#the human world too dangerous

[kirstenonic05]

@earthbovndmisfit also has a fun little mer au, with jonathan, erina and speedwagon!

an interesting take they have is that all the joestars are merpeople and all the "jobros" are humans. there's also an au where they all live at the same time so their family relationships are switched around, with jonathan being joseph's dad, joseph being jotaro's dad, the generations in-between (jorge and holly) being an older sibling instead, and johnny from the sbr verse being jonathan's cousin so they're all around the same age (idk how mermaids age in their au tho, if differently from humans). josuke is still joseph's kid, jolyne is still jotaro's kid, giorno is dio's kid but adopted by jonathan, the jobros are just random humans all of similar ages in a modern setting.

Ooo, I see! I might check it out!

Love the idea of Joestars being mers and Jobros as normal humans who happened upon these guys XD And AUs that mix lots of parts together are always cool!!!

[nelkcats]

Help is just a click away

Danny was bored, it's not something new, the Infinite Realms were not the epitome of fun and the portals had been closed after the fight he had with his parents. It was safer that way, no one could get hurt, humans or ghosts.

That didn't mean the halfa couldn't miss them: his family, his friends, or the life he had before. All he had left were the ghosts, which was fine, but it wasn't enough. He felt unbalanced, unwell.

Clockwork told him it was because of his obsession, his obsession to help and protect was being fulfilled but only halfway. He had enough ectoplasm to last a lifetime but Danny was a human too, he needed to see the stars, to help people. He needed it desperately.

Clockwork noticed this and seeing that the boy could not return to his original dimension, he gave him permission to travel to the DC universe as long as he was careful. It was unlikely that they would attack the halfa there, they were all "special" and Danny would go unnoticed. But the boy still wanted to help.

So he formed a small business. He created a simple app and granted help to anyone who made a request. From saving a kitten from the trees to transporting very heavy packages.

It worked wonders and lowered his stress levels greatly. Danny thought he could get used to it, until people started making stranger requests and before he knew it, the so-called "Justice League" was at his door. Of course, he escaped, although that probably didn't help sell his innocence.

[desultory-novice]

"Apologies AU" Summary Part 1

-

Long, long ago, Earth experienced a radical climate shift that meant within as little as two generations, the planet would no longer be habitable for humans. A desperate humanity sought a new home for themselves and their progeny, eventually discovering the perfect place to start over, a planet they dubbed "The New World."

The New World was to be more than humanity's second chance at life. It would be an ideal society: all of humankind's greatness and triumph built side by side with nature, so the problems of the old world would not follow. Humanity began migrating in waves, the most privileged and wealthy and their loyalists first, of course.

Eventually, everyone would get a new lease on life.

Yes... surely...

One day, upon this fresh new world an alien life form crashed. Mysterious. Powerful. Dangerous. Also weak. Too weak to evade capture. And soon...life began to change. The people of The New World slowly turned their eyes away from those they'd left behind in their ugly past, their gaze fixed on a dream-like future. Advancement. Progress. Technology akin-to-magic. A galaxy of possibilities.

It could be theirs. It would be theirs. At any cost. Those in power would make sure of it.

Animal experiments... Human experiments...

Among these experiments was a woman with a voice so beautiful hearing her was to feel like your greatest Dream had come true...  She would fall in love with a man with a Heart so great he left his home to try and return this troubled species to the right path...

...From their union, two children would be born. 

The eldest, a boy, bore great Darkness within him. The abstract nature of his gifts proved of small interest to Lab Discovera at first, and he was tentatively returned to the care of his parents.

The second, a little girl, was a powerful vessel for Soul matter. The ability to create life, not just manipulate it. To bring something into being from nothing.

She, they wanted desperately! For they did not see a child or even a living creature, but a tool from which they could wrest their desired future of absolute control. The wielders of Dream and Heart would not hear of sacrificing their progeny for these twisted goals!

Considered fugitives from The New World for fleeing with precious "experimental equipment" they hid themselves the only place they thought safe: Old Earth, now little more than a dumping ground for exiles and failed or "disappointing" experiments, often sent down as trinkets to pacify the urban warlords who ruled over the depressed, powerless survivors of this slowly collapsing society.

The family of four lived as best as they could in the increasingly cold and harsh modern wasteland, seen as traitors to their neighbors for having worked closely with Old Earth's privileged oppressors. The children were able to avoid capture, at least.

But their parents would not live to see them grow up...

