#the only good thing about her book is the art

[starlightswordfight]

rescue corps headcanons because I'm insane

(there are many)

– mirror pronouns pom

– that's all I got

– man!!

– Bernard started TALKING in this specific MANNER for the BIT years and years back and now he can't STOP he is STUCK someone HELP him

– he ALSO might be doing it to try to put EMPHASIS on the words he believes should have it and sometimes HE DOES not succeed

– he reads as ADHD coded to me but it might be because I also talk like that so take that with a grain of salt

– "HEY GIRL. I MEAN ANY PRONOUNS"

– Bernard had the most normal home life by far. No contest, won by default. I have a GREAT relationship with both of MY parents because they LOVE me

– he is incredibly observant. alarmingly so. will sometimes act out of the loop on purpose, if he thinks things would just be easier that way. accidentally learns everything about everyone, the guy's an information magnet and he doesn't know how to feel about that

– do you guys think Russ has made a spacesuit with the doc ock arms because I think he has and that he actively uses it on missions

– occasionally jumpscares people and giggles about it. he got the tendency to do this from his mother, who can smell fear

– while I doubt Russ would do things "for the bit" he would ABSOLUTELY act on impulse in the name of the scientific method. this has gotten him hurt before. it's fine

– does not make coffee he just eats the fucking grounds. "it's a Giyan thing, you wouldn't understand" this is not true at all he is LYING

– Russ and Yonny get into frequent arguments (light banter) about literally everything and I mean Everything. They could work together they'd be really powerful that way, but they don't

– Russ has so many genuinely funny science puns that he makes and no one ever gets them and it devastates him

– except for Yonny, who is too busy searching for ethics guideline loopholes to acknowledge that he understands the joke

– Yonny has the most HORRIFIC life stories and will drop them CASUALLY. thought they were funny, is only now beginning to realize that it does in fact make people concerned and uncomfortable when he does that

– prefers paper books to digital because he's prone to headaches!! cites "phone bad book good" as the official reason but that's not the reason

– nonbinary and evil. presentation tends to "default" as masc but switches up often! hey girl I mean any pronouns

– knows like a hundred million dead languages for absolutely no reason

– makes art in his spare time because murder is wrong

– Shepherd sleeps with a nightlight, or at the very least can't rest well in complete darkness!! she's just like me fr !!!!

– "she snores" thank you duncan for your contribution. honk shoe

– also I think she might be autistic I can't fully back that one up do not ask me to but look at her. she cares about dogs the way I care about fish

– prone to coming across the wrong way, tone wise. very very good at giving backhanded compliments that were meant to be fully sincere and just got horribly lost in translation. this keeps her up at night. she feels AWFUL

– big fan of karaoke!! not exactly GOOD at it but we love her initiative

– as afraid as she is of the pikmin, their voices and funny little words are very catchy and she does find herself repeating them often. she will not admit this. it is embarrassing

– Collin is also autistic. I could make an entire separate post on this I'm being so goddamn serious, I have so much reasoning, I am fully confident that he is, and that he masks REALLY hard, and it enormously fucked him up

– special interest in machinery (NO ONE saw THIS coming)

– transmasculine. his name is a pun on "call in." heard the phrase and realized he had the opportunity to do the funniest thing ever

– we only hear about his grandfather, and not even from him; no other family is mentioned at all!! went no contact with like everybody else, above points might be why. people with normal childhoods don't stand like that

– adding onto the canon sleep talking with sleep movement! a LOT of it! has probably kicked someone before!!

