ghost fucking soap so hard and so good he passes out but he utterly panics about it
he thinks he must’ve ignored soap asking to stop; was it pain that made him pass out? how bad could it have been to make him pass out when he’s been shot and kept going? should he bring him to medical? he’ll never touch him again, he’ll never so much as look at him again; he’ll ask for a transfer- fuck that, a dishonourable discharge. there’s no coming back from this
he spirals, guilt chasing hatred chasing despair chasing fear, until soap finally wakes back up
soap's still floating, loose-limbed and buzzing; fucked so thoroughly out of his head that it takes him a while to notice ghost isn't in bed with him anymore. he frowns, lifting a heavy head off the pillow and freezes. ghost's on the other side of the room, curled up tight in the corner as far away from soap as he could get without leaving him alone
(he would've left, would've made sure soap never had to see his face again and be reminded of what he did to him, of the monster he’d let into his bed- but he couldn't just leave him unconscious; what if he didn't wake up, he had to make sure he was safe first even if he'll rightfully hate him forever when he does wake up)
soap's voice when he calls out to him makes him flinch, his head burying deeper in his knees. cold worry chases the bliss from his blood and soap pushes himself up but his shaking arms can't hold his weight
the sound of him collapsing back onto the bed makes ghost rear up, his panic growing and soap's heart breaks at his red rimmed eyes
it takes a long time for soap to coax him back to the bed, countless loops of, "sweetheart, please, come here, what happened? it's okay, everything’s going to be okay.”
(and how ghost’s self-hatred grows hearing soap comforting him; hearing the concern and love in his voice when he doesn’t deserve a drop of it)
it takes even longer for ghost to believe soap when he says that he passed out because he felt so good; that he never asked ghost to stop, never wanted him to stop. that he trusts him more than anything and knows he'd rather die than ever hurt him, especially like that
“you’re not a monster, love,” he promises, soft with conviction and it’s as much a surrender as a relief when he collapses into his lap and lets him hold him close
ghost believes johnny but he still can't bring himself to be intimate with him for a while; that fear still haunting him, but soap doesn't hold it against him, doesn't complain about ghost's perceived "step back" in their relationship
hell, ghost seems to hate it more than he does; he misses being with soap, misses the connection, the closeness they shared, the safety and quiet he found in his embrace, but he's always trusted soap more than he trusts himself
soap doesn't let him be consumed by his fear or worse, sabotage them and turn it into a punishment; doesn't let him even get through the suggestion of switching because he knows how much he hates it and he won’t let him twist something as good and pure as their physical love into something self-harming
instead, he brings them back to the basics, working through the steps to get ghost comfortable with intimacy again, to get him to trust himself again; spends happy months just grinding and exchanging handjobs like when their relationship first started
and it's a happy day for them both when soap finally falls apart on his cock once again, anxiety the farthest thing from ghost's mind when his arms are wrapped so tightly around him, kissing a smile against his lips
227 notes
·
View notes
Skip has always found a way to work through his problems and turn them around with relative ease, but the sudden death of his wife, Brandi, has brought his mostly carefreeness towards his children to a stand-still. With two freshly traumatized children and a newborn under his belt, can Skip juggle turning his shitty ass life around for his family, or will he crumble under the weight of his past mistakes?