--

It is the beginning of summer, the only time of the year on "Shiver Star" where it is warm enough to be outdoors for most of the day. The planet awakens from another three season long hibernation...

Adeleine and Noir Fontaine are orphaned siblings, two young kids in their early and mid-teens just trying to survive amongst a tired and deeply bitter populace who knows that they, for one reason or another, are the ones humanity has chosen to die while the rest migrated to the bounteous and rich future of The New World.

Only Noir is old enough and wise enough to fully grasp that no matter how hard they pretend otherwise, there's no long-term survival for the two of them. And god knows, the day-to-day is hard enough.

Still, the two make it work. They thrive, even, due to Noir's endless tenacity and strong desire to save his little sister from the crushing despair he feels, even if he can save her no other way.

With society opening up again, the two quickly find themselves reunited with their childhood friend of several years. It is a happy reunion for Adeleine and an awkward one for Noir. Though even he can't help but admit, having Raquelle around makes the weight on his shoulders feel a little more bearable. Even if the slightly older girl's good-natured teasing flusters him in a complex way...

Still, they could have gone on like this together for many years, the three of them. Until the snow forgot how to melt and all life fell into a gentle sleep, buried under the white drifts. They could have.

...They could have but...

One fateful day, Adeleine's art supplies, her only personal treasure, are ruined beyond repair by people who did not care for their warm-hearted escapism. Alone, Noir follows a secret hunch and sneaks into the Museum of New World Technology, a wrecked and abandoned building formerly used to host hundreds of the broken and often dangerous tchotchkes left behind by the New World.

He finds just what he was looking for amongst the looted remains of this experimental display of new world glitz – the perfect gift for his sister. A "magical" paintbrush that ensures she will always have the tools to do what she loves. Adeleine now finds herself slowly able to bring her yet unrefined art to a fantastical new level!

While they start out as little more than animated sketches, she will in time learn to tap into powers deep within herself, powers as natural to her as breathing, to bring real items, even food, into being.

Noir finds a gift for himself as well. A sword with a strange dark aura. It speaks to him. To his soul. Anxiety. Dread. Anger. Negative emotions that Noir had been able to push aside for most of his troubled life with seemingly endless patience and resilience.

It tempts him: a weapon that does not require strength nor training to use, and effortlessly concealable as something no more noticeable than a chain necklace he can hide beneath the scarf he always has on him. Before he knows what he is doing, he has donned it.

Their summer takes a dramatic turn for the better. Long days of magic-fueled safety and silliness sponsored by "dream-like" technology. Adeleine continues to hone her skills. Noir trains with his gift as well and the inexplicable powers it grants him. He plays with being a hero, disappearing night after night to hunt "monsters."

...But this isn't a story about a hero...

Noir is disappearing more and more lately. He's tense. Frightened of something lurking just over his shoulder. He never takes his scarf off now, and he's begun to wear gloves over his hands, even inside.

One day, he reports to Adeleine that he and Raquelle had a bad fight; that she said she never wants to see him again. Adeleine, seeing the changes in her brother as a sign Noir's been deeply hurt by this experience, loyally sides with him and gives up her oldest friendship...

And so, things go back to normal for the two Adeleine...

What she cannot see is that Noir's hands and neck have begun to turn dark and withered; it is almost as if something other than blood is starting to run through his veins. Underneath his scarf, the chain necklace that gave him control over the dark sword has transformed into a collar he can neither remove nor destroy. His attempts to do so cause the sword under "his" control to attack him, violently.

Frightened, he manages to contact an exiled New World scientist, a man with a shattered mind who informs Noir of the horrible secret behind The New World's precious "miracle." That their wondrous advancements all stemmed from the extensive torture of an alien life form, a powerful psychic who even now, a planet away, is able to toy with the fates of those who gorged themselves on Forgo's pain.

Worse than the knowledge of what this information might mean for him is the realization that he has cursed his little sister to the same terrible end as he. Noir runs to her, frantic! Perhaps it is not too late! There may still be time to take it back!

Please!! Not Adeleine too...!!

And yet...

...She is fine! To his great relief! Adeleine shows no signs of the frightening, irreversible transformation he is seemingly undergoing!

Indeed, she hasn't changed one bit since her gift...

Time passes for the siblings. Slowly and quickly. Noir becomes desperate to continue to conceal and somehow free himself of his "gift." For if he were to die now, what would happen to his sister? She has no one left. But her joy at her growing abilities only makes his guilt worse. And negativity speeds along the change...