– "he wakes up upside down" thank you duncan

– i think maybe Dingo might still have glow stick light up bones. will rediscover this one day during an expedition mishap and it will be an Experience

– not a hc but Dingo is the type of guy to get bit in a zombie apocalypse and not tell anyone until the literal last second

– "he would also say "fuck my stupid baka life"" thank you duncan

– would fight by rolling up his sleeves and jumping around cartoonishly. he would more likely talk like he's winning the fight when he is in fact actively losing. "had enough yet? (on the floor)"

– definitely games and he wins the competitive ones by button mashing. "I'll never tell you my strategy" he prays that's the strategy

– his sleep schedule is NOT normal. it's so beyond skewed. he either gets like 2 hours of sleep or he wakes up the following night not knowing what year it is

[princessanonymous]

I love your platonic yandere vampire story!! One of the best that I have ever read ❤

So I'm just wondering what time period did the reader turn? If not modernt times, how would they react with the modern world (like in the 2000's)? Would the keep up with new technology, would they just not care, or would they be against it? And if they care, what would be their favorite thing about the modern world?

Once again, amazing work and i enjoy all of your stories <3

𝓝𝓮𝔀 𝓦𝓸𝓷𝓭𝓮𝓻𝓼 (Ask)

When Night Comes asks Platonic Yandere Vampire Story Chapter list

Hi, thx for the ask and sorry if it took some time! Btw, (Y/n) was turned during the Victorian Era. :)

┉┈◈◉◈┈┉

"You want what?" Her father's disbelief dripped slowly from his lips, his brows furrowed in confusion as he tried to comprehend his daughter's request.

Undeterred by his reaction, the girl nodded excitedly, her eyes sparkling with anticipation as she pointed at her phone, a strange and amusing contraption she had only received a year ago after years of pestering her parents.

"A tablet and a digital pencil," she explained, her voice filled with excitement as she gestured towards the screen of her phone.

"Is that another of those things you saw on that clock application of yours?" He guessed with a roll of his eyes. She huffed in response, feeling insulted by his dismissive attitude.

"TikTok," she corrected him, her voice laced with exasperation. "And I don't see why that would matter."

He raised an eyebrow and answered, "Oh it does not."

She calmed down slightly at his words, relieved, but then she watched as his eyes landed once again on the book he was reading before she entered the living room. She awaited his decision with bated breath until she grew impatient. With each passing minute of silence punctuated only by the sound of pages turning, her anticipation grew.

"Well?" she finally interjected, unable to contain her impatience any longer.

He lifted his head once again, feigning innocence. "Well, what?"

Her glare intensified, and she snapped, "What do you say? Can I have it?"

His eyebrows rose, then he laughed; "Oh, of course not.”

"Why?" she demanded, her voice sharp with indignation, visibly bristled by his categorical answer. The dismissal of her desires stung.

"Why would you want such a thing?" He asked a question of his own, his tone laced with condescension, while pointedly ignoring hers. "I taught you how to draw and paint," he continued, his emphasis on the word 'taught' dripping with arrogance. "These silly things are nothing compared to good, traditional academic art," he declared. 

His words carried the weight of superiority, as if her aspirations were frivolous and unworthy of consideration and she clenched her fists at that.

She now understood his reticence to it; her father prided himself as a connoisseur in fine arts. It was true that he had an appreciation for the arts, but only when they adhered to the strict confines of academic, structured, and figurative compositions. She still vividly remembered the first time he had encountered abstract art; the fury and disgust that flickered in his eyes had been unmistakable.

Her father's disdain for anything outside the realm of traditional art became painfully apparent when he abruptly ceased sponsoring any museum or gallery that dared to exhibit the works of artists like Wassily Kandinsky and those who followed in his footsteps. The ripple effect was significant; it sent shockwaves through the art community and made headlines across the globe. For generations, his ancestors, from Dorian I to Dorian IV — who were, in fact, all him — had been the most influential patrons of the finest museums, but his sudden withdrawal of support was unprecedented.

The abrupt departure from his ‘familial legacy’ left many puzzled and others outraged, but her father remained resolute in his disdain for what he deemed as 'frivolous experimentation' in the art world.

