further into your thoughts, a distinctly feminine voice filtered through the thin slit in the doorway, sounding colder than ice. 

“Aleister, give it a rest. If he wants to be dragged to the altar instead of walking down it, then so be it.” 

Ominis’ laugh was crass and devoid of any genuine humor, and you could practically hear the sneer in his rebuttal. “Bold of you to assume I’ll let myself be dragged anywhere. Try it and see what happens.” 

“I just don’t understand why you’re so opposed to this,” the woman continued as though he hadn’t even spoken. “You never used to fight us to this extent– you’ve always known what was expected of you as a Gaunt. Does that girl from Hogwarts have anything to do with this?” 

Your entire body went rigid at the mention of yourself, and a tense silence descended over the room. It was suddenly so quiet that you were certain you could hear a pin drop– but in this case the lack of sound allowed you to pick up on something shifting across the floorboards closer to you. You had barely glanced over your shoulder before you were jumping away from the door with your heart hammering in your chest. 

The biggest snake you’d ever seen in your life was slithering across the floor, its iridescent scales somehow reflecting the nonexistent light within the hallway. Your eyes went wider than saucers as you stepped away as much as you could, silently backing yourself into the tiny alcove beside the doorway in a bid to remain undetected– because if there was one thing the wizarding world had taught you, it was that beasts of any kind were far more intelligent than they were given credit for. The snake’s long, forked tongue flicked out incessantly as it made its way towards the doors, but it stopped short of the entryway to pivot its massive head in your direction. 

It was looking right at you. 

Fuck.

Your body tensed in anticipation of the worst; maybe it was venomous and you’d die quickly, or maybe it was more inclined to strangle the life out of you before depositing your corpse in front of Ominis and his parents. The thought made your stomach churn, and your eyes flicked down to confirm that yes– the disillusionment charm was still working– but that didn’t seem to matter where the reptile was concerned, and you mentally chided yourself for ever having let your curiosity get the better of you. 

The conversation on the other side of the door continued as your staring contest with the snake pressed on. “That girl is none of your concern. If you know what’s good for you, you’ll refrain from speaking to me about her.” 

“Ominis,” Aleister admonished with a rough voice. “Don’t you dare speak to your mother that way. Such hostility for some witch we know nothing about– perhaps it’s time to rid you of her influence once and for all. She’s proving to be a greater distraction than I had anticipated.”

Your eyes stayed glued to the snake’s, but your blood ran cold. 

“Over my dead body. If you so much as look at her–”

“That can be arranged. No son of mine will be consorting with some harlot of unknown blood purity. You’d be better off in the grave–” 

“Aleister!” Ominis’ mother yelled, silencing the back and forth bickering instantaneously, and you found the willpower to shift your feet sideways so you could better make a break for the front door.

There was another flick of the creature’s tongue as it blatantly scented your presence, but it made no move to inch closer to you. While you were grateful to still be breathing, you were also deeply, irrevocably afraid, and you came to the resolute decision that it was time to get the hell out of there. 

You moved out of the alcove slowly while maintaining what you deemed to be a safe enough distance from the snake, and all the while its thin, slitted pupils followed your movements. The blasted thing had an awareness to it that sent shivers down your spine, overwhelming you with the urge to run and get away, but vigilance was key. It wasn’t poised to strike, but that just made you even more nervous. 

Why wasn’t it attacking you? 

You adamantly refused to turn your back on the reptile, so you kept your front to it as you skirted the edge of the wall in the direction of the entrance. The discussion between Ominis and his parents was muffled now– their voices distinctly lower after his mother had cut off their argument with her biting tone– but you no longer cared to listen in. You craved safety, and nothing about the Gaunt household offered that. 

As you came upon the final stretch of the hallway, the snake flicked out its tongue once more before it was turning around to begin slithering towards you, and the remnants of your bravery evaporated. Fear overtook you, and the disillusionment charm that had shrouded you in transparency fell away as you pivoted and bolted around the corner. A chill-inducing hiss echoed from down the corridor– the first real sound you’d heard the animal make– and it only served to propel you towards the exit even faster.

The gargantuan double-doors swam into view, and just as you were reaching out to curl your fingers around the handle, a strong arm was coiling around your waist and hauling you backwards with enough force to give you whiplash. A startled, pained yelp was expelled from your lungs as you were slammed into the wall beside the doors, and your hip connected painfully with a tiny side table that careened against the floor. The vase that had been perched atop it shattered loudly, the ceramic pieces scattering across the tile, but you barely got the chance to gauge the extent of the damage before an unfamiliar face was blocking your sight. 

“Well well well, just look at what the cat dragged in. Get lost on your way home, doll?”  

It took a second for the statement to register, but once it had, you were craning your head back to glare boldly at the arrogant sounding man. His tawny eyes were narrowed down at you in amusement, his thick forearm pinned horizontally across your chest to restrain you firmly in place between himself and the wall, and the predatory look in his gaze had your stomach sinking into your feet. Everything about him screamed dangerous; from the unruly hair that curled around his temples to the animalistic way he bared his teeth at you– there wasn’t a doubt in your mind that the man would kill you if he deemed it acceptable. You cursed yourself silently for having put yourself in such a predicament in the first place. 

The imposing man cocked his head to the side coyly as he teased, “I hardly think I deserve such a cruel expression when you’re the one sleuthing around my house uninvited.”

Your mouth opened and shut a few times before you managed to stammer out, “I-I wasn’t–” 

“Don’t deny it,” he cut you off quickly. “What other reason would Ominis’ little plaything have for being here? I sincerely doubt the house-elves held the door open for you.” 

The term ‘plaything’ made you scowl, distracting you from the fact that the man even knew who you were, and you brazenly planted your hands against his firm chest to shove him away. It was like pushing against an immovable boulder. “I’m not his plaything, you prat–”

His free hand shot up in a flash to grip the sides of your jaw painfully, the look on his face darkening tenfold as he growled, “Careful now, I’d hate to lose my temper and take away my brother’s pet.” The fingers splayed under your face tightened a fraction as the crazed man angled your head to the side, shamelessly pressing his nose against the sensitive skin of your throat before he inhaled deeply. You shuddered uncomfortably at the contact. “Although I’m beginning to understand his infatuation a bit. You smell… different. What is that, exactly?” 

You had no fucking clue what he was referring to, nor did you care to find out. Each passing second brought the towering man closer into your personal space, and when one of his legs started to weasel its way in-between yours, you found yourself attempting to writhe out of his ironclad grip. “Let go of me,” you demanded in a low voice, doing your best to keep your words steady and hide the rampant unease in your tone. 

“Answer my question,” he countered easily. “Or I’ll snap your scrawny neck and be done with it. Makes no difference to me whether you live or die–” 

“If you have any desire to keep those slimy hands of yours, you’ll remove them this instant, Marvolo.” 

Your eyes widened at the sound of Ominis’ booming voice echoing throughout the foyer, which had the elder Gaunt smiling wickedly at you. He didn’t bother turning around, opting to stay right where he was and drop his fingers lower so he could squeeze around your windpipe, and you knew your choked gasp reached Ominis’ ears when he swore viciously and began walking closer. 

“Did I stutter? I said to unhand her, you cretin.”

Marvolo tutted disapprovingly, angling his head to the side so he could better keep track of Ominis coming up behind him, but he kept his eyes glued to yours all the while. “Come now, Ominis. You know how I feel about rats, and she was certainly scurrying around like one.”

You finally caught sight of the blond over Marvolo’s shoulder, and the look on his face was downright murderous. His dark, expressive brows were slammed down atop his milky-blue irises, and his pursed lips contorted into a scowl as he leveled his wand with the back of the taller man’s head. Ominis continued to side-step closer, moving with the prowess of a wolf stalking its prey, and to your immense satisfaction Marvolo broke eye contact with you to fix his gaze on his brother. 

Maybe you were imagining it, but you could have sworn he looked wary. 

“Last chance,” Ominis grit out through his clenched teeth. “Let her go. Or you’ll be nothing more than a stain on the floor.” 

The sharp laugh Marvolo let slip past his lips was positively wicked, and Ominis’ threat only served to motivate his brother into tightening his hand around your throat. Stars danced in the corners of your eyes then, and your own hand shot up to grip at the man’s thick wrist in an attempt to pry his fingers away from your windpipe. Panic flooded your brain, your racing heart drowning out the sound of Ominis’ angry voice as your pulse thundered in your ears. Fight or flight was probably an appropriate way to describe what you were feeling, but Marvolo was making both options impossible to act on. 

He wasn’t listening to Ominis. He probably never would. You would have to get yourself out of this mess on your own. 

Marvolo was barking out insults and threats over his shoulder, taunting Ominis into hurting him as he called his younger brother’s bluff. You were able to school your nerves long enough to focus and dig deep inside of yourself in search of the magic you so rarely touched. Isidora’s abilities were as much of an unknown now as they had been when you’d first absorbed them, but it was comparable to a living entity within you, and the phantom presence of her magic roared to life as you called upon it. 

You felt the strange, darker magic crackle over your skin, and Marvolo’s head whipped back around to stare at you with his pupils blown wide. Whatever he saw reflected in your eyes was enough to spark alarm in his heart, and a sick, twisted part of you relished in the apprehension that washed over his features. 

“What the fuck is that?” His hand around your throat loosened a fraction, but you weren’t about to let him walk away from this unscathed. The arm that had been hanging limp at your side stretched out until your palm was directly against his chest, and you couldn’t help but grimace when the red bolts of magic skirted across your forearm and blasted straight into his sternum. 

Marvolo went flying with a barely there grunt– his arms and legs flailing as he tried to find purchase– to no avail. He hit the stone floor and slid an additional ten feet or so until he came to rest just beside the corridor you’d run out of earlier, and your blood ran cold when an older, imposing man with salt-and-pepper hair stepped out from within the hallway. The look on his face was enough to spur you into action then, and you spared a quick, panicked glance at Ominis before you peeled off of the wall and threw the front door open. 

The cool night air was like a slap to your face, sobering you up instantaneously and driving you to pump your legs harder— faster— as you sprinted down the path that led to the dark forest surrounding the property. There was a bang from somewhere behind you and an animalistic sound you could only describe as a snarl, but you didn’t dare look back. Not when it could potentially cost you dearly. 

“Marvolo!” Ominis shouted, his voice angry and distant, but as the footsteps slapping against the gravel behind you got closer and closer, you realized it had to be him giving chase. Your heart hammered in your chest and in your ears– drowning out the sound of the encroaching danger hot on your heels– but you knew there would be no outrunning Marvolo. That crazed look in his eyes you’d seen earlier told you everything you needed to know; he would pursue you to the end of the damn country on foot if need be, and you had no intention of getting caught to find out what he had planned for you. 

Another growl sounded from over your shoulder, causing you to will your brain out of flight-mode and force your magic into action. It surged in your blood, coursing through your veins as you thought of home– of safety. 

One second you were running, and in the next you had apparated. Marvolo’s hand came down on empty air, his heels digging into the ground as he skidded to a stop and realized what had happened. You were already long gone, but his rage-filled roar shook the foundation of the manor, somehow echoing in your ears as you collapsed to your knees in the center of your living room. 

***

Your eyes stung as the steam from the bath wafted up into your face, your gaze never straying from the surface of the water. It had been nearly two hours since your narrow escape from Ominis’ childhood home and you had been in the tub for the majority of it– calming your frayed nerves and racing heart with deep breaths that did little to quell the anxiety that still riddled you. The hot water had been charmed back to scalding temperatures twice now, having gone cold multiple times already as you sat with your knees curled against your chest and replayed every second of your fortuitous run-in with Marvolo Gaunt. 

The ache in your hip throbbed to life every time you thought back to the primal glint that had flashed in Marvolo’s eyes as he’d thrown you into that table. What had started as a tender red spot on your side had transformed into a nasty, colossal bruise, stark and obvious against your bare skin. You hadn’t been able to so much as glance at the finger shaped bruises that wrapped around your neck without feeling nauseous. 