Realizing at long last that the fragile life he wishes he could return to is now forever out of reach, that he was the one who destroyed it, and that the monstrous transformation he is going through can only end in harming Adeleine as well, Noir makes a decision...

There is no escape for him. But Adeleine will be free.

At any cost.

Noir touches his sleeping sister's cheek with a hand she would recoil from if she knew what her "hero" has done and disappears into the night one last time...

Days later, Noir and Adeleine arrive at the spaceport. He has come along to bid her goodbye. He tells her not to worry. That he will follow once his paperwork is all sorted out. Unable to fully disguise his intentions, he smiles with tears in his eyes and begs her to be happy.

Happy enough...for the both of them...

Only he knows this is the last time they will meet in this form.

After she departs, Noir walks out into the snow, alone. The distant eye that had been closely watching the child born to Darkness from afar for years, that had begun to lurk inside him since he took the Dark Matter Blade, that sunk its claws into its prey for good the moment his unstoppable resilience finally slipped and he allowed himself, in his fear, to murder his best friend and consign her soul - along with the others he killed - to be enslaved to the darkness too, bursts forth, consuming his physical body.

His last thoughts are not for his own fate. He knows what he deserves.

No. They are for she whom he always thought of first. To the one he had given up everything for and knew, deep inside, he would give up his life for as well, the moment she gave him that scarf...

-

"Was I a good brother... Adeleine...?"

-

[Apologies AU Masterpost] [Noir's Field Trip Masterpost]

[merakiui]

ALIEN SCARAMOUCHE WITH OVIPOSITION MERA ARE YOU TRYING TO KILL ME 😭 I need more, what would he look like, what are his motivations... Omg... Maybe some kidnapping going on...some experiments on humans...him studying how humans reproduce and if his race can use them... Aaaa my mind is going crazy with ideas, please do share yours too! <3

What if he doesn’t have a form of his own (something that sort of ties into canon Scaramouche’s obsession with wanting a heart and a purpose)? And maybe he’s more like a shadowy mass that can take the form of anything so long as he’s encountered said thing (i.e. made contact with it? Or maybe he has to kill the original in order to take its form? Or it’s something like a reflection where if you happen to look at him long enough he’ll have a good enough idea of how to replicate your form from staring and analyzing it.) and since he’s so dedicated to having a form that really fits, that truly feels like him, he’s continued to adapt and evolve as the years pass throughout every planet in the solar system.

Perhaps he does have a few features of his own, but maybe they’re sort of scattered?? Or they aren’t really features his species is known to have? He’s like a mixture of various things he’s observed over the time he’s spent on your planet in an effort to shape himself into something beyond the formless shadow he’s lived as for so long. Like a patchwork copycat composed of so many different parts because he’s desperately trying to understand all of these things. It’s like his version of trying on clothes and new fashion styles. So maybe he has horns or maybe cat ears because he’s seen so many stray cats and they’ve always fascinated him for some unexplainable reason (maybe in order to have these features he’s had to ingest part of the living thing he wants to replicate??? Just something a little extra horrifying for our beloved alien mouchey. <3) And maybe the only thing he has from the one who created him (Ei) is the same piercing stare in a pair of brilliantly colored eyes she graciously bestowed upon him.

Maybe Scaramouche can’t understand human emotion in the usual sense that other humans might, so he assigns flavors to these unusual feelings. When he hurts the things he likes or is interested in (cats, the human he stole his current appearance from (i.e. Kabukimono; let’s pretend they’re two separate individuals hehe), and even other gentle things or creatures who are completely innocent), the taste in his mouth is sour or bitter or so very intolerable. I think over time he hardens himself and learns to live with the foul flavors he often encounters when he attempts to blend in with humans and utterly fails because he can never replicate their emotions as well as he can copy behaviors or appearances. He starts his journey so curious and sweetly innocent, albeit murderous and eerie, and he tries so hard to learn and be good and explore the world with the eyes his mother gifted him and yet he always finds himself hurting. He hates it. It tastes terrible. It feels terrible, and he has never truly felt before. This is new.