(Y/n), on the other hand, did not hate abstract art; she just didn’t really understand the meaning of it most of the time. It mostly looked like a mess of forms to her. She didn’t even particularly want to depict abstract things; she just wished to do art using a new medium, but she couldn't help but feel the weight of his disapproval pressing down upon her.

"It doesn’t have to be abstract. Digital art can be as good as anything we have in this house," she insisted, her voice laced with determination. But at his dubious look, she sputtered, the words tumbling out in a rush, "And I'll prove it to you!”

He chuckled dismissively, waving a hand in her direction before turning back to his book once again. “Of course, you shall do that," he agreed, his tone dripping with condescension, a clear dismissal of her ambitions.

She felt a surge of frustration bubble up within her, puffing her cheeks in defiance as she stormed off. She was not one to back down from a challenge, especially not when it came to proving her father wrong. 

[sleepyelliee]

taking a bath with jack marston.

౨ৎ SUMMARY... your favorite gunslinger seems to have trouble keeping himself together during the rough patch he is currently experiencing, so you decide to step in and tend to his needs.

౨ৎ RATING...fluff ! but, mentions of depression, implied grief, dirt, bacteria, nude body, alcoholism, scars, cuts, and bruises, implied financial situation, loneliness, implied to be shorter than him, GN READER. no 'y/n', just 'you.' Loosely proofread. established relationship.

౨ৎ CREDITS... thank you sooo much, @slversprngs for allowing me to use your jack drawings <3. you should definitely check them out because they make amazing art.

You were familiar with the young man and his family who lived couple blocks down from your ranch and your father would trade different products each month with the Marston's. This soon became a way to know the teenage boy as his mother, Abigail started to invite your family to dinner every other weekend, an attempt to make her loner son have some friends since all he did was read books and help out his father whenever they did ranch work.

Abigail thought you were a good influence, you liked reading books and engaged in conversations whenever her or her beloved husband would ask about your hobbies or they observed how you would treat their son. The Marston's loved having your family around and soon enough you became a family friend, and a best friend to Jack.

All those memories and dinners with the Marston family soon came an end three years ago, when Jack's father, John passed away and soon after that his mother passed as well.

It changed the young man - crushed him to pieces that it altered his personality. The old sarcastic boy you knew was far from that now, he was quiet and only kept to himself with that stoic mask he displays to everyone.

It seems you were an expectation because he wasn't entirely closed off, he still spoke to you occasionally about the things he's doing in his life - aiming to kill Edgar Ross, a man who murdered his father apparently.

You didn't know what to say to that, two wrongs don't make a right. But, you couldn't stop the young man as he let his anger out about the whole situation as he spoke about it whenever he would lean against the railings of his porch and you would quietly listen to his rambling.

...

Opening the crunched up newspaper that was left in your mailbox messily caught you off guard. The retired federal agent, Edgar Ross was reported as dead - something you didn't want to take literally due to how sweet the young man used to be in the past, nor wanted to believe his words of murder true. You felt terrible because you knew that the true fate of the man before it took place and deep down you knew you could've reported it to the law.

That's what you repeated to yourself numerous times - never to ever interact with an outlaw, a gunslinger, a murderer, someone like him, but you found yourself stripping naked to wash the young man as you slowly got into the bathtub.

"You don't have to do this," The gunslinger repeated as he took a heavy inhale, trying to respect you in the best way possible without making this awkward, "You know you can leave, right?" He continued but any conviction seemed to land on deaf ears.

"Mhm, I know." You muttered, reaching over to grab the shampoo and rubbing it on your hands before massage it into his scalp. The built up grease from days or even weeks was noticable but you decided not to speak about it.

Jack feels guilty - not for the killing a man but how he's making you, a childhood friend of his clean him up like he's a baby. The alcohol in his system doesn't make the anxiousness fade away as he is afraid you'll judge him - you'll will leave him.

He doesn't know how long it's been that he genuinely felt so clean but he won't ever even admit a side of vulnerability despite the fact he allowed you to take care of him.