You’d made a mistake in following Ominis– that much was certain. 

The man in question had yet to return home, and as a result, the seemingly bottomless pit of unease in your chest only worsened. Part of you was ashamed for having left him alone to face his family’s scrutiny after literally breaking and entering, but you knew he wouldn’t have had it any other way. There wasn’t a doubt in your mind that he would have found a way to get you out as quickly as possible if you hadn’t done so yourself. 

Still, you worried. 

Another fifteen minutes passed without a sound from within the house, and you dimly registered that the water had gone cold once more. You were half tempted to heat it up again and spend the remainder of the night turning yourself into a human-sized prune, but the ache in your back from staying curled up for so long diminished the idea quickly. Swiftly, you hoisted yourself out of the water, using the rim of the tub to steady yourself as you stood and began drying yourself off. Rivulets of water still cascaded down your body as you draped your robe over your shoulders, but you couldn’t muster up the energy to care. Fatigue overtook you as you combed through your hair with your fingers and padded into your bedroom, and the second you laid down atop the sheets, your eyes were drifting shut. 

You had no idea how long you slept before the distinct feeling of the mattress dipping roused you from your light slumber. The room was cloaked in darkness, save for the pulsing, red glow that emanated from Ominis’ wand as he hovered it over you, and you slowly started to blink the fog from your eyes. 

You had no clue how he realized you were awake, but his voice was unmistakably tight as he asked you, “Where are you hurt?” 

It took your brain a second to fully register the question, and you propped yourself up on your elbow as your eyes adjusted to the dim light and muttered, “What?” 

“You screamed,” he gritted through clenched teeth, and despite the low visibility in the room, you watched as his grip on his wand turned white knuckled. “I heard you earlier. You were in pain– I know it’s the truth– so tell me now, where are you hurt?” 

On cue, the bruise on your hip throbbed to life, and you swiftly placed your hand on top of it while silently cursing yourself for not having brewed any Wiggenweld potions after returning home. Evidently your mind had been too jumbled to do the most logical thing following the altercation. “It’s not that bad–” you started to say, but Ominis cut you off before you could downplay the injury any further. 

“Please,” he implored you, silencing you instantly with his pleading tone. “I’m trying to leave this up to you, but don’t think for a second I won’t figure it out for myself if you don’t tell me.”

Something about the desperate look on his face made you pause, and you took a moment to really take in the sight of him. He was pale– far paler than normal– and the way his brows furrowed told you that he was more anxious than you realized. His posture was still impeccable but less poised– closer to rigid. His shoulders barely moved, giving the illusion that he was hardly breathing, and you honestly weren’t sure he was at this point. 

In short, Ominis looked petrified. 

Your lips formed a hard line as your gaze traversed his stiff form, swallowing thickly before you slid your hand away from your hip to reveal the dark purple blotch that decorated your side. “My hip,” you murmured, afraid that if you spoke the truth too loudly, the tentative composure Ominis was keeping would vanish. 

The muscle in his jaw ticked, and the hand he didn’t have wrapped around the handle of his wand came to skim along your waist before hovering ever so slightly above the bruise. “Where else?” 

“This is the worst of the damage–”

“Where else?” His voice was deeper and rougher than you were accustomed to hearing, and the notable difference had your stomach flipping over on itself. It left you feeling queasy, and you honestly couldn’t tell if he was mad at you or at the situation as a whole. 

“…My neck,” you relented quietly, all too aware of the blatant anger that overtook Ominis’ face. “At least I returned the favor,” you added quickly with a half-smile, trying to lessen the severity of the claim. It was a failed attempt, however, seeing as the man averted his unseeing gaze to the floor and shook his head minutely. Dimly, you watched as he waved his wand over his free hand, and a small vial of Wiggenweld appeared in the center of his palm before he wordlessly handed it to you. Given his tense demeanor, you opted not to say anything as you took it and removed the cork, then drank down the earthy contents graciously. The relief was instantaneous, and through the darkness of the room you managed to catch sight of the bruise on your hip fading away entirely. 

Your tiny sigh of relief reached Ominis’ ears, and the tension in his shoulders seemed to dissipate– albeit barely. “You should never have gone there. Why would you set foot anywhere near that damnable house? Do you have any idea the kind of danger you put yourself in– the kind of danger that you’re still in?”

At that, you finally pushed yourself up so you were sitting with your back against the pillows, setting aside the empty vial so you could clasp Ominis’ free hand in yours. His skin was cool to the touch, and you noted the miniscule tremors that emanated from him as you squeezed the appendage to will his attention back to you. “I’m sorry, Ominis. I was worried about you– you were so upset before you left earlier and I was scared that your family would do something to you.” 

“Of course they want to do something to me. They’ve tried puppeting me into a version of myself they can tolerate for my entire life, but it’s for that very reason that I can handle them. I’ve told you what they’re like– how relentless they are– and still you went there.” His head finally snapped back in your direction, and the expression on his face was one you were certain you would never forget; it was a mask of desperation, fear, and most notably, rage. “You have no idea what you’ve done– what it means now that they’ve seen you and what you can do.”

You’d hadn’t really done much of anything, aside from blasting Marvolo across the foyer before running for your life. Still, his words kindled a spark of fear in your chest, and your hold on his hand turned loose and clammy. “What are you talking about?” 

“Before tonight, you were just an unknown witch I’d been… ‘cavorting’ with, in my father’s eyes. Easy to get rid of should the need arise. Until earlier, they didn’t believe you to be exceptionally powerful or particularly useful.”

The sudden dryness in your throat became painfully obvious. “Useful how?” 

“The Gaunt’s value power and authority over everything. Both things guarantee them the influence they need to further their own ends, and as unknown as your abilities are to them, they are undeniable. They’d be fools to ignore such a potent form of magic, and as much as I detest my family and their convoluted values, I’ll be the first to admit that they aren’t stupid. They will find a way to make that power their own– blood purity be damned– and stealing you away and marrying you off to my brother would be their most likely course of action.”

Ominis practically spat the word, his teeth bared and eyes narrowed as murderous thoughts of his brother flew through his mind. Your own head was reeling at the revelation, nausea crashing over you as you thought back to Marvolo and the sadistic way he’d smiled as he tried choking the life out of you. Someone like that wouldn’t– no, couldn’t have a caring bone in their body. But you also knew that someone of his caliber was bound to be determined to get what he wanted, and if Ominis believed that his family now sought to obtain you for their own ends, Marvolo would do everything in his power to make it happen. 

You had really, really fucked up. 

Somewhere in-between thinking of Ominis’ brother and the sickening idea of being kidnapped, your breathing had kicked up dramatically. You didn’t notice, but the blond man beside you certainly did. Ominis turned fully so his torso was angled towards you, feeling around the bed for your other hand before clasping your trembling limbs in his cooler ones, and your wide eyes flicked back up to meet his. “I won’t let them have you. Do you hear me? If they so much as glance at you, I’ll leave them wishing they had never set their sights on you.”

“You can’t know that,” you whispered, and your voice was unrecognizable to you. It was small and shaky, timid and so very, very afraid. “Marvolo is– he’s a beast. He’ll kill you in a heartbeat, Ominis. You’ll die and it will be all my fault. I-I’m sorry, I’m so sorry, this is all my fault–” 

In a flash, Ominis silenced you with a kiss. It took you by surprise, but it was far from an unwelcome one– especially when his wand bearing hand slid to the back of your neck to pull you impossibly closer towards him. You were pleased to discover that the skin there no longer throbbed with discomfort, the Wiggenweld potion he’d given you having done its job for all the bruises, not just the one on your hip. The revelation calmed you further, and before you knew it you were melting against the taller man, grabbing fistfulls of his shirt to cling to him desperately.

Ominis broke away momentarily to murmur against your parted lips, “No one will ever take you from me, you’re mine.” 

Despite the circumstances that led the two of you to this moment, you found yourself enraptured by the possessive declaration, and you couldn’t help but lean closer into the blond’s personal space until your hands were sandwiched between his chest and your breasts. Your mouth found his again, and you fervently bit at his bottom lip as you breathily whispered, “I’m yours, Ominis. Only yours.” 

Instantly, Ominis was pushing you back towards the headboard until your head knocked against the wooden frame, not once breaking the kiss as he positioned himself on top of you. His long legs came to cage your own against the mattress as he threw his wand to the edge of the bed, freeing both of his hands so he could plant them on either side of your face. Pulling away seemed physically difficult for him but he didn’t stray far, opting to rest his forehead against yours and fix his hazy eyes directly on yours. How he knew where to aim his heady stare, you didn’t know, but your toes curled at the ardent need for you that reflected in his blue irises. 

“Say it again,” he implored you with a voice like pure sin. 

“I’m yours,” you obliged him without missing a beat, and a sigh slipped past your lips as Ominis lowered his face to pepper featherlight kisses along your jaw and down the now unmarred column of your neck. Goosebumps broke out virtually all over your body when you felt one of his cool hands fall to the neckline of your robe, and as Ominis slowly tugged the material apart to expose your bare chest, he sank his teeth into the tender spot above your clavicle. The pain laced pleasure left you moaning his name in earnest, your voice steadily growing louder as his thumb came to graze over one of your nipples. 

You felt the pressure from his teeth lessen as you arched into his touch, followed by his kiss-swollen lips latching over the bite to suck lightly. “Again,” he breathed, continuing to work his searing brand into your flesh. 

There were too many ways to describe his actions; primal, dominant, and greedy, to name a few. Yet there was a softness to his words that left your heart aching within your chest– a tenderness that spoke volumes of the fear he’d felt upon realizing you had entered into that nest of vipers. He had nearly lost you tonight, and when the hand against your breast shifted down to curl around your waist, you realized he would never allow for it to happen again. 

“I’m here, Ominis, I’m right here,” you moaned, your reedy voice bouncing off the walls of the bedroom and causing the man above you to shudder. “I’m here and I’m yours.” 

Before long, Ominis was moving back into your line of sight to capture your lips in another searing kiss. The hand on your waist traversed the bare expanse of your lower stomach before reaching your aching center, and you mindlessly wound your arms around his neck to tug him closer, bucking your hips into his hand as he slid a slender finger through your folds. 

“Mine,” he growled against your parted lips, and your next breath caught in your throat as he tentatively pushed the digit inside your wet heat. Your contented sigh filtered through Ominis’ hypersensitive ears as he pressed his finger in all the way to the knuckle, and the arm he supported himself with trembled minutely as he fought to control his baser urges. 

After everything that had transpired tonight, he wanted nothing more than to bury himself deep in your cunt, desperate to feel you clamp down around his cock and suck him in further and further as he claimed you. He longed to mark you, brand you, consume you, in every possible way– his family’s wishes be damned. He would make you his and his alone. Should any of his kin so much as attempt to interject, he vowed he would defend you until his last breath– and then not even death would stop him. Ominis knew without a shadow of a doubt that he would defy the laws of nature if it meant keeping you safe from harm. 

As you continued to rock your hips in time with Ominis’ hand, your legs spread apart of their own accord, silently beckoning him closer as you shivered under his dutiful ministrations. Ominis felt the movement and groaned in blatant appreciation, taking advantage of the newfound space to siddle down the bed and kneel comfortably between your legs, and all the while his finger continued to pump in and out of your wet heat languidly. He bestowed another toe-curling kiss upon your lips before breaking away to slide fully down the mattress, your heart stuttering in your chest as he moved low enough to settle between your quivering thighs. It was impossible to overlook the animalistic expression on Ominis’ face as he gazed in your direction– following the sound of your barely there whimpers– and your blood ignited in your veins at the sight. 

All too eager, Ominis wasted little time in securing his grip around your waist with his free arm to better pull you harder onto his finger. The keening sound that slipped from your throat was replaced almost instantly by a guttural moan, drawn forth by the feeling of your lover’s lips latching around your clit to suck enthusiastically, and your head thunked against the headboard as wave after wave of sheer pleasure cascaded through you. 