When Scaramouche is captured by Dottore, a human scientist who is a little too dedicated to the pursuit of forbidden knowledge, he finally tastes the cruelty of humankind—learns of the lengths they’ll go to in the name of scientific breakthroughs. The researchers run dozens of tests on him. He can’t feel external or internal pain from wounds or injuries; he’s sturdy, birthed from a substance foreign to humans, intended to survive the harshest conditions. But Scaramouche feels pain—the emotional kind. He’s never felt fear; he’s what humans would call an apex predator. He’s strong. He’s never needed to feel fear, and so he doesn’t fear the unknown. He isn’t scared of the sharp tools, of the peculiar creatures he’s shown in hopes that he might replicate them and their features, nor does he fear the trajectory of this new life. The concept of ethical practices means nothing to him even though he’s aware he’s a lab rat, a grotesque curiosity that doctors poke and prod at. He reacts to everything in unique, defensive ways. He impaled a doctor through the throat with a strange shadowy spike. It moved as though it were liquid, yet it struck very solidly, sharply, deadly efficient. Dottore likens its movements and behaviors to that of an octopus’s tentacle; Scaramouche is unsure of this comparison. This is merely a shadow of something he has observed—a reflection. A cheap copy. He has never been original.

You’re the first human he meets who isn’t adorned in sterile white. No lab coat, no gloves, no goggles, no protective gear. Just clothes. Normal clothes. The both of you are separated by indestructible glass, placed in two very white rooms, and you can see one another so clearly. Scaramouche hates the purity of white because he knows that when he’s forced into a white backdrop he’s meant to stain it red. And lately he doesn’t want to break things that are undeserving of it. Perhaps he’s feeling too much. Perhaps he ought to tear these human feelings out and go back to the blank, shadowy slate he once was. How he intends to accomplish that, he has no idea.

He’s uninterested in you at first. You’re a human. He’s seen humans. He interacts with them daily. He’s killed plenty. But you spend nights in that white room and he watches you sleep. He tries to sleep in the same way you do; he has no need for sleep. He regulates his energy differently. He tries to breathe like you. He blinks at the same times you blink—or he comes awfully close. He tries to copy your movements and mannerisms. One night he presses himself to the glass and takes your form and watches you, counting every rise and fall of your chest as you lie so comfortably on the very uncomfortable cot. With hands that mirror yours, he pokes at these human features. He fits one hand in the other and pretends he’s holding your actual hand. There is no warmth, though. Humans are warm; Scaramouche is not. He’s frigid. His home planet is gloomy and cold and desolate. He thinks humans are lucky for cyclical days—for being in close proximity to the sun. There is no sunshine where he hails from. He likes the way the sun feels on him. It used to burn terribly when he first arrived on this planet. Now it’s like a hug—a hug that still singes, but a hug nonetheless. He’s never known what a hug is, but he thinks this is what it must feel like—like the burning warmth of a sun.

Scaramouche feels true, raw, animalistic, paralyzing fear when you’re taken out of the room after two weeks and replaced with a new human. You’re gone. Replaced. Are you dead? Did he kill you? Did he stare too long? He’s distraught, overcome with a horrifying emotion that has him curled and trembling in the corner of his white room (a cage if he’s ever known one). Why aren’t you here? And why is he so…restless? He can’t call it fear because he doesn’t know that word. But oh he’s scared. He’s so scared. You were the first human to smile at him, to put your hand on the glass where his rested, to sit close to the glass and eat meals alongside him. You were like the stray cats he’s interacted with: kind, soft, gentle, sweet. He’s so scared he loses the ability to remain in his human skin, and he practically melts into a shadow, clinging to the corner like glue or slime. He’s empty and alone. It tastes terrible. It feels terrible.

The humans that follow are terrified of him. Either that or they’re disgusted, baffled, cautious. He hates every one of them, so much so that he’s tried to break through the glass numerous times to dispose of them. Weeks pass; he’s forgetting your features. There are no mirrors here, so he must rely on the reflections shown in the glass. Some days he thinks he looks just like you; other days he’s certain he’s a monstrosity—a sloppily stitched version of you. The you he saw did not have pointed fangs or curling horns. He hates his reflection because it isn’t you. Most importantly, he hates that the humans he’s forced to look at are protected by this thick layer of glass. If it wasn’t so indestructible, he’d tear through every human nuisance until he reaches you.

Scaramouche is not sure how many months pass, but you return. And when you do the fear ebbs away. He feels…happy? Is that the right term? He’s pleased to see you, and for the first time in a while he returns to his human appearance—to the one he took from a young man many centuries ago. You’re back. You’re here. He’s so happy. He detaches himself from his corner and he tries to smile in the way you do. And, though it’s awkward and strange and sharp-toothed, you smile right back.