After shampooing his hair, you gently wash off the shampoo and rubbed conditioner on your hand before going in and applying it to the outlaw's dark hair, causing him to hum. "What else are you goin' to do?" He questions as his gaze slowly meets yours, hoping you won't be grossed out.

"Do you want me to wash your shoulders? You...uh, can do the rest.." You mutter as your cheeks grew into a rosy red. Damn. He swears that look you give him anytime you get embarrassed will be the death of him.

Jack doesn't comment on it though, he silently reaches down and takes hold of your waist and pulls you closer. "Don't stress it," The gunslinger mutters, slowly dipping his face in the curve of your neck. "Darlin'..? Love you."

Jack Marston was not a vulnerable man, but in this moment, he felt safe and secure in your arms.

Thank you soo much for reading ! reblogs and likes are very much appreciated... please do not repost my work on any other platform. Masterlist

[theythemclockenjoyer]

please tell me they did not give the author with very racist and homophobic past who realied on stereotypes and whitewashing in her book another story about another culture she knows nothing about

[b4kuch1n]

siren

[luck-of-the-drawings]

IMAGINE. working at ur stupid uhhh job or whatever. pulling into your drive way and ready to work on some crazy project in your garage. opening the door to the most unfamiliar silence. did your wife and kid leave for something? could you imagine knocking on your kids door, hardly getting an answer, and opening it to find the splattered remains of your wife across his room your child is scared! hes hardly consolable, in a state of shock and terror. you are too, but youre the adult here. you need to take charge. you need to protect him. you need to do something. you need to do something.

[secretsivekept]

I needed an illustration piece for portfolio stuff, so the last few days I’ve been working nonstop on a mock up book cover for an old story I made up when I was twelve LOL

It would be called “A Dragon’s Tail” but i have no graphic design skills whatsoever so there’s no typography on this book cover mockup

If you want a basic (and chaotically organized) rundown of the plot, keep reading under the cut LOL

In the OG story, there's 3 main characters: Adrien (QuetzalCoatl, or feathered serpent), Penny (a normal human) and Silver Stride (a unicorn).

Adrien the dragon was originally the main character that we follow (and if I were to ever rewrite this, she would continue to be the main character. I only put Penny in the center of the cover because it worked better for the composition i was going for, and I didn't have time to explore more variations.)

Anyway, Adrien's mother goes missing, and she teams up with a Penny, and Silver Stride, who have also lost their families to an evil wizard named Rogabas, who for mysterious reasons is kidnapping dragons, unicorns, and other wizards for an evil purpose.

No i can't remember what that purpose was, and i don't think my 12 year old self would know either tbh

The three characters would go on this epic journey to find the lair of Rogabas and meet a whole assortment of fantastical creatures along the way, like a giant talking goat named Merryweather who guards a bridge (a bridge passed down from generation to generation after winning it from a troll and demands golden carrots as a toll to cross it), good werewolves and bad werewolves, gargoyles who guard libraries, and I can’t remember why but in my old drawings there’s also this manticore (or maybe just a lion) with sunglasses for some reason. Maybe he’s just there to chill, idk.

Also there would be two side kick characters, who are two of Penny’s dad’s familiars ((((oh yeah penny’s dad is a wizard, too, unbeknownst to her)))) and guardians of “Magic Rock TM” that the evil wizard Rogabas is after. The side kick characters are two overzealous, punch-first-ask-questions-later rabbits named Flopsy and Mopsy, who are enchanted to know karate. (There is a whole leigion of karate rabbits who guard “Magic Stone TM”.)

(((If you’re wondering why a wizard would enchant rabbits to know karate, well of course every wizard usually has a collection of animal familiars enchanted to know a specific type of martial arts to guard their magical artifacts. This is standard practice, don’t you know? 12 year old me definitely wasn’t going off the title of “kung fu panda” and start making a whole bunch of animals like “Kung Fu Kitty” or Jujutsu Doggy” or “Judo-Penguins” or Tae Kwon Do Tigers)))

Also, I don’t know what “Magic Stone TM” is, I just remember it was a big important thing Rogabas was after.