Your thighs absentmindedly clenched on either side of Ominis’ head as he shamelessly pulled your bundle of nerves into his mouth, the action accompanied by wet, perverted sounds that had damn near all the blood in your body rushing to your cheeks. “Merlin, Ominis– fuck–” 

Beyond a throaty growl, he said nothing. He simply tightened his hold on your waist, his other hand angling itself so he could better curl the finger inside of you, the combined sensations making your head positively spin. Entirely at his mercy, your hands flew to his soft, blond hair as you effectively surrendered to the pure bliss he granted you. 

If you had been hot and wet already, Ominis’ mouth felt a thousand times more so as he torturously dragged his tongue up your cunt. He removed his finger from your clenching walls and replaced it with the wet muscle, wriggling it as much as he could as though he were desperate to lap up everything that escaped out of you. Your breathing hitched and your hips involuntarily bucked when his ministrations traveled higher towards your clit, and when he finally reached it, the tip of his tongue was slow and methodical as he pressed firm, torturous circles around the throbbing bundle.

Ordinarily, having Ominis appreciatively go down on you would have been the highlight of the night, but given his domineering persona at present, you knew you were just plain fucked now. 

“Ominis, please,” you managed to croak out. “I’m not going to last, I– ah!” You practically yelped when the tips of the man’s teeth raked along your inner thigh, nipping at the soft skin there hard enough for you to jolt. 

“Just relax and let me work,” he muttered coolly, pressing a featherlight kiss to the spot he’d bitten as he dragged his hands down your abdomen to squeeze your tensing thighs. 

Despite your best efforts, you were quickly losing your grip on anything other than the sensations Ominis was lavishing you with. You felt lightheaded as you attempted to release your tense muscles, struggling to do so as your lover devoured you with reckless abandon. His nose brushed against your clit as he slipped his tongue inside of you once more, the sound of his wet, suckling noises intermingling with your breathy whines as you felt your climax building higher and higher in your gut. You couldn’t tell if your arousal was stemming from how Ominis enthusiastically used his tongue, lips, and teeth on you or if it came from the demanding way he directed you, but you decided that you didn’t care; every feeling had burrowed deep inside of you and taken root in your mind. 

You wanted more– no, needed more. 

Head whacking back against the wooden bed frame, you needily tugged at the strands of his hair wrapped around your fingers as you pleaded, “Please, Ominis, I need you…” 

Those five words did more to stroke his ego than you would ever know. Right now, Ominis needed you to need him. He wanted you to succumb to his ministrations and bend to his will, all to parry the baseless demands of his deranged family. There wasn’t a chance in hell he would ever willingly hand you over to them– much less to Marvolo– and through your rapture-filled begging, he knew he had succeeded. 

You were wholly and unequivocally his. 

He pulled away for a moment to run his hands up your thighs, over your hips, then along the pebbled peaks of your breasts. The way you trembled at his touch told him everything he needed to know; you were hanging on by a thread, and he didn’t need to see you in order to know you looked absolutely wrecked. 

Unable to endure a second more of the teasing, Ominis raised himself up on his knees to remove his clothing. Swiftly and efficiently, he dexterously undid the catch of his trousers before shoving the constricting attire down his narrow hips. There was no stopping the sigh of relief that spilled through his clenched teeth as his cock finally sprung free– long, heavy, and leaking from the red, swollen tip. With his shirt disheveled, hair mussed, and pants haphazardly hanging below his hip bones, he was truly the picture of temptation. You stared up at him through hooded eyes as he stroked himself a few times, taking in the sight of your lover towering over you as you lay prone atop the sheets beneath him. 

Once again, Ominis’ uncanny ability to feel your eyes on him surprised you, and a cheshire-like smirk blossomed across his face as he asked, “Enjoying the view?” 

“More than you are, I’d wager,” you retorted, and Ominis scoffed as his smug expression turned into one of amused disbelief. That mouth of yours was bound to land you in trouble one of these days. 

“Smartass,” he murmured affectionately, keeping one hand on his shaft as the other reached down in search of your waist, squeezing the flesh there with a bruising strength that only served to intensify the ache between your legs. You aided him by wriggling down the sheets in order to press your ass against his bent knees, and Ominis lowered himself once more so the heavy weight of his cock rested against your spit-slick folds. It was hard for you to believe that the wild haired, smokey-eyed man kneeling between your legs was the same boy who had shyly walked with you to your classes all those years ago. Both of his hands pressed against your hips this time as he sat back on his heels, white teeth flashing as he aligned the head of his manhood against your entrance. 

“Are you ready for me, darling?” Ominis asked, as though you hadn’t been begging for this very outcome minutes before. 

“Yes,” you breathed out shakily, your hands twisting in the fabric of your long-abandoned bathrobe beneath you. “I’m–”

Despite his privileged upbringing, Ominis was a fan of the simple things in life. Good food, long walks during the warmer seasons, and the sound of your voice catching when he took you by surprise and slid inside you abruptly. In one fluid motion, he breached your walls, listening intently to your sharp intake of breath as he inched himself forward until his knees were under your rear and he’d bottomed out completely. The small whimper that slipped from your mouth had a deep, throaty chuckle escaping his, and his thumbs took to tracing encouraging circles against your hips as you clenched around him. 

“I’m sure you are,” he purred in an infuriatingly sexy tone while you struggled to regain control over your breathing. Instantly, the dim embers of lust within you were rekindled, every inch of your body warm and borderline electric. Your hips writhed in Ominis’ hold in an attempt to wriggle closer, the unyielding grip he had on you coupled with the hungry expression on his face almost enough to make you come undone then and there. 

“Fuck, Ominis–” your words were cut short by a stifled moan as the blond slowly withdrew himself, arching back until only the tip of his cock was inside you before slamming his hips forward in one quick, sharp thrust. Your hands flew to his clothed knees as you dug your nails into the rumpled material of his trousers, desperate to touch every inch of him that you could but struggling to catch your breath in the midst of his slow, methodical thrusts. 

Well, methodical at first. 

You could feel Ominis’ acute desire for you with every pump of his hips, and a groan snaked its way out of his chest as he freed one of his hands to reach down and thumb over your clit. You hissed triumphantly through your teeth as you saw his expression slowly shift into something needier, his thrusts becoming less precise and more visceral. With how tight he was gripping you, you were positive the healed bruise from earlier would be replaced by long, finger shaped stripes, but you didn’t care. If it was Ominis, it was fine. If it was him claiming you, branding you, consuming you, it was more than fine. 

The blue-eyed incubus above you seemed to think similarly, if the low rumble in his chest was anything to go by. He was absolutely lost in the euphoria that came with being encased in your pulsing, tight heat, causing him to abandon his pretenses of control and give into his want for you with gusto. The hand he had on your sensitive bundle of nerves returned to grasp your waist, and even elevated as he was, he still had to thrust down into you– shaking the headboard with every plunge as he effectively fucked you into the mattress. 

The distinction was clear and evident in your mind as your legs came to wind around Ominis’ waist; the two of you had obviously been intimate before, and you had definitely made love before, but you had never been so carnally fucked like this a day in your life. It was hard to recall if Ominis had ever ravished you with such need in every stroke, enough so that you found yourself unable to control your shaking breaths or the volume of your voice. It was enrapturing– getting caught up in the way he staked his claim on you– so intent on fucking himself harder and deeper into you that his own husky murmurs of your name fell from his lips like a mantra. 

Your inability to fight your moans and curses and feverish pleas for more was what Ominis lived for. The blond craved the sound of your voice like a drug, and he drew unparalleled strength from your vocal satisfaction. Maybe it had more to do with the events of the night than anything else, but hearing you cry his name and feeling you claw at the tops of his thighs made his chest swell with possessive affection, thrilled to hear you unwittingly proclaim that you were in fact his. No one else would ever have you– no one else would ever find themselves lucky enough to have you reduced to such a state beneath them other than him. 

“M-More,” you practically sobbed the request as Ominis gripped your hips tighter, dimly registering the thundering crack of the headboard banging against the wall. “More– please– I’m s-so close–”

You asked for it with each breath expelled from your lungs, and Ominis would graciously give it to you. He couldn’t have refused you any longer if he wanted to. “You want to come, darling?” He panted, receiving only whimpering nods in return. “Ask.” 

“P-Please, please let me come, I can’t–” you gasped, squeezing your eyes shut as your teeth clenched together hard enough to make your jaw pop. You teetered on the brink of oblivion, waiting only on Ominis’ say-so to fall over the edge which seemed to loom so, so close. 

“Beg,” Ominis rasped thickly, his fingers tightening and digging into the skin of your hips as he bucked harder against your ass. “Beg for it– beg for me to let you come.” 

You couldn’t even find the brainpower to realize he was demanding to hear you say it to fuel his unrepentant hold on you. The taunting, the pleasure laced brutality– it was all to assuage the bitter anger that had coursed through his veins upon hearing his family refer to you as tradeable cattle. Later on, he would be collected enough to reassure you that you were your own person, free to make your own decisions and go wherever your heart desired. 

Right now though, his baser urges had won out, and he needed to hear you say it. 

Your head slammed into the pillows as your back arched off the mattress, doing your best to shut out the mounting pleasure that threatened to break through your crumbling resolve. “Please, Ominis! Please let me–” you hiccuped around another gasp, the ache in your gut bordering on unbearable. “L-Let me… let me…”

One of his hands released your waist to feel up your torso and curl around the back of your neck, lifting your head off of the pillow so your eyes were on him as he uttered five words that struck something deep inside of you. 

“Then come for me, love.” 

Your breaking point smacked into you hard and fast, leaving you equally breathless and brainless as your mouth fell open around a long, drawn out cry of Ominis’ name. Your climax ripped through you ferociously, your vision flashing white and your muscles tensing for a moment of near perfect silence as your lover continued to thrust in and out of you with unwavering focus. Even after you’d collapsed back against the sheets and gone limp in his arms, Ominis continued to chase his own finish, balancing precariously over you on his elbows and burying his face in the crook of your neck to muffle the shaky groans he failed to bite back. 

Maybe you were imagining it, but you could have sworn he continued to murmur quiet declarations against your skin that sounded a lot like, “Mine.” 

Before long, Ominis was following you over the edge with a throaty purr that slithered out of his throat. His arms trembled on either side of your head, his hands gathering fistfuls of the pillows as he buried himself completely inside of you with one final plunge of his hips. You heard the blond moan hoarsely in your ear as he spilled into you, grinding against your ass to milk every last drop of his seed from his twitching member, and when he mouthed wetly against the sweat-slick column of throat before biting down, all you could focus on was the warmth that filled you as you quivered under him. 

After a few moments of the two of you panting softly, you lifted your hands to Ominis’ clothed back in a bid to usher him to the side. He tensed, however, and you paused as he wedged one of his arms under your back to hold you flush to him as he continued to re-center himself. “Not yet,” you heard him grumble into the hollow of your throat. “Not yet… give me a second.” 

“…Alright,” you relented quickly, only mildly concerned as you wrapped your arms around his slender shoulders. With your fingers tracing lazy shapes against his clothed back, you allowed yourself to enjoy the feeling of Ominis’ weight pressing down on you, his gentle exhales fanning against your clammy skin, and the steady rhythm of his heart beating against your sternum. 

Given the severity of what had happened at his family’s house, you weren’t sure the two of you would ever get another moment like this again. So, you held on tightly to him in the hopes that the night would last just a little bit longer. 

The two of you stayed like that for what seemed like hours but realistically could only have been a few minutes, and shortly after Ominis began peppering kisses up your throat and along your jaw, your eyes drifted shut as you dozed off once more. When you woke the following morning and found yourself tucked in beneath the sheets, you propped yourself up on your elbow to glance around the otherwise empty room, noting immediately that Ominis was nowhere to be found. 