Darleen hasn’t been the same since her husband, Darren, died, though she’d be quick to argue with you if you said anything of the sort. She’s FINE! She misses her husband, undoubtedly, but she’s not going to let that very, very, very tiny thing wreck her whole life, and she’s not going to let people give her grief about ANYTHING. Sure, she got fired from her job a few months back and hasn’t made any strides to find a new one, and she’s losing touch with her son as she goes and squanders all her responsibilities by partying and drinking on par with younger years, aaaaaaaaaaaaand the almost obsessive idealistic crush she’s developed on her neighbor is clouding the second half of her judgment, but she’s bounced back from worse and knows everything’s going to come up Darleen :) …………. hopefully
570 notes
·
View notes
if killer ever went into stage 3 around horror i absolutely want horror to fuck around with him in it. killer would totally obliterate him yes. BUT horror's also smart enough to know not to fuck around (too much) and find out. i think it would be like animal control and a wild feral dog. horror would set up traps for killer to get stuck in and then he crawls out of them. he laughs when killer falls for them so easily because a normal killer wouldn't fall for them so savagely (s2 killer MIGHT purposely trigger horror's traps just to see what would happen but s3..... bro has no thoughts). it's a good time for him to test out what new traps he can try too because killer is stupidly determined enough to keep surviving even the most saw level traps horror comes up with. he could find a way to slice off killer's leg with a cool new funky trap that's basically a torture device and killer will just start chasing him on all threes
killer just has like rabies foam at his mouth and horror is actively laughing at him during all of it. there are several moments where killer almost kills him or fatally wounds him but horror's smart enough to use his limited magic to teleport away in time before killer ends up gouging out his stolen eye. he just finds it so funny because normally killer is a lot smarter than this. killer always has that empty look on his face and is precise and always speaks with that stuck up tone and like he always knows what he's doing and what's going on and now the only thing that killer can say is a bunch of rusyxushabdhshhgggherrrrrggrrrrrr like a dumb dumb little dog. and horror absolutely finds it hilarious as he watches killer climb out of the 30th spike trap he's set. dude is absolutely covered in blood but bro is just dead set on killing horror in s3. horror just finds his fall from grace so PATHETICALLY HILARIOUS!!! and then he falls for another trap where he gets stuck in a net and horror laughs at him all over again and it's just a never ending loop until killer calms down enough to go back to stage 2.
it's a surprisingly good way of dealing with killer's 3rd stage is what dust would say if he didn't watch horror almost get torn apart by killer several times before that and now he has to deal with killer's bleeding from like 40 different wounds
61 notes
·
View notes
Other effects of Pain Tolerance?
This is mostly a bunch of ideas that my brain didn't want to let go of so now I subject everyone to them.
Let's say Vertin is someone who's pain tolerance is very high. This could warp her perceptions of pain. Things we normally find painful are less painful to her, therefore it's tolerable/normal. This is something we see done all the time in other media.
But what about the other effects this could have? Pain is a super important sense that also makes people relate to one another. We know the pain of stepping on a Lego or stubbing your toe. It's a very human (although Vertin is an arcanist) experience and while it's annoying, it connects us to one another. Here are some other things that popped up in my head. Note the brain is just storming so it'll be everywhere (like everything else I do, honestly)
Lack of sensation leading to appreciation
Pain and pleasure are very much intertwined so if she can't feel pain, it's probable other sensations are lessened too. For example, let's use hugs. The first sense we think of is touch but there's more than that.
There are differnet stimuli involved with that contact from heat, their weight against you, their scent, their breathing. If they start talking you can feel that little rumble in their chest. While she can't feel many sensations we take for granted to their fullest, there is alot more engagement in these interactions and it makes her appreciate them more. Or let's use her favorite thing: holding hands!Lines on palms, the size of each individual finger, cold/hot, the pulse, they way their hands fit together, etc. She notices things we don't think about since the interaction registers differently in her head. Her lack of feeling actually makes her more touchy because it's still one of the easiest ways to feel a connection to people, even if it's not in the conventional sense.
Arcanum Shenanigans
Vertin's actually holding hands with people to feel out their emotions through their arcane fluctuations. Maybe she can't feel her own pain, but she can feel your's. She can also sus out things that aren't pain like sincerity or hidden motive but she needs to touch you first. Except when arcane fluctuations/emotions are so intense she can feel them without contact. Things like bloodlust and desperation. We know she can sense arcane skills so this is one step further.
Fear/Hesitance
Vertin recognizes that maybe her pain tolerance messes with her perception and therefore is sometimes afraid she might hurt someone else. She has a very compassionate personality and the idea of accidentally hurting someone makes her hesitant and she restrains herself from otherwise normal interactions. This could also feed into that gentleness we see in her. There a dash of fear in that empathy. Note, I'm not saying that's why she's so nice but it could also be contributing factor.
She'll also overreact to her people's pain because of her skewed perception while being unaware the severity of her own wounds. I write this one a lot 🫠
This side of her could also make an appearance in a intimate/vulnerable settings where the chances of accidentally hurting the other person are higher. Super touchy at first but then hesitates because at the back of her mind she needs to show restraint and be mindful. I bet in impulsive arcanists it'd be doubley awkward cause they're so connected to their emotions. While Vertin has a clear disconnect with her own.