ALSO also, 12 year old me decided that Adrien was adopted by a European dragon and had 2 siblings, Martin (a european dragon) and Cho (a chinese dragon) who were also both adopted, but If I were to rewrite it think it would be simpler to keep it to just Adrien and her adopted mom, just to keep the keep the already big cast to a more manageable number LOL

(Btw, “Rogabas” is the latin word for “You were asking” and when my sister and I were learning latin, we thought that word sounded like the name for an evil wizard and laughed ourselves silly saying “you were asking, evil lord Rogabas??” Over and over)

Basically the story would be this wild comedy adventure with a lot of magical tropes and shenannigans thrown in.

[look-at-the-stars-tonight]

I ran this morning AND wrote some AND made art and I’m so proud of me

[eric-the-disposable-demon]

Uh-

just found out my cousin (who lives in England) is in the art department of a bunch of shows??? And she worked oN DOCTOR WHO? AND HAD LUNCH WITH DAVID TENNANT???? and she just told me so casually because she's interested in the art, not the show? I mean, excuse me? She worked on SHERLOCK???? FOR A WHOLE SEASON?? She worked on Peaky Blinders and Lord of the Rings and Game of Thrones??? And probably other things because she has a shitty memory and according to her everything is a blur?? AND AT ONE POINT SHE WAS LIKE: "oh and have you ever heard of Neil Gaiman?" And I was trying not to scream, because yes, of course I've heard of Neil, he's only my favorite author, I've only read like all of his books multiple times, and if you say you worked on Good Omens or the Sandman I'm going to lose it completely. So I said "yeah I've read a couple of his books," -you know, like a liar- "what about him?" and she goes "well I worked on one of his shows and he's brilliant i just can't remember which one" and i go "w-what do you mean he's brilliant? You're.. you're talking about his writing... his writing is brilliant, right?" And she cheerfully says "oh no I don't read books, I ment he was really nice and brilliant when I talked to him" and i go "WHAT DID YOU TALK ABOUT WHAT DID YOU TALK ABOUT" and she thinks for a moment and goes "oh! BRICKS" WHAT IN THE WORLD YES NO THAT MAKES SENSE YOU GET TO WORK AND TALK WITH NEIL FUCKING GAIMAN AND YOU TALK ABOUT BRICKS? NO THAT'S TOTALLY NORMAL I'M NOT MAD ".... it was what I was designing at the time, I needed to know what vibe the bricks should have. Anyway want to see the spinning fireplace I made for doctor who" WHAT THE FUCK.

@neil-gaiman do you remember any brick conversations by any chance

[girlscience]

unrelated to the panic of grad school, I am making an oc because I was smacked in the face with the adventuring bug last night

[monsterblogging]

"I know JK Rowing is a terrible person but her books are so good-"

You sure about that?

I mean, just for a start, have you taken a good look at her fantasy creatures lately? A whole bunch of them are straight-up based on malicious and dehumanizing stereotypes about actual people.

Remember the werewolves? And being a werewolf was made into a kind of metaphor for having AIDS?

And you know how AIDS was first associated with gay men? And how conservatives back in the day were claiming gay men were preying on children in order to convert them to gayness?

Remember how Fenrir Greyback preyed on children in particular? Yeah, she put that subtext in there. She was an adult in the 90's. She knew damn well what she was doing.

Remember the house elves? Remember how most of them loved to serve and needed to have a home and a master or else they just wouldn't know what to do with themselves?

Did you know that's literally what slavers in the American South said about the Black people they kept enslaved? Go look up the happy slave myth.

Do I even need to get into the goblins and the antisemitic tropes they're based on? No, folkloric goblins were not gold-hoarding bankers waiting for their chance to stab humanity in the back.