In a panicked flurry of movement, you threw off the blankets and were still tying your robe around your waist as you hurriedly shuffled down the hallway. Your dread was smothered in the next instant by overwhelming ease as you rounded the corner to find Ominis in the kitchen, gripping the countertop and working a muscle in his jaw while he hovered his wand over a letter that looked eerily similar to the one he’d received just a day ago. 

Even though he could hear you approaching, he said nothing as you padded across the room to stand behind him, coiling your arms around his waist to press your front against his back. A shaky sigh escaped him, and you stared at the wall as you contemplated your words before deciding on, “What are you reading?” 

A pause, “A formal summons for you, inviting you to meet my family officially.” 

Your heart fell into your stomach, arms tightening around the taller man a fraction as you pursed your lips in blatant distaste. “We won’t go,” you announced, and Ominis shifted in your embrace so he could wrap his arms around you to hug you back with a firmness that spoke volumes of his agreement. 

“We won’t,” he said. “But we can’t stay here, either. Not anymore.” 

“I know.” 

He buried his chin in the mess of hair atop your head, shamelessly inhaling your scent before he told you, “We have to leave– go somewhere far away– and we can’t tell anyone.” 

“I know.” 

The way his nimble fingers gripped the back of your robe told you of just how conflicted he was to ask this of you– to uproot your shared lives here to flee the meddling of his family. His voice was laced with remorse as he asked, “And you’re okay with that? Truly?”

“I am,” and you really were. There wasn’t a lick of hesitation in your voice– not a shred of apprehension hidden in your tone at the prospect of packing up and running as far from here as humanly possible. “So long as we’re together, I am.” 

Ominis skimmed his hands up your back to cup your cheeks, angling your head up at him so he could kiss you fully, and you returned the gesture with equal fervor. As long as he was with you, you knew you could do anything. With Ominis by your side, you would fight tooth and nail against every hellish creature or person in existence to ensure your future together. 

Wherever the two of you ended up, you already knew that your home wouldn’t just be some place. It would always be him.

[artbyblastweave]

Finished up Batman Beyond today. As much as I liked it, one thing that did jump out at me over the course of the show was that Dana Tan was basically an unreconstructed instance of "The Superhero's Girlfriend-" a love interest who's present in the narrative mainly to create tension between the demands of the superhero lifestyle and the loved one who's in the dark, but who has very little agency or role in the story beyond that, indeed, very little else you can have them do if you want to preserve that. The episode in which I believe she got the most focus, she spent most of it running for her life from a Rat Guy through the sewers.

There's a post about Spider-Man doing the rounds, which posits that part of why Mary Jane won out over Spidey's other long-term love interests was that because she wasn't originally intended to win, she had room to develop traits and dynamics beyond "superhero's put-upon girlfriend-"in fact, she had to, in order to present a plausible temptation away from whoever Spidey was quote-unquote "supposed" to be dating. I'm not a comprehensive Spidey reader, so I'm not going to go to the mattress for that read until I've read some more- but I do think there's some meat to that dynamic in general because of this show. Melanie Walker only shows up in three episodes and already she's got a ridiculously tangled family dynamic thrown into the mix, torn loyalties, the need to keep her head above water financially no matter what other goals she has, a cool hoverboard. Max Gibson's got an actual give-and-take back-and-forth with Terry and Bruce, the added interesting complication that she's trying to prybar her way even further into the game than either of them want her to but it's not like they have a way to make her leave. Dana is.... pissed that Terry is spending so much time with Mr. Wayne. Again. I mean, she's got a job to do, she clocks in at the start of each episode and does it.

This sort of harkens back to Invincible, where a major tenet of the first quarter of the book was that for logistical and ethical reasons, a superhero's dating pool is realistically limited to other players of the game- other people deep enough in the cape lifestyle that they can keep up and relate. Otherwise, your partner is going to spend most of the relationship stuck on the outside looking in, and even if they're nominally okay with the situation it's going to suck. Arguably, Amber in the comic fell into the pit of visibly existing mainly to demonstrate this, reproducing the dynamic they were critiquing. The show did a lot of legwork trying to make her more of an actively agentic character, but when the entire point is that a character in her position would have extremely limited agency there's only so much you can do to patch that. Then Eve rolls in, and it turns out you can do the exact same relationship beats about chronic unavailability, lack of communication and the like, but with a partner who's equally capable of showing up to all the big set piece fights and gorily eviscerating people in her own unique ways- a character who's consistently around in the story for reasons other than that she's dating the hero. You don't have to pick!

This got longer than I thought it was going to be. I do want to round out by saying that this sort of aligns neatly with something else that I've noticed- namely that a lot of post-10s cartoons also appear to have noticed this, and either hang back from biting off more than they can chew by committing to a romance subplot for their leads, or if there is a romance subplot they really aggressively commit to making sure the love interest approaches deuteragonist status in terms of airtime and agency. Hell, Steven Universe left the exact status of Steven and Connie's relationship ambiguous, and it still had a lot to say about the civilian girlfriend freezeout trope. Again- date other players!

[pastelpinkkadan]

If we look at it from a PURELY logical and text based standpoint (no theories, no opinions on ships, no “I feel like…”, JUST text), we can pretty much guarantee two things.

Elain is the next MC.

Azriel is also the next MC.

Why?

Because everything has been set up for BOTH of them.

Azriel has gotten a bonus chapter from his POV. The most important part of that BC, was the FACT that it was from his POV. Just like Cassian got his own POV to help set him up for ACOSF. If Az was not the next MC, there’d be NO reason to give him a POV chapter. Absolutely none.

Elain is connected to pretty much every remaining plot point that the ACOTAR series has. The Dread Trove, Koschei, and yes the Band of Exiles. She has some sort of connection to each of these things, whether it’s through her Seer powers, court politics, or connections to other people. She is also the ONLY Archeron sister without a book yet. And, if we’re going off the clear pattern that SJM has set, she is obviously next.

If Lucien was next, he would have gotten a POV chapter. Or at the VERY least been in ACOSF in some meaningful way. But he wasn’t, at all. In fact Eris was featured more than him! This was the time to set Lucien up and SJM didn’t do it. Where was HIS bonus chapter? Where was HIS scene with Elain? Nonexistent.

If Gwyn was next, she’d be connected to ANY of the remaining plot points I mentioned. Obviously connected, by the way, not far reaching theories. But she isn’t. Like, at all. Hell, SJM could have easily had Gwyn say she was ready to leave the library and go explore the world, try something new, go on an adventure, or ANYTHING related to having her get her own story. Literally anything. But Gwyn went back to the library at the end of ACOSF, and SJM made a point to mention that.

Two characters have obviously been set up to have their stories told . Only two.

If the next ACOTAR book was about Elain and Lucien, you’d have to COMPLETELY ignore Azriel’s POV chapter and everything SJM has been giving him.

If the next ACOTAR book was about Azriel and Gwyn, you’d have to COMPLETELY ignore major plot points that borderline REQUIRE Elain to be present in them in a big way. And add a character that has NEVER been apart of these plot lines before, and wasn’t added to them during ACOSF either.

It’s not about “what ship you think is better”. It’s about what is ACTUALLY and BLUNTLY there in the text. With text, it doesn’t require imagining a bunch of scenes that haven’t happened or how you THINK two characters would act as a couple. It’s already there.

If you have to ignore entire characters and plot points, if they can’t exist or be around to make your ship plausible, then it’s not as valid as you think.

Thank you and make sure to tip your waitress.

[roseameilatempest]

Sanemi’s delusion, and how it affects his relationships.

or a sanemi analysis 🙏

manga spoilers

This is mainly focused on kanae and masachika, tanjiro, giyuu, and of course genya. If you ship sanekana and are uncomfortable with them being portrayed as mildly unhealthy then feel free to scroll, this is no way meant to hate on sanekana in itself, this is just my personal analysis of their relationship. Keep in mind that nearly all of this is coming from the ‘signs from the wind’ light novel about sanemi, since we didn’t get many interactions of them in the main series.

To start this off, i’m not actually going to be saying sanemi is a good person, he’s a morally grey character, he’s done bad things while having good intentions. (attempting to blind genya, neglecting him, etc) To say he is a perfectly good person would be taking away a lot of his story. Something i feel gets overlooked a lot, is the fact sanemi had a mass amount of trauma before he even had his first encounter with a demon, yes this is to do with his father. Sanemi grew up in an abusive household which definitely changed his morals and understanding of how things work. After his father passed, he was really experiencing being in a safe environment for the first time in his life. He had a lot of responsibility that he shared with genya at the time too.

Throughout his life the only person he could look up too was his mother, the fact she protected his siblings even though she was so small physically. Then all of a sudden he was met with having to kill her to protect genya. Sanemi was absolutely not okay, he was hit with another load of trauma. To cope with this sanemi made up an entire life plan in his mind, so nothing could spiral out of control. This was of course making sure genya had a family and did not join the corps and die. Which is why sanemi tried everything in his power to make genya leave. This coping mechanism is a delusion.

Because of this delusion he fails to see the trauma that genya went through as well. Sanemi himself thinks he’s too far gone, he’s too burdened with the trauma. So instead he wants genya to grow old and have a good life, and he will do everything in his power to make sure that happens and genya is safe. While this delusion is mainly focused around genya, it affects his other relationships too. The people sanemi was comfortable around reminded him of his family (masachika and kanae, masachika being his brother and kanae being his mother) the people that sanemi hated, (tanjiro and giyuu) reminded sanemi of himself.

let’s start with tanjiro, when sanemi first met tanjiro it’s about nezuko, a female family member that’s turned into a demon. Something they both have in common. As well tanjiro was actively fighting to save his sister, Even though she’s a demon, it clearly reminded sanemi of himself. Giyuu is also an interesting one, sanemi misunderstood giyuu, because giyuu always distanced himself, we know this was because he thought he didn’t deserve to be a hashira, while sanemi thought it was because giyuu was stuck up. He misunderstood giyuu because he’d rather die then show that much vulnerability openly, giyuu is unintentionally wearing his pain, and that’s pissing sanemi off, he’s a reflection of sanemi’s pain. Something sanemi doesn’t want to admit.

Now let’s contrast that with masachika and kanae, masachika was the boy who recruited sanemi into the demon slayer corps. He had to try a little but eventually he did get into sanemi’s heart, and became sanemis brother figure. Sanemi ended up losing masachika as well, he was so kind, like genya. Sanemi knew he couldn’t let genya die in the corps like masachika did. Which again just fueled his delusion, wanting to keep genya out of the corps even more. Now with kanae, people do often say their relationship is romantic, because of gyomeis view on sanemi, though, i do think they’re very plausible as platonic. with what we are given.

Every parallel between kanae and sanemi are about sanemi’s mother, her hands, the fact kanae wanted to be kind to demons, just like how his mother was kind to their father, it’s the reason sanemi was so comfortable around her because of how similar to his mother she was. He also acknowledged that she was an older sibling too, but so very different from him, she trained her younger sister (shinobu) and let her join the corps. Not only just after that sanemi talked about how he wasn’t interested in women thirsting over him if he became a hashira, and in the fanbook it was also stated he was dense to romance. At most it was a crush, if it was sanemi didn’t realize it himself.

what we know about sanemi and kanae, i don’t think it would’ve been particularly healthy ether, the reason sanemi was only so calm with kanae in the first place was because she reminded him of his mother. Which wouldn’t be getting him out of his delusion, it would be temporary pacifying him IN his delusion, sanemi did indeed need a slap to the face. He needed actual tough love, something to pull him out of that delusion, kanae was shown to be kind and not being able to speak up for him when he was acting out, in the long run sanemi’s mental health would probably end up hurting kanae too.

it’s also worth pointing out that kanae gets watered down to sanemi’s love interest, while she doesn’t have many moments she’s clearly more then just a love interest to sanemi, she’s the reason for shinobus character development. I don’t think she should be watered down to a love interest when we barely got that in the main story.

overall, this is my analysis and isn’t meant to make you stop shipping sanekana, it’s just personally why i don’t ship it and an explanation of sanemi’s character.