In other words, she overthink a LOT when it comes to anything that puts someone else in a vulnerable position.
Another example: she gets nervous about holding babies. While she can hold fragile little foggies and juvenile birds with no problem, holding a tiny person make her uneasy. Meanwhile her teammates are the type to rough house the baby. Kids? She loves them. Actual babies? Just frozen in place, waiting for someone to save her while she holds the child like it'll break if she blinks to hard. She won't even try to put the baby down in case she "screws up". Someone needs to come get the baby from her.
Of course, she can learn to get over this with time. Needs to unlearn her doubts and over-corrections. She will become the one who throws the baby in the air because they laugh when she catches them once she does. She'll carry them like a dad. If you know, you know.
Open to any other weird ideas about how a high pain tolerance could effect other parts of her life. Could also be a cool exercise that can apply to similar characters!
58 notes
·
View notes
man we all know charlie had an emo phase but I really wanna explore the possibility she wasn't always the charlie we see now. she wasn't always gentle or kind or optimistic and all of those things are hard-won after battling the opposite. that maybe at some point, bitterness and anger and spite started eating her alive and she changed for herself first. that her kindness is selfish at its root, that her altruism is self-serving above all else, because if she kept on the same path, there might be nothing else left of her. and at some point it stopped being about her and started to be about others.
and as a bonus? this version of charlie would pair perfectly with a version of vaggie who wasn't always guilt-ridden, who truly believed in her cause. who was lethal and ruthless and loved what she did because she believed and ultimately it was what did her in. who had truly never hesitated before that child, because extermination wasn't just a necessity, it was a game. entertainment.
idk I just. I love their dynamic already so much but the contrast of charlie becoming optimistic for herself vs vaggie developing guilt and shame over others, and both of them finding the harmony between those extremes?
55 notes
·
View notes
so with echoes of wisdom .. i havent watched any of the trailers beyond the very first one and the thumbnails/screenshots and what others have said about it-
but with the world inside the rift being called "Welt des Nichts" aka "world of nothing/void" in german ('still' in english, for some reason) and demises title in french being "avatar of nothing" ... yeah my anxiety is shooting through the roof again
(hopefully you can be a little more forgiving for me being anxious/weird about it bc demise is my blorbo)
i had similar worries with totk, that werent proven true thankfully, but the darn book is making it all worse again with all those weird lore things the game doesnt even so much as hint at AND potential retcons- im in for a really rough time huh, not just stress in real life (more in tags.. its alot) but now about my specific hyperfixation from two things even (AND artblock still..)
weird as it may sound, i dont want demise to get more lore, partly bc i dont believe theyd do anything with him that i would like (given their track record) but much more importantly- the fact that he has this little lore about him is precisely one of the reasons why i fell in love with him, i tend to like characters that are neglected by the narrative, and his story being both so flat and already done meant i can be very creative with what i come up with for him without necessarily contradicting anything in canon
(which is ... or was a big point of how i wrote destiny's story and lore, working with canon in a way that reframes it all without straight up ignoring it ... but i suppose i urgently need to let go of that and accept i spend alot of time working things that will go to waste :( )
AND not having to worry that there will be more stuff with him that would massively change not only what im writing but also potentially how i feel about him since the game he was briefly in was the oldest chronologically and ended with his death- i didnt expect them to mess with anything that far back and thought theyd just go forward and leave the timeline behind and wouldnt mess with it again, given how botw seemed to be a sort of 'fresh start' that seemingly regarded the past as the past that needs to rest and that the timeline was finally no longer a discussion if everythings unified through botw and one thing going forward
but i suppose i was very wrong with that .__.
right now the only thing that motivates me still is the left over determination and spite to work on my zelda comic, since i have never gotten this far and really want to get something done for once, but i cant lie that im feeling like i should pause all work on it too to wait and see waht the book and the new game will do .. either to determine if i still have the will to keep working on it after those things are out (my love for tloz has been taking alot of hits lately ..) or if i have to change stuff (mostly bc of my lore problem trying to not ignore it ..)
33 notes
·
View notes