"But the characters are so good!"

Are you kidding me?

Most of her characters are pretty one-dimensional, including Harry. Her idea of making a morally complicated character is giving a tragic past to a bully. Numerous characters are little more than stereotypes. (Looking at Fleur right now.) Literally anybody, including you, can easily make dozens of characters just as good, if not better. (It doesn't exactly take a lot of character designing skill to go, "hey, actually, having a sad backstory doesn't make it okay to bully children" or "hey, maybe I should not base a character on the first stereotype that pops into my head.")

"But the rest of the worldbuilding!"

Sorry, but her worldbuilding is just as basic as her characters. Magical castles and secret passages are stock tropes. Magical people who keep their true nature secret from humanity is the premise of pretty much every White Wolf TTRPG. Most of her fantasy creatures are just common European fairy tale and folklore creatures with shitty stereotypes projected onto them.

I'm not saying "basic worldbuilding bad." I'm saying, you could do just as good, if not better, with minimal effort.

Also there's her magical bioessentialism, where only Harry's abusive blood relatives could provide him with supernatural protection from Voldemort. Rowling thus effectively declared that non-biological family isn't quite real family, and that abusive biofamily can give you some essential thing that a loving, supportive family that isn't related to you just can't.

The Hogwarts houses are one of the most insidious elements of her worldbuilding. The idea of being sorted gives you a little dopamine hit because wow now you have a li'l niche where you belong!

But the actual function of the houses and sorting system and the House Cup is teaching children to see each other as rivals, and ensure that the most toxic views of the upper class get passed on to every new batch of kids sorted into Slytherin.

Hogwarts effectively prepares children for a dystopia where magic serves to distract its citizens from how nightmarishly awful it is. Economic inequality is so bad that people like Arthur and Molly Weasley can barely afford to put their kids through school, casual sadism is just an accepted norm in everyday society, and non-humans are second class citizens. Rowling sorta acts like she thinks this is a bad thing with certain lines she gave to Dumbledore, but in the end, her special boy protagonist becomes an auror; IE, a defender of the status quo. So.

If you've never seen it, Lily Simpson's video goes into even more detail on how the worldbuilding of Harry Potter is actually incredibly fucked up, and how it betrays small-minded attitudes on Rowling's part. There's no separating the art from this artist, because Rowling's rotten values pour out of nearly every page.

Yes, there are many things in Harry Potter that evoke feelings and inspire people, but there's absolutely nothing in it that this series has a monopoly on. You can find those same experiences in much, much better media.

[the-cimmerians]

It's 2024. I have been participating in fandom for 40 years. This is a ramble commemorating some history I've experienced along the way.

In 1984, I attended my first convention, and made a beeline for the one long row of covered tables in the Dealer's Room that was, according to the whispered lore of my friends, 'the one'. "um", I said, very suavely and coherently, except for how it was totally the opposite of those things, "I'm here for the... for the, uh. For-"

"Come around here," the man behind the table said with exhausted ennui, so I went around, and he lifted up the table skirt next to him and pointed to rows and rows of boxes underneath the line of tables. "It's all under here."

It was all under there. Along with about five older ladies with glasses, graying hair, cardigans. Flipping through slash zines and chatting in whispered voices like old friends (which of course they were). I noticed one of them had the good sense to be wearing kneepads. I was still too young and ablebodied to need kneepads when crawling on a carpeted floor, but I immediately found her preparedness skills to be both impressive and hot. "You're new," one of the ladies whispered to me--a bit warily, which made sense. "Are you sure you're in the right place?"

In the faint light (the kneepads lady had also come prepared with a flashlight, additional practicality hotness points for her) I grabbed a comb-bound book with a heavy line art piece on the cover, featuring a musclebound Captain Kirk getting righteously and enthusiastically plowed by a stern-yet-ebullient Spock. "This," I said, pointing helpfully at the cover, like I was trying to make myself understood in a language I had only the vaguest knowledge of. "I'm here for this."