[project-sekai-facts]

Hatsune Miku broke space-time and here's how

a somewhat off-the-wall theory by tumblr user project-sekai-facts

SEKAI are... mysterious, to say the least. They're worlds made out of the emotions of teenagers, only accessible through a song on a phone that cannot disappear, and most importantly, inhabited by the main 6 Crypton VOCALOID characters.

So, what exactly is a SEKAI? For one, they're not magical or supernatural, as confirmed in Len's Street SEKAI 2*. According to Len, SEKAI are just mysterious, as previously mentioned. He also mentions in that card story that the Virtual Singers that inhabit SEKAI are not that much unlike humans, although they have the innate ability to help people discover their true feelings, and nurturing those feelings is at their core.

That's the thing, how are they able to maintain a humanoid form if they're not magical or supernatural, and not holograms either? Well, with magical worlds and the concept of people teleporting inside of their phone ruled out due to the phones going with them, the only option I can think of would be an alternate dimension. A parallel universe, if you will.

An alternate, parallel universe actually makes a lot of sense. Because there's still the big question of how a selection of characters came to be physical, sentient beings. It's made perfectly clear that in the world the main human characters live in, the Virtual Singers are simply Virtual Singers. They're just characters designed for vocal synth software, exactly as they are in the real world. So to me, the most likely explanation is that the SEKAI exist in an alternate universe where the Crypton VOCALOID characters exist as real "people".

It's not a perfect explanation, and doesn't really account for the fact there are several SEKAI, and several incarnations of the VOCALOID characters across those. While the SEKAI are presented as planet-like objects in a void (the "Between SEKAI"), as the game calls it, there's also the fact that SEKAI continuously grow, in a similar style to a universe. To be honest, I don't think the writers care that much about the physics behind SEKAI and the contradictions present.

They actually play with a bit of a "god" dynamic with the Virtual Singers. They aren't tied to a specific SEKAI, instead residing in the void between SEKAI and watching over "themselves" and the humans who inhabit the SEKAI.

All of that aside, how did the SEKAI come to be, and what's so special about the Virtual Singers? Why are they playing god in this alternate dimension?

Well, it's well-established that SEKAI are created from feelings. Specifically strong and unwavering ones, that have to maintain their strength in order to become a full fledged SEKAI, and not just a small fragment of what could be. But, where do the Virtual Singers come into this?

Well, it's hard to say. Considering how closely tied the Virtual Singers are to the SEKAI, I'd say it's pretty safe to say that they have an impact in the creation of them. Which places 2006 as the earliest a SEKAI could form, the year MEIKO was released. Although, considering how Miku is put at the forefront of it all, 2007 might be more likely. Perhaps the SEKAI were created by staff at Crypton, who were happy with Miku's outcome, and that's why she's at the forefront? It's plausible, though I think there's a more likely theory.

The game places a heavy emphasis on what VOCALOID means to people, the way a community has formed around it, and creators will put their feelings into music that can then be enjoyed by people worldwide. From an out-of-universe perspective, I think this provided the inspiration for the idea of SEKAI, though I think it works from an in-universe perspective too. By some reality-shattering phenomenon, when VOCALOID (particularly Miku) started to really explode in the late 2000s, the feelings that people entrusted to these Virtual Singer characters managed to create entire worlds based on their feelings. Obviously Miku being the most popular and well-know VOCALOID character ended up being at the center of it. Thousands of people conveyed their true feelings through her, and probably hundreds of those people felt strongly enough for SEKAI to be born from their feelings.

And that's all it is really. SEKAI are just a metaphor for the worlds that Vocaloid producers create with their songs, and the feelings they put into those songs, the feelings they entrust to the VOCALOIDs. It's a very literal representation of it.

[aihoshiino]

Hi there! This is from an ask from quite a while ago. I sent it before but I think Tumblr ate it once again.

"Honestly Ai's relationship with like, sex and intimacy and sex in the context of a loving relationship being healing and reclaiming for her is one of those things I have so much fun writing in the context of RP and stuff but if I continued rambling about it here I would go on all day lol and this post is already so long. IN ANOTHER ASK, PERHAPS ……."

I would like to hear your thoughts and ramblings about this please 人´∀｀)

THANK YOU FOR YOUR PATIENCE ANON… I've been sitting on this ask for so long and I've had so many half finished responses to it written up kgjhhsfkg This is just one of those topics where I have so much to say every time I tried to start I got overwhelmed and didn't know where to start… BUT WE'RE SO BACK…!!!

(Also, this is basically part 2/a follow up to this post if anyone wants/needs some extra context)

Honestly Ai's relationship to sex and the role it plays in her character arc is one of the most fascinating parts of Oshi no Ko to me and I'm always really surprised that it basically never comes up in fandom discussions surrounding her? Part of that is just folks wanting to talk about/speculate more on the characters who are alive and present in the series (or have ship wars about them) but even when people DO go back and talk about her it tends to be kind of surface level or just, the worst takes you've ever seen in your life (if I never have to see another Secretly Evil Ai theory it will be too soon) but like… the sex stuff is also pretty surface level! That friction between Ai of B-Komachi's assumed obligate virginal purity and the reality of Ai Hoshino as a person who has had and desires sex basically IS the entire premise of the series. It's the core conflict around which so much of everything else revolves - it's the reason the twins have to keep quiet on their connection to her and moreover, it's the reason she dies. But honestly given how this fandom gets about sex sometimes maybe that's a blessing in disguise lol

It is SO refreshing to have a lead heroine like Ai, though - like I said, the reality of her as a person who has had Probably A Lot Of Sex is pretty much the premise of the series and at no point does the narrative ever take on a shaming tone towards her. Hell, the explicitly stated thesis of the story is that it's everyone who has a problem with this who should be ashamed. Gotanda literally says it himself - Ai's tragedy is the fault of the people who refused to accept her as the hurting, broken, dirty and impure person that the real her was.

In fact, the series is shockingly respectful of Ai and her body in general. This is very much a "the bar is in hell" moment but I'm so used to anime taking every opportunity it can get for lowbrow cumbrained fanservice that the series just being, like, normal about Ai was a breath of fresh fucking air. It's so easy to imagine an infinitely worse version of the series that uses Aqua's access to her body (as both Gorou and Aqua) to frame and leer at her in some really repulsive ways, but it literally never happens. It's one of those things the first chapter/episode does that earns it a lot of goodwill in the long run which it does honestly need lol. The initial premise of the series asks a lot of the viewer, especially given that Mushoku Tensei exists and very much does use the protagonist's plausibly deniable access to the bodies of women and girls around him for some truly putrid and degrading shit. BUT BACK TO MY ACTUAL POINT…

That pointed absence of shaming in the narrative is why it stands out to me so strongly when Ai does direct this kind of shaming language towards herself. Ai engages in a lot of negative self-talk in general because of how utterly pants her self-esteem is, but it's never quite as pointed as in these circumstances. Her death scene is honestly the best and most heartbreaking example of it - the anime trims a few slivers from it to the benefit of the scene as a whole imo, but it does retain the most important line:

But there's another part from slightly earlier on that didn't make it into the anime that equally breaks my heart:

All that Ai refutes of Ryosuke's words is his conclusion that she never cared about her fans. In other words, when Ryosuke slings slutshaming misogyny at her, Ai agrees with him.

And like… why wouldn't she? Society at large already has very strong opinions about women who have and enjoy sex and Ai is an idol - that's purity culture on Berserk Eclipse Difficulty. To make matters worse, Ai's entire life has been defined by her being denied the right to control her own body or being blamed for the way other people respond to it. Not only was Ayumi physically and emotionally abusive towards her for basically her whole life, but she also victim blamed her when her stepfather turned out to have a inappropriate interest in her. Even when she was literally a child, she was not allowed to simply exist without being subjected to other people's gaze and objectification.

It's also worth noting that the abuse Ai grew up experiencing - Ayumi's violence and neglect and living with the possibility of sexual assault at her stepfather's hands - are all things that can contribute to hypersexuality in puberty or at the very least, being prematurely sexually active and/or partaking in risky sexual behaviour and I think all of these are true for Ai as well, to varying degrees. My read has always been that the twins' father was not her first or only sexual partner (though he was her last) and I think this is something the work itself supports as well - Akane identifies Ai as having behavioral issues typical of someone who began having sex during puberty (and she does specifically say 'puberty' in Japanese, not just 'as a teen') but that this behaviour mostly tapered off by the time she was 15 and credits it by inference to Kamiki. So obviously, if the 'unbalanced behaviour' as the result of sex predates her meeting Kamiki… you know?

I also just personally find that a more compelling read of Ai for a variety of reasons - and it just sort of makes sense to me, to imagine her as this girl desperately trying to figure out how to love people, wanting to connect with people but not knowing how to do it, someone defined by the ways she contorts herself to respond to the dirty desires of the people around her… idk, it just feels Correct to me in light of everything to assume that she went through a few boyfriends before Kamiki, all relationships that went very fast, escalated to intimacy at light speed then just sort of fell apart after. And we know from what Ayumi admitted - and from some of the things Ai has said - that Ayumi absolutely was slutshaming and victim blaming Ai when she was in her care. So much of what Ayumi did to her forms the foundation of the present day Ai's self-loathing and self-image issues, so I imagine she felt a lot of prebaked guilt and shame when she did actually start having sex, especially at a young age and outside the bounds of a what society regards as an acceptable circumstance for a girl to be having sex. So add idol culture on top of all that, and…

I don't think Ai's relationship with sex is necessarily the main issue she struggles with but it does feed off and into a lot of the other things that cause her pain and being able to untangle that would represent an earthshattering breakthrough for her. This is why it's so important that Oshi no Ko never ones tries to debunk or disprove Ai's assertion that she is 'impure' or 'dirty' and why I do not think a positive character arc for her could never come from someone trying to convince her that she isn't. Because that doesn't actually disprove anything - it still frames purity and virginity as a state of grace that can be fallen from and reinforces Ai's view of herself that she only has value, that she only deserves to be treated with respect so long as she's still 'pure'. Even if you could convince her that she's 'pure', she would inevitably be stained again and hate herself all the more for it. The only way out is to break out of this method of thinking altogether, to realize that 'purity' and 'impurity' don't mean anything - and more importantly, that even though she is dirty, impure and all the rest of it, she is still capable and deserving of loving others and being loved in return.

To quote something I've said before on this topic: "Love, for Ai, is a person seeing her most wretched and unacceptable self, her self hate and avoidance and everything about her she thinks is filthy and wrong, and actively choosing to accept her as she is, warts and all. […] There's this very strong underlying current in Ai's arc of self-directed shame and self-hate in relation to her sexuality that fuels perception of herself as 'dirty' and 'impure' - all because she is a person who wants and enjoys sex. I really enjoy getting to have Ai work through that specific hangup with a partner who loves her - not from the angle of 'of course you're not dirty' but 'even if you are, I want you anyway'."

So much of what hurts Ai is other people refusing to accept 'Ai Hoshino' and even being actively repelled and repulsed by her, choosing instead to believe so fervently in the inhumanly perfect 'Ai of B-Komachi' that they convince themselves the real Ai is just a trick of the light. Sex is basically the ultimate refutation to that - it's someone saying they actively choose the dirty, broken real thing which is what Ai has desperately been searching for her entire life. It's also the inverse of the plastic. sanitized intimacy Ai sells as an idol - rather that pretty lies of love, it's dirty, physical intimacy, something she can do as much for herself as the person with her, something that can only ever be hers as Ai Hoshino because it's antithetical to everything Ai of B-Komachi is.

what i'm saying is: can this girl PLEASE get some good dick. i don't know how much of anything it would fix but it would make her calm down at least a little.

ALL JOKING ASIDE……. thank you again for your patience anon and i'm sorry this was so rambly lKNDKSCXSNDS. like i said up top, this is a topic i have a lot of thoughts on and i wanted to get them all out into this post. i hope this was interesting to read…!