Dottore decides then that you are to be the next subject in this experiment. He’s observed Scaramouche’s reactions to you and compared them to reactions to the other humans and found that you are the best suited to this role. If anything, the alien couldn’t have picked a better specimen to adore. You’re helpless and so naïve. You need the money; it’s why you allowed yourself to live in that room for a few weeks. You were paid handsomely for it. He’ll pay you beyond handsomely if you agree to what’s next. And, really, when you’re in between a predator’s jaws do you really have much of a choice?

Scaramouche needs a human match, and the scientists need to study more than just the social biology of an alien. They promise you he won’t hurt you, and if he does it’s all right. They’re kind enough to respect the wishes of the dead. You must let Dottore know if you’d prefer a burial or a cremation. There’s nothing special in this distinction; it’s just a precautionary measure. You’ll agree to participate in this experiment whether or not you want to.

Your new home is the white room that faces Scaramouche, and after some more time and observations to ensure you won’t be killed the moment you step foot in his space the glass barrier will be lifted. Dottore wonders how Scaramouche’s kind mates and reproduces.

There’s only one way to find out.

[swan2swan]

Has there ever been a comic or a story where the plot is "Traveler from the future comes back to destroy Reed Richards before he can perfect his Molecule Mashing Machine which is stolen by Doom and used to destroy the world", and then they stop his Molecule Mashing Machine, but then they go back to the future, and it turns out that the world is destroyed anyway, because while Reed didn't invent the Molecule Mashing Machine, the concept of Molecule Mashing was still proven to be physically possible, and thus, at some point over the next three centuries, scientists unlocked the ability anyway, and someone made an open-source Molecule Mashing Machine, and the world got destroyed because it doesn't matter who invents the process, the mere fact that it's feasible makes it an inevitable apocalypse?

[louderfade]

what we need mental health services to offer is an anger room. where you can go to just scream and break things. like stock it with 20 bucks worth of cheap plates and let patients smash the shit out of them. howl and pound on the walls until they're relieved/satisfied. maybe THEN when my mind is cleared of negative electricity we can discuss the sources of the suffering. like when i did equine therapy (which is the only therapy that ever helped me) they leave you all alone with the horses for an hour and then at the end you verbally process for five minutes. when you're at peace and thinking clearly. smashing objects is a great way to achieve clarity of thought. i speak from years of experience. just ask the holes in my walls.

[comehithercornking]

hey babe, wake up, new reason to abolish the police force just dropped

[bookwyrminspiration]

What if when Sophie came to the lost cities the black swan had been overthrown, and their leaders arrested. So by the time she arrived, she doesn’t have that same support. I think it’d take the story in a crazy, but fun new direction.

oh that would be very interesting--not only would she have significantly less guidance at the start of the series, but depending on how the Black Swan were handled, the attitude towards Sophie could be quite different; she'd be the product of known convicted criminals, not just the odd human girl.

She was observed when she first arrived, but I imagine that would've been much more intense in this situation. I wonder when she would've arrived, actually. Because Alden didn't find Sophie by his own work, Mr. Forkle led him to her. So without him, when on earth would Sophie have been brought to their world? Would they have discovered that sort of information through a mind break and located her around the same time, or would years pass?

I'm imagining the Mr. Forkle who posed as her neighbor might've escaped being arrest, which would create an interesting dynamic with her having one singular influence and resource.

But that aside, without the rest of the Black Swan able to work masterfully behind the scenes, there'd be no notes, no clues to prompt hidden memories. It would require a lot more work on Sophie's part to figure things out--which, depending on when she was brought to the lost cities and how (agreeing it was the best decision vs council forcing her, for example), she may or may not be capable of.

I'm also curious how that would impact her morals and sense of right; we see her learning from and guided by the Black Swan for most of the series before she branches out, following their methodology and beliefs on the limits. If they were never there, what's stopping her from going a step further much sooner? Especially if she's being more heavily monitored/judged and in order to make any impact she has to push harder--side note: I feel like in that case she might become similar to Tam in her disdain, she didn't do anything but exist and need help and this is what they did?