Outside at the convention, most of the attendees were wearing large homemade circular pins that shrieked 'K/S is BS!!!'1. But underneath the table, we reveled in the forbidden.

***

In 1985, I fell very hard for Starsky & Hutch fandom. Which was simply referred to at the time as 'the other fandom', because there were only two. We were upstarts. Many fannish elders predicted that it was just a phase.

***

The 'circulating library' was a massive stack of barely-legible pages that smelled strongly of mimeograph ink. When you were on the list, you would write stories while you waited for your turn, and when the big box was mailed to you, you would read everything (new finds, old favorites), add your own sloppily-typed or hastily-mimeographed stories, and then mail the whole thing to the next person. For me, at the time, it was an extremely expensive indulgence--but my favorite one.

***

By 1990, slash fandom had grown enough that I no longer knew everyone in it, which was both thrilling and a bit daunting. A young woman at a convention waited for me after a panel I was part of (I think it was 'writing impactful smut' or something like that), and said she had a question she didn't want to ask in a group setting. I'd heard that before. I said that's fine, go ahead and ask; and she came out with: "Why do you have to be gay?"

I blinked. "Is... that a problem?"

She looked annoyed. "Yes, because your stories are on all the recommendation lists and in all the top zines, but if you're gay and I read something you wrote and I get hot from it that makes me gay, and I'm not gay."

"Wow." I grinned, I couldn't help it. It probably made me look very predatory-dyke-about-to-score-a-toaster. Whatever, it was enough to make her back away from me fast.

When I thought about it later that night, I wondered what it would be like not to be the only queer person in slash fandom.

***

By 1997, slash started appearing on the internet. Many fannish elders claimed it was the death knell of slash fandom, or dismissed it as 'just a phase'.

***

Anyway, I wrote all this for myself as a commemoration of sorts, but if you took the time to read it--thank you. Love you, fandom. I always will.

1 In those days, m/m fandom was known as 'slash', which grew from the fannish shorthand where 'K&S' meant a story of Kirk and Spock having adventures or tribulations or what have you, and 'K/S' meant a story of Kirk and Spock getting it on (Kirk divided by Spock or Spock into Kirk--it was mathy fannish humor and I was into it then and I still am now). Slash was decidedly unpopular in the fannish world in 1984, and there was a concerted effort to force slash authors, artists, and fans out of 'mainstream' fannish public life. Hence, under the table.

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[neil-gaiman]

Hi! RE: your journal about the right for lolicon fiction to exist even if you disapprove of it, would you say it can also exist for titillation purposes, or do you stand by it for artistic reasons, or for the purpose of exploring dark themes only? I always thought you were saying the former, but I just wanted to ask. It's chill if you don't wanna answer this. Have a good day!

Here we are, 15 years on from that blog entry, and I still haven't read any lolicon, I'm afraid, so I have no idea about its themes. The context was whether you should be sent to prison for owning lolicon. What I said back then was,

In this case you obviously have read lolicon, and I haven't. I don't know whether you're writing from personal experience here, and whether you have personally been incited to rape children or give inappropriate hugs by reading it. (I assume you haven't. I assume that Chris Handley, with his huge manga collection, wasn't either. I've read books that claimed that exposure to porn causes rape, but have seen no statistical evidence that porn causes rape -- and indeed have seen claims that the declining number of US rapes may be due to the wider availability of porn. Honestly, I think it's a red herring in First Amendment matters, and I'll leave it for other people to argue about.) Still, you seem to want lolicon banned, and people prosecuted for owning it, and I don't. You ask, What makes it worth defending? and the only answer I can give is this: Freedom to write, freedom to read, freedom to own material that you believe is worth defending means you're going to have to stand up for stuff you don't believe is worth defending, even stuff you find actively distasteful, because laws are big blunt instruments that do not differentiate between what you like and what you don't, because prosecutors are humans and bear grudges and fight for re-election, because one person's obscenity is another person's art.