[saintsenara]

if you are still doing ship game, thoughts on jily?

thank you very much, anon - i am always taking questions both on romantic ships and on characters' platonic vibes, the more unhinged the better.

although jily can't really be described in those terms, not least because their narrative purpose in canon is to be little more than blank canvases onto which harry can project as he goes through his series-long character arc, shedding his initial hero worship of james when confronted with the reality of his father's behaviour in order of the phoenix and starting both to fully appreciate lily's centrality to the course his life is taking and to see his dad with nuance as a real and fully-rounded person, flaws and all.

this narrative role means that the glimpses we get of them in canon feel kind of superficial - their bantering during snape's worst memory is basically high-school-teen-movie level, the snapshots of their life under lockdown in deathly hallows lovely and bittersweet but also just colour to a storyline which is already all of those things.

and this is not to say that i find jily uninteresting as a ship - i completely reject the common anti-jily position that they didn't really like each other, that they had nothing in common, or that their backgrounds made them incompatible [i'll expand on this below, but while i do think that their respective blood statuses and the impact of these on their relationship are worth thinking about, i loathe fics which portray james as chafing against his marriage because, as a pureblood, he'd be more comfortable with someone 'of his own kind'. this is bullshit, and there's far, far too much of it in this fandom]. my views on one of james' most frequent non-lily partnerships are well known, and i share the outrage many jily fans have for the way lily in particular is treated in a subfandom increasingly dominated by rigid fanon which prioritises giving depth to male characters [even if those characters are, in essence, oc's] and slash relationships over exploring the canon female characters, partnered or not.

but i do also find that a lot of jily falls into the same trap as much of the hinny i dislike - that is, a tendency to present as a sunshine-and-roses fairytale a relationship which is much more interesting if the things which canon implies [and which can be reasonably inferred outside of canon scenes from a canon coherent engagement with the text] might have introduced an element of dysfunction into james and lily's partnership are taken into account.

the shadow of the war is obviously one of these things. what role lily actually plays in the resistance is something which preoccupies me [she is never mentioned in canon to have taken a combat role - and i find it considerably more plausible that any attempt voldemort made to recruit her was at snape's request and connected to her potions prowess] particularly because, as we see in the way her death is memorialised in deathly hallows, the series regards the defence of the integrity of the nuclear family as a key aim for the good guys. how does she interact with james and his wartime role when she's pregnant, nursing, or in hiding for the vast majority of her time in the order? how does she feel about her husband being a soldier if she's behind the scenes?

indeed, what role james [and sirius] plays in the order is also something i'm obsessed with thinking about - not least because so much of the inherent tragedy of the marauders' storyline is caused by the fact that james and sirius think they're fucking invincible and that their plans to keep the potters safe are foolproof. it's entirely reasonable to read james and sirius as being pretty gung-ho about being paramilitaries - and my headcanon is absolutely that more battled-hardened order members didn't like them very much [moody does not, after all, seem massively fond of sirius] - and lily seems affected by this too [she's not holding her wand either!], and what they thought they were doing as 1981 rolls around is compelling to me.

james and lily's divergent backgrounds is also something i'd like to see explored more in fandom - not, as i've said, in the dull 'james should have married a pureblood' way, but in a way which deals with the fact that their relationship follows wizarding norms. molly weasley can blame the war all she likes, but [although i doubt this was jkr's intention] the evidence of canon is that witches and wizards marry and have children extremely young as a social standard, that couples generally don't live together before marriage, that divorce doesn't seem to be common, and that married women tend not to work. lily - a mother at twenty and, therefore, presumably married at nineteen - is coming of age, then, in a magical world which thinks about gender very differently from the muggle world of the 1970s, and i think that tension is worth exploring.

[similarly, the way in which her marriage is self-protective - lily gains a pureblood name and the social cachet which comes with it at a time when she's in rising danger on account of her birth - is something i think it's worth looking at when considering the pairing.]

there are other flashes of dysfuntion which i adore thinking about in relation to jily - lily's relationship with the other marauders [you can pry the reading that sirius resents her for stealing the love of his life - and i certainly don't mean lupin - away from him from my cold, dead hands]; how much of his misbehaviour at school james conceals from her; the fact that lily becoming more overtly interested in james from her sixth year onward must have a little bit of attempting to make snape jealous mixed into it - and whenever i stumble upon them in fics i say oh ho like horace slughorn and kick my little feet in the air.

i care rather less about 'we're so hot and flawless and not doomed' as a trope.

but i do stan james for beefing with vernon dursley even though lily told him to behave. the man really is just that annoying.

[total-drama-brainrot]

ophe when’s the alecody essay (HARD /J HERE LMFAO) /nf

As far as Alejandro ships go, Alecody is probably one of the most viable ones out there.

That's not to say it's the most viable, or the "best" Alejandro ship, because quite frankly I don't think there is such a thing as a "best ship", but from a purely canonical standpoint if Alejandro were to end up with any of his castmates, I'd say Cody would be a strong contender. Again, not the strongest, but also not entirely out of left field.

Which is mostly because he's one of the very few people in canon that Alejandro has A. interacted with more than once without issue, and B. not screwed over entirely to reach his goals. Not that Alejandro didn't screw Cody over - there are a few instances wherein Alejandro intentionally does something that directly affects Cody (most notably feeding Sierra's wedding delusions), but Alejandro doesn't do anything in terms of the competition at large that'll get Cody himself eliminated. In fact, he takes the finale tie breaker quite seriously; it's one of the few times Alejandro gets someone eliminated fairly, and Cody himself readily accepts that.

Cody's also one of the few characters who Alejandro has shown conditional kindness to, who actually survives said kindness without facing an elimination. Or without immediately contrasting that kindness with hostility behind his back (like he does with Owen and, to a lesser extent, Izzy), or using said kindness as the tool that'll get him eliminated (via flirting). That has to count for something, since Alejandro isn't the type to form friendships/aqquaintenceships that don't benefit him, and yet any sort of relationship with Cody is unbiasedly bereft of any notable benefits outside of the rapport itself.

The alliance he tries to secure with Cody is, objectively, entirely useless to Alejandro. He knows that Cody will only ever vote for Sierra, just like he knows that - out of the remaining four - Cody is the weakest contestant, and yet he still does his best to keep Cody on his side despite there being negligable benefits of him doing so.

So despite the fact that they had to duke it out in the tiebreaker, Alejandro and Cody have surprisingly little beef between them.

You could argue that Cody utilizing the nickname "Al" against him is indicitive of some resentment on his part, but I'd argue that Cody only really does that because he's a little shit (and rooting for Heather) and doesn't have the same level of resentment towards Alejandro that the majority of the cast harbours. If any at all, since Alejandro was nothing but cordial towards him.

So it's entirely plausible that Cody and Alejandro could meet each other outside the context of the competition - likely after All-stars, if we're going by strictly canonical guidelines - and spark a relationship from there.

Neither holds and lingering dislike for the other, and they've got a shared history of medical suffering under Total Drama they could bond over, and Cody's already seen Alejandro at his worst moments so Alejandro doesn't even have to live up to any false pretenses around him. Cody himself isn't the type to judge a person too harshly on their actions in the competition (which is backed by his canonical forgiveness and acceptance of Sierra despite her actions towards him) and would probably be thrilled to learn that the seemingly infalliable Alejandro he knew in Total Drama is, in fact, a giant nerd. (Just like him!)

I think the main factor that would hold this ship back would be Cody's inabily o recognis th at at hid cor e he little mome than a bxi eia; dis st t and Ale j a dn tro is evnrn mor so. T her s e t o lon ers coul nd t inf ds a h ela g t h r altio nanhip if i etr jjmupec ut anf u bt them on t h e f ace.

aacoridngt oal known laws of actia thes i s no way bbe souhle be a bl e to s fly its win s a e tto smal to get ist fa tlitr el bod y tsoooff hte geuihnd the bbe of c our se flie s anywa y becas e bes ont c re ha t s hu man sns thij ksi imposacp ible

[misc-obeyme]

Lesson 32 spoilers below (including the hard lesson, though it is labelled as such):

My poor baby Levi. After all that, he blamed himself. It's perfectly understandable for him to be upset about MC trying to leave. And yet he was convinced that he didn't deserve to feel that way. Please my heart can't take any more of this.

HOWEVER.

We didn't even get to see his Little D at all. I wonder if we'll see him at some point after the flood? It just seems like we've met everyone else's...

ALSO.

A looooot of talking about MC's special room this time. I no longer think these are the past brothers/characters. At this point, I think these are all the same characters, even Solomon. That's why we've never seen past Solomon. Because he isn't there.

I think it's some kind of spell/curse/magic that has transported everyone back to the past. (Or a simulated version of the past.) Everyone but Solomon and MC lost their memories, making it so their memories start at that moment in the past that they were sent to. It isn't that they are past versions of the brothers. It's that they're the same versions, but sent to the past with their memories wiped. And yet despite whatever magic did that (or perhaps a deliberate flaw of it), they get vibes from MC's old room.

This is the only explanation that makes sense to me anymore. It's the only way they can have feelings about MC's room, the only way characters like Luke can talk about how it feels right to spend time with Simeon and Solomon, likely the only reason we've never met or had to worry about past Solomon. I think this truth is what Solomon told Simeon at the end of season one (I don't quite remember what lesson it was). I think Barbatos knows because for some reason the magic doesn't work on him, but he's going along with it.

It just doesn't make sense otherwise. In this lesson they discuss how the feelings they get from that room are getting stronger.

I think that when MC has made pacts with all of them again, everybody gets their memories back. And this new experience of the past is the one they remember as reality. A way to retcon the past without changing the OG story.

I know people have speculated about this before, I am not at all the first person to think this is the case. But the more I think about it, the more this seems like the only plausible scenario?

And the only scenario in which we aren't abandoning a version of the brothers that we've come to love. Because it's actually been the same set of brothers all along.

Still have no clue who Nightbringer is or what the purpose of doing any of this is. And I could be way off base here. But I guess we'll see.

Hard Lesson:

I would also like to say that of course Solomon made the inside of the boat a freakin' castle. THOUGH. OH SHIT.

I was legit just gonna talk about how funny I thought that was, but isn't it just another example of the fact that Solomon can create entirely different worlds with magic? Though if Solomon is the one who created another world, it seems weird that his magic would also be declining in that world? Though he can clearly make entire ark-castles so maybe it's not as bad as it seemed?

ALTHOUGH I think it would be very interesting if Nightbringer is using Solomon's magic (or making Solomon use his magic) to create this alternate past. And Solomon's magic is fading because he's using so much of it to maintain that place. (MC's magic fading might be more about trying to impart urgency so they'll make pacts faster.)

ANYWAY. This is all speculation obviously lol. Solomon is a silly guy who loves MC so I think the only way he could be actually involved is if Nightbringer is somehow forcing him. (Like he might do all of that if it's going to, say, save MC's life in the end or something.)

Ugh I'm so tired of speculating lol. Any time I'm like okay but what if...? I end up writing myself in circles trying to figure things out.

This whole Nightbringer thing better be DONE by the end of this season or I am going to be UPSET.

Anyway, we all know you did CPR to save us, Levi, it's okay. You can say it tee hee. <3

[codenamesazanka]

so like one can do whatever the heck they want in fanfiction and they’re under no obligation to stick to any degree of realism or do research or abide by canon or even the laws of reality and physics at all,

but I do wish English-language bnha fanfics would take into consideration that child adoptions in Japan are rare. Generally speaking, kids just don’t get adopted - the legality of blood ties are strong, biological parents are often prioritized even if they’re unfit, so much so that their consent is still needed to put the child anywhere; there’s cultural stigma, kids who do get adopted are usually very young - 6 or younger - so that couples can pass off the child as their biological own.

Like, the vast majority of adoptions in Japan is of adult men - families and businesses taking in an heir to continue the family name. That’s the ‘regular’ type of adoption. Adopting a child is ‘special’ adoption - literally called that.