Would she be allowed to attend Foxfire with a significant association with a serious criminal organization? Even if she hasn't done anything yet, she might. And if she doesn't go to Foxfire (or is too old when brought), her friend group would be entirely different. She might not even have a friend group and it would instead be her against the world, perhaps a few misfits gathered along the way. Fitz might still be around because he found her, but Biana might stay bratty. She wouldn't meet Marella or Jensi, and she wouldn't have been adopted by the Ruewens (because confirmed huge Black Swan association when he thinks they killed Jolie? no way) so no meeting Dex. If she doesn't go to Foxfire, I could see them sending her to Exillium, in which case she might keep Tam and Linh as friends--but with a very different dynamic, since I think Sophie would be incredibly bitter.

Actually now that I'm thinking about this maybe she'd be picked up by the Neverseen. At least temporarily and in the same way that Rayni was--not that she's for their atrocities, but because they extended a hand when no one else did. Which!! Could then be an interesting exploration on how she wasn't a criminal, but via seeing her as one/as dangerous they limited her options and made her into one. She wouldn't have joined the Neverseen if they'd treated her properly, but they didn't, so now she did. Except they don't see it as their fault, as a consequence of their boxing her in, but instead as confirmation of what they always feared.

indeed, Nonsie, there is a lot of potential for a very different but fascinating story here. I've barely scratched the surface of all the implications and everything you could do with it!

[tautozhone]

idk how to start this so this post is ab individual action, trying to motivate positive change in the world, etc etc

a lot of growing up in the US for me makes things feel more scary than they are. like it’s actually not that difficult to go out of your way to get a bottle of water or iced cup of water from some random drive through if you think you should do it. either fast food conglomerate or local actually, it’ll usually be cheaper than 5 dollars to get drinkable water. i try to have 5-10 dollars i can justify spending on water, and asking for change, because sometimes when i’m out driving i need to go grab water.

i do not do this for me as much as i try to do it specifically when i see someone who’s most likely homeless on a street corner. i’m sure one day i might do this and they might not be there when i come back, but what have i lost really? a bit of time and a bit of money that would’ve meant more to them, that i can hold onto until i see them next.

the pressure that a lot of people feel when they think “what can i do” comes from this grand narrative that the average citizen can singlehandedly fix the housing crisis. rich people? maybe. nonprofits? not in a day, not all one person still. what can i do is a question i ask a lot. what can i do, not just because it feels bad to move along like nothings wrong with the world, but what can i do that will do anything. what can i do that makes even the smallest change.

i feel like it took me too long to figure out a personal method to what i consider individual action. it’s taking time to get to my own financial stability to be able to do more. but for now it’s as simple as water and cash. not water and food, but water and cash.

individual action means a lot in small steps, go get a bottle of water bare minimum and the price of a meal if you can and then just give it to them. if it wasn’t such a miserably hot place where i live i would keep a pack of water in my car, which i still want to do for the sake of having immediate access to water to give someone who might need it- hot or cold sometimes won’t matter. but when it’s hot out, get cold water, if it’s cold out, a warm tea will hydrate more than coffee will as long as it’s not super caffeinated.

[muthaz-rapapa]

This is NOT how you treat your employer

Do NOT follow Shalle's example! 😅😅

[bunnihearted]

.

[darabeatha]

/  GHWGHAWHGAWAW

(source)

[citrine-elephant]

saw some ducks eating in some mud, webbie toes covered in mud, and now i desire returning to the fuckin eden-6 thing I KEEP WANTING TO DO IT WHY DOES ADHD BRAIN HOLD ME DOWN

[dapperrokyuu]

The whole crux of WHA is basically about healing magic and I still fail to understand why healing magic is banned, ngl, dalnbdalkfjn-

Like, I recall they say the whole experimental thing, but thats less about the magic and more about the lack of consent and suffering regarding those experiments-

[malewifehenrycooldown]

it would be nice if actually NMH4 was smart and pulled a whole 'actually the real villain was inter-generational trauma all along!' and that it re-contextualised the overarching narrative of NMH to be about the about the Touchdown Family's struggle to end the toxic cycle of violence that their family has been stuck in.

[themugghost]

Before I came across mortal kombat world, my universe had that monsters by all it's kind lives in big land far from human countries, very hard to see or to know about or to reach to

So after that I keep thinking about certion didn't make earth alone but created the world of monsters as well (my land ) but it really went wrong over centuries not getting what she wanted, so with some are horrible and others good, she kept them and decided to forget about them forever with all that magic and stuff.

This as idea if how the land existed in first place.

Now I imagine after raiden becomes mortal, once he meets one of them he be like "???" Also "CERTION WHAT THE HELL IS THAT?? how come i didn't know wbout them??" pointing at them xD