Because if you don't stand up for the stuff you don't like, when they come for the stuff you do like, you've already lost.

[fuckyeahgoodomens]

Peter Anderson: Hi, my name is Peter Anderson. I'm from Peter Anderson Studio and we created the title sequence to Good Omens Season Two. So this scene is quite literally a continuation from Season One.

An interesting detail with this scene is the fly. The fly is significant because it stores Gabriel's memory.

Gabriel is hidden in every scene. This is the first time we see it.

This goat is half bird, half goat, representing a mistake in a moment of transformation.

In the pickled herring barrel, we have literally red herrings sticking out.

A lot of the gravestones have hidden engravings, easter eggs, all written by Neil.

[This one says: HERE LIES THE FORMER SHELL OF BEELZEBUB referncing Beelzebub having a new face in S2 :), another ones are: EVERYDAY, JANE AUSTEN, Here lies ADAM (the Adam from Adam and Eve is meant)]

Another hidden Gabriel.

Our same character that was trying to escape Hell in Season One titles is also trying to escape here, moving in the opposite direction to the rest of the procession. Except this time he's apprehended and dragged back into the procession.

Our Hell spider from episode four makes a little appearance in the background here.

Can you tell where the bus is going? Director Douglas McKinnon selected Powell and Pressburger's Stairway to Heaven to put on the billboard.

Another thing to note here is the type is all handmade specifically for Good Omens. The Alphabet only exists within the show.

The big floating turnip is a nod to Azirafel's magic tricks.

The Ladies of Camelot poster we pulled from the show.

We added plaques to the back of the chairs and Neil chose who to honour.

[There are: A TALE OF TWO CITIES by CHARLES DICKENS, PRIDE AND PREJUDICE by JANE AUSTEN, THE CROW ROAD by IAIN BANKS (twice!) and GOOD OMENS by TERRY PRATCHETT (Neil missing for some reason :) <3)]

Saraqael made an appearance from Heaven.

Our Space is back from Season One. Aziraphale and Crowley are having a little dance here. A moment of flirtation. There's a tiny planet in the middle that comes into existence at this moment.

Our Scottish tartan hills make an appearance here.

The aeroplane and the airline is a little bit of a clue here.

[THY KINGDOM AIRWAYS 👀]

It's raining love hearts in reference to Aziraphale's attempt at making Maggie and Nina fall in love.

Here are elevators to Heaven and Hell. A wee thing to spot. Here is Gabriel in the lift arriving from Heaven.

We've updated our flags to reference some of the plotlines in Season Two. For example, The Second Coming.

The movie poster artwork changes every week, representing the episode plotlines and the minisodes. We made the posters to look like the time period and in this case we've got a Good Omens version of Buddy Holly.

[The posters are:]

In the snack bar some of our popcorn is actually communion wafers.

There are specific characters from Season One in the boxes watching the movie as the procession goes by. This includes some of our original concept art from Season One.

The duck playing the accordion is from a newspaper headline that someone is reading in The Dirty Donkey from one of the episodes.

[this is also from the Good Omens book :): "Daily Mail. 'Letter From America.' Um, August the third," said Newt. "Just after the story about the woman in Worms, Nebraska, who taught her duck to play the accordion."]

Each episode is showing a new movie on the screen, each one selected by Douglas, and has clues about what's to come.

The season one phone box tumbles in the background.

The big mountain is made of all the ingredients from Season Two and a couple of remnants from Season One. We are heading towards the biggest Easter Egg, which is the lift. We're heading towards the Second Coming..

[lesenbyan]

unfortunate and unexpected consequences of the pandemic: using inadequate to borderline offensive metaphors for it in poetry that prove the author either doesn't know what they're talking about or refuses to see the world as more than just X metaphor