(Then there would be other typical not-necessarily-cultural-specific factors - only married couples can adopt children, you can’t be too young or old, etc.)

Outside of formal adoption, there’s been attempts to get the children fostered in a family-based home, but mostly, kids are overwhelmingly placed in (small, overcrowded) child care institutions.

HeroAcaLand, though largely based on modern Japan, is set in a slightly more futuristic world, so it’s entirely plausible to say things have changed - adoption laws have changed, gay marriage is legal, so - let’s say - husbands Aizawa and Mic can adopt Eri (whose blood relatives are still alive). Or maybe All Might is just so rich and powerful that even though he’s single and nearing age 60, he can sidestep the rules to adopt Shimura Tenko - and he’s fine with ignoring cultural norms (ex. ensuring the Shimura lineage - Nana’s lineage - continues) so he even gives Tenko his last name.

However, canon is still based on current Japan, and the setting reveals itself in small but important details - orphaned Kouta is sent to live with his blood relative Mandalay; Nana gives up Kotarou to an orphanage and not another family; Eri would’ve been sent to a children’s home if UA didn’t specifically accepted her (partly because her quirk was liable to go berserk, and extremely luckily, here was the one guy who can stop her). Before that, she was already an abandoned child - her mom ditched her, left her with her grandfather, and when he fell into a coma, Overhaul was able to take over her guardianship with no one the wiser.

More on that point, actually: characters that we see take in lost, non-blood-related children to raise them to adulthood are… largely villains and criminals. All For One, Yakuza, Re-Destro. It’s easier for them because they simply ignore laws and any ethical problems that arise.

But the fact remains that people who most often give the orphans and runaways a home are not the Heroes and not the system the Heroes support.

Adopted kidfics are adorable. Fix-it fanfics are great. But I do wish they’re a bit more cognizant of cultural specifics, especially the things that set the foundation for the canon material that creates the need for these fix-it fics.

[youling-the-ghost]

I just got caught up on the bnha manga and boy do I have some thoughts about the future of the series. OBVIOUS SPOILER WARNING IS OBVIOUS

I don't know how to feel about the fact that bnha could be ending soon. On one hand, I'm glad that the final war arc is finally reaching its conclusion, but on the other hand, there are so many loose ends that I'm worried will never be tied up. I'm mostly worried about the future of class 1-A because every scenario that I thought of had something wrong with it:

Class 1-A continues studying at UA as if nothing had happened. This doesn't quite sit well with me because let's be real here, all of class 1-A were all more heroic than most of the Pro Heroes. Having them continue studying at UA would feel almost disingenuous to the entire final war arc. Despite this, I still feel like this is the best option for class 1-A. After everything that has happened, a sense of normalcy would probably be appreciated. Plus I'd love to see Shinsou as part of the hero course in their second year.

Class 1-A graduates from UA by default and all become Pro Heroes. I don't like this scenario for more personal reasons. The main reason why I love bnha so much is its academia aspects; I loved seeing the characters grow like actual students in a genuine school setting. Having the students graduate would be taking the main charm of the show away, at least in my opinion. Although I will say that it would be incredibly exciting to see the students that we've been following for the past 400 chapters become Pro Heroes, so I'm not entirely against this option either.

The hero society crumbles and heroes cease to exist, thereby disbanding UA and class 1-A. Honestly I'm only including this because it's a popular fan-theory, although I don't agree with it at all. It feels like a slap in the face to every student who faught in the war. It would genuinely be such a big disservice to have all of them who risked their lives fighting in the war, only for their dreams to be ripped from them. Another issue is that in my opinion, the heroes themselves isn't even the biggest flaw within the hero society. I feel like the biggest flaw with the whole system is how the general public views heroes. They see Pro Heroes as saints and pillars who can shoulder all of society's burdens and blames. Removing the job of Pro Heroes would just feel like putting a band-aid on an amputated limb, as the core issue of bnha's society shifting its blame onto others wouldn't be resolved. It would also just be scummy to title your series "My Hero Academia" only to remove the concept of heroes by the end of it. I'm not bashing Horikoshi's writing or even fans who support this theory, I just personally think that it's not a very plausible ending for bnha.

Again, I feel like option 1, where class 1-A continue to school as normal (followed by a time-skip when they become Pro Heroes) would be the best and most plausible option. However, I don't think it would be right for things to completely return to normal either.

I really hope that Horikoshi adds an arc after the current one that explores the aftermath of everything, including the public reaction to how hard the heroes faught against the villains and their unwavering spirit, which could also serve as a proper end to the overarching story of the broken hero society.

This is more of a tangent than anything else, but I CAN'T BELIEVE SHIGARAKI JUST DIED LIKE THAT??? I guess it makes me overly optimistic, but I genuinely thought at one point that Midoriya could save Tenko from All For One because it would be an incredibly fitting end for him. Tenko's main motivation behind becoming Shigaraki was the fact that not one person helped him when he was wandering the streets as a traumatised kid, and a common narrative that all of the League of Villains shared was how their fates could have been different had someone reached out a helping hand when they needed it most. Having Midoriya save Tenko from All For One would be such a satisfying ending, not only for the overarching story of the villains, but for those who wish that the villains could be redeemed. It would be such a perfect ending AND IT WAS TAKEN AWAY JUST LIKE THAT?? I don't buy it tbh maybe I'm just delusional but I have a feeling that the whole ordeal with Shigaraki isn't finished yet.

Lastly, IS MIDORIYA QUIRKLESS AGAIN?? Since Shigaraki had One For All when he died, that would mean that the quirk is also gone, right? So would that mean that he would no longer be able to become a hero? I could see this going one of two ways:

Shigaraki's not actually dead or One For All didn't disappear when he died, meaning that Midoriya can continue using it.

One For All really is gone and Midoriya is quirkless again, but he continues striving towards his goal of being a hero despite not having a quirk.

I think both options have potential and I wouldn't be opposed if either option becomes canon. Although, if Shigaraki gets revived for some bullshit reason, I might just riot. I know I literally just said that I'm not against Shigaraki not actually being dead, but that would require a plausible explanation for why he's dead but not actually dead. I think the most plausible explanation right now would be if somehow Shigaraki's quirk mutates and the "restore" part of it returns, which could "restore" his body again. But even that is a little...eh to me. Either way, I'm excited for what's in store.

You thought I was done, well SIKE! Let's talk about Midoriya's dad! Horikoshi has confirmed in 2018 that his identity will be revealed at some point, but it's nearing the end of the final war arc and still not one hint has dropped about Hisashi Midoriya. I feel like this could end up being another "Aoyama is the traitor" situation, where we think that Horikoshi has forgotten about this plot line, only for him to come back to it in full force that makes total sense in retrospect.

The most popular theory right now is that Hisashi Midoriya is actually All For One, and I actually kind of agree with it. I don't think that this is 100% going to be what Horikoshi goes with, but I think it's a pretty interesting idea that also has decent plausibility. Apart from the evidence that other fans have accumulated, there's also a lot of merit in the storytelling that could stem from this reveal:

It has already been established that the public is willing to turn their backs on heroes, no matter how much they sacrifice to ensure the safety of the civillians, if they believe that the hero is "immoral" in some way. The reveal that All For One is Midoriya's dad would be like the "Dabi is Touya" reveal except 10 times worse because this isn't just some villain, it's literally All For One. The public would not take it well, and that could be a great segue to directly addressing all of the issues about the hero society that Horikoshi has been building up.

This also completes the foil contrast between Midoriya and Shigaraki; two kids who were victims of the broken hero society, one born from a villain and one born from a hero, who become the opposite as they're taken under the wing of the greatest hero and the greatest villain. There's just something so poetic about that that I love.

Let's say that Tenko Shimura does get saved by Midoriya, imagine how he'd feel when he finds out that the person who saved him is directly related to the person who caused all of his pain and grief. It would probably break him, and this could lead to such an interesting arc of Tenko re-adjusting to a normal civilian life, dealing with the backlash that's bound to happen, and learning how to trust Midoriya again. It's such a compelling idea that I'm itching to write a fic about it.

But apart from that, there's also the fact that there aren't many other ways that would make the reveal interesting enough to justify it being such a long mystery. Think about it, there's probably a good reason that Horikoshi kept Midoriya's dad a secret for so long, and it would be lame as hell if he just turned out to be some guy. Having All For One be Midoriya's dad seems like one of the few ways for the reveal to be compelling. I could also see Midoriya being related to the Todorokis in some way, but then it would just feel like the "Dabi is Touya" reveal with extra steps.

And with that, I'm finally done with this ridiculously long post. Again, depsite my grievances, I'm super hyped to see what's to come with the series, and I'm genuinely so excited for chapter 424 to come out.

[autism-rizz-tournament]

Marina (Splatoon) - Autism Rizz Tournament Preliminaries

If you vote yes you must firmly believe in this character's autism AND in the rizz their autism gets them. If you don't want the character in the tournament just vote no

Propaganda:

While not canonically autistic, she does have a lot of autistic traits--she's rarely seen without her headphones (to the point where her ears aren't modeled in game), her tentacles constantly moving could be seen as stimming, and she has a very strong interest in machinery, to name a few. Marina also has a crush on her bandmate, Pearl. While it is never directly stated in-game, supplementary material basically confirms it. The Japanese version of the Splatoon database has described her as a "maiden in love," with the specific words used being in romantic contexts. Along with that, she has drawn a manga about Pearl, drawing flowers and hearts around her, and generally acts affectionate towards her in-game. It is unknown if Pearl reciprocates canonically, but she does have a very close relationship with Marina. She reciprocates Marina's hug at the end of Octo Expansion, and she is seen to be quite worried about her in the second trailer for Side Order. Pearl x Marina is a very popular ship in the fandom for these reasons.

she wears headphones near-constantly, is obsessed with heavy machinery, and is skilled in multiple forms of art (music, shoujo manga-style visual art, and stage design). she also notably chose team Order in the Chaos vs Order splatfest, and her dialogue in the announcement suggests she's resistant to change (though it could also just be interpreted as her being gay for her co-host)

this was a partly 'for fun'-type headcanon i quietly held for a while that i think was kinda niche at the time (though it is entirely possible i just wasn't in the right corners of the fandom) but then side order released and brought with it a ton of new reinforcement. to get the question of her rizz out of the way, people were so consistently horny for her while splatoon 2's splatfests were ongoing that it actually caused drama because her team typically had the popular vote and people chalked that up to participants voting based on their favorite hosts' opinion rather than their own. whether that's true or not is hard to prove, but the fact that it was plausible illustrates my point, and her popularity was even referenced in-game at one point. there's also MAJOR subtext that she and her bandmate pearl (who reads as adhd to me) are dating. now for the fun part, listed in no particular order but will probably trend towards sillier argumentation as it goes on. (includes some mild side order spoilers) - the "final" splatfest of splatoon 2 was chaos versus order, and marina's reasoning for picking order implies a resistance to change. this is reinforced in side order, in which she has to reconcile her inner desire to live in a consistent world with the fact that she knows forcing other people to conform for the sake of that is immoral when a rogue ai hijacks her virtual-reality program. - she shows signs of having social anxiety in a lot of dialogue, and it even arguably extends into her visual design because of her consistently pouty eyebrows. - at one point a childhood friend of hers mentions a time she infodumped to nobody in particular about excavators for 2 hours straight, and then pearl says she regularly goes on for longer now. - she has skill in a ridiculous amount of art forms: music, stage design (for splatfest battles, not music performance), shoujo manga-style visual art, and even programming, game design, and 3d modeling. - the logo of the virtual-reality program she designed is an infinity symbol, which also shows up in a few other places throughout it. - always seen wearing headphones, outside of specific promo art and images from her military backstory.

[redrikki]

Scott's Season 2 Master Plan

In Teen Wolf season two, Scott McCall has a problem. Gerard Argent, his girlfriend’s evil grandfather, is threatening Scott to force him to help Gerard get the Bite to cure his cancer. Scott solves this problem by pretending to comply while switching out Gerard’s medication with mountain ash to ensure Bite rejection. The plan and who Scott chooses to involve (or not) in it say some interesting things about Scott’s character and his relationships.

Of course, Gerard doesn’t just explain what he’s after. Scott has to figure out the truth from disparate clues like Erica’s motivation for receiving the Bite and Gerard’s cancer smell and behavior. Once he’s figured out what Gerard’s game is, he comes up with a plan which pulls together things he’s learned about Bite rejection, mountain ash, and disguising murder to look like a medical emergency. It’s a smart plan. The show has spent a lot of time harping on Scott’s academic struggles, but this shows his how clever he actually is as well as his attention to detail in terms of replicating Gerard’s pills and pill case. Scott may not be book smart or good at figuring things out on the fly like Stiles, but give him the space to think and he shines.

It’s also a very passive aggressive plan, which is fairly typical of Scott. He rarely liked to confront his problems head on when he can come at them from the side or get a third party to deal with it (kind of like Gerard). Here he plays possum, plays Gerard and Derek off each other, and uses a tool which could not have been traced back to him if he needed plausible deniability for his involvement. Scott shows both Gerard and Derek exactly what they want/expect to get them where he needs them and shows nerves of steel in the pill handoff and waiting out the clock for them to take effect even as Gerard keeps the pressure on.

The plan displays Scott’s sense of poetic justice. Gerard wants the Bite? Well, Scott’s going to ensure that he gets it in the worst possible way. Derek won’t stop biting people even after Scott tells him not to? Well, Scott’s going to ensure he bites Gerard wether he wants to or not. We haven’t seen this from Scott before, but we will absolutely see it again in season 5 when he uses Deucalion as a sort of reverse uno card to destroy Theo’s pack from the inside the way Theo tried to do to him. 

It’s unclear, exactly, what Scott hoped to do aside from making sure Gerard didn’t become werewolf. He has repeated conversations about how Bite rejection kills, so he had to know Gerard’s death was at least a possibility. In canon, Gerard manages to alienate his entire family at the last second, but had things played out with slightly fewer witnesses, Derek would have been the one taking the fall for all of it. Scott would have kept his hands clean while allowing Gerard and Derek to destroy themselves/each other. I wish we’d gotten to see Scott’s reaction in season 3 to learning Gerard was still alive. Allison was shocked, scared, and angry. Scott being shocked (or even relieved) would be a hint that he planned/expected Gerard to die, but sadly the show skips right past a reveal in favor of evil grandpa story hour.

After seeing Gerard kill the omega in 2.01, Scott is understandably scared of him, but he consistently underestimates him. Gerard’s true threat lies not in his ability to personally cause harm, but his ability to inspire, manipulate, and lead others to do so (he’s a dark reflection of Scott in that way). Scott gets one over Gerard by preventing him from becoming a werewolf, but it is ultimately a hollow victory. It doesn’t break Gerard’s hold over the kamina or prevent Gerard from raising/funding a hunter army in season 6. In fact, it took Scott in Gerard’s eyes from a scared kid to be manipulated to an arch nemesis to be to be destroyed. 

Derek is an essential component of Scott’s plan, but he doesn’t get to be in on it. This makes sense given that their history largely consists of Derek threatening Scott and his friends and screwing Scott out of his hope of a cure after promising to help. Derek has repeatedly saved Scott’s life, but he can’t be trusted to do what Scott wants. He seems visibly hurt by Scott’s “not my Alpha” speech. He’s willing to help Scott with his tattoo in 3.01, but he clearly has no interest in involving Scott in his troubles with the Alpha Pack until Scott forces the issue.

The only person we know is entrusted with the plan is Deaton, as evidenced by the pill-making flashback. Deaton is Scott’s long-time professional mentor who has kept so many secrets, but is helpful when asked. As a werewolf, Scott can’t wield mountain ash. The will behind the pills’ magic is Deaton’s and he hates Gerard. He also believes that Scott has the capacity to be a True Alpha, but that blood on his hands will negate that. This plan allows Deaton to take out a guy he considers a murderer (or at least prevent him from becoming a werewolf) without getting Scott’s hands dirty. Whose idea was it to use the mountain ash this way? Would Scott even have known it could be used this way without Deaton’s guidance considering it’s a pretty far cry from how it was used at the rave?

It is unclear how much, if anything, Stiles knows about the plan. In season 1, any time Scott was hurt or threatened, it was followed by a conversation were he and Stiles discuss it. We don’t get any scenes like that in season 2 after Gerard declares war and threatens Scott (or after Victoria tries to kill him). The boys don’t really talk to each other after what happens at the Sheriff’s station, and it’s unclear whose idea that is. When Stiles expresses anxiety about how things are going to go down, Scott doesn’t remind him of the plan or even assure him that there is one. Stiles comes back from his beating at Gerard’s hands and doesn’t respond to any of Scott’s 17 missed messages and entirely misses Scott’s big reveal. Obviously, he learns about what happened later, but all signs point to a distinct lack of communication between the friends about what’s going on. What’s less clear is why. Does Scott no longer fully trust Stiles? Is he trying to protect him somehow by keeping him in the dark?

Scott also isn’t communicating with Allison. The difficulties of hiding their relationship from her parents absolutely plays a part, but he cuts her out of the channels of communication they do have. She repeatedly asks if there’s something going on with Gerard and Scott repeatedly says no. She checks her window for messages multiple times after the rave and gets nothing. The price of knowledge is responsibility and Scott is trying the shoulder that burden alone, but knowledge is power and in doing so he denies her the ability to make informed decisions about her relationship with her family. Gerard offers Allison up as a prize at the lacrosse game and then taunts Derek that Scott is doing his bidding all for Allison. That’s not what’s really happening, but I wonder how Scott’s lack of denial plays into Allison’s decision to break up with him.

Isaac doesn’t know the plan, but after Scott told him to be careful at the rave, he doesn’t care. He’s ready to back Scott up because he always tries to do the right thing and the fact that it works just makes him trust Scott even more. 

Gerard threatens Melissa as soon as he realizes Scott is a werewolf, but Melissa does’t even know she’s in danger until he’s choking her with the kamina’s prehensile tail. Scott and Melissa’s relationship has grown increasingly strained over the course of the series, but Scott’s reluctance to trust her with the truth of what’s happening to him might be a sign of how their relationship was already strained. Melissa freaks out and refuses to really speak with her son after learning he’s a “monster.” Her begging Scott to protect her and then showing up for him at the game and with Jackson is the first step of them repairing their relationship, but the dynamics are permanently and knowingly reversed. While Scott has been trying to protect his mom without her knowing since Peter tried to date her in season 1, now Melissa knows about the danger and fully expects Scott to deal with it. 

In the end, Scott is forced to reveal his plan after Gerard starts screaming about mountain ash. The tactics he used (playing possum, secret-keeping, manipulation, and using third parties to do the dirty work) are all tricks Gerard also likes to use. The difference is that Scott is trying to do what he thinks is right to protect others, while Gerard is strictly out to help himself. Scott damaged relationships with his actions and in 3.01, he declares his intent to be a better son and a better friend. When he faces Gerard again in season 6, he does so as someone who communicates openly with his allies and draws on his community rather than attempting to work around them.

Comment on AO3

[youngerfrankenstein]

So today I watched two movies where the deuteragonist goes kinda nuts and turns into a dragon thing, before the protagonist has to calm them down.

They were both a pretty fun time!

Promare is something I had been meaning to watch for quite a while but somehow never got around to. Glad I finally did!

Promare has quite possibly the Worst oppression allegory I have ever seen. A bunch of people are discriminated against because they burned half the world and killed billions (with a B!) of people. Also it’s not actually anything inherent to them it’s a bunch of alien parasites that will destroy the planet. However, since this is basically just an excuse for robots to fight other robots on fire… I can’t say I really care in the end. Promare is ENTIRELY style over substance, and I mean that in the best way.

The plot is breakneck and stupid. Most of the characters barely register as such. The dialogue is so dumb. And it FUCKING RULES! I’ve seen the film described as “Anime the Anime” and that does kind of sum it up. Everything feels like a ten year old boy smashing his action figures together and you can’t help but get swept up in the enthusiasm.

Helped by the absolutely (excuse the pun) FIRE soundtrack. The energy almost never lets up, and on-the-nose engrish lyrics just add to the experience. Even if you don’t watch the movie holy heck listen to the soundtrack.

The characters may be paper-thing but holy hell are they fun to watch. Our protagonist, Galo, himbo extraordinaire is as ridiculous as he is somehow charming. You can’t help but admire his drive to help people. And his foil, the ironically icy Lio, here to set fires and fight for his rights. Aina, a nice, spunky girl set up as a love interest for about five minutes before it turns out her character has more of a story based around her relationship with her sister. Which is a nice change! In fact the only romance in the story arguably involves CPR for plausible deniability. And our hero remembers to open the airway thank heck. Though whether intentional or just ship tease who knows? And who cares. You can guess who the villain is about ten seconds after he shows up and he is as much a blast to watch as the rest.

And really, this is a movie with a secret robot used to save the day called the Deus X Machina. A movie that ends with two shirtless guys setting the Earth on fire to stop the Earth from being set on fire. It doesn’t take itself too seriously and really neither should you. Let it sweep you away for almost two hours and you will feel much better afterwards.

-

I started reading Nimona around the time it was wrapping up as a webcomic. I have a copy of the graphic novel on my shelf. I was excited when I heard the movie had been greenlit (less so when I heard it was Blue Sky Studios), disappointed by the cancellation and, well, I’m happy it’s here now. While I’ve gotten grouchier over the years, it does make me smile to see these guys on my television, even if they’re not quite the same people either.

Because the movie is very different, and yet much of it feels similar as well. Certain scenes, like the board game, are almost directly from the comic, others are from the comic but not quite the same. The characters are different, Ballister is less jaded, Ambrosius less delusional and Nimona less, well, monstrous. She seems to more beat the snot out of people than commit mass murder. In the comic she’s every bit the monster people fear her to be, though a sympathetic one, and perhaps one who will heal someday. While the ending of the movie is far happier, it fits the new tone. And honestly? I need to stop making comparisons and judge the damn movie on its own merits. Of which it has many!

Our setup is fairly simple, Ballister BlackBoldheart is a new knight of the realm, who immediately gets framed for the murder of the queen and disarmed (heh) by his boyfriend Ambrosius Goldenloin, while on the lam he is approached by a shapeshifter called Nimona who is up for a little mayhem and hijinks. Together they try and clear his name.

My fist fear when I heard Blue Sky studios would be the ones releasing the movie was that a lot of the humour would be Quite Bad. And while there definitely is plenty of that, I think more gags hit than miss. Hell the movie got quite a few laughs out of my dad and he’s a fair bit less likely to chuckle than I am. It is quite a funny movie, which is good because it helps the harsher moments hit harder. Because there are also plenty of those, especially in the final act.

Speaking of, the film is somewhat surprisingly well paced. Scenes tend not to overstay their welcome and the movie flows well. What else flows well? The animation! (My segways not so much) Everything is very smooth, which is rather necessary for all the shapeshifting, and there’s quite an interesting scene made to look as if subway tiles are telling the story of Nimona’s origins (ish).

And the main trio really are quite fun to watch. Ballister, always the underdog, now a public enemy and trying to both clear his name and perhaps open his mind a bit. Ambrosius, golden boy, trying to do the right thing and not always doing a great job. And, of course, Nimona, who’s just here to break shit, though it is quickly clear there’s more underneath, also a pretty blatant trans allegory.

The relationships Ballister has with both the other two are sweet as heck, but also riddled with mistrust that they all have to work to overcome.

And while the movie does get a little preachy at times, it’s a kid’s movie. What do you expect? Rah rah fight the power, all that jazz. I may be too jaded for it but it certainly works.

—

Would recommend checking out both or either if they sound like something you’d enjoy!